Grandfather In Heaven Quotes

We've searched our database for all the quotes and captions related to Grandfather In Heaven. Here they are! All 72 of them:

We want not so much a Father but a grandfather in heaven, a God who said of anything we happened to like doing, 'What does it matter so long as they are contented?
C.S. Lewis (The Problem of Pain)
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish.
Alice Sebold (The Lovely Bones)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot. I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them? I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls. I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor. We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
What would really satisfy us would be a God who said of anything we happened to like doing, ‘What does it matter so long as they are contented?’ We want, in fact, not so much a Father in Heaven as a grandfather in heaven — a senile benevolence who, as they say, ‘liked to see young people enjoying themselves,’ and whose plan for the universe was simply that it might be truly said at the end of each day, ‘a good time was had by all.
C.S. Lewis
Grandfather used to call the rain 'the erotic ritual between heaven and Earth.' The rain represented the seeds sown in the Earth’s womb by heaven, her roaring husband, to further life. Rainy encounters between heaven and Earth were sexual love on a cosmic scale. All of nature became involved. Clouds, heaven’s body, were titillated by the storm. In turn, heaven caressed the Earth with heavy winds, which rushed toward their erotic climax, the tornado. The grasses that pop out of the Earth’s warm center shortly after the rain are called the numberless children of Earth who will serve humankind’s need for nourishment. The rainy season is the season of life. Yes, it had rained the night before.
Malidoma Patrice Somé (Of Water and the Spirit: Ritual, Magic, and Initiation in the Life of an African Shaman (Compass))
All this to say: I am forty-three years old. I may yet live another forty. What do I do with those years? How do I fill them without Lexy? When I come to tell the story of my life, there will be a line, creased and blurred and soft with age, where she stops. If I win the lottery, if I father a child, if I lose the use of my legs, it will be after she has finished knowing me. "When I get to Heaven", my grandmother used to say, widowed at thirty-nine, "your grandfather won't even recognize me.
Carolyn Parkhurst (The Dogs of Babel)
Mr. Pritchard! What are you doing? Is that O-soto-gari? No! It is not! It is a yak mating with a tractor! That is really very very not very good! My grandfather is weeping in Heaven, or he would if there were such a place, which there is not because religion is a mystification contrived by monarchists! Again! Again, and this time do it properly!
Nick Harkaway (Angelmaker)
Swing low, sweet chariot, comin'for t'carry me home...' was the tune I hummed as I made the beds, and waited for the news to come that our grandfather was on his way to heaven if his gold counted, and to hell if the Devil couldn't be bribed.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
This morning a splendid dawn passed over our house on its way, to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather’s grave turned into the light, and the dew on his weedy little mortality patch was glorious.
Marilynne Robinson (Gilead)
Poor old Jean Valjean, of course, loved Cosette only as a father; but, as we noted earlier, into this fatherly love his lonely single status in life had introduced every other kind of love; he loved Cosette as his daughter, and he loved her as his mother, and he loved her as his sister; and, as he had never had either a lover or a wife, as nature is a creditor that does not accept nonpayment, that particular feeling, too, the most indestructible of all, had thrown itself in with the rest, vague, ignorant, heavenly, angelic, divine; less a feeling than an instinct, less an instinct than an attraction, imperceptible and invisible but real; and love, truly called, lay in his enormous tenderness for Cosette the way a vein of gold lies in the mountain, dark and virginal. We should bear in mind that state of the heart that we have already mentioned. Marriage between them was out of the question, even that of souls; and yet it is certain that their destinies had joined together as one. Except for Cosette, that is, except for a child, Jean Valjean had never, in all his long life, known anything about love. Serial passions and love affairs had not laid those successive shades of green over him, fresh green on top of dark green, that you notice on foliage that has come through winter and on men that have passed their fifties. In short, and we have insisted on this more than once, this whole inner fusion, this whole set, the result of which was lofty virtue, had wound up making Jean Valjean a father for Cosette. A strange father, forged out of the grandfather, son, brother, and husband that were all in Jean Valjean; a father in whom there was even a mother; a father who loved Cosette and worshipped her, and for whom that child was light, was home, was his homeland, was paradise.
Victor Hugo (Les Misérables)
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him. We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility. ... 'Please don't let Daddy die, Susie,' he whispered. 'I need him.' When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced. I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately? 'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said. I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry. 'Do you remember?' he asked. 'Barber!' 'Adagio for Strings,' he said. But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why. 'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco. When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.
Alice Sebold
My grandfather went to Heaven. I know this because he taught my mother how to wiggle her ears. I know this because my mother walks the same way my grandfather did and on the days my mother cannot get out of bed her single comfort is knowing she has his blood.
Andrea Gibson (The Madness Vase)
Jesus Christ is not a cosmic errand boy. I mean no disrespect or irreverence in so saying, but I do intend to convey the idea that while he loves us deeply and dearly, Christ the Lord is not perched on the edge of heaven, anxiously anticipating our next wish. When we speak of God being good to us, we generally mean that he is kind to us. In the words of the inimitable C. S. Lewis, "What would really satisfy us would be a god who said of anything we happened to like doing, 'What does it matter so long as they are contented?' We want, in fact, not so much a father in heaven as a grandfather in heaven--a senile benevolence who as they say, 'liked to see young people enjoying themselves,' and whose plan for the universe was simply that it might be truly said at the end of each day, 'a good time was had by all.'" You know and I know that our Lord is much, much more than that. One writer observed: "When we so emphasize Christ's benefits that he becomes nothing more than what his significance is 'for me' we are in danger. . . . Evangelism that says 'come on, it's good for you'; discipleship that concentrates on the benefits package; sermons that 'use' Jesus as the means to a better life or marriage or job or attitude--these all turn Jesus into an expression of that nice god who always meets my spiritual needs. And this is why I am increasingly hesitant to speak of Jesus as my personal Lord and Savior. As Ken Woodward put it in a 1994 essay, 'Now I think we all need to be converted--over and over again, but having a personal Savior has always struck me as, well, elitist, like having a personal tailor. I'm satisfied to have the same Lord and Savior as everyone else.' Jesus is not a personal Savior who only seeks to meet my needs. He is the risen, crucified Lord of all creation who seeks to guide me back into the truth." . . . His infinity does not preclude either his immediacy or his intimacy. One man stated that "I want neither a terrorist spirituality that keeps me in a perpetual state of fright about being in right relationship with my heavenly Father nor a sappy spirituality that portrays God as such a benign teddy bear that there is no aberrant behavior or desire of mine that he will not condone." . . . Christ is not "my buddy." There is a natural tendency, and it is a dangerous one, to seek to bring Jesus down to our level in an effort to draw closer to him. This is a problem among people both in and outside the LDS faith. Of course we should seek with all our hearts to draw near to him. Of course we should strive to set aside all barriers that would prevent us from closer fellowship with him. And of course we should pray and labor and serve in an effort to close the gap between what we are and what we should be. But drawing close to the Lord is serious business; we nudge our way into intimacy at the peril of our souls. . . . Another gospel irony is that the way to get close to the Lord is not by attempting in any way to shrink the distance between us, to emphasize more of his humanity than his divinity, or to speak to him or of him in casual, colloquial language. . . . Those who have come to know the Lord best--the prophets or covenant spokesmen--are also those who speak of him in reverent tones, who, like Isaiah, find themselves crying out, "Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the King, the Lord of hosts" (Isaiah 6:5). Coming into the presence of the Almighty is no light thing; we feel to respond soberly to God's command to Moses: "Put off thy shoes from off thy feet, for the place whereon thou standest is holy ground" (Exodus 3:5). Elder Bruce R. McConkie explained, "Those who truly love the Lord and who worship the Father in the name of the Son by the power of the Spirit, according to the approved patterns, maintain a reverential barrier between themselves and all the members of the Godhead.
Robert L. Millet
His grandfather believed in spirits and learned Hebrew, because he thought that was the language of heaven.
Kol Anderson (The Perfect Place)
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
Daniel Nayeri (Everything Sad Is Untrue)
His coach drew up before the Duke of Stanhope’s town house, and Ian walked swiftly up the front steps, almost knocking poor Ormsley, who opened the door, off his feet in his haste to get to his grandfather upstairs. A few minutes later he strode back down and into the library, where he flung himself into a chair, his eyes riveted on the clock. Upstairs the household was in an uproar as the duke called for his valet, his butler, and his footmen. Unlike Ian, however, the duke was ecstatic. “Ormsley, Ian needs me!” the duke said happily, stripping off his jacket and pulling off his neckcloth. “He walked right in here and said it.” Ormsley beamed. “He did indeed, your grace.” “I feel twenty years younger.” Ormsley nodded. “This is a very great day.” “What in hell is keeping Anderson? I need a shave. I want evening clothes-black, I think-a diamond stickpin and diamond studs. Stop thrusting that cane at me, man.” “You shouldn’t overly exert yourself, your grace.” “Ormsley,” said the duke as he walked over to an armoire and flung the doors open, “if you think I’m going to be leaning on that damned cane on the greatest night of my life, you’re out of your mind. I’ll walk in there beside my grandson unaided, thank you very much. Where the devil is Anderson?
Judith McNaught (Almost Heaven (Sequels, #3))
Before every meal, my grandfather would toast, "If I had a ticket to heaven and you didn't have on, too, I'd tear my ticket to pieces and go to hell with you" They were like real live leprechauns. Full of mischief and whimsy, those two. pg. 226
B.B. Easton (44 Chapters About 4 Men)
My dearest Tully— I am so sorry. I know how afraid you are of being alone, of being left behind, but God has His plan for all of us. I would have stayed with you longer if I could have. Your grandfather and I will always be watching out for you from Heaven.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
I told you Grandfather is easy. Tom, I mean my father, is the same: they don’t put barriers against me. It is Grandmother, it is always other women, apart from you, who put up barriers against girls and on themselves. I know men can be tyrants, but a lot of women are nasty to women – everybody says it, unless you have not met Jjajja Nsangi, Grandfather’s sister.’ ‘Kirabo, have you seen God come down from heaven to make humans behave?’ ‘No.’ ‘That is because some people have appointed themselves his police. And I tell you, child, the police are far worse than God himself. That is why the day you catch your man with another woman, you will go for the woman and not him. My grandmothers called it kweluma. That is when oppressed people turn on each other or on themselves and bite. It is as a form of relief. If you cannot bite your oppressor, you bite yourself.
Jennifer Nansubuga Makumbi (The First Woman)
As a family they still flew the flight of the immigrant rocket, the upward, unbroken immigrant trajectory from slave-driven great-grandfather to self-driven grandfather to self-confident, accomplished, independent father to the highest high flier of them all, the fourth-generation child for whom America was to be heaven itself. No wonder he couldn’t shut up.
Philip Roth (American Pastoral (The American Trilogy, #1))
Heidi began to read of the son when he was happily at home, and went out into the fields with his father's flocks, and was dressed in a fine cloak, and stood leaning on his shepherd's staff watching as the sun went down, just as he was to be seen in the picture. But then all at once he wanted to have his own goods and money and to be his own master, and so he asked his father to give him his portion, and he left his home and went and wasted all his substance. And when he had nothing left he hired himself out to a master who had no flocks and fields like his father, but only swine to keep; and so he was obliged to watch these, and he only had rags to wear and a few husks to eat such as the swine fed upon. And then he thought of his old happy life at home and of how kindly his father had treated him and how ungrateful he had been, and he wept for sorrow and longing. And he thought to himself, "I will arise and go to my father, and will say to him, 'Father, I am not worthy to be called thy son; make me as one of thy hired servants.' " And when he was yet a great way off his father saw him . . . Here Heidi paused in her reading. "What do you think happens now, grandfather?" she said. "Do you think the father is still angry and will say to him, 'I told you so!' Well, listen now to what comes next." His father saw him, and had compassion, and ran, and fell on his neck and kissed him. And the son said to him, "Father, I have sinned against heaven and in thy sight, and am no more worthy to be called thy son." But the father said to his servants, "Bring forth the best robe, and put it on him; and put a ring on his hand and shoes on his feet: and bring hither the fatted calf and kill it; and let us eat and be merry, for this my son was dead and is alive again; he was lost and is found. And they began to be merry." "Isn't that a beautiful tale, grandfather," said Heidi, as the latter continued to sit without speaking, for she had expected him to express pleasure and astonishment.
Johanna Spyri (Heidi (Heidi, #1-2))
This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather’s grave turned into the light, and the dew on his weedy little mortality patch was glorious.
James Wood (How Fiction Works)
When the angels of the Bible spoke to human beings, did they speak in words? I don’t think so. I think the angels said nothing, but they were heard in the purest silence of the human spirit, and were understood beyond words. On a more human scale there are many things beyond. A mother watches her child leave home. Her heart is still. Her eyes are full of tears and prayer. That is beyond. An old man with wrinkled hands is carrying his grandchild. With startled eyes the baby regards his grandfather. The old man, with the knowledge of Time’s sadness in his heart, and with love in his eyes, looks down at the child. The meeting of their eyes. That is beyond. A famous writer, feeling his life coming to an end, writes these words: ‘My soul looks back and wonders – just how I got I got over.’ A young woman, standing on a shore, looks out into an immense azure sea rimmed with the silver line of the horizon. She looks out into the obscure heart of destiny, and is overwhelmed by a feeling both dark and oddly joyful. She may be thinking something like this: ‘My soul looks forward and wonders- just how am I to get across.’ That is beyond.
Ben Okri (Birds of Heaven)
By the goodness of God we mean nowadays almost exclusively His lovingness; and in this we may be right. And by Love, in this context, most of us mean kindness—the desire to see others than the self happy; not happy in this way or in that, but just happy. What would really satisfy us would be a God who said of anything we happened to like doing, ‘What does it matter so long as they are contented?’ We want, in fact, not so much a Father in Heaven as a grandfather in heaven—a senile benevolence who, as they say, ‘liked to see young people enjoying themselves’, and whose plan for the universe was simply that it might be truly said at the end of each day, ‘a good time was had by all’. Not many people, I admit, would formulate a theology in precisely those terms: but a conception not very different lurks at the back of many minds. I do not claim to be an exception: I should very much like to live in a universe which was governed on such lines. But since it is abundantly clear that I don’t, and since I have reason to believe, nevertheless, that God is Love, I conclude that my conception of love needs correction. —from The Problem of Pain
C.S. Lewis (A Year with C. S. Lewis: Daily Readings from His Classic Works)
that a statesman should devote his life to studying “the science of politics, in order to acquire in advance all the knowledge that it may be necessary for him to use at some future time”; that authority in a state must always be divided; and that of the three known forms of government—monarchy, aristocracy and people—the best is a mixture of all three, for each one taken on its own can lead to disaster: kings can be capricious, aristocrats self-interested, and “an unbridled multitude enjoying unwonted power more terrifying than a conflagration or a raging sea.” Often today I reread On the Republic, and always I am moved, especially by the passage at the end of book six, when Scipio describes how his grandfather appears to him in a dream and takes him up into the heavens to show him the smallness of the earth in comparison to the grandeur of the Milky Way, where the spirits of dead statesmen dwell as stars. The description was inspired by the vast, clear night skies above the Bay of Naples: I gazed in every direction and all appeared wonderfully beautiful. There were stars which we never see from earth, and they were all larger than we have ever imagined. The starry spheres were much greater than the earth; indeed the earth itself seemed to me so small that I was scornful of our empire, which covers only a single point, as it were, upon its surface. “If only you will look on high,” the old man tells Scipio, “and contemplate this eternal home and resting place, you will no longer bother with the gossip of the common herd or put your trust in human reward for your exploits. Nor will any man’s reputation endure very long, for what men say dies with them and is blotted out with the forgetfulness of posterity.
Robert Harris (Dictator)
Isn't that a beautiful tale, grandfather," said Heidi, as the latter continued to sit without speaking, for she had expected him to express pleasure and astonishment. "You are right, Heidi; it is a beautiful tale," he replied, but he looked so grave as he said it that Heidi grew silent herself and sat looking quietly at her pictures. Presently she pushed her book gently in front of him and said, "See how happy he is there," and she pointed with her finger to the figure of the returned prodigal, who was standing by his father clad in fresh raiment as one of his own sons again. A few hours later, as Heidi lay fast asleep in her bed, the grandfather went up the ladder and put his lamp down near her bed so that the light fell on the sleeping child. Her hands were still folded as if she had fallen asleep saying her prayers, an expression of peace and trust lay on the little face, and something in it seemed to appeal to the grandfather, for he stood a long time gazing down at her without speaking. At last he too folded his hands, and with bowed head said in a low voice, "Father, I have sinned against heaven and before thee and am not worthy to be called thy son." And two large tears rolled down the old man's cheeks. Early the next morning he stood in front of his hut and gazed quietly around him. The fresh bright morning sun lay on mountain and valley. The sound of a few early bells rang up from the valley, and the birds were singing their morning song in the fir trees. He stepped back into the hut and called up, "Come along, Heidi! the sun is up! Put on your best frock, for we are going to church together!" Heidi was not long getting ready; it was such an unusual summons from her grandfather that she must make haste. She put on her smart Frankfurt dress and soon went down, but when she saw her grandfather she stood still, gazing at him in astonishment. "Why, grandfather!" she exclaimed, "I never saw you look like that before! and the coat with the silver buttons! Oh, you do look nice in your Sunday coat!" The old man smiled and replied, "And you too; now come along!" He took Heidi's hand in his and together they walked down the mountain side. The bells were ringing in every direction now, sounding louder and fuller as they neared the valley, and Heidi listened to them with delight. "Hark at them, grandfather! it's like a great festival!" The congregation had already assembled and the singing had begun when Heidi and her grandfather entered the church at Dorfli and sat down at the back. But before the hymn was over every one was nudging his neighbor and whispering, "Do you see? Alm-Uncle is in church!" Soon everybody in the church knew of Alm-Uncle's presence, and the women kept on turning round to look and quite lost their place in the singing. But everybody became more attentive when the sermon began, for the preacher spoke with such warmth and thankfulness that those present felt the effect of his words, as if some great joy had come to them all.
Johanna Spyri (Heidi (Heidi, #1-2))
Ian, about Elizabeth Cameron. Her duenna said some things-“ That alarmingly pleasant yet distant smile returned to Ian’s face. “I’ll spare you further conversation, Duncan. It’s over.” “The discussion or-“ “All of it.” “It didn’t look over to me!” Duncan snapped, nudged to the edge by Ian’s infuriating calm. “That scene I witnessed-“ “You witnessed the end.” He said that, Duncan noted, with the same deadly finality, the same amused calm with which he’d spoken of his grandfather. It was as if he’d resolved matters to his complete satisfaction in his own mind, and nothing and no one could ever invade the place where he put them to rest. Based on Ian’s last reaction to the matter of Elizabeth Cameron, she was now relegated to the same category as the Duke of Stanhope. Frustrated, Duncan jerked the bottle of brandy off the table at Ian’s elbow and splashed some into his glass. “There’s something I’ve never told you,” he said angrily. “And that is?” Ian inquired. “I hate it when you turn all pleasant and amused. I’d rather see you furious! At least then I know I still have a chance of reaching you.” To Duncan’s boundless annoyance, Ian merely picked up his book and started reading again.
Judith McNaught (Almost Heaven (Sequels, #3))
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 
William Faulkner (Absalom, Absalom!)
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
I understand felicitations are in order.” Ian started. His betrothal to Christina, which was about to be broken, was not yet common knowledge. “Christina Taylor is a lovely young woman. I knew her grandfather and her uncles, and, of course, her father, the Earl of Melbourne. She’ll make you a fine wife, Ian.” “Inasmuch as bigamy is a crime in this country, I find that unlikely.” Startled by the discovery that his information was apparently incorrect, Edward took another swallow of champagne and asked, “May I ask who the fortunate young woman is, then?” Ian opened his mouth to tell him to go to hell, but there was something alarming about the way his grandfather was slowly putting his glass down.
Judith McNaught (Almost Heaven (Sequels, #3))
Now, where were we when our conversation had to be abandoned downstairs?” he said when Ian handed the papers back to him. Ian’s thoughts were still in the study, where a desk was filled with his likenesses and carefully maintained reports of every facet of his life, and for a moment he looked blankly at the older man. “Ah, yes,” the duke prodded as Ian sat down across from him, “we were discussing your future wife. Who is the fortunate young woman?” Propping his ankle atop the opposite knee, Ian leaned back in his chair and regarded him in casual, speculative silence, one dark brow lifted in amused mockery. “Don’t you know?” he asked dryly. “I’ve known for five days. Or is Mr. Norwich behind in his correspondence again?” His grandfather stiffened and then seemed to age in his chair. “Charity,” he said quietly. With a ragged sigh he lifted his eyes to Ian’s, his gaze proud and beseeching at the same time. “Are you angry?” “I don’t know.” He nodded. “Do you have any idea how difficult it is to say ‘I’m sorry’?” "Don't say it," Ian said curtly. His grandfather drew a long breath and nodded again, accepting Ian's answer. "Well, then, can we talk? For just a little while?" "What do you want to talk about?" "Your future wife, for one thing," he said warmly. "Who is she?" "Elizabeth Cameron." The duke gave a start. "Really? I thought you had done with that messy affair two years ago." Ian suppressed a grim smile at his phrasing and his gall. "I shall send her my congratulations at once," his grandfather announced. "They'd be extremely premature," Ian said flatly.
Judith McNaught (Almost Heaven (Sequels, #3))
Your butler informed me you were here. I thought-that is, I wondered how things were going.” “And since my butler didn’t know,” Ian concluded with amused irritation, “you decided to call on Elizabeth and see if you could discover for yourself?” “Something like that,” the vicar said calmly. “Elizabeth regards me as a friend, I think. And so I planned to call on her and, if you weren’t here, to put in a good word for you.” “Only one?” Ian said mildly. The vicar did not back down; he rarely did, particularly in matters of morality or justice. “Given your treatment of her, I was hard pressed to think of one. How did matters turn out with your grandfather?” “Well enough,” Ina said, his mind on meeting with Elizabeth. “He’s here in London.” “And?” “And,” Ian said sardonically, “you may now address me as ‘my lord.’” “I’ve come here,” Duncan persisted implacably, “to address you as ‘the bridegroom.’” A flash of annoyance crossed Ian’s tanned features. “You never stop pressing, do you? I’ve managed my own life for thirty years, Duncan. I think I can do it now.” Duncan had the grace to look slightly abashed. “You’re right, of course. Shall I leave?” Ian considered the benefits of Duncan’s soothing presence and reluctantly shook his head. “No. In fact, since you’re here,” he continued as they neared the top step, “you may as well be the one to announce us to the butler. I can’t get past him.” Duncan lifted the knocker while bestowing a mocking glance on Ian. “You can’t get past the butler, and you think you’re managing very well without me?” Declining to rise to that bait, Ian remained silent. The door opened a moment later, and the butler looked politely from Duncan, who began to give his name, to Ian. To Duncan’s startled disbelief, the door came crashing forward in his face. An instant before it banged into its frame Ian twisted, slamming his shoulder into it and sending the butler flying backward into the hall and ricocheting off the wall. In a low, savage voice he said, “Tell your mistress I’m here, or I’ll find her myself and tell her.” With a glance of furious outrage the older man considered Ian’s superior size and powerful frame, then turned and started reluctantly for a room ahead and to the left, where muted voices could be heard. Duncan eyed Ian with one gray eyebrow lifted and said sardonically, “Very clever of you to ingratiate yourself so well with Elizabeth’s servants.” The group in the drawing room reacted with diverse emotions to Bentner’s announcement that “Thornton is here and forced his way into the house.” The dowager duchess looked fascinated, Julius looked both relived and dismayed, Alexandra looked wary, and Elizabeth, who was still preoccupied with her uncle’s unstated purpose for his visit, looked nonplussed. Only Lucinda showed no expression at all, but she laid her needlework aside and lifted her face attentively toward the doorway.
Judith McNaught (Almost Heaven (Sequels, #3))
Have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it? That night he had answered no. Tonight he would have said yes. Among other things, he wanted to know where she was; a month ago he’d told himself it was because he wanted the divorce petition served. Tonight he was too exhausted from his long internal battle to bother lying to himself anymore. He wanted to know where she was because he needed to know. His grandfather claimed not to know; his uncle and Alexandra both know, but they’d both refused to tell him, and he hadn’t pressed them. Wearily, Ian leaned his head against the back of his chair and closed his eyes, but he wouldn’t sleep, and he knew it, even though it was three o’clock in the morning. He never slept anymore unless he’d either had a day of grueling physical activity or drunk enough brandy to knock himself out. And even when he did, he laid awake, wanting her, and knowing-because she’d told him-that she was somewhere out there, lying awake, wanting him. A faint smile touched his lips as he remembered her standing in the witness box, looking heartbreakingly young and beautiful, first trying logically to explain to everyone what had happened-and when that failed, playing the part of an incorrigible henwit. Ian chuckled, as he’d been doing whenever he thought of her that day. Only Elizabeth would have dared to take on the entire House of Lords-and when she couldn’t sway them with intelligent logic, she had changed tack and used their own stupidity and arrogance to defeat them. If he hadn’t felt so furious and betrayed that day, he’d have stood up and given her the applause she deserved! It was exactly the same tactic she’d used the night he’d been accused of cheating at cards. When she couldn’t convince Everly to withdraw from the duel because Ian was innocent, she’d turned on the hapless youth and outrageously taken him to task because he’d already engaged himself to her the next day. Despite his accusation that her performance in the House of Lords had been motivated by self-interest, he knew it hadn’t. She’d come to save him, she thought, from hanging.
Judith McNaught (Almost Heaven (Sequels, #3))
He bowed politely to Hortense, who tipped her head toward the elderly gray-haired lady beside her, who seemed to be dozing, her head drooping slightly forward. “And this person, you may recall, is my sister Charity, your other great-aunt, who has again dozed off as she so often does. It’s her age, you understand.” The little gray head snapped up, and blue eyes popped open, leveling on Hortense in wounded affront. “I’m only four little years older than you, Hortense, and it’s very mean-spirited of you to go about reminding everyone of it,” she cried in a hurt voice; then she saw Ian standing in front of her, and a beatific smile lit her face. “Ian, dear boy, do you remember me?” “Certainly, ma’am,” Ian began courteously, but Charity interrupted him as she turned a triumphant glance on her sister. “There, you see, Hortense-he remembers me, and it is because, though I may be just a trifle older than you, I have not aged nearly so much as you in the last years! Have I?” she asked, turning hopefully to Ian. “If you’ll take my advice,” his grandfather said dryly, “you won’t answer that question.
Judith McNaught (Almost Heaven (Sequels, #3))
Ever since he’d set eyes on Elizabeth Cameron he’d been blind-no, he corrected himself with furious self-disgust, in England he’d recognized instinctively what she was-gentle and proud, brave and innocent and…rare. He’d known damned well she wasn’t a promiscuous little flirt, yet he’d later convinced himself she was, and then he’d treated her like one here-and she had endured it the entire time she’d been here! She had let him say those things to her and then tried to excuse his behavior by blaming herself for behaving like “a shameless wanton” in England! Bile rose up in his throat, suffocating him, and he closed his eyes. She was so damned sweet, and so forgiving, that she even did that for him. Duncan hadn’t moved; in taut silence he watched his nephew standing at the window, his eyes clenched shut, his stance like that of a man who was being stretched on the rack. Finally Ian spoke, and his voice was rough with emotion, as if the words were being gouged out of him: “Did the woman say that, or was that your own opinion?” “About what?” Drawing a ragged breath, he asked, “Did she tell you that Elizabeth was in love with me two years ago, or was that your opinion?” The answer to that obviously meant so much to Ian that Duncan almost smiled. At the moment, however, the vicar was more concerned with the two things he wanted above all else: He wanted Ian to wed Elizabeth and rectify the damage he’d done to her, and he wanted Ian to reconcile with his grandfather. In order to do the former, Ian would have to do the latter, for Elizabeth’s uncle was evidently determined that her husband should have a title if possible. So badly did Duncan want those two things to happen that he almost lied to help the cause, but the precepts of his conscience forbade it. “It was Miss Throckmorton-Jones’s opinion when she was under the influence of laudanum. It is also my opinion, based on everything I saw in Elizabeth’s character and behavior to you.” He waited through another long moment of awful suspense, knowing exactly where Ian’s thoughts would have to turn next, and then he plunged in, ready to press home his advantage with hard, systematic logic. “You have no choice except to rescue her from that repugnant marriage.
Judith McNaught (Almost Heaven (Sequels, #3))
That miserable son of a bitch!” he bit out between clenched teeth. “After eleven years he’s going to have it his way. And all because I couldn’t keep my hands off her.” The vicar could scarcely conceal his joyous relief. “There are worse things than having to marry a wonderful young woman who also had the excellent judgment to fall in love with you,” he pointed out. Ian almost, but not quite, smiled at that. The impulse passed in an instant, however, as reality crushed down on him, infuriating and complicated. “Whatever she felt for me, it was a long time ago. All she wants now is independence.” The vicar’s brows shot up, and he chuckled with surprise. “Independence? Really? What an odd notion for a female. I’m sure you’ll be able to disabuse her of such fanciful ideas.” “Don’t count on it.” “Independence is vastly overrated. Give it to her and she’ll hate it,” he suggested. Ian scarcely heard him; the fury at having to capitulate to his grandfather was building inside him again with terrible force. “Damn him!” he said in a murderous underbreath. “I’d have let him rot in hell, and his title with him.” Duncan’s smile didn’t fade as he said with asperity, “It’s possible that it’s fear of ‘rotting in hell,’ as you so picturesquely phrased it, that has made him so desperate to affirm you now as his heir.
Judith McNaught (Almost Heaven (Sequels, #3))
I suspect, however, that the thing that confuses you about Ian is that he’s half Scot. In many ways he’s more Scot than English, which accounts for what you’re calling a ruthless streak. He’ll do what he pleases, when he pleases, and the devil fly with the consequences. He always has. He doesn’t care what anyone thinks of him or of what he does.” Pausing, Jordan glanced meaningfully at the couple who’d paused to look at a shrubbery on the front lawn. Ian was listening to Elizabeth intently, an expression of tenderness on his rugged face. “The other night, however, he cared very much what people thought of your lovely friend. In fact, I don’t like to think what he might have done had anyone actually dared to openly insult her in front of him. You’re right when you aren’t deceived by Ian’s civilized veneer. Beneath that he’s a Scot, and he has a temper to go with it, though he usually keeps it in check.” “I don’t think you’re reassuring me,” Alex said shakily. “I should be. He’s committed himself completely to her. That commitment is so deep that he even reconciled with his grandfather and then appeared with him in public, which I know was because of Elizabeth.” “What on earth makes you think that?” “For one thing, when I saw Ian at the Blackmore he had no plans for the evening until he discovered what Elizabeth was going to do at the Willingtons’. The next I knew, he was walking into that ball with his grandfather at his side. And that, my love, is what we call a show of strength.” She looked impressed by his powers of deduction, and Jordan grinned. “Don’t admire me too much. I also asked him. So you see, you’re worrying needlessly,” he finished reassuringly. “Scots are a fiercely loyal lot, and Ian will protect her with his life.” “He certainly didn’t protect her with his life two years ago, when she was ruined.” Sighing, Jordan looked out the window. “After the Willingtons’ ball he told me a little of what happened that long-ago weekend. He didn’t tell me much-Ian is a very private man-but reading between the lines, I’m guessing that he fell like a rock for her and then got the idea she was playing games with him.” “Would that have been so terrible?” Alexandra asked, her full sympathy still with Elizabeth. Jordan smiled ruefully at her. “There’s one thing Scots are besides loyal.” “What is that?” “Unforgiving,” he said flatly. “They expect the same loyalty as they give. Moreover, if you betray their loyalty, you’re dead to them. Nothing you do or say will change their heart. That’s why their feuds last from generation to generation.” “Barbaric,” Alexandra said with a shiver of alarm. “Perhaps it is. But then let’s not forget Ian is also half English, and we are very civilized.” Leaning down, Jordan nipped her ear. “Except in bed.
Judith McNaught (Almost Heaven (Sequels, #3))
Now his grandfather’s actions were adding to his unwanted notoriety. The death of Ian’s father had evidently caused the old duke to feel some belated request for the estrangement, and for the last twelve years he’d been writing to Ian periodically. At first he had pleaded with Ian to come and visit him at Stanhope. When Ian ignored his letters, he’d tried bribing him with promises to name Ian his legitimate heir. Those letters had gone unanswered, and for the last two years the old man’s silence had misled Ian into thinking he’d given up. Four months ago, however, another letter bearing Stanhope’s ducal crest had been delivered to Ian, and this one infuriated him. The old man had imperiously given Ian four months in which to appear at Stanhope and meet with him to discuss arrangements for the transfer of six estates-estates that would have been Ian’s father’s inheritance had the duke not disowned him. According to the letter, if Ian did not appear, the duke planned to proceed without him, publicly naming him his heir. Ian had written to his grandfather for the first time in his life; the note had been short and final. It was also eloquent proof that Ian Thornton was as unforgiving as his grandfather, who’d rejected his own son for two decades: Try it and you’ll look a fool. I’ll disclaim all knowledge of any relationship with you, and if you still persist, I’ll let your title and your estates rot.
Judith McNaught (Almost Heaven (Sequels, #3))
What?” “Marry her,” Dev said flatly. “She’s too pretty to be a housekeeper and too well spoken to be a doxy. She won’t be cowed by His Grace, and she’ll keep you in fresh linens and good food all your days.” “Dev?” Westhaven cocked his head. “Are you serious?” “I am. You have to marry, Westhaven. I would spare you that if I could, but there it is. This one will do admirably, and she’s better bred than the average housekeeper, I can tell you that.” “How can you tell me that?” “Her height for one thing,” Dev said as they made for the house. “The peasantry are rarely tall, and they never have such good teeth. Her diction is flawless, not simply adequate. Her skin is that of lady, as are her manners. And look at her hands, man. It remains true you can tell a lady by her hands, and those are the hands of a lady.” Westhaven frowned, saying nothing. Those were the very observations he had made of Anna while they rusticated at Amery’s. She was a lady, for all her wielding of dusters and wearing of caps. “And yet she says her grandfather was in trade,” Westhaven noted when they arrived to the kitchen. “He raised flowers commercially, and she bouquets the house with a vengeance. We’re also boasting a very well-stocked pantry and a supply of marzipan for me. The sweet of your choice will be stocked, as well, as I won’t take kindly to your pinching mine.” “Heaven forefend,” Dev muttered as Westhaven procured a fistful of cookies.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
At the moment Ormsley looked on the verge of tears as his damp, faded blue eyes roved almost lovingly over Ian’s face. “Good afternoon, my lord,” he intoned formally, but the ecstatic expression on his face gaze Ian the impression the servant was restraining himself from wrapping his arms around him. “And-and may I say-“ The elderly man stopped, his voice hoarse with emotion, and cleared his throat. “And may I say how very-how very very good it is to have you here at-“ His voice choked, he flushed, and Ian’s ire at his grandfather was momentarily forgotten. “Good afternoon, Ormsley,” Ian said, grinning at the look of sublime pleasure that crossed Ormsley’s lined face when Ian knew his name. Sensing the butler was about to bow again, Ian put out his hand instead, forcing the loyal retainer to shake hands with him. “I trust,” Ian joked gently, “that you’ve conquered your habit of overindulging in French brandy?” The faded old eyes brightened like diamonds at this added proof that Ian’s father had spoken of him to Ian. “Welcome home. Welcome home at last, my lord,” Ormsley said hoarsely, returning Ian’s handshake. “I’m only staying a few hours,” Ian told him calmly, and the butler’s hand went a little limp with disappointment. He recovered himself, however, and escorted Ian down a wide, oak-paneled hall. A small army of footmen and housemaids seemed to be lurking about, ostensibly dusting mirrors, paneling, and floors. As Ian passed, several of them stole long, lingering looks at him, then turned to exchange swift gratified smiles. His mind on the looming meeting with his grandfather, Ian was oblivious to the searching scrutiny and startled glances he was receiving, but he was dimly aware that a few of the servants were hastily dabbing at their eyes and noses with handkerchiefs.
Judith McNaught (Almost Heaven (Sequels, #3))
Over the next few days we spent every waking moment together. We made up silly dances, did puzzles in the evening, and she stood smiling on the beach waiting for me as I took my customary New Year’s dip in the freezing cold North Atlantic. I just had a sense that we were meant to be. I even found out she lived in the next-door road along from where I was renting a room from a friend in London. What were the chances of that? As the week drew to a close we both got ready to head back south to London. She was flying. I was driving. “I’ll beat you to London,” I challenged her. She smiled knowingly. “No, you won’t.” (But I love your spirit.) She, of course, won. It took me ten hours to drive. But at 10:00 P.M. that same night I turned up at her door and knocked. She answered in her pajamas. “Damn, you were right,” I said, laughing. “Shall we go for some supper together?” “I’m in my pajamas, Bear.” “I know, and you look amazing. Put a coat on. Come on.” And so she did. Our first date, and Shara in her pajamas. Now here was a cool girl. From then on we were rarely apart. I delivered love letters to her office by day and persuaded her to take endless afternoons off. We roller-skated in the parks, and I took her down to the Isle of Wight for the weekends. Mum and Dad had since moved to my grandfather’s old house in Dorset, and had rented out our cottage on the island. But we still had an old caravan parked down the side of the house, hidden under a load of bushes, so any of the family could sneak into it when they wanted. The floors were rotten and the bath full of bugs, but neither Shara nor I cared. It was heaven just to be together. Within a week I knew she was the one for me and within a fortnight we had told each other that we loved each other, heart and soul. Deep down I knew that this was going to make having to go away to Everest for three and a half months very hard. But if I survived, I promised myself that I would marry this girl.
Bear Grylls (Mud, Sweat and Tears)
Ian’s method of dealing with Sir Francis Belhaven—who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him—was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are—are you trying to force a—duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest—none at all. Everyone knows what kind of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over the ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman said. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly.
Judith McNaught (Almost Heaven (Sequels, #3))
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
Judith McNaught (Almost Heaven (Sequels, #3))
You’re so pale.” Ashley’s hands were on Miranda’s shoulders now, patting gently. “Do you want some water?” “Maybe she’s going to pass out,” Parker said. “Maybe you should slap her or something.” “Oh, for heaven’s sake, Parker!” “Well, I didn’t mean hit her hard--” “This isn’t the football field. Nobody’s going to hit anybody.” “I’m fine.” Miranda nodded. “Honest. I’m fine.” But her stomach was churning, dry heaves almost, at the back of her throat. She should have had something for lunch, should have eaten breakfast like Mom told her to do. “What about my grandfather?” But it was as if she hadn’t spoken. “She is pale,” Gage insisted. “Do you think she’s gonna be sick?” Parker was instantly on his feet. “Turn her the other way!
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Very devout like his great-grandfather St. Louis, though not his equal in intelligence or will, Philip was fascinated by the all-absorbing question of the Beatific Vision: whether the souls of the blessed see the face of God immediately upon entering Heaven or whether they have to wait until the Day of Judgment. The question was of real concern because the intercession of the saints on behalf of man was effective only if they had been admitted into the presence of God. Shrines possessing saints’ relics relied for revenue on popular confidence that a particular saint was in a position to make a personal appeal to the Almighty. Philip VI twice summoned theologians to debate the issue before him and fell into a “mighty choler” when the papal legate to Paris conveyed Pope John XXII’s doubts of the Beatific Vision. “The King reprimanded him sharply and threatened to burn him like an Albigensian unless he retracted, and said further that if the Pope really held such views he would regard him as a heretic.” A worried man, Philip wrote to the Pope that to deny the Beatific Vision was to destroy belief in the intercession of the Virgin and saints. Fortunately for the King’s peace of mind, a papal commission decided after thorough investigation that the souls of the Blessed did indeed come face to face with the Divine Essence.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
First the war, then the influenza…” she said. “An early winter…” “And then Grandfather,” I said, making her smile. “I like Grandfather,” said Cassie. “He calls me the Queen of Questions!” Anna laughed. “Cassie will tell you all about him. She asks him questions from morning until night,” said Sarah. “And Caleb writes everything down in his journal!” said Cassie. “Someday I’m going to write everything down, too,” she added. “Heaven help us,” said Sarah. She and Anna began to laugh.
Patricia MacLachlan (Caleb's Story (Sarah, Plain and Tall #3))
We want ,in fact not so much a Father in Heaven but a grandfather in heaven -a senile benevolence who, as they say, “ liked to see young people enjoying themselves and whose plan for the universe was simply that it might truly be said at the end of the day “ a good time was had by all
C.S. Lewis
How can school help you with the land?" he asked. An old grandfather leaned out of the shadows to make answer. "Learning clears the mind," he said, "and books open the spirit of man to heaven and to the earth." "Do you know how to read?" Il-han asked. The old man touched his wrinkled eyelids. "These two eyes can see only the surface of what life is.
Pearl S. Buck (Living Reed: A Novel of Korea)
An Angel told me that all of creation, further than the eye can see, can be thought of as a great tree. Its branches, twigs, and leaves have lives and directions of their own. They grow—winding, weaving, deviating, breaking, dying—as fate allows. Still, no matter their lives and directions, they all share the same trunk & the same roots, the same singular point of origin. Like the roots under the soil of the ground, we may not see them, but we know they’re there. Without roots, the tree would fall over in the wind or it would die from lack of nutrients. The Angel said that there once existed a single universe at the root, a grandfather universe, which most sentient beings might call “Heaven.” It was a glorious place that burned with otherworldly flames that radiated from the angelic host and the God of gods so that it was never dark and never night. A great disaster came upon Heaven: the very first rebellion, the very first war.
Steven Seril (The Destroyer of Worlds: An Answer to Every Question)
How Can Black People Write About Flowers at a Time Like This" dear reader, with our heels digging into the good mud at a swamp’s edge, you might tell me something about the dandelion & how it is not a flower itself but a plant made up of several small flowers at its crown & lord knows I have been called by what I look like more than I have been called by what I actually am & I wish to return the favor for the purpose of this exercise. which, too, is an attempt at fashioning something pretty out of seeds refusing to make anything worthwhile of their burial. size me up & skip whatever semantics arrive to the tongue first. say: that boy he look like a hollowed-out grandfather clock. he look like a million-dollar god with a two-cent heaven. like all it takes is one kiss & before morning, you could scatter his whole mind across a field.
Hanif Abdurraqib
your grandfather said, 'Suffer little children to come unto Me': and what did He mean by that? how, if He meant that little children should need to be suffered to approach Him, what sort of earth had He created; that if they had to suffer in order to approach Him, what sort of heaven did He have?
William Faulkner (Absalom, Absalom!)
Poor old Jean Valjean, of course, loved Cosette only as a father; but, as we noted earlier, into this fatherly love his lonely single status in life had introduced every other kind of love; he loved Cosette as his daughter, and he loved her as his mother, and he loved her as his sister; and, as he had never had either a lover or a wife, as nature is a creditor that does not accept nonpayment, that particular feeling, too, the most indestructible of all, had thrown itself in with the rest, vague, ignorant, heavenly, angelic, divine; less a feeling than an instinct, less an instinct than an attraction, imperceptible and invisible but real; and love, truly called, lay in his enormous tenderness for Cosette the way a vein of gold lies in the mountain, dark and virginal. We should bear in mind that state of the heart that we have already mentioned. Marriage between them was out of the question, even that of souls; and yet it is certain that their destinies had joined together as one. Except for Cosette, that is, except for a child, Jean Valjean had never, in all his long life, known anything about love. Serial passions and love affairs had not laid those successive shades of green over him, fresh green on top of dark green, that you notice on foliage that has come through winter and on men that have passed their fifties. In short, and we have insisted on this more than once, this whole inner fusion, this whole set, the result of which was lofty virtue, had wound up making Jean Valjean a father for Cosette. A strange father, forged out of the grandfather, son, brother, and husband that were all in Jean Valjean; a father in whom there was even a mother; a father who loved Cosette and worshipped her, and for whom that child was light, was home, was his homeland, was paradise.
Victor Hugo
Harsh times require difficult high-risk decisions. My grandmother was born in February 1884 on a small island off the coast of Norway. On the day of her christening, her father sighted a swirl of fish offshore. A heaven-sent gift for extra mouths to feed in a lean winter? He and his partner rowed out despite the waves. They hoisted their nets again and again, until the boat was full. Should they persist or go home? The fish were still there, and they might not come back, so the men also filled a spare dinghy, connected to their boat by a chain. The wind rose, the dinghy flipped, the chain could not be cut, and both boats went down. My great-grandmother was helpless onshore, holding her newborn daughter as her husband drowned. Optimism and boldness are often worthwhile, but occasionally they are fatal. The perils of risk-taking in a harsh environment may help to explain why my great-grandfather’s surviving descendants have tendencies to anxiety and pessimism.
Randolph M. Nesse (Good Reasons for Bad Feelings: Insights from the Frontier of Evolutionary Psychiatry)
my grandfather is right, then death is only going to be a doorway from this world into Heaven. And if he's wrong, then it's simply going to be the end of my consciousness. I won't feel anything, I won't know that I'm dead, I will just come to an end.
David Archer (Code Name Camelot (Noah Wolf, #1))
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s gaze slid over her body, lingering a fraction too long on her breasts before looking back into her eyes. “He said he could make more money, but there was only one of her. In the end, his family relented, and he whisked her into Chicago high society.” “It sounds like a fairy tale.” “It was,” Mitch said, his tone low and private. The story and his voice wrapped her in a safe cocoon where the world outside this room didn’t exist. “In the sixty years they were together, they never spent more than a week a part. He died of a heart attack and she followed two months later.” She studied the bedspread, picking at a piece of lint. “I guess if you’re going to get married, that’s the way to do it.” “Any
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Let me read what the Ancient of Days has shared with me concerning the final days.” He picked up a clay tablet and read, “‘In those days, punishment shall go forth from the Lord of Spirits; and the receptacles of water which are above the heavens shall be opened, and the fountains likewise, which are beneath the earth. All the waters, which are in the heavens and above them, shall come together to purge the earth.’” He returned the clay tablet. Kenana had another epiphany. “Generation. Adam’s generation was perfect before Eve ate the forbidden fruit in the Garden of Eden. When Adam and Eve disobeyed El, they entered a state of degeneration. After the coming flood, the world will be purified again. That is regeneration. That is the sacred secret.” Her grandfather grinned warmly at her. “Someday, child, you shall make a fine prophet.
Summer Lee (Quests of the Heart: Six Christian Novels)
This all could have been so much easier,” he added with a sigh, “if you’d known sooner what was happening to Elizabeth. You have many acquaintances in English society; how is it they never mentioned it to you?” “In the first place, I was away from England for almost a year after the episode. In the second place,” Ian added with contempt, “among what is amusingly called Polite Society, matters that concern you are never discussed with you. They are discussed with everyone else, directly behind your back if possible.” Ian watched an inexplicable smile trace its way across his uncle’s face. “Putting their gossip aside, you find them an uncommonly proud, autocratic, self-assured group, is that it?” “For the most part, yes,” Ian said shortly as he turned and strode up the stairs. When his door closed the vicar spoke to the empty room. “Ian,” he said, his shoulders beginning to shake with laughter, “you may as well have the title-you were born with the traits.” After a moment, however, he sobered and lifted his eyes to the beamed ceiling, his expression one of sublime contentment. “Thank You,” he said in the direction of heaven. “It took You a rather long time to answer the first prayer,” he added, referring to the reconciliation with Ian’s grandfather, “but You were wonderfully prompt with the one for Elizabeth.
Judith McNaught (Almost Heaven (Sequels, #3))
Susan Clarke, who either was a daughter from the mixed-race marriage of James F. Clarke and Mary Dulcet, or a child of the biracial couple John D. Clarke and Elizabeth Fish, entered into a permanent relationship with a white lumber merchant from Georgia, L. H. Rossignol, around 1847. In the 1850s, she acquired property in Palatka, as well as an eighty-seven-acre farm outside of town. Her neighbors included her young uncles Philip and Alex Clarke, her grandfather's sons by the slave Hannah Benet, and Amelia Anderson Clarke, her absent cousin's (or brother's) wife. In 1860, she shared a household with Rossignol, seven biracial children, and her young uncle Alex Clarke. Through her efforts, the latter acquired Palatka real estate. Thirty free blacks resided at the river port in 1860, including Amelia Anderson Clarke, Hannah Benet, and Ramona Fernández, another mixed-race woman linked to the Clarkes. Susan Clarke functioned as the matriarch of this small free black community, which had tripled in size since 1850.43 Her pedigree, ancestral ties to the Palatka locale, property ownership, and business skills helped to make her a leader.
Frank Marotti (Heaven's Soldiers: Free People of Color and the Spanish Legacy in Antebellum Florida (Atlantic Crossings))
Never Let Me Down" (feat. Jay-Z, J-Ivy) [Intro:] Yeah Grandmama Told you I won't let you down Told you I won't let this rap game change me, right? [Chorus:] When it comes to being true, at least true to me One thing I found,one thing I found Oh no you'll neva let me down, Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) [Jay-Z:] Yo, yo first I snatched the street then I snatched the charts, First had they ear now I hav they're heart, Rappers came and went, I've been hear from the start, Seen them put it together Watch them take it apart, See the Rovers roll up wit ribbons I've seen them re-poed, re-sold and re-driven So when I reload, he holds #1 position When u hot I'm hot And when your feet cold, mines is sizzelin It's plain to see Nigga's can't f*** wit me Cuz ima be that nigga fo life This is not an image This is God given This is hard liven Mixed wit crystal sipping It's the most consistent Hov Give you the most hits you can fit inside a whole disc and Nigga I'm home on these charts, y'all niggaz visitin It's Hov tradition, Jeff Gordan of rap I'm back to claim pole position, holla at ya boy [Chorus] [Kanye West:] I get down for my grandfather who took my momma Made her sit that seat where white folks ain't wanna us to eat At the tender age of 6 she was arrested for the sit in With that in my blood I was born to be different Now niggas can't make it to ballots to choose leadership But we can make it to Jacob and to the dealership That's why I hear new music And I just don't be feeling it Racism still alive they just be concealing it But I know they don't want me in the damn club They even made me show I.D to get inside of Sam's club I did dirt and went to church to get my hands scrubbed Swear I've been baptised at least 3 or 4 times But in the land where nigga's praise Yukons and getting paid It gon' take a lot more than coupons to get us saved Like it take a lot more than do-rags to get your waves Noting sadder than that day my girl father past away So I promised to Mr Rany I'm gonna marry your daughter And u know I gotta thank u for they way that she was brought up And I know that u were smiling when u see that car I bought her And u sent tears from heaven when u seen my car get balled up But I can't complaint what the accident did to my Left Eye Cuz look what a accident did to Left Eye First Aaliyah and now romeo must die I know a got angels watching me from the other side
Kanye West
324This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out its sleep into a sunlight grandly announced, proclaimed throughout heaven--one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather's grave turned into the light, and the dew on his weedy little mortality patch was glorious
Marilynne Robinson
Be The Love Commandment (A Sonnet) Instead of worrying about a fictitious judgment day, Make your actual today a real nonjudgment day. Instead of hoping for a fictitious heaven after death, Make this world that you have an abode without hate. Plenty of heart force we have wasted on fiction, Plenty of attention we have placed on insecurity. Now it's time to redirect our time and priorities, It is time to be the valiant vanguards of reality. I ain’t talkin’ about being chained to the reality, Nor about keeping things the way they are for so long. All I'm asking is, we pay attention to the now and here, Instead of obsessing over tales from days long gone. So, stand up to the tyrants as apocalypse incarnate. Reach out to the needy as a living love commandment.
Abhijit Naskar (Either Reformist or Terrorist: If You Are Terror I Am Your Grandfather)
In October, Dad’s mother, my Nanny, got very sick. She had been fighting breast cancer, and now it had gone into her lymph nodes. She had been a nurse, and she knew her hour was near. She wanted to go on her terms, and a wonderful hospice team came to her home. Nick came with me to see her one last time, and he was my rock. My father couldn’t bear to go into her room, but Nick came in with me. She was beautiful, so sick but still radiating the grace she brought to the demands of being a pastor’s wife. I realized that everything that was good in my life, I had because of her. Nanny had paid to press my first album. She was the reason I had a career at all and the reason I met Nick. I smoothed her hair back as I told her I was there. She squeezed my hand. “Nick is here, too, Nanny,” I whispered. “I want you to know we’re back together. I’m gonna marry him, Nanny. Just like you wanted.” She squeezed my hand again. “We’re going to have a beautiful wedding,” I said, “and you’ll always be with me. You’ll be right there.” She had asked to have my version of “His Eye Is on the Sparrow,” the last song off my second album, on repeat as she passed. As she took her last breath, surrounded by love and her family, my voice filled the room, saying, “His eye is on the sparrow, and I know He watches me.” It’s a celebration of faith and gratitude that no matter how insignificant we may feel, God is looking out for us. At her funeral at First Baptist Church of Leander, Nick was a pallbearer and helped to carry her home. I will always be grateful to him for that. She was reunited in heaven with my late grandfather, to whom she had been married for forty-one years. I wanted that forever love for Nick and me, too.
Jessica Simpson (Open Book)
Our Grandfathers which art in chaos, Fallow be thy names. Thy kingdom scour, Thy will devour the earth, and hell, and heaven.’ Here at the end of everything, this is all the comfort or reassurance I have left to offer anyone. May it prove to be enough for my brother, and for me.
Matt Cardin (DIVINATIONS OF THE DEEP)
Heavens! what a virulent attack!” replied the prince, not in the least disconcerted by this reception. He had just entered, wearing an embroidered court uniform, knee breeches, and shoes, and had stars on his breast and a serene expression on his flat face. He spoke in that refined French in which our grandfathers not only spoke but thought, and with the gentle, patronizing intonation natural to a man of importance who had grown old in society and at court. He went up to Anna Pavlovna, kissed her hand, presenting to her his bald, scented, and shining head, and complacently seated himself on the sofa.
Leo Tolstoy (War and Peace)
I need him only because I happen to adore him, because his company brings me gladness and comfort, and because, as a friend's grandfather once put it, “Sometimes life is too hard to be alone, and sometimes life is too good to be alone.” The same goes for Felipe: He needs me only for my companionship as well. Seems like a lot, but it isn't much at all; it is only love. And a love-based marriage does not guarantee the lifelong binding contract of a clan-based marriage or an asset-based marriage; it cannot. By unnerving definition, anything that the heart has chosen for its own mysterious reasons it can always unchoose later--again, for its own mysterious reasons. And a shared private heaven can quickly descend into a failed private hell.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
You’ve got to do your own growing, no matter how tall your grandfather was. Never interrupt your opponent while he’s making a mistake. May the Lord keep you in his hand and never close his fist too tight. May the saddest day of your future be no worse than the happiest day of your past. May you be half an hour in heaven before the devil knows you’re dead. May you live to be a hundred years, with one extra year to repent. Who gossips with you will gossip of you. A handful of skill is worth a bagful of gold. A friend’s eye is a good mirror. Count your rainbows, not your thunderstorms.
Stephen Revell (Picture Perfect (Weddings by Design #1))
Heavens! what a virulent attack!" replied the prince, not in the least disconcerted by this reception. He had just entered, wearing an embroidered court uniform, knee breeches, and shoes, and had stars on his breast and a serene expression on his flat face. He spoke in that refined French in which our grandfathers not only spoke but thought, and with the gentle, patronizing intonation natural to a man of importance who had grown old in society and at court.
Leo Tolstoy (War and Peace)
Qi is the material basis and life-sustaining force of all existence within the body—” “A parrot can say words,” Grandmother interrupts, still irritated, it seems, by Grandfather’s views on midwives, “but does it understand their deeper meaning?” I try harder. “Everything in the universe has qi. Mountains, stars, animals, people, emotions—” “I like to say qi is the pulsation of the cosmos,” Grandmother comments, “while the body is a reflection of the cosmos—all governed by yin and yang.” Hearing Grandmother’s hint, information I’ve memorized since I came here rushes from my mouth. “Yin and yang are dark and light, down and up, inner and outer, old and young, water and fire, Earth and Heaven.” Grandfather encourages me to continue. “Yin is—” “The source of death,” I finish for him. “Yang is—” “The root of life. Yin is shadowy and female, while yang is positive and male.
Lisa See (Lady Tan's Circle of Women)