Grand Scheme Quotes

This could be the last night of our lives, certainly the last even barely ordinary one. The last night we go to sleep and get up just as we always have. And all I could think of was that I wanted to spend it with you." Her heart skipped a beat. "Jace-" "I don't mean it like that," he said. "I won't touch you, not if you don't want me to. I know it's wrong - God, it's all kinds of wrong - but I just want to lie down with you and wake up with you, just once, just once ever in my life." There was desperation in his voice. "It's just this one night. In the grand scheme of things, how much can this one night matter?" ...There was nothing she had ever wanted in her life more than she wanted this night with Jace. "Close the curtains, then, before you come to bed," she said. "I can't sleep with this much light in the room.

...a home can only exist in a moment. Something both bound and made. Always temporary, in the grand scheme of things, but vital all the same.

And then what are your plans?” Annwyl frowned. “My plans?” “Yes. Your plans. You take your brother’s head, your troops are waiting. What is the next thing that you do?” Annwyl just stared at him. He realized in that instant that the girl had no plans. None. No grand schemes of controlling the world. No plots to destroy any other empires. Not even the plan to have a celebratory dinner. “Annwyl, you’ll be queen. You’ll have to do something.” “But I don’t want to be queen.” Her body shook with panic, and he could hear it in her voice. “You take his head, you’ll have little choice.” “What the hell am I supposed to do as queen?” “Well . .you could try ruling.” “That sounds awfully complicated.

A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity.

We are nothing in the grand scheme of things, and yet in that nothingness lies everything.

The Griffith House was like nothing Viviane remembered, reminding her of how fast the world changed and of how insignificant she was in the grand scheme of things. She thought it unfair that her life should be both irrelevant and difficult. One or the other seemed quite enough.

I am thinking about how enormous my thighs look pressed down on the concrete, while simultaneously thinking about how small I am in the grand scheme of things.

I am Death and no one defeats or escapes Death. (Thanatos) You know, I’ll bet most people shit their pants in terror when you hand them that line. But you know what, Mr. I-want-to-be-scary-and-am-failing-miserably? I’m not a person. I’m a Dark-Hunter and in the grand scheme of things you don’t mean shit to me. Now I can sit here and play with you, but I'd rather just put you out of both our miseries. (Zarek)

In fact, in the grand scheme of things, everyone was equally useless.

The ticket to emotional health, like that to physical health, comes from eating your veggies—that is, accepting the bland and mundane truths of life: truths such as “Your actions actually don’t matter that much in the grand scheme of things” and “The vast majority of your life will be boring and not noteworthy, and that’s okay.” This vegetable course will taste bad at first. Very bad. You will avoid accepting it. But once ingested, your body will wake up feeling more potent and more alive. After all, that constant pressure to be something amazing, to be the next big thing, will be lifted off your back. The stress and anxiety of always feeling inadequate and constantly needing to prove yourself will dissipate. And the knowledge and acceptance of your own mundane existence will actually free you to accomplish what you truly wish to accomplish, without judgment or lofty expectations. You

In the grand scheme of things, we do the best we can, all of us, and we make up our stories as we go along; we write them and direct them and project them into the world. And sometimes we get other people’s stories, and sometimes we don’t, but always there is a story behind a story behind a story, linked in a chain that we can only see a small part of, because it’s there when we’re born and it continues after we’re gone. And who can comprehend all of it in one lifetime?

SOMETIMES, WHEN SOMETHING TERRIBLE IS HAPPENING, I TRY MY DAMNEDEST TO CONCENTRATE ON THE MOST INCONSEQUENTIAL, UNRELATED DETAIL READILY AVAILABLE TO ME. A DETAIL THAT, IN THE GRAND SCHEME OF THINGS, HAS NOTHING TO DO WITH THE SITUATION AT HAND.

When you take risks you learn that there will be times when you succeed and there will be times when you fail, and both are equally important. It's hard to understand failure when you're going through it, but in the grand scheme of things it's good to fall down—not because you're drunk and not near stairs.

Don't throw any of yourself away. Don't worry about a grand scheme or unified vision for your work. Don't worry about unity--what unifies your work is the fact that you made it. One day you'll look back and it will all make sense.

We say in the grand scheme of things as if there were one. We say that's not how the world works as if the world works.

In the grand scheme of life, nobody grows old keeping their soul unblemished.

The whole panorama makes me realize how small I am, in the grand scheme of things. How insignificant my problems are when you zoom out and out and out and see the whole of the world.

I’m a million cameras, even when I’m sleeping, clicking, clicking, every second something is growing and changing. We are little arrogant flashes in a grand magnificent scheme.

You realize how small you are in the grand scheme of things. We’re not really the rulers of this planet, we’re just tenants, and it’s the small stuff, the bacteria and insects and the plant matter that really runs it all. Even the big stuff, the nasty, scary stuff, it’s all pretty small in the grand scheme of things, isn’t it?

I realize thirty is just a number, that you're only as old as you feel and all that. I also realize that in the grand scheme of things, thirty is still young. But it's not that young.

In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defence of the new. The world is often unkind to new talent, new creations, the new needs friends... Not everyone can become a great artist, but a great artist can come from anywhere.

She will not come back, but her beauty, her voice, will echo until the end of time. She believed in something beyond herself, and her death gave her voice power it didn’t have in life. She was pure, like your father. We, you and I” — he touches my chest with the back of his index finger — “are dirty. We are made for blood. Rough hands. Dirty hearts. We are lesser creatures in the grand scheme of things, but without us men of war, no one except those of Lykos would hear Eo’s song. Without our rough hands, the dreams of the pure hearts would never be built.

The one great principle of the English law is, to make business for itself. There is no other principle distinctly, certainly, and consistently maintained through all its narrow turnings. Viewed by this light it becomes a coherent scheme, and not the monstrous maze the laity are apt to think it. Let them but once clearly perceive that its grand principle is to make business for itself at their expense, and surely they will cease to grumble.

Remember to remember your power - everything you've learned with these steps to financial freedom - and put it all into practice everyday, because in the grand scheme of life, you'll never really know how things are meant to turn out until they turn out.

For the core of religion is the twinned principle of arrogance and fear. Fear of oblivion. Fear of an unfair life and an arbitrary universe. Fear of there simply being nothing, no great and grand scheme to existence. The fear, ultimately, of being powerless.

I’m an Aristos. I don’t think you want to tangle with me. (Angelia) Like I give a shit. I’m a god, baby, so in the grand scheme of things, if I wanted to rip your head off and use it for a bowling ball, there’s not many who could stop me and most of those who could would be too afraid of me to even try. (Zarek)

This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them

During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted - A Very Long Poem, by Marty Schoenleber III

So what if we would have forfeited money on a vacation? In the grand scheme of things, losing dollars is nothing compared to losing time.

a home can only exist in a moment. Something both found and made. Always temporary, in the grand scheme of things, but vital all the same.

When you take risks you learn that there will be times when you succeed and there will be times when you fail, and both are equally important. It’s hard to understand failure when you’re going through it, but in the grand scheme of things it’s good to fall down—not because you’re drunk and not near stairs. But it’s failure that gives you the proper perspective on success.

The grand scheme of a life, maybe (just maybe), is not about knowing or not knowing, choosing or not choosing. Perhaps what is truly known can’t be described or articulated by creativity or logic, science or art — but perhaps it can be described by the most authentic and meaningful combination of the two: poetry: As Robert Frost wrote, a poem 'begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness. It is never a thought to begin with.' I recommend the following course of action for those who are just beginning their careers or for those like me, who may be reconfiguring midway through: heed the words of Robert Frost. Start with a big, fat lump in your throat, start with a profound sense of wrong, a deep homesickness, or a crazy lovesickness, and run with it.

I like being alive, even if it's occasionally a real struggle and fairly pointless in the grand scheme of things.

It’s hard to understand failure when you’re going through it, but in the grand scheme of things it’s good to fall down—not because you’re drunk and not near stairs.

In the grand scheme of things, the world doesn’t end when our faults clash because it’s cushioned by love and commitment. Oh

In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is more meaningful than our criticism designating it so. ~ Anton Ego, Ratatouille

It’s rare that a story begins at the beginning. In the grand scheme of things, I really turned up at the beginning of the end of this one. After all, the story of the Rephaim and Scion started almost two hundred years before I was born - and human lives, to Rephaim, are as fleeting as a single heartbeat. Some revolutions change the world in a day. Others take decades or centuries or more, and others still never come to fruition. Mine began with a moment and a choice. Mine began with the blooming of a flower in a secret city on the border between worlds. You’ll have to wait and see how it ends. Welcome back to Scion.

We began our life together at a moment of natural self-pity and defeat that left an inimitable impression on both of us. The rejection chastened me and let me know my proper place in the grand scheme of things. It was the last time I would ever make a move that required boldness or a leap of the imagination. I became tentative, suspicious, and dull. I learned to hold my tongue and mark my trail behind me and to look to the future with a wary eye. Finally, I was robbed of a certain optimism, that reckless acceptance of the world and all it could hand my way that had been my strength and deliverance.

By the way, I’ve heard what Simon has been saying.” Heat swept over my face. Another problem, but less important in the grand scheme of things. “Yeah, he’s being a douche. I think it’s his friends. He actually apologized to me, and then when his friends showed up, he told them I was trying to get with him.” Daemon’s eyes narrowed. “That’s not okey.” I sighed. “It’s no big deal.” “Maybe not to you, but it is to me.” He paused, his shoulders squaring. “I’ll take care of it.

He knows that after him everything will continue on much as before, except that there will be a minuscule absence, a barely detective gap in the so-called grand scheme, one unit fewer now. Or not even that, not even an empty space where he once was, for all will rush immediately to fill that vacuum. Pft. Gone. Recollections of him will remain in the minds of others for a while, but presently those others too will die and his few relics with them. And then all will be dark.

My name's Christopher. I was a friend of Jack's before she went back to the Moors. I mean, not really. Jack doesn't have friends, she has minions who haven't figured out their place in the grand scheme of things.

Your sister," I say evenly, "is incredibly sick. I'm sorry if that interferes with your dentist's appointment or your plan to go buy a pair of cleats. But those don't rate quite as high in the grand scheme of things right now. I'd think that since you're ten, you might be able to grow up enough to realize that the whole world doesn't always revolve around you." Jesse looks out the window, where Kate straddles the arm of an oak tree, coaching Anna in how to climb up. "Yeah, right, she's sick," he says. "Why don't you grow up? Why don't you figure out that the world doesn't revolve around her?" ... There is a scuffle on the other side of the door, and then it swings open. Blood covers Jesse's mouth, a vampire's lipstick; bits of wire stick out like a seamstress's pins. I notice the fork he is holding, and realize this is what he used to pull off his braces. "Now you never have to take me anywhere," he says.

I have reveled in my littleness and irresponsibility. It has relieved me of the harassing desire to live, I feel content to live dangerously, indifferent to my fate; I have discovered I am a fly, that we are all flies, that nothing matters. It’s a great load off my life, for I don’t mind being such a micro-organism—to me the honour is sufficient of belonging to the universe—such a great universe, so grand a scheme of things. Not even Death can rob me of that honour. For nothing can alter the fact that I have lived; I have been I, if for ever so short a time. And when I am dead, the matter which composes my body is indestructible—and eternal, so that come what may to my “Soul,” my dust will always be going on, each separate atom of me playing its separate part—I shall still have some sort of a finger in the Pie. When I am dead, you can boil me, burn me, drown me, scatter me—but you cannot destroy me: my little atoms would merely deride such heavy vengeance. Death can do no more than kill you.

This is the meanest thing anyone’s ever done to me,” I said, through my tear-clogged throat. “I want you to know that.” But even as the words were leaving my mouth, I knew it wasn’t true. In the grand, historical scheme of things, my father leaving us was doubtlessly worse. Which is one of the many things that sucked about my father?? he forever robbed me of the possibility of telling another man, This is the worst thing that’s ever happened to me, and meaning it.

Cosmic insignificance therapy is an invitation to face the truth about your irrelevance in the grand scheme of things. To embrace it, to whatever extent you can. (Isn’t it hilarious, in hindsight, that you ever imagined things might be otherwise?) Truly doing justice to the astonishing gift of a few thousand weeks isn’t a matter of resolving to “do something remarkable” with them. In fact, it entails precisely the opposite: refusing to hold them to an abstract and overdemanding standard of remarkableness, against which they can only ever be found wanting, and taking them instead on their own terms, dropping back down from godlike fantasies of cosmic significance into the experience of life as it concretely, finitely—and often enough, marvelously—really is.

Sex is just sex. Sometimes it’s really good, true, but it’s nothing in da grand scheme a’ things. We may have fucked, but we never made love.

And despite all the empowering speeches and the women’s movement, in the grand scheme . . . women are prey.

Was humanity, or even life itself, that significant in the grand scheme of things? Wasn’t humanity's survival directly related to nature's decline?

In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the *new*.

For all the clever jokes that could be made here involving "mind" and "matter" there is one sure and certain variation you can take with you to the grave: "In the grand scheme of things you don't matter very much, and the laws of physics don't mind at all.

Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Sèvres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a mediæval painting

We become so caught up in the busyness of our lives. Were we to step back, however, and take a good look at what we’re doing, we may find that we have immersed ourselves in the ‘thick of thin things.’ In other words, too often we spend most of our time taking care of the things which do not really matter much at all in the grand scheme of things, neglecting those more important causes.

His elegant librarianship ... made me appreciate how order is created: Not through grand schemes - to which I was often drawn - but by small graceful actions, repeated often and refined with time.

You are what you are. People will see you as they see you, which in my experience says a lot more about who they are than who you are. Being true to yourself and giving yourself permission to be who you are and to love who you love... that's what it's all about. The rest... the rest is unimportant in the grand scheme of things.

suppose I mean that children are coming anyway, and in the grand scheme of things it won’t matter much whether any of them are mine or his. We have to try either way to build a world they can live in.

There is no such thing as progress or regress. The world is not getting better and better, nor is it getting worse and worse. It is simply moving along into the future, reiterating in different configurations the patterns that have already occurred. We can’t help but play a role in this unfolding drama, but it is a mistake to think that what we do makes any difference to the grand scheme of things.

Oh, how small we were, in the grand scheme of it all. Our planet was but a speck in the midst of the milky way galaxy, which was a speck in the midst of the known universe. We were fighting to save it, and yet it could disappear without anyone in the nearest solar system even noticing. Small, insignificant. Little more than ants before a giant.

For all the successes of Western civilization, the world paid a dear price in terms of the most crucial component of existence - the human spirit. The shadow side of high technology - modern warfare and thoughtless homicide and suicide, urban blight, ecological mayhem, cataclysmic climate change, polarization of economic resources - is bad enough. Much worse, our focus on exponential progress in science and technology has left many of us relatively bereft in the realm of meaning and joy, and of knowing how our lives fit into the grand scheme of existence for all eternity.

All this to say, what should a woman fight for? Given her limited resources, limited time and energy and inspiration, what is worth fighting for? Is it art? In the grand scheme of things, it sometimes seems so pointless, even selfish. To force one’s point of view on the world- who really needs it, especially when a child needs a mother so immediately? I don’t have any answers other than that art seems essential, as essential as mothering. In order to be a self, it is essential. I should perhaps cease being a person without it. Is that enough of a reason, that it matters to me?

I make them feel like they’re still part of life, part of some grand nutty scheme instead of alone with their diseases, which, most of the time and especially in the Clinic, don’t hardly exist at all. With me, they feel they’re still part of the human race.

But what do promises really mean in the grand scheme of things? When it comes down to it, a promise is little more than an earnest intention; I’ve learned that the universe tends to laugh at those and do its own thing anyway.

Two boys, both in varsity football, kissing under the bleachers, muscular silhouettes merging against the deep purple sky. I wasn’t the only one with a secret. In the grand scheme of things, my secret wasn’t even as dangerous as some of theirs.

I will never be a brain surgeon, and I will never play the piano like Glenn Gould. But what keeps me up late at night, and constantly gives me reason to fret, is this: I don’t know what I don’t know. There are universes of things out there — ideas, philosophies, songs, subtleties, facts, emotions — that exist but of which I am totally and thoroughly unaware. This makes me very uncomfortable. I find that the only way to find out the fuller extent of what I don’t know is for someone to tell me, teach me or show me, and then open my eyes to this bit of information, knowledge, or life experience that I, sadly, never before considered. Afterward, I find something odd happens. I find what I have just learned is suddenly everywhere: on billboards or in the newspaper or SMACK: Right in front of me, and I can’t help but shake my head and speculate how and why I never saw or knew this particular thing before. And I begin to wonder if I could be any different, smarter, or more interesting had I discovered it when everyone else in the world found out about this particular obvious thing. I have been thinking a lot about these first discoveries and also those chance encounters: those elusive happenstances that often lead to defining moments in our lives. […] I once read that the definition of insanity is doing the same thing over and over and expecting different results. I fundamentally disagree with this idea. I think that doing the same thing over and over and expecting different results is the definition of hope. We might keep making mistakes but the struggle gives us a sense of empathy and connectivity that we would not experience otherwise. I believe this empathy improves our ability to see the unseen and better know the unknown. Lives are shaped by chance encounters and by discovering things that we don’t know that we don’t know. The arc of a life is a circuitous one. … In the grand scheme of things, everything we do is an experiment, the outcome of which is unknown. You never know when a typical life will be anything but, and you won’t know if you are rewriting history, or rewriting the future, until the writing is complete. This, just this, I am comfortable not knowing.

Eventually I got to know him well enough to realize this: he delighted in the small things, but also knew that in the grand scheme of the world, nothing we did or felt mattered at all. And he got how that was unbelievably terrifying, but also was the thing that made us free.

If “Nothing is True, Everything is Permitted,” then there is no purpose or grand cosmic scheme to life beyond what we choose to impose or believe. To some this is cynicism. For the Chaos Magician, it is a breath of dizzying freedom.

She knew something else as well. If she put enough steps in line, one after the other, she would get there—to the ticket booth, to Bletchley, to the rest of her life—without crumbling into pieces. In the grand scheme of things, losing Philip wasn’t remotely important. Not in a world where there were invasions of Europe being planned, where millions around the globe were dying. It didn’t matter at all that she felt like she was being torn apart inside by white-hot pincers.

Can you understand this? Shooting dope is all about getting warm and fuzzy. Dependably so. But the Daddy-rush... Forget about it! I've never felt anything so terrifying! It's so real, even the pleasure can break your heart. Which, in the grand scheme of things, is what separates shooting smack from loving your little girl. Heroin may kill you, but it'll never break your heart. Not like a child.

I couldn’t talk. Why couldn’t I… The room was tipping over now. I heard muffled voices. Then it was all black again. I fainted. In the grand scheme of things, it was embarrassing, but survivable.

... the demons already won, a long, long time ago. They devoured the vast majority of the universe, and that's why the planets are so relatively small, compared to the sheer amount of nothingness. It's why we're so very tiny, in the grand scheme of it all. But these things we erroneously call angels surged in strength, they spun out a complete universe from the scraps, and on select scraps, or on a select scrap, they prepared life to emerge." Rose glanced out over the room. "It would be easy to say that the universe is an unending repetition of creation and death. That this has happened before and it'll happen again, and this is the heartbeat of the universe. But in looking at the history of this world, both the clear history, and the one behind the curtain, something stands out. Us. We're another force. And we're only still emerging. We're change. We're an equal to them. We just don't realize it yet.

There is enough mystery in the facts as we know them, enough of conspiracy, coincidence, loose ends, dead ends, multiple interpretations. There is no need […] to invent the grand and masterful scheme, the plot that reaches flawlessly in a dozen directions.

You know what’s really wonderful about those fireflies?” he said, finally, as if they had been having a whole other conversation. “Sure, they live for just a few weeks. Not much at all in the grand scheme of things. But while they’re there, the beauty of them, well, it takes your breath away.” He ran a thumb over the ridge of her knuckles. “You get to see the world in a whole new way. And then you have that beautiful picture burned onto the inside of your head. To carry it wherever you go. And never forget it.

Even shelving that more immediate concern, neither you nor I have any confidence that human civilisation as we know it is going to persist beyond our lifetimes. But then again, no matter what I do, hundreds of thousands of babies will be born on the same day as this hypothetical baby of mine. Their futures are surely just as important as the future of my hypothetical baby, who is distinguished only by its relationship to me and also to the man I love. I suppose I mean that children are coming anyway, and in the grand scheme of things it won’t matter much whether any of them are mine or his. We have to try either way to build a world they can live in. And I feel in a strange sense that I want to be on the children’s side, and on the side of their mothers; to be with them, not just an observer, admiring them from a distance, speculating about their best interests, but one of them. I’m not saying, by the way, that I think that’s important for everyone. I only think, and I can’t explain why, that it’s important for me.

Seen like that, he was just a shadow; darkness, a nothingness, before real power. The men of this world, epics included, would pass from time. I might be a worm to him, but he was a worm himself in the grand scheme of the universe.

If you could see how I see by penetrating the superficial, you'd see the grand scheme of those co called "powerful" officials. It's disgust and deception at its deepest descent and yes, all those involved, it's hell where all reside.

The universe had no choice but to create intelligent life so that there would be someone else that could simply laugh at how unbelievably, ridiculously and senselessly huge the universe is and how utterly insignificant the rest of us are.

The Law of Chaos: Any activity or event that seems to lie beyond the boundaries of possibility will usually be the first thing to occur.

The Law of Moronic Ubiquity: Anything in the universe that is generally considered to be idiot-proof will eventually be ruined by an idiot.

If you killl yourself, Comorra, it will wreck him. Utterly. Believe me on this one. So there you go - there's another casualty of war. And sure, in the grand scheme of things, whoop-dee-doo, who gives a crap about some dude's broken heart. But what about the not-so-grand scheme? Doesn't love count for something? Do you think all this...this carnage would have happened if the Romans hadn't taken Prasutagus away from your mother? If she hadn't been so blinded by grief maybe she would have found a way to work things out with the governor instead of goading him to war." Clare shrugged helplessly. "I don't know. Maybe not. Maybe two people alone in the darkness can't generate enough light to drive it back. But maybe they can be a beacon for others. A candle in the window at midnight, you know? I mean, they can at least be there for each other, right?

Once you were in the hands of a Grand Vizier, you were dead. Grand Viziers were always scheming megalomaniacs. It was probably in the job description: "Are you a devious, plotting, unreliable madman? Ah, good, then you can be my most trusted minister.

It was Andrew realized, not because of tension or nervousness, but purely because of the pulse of her heart, and suddenly he was gripped by possibility once again, that as long as there was that movement in someone, there was capacity to love and now his heart was beating faster and faster as if the power of the river were pushing blood through his veins, urging him to act. He felt Peggy stir, "So", she said, the faintest of tremors in her voice, "Quick question. With scones...do you go with jam or cream first?" Andrew considered the question. "I'm not sure it really matters..." He said. "Not in the grand scheme of things. " And then he leaned across, took Peggy's face in his hands, and kissed her.

In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new, an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto: "Anyone can cook." But I realize, only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.

High school is for losers,” Sam said. “Popularity is a figment of people’s imagination. In the grand scheme of things, it doesn’t matter. It doesn’t matter who was prom queen. It doesn’t matter who was the class geek. It just doesn’t matter. Do you want to know why it doesn’t matter?” Not really. I was starting to feel a little silly. “It doesn’t matter because who you are in high school has nothing to do with who you really are,” Sam said. “It has nothing to do with who you grow up to be. You’re awesome. Clove and Thistle are awesome. Thistle is mean, but she’s still awesome. I don’t give a rat’s ass who you were in high school. The only one who cares who you were in high school is you.

Science may have alleviated the miseries of disease and drudgery and provided an array of gadgetry for our entertainment and convenience, but it has left us in a world without wonder. Our sunsets have been reduced to wavelengths and frequencies. The complexities of the universe have been shredded into mathematical equations. Even our self-worth as human beings has been destroyed. Science proclaims that Planet Earth and its inhabitants are a meaningless speck in the grand scheme. A cosmic accident.” He paused. “Even the technology that promises to unite us, divides us. Each of us is now electronically connected to the globe, and yet we feel utterly alone. We are bombarded with violence, division, fracture, and betrayal. Skepticism has become a virtue. Cynicism and demand for proof has become enlightened thought. Is it any wonder that humans now feel more depressed and defeated than they have at any point in human history? Does science hold anything sacred? Science looks for answers by probing our unborn fetuses. Science even presumes to rearrange our own DNA. It shatters God’s world into smaller and smaller pieces in quest of meaning . . . and all it finds is more questions.

I prefer feeling insignificant," said Jess. "I don't believe that." "I didn't say worthless, I said insignificant, as in the grand scheme of things." "But why?" "Because humans have such a complex. We're so self-involved. You have to get out to a place like this to remember how small humanity really is." And Jess was right. Numbers didn't matter here. Money didn't count, and all the words and glances, the quick exchanges that built or tore down reputations had no meaning in this place. The air was moist. Fallen leaves, spreading branches, and crisscrossing roots wicked water, so that the trees seemed to drink the misty air. Jess said, "All your worries fade away, because..." Emily finished her thought. "The trees put everything in perspective.

The more my heart is parked in a place of thanksgiving and rejoicing, the less room I have for grumpiness. My kids are driving me crazy? At least they are healthy enough to have that kind of energy. Don't miss this chance to rejoice. My laundry is piled to the ceiling? Every stitch of clothing is evidence of life in my home. Don't miss this chance to rejoice. My husband isn’t all skippy romantic about the two of us shopping together? In the grand scheme of life, so what? He’s a good man. Don’t miss this chance to rejoice. I feel unorganized and behind and late on everything? Scale back, let unrealistic expectations go, and savor some happy moments today. Don’t miss this chance to rejoice. The more I rejoice, the more I keep things in perspective. The more I keep things in perspective, the gentler I become.

It's awfully good of some people to have asked me to take the job, but I'd rather read about a grand escape than plan one. Besides, I'm terrible at keeping secrets and I hate to scheme against people. It seems rude. I don't deal with guilt well and I'm worried we might hurt some feelings in the process of defending ourselves. Also, I am juggling a couple of books. Being a full-time conspirator would take away from my reading time.

In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the *new*. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new: an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook." But I realize, only now do I truly understand what he meant. Not everyone can become a great artist; but a great artist *can* come from *anywhere*. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.

When you are in the ether you remember that you are a part of consciousness and that you are being sent out into the world to experience, learn, and grow. You know that physical life is temporary, and that the pain and adversity you face as a physical being is but a moment in your existence. Why do people choose to enter a life that is filled with pain and torment? Because from the perspective of the ether, any pain or adversity is but a blip of discomfort in the grand scheme of things. It’s like asking if you are willing to suffer a paper cut in order to gain vast wisdom and knowledge and tremendous personal growth. When we incarnate, we forget that, so yeah, it can be extremely difficult to understand why horrible things happen to you and even more disconcerting to think you chose for it to happen! This is why I feel it is so important to remember where we came from. When you remember that this life is temporary and that your goal is growth, it can make even the most horrible conditions bearable.

Immigration, exile, being uprooted and made a pariah may be the most effective way yet devised to impress on an individual the arbitrary nature of his or her own existence. Who needed a shrink of a guru when everyone we met asked us who we were the moment we opned our mouths and they heard the accent? The truth is, we had no simple answers. Being rattled around in freight trains, open trucks, and ratty ocean-liners, we ended up being a puzzle even to ourselves. At first, that was hard to take; then we got used to the idea. We began to savor it, to enjoy it. Being nobody struck me personally as being far more interesting than being somebody. The streets were full of these "somebodys" putting on confident airs. Half the time I envied them; half the time I looked down on them with pity. I knew something they didn't, something hard to come by unless history gives you a good kick in the ass: how superfluous and insignificant in any grand scheme mere individuals are. And how pitiless are those who have no understanding that this could be their fate too.

So I help you defeat your brother,” he cut in churlishly. “And then what are your plans?” Annwyl frowned. “My plans?” “Yes. Your plans. You take your brother’s head, your troops are waiting. What is the next thing that you do?” Annwyl just stared at him. He realized in that instant that the girl had no plans. None. No grand schemes of controlling the world. No plots to destroy any other empires. Not even the plan to have a celebratory dinner. “Annwyl, you’ll be queen. You’ll have to do something.” “But I don’t want to be queen.” Her body shook with panic, and he could hear it in her voice. “You take his head, you’ll have little choice.” “What the hell am I supposed to do as queen?” “Well . . . you could try ruling.” “That sounds awfully complicated.” “I don’t understand you.” “What do you mean?” “You command the largest rebellion known to this land. From what I understand, your troops are blindingly loyal to you. And other kingdoms send you reinforcements and gold.” “Your point?” “You’re already queen, Annwyl. You just need to take the crown.” She shook her head. “My father didn’t believe in crowns. There’s a throne, though.” “Then take your throne. Take it and become queen.

How can you derive meaning, purpose, or ethics from evolution? You can’t. Evolution is simply a theory about the process and patterns of life’s diversification, not a grand philosophical scheme about the meaning of life. It can’t tell us what to do, or how we should behave. And this is the big problem for many believers, who want to find in the story of our origins a reason for our existence, and a sense of how to behave.

It’s been said that love is all there is; that a lack of love causes people to do evil things. I can buy that. Take it a step further: capitalism, by itself, is not a bad thing; but when taken to an extreme, as it has been in America—when Christmas is but a measuring stick for how well the economy is doing, when Wall Street and the banking industry turn nescient heads to morality in pursuit of the Almighty Dollar, when love of money overshadows love of self and others—what then? In the grand scheme of the universe—whatever that scheme may be—when one considers its immensity, that it has existed for billions of years, some of us realize how insignificant our seventy or eighty years is; while others, for whatever reason (selfishness?) pursue materialism to a vulgar degree. In the end, what does all that matter, really? It’s nice to spoil oneself from time to time; but really, life’s true gift to oneself is doing and giving to others. That’s love.

Do those of you in like Chicago or NYC ever notice how commuters on the train tend to get all quiet and intense when South Side or South Bronx starts to flow past? If you look closely at the faces, you see it’s not depression, not even discomfort; it’s a kind of rigid fascination with the beauty of ruins in which people live but look or love nothing like you, a horizonful of numbly complex vistas in slab-gray and spraypaint-red. Hieroglyphs on walls, people on stoops, hoops w/o nets. White people have always loved to gaze at the ‘real black world,’ preferably at a distance and while moving briskly through, toward business. A view from this remove yields easy abstractions about rap in its role as just the latest ‘black’ music. Like: the less real power a people have, the more they’ll assert hegemony in areas that don’t much matter in any grand scheme. A way to rule in hell: their own vocabulary, syntax, gestures, music, dance; own food; religious rhetoric; social and party customs; that…well-known athletic superiority—the foot-speed, vertical leap—we like them in fields, cotton- or ball-. It’s a Hell we like to look at because it has so clearly been made someone else’s very own….And the exported popular arts! The singing and dancing!…each innovation, new Scene, and genius born of a ‘suffering’ we somehow long to imagine, even as we co-opt, overpay, homogenize, make the best of that suffering song go to stud for our own pale performers.

I was already an atheist, and by my senior year I had became obsessed with the question “What is the meaning of life?” I wrote my personal statement for college admissions on the meaninglessness of life. I spent the winter of my senior year in a kind of philosophical depression—not a clinical depression, just a pervasive sense that everything was pointless. In the grand scheme of things, I thought, it really didn’t matter whether I got into college, or whether the Earth was destroyed by an asteroid or by nuclear war. My despair was particularly strange because, for the first time since the age of four, my life was perfect. I had a wonderful girlfriend, great friends, and loving parents. I was captain of the track team, and, perhaps most important for a seventeen-year-old boy, I got to drive around in my father’s 1966 Thunderbird convertible. Yet I kept wondering why any of it mattered. Like the author of Ecclesiastes, I thought that “all is vanity and a chasing after wind” (ECCLESIASTES 1:14) . I finally escaped when, after a week of thinking about suicide (in the abstract, not as a plan), I turned the problem inside out. There is no God and no externally given meaning to life, I thought, so from one perspective it really wouldn’t matter if I killed myself tomorrow. Very well, then everything beyond tomorrow is a gift with no strings and no expectations. There is no test to hand in at the end of life, so there is no way to fail. If this really is all there is, why not embrace it, rather than throw it away? I don’t know whether this realization lifted my mood or whether an improving mood helped me to reframe the problem with hope; but my existential depression lifted and I enjoyed the last months of high school.

Anyway, my dad gave me a whole birth-control kit for college, so we don’t even have to worry about it.” Peter nearly chokes on his sandwich. “A birth-control kit?” “Sure. Condoms and…” Dental dams. “Peter, do you know what a dental dam is?” “A what? Is that what dentists use to keep your mouth open when they clean it?” I giggle. “No. It’s for oral sex. And here I thought you were this big expert and you were going to be the one to teach me everything at college!” My heart speeds up as I wait for him to make a joke about the two of us finally having sex at college, but he doesn’t. He frowns and says, “I don’t like the thought of your dad thinking we’re doing it when we’re not.” “He just wants us to be careful is all. He’s a professional, remember?” I pat him on the knee. “Either way, I’m not getting pregnant, so it’s fine.” He crumples up his napkin and tosses it in the paper bag, his eyes still on the road. “Your parents met in college, didn’t they?” I’m surprised he remembers. I don’t remember telling him that. “Yeah.” “So how old were they? Eighteen? Nineteen?” Peter’s headed somewhere with this line of questioning. “Twenty, I think.” His face dims but just slightly. “Okay, twenty. I’m eighteen and you’ll be eighteen next month. Twenty is just two years older. So what difference does two years make in the grand scheme of things?” He beams a smile at me. “Your parents met at twenty; we met at--” “Twelve,” I supply. Peter frowns, annoyed that I’ve messed up his argument. “Okay, so we met when were kids, but we didn’t get together until we were seventeen--” “I was sixteen.” “We didn’t get together for real until we were both basically seventeen. Which is basically the same thing as eighteen, which is basically the same thing as twenty.” He has the self-satisfied look of a lawyer who has just delivered a winning closing statement. “That’s a very long and twisty line of logic,” I say. “Have you ever thought about being a lawyer?” “No, but now I’m thinking maybe?

Small and hidden is the door that leads inward, and the entrance is barred by countless prejudices, mistaken assumptions, and fears. Always one wishes to hear of grand political and economic schemes, the very things that have landed every nation in a morass. Therefore it sounds grotesque when anyone speaks of hidden doors, dreams, and a world within. What has this vapid idealism got to do with gigantic economic programmes, with the so-called problems of reality? But I speak not to nations, only to the individual few, for whom it goes without saying that cultural values do not drop down like manna from heaven, but are created by the hands of individuals. If things go wrong in the world, this is because something is wrong with the individual, because something is wrong with me. Therefore, if I am sensible, I shall put myself right first. For this I need—because outside authority no longer means anything to me—a knowledge of the innermost foundations of my being, in order that I may base myself firmly on the eternal facts of the human psyche.

I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.

Every night, millions of Americans spend their free hours watching television rather than engaging in any form of social interaction. What are they watching? In recent years we have seen reality television become the most popular form of television programming. To discover the nature of our current “reality,” we might consider examples such as Survivor, the series that helped spawn the reality TV revolution. Every week tens of millions of viewers watched as a group of ordinary people stranded in some isolated place struggled to meet various challenges and endure harsh conditions. Ah, one might think, here we will see people working cooperatively, like our ancient ancestors, working cooperatively in order to “win”! But the “reality” was very different. The conditions of the game were arranged so that, yes, they had to work cooperatively, but the alliances by nature were only temporary and conditional, as the contestants plotted and schemed against one another to win the game and walk off with the Grand Prize: a million dollars! The objective was to banish contestants one by one from the deserted island through a group vote, eliminating every other contestant until only a lone individual remained—the “sole survivor.” The end game was the ultimate American fantasy in our Age of Individualism: to be left completely alone, sitting on a mountain of cash! 　　While Survivor was an overt example of our individualistic orientation, it certainly was not unique in its glorification of rugged individualists on American television. Even commercial breaks provide equally compelling examples, with advertisers such as Burger King, proclaiming, HAVE IT YOUR WAY! The message? America, the land where not only every man and every woman is an individual but also where every hamburger is an individual! 　　Human beings do not live in a vacuum; we live in a society. Thus it is important to look at the values promoted and celebrated in a given society and measure what effect this conditioning has on our sense of independence or of interdependence

It was, as Berlin remembered it: “The fox knows many things, but the hedgehog knows one big thing.” 2 The passage survives only as a fragment, so its context has long been lost. But the Renaissance scholar Erasmus played around with it, 3 and Berlin couldn’t help doing the same. Might it become a scheme for classifying great writers? If so, Plato, Dante, Dostoevsky, Nietzsche, and Proust would all have been hedgehogs. Aristotle, Shakespeare, Goethe, Pushkin, and Joyce were obviously foxes. So was Berlin, who distrusted most big things—like logical positivism—but felt fully at ease with smaller ones. 4 Diverted by World War II, Berlin didn’t return to his quadrupeds until 1951, when he used them to frame an essay he was preparing on Tolstoy’s philosophy of history. It appeared two years later as a short book, The Hedgehog and the Fox. Hedgehogs, Berlin explained, “relate everything to a single central vision” through which “all that they say and do has significance.” Foxes, in contrast, “pursue many ends, often unrelated and even contradictory, connected, if at all, only in some de facto way.” The distinction was simple but not frivolous: it offered “a point of view from which to look and compare, a starting point for genuine investigation.” It might even reflect “one of the deepest differences which divide writers and thinkers, and, it may be, human beings in general.

In one of our early conversations, Bob said to me, "I like Einstein as a character, because everybody knows who he is." In a sense, we didn't need to tell an Einstein story because everybody who eventually saw our Einstein brought their own story with them. In the four months that we toured Einstein in Europe we had many occasions to meet with our audiences, and people occasionally would ask us what it "meant." But far more often people told us what it meant to them, sometimes even giving us plot elucidation and complete scenario. The point about Einstein was clearly not what it "meant" but that it was meaningful as generally experienced by the people who saw it. From the viewpoint of the creators, of course, that is exactly the way it was constructed to work. Though we made no attempt at all to tell a story, we did use dramaturgical devices to create a clearly paced overall dramatic shape. For instance, a "finale" is a dramaturgical device; an "epilogue" is another. Using contrasting sections, like a slow trial scene followed by a fast dance scene, is a dramaturgical device, and we used such devices freely. I am sure that the absence of direct connotative "meaning" made it all the easier for the spectator to personalize the experience by supplying his own special "meaning" out of his own experience, while the work itself remained resolutely abstract. As to the use of three visual schemes, or images, Bob often mentioned that he envisioned them in three distinct ways: (1) a landscape seen at a distance (the Field/Spaceship scenes); (2) still lifes seen at a middle distance (the Trial scenes); and (3) portraits seen as in a closeup (the Knee Plays). As these three perspectives rotated through the four acts of the work, they created the sequence of images in an ordered scale. Furthermore, the recurrence of the images implied a kind of quasi-development. For example, the sequence of Train scenes from the Act I, scene 1 Train, to the "night train" of Act II and finally the building which resembled in perspective the departing night train, presented that sequence of images in a reductive order (each one became less "train-like") and at the same time more focused and energized. The same process applies to the sequence of Trial scenes (ending with a bar of light representing the bed) as well as the Field/Spaceship, with the final scene in the interior of the spaceship serving as a kind of apocalyptic grand finale of the whole work. Each time an image reappeared, it was altered to become more abstract and, oddly enough, more powerful. The way these three sequences were intercut with each other, as well as with the portrait-scale Knee Plays, served to heighten the dramatic effect.