Grammar Police Quotes

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No one likes the fucking grammar police,” Ryke tells me.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Must you write complete sentences each time, every time? Perish the thought. If your work consists only of fragments and floating clauses, the Grammar Police aren’t going to come and take you away. Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language. “It is an old observation,” he writes, “that the best writers sometimes disregard the rules of rhetoric.” Yet he goes on to add this thought, which I urge you to consider: “Unless he is certain of doing well, [the writer] will probably do best to follow the rules.
Stephen King (On Writing: A Memoir of the Craft)
The police never saw a noun they didn't want to turn into a verb, so it quickly became "to action", as in you action me to undertake a Falcon assessment, I action a Falcon assessment, a Falcon assessment has been actioned and we all action in a yellow submarine, a yellow submarine, a yellow submarine. This, to review a major inqurity is to review the list of "actions" and their consequences, in the hope that you'll spot something that thirty-odd highly trained and experienced detectives didn't.
Ben Aaronovitch (Foxglove Summer (Rivers of London, #5))
Yes yes yes, we'll get the grammar police onto her first thing. Do they have actual powers of arrest, do you think? Or will they just hang her from the nearest participle?
Mick Herron (London Rules (Slough House, #5))
Those who can, do; those who can't, teach; those who can't teach, police grammar on the Internet.
Ruadhán J. McElroy
I told them this was their language, this English, this most marvellous and expressive cloak of meaning and imagination. This great, exclamatory, illuminating song, it belonged to anyone who found it in their mouths. There was no wrong way to say it, or write it, the language couldn’t be compelled or herded, it couldn’t be tonsured or pruned, pollarded or plaited, it was as hard as oaths and as subtle as rhyme. It couldn’t be forced or bullied or policed by academics; it wasn’t owned by those with flat accents; nobody had the right to tell them how to use it or what to say. There are no rules and nobody speaks incorrectly, because there is no correctly: no high court of syntax. And while everyone can speak with the language, nobody speaks for the language. Not grammars, not dictionaries. They just run along behind, picking up discarded usages. This English doesn’t belong to examiners or teachers. All of you already own the greatest gift, the highest degree this country can bestow. It’s on the tip of your tongue.
A.A. Gill (A.A. Gill is Further Away: Helping with Enquiries)
Ever since I could remember reading, I was a fan of Horror Novels, then just an Avid reader of all things dark and deeply written or off the cuff styles and not so bland and sterile as if the grammar police forensically wrote it to be safe, then re-edited it to be even more annoyingly not from an emotion but from a text book, I love dark dark fiction that's why i write it. Some of my favorite writers are Anne Rice, Hunter S. Thompson and Clive Barker, perhaps you can sense this in my writing.
Liesalette (Lalin: Bayou Moon Series Volume I)
I awoke to the fraud that had been committed in socialism’s name, and felt an immediate obligation to do something about it. All those laws formulated by the British Labour Party, which set out to organize society for the greater good of everyone, by controlling, marginalizing or forbidding some natural human activity, took on another meaning for me. I was suddenly struck by the impertinence of a political party that sets out to confiscate whole industries from those who had created them, to abolish the grammar schools to which I owed my education, to force schools to amalgamate, to control relations in the workplace, to regulate hours of work, to compel workers to join a union, to ban hunting, to take property from a landlord and bestow it on his tenant, to compel businesses to sell themselves to the government at a dictated price, to police all our activities through quangos designed to check us for political correctness. And I saw that this desire to control society in the name of equality expresses exactly the contempt for human freedom that I encountered in Eastern Europe.
Roger Scruton (How to Be a Conservative)
When your book review is centered on your sworn duty as spelling police and grammar cop, what makes you anything more than a proofreader?
Guy R Vestal
Listen, dis foreign TV channels dey spoil de image of our country. Dese white stations dey make billions of dollars to sell your war and blood to de world… We no bad like dis. OK, why dem no dey show corpses of deir white people during crisis for TV? Abi, people no dey kill for America or Europe?” “You dey speak grammar!” someone shouted. “Wetin concern us wid America and Europe? Abeg, give us cable TV.” “Remove dis toilet pictures!” said another. “So our barracks be toilet now?” the police answered. "What an insult!“ "You na mad mad police,” Monica said. “Ok, cable TV no be for free anymore!” the police said. “But it’s our pictures we are watching on cable TV,” Madam Aniema said. “Why should we pay you to see ourselves and our people?” The police answered, “Because government dey complain say cable TV dey misrepresent dis religious crisis.
Uwem Akpan (Say You're One of Them)
Feel free to use the following mnemonic device to help you remember: “To lay is to get laid and laid.” (This is meant in the stuffiest grammatical sense and in no way implies the kind of smut a Santa Monica police officer might read into it.) “To lie,” then, works as follows. “Today I lie on the beach.” “Yesterday I lay on the beach.” “At times, I have lain on the beach.” None of those acts puts me in any danger of being arrested for lewd and lascivious behavior. But that’s only because I conjugated the verb correctly. I
June Casagrande (Grammar Snobs Are Great Big Meanies: A Guide to Language for Fun and Spite)
brakes as a squad car of grammar police pulls that burgeoning sentence to the side of the road and demands that “like” be replaced with “such as.
Benjamin Dreyer (Dreyer’s English: An Utterly Correct Guide to Clarity and Style)
Growing up with well-educated parents and an older sister with her Master’s Degree in English Language and Literature, I was left with little wiggle room as a child to use poor grammar. When I would inadvertently slip, I would be corrected in a matter of moments—excuse me, seconds! While it may have been irritating for a 10-year-old, I am eternally grateful as an adult that the grammar police kept me in line.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Existing just keeps getting worserer.” “Not sure that’s a word.” Duh. It’s not a word. But remixing a word allows for more emphasis on the situation. He really needs to live a little. I scoff. “I didn’t know they were hiring.” “Who?” he asks, confused at the turn of the conversation. I give him a look. “The grammar police.” He chuckles. “I would help you get hired, but I’m sure you won’t even get an interview.
Mea Monique (The Grim Reaper's Lawyer (Life After Death, #1))
In the current writing technology we use, we are missing the corporeal, the rhythmical and the echoes of the natural world. Our current mode of reading and writing is the master of information and utility. This rune practice will be an attempt to make markings and symbols more corporeal and less of the policing of form and grammar. People are often ranked about their "readability" (Universities and Schools are set up on this premise) - grammar and literalism is a tyranny that has gone undetected and stopped many people in sharing innate expressions. With runes and symbols we bring the language and writing back to its origins, back to the self, and into the dusk-light of nature's own writing.
Andreas Kornevall
In the current writing technology we use, we are missing the corporeal, the rhythmical and the echoes of the natural world. Our current mode of reading and writing is the master of information and utility. In my rune practice I am attempting to make markings and symbols more corporeal and less of the policing of form and grammar. People are often ranked about their "readability" (Universities and Schools are set up on this premise) - grammar and literalism is a tyranny that has gone undetected and stopped many people in sharing innate expressions. With runes and symbols we bring the language and writing back to its origins, back to the self, and into the dusk-light of nature's own writing.
Andreas Kornevall
Moderns maintain a peculiar relationship with rhetoric. We no longer teach it to our young, nor demand it of our wise. What since ancient Athens was considered an essential skill for a free citizen has now largely been consigned to hucksters and to the tarmacs of used car dealerships. The tragedy is that we abandoned the art on purpose. About the same time the Russians flung Sputnik into space, in the name of progress American, Canadian, and British educators tossed the old grammar and style books onto the intergalactic rubbish heap of history. The past was trashed. In a scientific age, so the reasoning went, questions of philosophy, of beauty, of sex, of God, could be set aside in favor of technological solutions. The science was settled. Just the same, the timing couldn’t have been worse. Who would’ve foreseen that at the same hour the West turned its back on its humanistic traditions, it would be called to police the global order, shore up markets, and shoot down terrorists?
Ryan N.S. Topping (The Elements of Rhetoric -- How to Write and Speak Clearly and Persuasively: A Guide for Students, Teachers, Politicians & Preachers)