Grains Quotes

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To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour.
William Blake (Auguries of Innocence)
Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches.
William Goldman (The Princess Bride)
Every grain of experience is food for the greedy growing soul of the artist.
Anthony Burgess
Popcorn for breakfast! Why not? It's a grain. It's like, like, grits, but with high self-esteem.
James Patterson (The Angel Experiment (Maximum Ride, #1))
A friend is one to whom one may pour out the contents of one's heart, chaff and grain together, knowing that gentle hands will take and sift it, keep what is worth keeping, and with a breath of kindness, blow the rest away.
Dinah Maria Mulock Craik
You’ll learn, as you get older, that rules are made to be broken. Be bold enough to live life on your terms, and never, ever apologize for it. Go against the grain, refuse to conform, take the road less traveled instead of the well-beaten path. Laugh in the face of adversity, and leap before you look. Dance as though EVERYBODY is watching. March to the beat of your own drummer. And stubbornly refuse to fit in.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
O beautiful for spacious skies for amber waves of grain
Katharine Lee Bates
I grabbed a pile of dust, and holding it up, foolishly asked for as many birthdays as the grains of dust, I forgot to ask that they be years of youth.
Ovid (Metamorphoses)
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.We privileged few, who won the lottery of birth against all odds, how dare we whine at our inevitable return to that prior state from which the vast majority have never stirred?
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.
Jorge Luis Borges
Bold knaves thrive without one grain of sense, But good men starve for want of impudence.
John Dryden (The Poetical Works of John Dryden)
He soon felt that the fulfillment of his desires gave him only one grain of the mountain of happiness he had expected. This fulfillment showed him the eternal error men make in imagining that their happiness depends on the realization of their desires.
Leo Tolstoy (Anna Karenina)
Oh Beautiful for smoggy skies, insecticided grain, For strip-mined mountain's majesty above the asphalt plain. America, America, man sheds his waste on thee, And hides the pines with billboard signs, from sea to oily sea.
George Carlin
Oh, the comfort — the inexpressible comfort of feeling safe with a person — having neither to weigh thoughts nor measure words, but pouring them all right out, just as they are, chaff and grain together; certain that a faithful hand will take and sift them, keep what is worth keeping, and then with the breath of kindness blow the rest away.
Dinah Maria Mulock Craik (A Life For A Life)
A Dream Within A Dream Take this kiss upon the brow! And, in parting from you now, Thus much let me avow- You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand- How few! yet how they creep Through my fingers to the deep, While I weep- while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream?
Edgar Allan Poe (The Complete Stories and Poems)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across. And I brought so much with me that my impressions would always be there, even when the tide rolled out.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Do not stand at my grave and weep; I am not there. I do not sleep. I am a thousand winds that blow. I am the diamond glints on snow. I am the sunlight on ripened grain. I am the gentle autumn rain. When you awaken in the morning’s hush I am the swift uplifting rush Of quiet birds in circled flight. I am the soft stars that shine at night. Do not stand at my grave and cry; I am not there. I did not die.
Mary Elizabeth Frye
There's a grain of truth in every fairy tale,
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
In every outthrust headland, in every curving beach, in every grain of sand there is the story of the earth.
Rachel Carson
To see a World in a grain of sand, And a Heaven in a wild flower, Hold Infinity in the palm of your hand, And Eternity in an hour.
William Blake (Auguries of Innocence)
She had stared at him for a whole minute and decided that she did not have a grain of feeling left, because it would have been the same as bleeding to death. Fuck You.
Stieg Larsson (The Girl Who Played with Fire (Millennium #2))
No varnish can hide the grain of the wood; and that the more varnish you put on, the more the grain will express itself.
Charles Dickens (Great Expectations)
Love all God’s creation, both the whole and every grain of sand. Love every leaf, every ray of light. Love the animals, love the plants, love each separate thing. If thou love each thing thou wilt perceive the mystery of God in all; and when once thou perceive this, thou wilt thenceforward grow every day to a fuller understanding of it: until thou come at last to love the whole world with a love that will then be all-embracing and universal.
Fyodor Dostoevsky (The Brothers Karamazov)
I conjure the boy I knew. Achilles, grinning as the figs blur in his hands. His green eyes laughing into mine. Catch, he says. Achilles, outlined against the sky, hanging from a branch over the river. The thick warmth of his sleepy breath against my ear. If you have to go, I will go with you. My fears forgotten in the golden harbor of his arms. The memories come, and come. She listens, staring into the grain of the stone. We are all there, goddess and mortal and the boy who was both.
Madeline Miller (The Song of Achilles)
Strange about learning; the farther I go the more I see that I never knew even existed. A short while ago I foolishly thought I could learn everything - all the knowledge in the world. Now I hope only to be able to know of its existence, and to understand one grain of it. Is there time?
Daniel Keyes (Flowers for Algernon)
Sometimes that mountain you've been climbing is just a grain of sand, and what you've been up there searching for forever, is in your hands. When you figure out love is all that matters after all it sure makes everything else seem so small.
Carrie Underwood
Just remember: If one bird carried every grain of sand, grain by grain, across the ocean, by the time he got them all on the other side, that would only be the beginning of eternity.
Truman Capote (In Cold Blood)
Do not stand at my grave and weep, I am not there, I do not sleep. I am in a thousand winds that blow, I am the softly falling snow. I am the gentle showers of rain, I am the fields of ripening grain. I am in the morning hush, I am in the graceful rush Of beautiful birds in circling flight, I am the starshine of the night. I am in the flowers that bloom, I am in a quiet room. I am in the birds that sing, I am in each lovely thing. Do not stand at my grave bereft I am not there. I have not left.
Mary Elizabeth Frye
To get up in the morning, wash and then wait for some unforeseen variety of dread or depression. I would give the whole universe and all of Shakespeare for a grain of ataraxy.
Emil M. Cioran (The Trouble With Being Born)
God uses broken things. It takes broken soil to produce a crop, broken clouds to give rain, broken grain to give bread, broken bread to give strength. It is the broken alabaster box that gives forth perfume. It is Peter, weeping bitterly, who returns to greater power than ever.
Vance Havner
Care more for a grain of faith than a ton of excitement.
Charles Haddon Spurgeon
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Choices, numberless as grains of sand, had layered and compressed, coalescing into sediment, then into rock, until all was set in stone.
Tara Westover (Educated)
When she came to her senses again she cut off all contact with him. It had not been easy, but she had steeled herself. The last time she saw him she was standing on a platform in the tunnelbana at Gamla Stan and he was sitting in the train on his way downtown. She had stared at him for a whole minute and decided that she did not have a grain of feeling left, because it would have been the same as bleeding to death. Fuck you.
Stieg Larsson (The Girl Who Played with Fire (Millennium #2))
Oh, the comfort, the inexpressible comfort of feeling safe with a person; having neither to weigh thoughts nor measure words, but to pour them all out, just as they are, chaff and grain together, knowing that a faithful hand will take and sift them, keep what is worth keeping, and then, with a breath of kindness, blow the rest away.
Dinah Maria Mulock Craik (A Life For A Life)
At the heart of every legend there is a grain of truth.
Michael Scott (The Alchemyst (The Secrets of the Immortal Nicholas Flamel, #1))
Men have to have heroes, but no man can ever be as big as the need, and so a legend grows around a grain of truth, like a pearl.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
He's become my best friend the way the others did. Bit by bit, sand passing through an hour glass so slowly, it's impossible to pin down the moment it happens. When suddenly, more of my heart belongs to him than doesn't, and I know I'll never get a single grain back.
Emily Henry (Happy Place)
I am here for a purpose and that purpose is to grow into a mountain, not to shrink to a grain of sand. Henceforth will I apply ALL my efforts to become the highest mountain of all and I will strain my potential until it cries for mercy.
Og Mandino (The Greatest Salesman in the World)
Socialism, like the ancient ideas from which it springs, confuses the distinction between government and society. As a result of this, every time we object to a thing being done by government, the socialists conclude that we object to its being done at all. We disapprove of state education. Then the socialists say that we are opposed to any education. We object to a state religion. Then the socialists say that we want no religion at all. We object to a state-enforced equality. Then they say that we are against equality. And so on, and so on. It is as if the socialists were to accuse us of not wanting persons to eat because we do not want the state to raise grain.
Frédéric Bastiat (The Law)
Why cover the same ground again? ... It goes against my grain to repeat a tale told once, and told so clearly.
Homer (The Odyssey)
It´s a good thing when a man is different from your image of him. Is shows he isn´t a type. If he were, it would be the end of him as a man. But if you can´t place him in a category, it means that at least a part of him is what a human being ought to be. He has risen above himself, he has a grain of immortality.
Boris Pasternak (Doctor Zhivago)
The masses have never thirsted after truth. They turn aside from evidence that is not to their taste, preferring to deify error, if error seduce them. Whoever can supply them with illusions is easily their master; whoever attempts to destroy their illusions is always their victim. An individual in a crowd is a grain of sand amid other grains of sand, which the wind stirs up at will.
Gustave Le Bon (سيكولوجية الجماهير)
If you can look into the seeds of time And say which grain will grow and which will not, Speak, then, to me, who neither beg nor fear Your favors nor your hate.
William Shakespeare (Macbeth)
There is a Beautiful Creature Living in a hole you have dug. So at night I set fruit and grains And little pots of wine and milk Besides your soft earthen mounds, And I often sing. But still, my dear, You do not come out. I have fallen in love with Someone Who hides inside you. We should talk about this problem-- Otherwise, I will never leave you alone.
I Heard God Laughing: Poems of Hope and Joy
I just wanted the rain to come so I could help grow something. But I became a part of so much more” – a grain of dirt after a mudslide.
Bauvard (Some Inspiration for the Overenthusiastic)
She held each sorrow like a chafing grain and grew her grudges like pearls.
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5, 2.5, 2.6))
You can’t blame a fella for kissing the prettiest girl in New York, can you, sister?” Sam’s grin was anything but apologetic. Evie brought up her knee quickly and decisively, and he dropped to the floor like a grain sack. “You can’t blame a girl for her quick reflexes now, can you, pal?
Libba Bray (The Diviners (The Diviners, #1))
But oh! the blessing it is to have a friend to whom one can speak fearlessly on any subject; with whom one's deepest as well as one's most foolish thoughts come out simply and safely. Oh, the comfort - the inexpressible comfort of feeling safe with a person - having neither to weigh thoughts nor measure words, but pouring them all right out, just as they are, chaff and grain together; certain that a faithful hand will take and sift them, keep what is worth keeping, and then with the breath of kindness blow the rest away.
Dinah Maria Mulock Craik (A Life For A Life)
In a way, the world−view of the Party imposed itself most successfully on people incapable of understanding it. They could be made to accept the most flagrant violations of reality, because they never fully grasped the enormity of what was demanded of them, and were not sufficiently interested in public events to notice what was happening. By lack of understanding they remained sane. They simply swallowed everything, and what they swallowed did them no harm, because it left no residue behind, just as a grain of corn will pass undigested through the body of a bird.
George Orwell (1984)
A faerie heart is different from a human heart. Human hearts are elastic. They have room for all sorts of passions, and they can break and heal and love again and again. Faerie hearts are evolutionarily less sophisticated. They are small and hard, like tiny grains of sand. Our hearts are too small to love more than one person in a lifetime.
Jodi Lynn Anderson (Tiger Lily)
I felt the currents move. The grains of sand whispered against each other. His wings were lifting. The darkness around us shimmered with clouds of his gilded blood. Beneath my feet were the bones of a thousand years. I thought: I cannot bear this world a moment longer. Then, child, make another.
Madeline Miller (Circe)
I didn't say you were a bad person. I just don't like being a foregone conclusion for sole reason of having a vagina." I focused on the grains of salt on the table until I heard a choking noise from Travis's direction. His eyes widened and he quivered with howling laughter. "Oh my God! You're killing me! That's it. We have to be friends. I won't take no for an answer.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.
Ernest Hemingway (For Whom the Bell Tolls)
It's only a world, after all, and they're just sand grains in the desert, worlds.
Neil Gaiman (The Ocean at the End of the Lane)
I was listening," the king said, aggrieved. "I closed my eyes to listen better." "What did you hear?" "I'm not sure," he said." That's why I was listening so closely. I may have to ask the baron to repeat some parts of his report on his grain tax." "I am sure you can arrange an appointment." "I am sure I can too.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand.
Robert McCammon (Boy's Life)
a wise woman puts a grain of sugar in everything she says to a man, and takes a grain of salt with everything he says to her.
Helen Rowland
A reduction of meat consumption by only 10% would result in about 12 million more tons of grain for human consumption. This additional grain could feed all of the humans across the world who starve to death each year- about 60 million people!
Marc Bekoff (Animals Matter: A Biologist Explains Why We Should Treat Animals with Compassion and Respect)
To see a world in a grain of sand And a heaven in a wild flower, Hold infinity in the palm of your hand And eternity in an hour. A robin redbreast in a cage Puts all heaven in a rage. A dove-house filled with doves and pigeons Shudders hell through all its regions.
William Blake (Auguries of Innocence)
Let the people who never find true love keep saying that there's no such thing. Their faith will make it easier for them to live and die.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
Just think! This whole world of ours is only a speck of mildew sprung up on a tiny planet, yet we think we can have something great - thoughts,, actions! They are all but grains of sand
Leo Tolstoy (Anna Karenina)
Be master of your petty annoyances and conserve your energies for the big, worthwhile things. It isn't the mountain ahead that wears you out - it's the grain of sand in your shoe.
Robert W. Service
These joys were so trifling as to be as imperceptible as grains of gold among the sand, and in moments of depression she saw nothing but the sand; yet there were brighter moments when she felt nothing but joy, saw nothing but the gold.
Leo Tolstoy (Anna Karenina)
It's bad enough to feel insignificant, but it's unbearable to have it grained into your soul that you will never, can never, be anything but insignificant…
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
But I am even more than this. I am all those they remember, the ones they loved, everyone they knew, and everyone they only heard about. How many are contained in me? Count the stars. Go on, number the grains of sand. That's me. I am humanity.
Rick Yancey (The Last Star (The 5th Wave, #3))
People were... exhausting. They made her anxious. Leaving her apartment every morning was the turning over of a giant hourglass, the mental energy she’d stored up overnight eroding grain by grain. She refueled during the day by grabbing moments of solitude and sometimes felt her life was a long-distance swim between islands of silence.
Abbi Waxman (The Bookish Life of Nina Hill)
You don’t need to be the tide to rise and fall, you don’t have to be a wave to touch the shore; just be a little sand-grain and feel them all
Munia Khan
I think this point is so important, I'm going to repeat it: You should never listen to criticism that is primarily intended to wound, even if it contains more than a grain of truth.
Robin Stern (The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life)
But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and Summoning can shake the balance of the world. It is dangerous, that power...It must follow knowledge, and serve need.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of golden sand- How few! yet how they creep Through my fingers to the deep, While I weep- while I weep!
Edgar Allan Poe
A grain of poetry suffices to season a century.
José Martí (Versos Sencillos: Simple Verses (Recovering the Us Hispanic Literary Heritage) (Pinata Books for Young Adults) (English and Spanish Edition))
Paul’s last grain of hope falling to the ground below him.
Molly Arbuthnott (Peanut the Hamster)
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
Robert McCammon (Boy's Life)
His head was an hour-glass; it could stow an idea, but it had to do it a grain at a time, not the whole idea at once.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
My beautiful queen. Your entire court is staring at you, and I can't blame them." They were, too. The queen turned to look. Her glance swept through the crowd like a reaping sickle through grain. Mouths slammed shut on every side. There was a scuffling sound as the people in the back shifted, trying to screen themselves from view. The queen looked back at the king, who was broadly smiling.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
She was oozing backwards into the tree. Her bones were going to mate with the grain of the wood. I am becoming part of the forest.
Susan Rowland (The Sacred Well Murders (Mary Wandwalker #1))
In the fury of the moment I can see the Master's hand In every leaf that trembles, in every grain of sand.
Bob Dylan
Children are not sacks of grain, to be substituted one for the other.
Madeline Miller (Circe)
But why should we have to be useful and for what reason? Who divided the world into useless and useful, and by what right? Does a thistle have no right to life, or a Mouse that eats the grain in a warehouse? What about Bees and Drones, weeds and roses? Whose intellect can have had the audacity to judge who is better, and who worse? A large tree, crooked and full of holes, survives for centuries without being cut down, because nothing could possibly be made out of it. This example should raise the spirits of people like us. Everyone knows the profit to be reaped from the useful, but nobody knows the benefit to be gained from the useless.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
My life is very monotonous," the fox said. "I hunt chickens: men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain fields down yonder? [...] The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back to the thought of you. And I shall love to listen to the wheat in the wind...
Antoine de Saint-Exupéry
It always amazes me to look at the little, wrinkled brown seeds and think of the rainbows in 'em," said Captain Jim. "When I ponder on them seeds I don't find it nowise hard to believe that we've got souls that'll live in other worlds. You couldn't hardly believe there was life in them tiny things, some no bigger than grains of dust, let alone colour and scent, if you hadn't seen the miracle, could you?
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
I found folly everywhere, but there were grains of wisdom in every stream of it.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
‗In life, at sometime or another we come to a point where all relationships cease—where there is only us and Allah. There are no parents, brother or sister, or any friend. Then we realise that there is no earth under us nor is there sky above, but only Allah who is supporting us in this emptiness. Then we realise our worth – it is not more than a grain of sand or the leaf of a plant. Then we realise our existence is only confined to our being. Our demise makes not a whit of difference to the world around us, nor to the scheme of things.
Umera Ahmed (Peer-e-Kamil/پیر کامل)
To preserve the silence within--amid all the noise. To remain open and quiet, a moist humus in the fertile darkness where the rain falls and the grain ripens--no matter how many tramp across the parade ground in whirling dust under an arid sky.
Dag Hammarskjöld (Markings)
Through my blue fingers, pink grains are falling, haphazard, random, a disorganized stream of silicone that seems pregnant with the possibility of every conceivable shape… But this is illusion. Things have their shape in time, not space alone. Some marble blocks have statues within them, embedded in their future.
Alan Moore (Watchmen)
Carnal apple, Woman filled, burning moon, dark smell of seaweed, crush of mud and light, what secret knowledge is clasped between your pillars? What primal night does Man touch with his senses? Ay, Love is a journey through waters and stars, through suffocating air, sharp tempests of grain: Love is a war of lightning, and two bodies ruined by a single sweetness. Kiss by kiss I cover your tiny infinity, your margins, your rivers, your diminutive villages, and a genital fire, transformed by delight, slips through the narrow channels of blood to precipitate a nocturnal carnation, to be, and be nothing but light in the dark.
Pablo Neruda
...like a grain of sand that gets into an oyster's shell. What if the grain doesn't want to become a pearl? Is it ever asked to climb out quietly and take up its old position as a bit of ocean floor?
Robin McKinley (The Blue Sword (Damar, #1))
In every grain of wheat there lies hidden the soul of a star.
Arthur Machen (The Great God Pan)
Individually, every grain of sand brushing against my hands represents a story, an experience, and a block for me to build upon for the next generation.
Raquel Cepeda (Bird of Paradise: How I Became Latina)
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Am I too fast, too facile? I do not know. I do not know myself sometimes, or how to measure and name and count out the grains that make me what I am.
Virginia Woolf (The Waves)
I had a microscopic eye for the blemish, for the grain of ugliness which to me constituted the sole beauty of the object.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Common men talk bagfuls of religion but do not practise even a grain of it. The wise man speaks a little, even though his whole life is religion expressed in action.
Ramakrishna
Our memories of our loved ones are the pearl we form around the grain of grief that causes us pain.
Jeff Zentner (Goodbye Days)
See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God's sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they'd allowed to wither in themselves.
Robert McCammon (Boy's Life)
The blues is an impulse to keep the painful details and episodes of a brutal experience alive in one's aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy but by squeezing from it a near-tragic, near-comic lyricism. As a form, the blues is an autobiographical chronicle of personal catastrophe expressed lyrically.
Ralph Ellison (Living with Music: Jazz Writings)
it is a principle of his that no man who was not a true gentleman at heart, ever was, since the world began, a true gentleman in manner. He says, no varnish can hide the grain of the wood; and that the more varnish you put on, the more the grain will express itself.
Charles Dickens (Great Expectations)
It isn’t the mountain ahead that wears you out; it is the grain of sand in your shoe.
Anonymous
Night, in which everything was lost, went reaching out, beyond stars and sun. Stars and sun, a few bright grains, went spiraling round for terror, and holding each other in embrace, there in a darkness that outpassed them all, and left them tiny and daunted. So much, and himself, infinitesimal, at the core of nothingness, and yet not nothing.
D.H. Lawrence (Sons and Lovers)
a little bird moves a mountain of sand one grain at a time it picks up one grain every million years and when the mountain has been moved the bird puts it all back again and that's how long eternity is and that's a very long time to be dead
Jenny Downham (Before I Die)
I’m looking for a grain of sand on an infinite beach.
Blake Crouch (Dark Matter)
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
W.G. Sebald (The Rings of Saturn)
By lack of understanding they remained sane. They simply swallowed everything, and what they swallowed did them no harm, because it left no residue behind, just as a grain of corn will pass undigested through the body of a bird.
George Orwell (1984)
And though there’s a grain of truth in every rumor, I’ve found that the worst gossip usually starts with something harmless.
Kathleen O'Dell (The Aviary)
In this single galaxy of ours there are eighty-seven thousand million suns. [...] In challenging it, you would be like ants attempting to label and classify all the grains of sand in all the deserts of the world. [...] It is a bitter thought, but you must face it. The planets you may one day possess. But the stars are not for man.
Arthur C. Clarke (Childhood’s End)
God fills us with all sorts of yearnings that go against the grain of the world—but the fact those yearnings often come to nothing, well, I doubt that’s God’s doing.” She cut her eyes at me and smiled. “I think we know that’s men’s doing.
Sue Monk Kidd (The Invention of Wings)
Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labour, and my leisure too, For his civility. We passed the school where children played, Their lessons scarcely done; We passed the fields of gazing grain, We passed the setting sun. We paused before a house that seemed A swelling of the ground; The roof was scarcely visible, The cornice but a mound. Since then 'tis centuries; but each Feels shorter than the day I first surmised the horses' heads Were toward eternity.
Emily Dickinson
What is the sound of one hand clapping? What is the weight of a single grain of sand? The answer is equal to my interest in the message you are about to leave so make it short. -- Mitch Hertzog's voice mail message.
Meg Cabot (Boy Meets Girl (Boy, #2))
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Sahara.
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
Most people miss their whole lives, you know. Listen, life isn't when you are standing on top of a mountain looking at a sunset. Life isn't waiting at the alter or the moment your child is born or that time you were swimming in a deep water and a dolphin came up alongside you. These are fragments. 10 or 12 grains of sand spread throughout your entire existence. These are not life. Life is brushing your teeth or making a sandwich or watching the news or waiting for the bus. Or walking. Every day, thousands of tiny events happen and if you're not watching, if you're not careful, if you don't capture them and make them COUNT, your could miss it. You could miss your whole life.
Toni Jordan (Addition)
The hearts of women are like those little pieces of furniture with secret hiding - places, full of drawers fitted into each other; you go to a lot of trouble, break your nails, and in the bottom find some withered flower, a few grains of dust - or emptiness!
Gustave Flaubert (Sentimental Education)
The dark is generous, and it is patient. It is the dark that seeds cruelty into justice, that drips contempt into compassion, that poisons love with grains of doubt. The dark can be patient, because the slightest drop of rain will cause those seeds to sprout. The rain will come, and the seeds will sprout, for the dark is the soil in which they grow, and it is the clouds above them, and it waits behind the star that gives them light. The dark’s patience is infinite. Eventually, even stars burn out.
Matthew Woodring Stover (Star Wars: Episode III - Revenge of the Sith (Star Wars: Novelizations #3))
Time to get cosmic. There are more stars in the universe than grains of sand on any beach, more stars than seconds have passed since Earth formed, more stars than words and sounds ever uttered by all the humans who ever lived.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
A great ring of pure & endless light Dazzles the darkness in my heart And breaks apart the dusky clouds of night. The end of all is hinted in the start. When we are born we bear the seeds of blight; Around us life & death are torn apart, Yet a great ring of pure and endless light Dazzles the darkness in my heart. It lights the world to my delight. Infinity is present in each part. A loving smile contains all art. The motes of starlight spark & dart. A grain of sand holds power & might. Infinity is present in each part, And a great ring of pure and endless light Dazzles the darkness in my heart.
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
I don't care if she ever makes a basket that can hold grain, but I want her to be here with me. I want her to be close to me as I work or fish, and I want her to lie next to me in the furs at night. In my mind, she is with me always and forever. Finally, its clear to me that I want her for more than children.
Shay Savage (Transcendence (Transcendence, #1))
The most unfair part of it, Wallace thinks, is that when you tell white people that something is racist, they hold it up to the light and try to discern if you are telling the truth as if they can tell by the grain if something is racist or not, and they always trust their own judgment. It's unfair because white people have a vested interest in undermining racism, it's amount, it's intensity, it's shape, its effects. They are the fox in the henhouse.
Brandon Taylor (Real Life)
Hitch: making rules about drinking can be the sign of an alcoholic,' as Martin Amis once teasingly said to me. (Adorno would have savored that, as well.) Of course, watching the clock for the start-time is probably a bad sign, but here are some simple pieces of advice for the young. Don't drink on an empty stomach: the main point of the refreshment is the enhancement of food. Don't drink if you have the blues: it's a junk cure. Drink when you are in a good mood. Cheap booze is a false economy. It's not true that you shouldn't drink alone: these can be the happiest glasses you ever drain. Hangovers are another bad sign, and you should not expect to be believed if you take refuge in saying you can't properly remember last night. (If you really don't remember, that's an even worse sign.) Avoid all narcotics: these make you more boring rather than less and are not designed—as are the grape and the grain—to enliven company. Be careful about up-grading too far to single malt Scotch: when you are voyaging in rough countries it won't be easily available. Never even think about driving a car if you have taken a drop. It's much worse to see a woman drunk than a man: I don't know quite why this is true but it just is. Don't ever be responsible for it.
Christopher Hitchens (Hitch 22: A Memoir)
If you want to write anything that works, you have to go with the grain of your talent, not against it. If your talent is inert and sullen in the face of business or politics...but takes fire at the thought of ghosts and vampires and witches and demons then feed the flames, feed the flames.
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
In meditation we discover our inherent restlessness. Sometimes we get up and leave. Sometimes we sit there but our bodies wiggle and squirm and our minds go far away. This can be so uncomfortable that we feel’s it’s impossible to stay. Yet this feeling can teach us not just about ourselves but what it is to be human…we really don’t want to stay with the nakedness of our present experience. It goes against the grain to stay present. These are the times when only gentleness and a sense of humor can give us the strength to settle down…so whenever we wander off, we gently encourage ourselves to “stay” and settle down. Are we experiencing restlessness? Stay! Are fear and loathing out of control? Stay! Aching knees and throbbing back? Stay! What’s for lunch? Stay! I can’t stand this another minute! Stay!
Pema Chödrön (The Places That Scare You: A Guide to Fearlessness in Difficult Times)
I never liked that ending either. More love streaming out the wrong way, and I don't want to be the kind that says the wrong way. But it doesn't work, these erasures, this constant refolding of the pleats. There were some nice parts, sure, all lemondrop and mellonball, laughing in silk pajamas and the grain of sugar on the toast, love love or whatever, take a number. I'm sorry it's such a lousy story.
Richard Siken (Crush)
Evidence indicates that cats were first tamed in Egypt. The Egyptians stored grain, which attracted rodents, which attracted cats. (No evidence that such a thing happened with the Mayans, though a number of wild cats are native to the area.) I don't think this is accurate. It is certainly not the whole story. Cats didn't start as mousers. Weasels and snakes and dogs are more efficient as rodent-control agents. I postulate that cats started as psychic companions, as Familiars, and have never deviated from this function.
William S. Burroughs (The Cat Inside)
There's a certain grain of stupidity that the writer of fiction can hardly do without, and this is the quality of having to stare, of not getting the point at once. The longer you look at one object, the more of the world you see in it; and it's well to remember that the serious fiction writer always writes about the whole world.
Flannery O'Connor
I would stare at the grains of light suspended in that silent space, struggling to see into my own heart. What did I want? And what did others want from me? But I could never find the answers. Sometimes I would reach out and try to grasp the grains of light, but my fingers touched nothing.
Haruki Murakami (Norwegian Wood)
I'll tell you truly: I value my thought and work terribly, but in essence - think about it - this whole world of ours is just a bit of mildew that grew over a tiny planet. And we think we can have something great - thoughts, deeds! They're all grains of sand
Leo Tolstoy (Anna Karenina)
A farmer is helpless to grow grain; all he can do is provide the right conditions for the growing of grain. He cultivates the ground, he plants the seed, he waters the plants, and then the natural forces of the earth take over and up comes the grain...This is the way it is with the Spiritual Disciplines - they are a way of sowing to the Spirit... By themselves the Spiritual Disciplines can do nothing; they can only get us to the place where something can be done.
Richard J. Foster (Celebration of Discipline: The Path to Spiritual Growth)
True love. Is it normal is it serious, is it practical? What does the world get from two people who exist in a world of their own?
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
Do not make the mistake of supposing that the little world you see around you - the Earth, which is a mere grain of dust in the Universe - is the Universe itself. There are millions upon millions of such worlds, and greater. And there are millions of millions of such Universes in existence within the Infinite Mind of THE ALL
Three Initiates (The Kybalion: A Study of the Hermetic Philosophy of Ancient Egypt and Greece)
modern capitalist societies, however richly endowed, dedicate themselves to the proposition of scarcity. Inadequacy of economic means is the first principle of the world’s wealthiest peoples.” The shortage is due not to how much material wealth there actually is, but to the way in which it is exchanged or circulated. The market system artificially creates scarcity by blocking the flow between the source and the consumer. Grain may rot in the warehouse while hungry people starve because they cannot pay for it. The result is famine for some and diseases of excess for others. The very earth that sustains us is being destroyed to fuel injustice. An economy that grants personhood to corporations but denies it to the more-than-human beings: this is a Windigo economy.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
Just sitting quietly, doing nothing at all, your brain churns through more information in thirty seconds than the Hubble Space Telescope has processed in thirty years. A morsel of cortex one cubic millimeter in size—about the size of a grain of sand—could hold two thousand terabytes of information, enough to store all the movies ever made, trailers included, or about 1.2 billion copies of this book.
Bill Bryson (The Body: A Guide for Occupants)
The dark is generous. Its first gift is concealment: our true faces lie in the dark beneath our skins, our true hearts remain shadowed deeper still. But the greatest concealment lies not in protecting our secret truths, but in hiding from the truths of others. The dark protects us from what we dare not know. Its second gift is comforting illusion: the ease of gentle dreams in night’s embrace, the beauty that imagination brings to what would repel in the day’s harsh light. But the greatest of its comforts is the illusion that dark is temporary: that every night brings a new day. Because it’s the day that is temporary. Day is the illusion. Its third gift is the light itself: as days are defined by the nights that divide them, as stars are defined by the infinite black through which they wheel, the dark embraces the light, and brings it forth from the center of its own self. With each victory of the light, it is the dark that wins. The dark is generous, and it is patient. It is the dark that seeds cruelty into justice, that drips contempt into compassion, that poisons love with grains of doubt. The dark can be patient, because the slightest drop of rain will cause those seeds to sprout. The rain will come, and the seeds will sprout, for the dark is the soil in which they grow, and it is the clouds above them, and it waits behind the star that gives them light. The dark’s patience is infinite. Eventually, even stars burn out. The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow. The dark is generous and it is patient and it always wins – but in the heart of its strength lies its weakness: one lone candle is enough to hold it back. Love is more than a candle. Love can ignite the stars.
Matthew Woodring Stover
Look,' he says, 'have you ever looked forward to reading a book so much you can't actually start it?' 'Oh totally. All the time - if I had a grain of self-restraint I never would've been able to read the last Harry Potter book. The anticipation was painful. You know like what if it does live up to the last ones? What if it's not what I hope it'll be?
Beth O'Leary (The Flatshare)
Toughness found fertile soil in the hearts of Palestinians, and the grains of resistance embedded themselves in their skin. Endurance evolved as a hallmark of refugee society. But the price they paid was the subduing of tender vulnerability. They learned to celebrate martyrdom. Only martyrdom offered freedom. Only in death were they at last invulnerable to Israel. Martyrdom became the ultimate defiance of Israeli occupation. "Never let them know they hurt you" was their creed
Susan Abulhawa (Mornings in Jenin)
People sometimes accuse me of knowing a lot. "Stephen," they say, accusingly, "you know a lot." This is a bit like telling a person who has a few grains of sand clinging to him that he owns much sand. When you consider the vast amount of sand there is in the world such a person is, to all intents and purposes, sandless. We are all sandless. We are all ignorant. There are beaches and deserts and dunes of knowledge whose existance we have never even guessed at, let alone visited.
Stephen Fry (The Book of General Ignorance)
The trees are coming into leaf Like something almost being said; The recent buds relax and spread, Their greenness is a kind of grief. Is it that they are born again And we grow old? No, they die too. Their yearly trick of looking new Is written down in rings of grain. Yet still the unresting castles thresh In fullgrown thickness every May. Last year is dead, they seem to say, Begin afresh, afresh, afresh.
Philip Larkin
Think of your life as an hourglass. You know there are thousands of grains of sand in the top of the hourglass; and they all pass slowly and evenly through the narrow neck in the middle. Nothing you or I could do would make more than one grain of sand pass through this narrow neck without impairing the hourglass. You and I and everyone else are like this hourglass...if we do not take [tasks] one at a time and let them pass...slowly and evenly, then we are bound to break our own...structure.
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. Just keep swimming, swimming, swimming
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
In the silence of the woods it felt like I could hear the passage of time, of life passing by. One person leaves, another appears. A thought flits away and another takes its place. One image bids farewell and another one appears on the scene. As the days piled up, I wore out, too, and was remade. Nothing stayed still. And time was lost. Behind me, time became dead grains of sand, which one after another gave way and vanished. I just sat there in front of the hole, listening to the sound of time dying.
Haruki Murakami (Killing Commendatore)
On Stripping Bark from Myself (for Jane, who said trees die from it) Because women are expected to keep silent about their close escapes I will not keep silent and if I am destroyed (naked tree!) someone will please mark the spot where I fall and know I could not live silent in my own lies hearing their 'how nice she is!' whose adoration of the retouched image I so despise. No. I am finished with living for what my mother believes for what my brother and father defend for what my lover elevates for what my sister, blushing, denies or rushes to embrace. I find my own small person a standing self against the world an equality of wills I finally understand. Besides: My struggle was always against an inner darkness: I carry within myself the only known keys to my death – to unlock life, or close it shut forever. A woman who loves wood grains, the color yellow and the sun, I am happy to fight all outside murderers as I see I must.
Alice Walker (Her Blue Body Everything We Know: Earthling Poems 1965-1990 Complete)
When I have fears that I may cease to be Before my pen has glean’d my teeming brain, Before high piled books, in charact’ry, Hold like rich garners the full-ripen’d grain; When I behold, upon the night’s starr’d face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love!—then on the shore Of the wide world I stand alone, and think Till Love and Fame to nothingness do sink. When I Have Fears That I May Cease To Be
John Keats (The Complete Poems)
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Human)
Paris had its sweetest smell, the smell of chestnut trees in bloom and of petrol with a few grains of dust that crack under your teeth like pepper. In the darknes the danger seemed to grow. You could smell the suffering in the air, in the silence. Everyone looked at their house and thought, "Tomorrow it will be in ruins, tomorrow I'l have nothing left.
Irène Némirovsky (Suite Française)
Our fathers fought bravely. But do you know the biggest weapon unleashed by the enemy against them? It was not the Maxim gun. It was division among them. Why? Because a people united in faith are stronger than the bomb
Ngũgĩ wa Thiong'o (A Grain of Wheat)
Girl lithe and tawny, the sun that forms the fruits, that plumps the grains, that curls seaweeds filled your body with joy, and your luminous eyes and your mouth that has the smile of the water. A black yearning sun is braided into the strands of your black mane, when you stretch your arms. You play with the sun as with a little brook and it leaves two dark pools in your eyes.
Pablo Neruda
When you accept everything, everything is beyond dimensions. The earth is not great nor a grain of sand small. In the realm of Great Activity picking up a grain of sand is the same as taking up the whole universe. To save one sentient being is to save all sentient beings. Your efforts of this moment to save one person is the same as the eternal merit of Buddha.
Shunryu Suzuki
One must lie low, no matter how much it went against the grain, and try to understand that this great organization remained, so to speak, in a state of delicate balance, and that if someone took it upon himself to alter the dispositions of things around him, he ran the risk of losing his footing and falling to destruction, while the organization would simply right itself by some compensating reaction in another part of its machinery – since everything interlocked – and remain unchanged, unless, indeed, which was very probable, it became still more rigid, more vigilant, severer, and more ruthless.
Franz Kafka (The Trial)
To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world..." But if you tame me, it will be as if the sun came to shine on my life . I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the colour of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat..." The fox gazed at the little prince, for a long time. "Please, tame me!" he said.
Antoine de Saint-Exupéry
I am half inclined to think we are all ghosts…it is not only what we have inherited from our fathers and mothers that exists again in us, but all sorts of old dead ideas and all kinds of old dead beliefs and things of that kind. They are not actually alive in us; but there they are dormant all the same, and we can never be rid of them. Whenever I take up a newspaper and read it, I fancy I see ghosts creeping between the lines. There must be ghosts all over the world. They must be as countless as the grains of the sands, it seems to me. And we are so miserably afraid of the light, all of us.
Henrik Ibsen (Ghosts)
We swung over the hills and over the town and back again, and I saw how a man can be master of a craft, and how a craft can be master of an element. I saw the alchemy of perspective reduce my world, and all my other life, to grains in a cup. I learned to watch, to put my trust in other hands than mine. And I learned to wander. I learned what every dreaming child needs to know -- that no horizon is so far that you cannot get above it or beyond it.
Beryl Markham (West with the Night)
Each day, we feel more distant from each other, more alone, all while being surrounded by millions. Each day we watch as our city turns into a desert, one in which we are all lost, looking for that oasis we like to call “love”. The more we wait, the more everything and everyone looks like a grain of sand escaping between our fingers before vanishing into the wind. How do we find something or someone we can no longer see, but which is right there before us? And how do we hold on to what is most precious in life?
Gabriel Bá (Daytripper)
A note exists between two notes of music, between two facts exists a fact, between two grains of sand no matter how close together there exists an interval of space, a sense that exists between senses — in the interstices of primordial matter is the line of mystery and fire that is the breathing of the world, and the continual breathing of the world is what we hear and call silence.
Clarice Lispector (The Passion According to G.H.)
you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat...
Antoine de Saint-Exupéry (The Little Prince)
As the poets and painters of centuries have tried to tell us, art is not about the expression of talent or the making of pretty things. It is about the preservation and containment of soul. It is about arresting life and making it available for contemplation. Art captures the eternal in the everyday, and it is the eternal that feeds soul—the whole world in a grain of sand. Leonardo
Thomas Moore (Care of the Soul: Guide for Cultivating Depth and Sacredness in Everyday Life)
It goes against the American storytelling grain to have someone in a situation he can't get out of, but I think this is very usual in life. [...] And it strikes me as gruesome and comical that in our culture we have an expectation that a man can always solve his problems. There is an implication that if you just have a little more energy, a little more fight, the problem can always be solved. That is so untrue that it makes me want to cry--or laugh.
Kurt Vonnegut Jr. (Wampeters, Foma and Granfalloons)
We no longer have a sufficiently high estimate of ourselves when we communicate. Our true experiences are not garrulous. They could not communicate themselves if they wanted to: they lack words. We have already grown beyond whatever we have words for. In all talking there lies a grain of contempt. Speech, it seems, was devised only for the average medium, communicable. The speaker has already vulgarized himself by speaking.
Friedrich Nietzsche (Twilight of the Idols)
Finished, it's finished, nearly finished, it must be nearly finished. Grain upon grain, one by one, and one day, suddenly, there's a heap, a little heap, the impossible heap. I can't be punished any more. I'll go now to my kitchen, ten feet by ten feet by ten feet, and wait for him to whistle me. Nice dimensions, nice proportions, I'll lean on the table, and look at the wall, and wait for him to whistle me.
Samuel Beckett (Endgame)
Carter looked awful—I mean even worse than usual. Honestly, the boy had never been in a proper school, and he dressed like a junior professor, with his khaki trousers and a button-down brown shirt and loafers. He’s not bad looking, I suppose. He’s reasonably tall and fit and his hair isn’t hopeless. He’s got Dad’s eyes, and my mates Liz and Emma have even told me from his picture that he’s hot, which I must take with a grain of salt because (a) he’s my brother, and (b) my mates are a bit crazed. When it came to clothes, Carter wouldn’t have known hot if it bit him on the bum.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I am all of them, Evan and Ben and Marika and Megan and Sam. I am Dumbo and Poundcake and Teacup. I am all the ones you emptied, the ones you corrupted, the ones you discarded, the thousands you thought you killed, but who live in me. But I am more than this. I am all those they remember, the ones they loved, everyone they knew, and everyone they only heard about. How many are contained in me? Count the stars. Go on, number the grains of sand. That's me. I am humanity.
Rick Yancey (The Last Star (The 5th Wave, #3))
Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.
Victor Hugo (Les Misérables)
It is naturally a sign of inner liberation when a patient can squarely recognize his difficulties and take them with a grain of humor. But some patients at the beginning of analysis make incessant jokes about themselves, or exaggerate their difficulties in so dramatic a way that they will appear funny, while they are at the same time absurdly sensitive to any criticism. In these instances humor is used to take the sting out of an otherwise unbearable shame.
Karen Horney (Neurosis and Human Growth: The Struggle Towards Self-Realization)
As our mother earth is a mere speck in the sunbeam in the illimitable universe, so man himself is but a tiny grain of protoplasm in the perishable framework of organic nature. [This] clearly indicates the true place of man in nature, but it dissipates the prevalent illusion of man's supreme importance and the arrogance with which he sets himself apart from the illimitable universe and exalts himself to the position of its most valuable element.
Ernst Haeckel (Riddle of the Universe (Great Minds Series))
Michael Pollan likens consumer choices to pulling single threads out of a garment. We pull a thread from the garment when we refuse to purchase eggs or meat from birds who were raised in confinement, whose beaks were clipped so they could never once taste their natural diet of worms and insects. We pull out a thread when we refuse to bring home a hormone-fattened turkey for Thanksgiving dinner. We pull a thread when we refuse to buy meat or dairy products from cows who were never allowed to chew grass, or breathe fresh air, or feel the warm sun on their backs. The more threads we pull, the more difficult it is for the industry to stay intact. You demand eggs and meat without hormones, and the industry will have to figure out how it can raise farm animals without them. Let the animals graze outside and it slows production. Eventually the whole thing will have to unravel. If the factory farm does indeed unravel - and it must - then there is hope that we can, gradually, reverse the environmental damage it has caused. Once the animal feed operations have gone and livestock are once again able to graze, there will be a massive reduction in the agricultural chemicals currently used to grow grain for animals. And eventually, the horrendous contamination caused by animal waste can be cleaned up. None of this will be easy. The hardest part of returning to a truly healthy environment may be changing the current totally unsustainable heavy-meat-eating culture of increasing numbers of people around the world. But we must try. We must make a start, one by one.
Jane Goodall (Harvest for Hope)
Because lascivious or venal lips had murmured the same words to him, he now had little belief in their sincerity when he heard them from Emma; they should be taken with a grain of salt, he thought, because the most exaggerated speeches usually hid the weakest feelings - as though the fullness of the soul did not sometimes overflow into the emptiest phrases, since no one can ever express the exact measure of his needs, his conceptions, or his sorrows, and human speech is like a cracked pot on which we beat out rhythms for bears to dance to when we are striving to make music that will wring tears from the stars.
Gustave Flaubert (Madame Bovary)
it's so easy to get lost inside a problem that seems so big at the time it's like a river a that's so wide it swallows you whole while your sittin round thinkin 'bout what you can't change and worrying about all the wrong things times flying by moving so fast you better use it all cause you can't get it back sometimes that mountain you've been climbing is just a grain of sand and what you've been out there searching for forever is in your hands ooooo when you figure out love is all that matters after all it sure makes everything else seem so small.
Carrie Underwood (Some Hearts (Piano Vocal Chords))
He met his day in the shower, washing his hair with shampoo that was guaranteed to have never been put in a bunny's eyes and from which ten percent of the profits went to save the whales. He lathered his face with shaving cream free of chlorofluorocarbons, thereby saving the ozone layer. He breakfasted on fertile eggs laid by sexually satisfied chickens that were allowed to range while listening to Brahms, and muffins made with pesticide-free grain, so no eagle-egg shells were weakened by his thoughtless consumption. He scrambled the eggs in margarine free of tropical oils, thus preserving the rain forest, and he added milk from a cartn made of recycled paper and shipped from a small family farm. By the time he finished his second cup of coffee, which would presumably help to educate the children of a poor peasant farmer named Juan Valdez, Sam was on the verge of congratulating himself for single-handedly preserving the planet just by getting up in the morning.
Christopher Moore
I firmly believe in small gestures: pay for their coffee, hold the door for strangers, over tip, smile or try to be kind even when you don’t feel like it, pay compliments, chase the kid’s runaway ball down the sidewalk and throw it back to him, try to be larger than you are— particularly when it’s difficult. People do notice, people appreciate. I appreciate it when it’s done to (for) me. Small gestures can be an effort, or actually go against our grain (“I’m not a big one for paying compliments…”), but the irony is that almost every time you make them, you feel better about yourself. For a moment life suddenly feels lighter, a bit more Gene Kelly dancing in the rain.
Jonathan Carroll
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
William Golding (Lord of the Flies)
One day or one night—between my days and nights, what difference can there be?—I dreamed that there was a grain of sand on the floor of my cell. Unconcerned, I went back to sleep; I dreamed that I woke up and there were two grains of sand. Again I slept; I dreamed that now there were three. Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me: You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand. The path that you are to take is endless, and you will die before you have truly awakened. I felt lost. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream. — Jorge Luis Borges, The Writing of the God
Jorge Luis Borges (The Aleph and Other Stories)
He never spoke with any bitterness at all, no matter how awful the things he said. Are there really people without resentment, without hate, she wondered. People who never go cross-grained to the universe? Who recognize evil, and resist evil, and yet are utterly unaffected by it? Of course there are. Countless, the living and the dead. Those who have returned in pure compassion to the wheel, those who follow the way that cannot be followed without knowing they follow it, the sharecropper's wife in Alabama and the lama in Tibet and the entomologist in Peru and the millworker in Odessa and the greengrocer in London and the goatherd in Nigeria and the old, old man sharpening a stick by a dry streambed somewhere in Australia, and all the others. There is not one of us who has not known them. There are enough of them, enough to keep us going. Perhaps.
Ursula K. Le Guin (The Lathe of Heaven)
Here sighs and cries and shrieks of lamentation echoed throughout the starless air of Hell; at first these sounds resounding made me weep: tongues confused, a language strained in anguish with cadences of anger, shrill outcries and raucous groans that joined with sounds of hands, raising a whirling storm that turns itself forever through that air of endless black, like grains of sand swirling when a whirlwind blows. And I, in the midst of all this circling horror, began, "Teacher, what are these sounds I hear? What souls are these so overwhelmed by grief?" And he to me: "This wretched state of being is the fate of those sad souls who lived a life but lived it with no blame and with no praise. They are mixed with that repulsive choir of angels neither faithful nor unfaithful to their God, who undecided stood but for themselves. Heaven, to keep its beauty, cast them out, but even Hell itself would not receive them, for fear the damned might glory over them." And I. "Master, what torments do they suffer that force them to lament so bitterly?" He answered: "I will tell you in few words: these wretches have no hope of truly dying, and this blind life they lead is so abject it makes them envy every other fate. The world will not record their having been there; Heaven's mercy and its justice turn from them. Let's not discuss them; look and pass them by...
Dante Alighieri
There is nothing. Only warm, primordial blackness. Your conscience ferments in it — no larger than a single grain of malt. You don't have to do anything anymore. Ever. Never ever. An inordinate amount of time passes. It is utterly void of struggle. No ex-wives are contained within it [...] The song of death is sweet and endless... But what is this? Somewhere in the sore, bloated *man-meat* around you — a sensation! [...] The limbed and headed machine of pain and undignified suffering is firing up again. It wants to walk the desert. Hurting. Longing. Dancing to disco music.
Robert Kurvitz
The big system can be pretty overwhelming. We know that we can’t beat them by competing with them. What we can do is build small systems where we live and work that serve our needs as we define us and not as they ‘re defined for us. The big boys in their shining armor are up there on castle walls hurling their thunderbolts. We’re the ants patiently carrying sand a grain at a time from under the castle wall. We work from the bottom up. The knights up there don’t see the ants and don’t know what we’re doing. They’ll figure it out only when the wall begins to fall. It takes time and quiet persistence. Always remember this: They fight with money and we resist with time, and they’re going to run out of money before we run out of time
Utah Phillips
To the extent that we believe we can skip steps, avoid the process, magically gain power through political connections or easy formulas, or depend on our natural talents, we move against this grain and reverse our natural powers. We become slaves to time – as it passes, we grow weaker, less capable, trapped in some dead end career. We become captive to the opinions and fears of others.” (9) “This intense connection and desires allows them to withstand the pain of the process – the self-doubts, the tedious hours of practice and study, the inevitable setbacks, the endless barbs from the envious. They develop a resiliency and confidence that others lack.
Robert Greene (Mastery)
Sitting there on the heather, on our planetary grain, I shrank from the abysses that opened up on every side, and in the future. The silent darkness, the featureless unknown, were more dread than all the terrors that imagination had mustered. Peering, the mind could see nothing sure, nothing in all human experience to be grasped as certain, except uncertainty itself; nothing but obscurity gendered by a thick haze of theories. Man's science was a mere mist of numbers; his philosophy but a fog of words. His very perception of this rocky grain and all its wonders was but a shifting and a lying apparition. Even oneself, that seeming-central fact, was a mere phantom, so deceptive, that the most honest of men must question his own honesty, so insubstantial that he must even doubt his very existence.
Olaf Stapledon (Star Maker)
That's my name. Not Cassie for Cassandra. Or Cassie for Cassidy. And it's not Cassie for Cassiopeia. Not anymore. I am more than her now. I am all of them, Evan and Ben and Marika and Megan and Sam. I am Dumbo and Poundcake and Teacup. I am all the ones you emptied, the ones you corrupted, the ones you discarded, the thousands you thought you killed, but who live in me. But I am more than this. I am all those they remember, the ones they loved, everyone they knew, and everyone they only heard about. How many are contained in me? Count the stars. Go on, number the grains of sand. That's me. I am humanity.
Rick Yancey (The Last Star (The 5th Wave, #3))
I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear? I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own. I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it. “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible. “Yet consider. “Consider pain. “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.
Jesus I. Aldapuerta (The Eyes: Emetic Fables from the Andalusian De Sade)
Once upon a time, wasn’t singing a part of everyday life as much as talking, physical exercise, and religion? Our distant ancestors, wherever they were in this world, sang while pounding grain, paddling canoes, or walking long journeys. Can we begin to make our lives once more all of a piece? Finding the right songs and singing them over and over is a way to start. And when one person taps out a beat, while another leads into the melody, or when three people discover a harmony they never knew existed, or a crowd joins in on a chorus as though to raise the ceiling a few feet higher, then they also know there is hope for the world.
Pete Seeger
My apologies to everything that I can't be everywhere at once. My apologies to everyone that I can't be each woman and each man. I know I won't be justified as long as I live, since I myself stand in my own way. Don't bear me ill will, speech, that I borrow weighty words, then labor heavily so that they may seem light.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
Though good and bad men suffer alike, we must not suppose that there is no difference between the men themselves, because there is no difference in what they both suffer. For even in the likeness of the sufferings, there remains an unlikeness in the sufferers; and though exposed to the same anguish, virtue and vice are not the same thing. For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked.
Augustine of Hippo (City of God)
I read the first chapter of A Brief History of Time when Dad was still alive, and I got incredibly heavy boots about how relatively insignificant life is, and how compared to the universe and compared to time, it didn't even matter if I existed at all. When Dad was tucking me in that night and we were talking about the book, I asked if he could think of a solution to that problem. "Which problem?" "The problem of how relatively insignificant we are." He said, "Well, what would happen if a plane dropped you in the middle of the Sahara Desert and you picked up a single grain of sand with tweezers and moved it one millimeter?" I said, "I'd probably die of dehydration." He said, "I just mean right then, when you moved that single grain of sand. What would that mean?" I said, "I dunno, what?" He said, "Think about it." I thought about it. "I guess I would have moved one grain of sand." "Which would mean?" "Which would mean I moved a grain of sand?" "Which would mean you changed the Sahara." "So?" "So? So the Sahara is a vast desert. And it has existed for millions of years. And you changed it!" "That's true!" I said, sitting up. "I changed the Sahara!" "Which means?" he said. "What? Tell me." "Well I'm not talking about painting the Mona Lisa or curing cancer. I'm just talking about moving that one grain of sand one millimeter." "Yeah? If you hadn't done it, human history would have been one way..." "Uh-huh?" "But you did do it, so...?" I stood on the bed, pointing one of my fingers at the fake stars, and screamed: "I changed the course of human history!" "That's right." "I changed the universe!" "You did." "I'm God!" "You're an atheist." "I don't exist!" I fell back onto the bed, into his arms, and we cracked up together.
Jonathan Safran Foer
What must it be, then, to bear the manifold tortures of hell forever? Forever! For all eternity! Not for a year or an age but forever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from the earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness, and imagine such an enormous mass of countless particles of sand multiplied as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of air. And imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many millions upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all. Yet at the end of that immense stretch time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been carried all away again grain by grain, and if it so rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals – at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not even one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time, the mere thought of which makes our very brain reel dizzily, eternity would have scarcely begun.
James Joyce (A Portrait of the Artist as a Young Man)
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges
I am told by people all the time that they simply do not have time to read and listen to all the material they have purchased or subscribed to. But time is democratic and just. Everyone has the same amount. When I choose to read with my mid morning coffee break and you choose to blather about trivia with friends, when I choose to study for an hour sitting on my backyard deck at day's end but you choose to watch a TIVO'd American Idol episode, we reveal much. When someone says he does not have the time to apply himself to acquiring the know-how required to create sufficient value for his stated desires, he is a farmer surrounded by ripe fruit and vegetables, whole grains, and a herd of cattle on his own property who dies of starvation, unable to organize his time and discipline himself to eat.
Dan S. Kennedy
Where Maleldil is, there is the centre. He is in every place. Not some of Him in one place and some in another, but in each place the whole Maleldil, even in the smallness beyond though. There is no way out of the centre save into the Bent Will which casts itself into the Nowhere. Blessed be He! Each thing was made for Him. He is the centre. Because we are with Him, each of us is at the centre...In His city all things are made for each. When He died in the Wonded World He died not for men, but for each man. If each mad had been the only man made, He would have done no less. Each thing, from the single grain of Dust to the strongest eldil, is the end and the final cause of all creation and the mirror in which the beam of His brightness comes to rest and so returns to Him. Blessed be He!
C.S. Lewis (Perelandra (The Space Trilogy, #2))
Holmes took up the stone and held it against the light. "It's a bonny thing," said he. "Just see how it glints and sparkles. Of course it is a nucleus and focus of crime. Every good stone is. They are the devil's pet baits. In the larger and older jewels every facet may stand for a bloody deed. This stone is not yet twenty years old. It was found in the banks of the Amoy River in soutern China and is remarkable in having every characteristic of the carbuncle, save that it is blue in shade instead of ruby red. In spite of its youth, it has already a sinister history. There have been two murders, a vitriol-throwing, a suicide, and several robberies brought about for the sake of this forty-grain weight of crystallised charcoal. Who would think that so pretty a toy would be a purveyor to the gallows and the prison?
Arthur Conan Doyle (The Adventure of the Blue Carbuncle - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #7))
What a stupid, fucking, idiotic country this was. All the young women drank water in such vast quantities that it was coming out of their ears, they thought it was "beneficial" and "healthy," but all it did was send the numbers of incontinent young people soaring. Children ate whole wheat pasta and whole wheat bread and all sorts of weird coarse-grained rice that their stomachs could not digest properly, but it didn't matter because it was "beneficial," it was "healthy," it was "wholesome." Oh, they were confusing food with the mind, they thought they could eat their way to being better human beings without understanding that food is one thing and the notions food evokes another. And if you said that, you were either a reactionary or just a Norwegian, in other words ten years behind the times.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
They're both convinced that a sudden passion joined them. Such certainty is beautiful, but uncertainty is more beautiful still. Since they'd never met before, they're sure that there'd been nothing between them. But what's the word from the streets, staircases, hallways-- perhaps they've passed by each other a million times? I want to ask them if they don't remember-- a moment face to face in some revolving door? perhaps a "sorry" muttered in a crowd? a curt "wrong number" caught in the receiver? but I know the answer. No, they don't remember. They'd be amazed to hear that Chance has been toying with them now for years. Not quite ready yet to become their Destiny, it pushed them close, drove them apart, it barred their path, stifling a laugh, and then leaped aside. There were signs and signals, even if they couldn't read them yet. Perhaps three years ago or just last Tuesday a certain leaf fluttered from one shoulder to another? Something was dropped and then picked up. Who knows, maybe the ball that vanished into childhood's thicket? There were doorknobs and doorbells where one touch had covered another beforehand. Suitcases checked and standing side by side. One night, perhaps, the same dream, grown hazy by morning. Every beginning is only a sequel, after all, and the book of events is always open halfway through.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
But do you ever experience a sort of diluted, personalised version of that feeling, as if your own life, your own world, has slowly but perceptibly become an uglier place? Or even a sense that while you used to be in step with the cultural discourse, you’re not anymore, and you feel yourself adrift from the world of ideas, alienated, with no intellectual home? Maybe it is about our specific historical moment, or maybe it’s just about getting older and disillusioned, and it happens to everyone. When I look back on what we were like when we first met, I don’t think we were really wrong about anything, except about ourselves. The ideas were right, but the mistake was that we thought we mattered. Well, we’ve both had that particular error ground out of us in different ways – me by achieving precisely nothing in over a decade of adult life, and you (if you’ll forgive me) by achieving as much as you possibly could and still not making one grain of difference to the smooth functioning of the capitalist system. When we were young, we thought our responsibilities stretched out to encompass the earth and everything that lived on it.
Sally Rooney (Beautiful World, Where Are You)
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here. After sleeping through a hundred million centuries we have finally opened our eyes on a sumptuous planet, sparkling with colour, bountiful with life. Within decades we must close our eyes again. Isn't it a noble, an enlightened way of spending our brief time in the sun, to work at understanding the universe and how we have come to wake up in it? This is how I answer when I am asked -- as I am surprisingly often -- why I bother to get up in the mornings. To put it the other way round, isn't it sad to go to your grave without ever wondering why you were born? Who, with such a thought, would not spring from bed, eager to resume discovering the world and rejoicing to be a part of it?
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
So what’s your story, Pidge? Are you a man-hater in general, or do you just hate me?” “I think it’s just you,” I grumbled. He laughed once, amused at my mood. “I can’t figure you out. You’re the first girl that’s ever been disgusted with me before sex. You don’t get all flustered when you talk to me, and you don’t try to get my attention.” “It’s not a ploy. I just don’t like you.” “You wouldn’t be here if you didn’t like me.” My frown involuntarily smoothed and I sighed. “I didn’t say you’re a bad person. I just don’t like being a foregone conclusion for the sole reason of having a vagina.” I focused on the grains of salt on the table until I heard a choking noise from Travis’ direction. His eyes widened and he quivered with howling laughter. “Oh my God! You’re killing me! That’s it. We have to be friends. I won’t take no for an answer.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Proust so titillates my own desire for expression that I can hardly set out the sentence. Oh if I could write like that! I cry. And at the moment such is the astonishing vibration and saturation and intensification that he procures—there’s something sexual in it—that I feel I can write like that, and seize my pen and then I can’t write like that. Scarcely anyone so stimulates the nerves of language in me: it becomes an obsession. But I must return to Swann. My great adventure is really Proust. Well—what remains to be written after that? I’m only in the first volume, and there are, I suppose, faults to be found, but I am in a state of amazement; as if a miracle were being done before my eyes. How, at last, has someone solidified what has always escaped—and made it too into this beautiful and perfectly enduring substance? One has to put the book down and gasp. The pleasure becomes physical—like sun and wine and grapes and perfect serenity and intense vitality combined. Jacques Raverat...sent me a letter about Mrs Dalloway which gave me one of the happiest moments days of my life. I wonder if this time I have achieved something? Well, nothing anyhow compared with Proust, in whom I am embedded now. The thing about Proust is his combination of the utmost sensibility with the utmost tenacity. He searches out these butterfly shades to the last grain. He is as tough as catgut & as evanescent as a butterfly's bloom. And he will I suppose both influence me & make out of temper with every sentence of my own.
Virginia Woolf
The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
The level of matter in the universe has been constant since the Big Bang. In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare.
Caitlin Moran
THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine
Nancy Werlin (Impossible (Impossible, #1))
As far as food is concerned, the great extravagance is not caviar or truffles, but beef, pork and poultry. Some 38 percent of the world's grain crop is now fed to animals, as well as large quantities of soybeans. There are three times as many domestic animals on this planet as there are human beings. The combined weight of the world's 1.28 billion cattle alone exceeds that of the human population. While we look darkly at the number of babies being born in poorer parts of the world, we ignore the over-population of farm animals, to which we ourselves contribute...[t]hat, however, is only part of the damage done by the animals we deliberately breed. The energy intensive factory farming methods of the industrialised nations are responsible for the consumption of huge amounts of fossil fuels. Chemical fertilizers, used to grow the feed crops for cattle in feedlots and pigs and chickens kept indoors in sheds, produce nitrous oxide, another greenhouse gas. Then there is the loss of forests. Everywhere, forest-dwellers, both human and non-human, can be pushed out. Since 1960, 25 percent of the forests of Central America have been cleared for cattle. Once cleared, the poor soils will support grazing for a few years; then the graziers must move on. Shrub takes over the abandoned pasture, but the forest does not return. When the forests are cleared so the cattle can graze, billions of tons of carbon dioxide are released into the atmosphere. Finally, the world's cattle are thought to produce about 20 percent of the methane released into the atmosphere, and methane traps twenty-five times as much heat from the sun as carbon dioxide. Factory farm manure also produces methane because, unlike manured dropped naturally in the fields, it dies not decompose in the presence of oxygen. All of this amounts to a compelling reason...for a plant based diet.
Peter Singer (Practical Ethics)
We live in an extraordinary age. These are times of stunning changes in social organization, economic well-being, moral and ethical precepts, philosophical and religious perspectives, and human self-knowledge, as well as in our understanding of that vast universe in which we are imbedded like a grain of sand in a cosmic ocean. As long as there have been human beings, we have posed the deep and fundamental questions, which evoke wonder and stir us into at least a tentative and trembling awareness, questions on the origins of consciousness; life on our planet; the beginnings of the Earth; the formation of the Sun; the possibility of intelligent beings somewhere up there in the depths of the sky; as well as, the grandest inquiry of all - on the advent, nature and ultimate destiny of the universe. For all but the last instant of human history these issues have been the exclusive province of philosophers and poets, shamans and theologians. The diverse and mutually contradictory answers offered demonstrate that few of the proposed solutions have been correct. But today, as a result of knowledge painfully extracted from nature, through generations of careful thinking, observing, and experimenting, we are on the verge of glimpsing at least preliminary answers to many of these questions. ...If we do not destroy ourselves, most of us will be around for the answers. Had we been born fifty years earlier, we could have wondered, pondered, speculated about these issues, but we could have done nothing about them. Had we been born fifty years later, the answers would, I think, already have been in. Our children will have been taught the answers before most of them will have had the opportunity to even formulate the questions. By far the most exciting, satisfying and exhilarating time to be alive is the time in which we pass from ignorance to knowledge on these fundamental issues; the age where we begin in wonder and end in understanding. In all of the four-billion-year history of the human family, there is only one generation priveleged to live through that unique transitional moment: that generation is ours.
Carl Sagan
Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects. ...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making. The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.
Stephen Fry (Moab Is My Washpot (Memoir, #1))