Grain Of Sand Love Quotes

Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches.

Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across. And I brought so much with me that my impressions would always be there, even when the tide rolled out.

Sometimes that mountain you've been climbing is just a grain of sand, and what you've been up there searching for forever, is in your hands. When you figure out love is all that matters after all it sure makes everything else seem so small.

Love all God’s creation, both the whole and every grain of sand. Love every leaf, every ray of light. Love the animals, love the plants, love each separate thing. If thou love each thing thou wilt perceive the mystery of God in all; and when once thou perceive this, thou wilt thenceforward grow every day to a fuller understanding of it: until thou come at last to love the whole world with a love that will then be all-embracing and universal.

Let the people who never find true love keep saying that there's no such thing. Their faith will make it easier for them to live and die.

A faerie heart is different from a human heart. Human hearts are elastic. They have room for all sorts of passions, and they can break and heal and love again and again. Faerie hearts are evolutionarily less sophisticated. They are small and hard, like tiny grains of sand. Our hearts are too small to love more than one person in a lifetime.

But I am even more than this. I am all those they remember, the ones they loved, everyone they knew, and everyone they only heard about. How many are contained in me? Count the stars. Go on, number the grains of sand. That's me. I am humanity.

You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.

True love. Is it normal is it serious, is it practical? What does the world get from two people who exist in a world of their own?

Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.

The more we wait, the more everything and everyone looks like a grain of sand escaping between our fingers before vanishing into the wind.

A great ring of pure & endless light Dazzles the darkness in my heart And breaks apart the dusky clouds of night. The end of all is hinted in the start. When we are born we bear the seeds of blight; Around us life & death are torn apart, Yet a great ring of pure and endless light Dazzles the darkness in my heart. It lights the world to my delight. Infinity is present in each part. A loving smile contains all art. The motes of starlight spark & dart. A grain of sand holds power & might. Infinity is present in each part, And a great ring of pure and endless light Dazzles the darkness in my heart.

Each day, we feel more distant from each other, more alone, all while being surrounded by millions. Each day we watch as our city turns into a desert, one in which we are all lost, looking for that oasis we like to call “love”. The more we wait, the more everything and everyone looks like a grain of sand escaping between our fingers before vanishing into the wind. How do we find something or someone we can no longer see, but which is right there before us? And how do we hold on to what is most precious in life?

It may seem strange, falling in love with someone because of a gesture, but sometimes you can read an entire person in a single moment. The way you can study a grain of sand and understand the universe. Love at first sight might or might not be a thing, but love in a single moment is.

I am all of them, Evan and Ben and Marika and Megan and Sam. I am Dumbo and Poundcake and Teacup. I am all the ones you emptied, the ones you corrupted, the ones you discarded, the thousands you thought you killed, but who live in me. But I am more than this. I am all those they remember, the ones they loved, everyone they knew, and everyone they only heard about. How many are contained in me? Count the stars. Go on, number the grains of sand. That's me. I am humanity.

it's so easy to get lost inside a problem that seems so big at the time it's like a river a that's so wide it swallows you whole while your sittin round thinkin 'bout what you can't change and worrying about all the wrong things times flying by moving so fast you better use it all cause you can't get it back sometimes that mountain you've been climbing is just a grain of sand and what you've been out there searching for forever is in your hands ooooo when you figure out love is all that matters after all it sure makes everything else seem so small.

If you think about it, finding true love is a lot like finding a particular grain of sand on the beach.

All the beaches of the world, could never amount to, nor implore the one grain of sand that I stand on, which is your love.

Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches! If your love were-" "I don't understand that first one yet," Buttercup interrupted. She was starting to get very excited now. "Let me get this straight. Are you saying my love is a grain of sand and yours is this other thing? Images confuse me so - is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we're on the verge of something just terribly important.

That's my name. Not Cassie for Cassandra. Or Cassie for Cassidy. And it's not Cassie for Cassiopeia. Not anymore. I am more than her now. I am all of them, Evan and Ben and Marika and Megan and Sam. I am Dumbo and Poundcake and Teacup. I am all the ones you emptied, the ones you corrupted, the ones you discarded, the thousands you thought you killed, but who live in me. But I am more than this. I am all those they remember, the ones they loved, everyone they knew, and everyone they only heard about. How many are contained in me? Count the stars. Go on, number the grains of sand. That's me. I am humanity.

Cause sometimes that mountain you've been climbing Is just a grain of sand And what you've been out there searching for forever Is in your hands And when you figure out Love is all that matters after all It sure makes everything else Seem so small

Little drops of water, Little grains of sand, Make the mighty ocean And the pleasant land. So the little moments, Humble though they be, Make the mighty ages Of Eternity. So the little errors Lead the soul away From the paths of virtue Far in sin to stray. Little deeds of kindness, Little words of love, Help to make earth happy, Like the Heaven above.

On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.

It was strange: When you reduced even a fledgling love affair to its essentials--I loved her, she maybe loved me, I was foolish, I suffered--it became vacuous and trite, meaningless to anyone else. In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments.

The right thing to do would be for you to acknowledge that you feel something for me that's remotely close to what I feel for you. I've asked only for a single grain of sand from you, Persephone, while I'm the whole fucking beach at your feet...

what I did not know - I was a young man - is that there are two kinds of love. The kind that starts off big and slowly wears away, that seems you can never use it up and then one day is finished. And the kind that you don't notice at first, but which adds a little bit to itself every day, like an oyster makes a pearl, grain by grain, a jewel from the sand.

I just stood there, like a grain of sand amongst a million others on a beach.

Many of our attempts to understand Christian faith have only cheapened it. I can no more understand the totality of God than the pancake I made for breakfast understands the complexity of me. The little we do understand, that grain of sand our minds are capable of grasping, those ideas such as God is good, God feels, God loves, God knows all, are enough to keep our hearts dwelling on His majesty and otherness forever.

I knew I was a grain of sand in the vast desert that never ended and he was a sparkling star in the sky. I was a fish who couldn’t breathe in air and had to stay in dark waters forever while he was a majestic bird who soared so high that he barely touched the ground. I did not deserve him. I could only watch him from down here and wish, wish that he could come here someday. That he could know that I existed. But for that, he had to fall. He had to drop to the ground but I could not let that happen. And then I thought, birds are meant to fly and stars are meant to shine and if someone takes it away from them, they can't be the same anymore. So, I just prayed that his wings never fail him, that the star never explodes. And I was at peace.

It has been a week since Ami died and this morning I woke suddenly hours before dawn, indeed the same hour as when my mother died. It was not a dream that woke me, but a thought. And with that thought I could swear I heard Ami's voice. But I am not frightened. I am joyous. Joyous with realization. For I cannot help but think what a lucky person I am. Imagine that in all the eons of time, in all the possible universes of which Dara speaks, of all the stars in the heavens, Ami and I came together for one brief and shining sliver of time. I stop. I think. Supposing in the grand infinity of this universe two particles of life, Ami and me, swirl endlessly like grains of sand in the oceans of the world -- how much of a chance is there for these two particles, these two grains of sand, to collide, to rest briefly together... at the same moment in time? That is what happened with Ami and me... this miracle of chance.

I love you, Lily. Everything you are. I love you." I know those words get thrown around a lot, especially by teenagers. A lot of times prematurely and without much merit. But when he said them to me, I knew he wasn't saying it like he was in love with me. It wasn't that kind of "I love you." Imagine the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed on the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me wen he said "I love you." He was letting me know that I was the biggest wave he'd ever come across. And I brought so much with me that my impression would always be there, even when the tide rolled out.

Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on eath. Love all God's creation, the whole and every grain of sand in it. Love the animals, love the plants, love everything. If you love everything, you will percieve the divine mystery in things. Once you percieve it, you will begin to comprehend it better every day. And you will come at last to love the whole world with an all-embracing love.

I don’t think any of us expected it to look like it did! Most of the dry surface was ‘sand,’ grains of hydrocarbons like coffee grounds. It was piled in giant dunes that ran on for miles over the ice—like in the Sahara or Canada.

Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across. And I brought so much with me that my impressions would always be there, even when the tide rolled out.

Love all of God’s creation, both the whole of it and every grain of sand. Love every leaf, every ray of God’s light. Love animals, love plants, love each thing. If you love each thing, you will perceive the mystery of God in things. Once you have perceived it, you will begin tirelessly to perceive more and more of it every day. And you will come at last to love the whole world with an entire, universal love.

all God’s creation, the whole and every grain of sand in it. Love every leaf, every ray of God’s light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you perceive it, you will begin to comprehend it better every day. And you will come at last to love the whole world with an all-embracing love.’ 

THE FACE IN THE TOYOTA Suppose you see a face in a Toyota One day, and you fall in love with that face, And it is Her, and the world rushes by Like dust blown down a Montana street. And you fall upward into some deep hole, And you can’t tell God from a grain of sand. And your life is changed, except that now you Overlook even more than you did before; And these ignored things come to bury you, And you are crushed, and your parents Can’t help anymore, and the woman in the Toyota Becomes a part of the world that you don’t see. And now the grain of sand becomes sand again, And you stand on some mountain road weeping.

The Potter Your whole body is A glass of wine Or sweetness destined for me. When I raise my hand, I find in every place a dove Seeking for me, As if, my love, You were made of clay For my very hands of a potter. Your knees, your breasts, Your waist, Disappear in me like in a hollow Of a thirsting earth Where they lose A form, And together We become like a single river, Like a single grain of sand.

I don't know why people are so shy about expressing openly in front of the world their longing for each other, the most powerful and tender natural attraction, but they pretend to be proud or indifferent and they don't consider, especially if they're young, that the sands of our life have been measured by God unto the last grain and that every carelessly wasted second of love sinks irreversibly into eternity.

A thousand million stars in the sky would not be enough to count the ways I love you. Or grains of sand on the beach, even if you split every grain in half.

Brothers, have no fear of men's sin. Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth. Love all of God's creation, the whole and every grain of sand in it. Love every leaf, every ray of God's light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things.

You tell me that class distinctions are baubles used by monarchs, I defy you to show me a republic, ancient or modern, in which distinctions have not existed. You call these medals and ribbons baubles; well, it is with such baubles that men are led. I would not say this in public, but in a assembly of wise statesmen it should be said. I don't think that the French love liberty and equality: the French are not changed by ten years of revolution: they are what the Gauls were, fierce and fickle. They have one feeling: honour. We must nourish that feeling. The people clamour for distinction. See how the crowd is awed by the medals and orders worn by foreign diplomats. We must recreate these distinctions. There has been too much tearing down; we must rebuild. A government exists, yes and power, but the nation itself - what is it? Scattered grains of sand.

Food of Love Eating is touch carried to the bitter end. -Samuel Butler II I'm going to murder you with love; I'm going to suffocate you with embraces; I'm going to hug you, bone by bone, Till you're dead all over. Then I will dine on your delectable marrow. You will become my personal Sahara; I'll sun myself in you, then with one swallow Drain you remaining brackish well. With my female blade I'll carve my name In your most aspiring palm Before I chop it down. Then I'll inhale your last oasis whole. But in the total desert you become You'll see me stretch, horizon to horizon, Opulent mirage! Wisteria balconies dripping cyclamen. Vistas ablaze with crystal, laced in gold. So you will summon each dry grain of sand And move towards me in undulating dunes Till you arrive at sudden ultramarine: A Mediterranean to stroke your dusty shores; Obstinate verdue, creeping inland, fast renudes Your barrens; succulents spring up everywhere, Surprising life! And I will be that green. When you are fed and watered, flourishing With shoots entwining trellis, dome and spire, Till you are resurrected field in bloom, I will devour you, my natural food, My host, my final supper on the earth, And you'll begin to die again.

An infant, in his first sleepiness, must let go of the world; a man must learn to die. What comes between are the grains of sand. Ambition. Loss. Envy. Desire. Hatred. Love. Tenderness. Joy. Shame. Loneliness. Ecstasy. Ache. Surrender.

We can imagine how to create and be creative on a beach in a cosmic sky. No grain of sand is merely just sandy; with imagination at hand the sand can become whatever you fancy.

A Quote from Monty's journal in GOD MUST BE WEEPING. "I felt as anonymous as a grain of sand.

Even a grain of sand united with an oyster can make a pearl.

We live in a society populated by strangers. Each day, we feel more distant from each other, more alone, all while being surrounding by millions. Each day we watch as our city turns into a desert, one in which we are all lost -- looking for that oasis we like to call... "love." The more we wait, the more everything--and everyone--looks like a grain of sand escaping between our fingers before vanishing into the wind. How do we find something--or someone-- we can no longer see, but which is right there before us? And how do we hold on to what is most precious in life?

No matter what she was doing-baking cookies, walking around the lake on a beautiful day, making love to her husband-she felt rushed and jittery, as if the last few grains of sand were at that very moment sliding through the narrow waist of an hourglass. Any unforeseen occurrence-road construction, an inexperienced cashier, a missing set of keys-could plunge her into a mood of frantic despair that could poison an entire day.

Unrequited love is no more or less than a kidney stone. The size of a grain of sand, a pea, a marble or a golf ball -- a crystallized chemical substance likely to cause a sharp, indeed unbearable, pain. But which always goes in the end.

Love people even in their sin, for that is the semblance of Divine Love and is the highest love on earth. Love all of God’s creation, the whole and every grain of sand of it. Love every leaf, every ray of God’s light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you perceive it, you will begin to comprehend it better every day. And you will come at last to love the whole world with an all-embracing love. —Fyodor Dostoyevsky, The Brothers Karamazov Let

There is a unique bond between the land and the people in the Crescent City. Everyone here came from somewhere else, the muddy brown current of life prying them loose from their homeland and sweeping them downstream, bumping and scraping, until they got caught by the horseshoe bend that is New Orleans. Not so much as a single pebble ‘came’ from New Orleans, any more than any of the people did. Every grain of sand, every rock, every drip of brown mud, and every single person walking, living and loving in the city is a refugee from somewhere else. But they made something unique, the people and the land, when they came together in that cohesive, magnetic, magical spot; this sediment of society made something that is not French, not Spanish, and incontrovertibly not American.

I love letting my soul soar on a summer breeze, or getting entranced by the rhythm of the sea. It carries you off on its currents until you’re completely lost and then drops you back on the shores of reality with salt on your cheeks and grains of dreams running through your fingers like sand. It’s almost an occasional necessity – I guess because when you get completely, fantastically, dizzyingly lost you’re temporarily suspended between what has been and what could be. In those first moments when you come back up for air, or when you float back down to the ground, you’re living in the land of possibility, where you understand that reality can stretch just as far as you’re willing to dream.

To me, love is either a pebble, a rock, or a boulder. Or a grain of sand, if you’re trying to measure the love my ex wife had for me.

Writers begin with a grain of sand, and then create a beach. —Robert Black

Do you love me, Westley? Is that it?” He couldn’t believe it. “Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If

Does one grow wise in increments? By fractioning a life and then summing it? By stacking sand? An infant, in his first sleepiness, must let go of the world; a man must learn to die. What comes between are the grains of sand. Ambition. Loss. Envy. Desire. Hatred. Love. Tenderness. Joy. Shame. Loneliness. Ecstasy. Ache. Surrender. Live long enough and you will solve them all.

Small particles of evil were scattered throughout the universe, but the sum total of all that evil was as a grain of sand on a vast beach compared to the goodness, abundance, hope, and unconditional love in which the universe was literally awash. The very fabric of the alternate dimension is love and acceptance, and anything that does not have these qualities appears immediately and obviously out of place there.

Infinite particles found in stars- Fragments, beaming of light, pouring forth through the sun. Grains of sand blown by the wind, along with blades of grass and prickly ash from our Earth. We fly as an eagle- soaring, and with the night, we come to be awakened by the morning light. Glorious life, here we meet and here, we are One as our hearts beat. I am grateful for the infinite, creative living force within all.

Quickly and quietly, the Princess returned to the cottage, for she knew what she must do. The crone had sacrificed her eyes to provide the Princess with shelter and now must this kindness be repaid. Although she had never traveled beyond the forest rim, the Princess did not hesitate. Her love for the crone was so fathomless that if all the grains of sand in the ocean should be stacked up end to end, they would not run so deep.

Perfect Timing" The night I fell in love with you I lost my watch: stripping off at the sea’s edge, it fell into the dark as I swam out into a night thick with stars, with fisherman calling from one lit boat to another of their catches and harbours, leaving for the dawn. Imagine it now, plunged deep in cool sand, still hidden years later, grains ticking over it one by one— as your hands slide into me and I move to their pulse.

It occurred to me then that maybe Wil Hines didn't have blood in his veins like everyone else. Maybe he was made of Florida things: grains of bleached sand, sea foam, and salt. Wind and sun. Maybe he was made of the things he loved best.

My time here is dwindling. Everything around me - my body, the transition from winter to spring, the height chart marking the growth of my daughter, Emily - reminds me that the hourglass that is my life has only a few grains of sand left.

But germs are the most common snowflake starters and lie at the heart of 85 percent of all flakes.2 So next time you gaze at a lovely snowstorm, inform your favorite germophobe or hypochondriac that living bacteria sit shivering in most of those untold billions of flakes. Then hand him or her a snow cone or organize a catch-a-snowflake-on-your-tongue party. Once the ice-forming process is started, more molecules join the party, and the crystal grows. It can ultimately become either a snowflake or a rough granule of ice called by the odd name graupel. A snowflake contains ten quintillion water molecules. That’s ten million trillion. Ten snowflakes—which can fit on your thumb tip—have the same number of molecules as there are grains of sand on the earth. Or stars in the visible universe. How many flakes, how many molecules fashioned the snowy landscape I was observing as I drove east? It numbed the brain.

Little drops of water  Little grains of sand Make the mighty ocean  And the beauteous land   Little deeds of kindness,  Little words of love,  Make our earth an Eden,  Like the heaven above   And the little moments,  Humble though they be,  Make the mighty ages.  Of eternity. —Julia Abigail Fletcher Carney

Love is what you are already. Love doesn’t seek anything. It’s already complete. It doesn’t want, doesn’t need, has no shoulds. It already has everything it wants, it already is everything it wants, just the way it wants it. So when I hear people say that they love someone and want to be loved in return, I know they’re not talking about love. They’re talking about something else. Sometimes you may seem to trade love for the stressful thought appearing in the moment. It’s a little trip out into illusion. Seeking love is how you lose the awareness of love. But you can only lose the awareness of it, not the state. That’s not an option, because love is what we all are. That’s immovable. When you investigate your stressful thinking and your mind becomes clear, love pours into your life, and there’s nothing you can do about it. Love joins everything, without condition. It doesn’t avoid the nightmare; it looks forward to it and then inquires. There is no way to join except to get free of your belief that you want something from your partner. That’s true joining. It’s like “Bingo! You just won the lottery!” If I want something from my partner, I simply ask. If he says no and I have a problem with that, I need to take a look at my thinking. Because I already have everything. We all do. That’s how I can sit here so comfortably: I don’t want anything from you that you don’t want to give. I don’t even want your freedom if you don’t. I don’t even want your peace. The truth that you experience is how I’m able to join with you. That’s how you touch me, and you touch me so intimately that it brings tears to my eyes. I’ve joined you, and you don’t have a choice. And I do this over and over and over, endlessly, effortlessly. It’s called making love. Love wouldn’t deny a breath. It wouldn’t deny a grain of sand or a speck of dust. It is totally in love with itself, and it delights in acknowledging itself through its own presence, in every way, without limit. It embraces it all, everything from the murderer and the rapist to the saint to the dog and cat. Love is so vast within itself that it will burn you up. It’s so vast that there’s nothing you can do with it. All you can do is be it.

What I did not know—I was a young man—is that there are two kinds of love. The kind that starts off big and slowly wears away, that seems you can never use it up and then one day is finished. And the kind that you don’t notice at first, but which adds a little bit to itself every day, like an oyster makes a pearl, grain by grain, a jewel from the sand.

What I did not know-I was a young man- is that there are two kinds of love. The kind that starts off big and slowly wears away, that seems you can never use it up and then one day is finished. And the kind that you don't notice at first, but which adds a little bit to itself every day, like an oyster makes a pearl, grain by grain, a jewel from the sand.

Love all of God’s creation, both the whole of it and every grain of sand. Love every leaf, every ray of God’s light. Love animals, love plants, love each thing. If you love each thing, you will perceive the mystery of God in things. Once you have perceived it, you will begin tirelessly to perceive more and more of it every day. And you will come at last to love the whole world with an entire, universal love.

First I smell that smell and am overcome with a sensation of elation. Like a tight faucet turned open, everything floods from me. I scan the view, take a deep breath, and inevitably utter, "God, I love it here." I stride quickly to where the sand is still wet from the previous tide and then, and then I am gone. There is no thinking, just being. I have no awareness of time or of myself. If I am searching for glass, it is rote, with no more or less consciousness than a jellyfish searching for sustenance. It is not mindlessness or oblivion, as I am wholly aware, but in a way that preempts any reality outside of the moment. There I am seaweed, I am water, I am stone, I am fish. I am a grain of sand, warm in the sun. I am reduced to nothing, but part of everything. I am home, I am free, I am one with the sea, I am the primordial me, and the glass is just my excuse to be there.

Even yet I do not know why the ocean holds such a fascination for me. But then, perhaps none of us can solve those things—they exist in defiance of all explanation. There are men, and wise men, who do not like the sea and its lapping surf on yellow shores; and they think us strange who love the mystery of the ancient and unending deep. Yet for me there is a haunting and inscrutable glamour in all the ocean's moods. It is in the melancholy silver foam beneath the moon's waxen corpse; it hovers over the silent and eternal waves that beat on naked shores; it is there when all is lifeless save for unknown shapes that glide through sombre depths. And when I behold the awesome billows surging in endless strength, there comes upon me an ecstasy akin to fear; so that I must abase myself before this mightiness, that I may not hate the clotted waters and their overwhelming beauty. Vast and lonely is the ocean, and even as all things came from it, so shall they return thereto. In the shrouded depths of time none shall reign upon the earth, nor shall any motion be, save in the eternal waters. And these shall beat on dark shores in thunderous foam, though none shall remain in that dying world to watch the cold light of the enfeebled moon playing on the swirling tides and coarse-grained sand. On the deep's margin shall rest only a stagnant foam, gathering about the shells and bones of perished shapes that dwelt within the waters. Silent, flabby things will toss and roll along empty shores, their sluggish life extinct. Then all shall be dark, for at last even the white moon on the distant waves shall wink out. Nothing shall be left, neither above nor below the sombre waters. And until that last millennium, and beyond the perishing of all other things, the sea will thunder and toss throughout the dismal night.

Love all God’s creation, the whole of it and every grain of sand. Love every leaf, every ray of God’s light; love the beasts, love the plants, love every creature. If you love everything, you will perceive the divine mystery in things. And once you have perceived it, you will begin to comprehend it ceaselessly, more, more, and more every day. And you will come at last to love the whole world with an abiding universal love. Love the animals: God has given them the rudiments of thought and untroubled joy. Fyodor Dostoevsky

As I turned all of my affections toward Him, quickly every pavilion became a picture of the refuge of His person. Every rock became His written words. Every leaf became the healing of the nations. The shade became the cool of His presence. Every ray of the sun became the warmth of His love. Every refreshing breeze became the sweet wind of His Spirit. Every bird was His promise to care for me. Every sweet fragrance was the ointment of His name. Every grain of sand became His thoughts toward me. The lake became the still waters from the Shepherd’s psalm.

True intelligence is pure love which does not exclude or waste anything. Not even a grain of sand is excluded or wasted. There are no exceptions in what is set free and in what is in service to this setting free. Life, the formless, form and fragrance, knows exactly what it is doing. Life is pure, unfiltered Intelligence flowing as whatever shape is now appearing. It is alive and it is all calling us Home. Do you hear the grain of sand calling your name? It says, “Love.” Do you sense the truth of it? If not, lean in and ‘listen’ again - this time with the whole of your being.

today’s psychologists tend to agree on several important points: for example, that introverts and extroverts differ in the level of outside stimulation that they need to function well. Introverts feel “just right” with less stimulation, as when they sip wine with a close friend, solve a crossword puzzle, or read a book. Extroverts enjoy the extra bang that comes from activities like meeting new people, skiing slippery slopes, and cranking up the stereo. “Other people are very arousing,” says the personality psychologist David Winter, explaining why your typical introvert would rather spend her vacation reading on the beach than partying on a cruise ship. “They arouse threat, fear, flight, and love. A hundred people are very stimulating compared to a hundred books or a hundred grains of sand.

As had occurred so many times before, their eyes met and intertwined, a continuation of that gaze they had held in front of the Mona Lisa’s smile two centuries before. They had discovered that the language of the eyes that Zhuang Yan had dreamed up was now a reality, or maybe loving humans had always possessed this language. When they looked at each other, a richness of meaning poured from their eyes just as the clouds poured from the cloud well created by the gravitational beam, endless and unceasing. But it wasn’t a language of this world. It constructed a world that gave it meaning, and only in that rosy world did the words of the language find their corresponding referents. Everyone in that world was god; all had the ability to instantaneously count and remember every grain of sand in the desert; all were able to string together stars into a crystal necklace to hang around a lover’s neck….

We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.

―The thing about memory is that you can feel it eroding slowly, being stolen away from you by time. It starts with the way you stop hearing his voice in your head. Then it's the color of the shirt he wore last Christmas. Before you know it, your memories have become fragmented, as if the small details were grains of sand blown away by the wind. I should be grateful that I'm starting to remember you less. Instead, I felt lonely. Pieces of you that I once held dear are being ripped apart into tiny shreds of information my brain thinks I can afford to forget. I can feel my heart fighting. It loves the feel of you though for the most part, you hurt. I looked for you in places where I knew I would never find you, in faces I knew I would never recognize. I looked for you hoping that through the sheer force of my will I would find your eyes staring back. But that's the thing about memory - you can feel it eroding slowly, being stolen away from you by time. I want to remember you. But I'm no longer entirely sure I really remember you. It kills me. Have you started remembering me less too?

It was a damned near-run thing, I must admit,' said Jack, modestly; then after a pause he laughed and said, 'I remember your using those very words in the old Bellerophon, before we had our battle.' 'So I did,' cried Dundas. 'So I did. Lord, that was a great while ago.' 'I still bear the scar,' said Jack. He pushed up his sleeve, and there on his brown forearm was a long white line. 'How it comes back,' said Dundas; and between them, drinking port, they retold the tale, with minute details coming fresh to their minds. As youngsters, under the charge of the gunner of the Bellerophon, 74, in the West Indies, they had played the same game. Jack, with his infernal luck, had won on that occasion too: Dundas claimed his revenge, and lost again, again on a throw of double six. Harsh words, such as cheat, liar, sodomite, booby and God-damned lubber flew about; and since fighting over a chest, the usual way of settling such disagreements in many ships, was strictly forbidden in the Bellemphon, it was agreed that as gentlemen could not possibly tolerate such language they should fight a duel. During the afternoon watch the first lieutenant, who dearly loved a white-scoured deck, found that the ship was almost out of the best kind of sand, and he sent Mr Aubrey away in the blue cutter to fetch some from an island at the convergence of two currents where the finest and most even grain was found. Mr Dundas accompanied him, carrying two newly sharpened cutlasses in a sailcloth parcel, and when the hands had been set to work with shovels the two little boys retired behind a dune, unwrapped the parcel, saluted gravely, and set about each other. Half a dozen passes, the blades clashing, and when Jack cried out 'Oh Hen, what have you done?' Dundas gazed for a moment at the spurting blood, burst into tears, whipped off his shirt and bound up the wound as best he could. When they crept aboard a most unfortunately idle, becalmed and staring Bellerophon, their explanations, widely different and in both cases so weak that they could not be attempted to be believed, were brushed aside, and their captain flogged them severely on the bare breech. 'How we howled,' said Dundas. 'You were shriller than I was,' said Jack. 'Very like a hyena.

Once, on the road, Prim met a meditating sage who had spent most of his life on top of a flat rock. They had black bread and shared some ajash, as was custom. The sage was thankful, as the road was not very frequently traveled in those days and he was very near the point of starvation. During his conversation, he was delighted to learn of Prim’s extensive mastery of Empty Palms and the fifty five earthly purities. Delighted, and as payment for his meal, he taught Prim the meaning of watchfulness. This was the old breathing and cold-atum technique often used by warrior monks in those days. It ran through the following methodology: Build a tower, and make it impregnable. Make every stone so tightly sealed that no insect can squeeze through, no grain of sand can make it inside. Your tower must have no windows or doors. It must not accept passage by friend or foe. No weapon, no act of violence, and not one mote of love may penetrate its stony interior. “Why build the tower this way?” said Prim? “It will make you invincible,” said the sage, “This is the way of Ya-at slave monks. Their skin is like iron, and so are their hearts. They are inured to death and fear. Grief shall never find them, and neither shall weakness.” Prim thought a moment, and came upon a realization, for she was wise, obedient, and an excellent daughter. “If a man built a tower this way, he would quickly starve, no matter how strong he became.” The sage was even more delighted. “Yes,” he said, “There is a better way, and I will teach it to you: Once you have built your tower, you must deconstruct it, brick by brick, stone by stone. You must do it meticulously and carefully, so that while you leave no physical trace of it remaining, your tower is still built in your mind and your heart, ready to spring anew at a moment’s notice. You can enjoy the fresh air, and eat fine meals, and enjoy a good drink with your friends, but all the while your tower remains standing. You are both prisoner and warden. This is the hardest way, but the strongest.” Prim saw the wisdom in this, and quickly made to return to the road, but the sage stopped her before she left. “As you to your earlier remark,” the sage said, “The man who builds his tower but cannot take it apart again – that man is at the pinnacle of his strength. But that man will surely perish.” – Prim Masters the Road

The great monotheistic faiths have always answered the question of why there is something instead of nothing in the same way, the only way it can be answered: GOD. “In the beginning God created the heavens and the earth” (Genesis 1:1). But why? Why did God bother? Why did God create? Why did God say, “Let there be”? The mystics have always given the same answer—because God is love, love seeking expression. From what the Cappadocian Fathers called the perichoresis—the eternal dance that is Father, Son, and Holy Spirit, there burst forth an explosion of love. Some call it the Big Bang. Some call it Genesis. If you like we can call it the genesis of love as light and all that is. What is light? God’s love in the form of photons. What is water? A liquid expression of God’s love. What is a mountain? God’s love in granite, so much older than human sorrow. What is a tree? God’s love growing up from the ground. What is a bull moose? God’s love sporting spectacular antlers. What is a whale? Fifty tons of God’s love swimming in the ocean. As we learn to look at creation as goodness flowing from God’s own love, we begin to see the sacredness of all things, or as Dostoevsky and Dylan said, in every grain of sand. All of creation is a gift—a gift flowing from the self-giving love of God.

In the shores of twilight, Wide and deep as your eyes, I swim. In a way, I feel her Night, a crowned goddess commanding the stars to swim, So peaceful, even death escapes into serenity. Stars so far, they seem as they tell the living world, lights, live into shinning, die into nothingness. Worlds I want to travel, away to shadows of your eyes in the hold of your lips. So far, so far away.... As your kiss, as my lover. Night, With a soft touch, Touches my face, winds to the trees, sunlight on grass, life, breath, so quite, death screams in the abyss, a black pearl with grains of sand. The dance of the night..reminds me of her. Her tender laughter, the gleam in her enormous eyes, her soft whirlpool lips. As a reflection from dark streams, She reveals hot love, Nothing hidden, no shame, just love that hurts. The solace in the night makes me cry... The lights of stars as arrows to me. Night, Hits my eyes, Beauty of the wilderness, Calling me, Homeless in a city, naked on cold steel At home with the sea, with night above, foam of waters breaks below. As my companion, friend I speak to. I say to the night sky. Does she love me? When travels of the heart goes outside of me, outside the seas into clouds of your warmth, To another place in her heart trying to find out... Does your heart want me to visit or stay? Night, Calm is the winds, feeling the air, Night, She is beautiful.. Hitting me with such painful softness, I don't want day to arrive, I want to stay.. In the night, Peaceful, loving...with you... Night...vast space in time, Nothing, empty, to hold, for night, you are me. For I cannot have her. A love vast, beautiful and alone. For in the night, We see each other, In the light, Nothing hidden, Everything revealed, Night..I love you.,,as I love her. For I don't have her but I have you. As my love, invisible and forever waiting like a lost sailor in the night sea....

But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.

She was supposed to fuck a god high up on his mountaintop, but she refused. She wouldn’t listen to Apollo’s reasoning. So he cursed her, a life sentence. He said, Sure, you can live forever, as many grains of sand in your hand, but that young lovely body will be gone, you will wrinkle up into nothingness. Who will love you now? Who will listen?   Eventually

Time slips through our fingers like grains of sand, never to return again. Today, live boldly, with passion, excellence and love. Run towards the things that frighten you. Champion those around you. And dig deeper to allow more of who you truly are to see the light of day.” Robin

I am grains of sand in a storm made of Alec, scattering in his fierce wind and spinning back. Out to my limits and then retracted. Billow and fall. But the wind gusts into something even stronger, something more, and with one final, unstoppable spiral out, I dissolve into absolutely nothing but a leftover pulse of a girl that used to exist. And an exhausted Cheshire smile.

You see, the world is as big as an elephant or small as a grain of sand, depending on you. You can let it stomp you, gore you, swallow you up. Or you can let it slip into your shell and turn into a pearl.” -- Benjamin East

A bird with jewel-toned plumage cleaned its beak in the garden’s bird bath, and Noah’s eyes followed it as it shot away to join the other feathered troubadours in the trees. Their high, staccato notes were the only sounds now. It was one of the attributes Noah most loved about his home: the quiet. The clouds would hang low and move at a languid pace, changing form every so often as if heaven were writing coded messages to the earth, and one could have the sense of becoming lost in an endless, tranquil moment of time, as if a grain of sand within an hourglass had suddenly paused midair.

I remember how we clung to our Russia even as she slipped through our fingers like so many grains of sand at the shore where we used to spend the summer. Through it all, I danced, I danced—I was young and impossibly strong. I am called Anastasiya—the springtime, new life. I have created myself again and again, as the phoenix rises from the ashes. But I grow tired. I could go back now, but for what? Everything I loved is gone. I have no country anymore. Our Russia is dead, her people are dead. Perhaps even the melting snows no longer smell the same. She lives within me, perhaps only within me. Those laughing faces, those poignant songs, they have floated up with the incense, disappearing from human recollection. We were all so young!" -- from "Madame Anastasiya" by Emily Lapisardi (2020)

Of this much we can be sure: if we love the creation, we will learn from it. In The Brothers Karamazov Dostoevski counsels, “Love all God’s creation, the whole and every grain of sand in it. Love every leaf, every ray of God’s light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you perceive it, you will begin to comprehend it better every day.“4

And yet, my child, God is so great, that all these bodies added together are but as a grain of sand in His sight. This great God and Father of all worlds and all spirits cares as much about you as if He had no son but you, or there was no creature for Him to love and protect but you alone. He numbers the hairs of your head, watches over you while you are sleeping and awake, and has preserved you from a thousand dangers, which neither you nor I know anything about. You have often see how poor my power is and how little I am able to do for you. Your recent sickness has shown you how little I could do for you in that condition, and the frequent pains of your head are plain proofs that I have no power to remove them. I can bring you food and medicine, but I have no power to turn them into your relief and

Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across.

The best recipe for true love is plenty of time spent in close proximity; plus a little jeopardy to face together.’ ‘Proximity and Jeopardy.’ Joe laughed. ‘That’s the Trevarrick secret, is it?’ ‘And a generous helping of time. The jeopardy is optional, but it makes for a better story. It’s like the grain of sand in the oyster that creates the pearl.

In the story, The Alchemist, a young Shepard named Santiago went looking for treasure. He traveled the world to fulfill his Personal Legend. On his way, he meets and falls in love with a beautiful and exotic woman named Fatima." “He says to her, ‘So I love you because the entire universe conspired to help me find you.’ Noah and Arie, I can assure you that like Santiago and Fatima, the universe conspired to help you two find each other." “I wish you a lifetime of more love than anyone could dream of and more happiness than the grains of sand on earth.

Satisfied mind ----------------- Silent all around — solitude Suddenly the cricket makes the melody Walking in rows of chained ants The white cotton cloud goes float far unknown Astray sea gull at the target of the hunter eagle The colorful butterflies are flies away their wings flutter of at the exuberance of free mind The head- high mountain wants to touch the sky In the ocean, the rushing ship’s tired sailor waiting to be anchored in the harbor The spiral coconut tree on edge say goodbye with swinging to the newcomer ship In the flickering light of the sun, pearl glows in vast sands In the swarm of coil-rolled mosquitoes, finch’s suddenly clutch The evening lamp is lit in the dim light of the firefly Don’t know why, the billowy waves of the distant sea, endless drunk dancing on the beach? The boundless blue sky is seeing steadfast The calamitous howling of trampled beach, grain of sand, insects, creeper-shrub hurts the horizon Maybe they are candidates for the grace, salvation or love touch of the creator Sometimes the nature is calm Momentary peace, liveliness and satisfaction! But, the invisible rule goes his way to an unknown destination Suddenly a gentle breeze blows Beckoning with the hand of the magical silver moon, a thrill overwhelm Thrilled, I’m fascinated This is an unadulterated purity and holy feelings of happiness.

Can a teacup contain an ocean? Can a grain of sand envelop a planet? Can my poor understanding comprehend the glory of an omnipotent God? Only as His love divine is freely given, only as He chooses to reveal Himself to me, can I understand and then, only in part, for were we to behold the fullness of His glory, no flesh could survive in His presence. Only as He gives His pardon, am I saved. Only as He imparts His strength, can I fight the good fight of faith. Only as He gives His love, can I forgive my enemies. Only as He lifts me, can I rise above the world of sorrow and sin. Great is the mystery ofgGodliness; and wonderful, beyond our dreams, is the plan of His redemption!

She’d moved away, to cities out east, but now she was back, and she wondered how she could have possibly forgotten her love of the place. On her good days, the scent of desert flowers and creosote bush was all the therapy she needed. On her bad, it was still a steadfast reminder that the landscape had been a comfort yesterday and would be again tomorrow. Sometimes she couldn’t help but feel she’d been a terrible friend, abandoning a place that had meant so much to her at one time. And yet the desert didn’t seem to care about her thoughtlessness. It remained the same, continuing to turn sunrises orange and sunsets red. It continued to sit quietly under fast-moving clouds and thunderstorms while allowing the wind to carry its sand away, lifting the grains high, taking them far

Early May 2012               …And for all the heartfelt lessons you taught me during our years in the Households. “If I held in my hand every grain of sand since time first began to be. Still I could never count, measure the amount of all the things you are to me. If I could paint the sky, hang it out to dry. I wouldn’t want the sky to be. Oh such a grand design an everlasting sign, of all the things you are to me. You are the sun that comes on summer winds. You are the falling years that autumn brings. You are the wonder, the mystery in everything I see. The things you are to me. Sometimes I wake at night, suddenly take fright. You might be just fantasy, but then you reach for me and once again I see, all the things you are to me. “You are the sun that comes on summer winds. You are the falling years that autumn brings. You are the wonder, the mystery in everything I see. The things you are to me. All the things you are, to me.” (The Things You Are To Me by Elaine Page). Love, Young.

All that is worthy of love [*die Liebenswürdigkeiten*], from the viewpoint of God's comprehensive love, might have been stamped and created by this act of love; man's love does not so stamp or create its objects. Man's love is restricted to recognizing the objective demand these objects make and to submitting to the gradation of rank in what is worthy of love. This gradation exists in itself, but in itself it exists "for" man, ordered to his *particular* essence. Loving can be characterized as correct or false only because a man's actual inclinations and acts of love can be in harmony with or oppose the rank-ordering of what is worthy of love. In other words, man can feel and know himself to be at one with, or separated and opposed to, the love with which God loved the idea of the world or its content before he created it, the love with which he preserves it at every instant. If a man in his actual loving, or in the order of his acts of love, in his preferences and depreciations, subverts this self-existent order, he simultaneously subverts the intention of the divine world-order―as it is in his power to do. And whenever he does so, his world as the possible object of knowledge, and his world as the field of willing, action, and operation, must necessarily fall as well. This is not the place to speak about the content of the gradations of rank in the realm of all that is worthy of love. It is sufficient here to say something about the *form* and *content* of the realm itself. From the primal atom and the grain of sand to God, this realm is *one* realm. This "unity" does not mean that the realm is closed. We are conscious that no one of the finite parts of it which are given to us can exhaust its fullness and its extension. If we have only *once* experienced how one feature which is worthy of love appears next to another―or how another feature of still higher value appears over and above one which we had taken till now as the "highest" in a particular region of values, then we have learned the essence of progress in or penetration into the realm. Then we see that this realm cannot have precise boundaries. Only in this way can we understand that when any sort of love is fulfilled by an object adequate to it the satisfaction this gives us can never be definitive. Just as the essence of certain operations of thought which create their objects through self-given laws (e.g., the inference from *n* to *n* + *I*) prevents any limits from being placed on their application, so it is in the essence of the act of love as it fulfills itself in what is worthy of love that it can progress from value to value, from one height to an even greater height. "Our heart is too spacious," said Pascal. Even if we should know that our actual ability to love is limited, at the same time we know and feel that this limit lies neither in the finite objects which are worthy of love nor in the essence of the act of love as such, but only in our organization and the conditions it sets for the occurrence and *arousal* of the act of love. For this arousal is bound up with the life of our body and our drives and with the way an object stimulates and calls this life into play. But *what* we grasp as *worthy of love* is not bound up with these, and more than the *form and structure* of the realm of which this value shows itself to be a part." ―from_Ordo Amoris_

It was strange: When you reduced even a fledgling love affair to its essentials - I loved her, she maybe loved me, I was foolish, I suffered - it became vacuous and trite, meaningless to anyone else. In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments.