Grace Poole Quotes

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Grace Poole shrugged. "If you're sure. I can whip something up in the cauldron." "Do not eat anything she whips up in a cauldron," Helen whispered.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
Hear me, Daenerys Targaryen. The glass candles are burning. Soon comes the pale mare, and after her the others. Kraken and dark flame, lion and griffin, the sun's son and the mummer's dragon. Trust none of them. Remember the Undying. Beware the perfumed seneschal." "Reznak? Why should I fear him?" Dany rose from the pool. Water trickled down her legs, and gooseflesh covered her arms in the cool night air. "If you have some warning for me, speak plainly. What do you want of me, Quaithe?" Moonlight shown in the woman's eyes. "To show you the way." "I remember the way. I go north to go south, east to go west, back to go forward. And to touch the light I have to pass beneath the shadow." She squeezed the water from her silvery hair. "I am half-sick of riddling. In Qarth I was a beggar, but here I am a queen. I command you-" "Daenerys. Remember the Undying. Remember who you are." "The blood of the dragon." But my dragons are roaring in the darkness. "I remember the Undying. Child of three, they called me. Three mounts they promised me, three fires, and three treasons. One for blood and one for gold and one for . . ." "Your Grace?" Missandei stood in the door of the queen's bedchamber, a lantern in her hand. "Who are you talking to?" Dany glanced back toward the persimmon tree. There was no woman there. No hooded robe, no lacquer mask, no Quaithe. A shadow. A Memory. No one.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!
Samuel Rutherford
Michael leaned in, his voice turning low and heavy. “And how about me?” I swallowed, still studying my drink. What song described him? What band? That was like trying to pick one food to eat for the rest of your life. “Disturbed,” I said, naming the band and still looking down at the glass. He said nothing. Only remained still before finally sitting back and tipping his drink up to his lips. Butterflies swarmed in my stomach, and I kept my breathing even. “Drowning Pool, Three Days Grace, Five Finger Death Punch,” I continued, “Thousand Foot Krutch, 10 Years, Nothing More, Breaking Benjamin, Papa Roach, Bush…” I paused, exhaling nice and slow despite the way my heart drummed. “Chevelle, Skillet, Garbage, Korn, Trivium, In This Moment…” I drifted off, peace settling over me as I looked up at him. “You’re in everything.
Penelope Douglas (Corrupt (Devil's Night, #1))
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
The whole thing feels like a pool of water that I'm trying to hold in my hands.
Anthony Doerr (About Grace)
Jun’s graceful body cuts through these childish emotions to reach the deepest place inside me.
Yōko Ogawa (The Diving Pool: Three Novellas)
Emerson lifts his head. His eyes are two dark pools of desire, a clouded night’s sky. He catches his breath a moment, unsteady, and then drops a kiss on my lips. Sweet. Almost tender. I barely have time to take it in before he grabs my shoulder and spins me around, pushing me so my bare chest is slammed up into the wall, my cheek pressed against the cold concrete. I gasp, my heart skipping with the thrill. I can feel him up against me, a solid wall of muscle trapping me in place, the hard ridge of him pressed against the small of my back. I can’t move, or see the expression on his face, only hear the hoarse groan Emerson sounds as he twists a handful of my hair and yanks it to one side, kissing a searing trail along the curve of my neck. I whimper, bound and powerless against him, and oh God, loving every minute of it.
Melody Grace (Unbroken (Beachwood Bay, #1))
They pulled the wet saddles off the horses and hobbled them and walked off in separate directions through the chaparral to stand spraddle legged clutching their knees and vomiting. The browsing horses jerked their heads up. It was no sound they’d ever heard before. In the grey twilight those retchings seemed to echo like the calls of some rude provisional species loosed upon that waste. A thing smirking deep in the eyes of grace itself like a gorgon in an autumn pool.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
Drowning Pool, Three Days Grace, Five Finger Death Punch,” I continued, “Thousand Foot Krutch, 10 Years, Nothing More, Breaking Benjamin, Papa Roach, Bush…” I paused, exhaling nice and slow despite the way my heart drummed. “Chevelle, Skillet, Garbage, Korn, Trivium, In This Moment…” I drifted off, peace settling over me as I looked up at him. “You’re in everything.
Penelope Douglas (Corrupt (Devil's Night, #1))
For lunches he rode the elevator to the fourth-floor food court and ate Thai Town or Subway at a table tucked among potted tropicals, gazing past milling teenagers to the little penny-choked fountain where a copper salmon spat water into a chlorinated pool.
Anthony Doerr (About Grace)
Then I knelt heedfully upright and mentally prayed as we'd been instructed to do, some scared and scientific part of me assaying myself for chemical reactions or a sudden infusion of wisdom while fancying Christ now sitting dismally in my scoundrel soul, my oh so many sins pooling like sewer water at his sandaled feet. But soon I saw that I was still me; there would be no howls of objection, no immediate correction or condemnation, no hint that I was under new management, just the calming sense that whoever I was was fine with Jesus. It was a grace I hadn't imagined.
Ron Hansen (A Stay Against Confusion: Essays on Faith and Fiction)
God gave humanity many healing tools, and they exist far beyond circumstances. Some of them are traditionally spiritual: prayer, communion, sanctuary, Scripture. The sacraments have always brought us back home to God. But so many others are tactile, physical, of soil and earth, flesh and blood. Some are covert operators of grace, unlikely sources of joy, like a beautiful piece of art, a song, a perfectly told story around a dinner table, a pool party with friends and margaritas. These also count, they matter, they are to be consumed and enjoyed with gusto, despite suffering, even in the midst of suffering. God gives us both Good News and good times, and neither cancels out the other. What a wonderful world, what a wonderful life, what a wonderful God.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess. The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago.
Anthony Doerr (All the Light We Cannot See)
She will choose a bath over a shower, a play over a movie, and the ocean over a pool. She has saved herself from intense pain in her life with strong, pulled-up bootstraps and terrifying organizational skills. She has the legs for tennis, the grace for skiing, and such high-arched eyebrows they could bring the Supreme Court to their knees.
Ali Wentworth (Ali in Wonderland: And Other Tall Tales)
returning to the Brandt home but I agreed to give a hand. We arrived after lunch and found Lise at work loading a wheelbarrow with the smaller stones from the huge pile beside the shed. The flower bed itself was in the middle of the yard, positioned in a sunny area between deep pools of shade that lay beneath a couple of tall hackberry trees.
William Kent Krueger (Ordinary Grace)
I invited Onyx to be my plus one. Of course she was all in when I added that Grandma A had a massive swimming pool and was within a short driving distance to a two-story bookstore.
K.R. Grace (The Phoenix (Daughters of Destiny #4))
A thing smirking deep in the eyes of grace itself like a gorgon in an autumn pool.
Cormac McCarthy (All The Pretty Horses (The Border Trilogy, #1))
BEATRICE: They are the clothing of the New Woman. They are meant not to be feminine, but practical. CATHERINE: On women they look like men’s clothing, on men they look like women’s clothing. That’s where the New Woman meets the Dandy. BEATRICE: Why is it necessary to categorize people in that fashion? Why can we not all wear whatever we wish, whatever is useful and aesthetically pleasing? I believe that someday we shall all wear garments that are light and of a pleasing texture, easy to put on and take off. At the same time, they will express the aspirations of the spirit. They will be like the garments of the Greeks, both graceful and functional. Why can we not dress in such a fashion now? MRS. POOLE: Because this is England, and you would all catch your deaths of cold.
Theodora Goss (The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club, #3))
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))
Suzanne biked everywhere,” Jenn continued. “That summer she had a job at the local pool and usually left in the morning and was gone all day. This was before every kid had a cell phone. It wasn’t uncommon for Grace Lombard not to speak to her daughter during the day.
Matthew FitzSimmons (The Short Drop (Gibson Vaughn, #1))
Let, then, thy soul by faith be exercised with such thoughts and apprehensions as these: “I am a poor, weak creature; unstable as water, I cannot excel. This corruption is too hard for me, and is at the very door of ruining my soul; and what to do I know not. My soul is become as parched ground, and an habitation of dragons. I have made promises and broken them; vows and engagements have been as a thing of nought. Many persuasions have I had that I had got the victory and should be delivered, but I am deceived; so that I plainly see, that without some eminent succour and assistance, I am lost, and shall be prevailed on to an utter relinquishment of God. But yet, though this be my state and condition, let the hands that hang down be lifted up, and the feeble knees be strengthened. Behold, 32the Lord Christ, that hath all fulness of grace in his heart, all fulness of power in his hand, he is able to slay all these his enemies. There is sufficient provision in him for my relief and assistance. He can take my drooping, dying soul and make me more than a conqueror.33 ‘Why sayest thou, O my soul, My way is hid from the Lord, and my judgment is passed over from my God? Hast thou not known, hast thou not heard, that the everlasting God, the Lord, the Creator of the ends of the earth, fainteth not, neither is weary? there is no searching of his understanding. He giveth power to the faint; and to them that have no might he increaseth strength. Even the youths shall faint and be weary, and the young men shall utterly fall: but they that wait upon the Lord shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; they shall walk, and not faint,’ Isa. xl. 27–31. He can make the ‘dry, parched ground of my soul to become a pool, and my thirsty, barren heart as springs of water;’ yea, he can make this ‘habitation of dragons,’ this heart, so full of abominable lusts and fiery temptations, to be a place for ‘grass’ and fruit to himself,” Isa. xxxv. 7. So God staid Paul, under his temptation, with the consideration of the sufficiency of his grace: “My grace is sufficient for thee,” 2 Cor. xii. 9. Though he were not immediately so far made partaker of it as to be freed from his temptation, yet the sufficiency of it in God, for that end and purpose, was enough to stay his spirit. I say, then, by faith, be much in the consideration of that supply and the fulness of it that is in Jesus Christ, and how he can at any time give thee strength and deliverance. Now, if hereby thou dost not find success to a conquest, yet thou wilt be staid in the chariot, that thou shalt not fly out of the field until the battle be ended; thou wilt be kept from an utter despondency and a lying down under thy unbelief, or a turning aside to false means and remedies, that in the issue will not relieve thee. The efficacy of this consideration will be found only in the practice.
John Owen (Of the Mortification of Sin in Believers)
She dances through the night air. With each step, lightning flashes from her eyes like diamonds, and thunder rages like a heart beating in love. Her feet move with an agility and grace that can never be replicated. All things good and beautiful want to feel the warmth of her aura. She's beautiful and I sit back and watch her dance. She's a light I can't touch. Her brilliance blinds my eyes, but I still can't look away. She's a song that I can't remember. The melody slips past my ears before I can memorize the progressions. She's the ending of a book I lost before reaching the final pages. She's everything good that can never be replaced, and I don't think I can stand the feeling that makes me want to love her more and more with each passing moment. She is a goddess. She can't cure me. I dream of her but my dreams are dark and she's always one step out of reach. I want to find her but there are too many trees and I get lost easily. I'm left standing out in the rain, water pooling in my sneakers, as she dances away in a sunlight that shines only over her beautiful hair and face. She is not and can never be mine. My darkness can't ever break through her charms. I must be strong and keep away. I don't want to make her wilt. She is a song written for someone else.
Jeyn Roberts (Rage Within (Dark Inside, #2))
The drama streamed forth from the might of its own grace, like a waterfall plunging into a woodland pool. Underneath the words, the watery variety of sounds, silences, and terrifying mysteries beat in my pulse, in the ebb and flow of the music. I was not the composer, merely the conduit as this new creation poured out of me, floating like a feather on the breath of God.
Mary Sharratt (Illuminations: A Novel of Hildegard von Bingen)
He looked up at the waterfall and saw an enormous, beautiful, golden dragon standing part way in the cave and part way out, bathing in the cool, blue, falling water. His back was toward Keegan, his large tail swayed gracefully back and forth, and his giant leather wings were spread as far as the cave mouth would allow, letting the cool water run down them and into the pool.
Kathryn Fogleman (The Dragon's Son (Tales of the Wovlen #1))
Then I will find you at a later date. For now,” he bent down on one knee and the very same Kin that teased me in every single possible way my entire life, kissed the back of my hand with intense blue eyes watching me the whole time. His eyes are two pools of a swirling emotional ocean leaving the one in the lifeboat gasping for air. WOW! If anyone asked me to predict this, I would have laughed in their face.
Cyndi Goodgame
When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears.
Robert Hass (Sun under Wood)
Mrs Mabb's house is not half so far and in quite another direction. It is reached by the little path that crosses the churchyard and goes out by the ivy-covered arch. The path, which is somewhat overgrown with cow parsley and foxgloves, passes a little pool full of reeds and then climbs a smooth green hill. At the top of the hill the visitor must climb through a gap in a ruined wall of ancient stones - whereupon he finds himself in Mrs Mabb's garden.
Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
I had admired the perfect forms of my cottagers—their grace, beauty, and delicate complexions; but how was I terrified when I viewed myself in a transparent pool! At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification. Alas! I did not yet entirely know the fatal effects of this miserable deformity.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
I had admired the perfect forms of my cottagers—their grace, beauty, and delicate complexions: but how was I terrified, when I viewed myself in a transparent pool! At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification. Alas! I did not yet entirely know the fatal effects of this miserable deformity.
Mary Wollstonecraft Shelley (Frankenstein)
Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes! Ize Kranile!
Jean Lorrain (Monsieur de Phocas)
Jill had, as you might say, quite fall in love with the Unicorn. She thought- and she wasn't far wrong- that he was the shiningest, delicatest, most graceful animal she had ever met; and he was so gentle and soft of speech that, if you hadn't known, you would hardly have believed how fierce and terrible he could be in battle. "Oh, this is nice!" said Jill. "Just walking along like this. I wish there could be more of this sort of adventure. It's a pity there's always so much happening in Narnia." But the Unicorn explained to her that she was quite mistaken. He said that the Sons and Daughters of Adam and Eve were brought out of their own strange world into Narnia only at times when Narnia was stirred and upset, but she mustn't think it was always like that. In between their visits there were hundreds and thousands of years when peaceful King followed peaceful King till you could hardly remember their names or count their numbers, and there was really hardly anything to put into the History Books. And he went on to talk of old Queens and heroes whom she had never heard of. He spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. He spoke of Moonwood the Hare who had such ears that he could sit by Caldron Pool under the thunder of the great waterfall and hear what men spoke in whispers at Cair Paravel. He told how King Gale, who was ninth in descent from Frank the first of all Kings, had sailed far away into the Eastern seas and delivered the Lone Islanders from a dragon and how, in return, they had given him the Lone Islands to be part of the royal lands of Narnia for ever. He talked of whole centuries in which all Narnia was so happy that notable dances and feasts, or at most tournaments, were the only things that could be remembered, and every day and week had been better than the last. And as he went on, the picture of all those happy years, all the thousands of them, piled up in Jill's mind till it was rather like looking down from a high hill on to a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance.
C.S. Lewis
Majnun had said to his Layla. Light the dimness with your glow once the full moon dips and shine in the sun’s stead whilst lazy dawn tarries Your radiance outdoes the brightest sun there be: it can never thieve your smile, steal your pearly mouth The resplendent night, your countenance! tho’ the full moon rise a moon bereft of your breast, of this graceful throat I see Whence would the morning sun ever find a ready kohl-stick to etch for its pale face these languid eyes of yours? What starry siren can mime coy Layla when her form spirals away or her eyes, the winsome startled pools of the sands’ wild mare?
Jokha Alharthi جوخة الحارثي (Celestial Bodies)
We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
The sound of the trumpets died away and Orlando stood stark naked. No human being since the world began, has ever looked more ravishing. His form combined in one the strength of a man and a woman’s grace. As he stood there, silver trumpets prolonged their note, as if reluctant to leave the lovely sight which their blast had called forth; and Chastity, Purity, and Modesty, inspired, no doubt, by Curiosity, peeped in at the door and threw a garment like a towel at the naked form which, unfortunately, fell short by several inches. Orlando looked at himself up and down in a long looking-glass, without showing any signs of discompose, and went presumably, to his bath. We many take advantage of this pause in the narrative to make certain statements. Orlando had become a woman - there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change in sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory - but in the future we must, for convention’s sake, say ‘her’ for ‘his’, and ‘she’ for ‘he’ - her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark spots had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change in sex is against nature, have been at great pains to prove (1) that Orlando has always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.
Virginia Woolf (Orlando)
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
A President J.G., F.C. who said he wasn’t going to stand here and ask us to make some tough choices because he was standing here promising he was going to make them for us. Who asked us simply to sit back and enjoy the show. Who handled wild applause from camouflage-fatigue- and sandal-and-poncho-clad C.U.S.P.s with the unabashed grace of a real pro. Who had black hair and silver sideburns, just like his big-headed puppet, and the dusty brick-colored tan seen only among those without homes and those whose homes had a Dermalatix Hypospectral personal sterilization booth. Who declared that neither Tax & Spend nor Cut & Borrow comprised the ticket into a whole new millennial era (here more puzzlement among the Inaugural audience, which Mario represents by having the tiny finger-puppets turn rigidly toward each other and then away and then toward). Who alluded to ripe and available Novel Sources of Revenue just waiting out there, unexploited, not seen by his predecessors because of the trees (?). Who foresaw budgetary adipose trimmed with a really big knife. The Johnny Gentle who stressed above all—simultaneously pleaded for and promised—an end to atomized Americans’ fractious blaming of one another for our terrible 151 internal troubles. Here bobs and smiles from both wealthily green-masked puppets and homeless puppets in rags and mismatched shoes and with used surgical masks, all made by E.T.A.’s fourth- and fifth-grade crafts class, under the supervision of Ms. Heath, of match-sticks and Popsicle-stick shards and pool-table felt with sequins for eyes and painted fingernail-parings for smiles/frowns, under their masks. The Johnny Gentle, Chief Executive who pounds a rubber-gloved fist on the podium so hard it knocks the Seal askew and declares that Dammit there just must be some people besides each other of us to blame. To unite in opposition to. And he promises to eat light and sleep very little until he finds them—in the Ukraine, or the Teutons, or the wacko Latins. Or—pausing with that one arm up and head down in the climactic Vegas way—closer to right below our nose. He swears he’ll find us some cohesion-renewing Other. And then make some tough choices. Alludes to a whole new North America for a crazy post-millennial world.
David Foster Wallace (Infinite Jest)
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
Annie Dillard (Pilgrim at Tinker Creek)
The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
Elinor Wylie
If you’re going to shoot me, do it. Do you think I’m afraid of you?” Camille asked. No bullet could hurt worse than the thought of her father drowning, or the sight of Oscar gurgling for air as he lay in a pool of his own blood. She stared into the barrel of the rifle. “You’re a coward. Heartless and cruel, and the devil won’t even want you.” A single shot and she’d be back with her father and Oscar. She’d have them both. Perhaps that was why Umandu hadn’t worked; her heart hadn’t been able to decide. McGreenery pressed the cold steel against her throat. He bared his teeth, losing every ounce of composure and calculated grace. Camille threw a glance toward Ira, who finally jammed his knife into the ribs of his opponent. He pulled the blade free in time to see her at the end of McGreenery’s rifle. But instead of running toward her, he stopped and stared. What was he doing? McGreenery reeled forward. The rifle and stone clattered to the floor. His lips parted. “What-?” he rasped. Camille stared at him, equally bewildered. A sharp metal spike protruded from his chest and glinted in the single band of sunlight streaming from the dome’s entrance. McGreenery collapsed to his knees and revealed his assailant to her. Oscar placed a foot on McGreenery’s back and kicked him forward, sliding him off the very spear McGreenery had used to kill him. “Let’s see how you like it,” Oscar said and tossed the spear aside.
Angie Frazier (Everlasting (Everlasting, #1))
Noboru managed, while following his own dreamy thoughts, to pay scrupulous attention to the details. The kitten's dead pupils were purple flecked with white; the gaping mouth was stuffed with congealed blood, the twisted tongue visible between the fangs. As the fat-yellowed scissors cut them, he heard the ribs creak. And he watched intently while the chief groped in the abdominal cavity, withdrew the small pericardium, and plucked from it the tiny oval heart. When he squeezed the heart between two fingers, the remaining blood gushed onto his rubber gloves, reddening them to the tips of the fingers. *What is really happening here?* Noboru had withstood the ordeal from beginning to end. Now his half-dazed brain envisioned the warmth of the scattered viscera and the pools of blood in the gutted belly finding wholeness and perfection in the rapture of the dead kitten's large languid soul. The liver, limp beside the corpse, became a soft peninsula the squashed heart a little sun, the reeled-out bowels a white atoll, and the blood in the belly the tepid waters of a tropical sea. Death had transfigured the kitten into a perfect, autonomous world. *I killed it all by myself* - a distant hand reached into Noboru's dream and awarded him a snow-white certificate of merit - *I can do anything, no matter how awful.* The Chief peeled off the squeaky rubber gloves and laid one beautiful white hand on Noboru's shoulder. 'You did a good job. I think we can say this finally made a real man of you - and isn't all this blood a sight for sore eyes!
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
He picked her up, took her into the bedroom, and placed her on the bed. Wow---it was like a floating cloud. Ramón reclaimed her lips before his mouth left hers to blaze a path down her body. Heat pooled in her belly as he made his descent. He leaned in to lavish attention on her right nipple, licking around in circle before sucking on it, and then her left. Julieta moaned as he worked his magic. Her buds hardened against the softness of his tongue. She came alive under his mouth, writhing beneath. This entire night seemed like such a fantasy, and it was only going to get better. His hand caressed her body, and he cupped her ass. She ran her hands through his thick black hair as he guided his mouth down to her panties. Julieta's core throbbed for him. The sight of his wide shoulders and strong back was almost enough to put her over the edge. She couldn't wait to ravage him---kiss down his chest, pleasure him, but Ramón was in control, and he was focused only on her. He kissed her belly and settled in between her legs. His lips pressed against her black lace panties, the heat of his mouth igniting her fire. He planted more kisses on her, focusing now on her thighs. Julieta was out of her mind with lust. "Stop teasing me." She wanted Ramón's mouth on her, and she wanted it now. She began to remove her panties, but Ramón quickly got the hint and took them off. He looked up at her, and a devilish grin graced his face. "Tell me what you want, babe." "Cómeme." "My pleasure." He began to lick her, starting with her thighs, before lapping in between her lips. Slow and sweet, deep and dirty, Julieta wanted all of him. Ramón's tongue pressed against her clit, and she gasped, a flash of pleasure overtaking her. "Ah, Ramón." "You taste so sweet." He hummed against her, and she ran her fingers through his hair, holding him as his tongue worked its magic. She cried out, desperate for release. Julieta wanted this moment---not just the intimacy, but the night---to last forever. Ramón was every fantasy she had ever had wrapped up into one---strong, sexy, sweet, and oh so skilled. His deep voice, his capable hands, his delicious mouth. Perfection. She completely surrendered to him. "Ramón." She couldn't hold back any longer, as he edged her over the top. One final lick and a wave of ecstasy crashed through her followed by shivers of joy radiating through her entire body.
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.
Octavio Paz (In Light Of India)
Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…
J. Karl Bogartte (Luminous Weapons)
The Monk in the Kitchen I ORDER is a lovely thing; On disarray it lays its wing, Teaching simplicity to sing. It has a meek and lowly grace, Quiet as a nun's face. Lo—I will have thee in this place! Tranquil well of deep delight, All things that shine through thee appear As stones through water, sweetly clear. Thou clarity, That with angelic charity Revealest beauty where thou art, Spread thyself like a clean pool. Then all the things that in thee are, Shall seem more spiritual and fair, Reflection from serener air— Sunken shapes of many a star In the high heavens set afar. II Ye stolid, homely, visible things, Above you all brood glorious wings Of your deep entities, set high, Like slow moons in a hidden sky. But you, their likenesses, are spent Upon another element. Truly ye are but seemings— The shadowy cast-oft gleamings Of bright solidities. Ye seem Soft as water, vague as dream; Image, cast in a shifting stream. III What are ye? I know not. Brazen pan and iron pot, Yellow brick and gray flag-stone That my feet have trod upon— Ye seem to me Vessels of bright mystery. For ye do bear a shape, and so Though ye were made by man, I know An inner Spirit also made, And ye his breathings have obeyed. IV Shape, the strong and awful Spirit, Laid his ancient hand on you. He waste chaos doth inherit; He can alter and subdue. Verily, he doth lift up Matter, like a sacred cup. Into deep substance he reached, and lo Where ye were not, ye were; and so Out of useless nothing, ye Groaned and laughed and came to be. And I use you, as I can, Wonderful uses, made for man, Iron pot and brazen pan. V What are ye? I know not; Nor what I really do When I move and govern you. There is no small work unto God. He required of us greatness; Of his least creature A high angelic nature, Stature superb and bright completeness. He sets to us no humble duty. Each act that he would have us do Is haloed round with strangest beauty; Terrific deeds and cosmic tasks Of his plainest child he asks. When I polish the brazen pan I hear a creature laugh afar In the gardens of a star, And from his burning presence run Flaming wheels of many a sun. Whoever makes a thing more bright, He is an angel of all light. When I cleanse this earthen floor My spirit leaps to see Bright garments trailing over it, A cleanness made by me. Purger of all men's thoughts and ways, With labor do I sound Thy praise, My work is done for Thee. Whoever makes a thing more bright, He is an angel of all light. Therefore let me spread abroad The beautiful cleanness of my God. VI One time in the cool of dawn Angels came and worked with me. The air was soft with many a wing. They laughed amid my solitude And cast bright looks on everything. Sweetly of me did they ask That they might do my common task And all were beautiful—but one With garments whiter than the sun Had such a face Of deep, remembered grace; That when I saw I cried—"Thou art The great Blood-Brother of my heart. Where have I seen thee?"—And he said, "When we are dancing round God's throne, How often thou art there. Beauties from thy hands have flown Like white doves wheeling in mid air. Nay—thy soul remembers not? Work on, and cleanse thy iron pot.
Anna Hempstead Branch
DANCING ANGELS During October 2001, the Lord began to speak to me about traveling to Newfoundland, Canada. I had no desire to go there, especially in the middle of the winter! At this time I was still concerned about my inability to “feel the Lord” and began to press into God all the more. At times I locked myself into the little house and fasted and prayed for up to seven days, or until the presence of God fell. After many confirmations in the spirit, I pooled all of my earthly wealth and made the trip to the great white North. The night before I was to depart, the Lord instructed me to “pray in tongues all the way to Newfoundland.” Somehow through the grace of God I succeeded in praying in the Spirit for about 18 hours until I touched down in Canada. In Springdale, Newfoundland, Canada, the Lord began instructing me to complete a series of prophetic actions. I attended an intercessory prayer meeting on Wednesday, November 21. We were interceding for an upcoming series of healing meetings. During this meeting, I began to “see” into the spirit. As the Lord opened my spiritual eyes, I incrementally saw the heavens open over Living Waters Ministries Church. In addition to this, I also began to hear angelic voices singing along with the worship team. At one point during the meeting, I saw a stream of golden oil pour out from Heaven and land on a certain spot in the sanctuary. At the leading of the Lord, I knelt upon that spot. The glory and anointing began to flow into and over my body. The sensation and anointing was very similar to what I experienced when the angel put his hands upon me the night of August 22, 2001. As I knelt under the spot where the golden oil was beginning to pour onto the altar, I was praying earnestly. I could feel the liquid oil raining down on my body. I could sense and smell this heavenly oil as it rolled off my head. The Holy Spirit began to talk to me in a very clear and direct way that I had never experienced before. I collapsed onto the carpet in a pool of golden oil and laid there in the anointing of the Holy Spirit. Then I sensed angels dancing all around the pool and me. I felt an angel as it brushed its wings across my face. I had a “knowing” that the angel was asking me to raise my hands into the air. When I raised my hands up to about two feet, the angel would push my hands back down with its strong, warm hands. I tried again, and when my hands were almost totally up, the angel tickled my nose with the feathers of its wings. I laughed, and my hands fell. The angel and I continued to interact in this fashion for nearly an hour. I did not actually see this angel, but the force and reality of its touch was very tangible. There was no doubt that I was interacting with a heavenly being. This experience was both refreshing and real. SEEING IS BELIEVING On Thursday, November 22, the healing meetings started; they would last through Sunday, the 25th. In these meetings God began to open my spiritual eyes beyond anything I could have ever imagined. On the first night of these meetings, I began to see an “open heaven” forming in the sanctuary. I could also hear and sense the activity of angels as the heavens continued to open up to a greater degree. On Friday, I began to see “bolts of light” shoot through the church, and again the stream of golden oil was flowing from the open heaven in a greater volume. On Saturday night during the worship service, I began to see feathers falling around the church and
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
With a muttered curse, Travis raked a handful of fingers through his windblown hair and faced the dark eyes of his first mate. “The men have done very well,” Travis said evenly. “They would like to hear it from you.” “What am I, a cheerleader?” Diego winced. “Hell,” Travis muttered. “I’ll tell them at mess tonight.” “Thank you.” Travis had the grace to look uncomfortable. “No thanks needed. The men have done a fine job.” “They would not have dared to do less,” Diego said dryly. “Their captain is, as they say, on a rip.” Travis’s lips twitched in a smile. “That bad?” “Si. That good, too. We have done two weeks of work in less than five days and we are on our way back to harbor where beautiful women wait. No one is complaining about that!” Travis smiled rather grimly. “Only five days, huh?” “Less.” “Seemed more like five weeks.” “Next time bring your red-haired woman along. Then time will run at its usual pace.” Travis gave his first mate a look. Diego held up his hands in surrender. “Jurgen wins the pool, I see.” “What pool?” “The one trying to guess what put you out of temper and what it will take to bring you back to your normal, smiling self.” “Normal? Smiling? In their dreams,” Travis retorted. “I am shocked, Captain. Simply shocked. You are a man of most even disposition.” But Diego’s wry smile said just the opposite. “The men are proud to work under a captain who demands their best. The only time they grumble is when their best is not appreciated.
Elizabeth Lowell (To the Ends of the Earth)
Helen read his expression as she would read the evening sky at weather change. For a terrible instant, she was a girl again, floating in a black pool, watching her future walk toward her with a wolflike grace that made breathing impossible.
Evan Maxwell (All the Winters That Have Been)
How lovely is Your dwelling place, O LORD of Hosts. 2My soul longs, even faints, for the courts of the LORD; my heart and my flesh cry out for the living God. 3Even the sparrow has found a home, and the swallow a nest for herself where she places her young by Your altars, O LORD of Hosts, my King and my God. 4How blessed are those who dwell in Your house; they are ever praising You. Selah 5Blessed are those whose strength is in You, whose hearts are set on pilgrimage. 6As they pass through the Valley of Baca,a they make it a place of springs; even the autumn rain covers it with pools.b 7They go from strength to strength, until each appears before God in Zion. 8O LORD God of Hosts, hear my prayer; give ear, O God of Jacob. Selah 9Behold our shield, O God, and look with favor on the face of Your anointed. 10For better is one day in Your courts than a thousand elsewhere. I would rather be a doorkeeper in the house of my God than to dwell in the tents of the wicked. 11For the LORD God is a sun and a shield; the LORD gives grace and glory; He withholds no good thing from those who walk with integrity. 12O LORD of Hosts, how blessed is the man who trusts in You!
sonsofkorah
After several courses, Dylan looked at the menu, noting that "Cheeseburger" was next up. "Okay, this is something I recognize," he said with relief. "Don't get too excited," said Grace knowingly as she sipped the last of a bright and barnyard funky Romanee-Saint-Vivant from a big-bowled burgundy stem. The waiter stepped out of the shadows and set two servings of the next course on the table simultaneously. Another server placed two very large Bordeaux stems on the table, and then carefully filled each with just one and a half ounces of wine. "This is Chef's cheeseburger," the waiter said. "Paired with the '70 Latour." The waiter and other server then backed away. Dylan and Grace leaned forward, examining the strange creation. It smelled amazing, though it looked much more like something from a science class than from a Michelin-starred restaurant-- a tiny piece of freeze-dried cheese on a teaspoon of bison tartare, lying atop a small lettuce pillow that had been filled with Vidalia onion smoke. It sat on a small warm open-face wheat bun, and the whole thing was presented on a miniature plate on which was a little pool of foamed heirloom tomato, and another of foamed mustard seed. And it was all topped with a few droplets of pureed brined Japanese cucumber. Dylan just stared at it. "I feel like it belongs in a museum." "I know. It's almost too beautiful to eat," Grace said. They were both captivated by the variety of scents coming from the presentation. It did, indeed, smell like an amazing cheeseburger. "Well, I'm gonna try," said Dylan, putting the little top bun on. Grace watched as he picked it all up with his thumb and forefinger, dapped it in the foamed tomato and mustard, and popped it in his mouth. Dylan's mouth and nose were filled to bursting with all the expected flavors and scents of a great cheeseburger-- bread, meat and cheese, ketchup and mustard, lettuce and pickle. Oh, wow, it was good. And as he chewed, he popped the lettuce pillow, adding just the right touch of sweet onion scent and flavor to the mouthful.
Jeffrey Stepakoff (The Orchard)
My Éireann by Stewart Stafford Éireann is my maiden, Titian grace spun gold, Fêted for her fairness, A goddess sacrificed. All-seeing eye of piety, But mauled with scars, In repose and melding, With the ire of the land. In perennial motion, Rivers meet the sea, Gaze upon a dark pool, Soubrette for new suitors. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
THE END OF THE YEAR PRAYER This is the month of December, the last month of the year 2021 and I can’t be grateful enough to my Heavenly Father for His priceless mercy and grace throughout the twists and turns of the entire year in the name of Jesus. Father God thank you for being my unshakable pillar and the father that I could crawl to when I am drowning in the pool of trails and tribulations. Thank you Lord Jesus for your faithfulness and your unfailing love. Hold us with your gentle hand and walk us through the last lap of the year 2021, fill us with peace, joy and strength as we are plodding slowly towards the coming new year and help us to make the right decisions and help us to serve you like never before in the mighty name of Jesus. King of glory, remember those who are lying in the sickbeds and heal them with your blood in the mighty name of Jesus. Remember those who are feeling alone, scared, discouraged, abandoned, tortured, and disappointed. I ask you the God of hope to fill them with all joy and peace, again and again(Romans 15:13) in Jesus name. Heavenly Father remember those who are feeling misjudged, mistreated and labelled by others. I ask you Lord to bless them with love, peace, joy and favour in the name of Jesus. King Jesus, remember those who have no place to live, cushion them under your wings of protection. Remember those who have nothing to eat and those who have no clothes to wear. I ask you Jehovah Jireh to make a way where it seems to be no way and provide for every need. Put smiles on their faces and help them to keep their faith in you Jehovah. Remember those who have lost their loved ones and give them comfort, strength and joy. Thank you Lord for your mercies, your mercies are new every morning. Father God, we ask you to take control of our lives and help us to overcome this ugly monster(corona virus) which keeps raising its head up in different forms of evilness. Heal and deliver every single individual who is infected or affected by it in the mighty name of Jesus. You are our only hope and our lives depend on you Jehovah and our future is in your hands, help us to talk the talk and walk the walk and help us to finish this year stronger than ever before and help us to enter the year 2022 with clear minds and wise decision making. I thank you in advance King of glory and I will be forever grateful in the mighty name of Jesus. Amen.
Euginia Herlihy
Like most women, I grew up with the looking, grew into it. So that even today, alone in the backyard, I can still feel those phantom eyes and shape my body to the audience. Carrying myself in ways that will please them, stretching out gracefully by the pool, back arched, eyes closed against the sun like a woman in a movie, an icon of mystery and elegance, as delicate and unknowable as Keats’s maiden on the Grecian urn.
Ashley Winstead (The Last Housewife)
The mighty rush of water from Kandake Falls gracefully and beautifully cascaded down the rocks into a plunge pool below. The frothy mist created from the water hitting the deep blue plunge pool produced the perfect double rainbow. We could see the entire arch of both magnificent rainbows.
Bailey West (Loving Man)
hung out with my friends, went to parties, or invited them back to the house where we’d lie around the pool drinking beer, cranking up the music, and working on our suntans.
Harlow Grace (Monster Stepbrother)
I fell from grace into love
Louisa "Fara Moan" Pool
Mommy Dearest Mommy... You could always make peace from chaos, And find that one candle in the dark. Your strength is what no man could muster, Though your weakness is your heart. You give to all - even the undeserving, Forgiveness is your breath. God sewed your fabric with his blessings, And braided your hair with faith. .... Your lips are stern but pleasing, Your feet are rooted in grace. Your tongue is wisdom seeded, And your skin is knitted with care. Your hands are like alabaster, Pure and healing, love they are. Your eyes are pools of intuition, And service - the red in your blood. .... Ah Mommy... You are that flower that blooms in adversity; rare and beautiful, so you are. Your love for me has sweetened my breath, and your life is my guiding light.
Tanya Stewart Boateng
God uses the talent pool available. None lived without sin and embarrassing failures. Yet somehow God used them to advance the cause of the kingdom.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
I hope I have not upset you,” Mrs. Wattlesbrook said with an innocent smile. “I pride myself on matching each client with her perfect gentleman. But one cannot anticipate a woman’s every fancy, and so our talent pool runs deep. You understand?” “Very deep indeed.” Jane felt like a woman drowning, and she grasped for anything. And as it turned out, bald-faced lies are, temporarily anyway, impressively buoyant, so she said, “It will make the ending to my article all the more interesting.” “Your…your article?” Mrs. Wattlesbrook peered over her spectacles as if at a bug she would like to squash. “Mm-hm,” said Jane, lying extravagantly, outrageously, but also, she hoped, gracefully. “Surely you know I work for a magazine? The editor thought the story of my experience at Pembrook Park would be the perfect way to launch my move from graphic design to staff writer.” She had no intention of becoming a staff writer, and in fact the artist bug was raging through her blood now more than ever, but she just had to give Mrs. Wattlesbrook a good jab before departure. She was smarting enough to crave the reprieve that comes from fighting back. Mrs. Wattlesbrook twitched. That was satisfying. “And I’m sure you realize that since I’m a member of the press,” Jane said, “the confidentiality agreement you made me sign doesn’t apply.” Mrs. Wattlesbrook’s right eyebrow spasmed. Jane guessed that behind it ran her barrister’s phone number, which she would dial ASAP. Jane, of course, had been lying again. And wasn’t it fun! Mrs. Wattlesbrook appeared to be trying to moisten her mouth and failing. “I did not know…I would have…” “But you didn’t. The cell phone scandal, the dirty trick with Martin…You assumed that I was no one of influence. I guess I’m not. But my magazine has a circulation of over six hundred thousand. I wonder how many of those readers are in your preferred tax bracket? And I’m afraid my article won’t be glowing.” Jane curtsied in her jeans and turned to leave. “Oh, and, Mrs. Wattlesbrook?” “Yes, Jane, my dear?” the proprietress responded with a shaky, fawning voice. “What is Mr. Nobley’s first name?” Mrs. Wattlesbrook stared at her, blinkless. “It’s J…Jonathon.” Jane wagged her finger. “Nice try.
Shannon Hale (Austenland (Austenland, #1))
Darkness towered above Joe Pike like an ominous black cloud. He did not know when or where he was, or how he came to be trapped here with this awful thing. He only knew the giant shadow would smother him with a darkness he could not escape. The shadow fell over him with the delicate grace of fog, but held him with the awful weight of concrete, a rising pool of blackness that would fill his mouth and nose and ears. Pike fought desperately to scramble away, but his arms and legs would not move. He strained to break free, grunting, hissing, spit and tears flying as his head whipped side to side. Pike did not know what it was, this shadow. He did not understand how it held him, or why he could not escape. It rose from the dark as always, and one day it would kill him . . . as he feared it had killed him before.
Robert Crais (The Sentry (Elvis Cole, #12, Joe Pike, #3))
Forty minutes later, Ned and Mariel gathered their guests on the back patio by the pool. Uncle Nathan yelled at everyone to be quiet. “We have gathered here today for the wedding of Edward Jonah Prager the Third and Mariel Betty Stenerud,” he announced, staring right at Ned’s dad as he spoke, and then turned to Ned. Several of their friends gasped. “What’s going on?” Ned’s dad shouted. “Edward, do you take Mariel to be your lawfully wedded wife, to love, to honor, and to cherish, from this day forward?” “I do,” Ned said. Uncle Nathan grinned and nodded. “Mariel, do you take Edward to be your lawfully wedded husband, to love, to honor, and to cherish, from this day forward?” “I do,” Mariel said. “You got rings?” Uncle Nathan asked. “Well, now’s the time.” Ned slid his ring onto Mariel’s finger first, and then she moved a gold ring onto his. He felt her warm hand trembling as she did it. “What just happened?” Ned’s dad asked. “What’s going on?” Uncle Nathan, noticing Edward, couldn’t stop smiling. “Then, in front of these assembled witnesses, by the power vested in me by the state of Minnesota, I hereby pronounce you husband and wife.” Ned had tears streaming down his face. He looked at his wife—his wife!—and she was weeping too. He wanted to kiss her so terribly, but he thought he was supposed to wait for an order. “Is that all?” Ned asked his uncle. “That’s the minimum legal requirement,” Uncle Nathan said, and noticed the spread on the outdoor table. “Are those Doritos?” “Aren’t you supposed to say, ‘You can kiss the bride’?” “Sure, do what you want. Kiss the bride. Just keep it decent.” They kissed while their friends cheered and then stopped cheering, and kissed until they began cheering again. Ned would often think of the joy of this moment in the years to come. Soon, almost everyone around him would change, and the grace and wonder in the world would be beyond his grasp. If it weren’t for these memories he could replay in his head like old songs, he wouldn’t have believed that his heart had ever been capable of such happiness.
J. Ryan Stradal (Saturday Night at the Lakeside Supper Club)
You’re the only lesbian I know who doesn’t like tofu. Lesbians love tofu,” Aurora says, holding up her own paper bag. “I’m not sure you’re qualified to make such sweeping statements, Ror,” Emilia says, side-eyeing her. “Especially when your data pool is me and Poppy.
Hannah Grace (Daydream (Maple Hills, #3))
Anastasia, listen to me. I’m not going to drop you, and even if I did, you’re going in the water. That’s the absolute worst thing that could happen. You get wet hair and a mouthful of gross Maple Hills pool water.
Hannah Grace (Icebreaker (Maple Hills, #1))
God’s purpose often puts us into deep waters. He calls us to move from the safety of the kiddie end of the pool and head toward the deep end. If we choose to paddle only in waist-deep water, we miss the chance to witness his grace and power at work.
Douglas Lim (Moments Remembered - A 30-Day Devotional for Families)
He struggled to express himself. “You are this light.” He gestured to the sorcerous light still shimmering around them. “This pool. The moon. The sun.
Grace Draven (A Wilderness of Glass (Wraith Kings, #2.7))
When reframed in this way, critics often accuse couples intent on pursuing ART of being selfish for expending so much time, energy, and resources to have a biological connection to their child when they could pursue adoption in-stead. But beyond the practical barrier of adoption not being accessible to all prospective parents in all contexts given variables of age, sexual orientation, marital status, and the pool of available children, what is missing in this anti-ART/pro-adoption position is an explanation for why the criticism of narcissism or selfishness is directed primarily at couples who use ART, not also at those intent on bearing children the old-fashioned way through intercourse. Why must those who cannot reproduce "naturally" be put in the position of having to justify their desire to have "their own" child — why isn't every prospective parent pressed to give an account?
Grace Kao (My Body, Their Baby: A Progressive Christian Vision for Surrogacy (Encountering Traditions))
One does not have to believe in Rousseau’s ‘noble savage’ to believe that man’s fall from grace came with city dwelling; it is common sense. Some cities might be prosperous and secure, with good land and a strong ruler; but they would be the exceptions. Most cities would be little more than large groups of human beings living together for convenience, like rats in a sewer. The consequence is obvious. Man ceases to be an instinctive, simple creature. Whether he likes it or not, he has to become more calculating to survive. He also has to become, in a very special sense, more aggressive—not simply towards other men but towards the world. Before this time, there had only been small Neolithic communities, whose size was limited by their ability to produce food. If the population increased too fast, the weaker ones starved. It encouraged a passive, peaceful attitude towards life and nature. Big cities were more prosperous because men had pooled their resources, and because certain men could afford to become ‘specialists’—in metalwork, weaving, writing and so on. And there were many ways to keep yourself alive: labouring, trading or preying on other men. Unlike the Neolithic community, this was a world where enterprise counted for everything. It would be no exaggeration to say that the ‘rat race’ began in 4000 B.C.
Colin Wilson (The Occult)
Our experience of reconciling grace is expressed every time we pool our resources for the kingdom of God.
Timothy S. Lane (Relationships: A Mess Worth Making)
There really were rabbits everywhere. They’d whoosh and bound past you in the blink of an eye, sometimes so fast that all you’d hear was the rapid thump thump on the ground before they were gone. They were as quick as the wind, and the only thing you really ever saw was their shadows as they skittered by. What impression did this give to us? Did it suggest the land was alive, vital and strong? Did it convey a sense of chaos, confusion and clamour? No, quite the opposite in fact, for the land seemed ever so silent. Indeed, I don’t know what other animal could’ve been as quiet as those wild rabbits. Although the wilderness was generally quiet, it took the appearance of the rabbits before you would become acutely aware of how quiet it really was. It was a sereneness that seemed more illusory than anything else - a type of nothingness, nothing but the wind and the grass, a rippling expanse that gifted a sense of kindness, the drifting clouds, thoughts dim and hazy. The instant the rabbits appeared, all of this nature awoke, the horizon suddenly shrank, and the air grew taut, ever so slightly. My heart followed suit, and so did my ears. My throat was empty, and all I could do was utter a gentle ah. That sound, let loose, became the most solid, most compact thing in the entire world. My body felt heavy, overwhelmingly so, and I was unable to move. But the rabbits bounded in front of me, racing back and forth, their gracefulness blending into the calmness of the land. Then another appeared, hopped up on a largish stone and stood motionless, its eyes directed towards me, peering into me. The silence of the scene increased tenfold. One more rabbit jumped into view and the quiet deepened yet again. They came, more and more, and as they did, all sound was evacuated from the world, transforming it into a clear, limpid pool of silence. I turned my head, a movement that now seemed magnified amid the stillness. My ah lingered in the air, not yet absorbed into the sweeping quiet of the landscape. It seemed to persist, perched just above the calm. I’d been enraptured by nature countless times before, caught in its web, unable to free myself, but I’ve never been able to put this into words. Nothing but my ah…I simply stood there in the midst of all of that confusion and clamour, the chaos swirling about, avid and avaricious. The silence encircled me, stealing the words from my throat. Countless times I’d praised the earth, the wild, but still I could not put into words that there was really no connection between us.
Li Juan
Asking our emotions to stay predictable, easy, and flat in grief is like asking the ocean to be a smooth, glassy, back- yard pool. It’s just not possible. Can you imagine an ocean that didn’t roar and crash into the shore? It wouldn’t be an ocean, would it? We allow our humanness in grief by giving ourselves permission to experience our feelings in their fullness as they surface.
Shelby Forsythia (Permission to Grieve: Creating Grace, Space, & Room to Breathe in the Aftermath of Loss)
He slipped his finger back inside my ass, then out. Teasing me. My wrists were bound, and now he was restraining my legs, too? I was going to melt into a pool of dark chocolate and wet pussy if he didn’t hurry.
Grace Goodwin (Viken Command (Interstellar Brides Program, #18))
These caves are deep and go on for miles. It is easy to get lost and simply disappear. Few humans come near this place. It has a reputation of being dangerous.” His hand caressed her soft skin. “Take off your jeans.” She smiled up at him. “I can see it is dangerous. Now, why would I want to do something that is obviously going to get me in big trouble?” His hand stroked her waist, traced each rib under her satin skin. He could feel her tremble in answer. “Because I want you to. Because you want to please me.” Shea laughed out loud, her eyebrows winging upward. “Oh, really? That’s what I want to do?” He nodded solemnly. “Above all else.” She moved away from him, deliberately enticing him. “I see. I didn’t know that. Thank you for pointing it out.” “You are welcome,” he countered gravely, his eyes following her every movement. Shea was graceful and seductive, a siren beckoning him to follow. His body stirred, and ruefully he decided the pools might be a safer place to watch her. He entered the nearest hot springs, wincing as the bubbles added to the sensation of fingers stroking his sensitive skin.
Christine Feehan (Dark Desire (Dark, #2))
Take off your jeans.” She smiled up at him. “I can see it is dangerous. Now, why would I want to do something that is obviously going to get me in big trouble?” His hand stroked her waist, traced each rib under her satin skin. He could feel her tremble in answer. “Because I want you to. Because you want to please me.” Shea laughed out loud, her eyebrows winging upward. “Oh, really? That’s what I want to do?” He nodded solemnly. “Above all else.” She moved away from him, deliberately enticing him. “I see. I didn’t know that. Thank you for pointing it out.” “You are welcome,” he countered gravely, his eyes following her every movement. Shea was graceful and seductive, a siren beckoning him to follow. His body stirred, and ruefully he decided the pools might be a safer place to watch her. He entered the nearest hot springs, wincing as the bubbles added to the sensation of fingers stroking his sensitive skin. Her taunting laughter followed him, brushing provocatively at his nerve endings with the very tip of a flame. Shea felt an unexpected rush of power. Jacques was such an invincible being, yet she could see his body trembling, hear his heart beating even over the roar of the falls. All for her. Deliberately she slid her jeans low, exposing her slender body, the fiery red triangle beckoning him, teasing him. Her shirt floated to the ground, and she lifted her arms skyward, a seductress tempting the heavens. Jacques’ body tightened in anticipation. His black gaze didn’t miss one graceful sway, not one rhythmic movement of her shapely form. Shea waded into the pool slowly, allowed the bubbling water to lap at her body like a sensuous tongue. She moved out into the middle of the water and finally slipped under the surface like a sleek, gleaming otter. Jacques sat on the edge of a rock, his legs under the water, bubbles lapping around his hips. He watched her swim toward him, away, her body flashing in the water, breaking the surface, disappearing once again.
Christine Feehan (Dark Desire (Dark, #2))
It’s amazing how beauty calms fear, like seeing Grace last night after struggling in the pool.
Arshay Cooper (A Most Beautiful Thing: The True Story of America's First All-Black High School Rowing Team)
I wrote “My Jamaican Guy” about Tyrone, because when we were in the Bahamas recording I remember him in the swimming pool, and he came out of the water with his dreadlocks flashing in the sun. As he came out of the water, he shook his dreadlocks like a dog would to dry off, and the water sprayed around him like sparks flying, and I thought of the idea, my Jamaican guy. We were not having an affair; it was an impression of something around me. I was watching things as a voyeur, being excited by something unexpected. It doesn’t mean it was about something real that I was involved in. I was using my imagination.
Grace Jones (I'll Never Write My Memoirs)
she turned into a trembling pool of putty, constantly on the verge of losing it and so tired she couldn’t think straight—
Suzanne Redfearn (Hadley & Grace)
Cutting down trees for Christmas was a waste of resources, but it was more than that. The cut stump looked like an amputation, resinous sap running out of its pores as blood ran from a wound, her eyes played tricks on her again and the sap turned red, the gelatinous clots pooling on the snow-covered sidewalk below.
Suzanne Jenkins (Gracefully, Like a Living Thing: The Sequel to The Savant of Chelsea)
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Can I discover how to live so that life ceases to be problematic, so that one lives in the eternal and not in grip of the falsities of time? Can I expunge selfishness from my gene pool? Can I mine from my central chord the ability to demonstrate empathy, supply a compress of sympathy, and extend charity for people in need of assistance? Can I concentrate all my cognitive material to express grace and thankfulness for the world? Must I shed the tattered shirt of yesteryear in order to advance to the next stage in life? When the pigmented henna of the naked self is exposed, do I see the resin of my elemental character more clearly? Stripped of the restrictive pig iron of disappointment, I realize that the mystique of the future trumps the perspicuity of my blemished past. Letting go of the past and torching a wagonload of personal guilt is freeing. Once disburdened from a repressive sense of a remorseful and shamefaced self, I am free to prowl about uninhibited and nurture a mantle of renewed optimism for the brilliant seasons to come.
Kilroy J. Oldster (Dead Toad Scrolls)
Jacques’ body tightened in anticipation. His black gaze didn’t miss one graceful sway, not one rhythmic movement of her shapely form. Shea waded into the pool slowly, allowed the bubbling water to lap at her body like a sensuous tongue. She moved out into the middle of the water and finally slipped under the surface like a sleek, gleaming otter. Jacques sat on the edge of a rock, his legs under the water, bubbles lapping around his hips. He watched her swim toward him, away, her body flashing in the water, breaking the surface, disappearing once again. Shea’s head emerged, her green eyes enormous as they moved over his body. He was utterly still, as if carved from the very stone itself. His muscles were etched and defined, and his body was ready and aggressive. A small smile touched the corners of her mouth. She swam toward him slowly. “So you think I want to please you.” “Definitely.” The word came out a low growl. He was finding it hard to breathe. She smiled at him, a sexy, provocative, very feminine promise. “You’re right, I do want to please you. But how do I know you haven’t done your hypnotic thing on me, and it’s all your idea, not mine?” He had to reach for his voice, and when he found it, it was gravel. “I would not mind hypnotizing you to do my bidding, but somehow I think you can please me without such help.” He was finding it difficult to think straight, his mind a cloud of erotic desire. Water lapped at his hips as she moved closer. Her breasts brushed his legs, sending ripples of fire through his bloodstream. She pushed against his knees so that he was forced to open them to accommodate her. Her chin nudged his lap. “I have to think of the best way I might please you. You have all sorts of interesting ideas running around in your head. I need to find the best one, don’t you think?
Christine Feehan (Dark Desire (Dark, #2))
You can call the spirits that live in the pools and trees God’s grace if you like, old man. But if Jesus were from this land he’d be putting milk out for the fairies himself.
Kate Horsley (Confessions of a Pagan Nun)
You dismiss the idea that the death of Jesus—the “torture and death of a single individual in a backward part of the Middle East” — could possibly be the solution to the sorrows of our brutish existence. When I said that Jesus is good for the world because he is the life of the world, you just tossed this away. You said, “You cannot possibly ‘know’ this. Nor can you present any evidence for it.” Actually, I believe I can present evidence for what I know. But evidence comes to us like food, and that is why we say grace over it. And we are supposed to eat it, not push it around on the plate—and if we don’t give thanks, it never tastes right. But here is some evidence for you, in no particular order. The engineering that went into ankles. The taste of beer. That Jesus rose from the dead on the third day, just like he said. A woman’s neck. Bees fooling around in the flower bed. The ability of acorns to manufacture enormous oaks out of stuff they find in the air and dirt. Forgiveness of sin. Storms out of the North, the kind with lightning. Joyous laughter (diaphragm spasms to the atheistic materialist). The ocean at night with a full moon. Delta blues. The peacock that lives in my yard. Sunrise, in color. Baptizing babies. The pleasure of sneezing. Eye contact. Having your feet removed from the miry clay, and established forever on the rock. You may say none of this tastes right to you. But suppose you were to bow your head and say grace over all of it. Try it that way. You say that you cannot believe that Christ’s death on the Cross was salvation for the world because the idea is absurd. I have shown in various ways that absurdity has not been a disqualifier for any number of your current beliefs. You praise reason to the heights, yet will not give reasons for your strident and inflexible moral judgments, or why you have arbitrarily dubbed certain chemical processes “rational argument.” That’s absurd right now, and yet there you are, holding it. So for you to refuse to accept Christ because it is absurd is like a man at one end of the pool refusing to move to the other end because he might get wet. Given your premises, you will have to come up with a different reason for rejecting Christ as you do. But for you to make this move would reveal the two fundamental tenets of true atheism. One: There is no God. Two: I hate Him.
Anonymous
A Prayer about Normal Trials Blessed be the God and Father of our Lord Jesus Christ! According to his great mercy, he has caused us to be born again to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you, who by God’s power are being guarded through faith for a salvation ready to be revealed in the last time. In this you rejoice, though now for a little while, as was necessary, you have been grieved by various trials, so that the tested genuineness of your faith—more precious than gold that perishes though it is tested by fire—may be found to result in praise and glory and honor at the revelation of Jesus Christ. (1 Pet. 1:3–7) Heavenly Father, today I need a fresh supply of persevering grace, for the “all kinds of trials” of life are sapping my spirit and weighing me down. I need to be reassured that you are refining my faith and not just ignoring me. I feel tired, weary, disillusioned, and a simmering anger is emerging in my spirit. A part of me just says, “Buck up, you woozy whiner!” But I think the gospel offers a better way. Honestly, I’m embarrassed to even speak of my trials, because I didn’t go to sleep hungry or thirsty last night, I didn’t hear gunfire echoing through my neighborhood, there’s no plague pillaging my community, I don’t live with the fear of my children being sold into slavery, and my government isn’t threatening the exercise of my faith. These are realities with which many of my brothers and sisters in Christ live on a daily basis. For me, it’s more like swimming in a pool of tiny piranha just nibbling away at my joy, energy, and peace. Please give me grace perfectly suited for the demands and the dailiness of normal life—in this body with aging joints and a leaking memory; among fellow sinner-saints who, like me, love inconsistently; in unresolved stories from the past and present of brokenness and weakness; in the face of minor injustices and a lack of common mercies; when cars, plumbing, air conditioners, and other stuff just break; when people don’t say “thank you,” people drive like maniacs, and pets pee on the carpet. Lord, in all these things, I want your hand and heart to be at work. I want to know what a man of faith looks like, not just when I am praying for daily bread or facing a firing squad but when I’m living out the implications of the gospel in the daily messiness of normal life. I pray in Jesus’ tender name. Amen.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
That was like trying to pick one food to eat for the rest of your life. “Disturbed,” I said, naming the band and still looking down at the glass. He said nothing. Only remained still before finally sitting back and tipping his drink up to his lips. Butterflies swarmed in my stomach, and I kept my breathing even. “Drowning Pool, Three Days Grace, Five Finger Death Punch,” I continued. “Thousand Foot Krutch, 10 Years, Nothing More, Breaking Benjamin, Papa Roach, Bush . . .” I paused, exhaling nice and slow despite the way my heart drummed. “Chevelle, Skillet, Garbage, Korn, Trivium, In This Moment . . .” I drifted off, peace settling over me as I looked up at him. “You’re in everything.
Penelope Douglas (Corrupt (Devil's Night, #1))