Gowns Related Quotes

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The girls said she was too cynical about love, but how could you not be? On the surface, relations between men and women were all soft kisses and white gowns and hand-holding. But underneath they were a scary, complicated, ugly mess, just waiting to rise to the surface.
J. Courtney Sullivan (Commencement)
Would it not be wiser, then, to remit this part of reading and to allow the critics, the gowned and furred authorities of the library, to decide the question of the book's absolute value for us? Yet how impossible! We may stress the value of sympathy; we may try to sink our identity as we read. But we know that we cannot sympathise wholly or immerse ourselves wholly; there is always a demon in us who whispers, "I hate, I love", and we cannot silence him. Indeed, it is precisely because we hate and we love that our relation with the poets and novelists is so intimate that we find the presence of another person intolerable. And even if the results are abhorrent and our judgments are wrong, still our taste, the nerve of sensation that sends shocks through us, is our chief illuminant; we learn through feeling; we cannot suppress our own idiosyncrasy without impoverishing it.
Virginia Woolf (The Second Common Reader)
Her amazement was compounded as she approached the primary entrance, two stories high. At its apex were the extraordinary sculptures of the goddesses of industry and agriculture, who stood amid the draped folds of their gowns, each flanked by the symbols of her domain. Alice, unlike her uneducated brothers, had grown up with the luxury of reading with her mother. She recognized Ceres instantly, sheaves of grain on her left, her right hand atop an abundant cornucopia. This was the mother who had sacrificed all else to bring her missing daughter home. She thought about how her own mother had sacrificed to send Alice out into what she had envisioned as a better life.
Diane C. McPhail (The Seamstress of New Orleans)
Grand-Mère’s Friday-Night Chicken My mother made a version of this in the 1970s; I have updated it with ingredients that are readily available today, if not necessarily to cooks of 1947. This is the dish that came to mind when I tried to think of something that Miriam would have made, and though it is far from authentic in its origins, it is delicious and relatively easy to make. Serves 4 1 medium orange ½ teaspoon fennel seeds 8 chicken thighs, skin-on and bone-in, about 3½ to 4 pounds Salt and pepper 2 tablespoons extra-virgin olive oil 1 cup prunes, pitted and halved (quarter if especially large) 1 cup green olives, pitted ½ cup dry white wine or dry (white) vermouth
Jennifer Robson (The Gown)
It may seem strange to those who calculate expenses that in a family of six persons compelled to live on three thousand francs a year the son should have a coat and the mother a gown of velvet; but Fanny O’Brien had aunts and rich relations in London who recalled themselves to her remembrance by many presents. Several of her sisters, married to great wealth, took enough interest in Calyste to wish to find him an heiress, knowing that he, like Fanny their exiled favorite, was noble and handsome.
Honoré de Balzac (Works of Honore de Balzac)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
Every year Grandma Ann (not blood related but our grandmother all the same) made extravagant paper hats out of recycled material; the mesh netting of pears, colored comics, indigo feathers, origami flowers. She sold them at street fairs and donated the proceeds to local organizations, including Grateful Garments, which provided clothes for survivors of sexual violence. Had this organization not existed, I would have left the hospital wearing nothing but a flimsy gown and boots. Which meant all the hours spent cutting and taping hats at the dinner table, selling them at a little booth in the sun, had gifted me a gentle suit of armor. Grandma Ann wrapped herself around me, told me I was ready.
Chanel Miller (Know My Name: A Memoir)
She threw Lillian a laughing glance. “I’m sure he has found it refreshing to encounter a woman who actually dares to disagree with him.” “I’m not certain that ‘refreshing’ would be his first choice of words,” Lillian replied wryly. “However, when I don’t like something that he’s done, I do not hesitate to tell him so.” “Good,” Lady Olivia returned. “That is precisely what my brother needs. There are few women— or men, for that matter— who ever contradict him. He is a strong man who requires an equally strong wife to balance his nature.” Lillian found herself needlessly smoothing the skirts of her pale green gown as she remarked carefully, “If Lord Westcliff and I did marry… he would face many objections from relatives and friends, wouldn’t he? Especially from the countess.” “His friends would never dare,” Lady Olivia replied at once. “As for my mother…” She hesitated and then said frankly, “She has already made it clear that she does not approve of you. I doubt she ever will. However, that leaves you in very large company, as she disapproves of nearly everyone. Does it worry you that she opposes the match?” “It tempts me beyond reason,” Lillian said, causing Lady Olivia to erupt with laughter. “Oh, I do like you,” she gasped. “You must marry Marcus, as I would love above all else to have you as a sister-in-law.” Sobering, she stared at Lillian with a warm smile. “And I have a selfish reason for hoping that you will accept him. Although Mr. Shaw and I have no immediate plans to move to New York, I know that day will not be long in coming. When that happens, I should be relieved to know that Marcus is married and has someone to care for him, with both his sisters living so far away.” She stood from the bench, straightening her skirts. “The reason I’ve told you all of this is because I wanted you to understand why it is so difficult for Marcus to abandon himself to love. Difficult, but not impossible. My sister and I have finally managed to break free of the past, with the help of our husbands. But Marcus’s chains are the heaviest of all. I know that he is not the easiest man to love. However, if you could bring yourself to meet him halfway… perhaps even a bit more than halfway… I believe you would never have cause to regret it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
A few hours later, Jane came out of her boudoir to find her husband in his dressing gown, stretched out across the bed reading the newspaper and idly petting their spaniel Little Archer, a pup from Mrs. Patch’s brood. Seizing the moment, Little Archer leapt off the bed and into her dressing room, where he could chew up slippers to his heart’s content. Dom, however, didn’t even look up as she entered. “They’re calling this the most elegant coronation in history.” He snorted. “I noticed there’s no mention of its being the most interminable.” “Dom,” she purred as she closed the dog into the dressing room for the moment. “All that pomp and circumstance is so tedious.” Still reading, he turned the page of the newspaper. “Ravenswood told me that King William is determined to make sure that parliamentary reform is enacted.” She walked languidly forward. “Dom.” He snapped the paper to straighten it. “It’s about bloody time. I should think--” “Dom!” she practically shouted. “Hmm?” He glanced up, then frowned. “Why are you wearing your coronation robe?” “I was cold,” she said with a teasing smile. She let the robe fall open. “Since I have nothing on underneath.” Dom stared, then gulped. Unsurprisingly, his staff jerked instantly to attention. “If you’re trying to torture me,” he said hoarsely, “you’re doing a good job of it.” She sashayed toward the bed, letting the velvet and ermine robe swing about her. “No torture intended.” She put one knee on the bed. “Dr. Worth said I may resume relations with my husband whenever I am ready.” He blinked, then rose to his knees and seized her about the waist. “May I assume that you’re ready?” he rasped as he brushed a kiss to her cheek. “You have no idea.” She met his mouth with hers. They kissed a long moment, a hot, heavenly kiss that reminded her of how very talented her husband was at this aspect of marriage. She untied his dressing gown and shoved it off his shoulders. He had just finished tearing off his drawers when she shoved him down onto the bed. His eyes lit up as she hovered over him. “Ah, so it’s to be like that, my wicked little seductress?” “Oh, yes.” She grinned at him. “I do so enjoy having a viscount fall before me.” She started to remove her robe, but he stayed her with his hand. “Don’t.” He raked her with a heated glance. “Next session of parliament, I’ll endure the boredom of the endless speeches by imagining you seducing me in all your pomp and circumstance.” “My pomp is nothing to yours, my love,” she murmured as she caught his rampant flesh in her hand. “Yours is quite…er…pompous.” “That’s what happens if the viscount falls.” He thrust against her hand. “His pomp always rises.” And as she laughed, they created a pomp and circumstance all their own.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Bone beds turn up sporadically elsewhere, with spectacular examples in the Dinosaur National Monument in the USA and in Mongolia’s Gobi desert. In eastern England there are several within the early Cretaceous strata, which include, as well as bones, structures termed coprolites, some of which represent the petrified faeces of dinosaurs or marine reptiles. In the middle of the 19th century, when England’s population was booming and the farmers were struggling to feed everybody, it was discovered that these fragments (which, being bone, are phosphate-rich) made a superb fertilizer when crushed and acid-treated. A thriving and highly profitable industry formed to quarry away these ‘coprolite beds’. Some considerable figures were involved in this industry. John Henslow, Charles Darwin’s beloved mentor of his time at Cambridge, seems to have first encouraged the farmers of eastern England to use such fossil manure. William Buckland also became involved. An extraordinary combination of early savant of geology at Oxford and Dean of Westminster, he was the first to scientifically describe a dinosaur ( Megalosaurus); carried out his fieldwork in academic gown; reputedly ate his way through the entire animal kingdom; and coined the term ‘coprolite’, using these petrified droppings to help reconstruct the ecology of ancient animals. Later, he energetically collaborated with the celebrated German chemist Justus Liebig (who had worked out how to chemically treat these fossil phosphates to make fertilizer) to show how they could be used by agriculturalists, once demonstrating their efficacy by exhibiting, in Oxford’s Ashmolean Museum, a turnip, a yard in circumference, that he had grown with such prehistoric assistance. It is related strata (geologically rare phosphate-rich deposits, usually biologically formed) that are still a mainstay—if a rapidly depleting one—of modern agriculture. In a very real sense, these particular rocks are keeping us all alive.
Jan Zalasiewicz (Rocks: A Very Short Introduction)
Mary had known what to do. She and Debbie had worked everything out in advance—whom to call and in what order: the funeral parlor, the credit card companies, the friends. There was already an obituary ready to go. Leonard’s photo would be in all the newspapers, on Twitter. It’d be in the black-and-white photo montage at the Oscars, with someone singing “Somewhere Over the Rainbow” in a ball gown. Alice made some of the calls to friends—she and Debbie split up the list. No one was surprised. Everyone was kind. Alice cried during the first few, nearly unable to get the words out, but then she got used to the rhythm of the conversation and found that she was able to make it through. That lasted a few minutes and then she was crying again. Alice hugged Mary longer than she’d ever hugged a relative stranger in her life. This was how people felt about their midwives, or platoon mates, or fellow hostages—they had seen things together that no one else would ever fully understand.
Emma Straub (This Time Tomorrow)
To soften relations between the two groups and meet Philadelphia's fashionable young beauties, Arnold hosted a ball at the... City Tavern with a guest list that included Tories and neutralists, as well as patriots. Inevitably the 'disaffected' emerged triumphant, their beaded gowns gleaming in the candlelight, their two-feet--high hairdos towering over the caps of patriot woman in their crude clothes.
Nancy Rubin Stuart (Defiant Brides: The Untold Story of Two Revolutionary-Era Women and the Radical Men They Married)
The Oxford comma refers to the Oxford University Press, whose house style is to use the serial comma. (The public-relations department at Oxford doesn’t use it, however. Presumably PR people see it as a waste of time and space. The business end of these operations is always in a hurry and does not approve of clutter. The serial comma is a pawn in the war between town and gown.) To call it the Oxford comma gives it a bit of class, a little snob appeal.
Mary Norris (Between You & Me: Confessions of a Comma Queen)
team working on two children who had been thrown from the back of their father’s pickup truck onto the roadway. By the time I reached the floor, Immy had been taken upstairs to surgery. The surgery had lasted almost twelve hours, and things had not gone well. The bypass pump, a relatively new technology, had malfunctioned for several minutes and Immy had lost a great deal of blood. She was on a respirator, unconscious and unresponsive, in the Intensive Care Unit. On the day after surgery, Immy’s mother told me in a shaking voice that Immy’s gown had been removed in the operating room and thrown into the hospital laundry. The medal was gone. Concerned, I called the surgery resident and told him what had happened. “Why are you telling me this?” he asked me.
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
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Jana Ann Bridal Couture San Diego Wedding Dress Styles
Rhiannon is just as clearly a Faerie Queen as Gwynn is a king. She is even first spotted on a special mound, likely an old Neolithic burial mound like many faerie beings before her. Similar to True Thomas's Faerie Queen she appears on a hill riding a white horse. Like Mari of Basque folklore she wears a gold gown, you could almost imagine her owning a gold comb to brush out her golden hair. She is a woman of Annwn, clearly a faerie otherworld where the hounds are all faerie dogs with pink eyes and white fur. She gets further away the faster you ride, a typical “faerie inversion” example of a back-to-front world, much like weeping instead of laughing and laughing in the place of weeping. But there is more to this motif of Rhiannon's; one has the feeling that Pwyll is being given a lesson in right relations with Faerie. He is being told firmly that all of his spurring his horse, all of his striving to capture and dominate and show off will mean nothing to her, he simply needs to learn how to humble himself a little and ask for what he wants.
Lee Morgan (Sounds of Infinity)
Cecily.” His gaze wandered from her unbound hair to her disheveled gown, to her fingers still laced with Luke’s. “I . . . I was just about to go searching for you.” “There you are!” Portia called from behind him. “Come in, come in.” She lay swaddled in blankets on the divan, with her bandaged leg propped on a nearby ottoman. Brooke sat beside her, balancing a teacup in either hand. Cecily turned to Denny. “I’m sorry to have worried you, but . . .” She squeezed Luke’s hand for courage. “You see, Luke and I—” “I understand,” he replied. The serious expression on his face told her he did understand, completely. To his credit, he took it well. He turned to Luke. “When will you be married?” “Married?” Portia exclaimed. Cecily sighed. Just like Denny, to take his responsibilities as her third cousin twice removed— and only male relation in the vicinity— so seriously. But did he have to force the issue now? Certainly, she hoped that she and Luke might one day— “As soon as possible.” Luke’s arm slid around her waist. Cecily’s gaze snapped up to his. Are you certain? she asked him silently. He answered her with a quick kiss. “Well, then. When can we be married?” Brooke directed his question to Portia. “Married!” Blushing furiously, Portia made a dismissive gesture with both hands. “Why, I’m only just learning to enjoy being a widow. I don’t want to be married. I want to write scandalous novels and take dozens of lovers.” Brooke raised an eyebrow. “Can that be negotiated to lover, singular?” “That,” she said, giving him a coy smile, “would depend on your skill at negotiation.” “What an evening you’ve had, Portia,” Cecily said. “A brush with death, a proposal of marriage, an indecent proposition . . . Surely you have sufficient inspiration for your gothic novel?” “Too much inspiration!” Portia wailed, gesturing toward her bandaged foot. “I am done with gothics completely. No, I shall take a cue from my insipid wallpaper and write a bawdy little tale about a wanton dairymaid and her many lovers.” “Lover, singular.” Brooke flopped on the divan and settled her feet in his lap. “Oh,” she sighed, as he massaged her uninjured foot. “Oh, very well.” Luke tugged on Cecily’s hand, drawing her toward the doorway. “Let’s make our escape.” As they left, she heard Denny say in his usual jocular tone, “Do me a favor, Portia? Model your hero after me. Just once, I should like to get the girl.
Tessa Dare (The Legend of the Werestag)
Today is my sixteenth birthday. I am wearing a gown I can barely walk in, my artfully styled hair is giving me a headache, and I feel like I am going to throw up.
Bethany Wiggins (The Dragon's Price (Transference, #1))
At the second hospital he was intubated to save him from suffocation. That is, a flexible tube was inserted deep into his mouth, past his glottis, and down his windpipe into his lungs, to help with breathing. This event represents another important clue toward explaining how SARS spread so effectively through hospitals around the world. Intubation is a simple procedure, at least in theory, but it can be difficult to execute amid the gag reflexes, sputters, and expectorations of the patient. The task was especially hard with Zhou, a portly man, sedated and feverish, and though his disease hadn’t yet been identified, the attending doctors and nurses seem to have had some sense of the danger to which they were being exposed. They knew by then that this atypical pneumonia, this whatever, was more transmissible and more lethal than pneumonias of the common sort. “Each time they began to insert the tube,” according to an account by Thomas Abraham, a veteran foreign correspondent based in Hong Kong, there was “an eruption” of bloody mucus. Abraham continues: It splashed on to the floor, the equipment and the faces and gowns of the medical staff. They knew the mucous [sic] was highly infectious, and in the normal course of things, they would have cleaned themselves up as quickly as possible. But with a critically ill patient kicking and heaving around, a tube half-inserted into his windpipe and mucous and blood spurting out, there was no way any of them could leave. At that hospital, twenty-three doctors and nurses became infected from Zhou, plus eighteen other patients and their relatives. Nineteen members of his own family also got sick. Zhou himself would eventually become known among medical staff in Guangzhou as the Poison King. He survived the illness, though many people who caught it from him—directly, or indirectly down a long chain of contacts—did not.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
Closing borders would be of no benefit either. It would be impossible to shut down trade, prevent citizens from returning to the country, etc. That would shut down the entire economy and enormously magnify supply chain problems by ending imports—including all health-related imports like drugs, syringes, gowns, everything. Even at that, models show that a 90 percent effective border closing would delay the disease by only a few days, at most a week, and a 99 percent effective shutting of borders would delay it at most a month.
John M. Barry (The Great Influenza: The Epic Story of the Deadliest Plague in History)
She decided on a simple white chiffon gown and strapless front-lacing corset. Both relatively easy to move in.
Kaylie Smith (Phantasma (Wicked Games, #1))
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