Gown For Women Quotes

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Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason.
Louisa May Alcott (Little Women)
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
Peter Craig (Hot Plastic)
The girls said she was too cynical about love, but how could you not be? On the surface, relations between men and women were all soft kisses and white gowns and hand-holding. But underneath they were a scary, complicated, ugly mess, just waiting to rise to the surface.
J. Courtney Sullivan (Commencement)
When Jo's conservative sister Meg says she must turn up her hair now that she is a "young lady," Jo shouts, "I'm not! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty.... I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman.
Louisa May Alcott (Little Women)
Besides,” Hatta said, tossing the shredded paper back at her. It wisped and fluttered and clung to the fabric of her gown. “I have a personal rule about not entering into business with spineless creatures. No snakes. No slippery eels. And worst of all, no fickle women.
Marissa Meyer (Heartless)
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
The most confident of women are those who believe in every scrap of fabric they wear. They are the ones who are as happy wih their drawers as they are with their gowns. You can tell the difference between a woman who wraps herself in beautiful silks and satins and she who wears...otherwise.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Coco lifted the gown for my appraisal after he left. "You're going to look divine in this." "I look divine in everything." She grinned and winked at me. "That's the spirit.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
They're so excited for one day in a pretty dress... someone should really tell them. They can wear a retty dress whenever they want... Women are out there tethering themselves to mediocre men just so they can wear a ball gown. It's a shame.
Rachel Harrison (Cackle)
Woolsey quirked an eyebrow. “You are a funny thing,” he said. “I would say I could see what those boys see in you, but …” He shrugged. His yellow dressing gown had a long, bloody tear in it now. “Women are not something I have ever understood.” “What about them do you find mysterious, sir?” “The point of them, mainly.” “Well, you must have had a mother,” said Tessa. “Someone whelped me, yes,” said Woolsey without much enthusiasm. “I remember her little.” “Perhaps, but you would not exist without a woman, would you? However little use you may find us, we are cleverer and more determined and more patient than men. Men may be stronger, but it is women who endure.” “Is that what you are doing? Enduring? Surely an engaged woman should be happier.” His light eyes raked her. “A heart divided against itself cannot stand, as they say. You love them both, and it tears you apart.” “House,” said Tessa. He raised an eyebrow. “What was that?” “A house divided against itself cannot stand. Not a heart. Perhaps you should not attempt quotations if you cannot get them correct.
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
I don't believe fine young ladies enjoy themselves a bit more than we do, in spite of our burned hair, old gowns, one glove apiece, and tight slippers that sprain our ankles when we are silly enough to wear them.
Louisa May Alcott (Little Women)
Don't allow yourself to get into the habit of dressing carelessly when there is 'only' your husband to see you. Depend upon it he has no use for faded tea-gowns and badly dressed hair, and he abhors the sight of curling pins as much as other men do. He is a man after all, and if his wife does not take the trouble to charm him, there are plenty of other women who will.
Blanche Ebbutt (Don'ts for Wives)
say, beautiful & point to the map of your body say, brave & were your skin like a gown or a suit say, hero & cast yourself in the lead role /// when a girl pronounces her own name there is glory when a woman tells her own life story she lives forever
Denice Frohman (Women of Resistance: Poems for a New Feminism)
But how should women perform so wise and glorious an achievement, we women who dwell in the retirement of the household, clad in diaphanous garments of yellow silk and long flowing gowns, decked out with flowers and shod with dainty little slippers?
Aristophanes (Lysistrata (Dover Thrift Editions: Plays))
To know nothing, or little, is in the nature of some husbands. To hide, in the nature of how many women? Oh, ladies! how many of you have surreptitious milliners' bills? How many of you have gowns and bracelets which you daren't show, or which you wear trembling?--trembling, and coaxing with smiles the husband by your side, who does not know the new velvet gown from the old one, or the new bracelet from last year's, or has any notion that the ragged-looking yellow lace scarf cost forty guineas and that Madame Bobinot is writing dunning letters every week for the money!
William Makepeace Thackeray (Vanity Fair)
This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure. ....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.
Erin Morgenstern (The Night Circus)
Didn't you have some big deal last night?" Peabody asked her. "Yeah, in East Washington. Roarke had this dinner / dance thing for some fancy charity. Save the moles or something. Enough food to feed every sidewalk sleeper on the Lower East Side for a year." "Gee, that's tough on you. I bet you had to get all dressed up in some beautiful gown, shuttle down on Roarke's private transpo, and choke down champagne." Eve only lifted a brow at Peabody's dust-dry tone. "Yeah, that's about it." They both knew the glamorous side of Eve's life since Roarke had come into it was both a puzzlement and a frustration to her. "And then I had to dance with Roarke. A lot." "Was he wearing a tux?" Peabody had seen Roarke in a tux. The image of it was etched in her mind like acid on glass. "Oh yeah." Until, Eve mused, they'd gotten home and she'd ripped it off of him. He looked every bit as good out of a tux as in one. "Man." Peabody closed her eyes, indulged herself with a visualization technique she'd learned at her Free-Ager parents' knees. "Man," she repeated. "You know, a lot of women would get pissed off at having their husband star in their aide's purient little fantasies." "But you're bigger than that, Lieutenant. I like that about you.
J.D. Robb (Conspiracy in Death (In Death, #8))
I don’t believe fine young ladies enjoy themselves a bit more than we do, in spite of our burned hair, old gowns, one glove apiece and tight slippers that sprain our ankles when we are silly enough to wear them.
Louisa May Alcott (Little Women (Little Women, #1))
In a vast space left free between the crowd and the fire, a young girl was dancing. Whether this young girl was a human being, a fairy, or an angel, is what Gringoire, sceptical philosopher and ironical poet that he was, could not decide at the first moment, so fascinated was he by this dazzling vision. She was not tall, though she seemed so, so boldly did her slender form dart about. She was swarthy of complexion, but one divined that, by day, her skin must possess that beautiful golden tone of the Andalusians and the Roman women. Her little foot, too, was Andalusian, for it was both pinched and at ease in its graceful shoe. She danced, she turned, she whirled rapidly about on an old Persian rug, spread negligently under her feet; and each time that her radiant face passed before you, as she whirled, her great black eyes darted a flash of lightning at you. All around her, all glances were riveted, all mouths open; and, in fact, when she danced thus, to the humming of the Basque tambourine, which her two pure, rounded arms raised above her head, slender, frail and vivacious as a wasp, with her corsage of gold without a fold, her variegated gown puffing out, her bare shoulders, her delicate limbs, which her petticoat revealed at times, her black hair, her eyes of flame, she was a supernatural creature.
Victor Hugo
This women's orchestra made a demure picture in their muted dove grays, alright, but they played like they were gowned in scarlet and gold.
Bailey Bristol (The Devil's Dime (The Samaritan Files #1))
I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as China Aster! It's bad enough being a girl, anyway, when I like boy's games and work and manners!
Louisa May Alcott
You cannot escape that you are a woman,” she began. “I wish I could,” Firekeeper muttered, but Elise continued as if she hadn’t heard. “Since you cannot, you cannot escape the expectations that our society and our class places upon women.” “Why?” Firekeeper said querulously. “...Consider,” she offered, “what you told me about learning to see at night so that you could hunt with the wolves. Learning to wear a gown, to walk gracefully, to eat politely…” “I do that!” “You’re learning,” Elise admitted, “but don’t change the subject. All of these are ways of learning to see in the dark.” “Maybe,” Firekeeper said, her tone unconvinced. “Can you climb a tree?” “Yes.” “Swim?” “Yes!” This second affirmative was almost indignant. “And these skills let you go places that you could not go without them.” Stubborn silence. Elise pressed her point. “Why do you like knowing how to shoot a bow?” “It lets me kill farther,” came the answer, almost in a growl. “And using a sword does the same?” “Yes.” “Let me tell you, Firekeeper, knowing a woman’s arts can keep you alive, let you invade private sanctums, even help you to subdue your enemies. If you don’t know those arts, others who do will always have an advantage over you.” “All this from wearing a gown that tangles your feet?
Jane Lindskold (Through Wolf's Eyes (Firekeeper Saga, #1))
It was a good thing she was wearing her mother's pearls. With those clasping her neck, she felt as if she could conquer anything. Harcroft would mock her, no doubt, if he knew her thoughts. He'd dismiss her attire as frills and furbelows-a women's only armor. Idiocy on his part. There were a great many problems that could be solved with a visit to the mantua-maker. and fine gowns or no, this meeting promised to be a war, however politely and subtly it was joined.
Courtney Milan (Trial by Desire (Carhart, #2))
At that time turbans had not yet arrived in Lyme- though I can report now that Margaret pushed the fashion onto Lyme's women, and within a few years, turbans were a common sight up and down Broad Street. I am not sure they complement empire-line gowns as well as other hats, and I believe some laughed behind their hands at the sight, but isn't fashion meant to entertain?
Tracy Chevalier (Remarkable Creatures)
Once I am sure there's nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense, musty, unignorable silence, Brewed God knows how long. Hatless, I take off My cycle-clips in awkward reverence. Move forward, run my hand around the font. From where I stand, the roof looks almost new - Cleaned, or restored? Someone would know: I don't. Mounting the lectern, I peruse a few Hectoring large-scale verses, and pronounce 'Here endeth' much more loudly than I'd meant. The echoes snigger briefly. Back at the door I sign the book, donate an Irish sixpence, Reflect the place was not worth stopping for. Yet stop I did: in fact I often do, And always end much at a loss like this, Wondering what to look for; wondering, too, When churches will fall completely out of use What we shall turn them into, if we shall keep A few cathedrals chronically on show, Their parchment, plate and pyx in locked cases, And let the rest rent-free to rain and sheep. Shall we avoid them as unlucky places? Or, after dark, will dubious women come To make their children touch a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort will go on In games, in riddles, seemingly at random; But superstition, like belief, must die, And what remains when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky, A shape less recognisable each week, A purpose more obscure. I wonder who Will be the last, the very last, to seek This place for what it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber, randy for antique, Or Christmas-addict, counting on a whiff Of gown-and-bands and organ-pipes and myrrh? Or will he be my representative, Bored, uninformed, knowing the ghostly silt Dispersed, yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation - marriage, and birth, And death, and thoughts of these - for which was built This special shell? For, though I've no idea What this accoutred frowsty barn is worth, It pleases me to stand in silence here; A serious house on serious earth it is, In whose blent air all our compulsions meet, Are recognized, and robed as destinies. And that much never can be obsolete, Since someone will forever be surprising A hunger in himself to be more serious, And gravitating with it to this ground, Which, he once heard, was proper to grow wise in, If only that so many dead lie round.
Philip Larkin
She’s a-going," he says. "Her mind is set on it." It’s a hard life on women, for a fact. Some women. I mind my mammy lived to be seventy or more. Worked every day, rain or shine; never a sick day since her last chap was born until one day she kind of looked around her and then she went and taken that lace-trimmed night-gown she had had forty-five years and never wore out of the chest and put it on and laid down on the bed and pulled the covers up and shut her eyes. "You all will have to look out for pa the best you can," she said. "I’m tired.
William Faulkner
Currents of cigarette fumes wafted through what passed for air. Attractive young women in bright-hued gowns glided through the streams of smoke, like tropical fish in an aquarium. Detecting the white uniforms and leathery faces, they promptly approached the Navy men. Very pretty, Ed thought, but hungry, a school of piranha. Just what the doctor ordered: fun and games with no complications. Right: no complications.
Clark Zlotchew (Once upon a Decade: Tales of the Fifties)
He began to see that the town life was a book of humanity infinitely more palpitating, varied, and compendious than the gown life. These struggling men and women before him were the reality of Christminster, though they knew little of Christ or Minster. That was one of the humours of things. The floating population of students and teachers, who did know both in a way, were not Christminster in a local sense at all.
Thomas Hardy (Jude the Obscure)
It's not that I'm complaining,' said Angua, 'but when we were assigned this job I thought it was me who was going to be the decoy and you who was going to be the back up, Nobby.' 'Yeah, but what with you bein' . . .' Nobby's expression creased as he edged his way into unfamiliar linguistic territory, '... mor phor . . . log . . . is . . : ally gifted. . .' 'A werewolf, Nobby. I know the word.' 'Right . . . well, obviously, you'd be a lot better at lurkin', an' . . . an' obviously it's not right, women havin' to act as decoys in police work. . .' Angua hesitated, as she so often did when attempting to talk to Nobby on difficult matters, and waved her hands in front of her as if trying to shape the invisible dough of her thoughts. 'It's just that . . . I mean, people might . . .' she began. 'I mean . . . well, you know what people call men who wear wigs and gowns, don't you?' 'Yes, miss.' 'You do?' 'Yes, miss. Lawyers, miss.' 'Good. Yes. Good,' said Angua slowly. 'Now try another one . . .' 'Er . . . actors, miss?' Angua gave up. 'You look good in taffeta, Nobby,' she said. 'You don't think it makes me look too fat?' Angua sniffed. 'Oh, no . . .' she said quietly.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
Since arriving in England, Katherine had come to know a freedom she had never dreamed of in Spain, where young women were kept in seclusion and forced to live almost like cloistered nuns. They wore clothes that camouflaged their bodies and veiled their faces in public. Etiquette at the Spanish court was rigid, and even smiling was frowned upon. But in England, unmarried women enjoyed much more freedom: their gowns were designed to attract, and when they were introduced to gentlemen they kissed them full upon the lips in greeting. They sang and danced when they pleased, went out in public as the fancy took them, and laughed when they felt merry.
Alison Weir (The Six Wives of Henry VIII)
Reera did not keep them in misery more than a few seconds, for she touched each one with her right hand and instantly the fishes were transformed into three tall and slender young women, with fine, intelligent faces and clothed in handsome, clinging gowns. The one who had been a goldfish had beautiful golden hair and blue eyes and was exceedingly fair of skin; the one who had been a bronzefish had dark brown hair and clear gray eyes and her complexion matched these lovely features. The one who had been a silverfish had snow-white hair of the finest texture and deep brown eyes. The hair contrasted exquisitely with her pink cheeks and ruby-red lips, nor did it make her look a day older than her two companions.
L. Frank Baum (Glinda of Oz (Illustrated))
Women are going to go apeshit for that. They hate not having pockets. This gown is full enough to hide whatever they’ll carry.
Lucy Lennox (Body and Soul (Twist of Fate #3))
I was trying to communicate—with nothing so obvious as a smile, but let’s say a smile of the eyes—my admiration for the chic of women in tuxedos escorting women in evening gowns.
Francine Prose (Lovers at the Chameleon Club, Paris 1932)
On the hearth, in front of a back-brand to give substance, blazed a fire of thorns, that crackled 'like the laughter of the fool.' Nineteen persons were gathered here. Of these, five women, wearing gowns of various bright hues, sat in chairs along the wall; girls shy and not shy filled the window-bench; four men, including Charley Jake the hedge-carpenter, Elijah New the parish-clerk, and John Pitcher, a neighboring dairyman, the shepherd's father-in-law, lolled in the settle; a young man and maid, who were blushing over tentative pourparlers on a life companionship, sat beneath the corner-cupboard; and an elderly engaged man of fifty or upward moved restlessly about from spots where his betrothed was not to the spot where she was. Enjoyment was pretty general, and so much the more prevailed in being unhampered by conventional restrictions. Absolute confidence in each other's good opinion begat perfect ease, while the finishing stroke of manner, amounting to a truly princely serenity, was lent to the majority by the absence of any expression or trait denoting that they wished to get on in the world, enlarge their minds, or do any eclipsing thing whatever - which nowadays so generally nips the bloom and bonhomie of all except the two extremes of the social scale. ("The Three Strangers")
Thomas Hardy (Great Tales of Terror and the Supernatural (Modern Library))
When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.
Jun'ichirō Tanizaki (In Praise of Shadows)
My only comfort," she said to Meg, with tears in her eyes, "is that Mother doesn't take tucks in my dresses whenever I'm naughty, as Maria Parks's mother does. My dear, it's really dreadful, for sometimes she is so bad her frock is up to her knees, and she can't come to school. When I think of this deggerredation, I feel that I can bear even my flat nose and purple gown with yellow sky-rockets on it.
Louisa May Alcott (Little Women (Little Women #1))
Their mothers did not notice the other moments that made color bloom in their daughters’ cheeks. How Azalea flirted with girls in ruffled dresses. How the thing that first made Estrella fall a little in love with boys or girls was so often their hands, whether they were showing at the edge of a shirt cuff or a lace sleeve. How Gloria blushed when she caught the eye of women in sleek gowns, women who wore their hair in low, smooth chignons and who preferred gray or black or navy. And how she shared her laughter, her true, fluttering laugh, with boys who could more easily be called pretty than handsome.
Anna-Marie McLemore (Wild Beauty)
She especially felt the women, judging her freshly mussed curls and her nearly backless gown as they whispered to one another words that Tella didn’t need to hear to imagine. Few things were quite so brutal as critical ladies.
Stephanie Garber (Legendary (Caraval, #2))
This is a woman who has donated MILLIONS OF DOLLARS to charities for battered women’s organizations and LGBTQ+ interests, and now she’s auctioning off gowns for cancer research and all you can talk about is her eyebrow game? Seriously?
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Plenty of people think the same thing. All of them are teenagers, mentally if not physically. Only teenagers think boring is bad. Adults, gown men and women who’ve been around the block a few times, know that boring is a gift straight from God.
Tana French (Littekenweefsel)
I don't believe fine young ladies enjoy themselves a bit more than we do, in spite of our burnt hair, old gowns, one glove apiece, and tight slippers that sprain our ankles when we are really silly enough to wear them." and I think jo was quite right.
Louisa May Alcott (Little Women)
Could she see herself, someday, wearing a bridal gown, walking down an aisle—or going to a courthouse in a simple suit? Marriage was, after all, most young women’s life goal. And yet, the image left Maggie cold. That’s because you need to be in love first, dummy.
Susan Elia MacNeal (The Paris Spy (Maggie Hope, #7))
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The expression terminal, when the doctor first pronounced it, had struck Meershank with a comic bounce, this after a lifetime of pursuing puns for a living. His scavenger self immediately pictured a ghostly airline terminal in which scurrying men and women trotted briskly to and fro in hospital gowns.
Carol Shields (Collected Stories)
The Celebrated Ending-a-Sentence-with-a-Preposition Story Two women are seated side by side at a posh dinner party, one a matron of the sort played in the old Marx Brothers movies by Margaret Dumont, except frostier, the other an easygoing southern gal, let’s say, for the sake of the visuals, wearing a very pink and very ruffled evening gown. Southern Gal, amiably, to Frosty Matron: So where y’all from? Frosty Matron, no doubt giving Southern Gal a once-over through a lorgnette: I’m from a place where people don’t end their sentences with prepositions. Southern Gal, sweetly, after a moment’s consideration: OK. So where y’all from, bitch?
Benjamin Dreyer (Dreyer’s English: An Utterly Correct Guide to Clarity and Style)
He'd seen how uncomfortable she'd looked being the center of attention. His aunt had told him how, when she'd asked Cinderella what she wished to wear for the ball, she'd replied, "Something blue. It was my mother's favorite color, and I wish with all my heart she could have met Charles and seen us together." Other young women in the kingdom would have asked for a gown fit for a princess, for satin gloves rimmed with crystals, a tiara studded with rubies. Cinderella had asked for none of these things. That was why he loved her. For the earnest way she thought of her words before she spoke, or how her eyebrows danced when she smiled, or how her voice became singsong when she teased him. That was why he missed her.
Elizabeth Lim (So This is Love)
This ball, this gown constituted a new endeavor for women, and she was one of them, wearing these symbols that marked a new life: these pearlized lines of strength, this dove of peace, this poppy in all its complexity, this flame, this bridge. The impossible bridge across impossible obstacles. She would be wearing that bridge. No, she thought, I am my own bridge.
Diane C. McPhail (The Seamstress of New Orleans)
A bonnet costs twenty dollars, and implies a shawl and gown to match. A bonnet to one wife, with shawl and gown to match, implies the like to every other wife.” The man paused, shook his head ruefully and concluded: “This taste for female finery is breaking up our Mormon homes. Brigham Young may soon be the only man in Salt Lake City rich enough to clothe a dozen wives.”28
Dee Brown (The Gentle Tamers: Women of the Old Wild West)
I hate to think I’ve got to grow up, and be Miss March, and wear long gowns, and look as prim as a China Aster! It’s bad enough to be a girl, anyway, when I like boy’s games and work and manners! I can’t get over my disappointment in not being a boy. And it’s worse than ever now, for I’m dying to go and fight with Papa. And I can only stay home and knit, like a poky old woman!
Louisa May Alcott (Little Women (Little Women, #1))
I hate to think I’ve got to grow up, and be Miss March, and wear long gowns, and look as prim as a China-aster! It’s bad enough to be a girl, anyway, when I like boys’ games and work and manners! I can’t get over my disappointment in not being a boy; and it’s worse than ever now, for I’m dying to go and fight with Papa, and I can only stay at home and knit like a poky old woman.
Louisa May Alcott (Little Women)
It seldom is, at first, and thirty seems the end of all things to five-and-twenty. But it's not as bad as it looks, and one can get on quite happily if one has something in one's self to fall back upon. At twenty-five, girls begin to talk about being old maids, but secretly resolve that they never will be. At thirty they say nothing about it, but quietly accept the fact, and if sensible, console themselves by remembering that they have twenty more useful, happy years, in which they may be learning to grow old gracefully. Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason. And looking at them with compassion, not contempt, girls in their bloom should remember that they too may miss the blossom time. That rosy cheeks don't last forever, that silver threads will come in the bonnie brown hair, and
Louisa May Alcott (Little Women (Illustrated))
An old Buddhist parable illustrates the challenge—and the value—of letting go of the past. Two monks were strolling by a stream on their way home to the monastery. They were startled by the sound of a young woman in a bridal gown, sitting by the stream, crying softly. Tears rolled down her cheeks as she gazed across the water. She needed to cross to get to her wedding, but she was fearful that doing so might ruin her beautiful handmade gown. In this particular sect, monks were prohibited from touching women. But one monk was filled with compassion for the bride. Ignoring the sanction, he hoisted the woman on his shoulders and carried her across the stream—assisting her journey and saving her gown. She smiled and bowed with gratitude as the monk splashed his way back across the stream to rejoin his companion. The second monk was livid. ‘How could you do that?’ he scolded. ‘You know we are forbidden to touch a woman, much less pick one up and carry her around!’ The offending monk listened in silence to a stern lecture that lasted all the way back to the monastery. His mind wandered as he felt the warm sunshine and listened to the singing birds. After returning to the monastery, he fell asleep for a few hours. He was jostled and awakened in the middle of the night by his fellow monk. ‘How could you carry that woman?’ his agitated friend cried out. ‘Someone else could have helped her across the stream. You were a bad monk.’ ‘What woman?’ the sleepy monk inquired. ‘Don’t you even remember? That woman you carried across the stream,’ his colleague snapped. ‘Oh, her,’ laughed the sleepy monk. ‘I only carried her across the stream. You carried her all the way back to the monastery.’ The learning point is simple: When it comes to our flawed past, leave it at the stream. I am not suggesting that we should always let go of the past. You need feedback to scour the past and identify room for improvement. But you can’t change the past. To change you need to be sharing ideas for the future.
Marshall Goldsmith (What Got You Here Won't Get You There: How successful people become even more successful)
By this time in their lives, Joseph, Elaine, and Ivory were like lil maids, waking up and making their beds first thing, sweeping and dusting, the house would be shining. We were brought up with cleanliness. All of Lolo’s children knew how to clean, including the boy. “Guess who be out there windin’ them clothes through that wringer? Your big uncle,” Uncle Joe told me. When two of Lolo’s friends whom the children called Aunt Ruth and Aunt Agnes arrived at Roman Street for the annual Mardi Gras and Nursing Club balls, Joseph, Elaine, and Ivory pressed their gowns and laid them out on the bed for the women to slip into after they had taken their baths. When they returned from their parties, they found lamplit rooms, their slippers by turned-down beds, their nightclothes already laid out for them.
Sarah M. Broom (The Yellow House)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Immanuelle stared at him—this man who’d used his lies to make himself a martyr. He thought he was the one who made the true sacrifice, but he couldn’t be more wrong. It was not the Prophet who bore Bethel, bound to his back like a millstone. It was all of the innocent girls and women—like Miriam and Leah—who suffered and died at the hands of men who exploited them. They were Bethel’s sacrifice. They were the bones upon which the Church was built. Their pain was the great shame of the Father’s faith, and all of Bethel shared in it. Men like the Prophet, who lurked and lusted after the innocent, who found joy in their pain, who brutalized and broke them down until they were nothing, exploiting those they were meant to protect. The Church, which not only excused and forgave the sins of its leaders but enabled them: with the Protocol and the market stocks, with muzzles and lashings and twisted Scriptures. It was the whole of them, the heart of Bethel itself, that made certain every woman who lived behind its gate had only two choices: resignation, or ruin. No more, Immanuelle thought. No more punishments or Protocols. No more muzzles or contrition. No more pyres or gutting blades. No more girls beaten or broken silent. No more brides in white gowns lying like lambs on the altar for slaughter. She would see an end to all of it.
Alexis Henderson (The Year of the Witching (Bethel, #1))
My first impression was of handsome women wearing classic evening gowns and marvelous tiaras and necklaces. I imagined those heirloom diamonds and pearls coming out of the family vault or the bank safe-deposit box especially for this gala evening. The men looked dignified in tuxedos, tails, or uniforms with ribbons and medals--very English and very military. This was the British aristocracy as I’d always imagined it--the epitome of long-standing tradition, secure in its lineage and customs.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
The woman wins who calls herself beautiful and challenges the world to change to truly see her. A woman wins by giving herself and other women permission - to eat; to be sexual; to age; to wear overalls, a paste tiara, a Balenciaga gown, a second-hand opera cloak, or combat boots; to cover up to to go practically naked; to do whatever we choose in following - or ignoring - our own aesthetic. A woman wins when she feels that what each woman does with her own body - unforced, uncoerced - is her own business.
Naomi Wolf (The Beauty Myth)
Don’t judge women by what you see in paintings and statues. Judge them only by what you yourself know about the women in your life. The day any man understands any woman will be the day the world comes to an end. Men are hateful, contrary creatures who say they want goddesses to put on pedestals. Once they have them up there, they rip off the halo, tear off the gown, slice off the wings so they can’t fly and then kick the pedestal away so the woman falls at his feet and he can scream out as he kicks her, tramp!—or worse.
V.C. Andrews (My Sweet Audrina (Audrina #1))
Rycca?" "Yes..." "I will take two breaths. Then I am coming out of here, taking that gown off you, and you are going to learn to swim.Clear?" Clear.She took another step back and glanced over her shoulder,looking for a likely route for flight. It was a mistake. Wet hands gripped her. He was there so suddenly she had no time to anticipate it.Just as quickly he removed her gown, prompting the gnawing thought that he was very adept at dispensing with women's garments. The water was...not unpleasant. "Relax," Dragon said. He held her snug against him as he waded in deeper. Her stare was chiding.He saw it and laughed. "All right,perhaps that is too much to ask.But try not to drown us both." "I could do that?" "No,of course not,it was a joke. Just breathe normally.You're doing fine." She was clinging to him as the water rose ever higher around them. Why did people do this? Why couldn't they stay on land where they belonged? "I don't think-" "Good,thinking is a mistake in situations like this." "I meant this is not a good idea." He stopped and looked down at her, his eyes suddenly tender. "Rycca, fish swim." "Of course they do." "Fish are very stupid.How else do you think we catch them? Yet they swim and you, a woman of intelligence and spirit, will do the same.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Do you know how the tradition of the bridal bouquet toss was formed?” Hugh asked. Sarah shook her head. “Are you asking me because you know, or are you asking me because you want to know?” He ignored her slight sarcasm and said, “Brides are considered to be good luck, and many centuries ago young women who wanted a piece of that luck tried quite literally to get a piece of it by tearing off bits of her gown.” “That’s barbaric!” Frances exclaimed. He smiled at her outburst. “I can only deduce that some clever soul realized that if the bride could offer a different token of her romantic success, it might prove beneficial to her health and well-being.
Julia Quinn (The Sum of All Kisses (Smythe-Smith Quartet, #3))
She had changed into another mourning gown, cut somewhat fuller than the other, and instead of a hat she had wound her black lace shawl about her hair for covering. She was talking to Wellington, her profile turned to me, and got some reason or other I remembered what she had said the night before about Ambrose teasing her, how he had told her once that she reeked of old Rome. I think I knew now what he meant. Her features were like those stamped on a Roman coin, definite, yet small; and now with that lace shawl wound about her hair I was reminded of the women I had seen kneeling in that cathedral in Florence, or lurking in the doorways of the silent houses.
Daphne du Maurier (My Cousin Rachel)
Here are three things I know for sure: 1. When I was born, someone- I like to think it was my mother- wrapped me in a blue ball gown. 2. There is a color in this world that was named after a king's daughter, who always wore gowns that were made of exactly the same shade of blue. The stories about her make me wish sometimes I could have been friends with her; she smoked in public (at a time when women didn't), once jumped fully clothed into a swimming pool with the captain of a ship, often wore a boa constrictor around her neck, and another time shot at telegraph poles from a moving train. 3. My favorite story goes like this: once, on an island not far from here, there was a queen who climbed a tree waiting for her husband to return from a battle. She tied herself to a branch and vowed to remain there until he returned. She waited for so long that she slowly transformed into an orchid, which was an exact replica of the pattern on the blue gown she was wearing. Here's one more thing that I know for sure is true. On the day June told us she was going to hospital to bring you home, I was in the workshop pressing blue lady orchids. I've always loved them best because their centres are my favorite color: the color of the gown I was once wrapped in. The color of a king's wayward daughter favored. A color called Alice blue.
Holly Ringland (The Lost Flowers of Alice Hart)
For once in her life, the thought of being on the back of a magnificent horse did not command Rycca's attention. She was far too busy looking at her magnicifent husband as he removed his sword belt and blithely shucked off his trousers. Naked, he walked straight into the pool, submerged completely, and came up a few minutes later, tossing streams of water from the thick mane of his hair. "Hand me the soap,would you?" Such a simple task, yet to fulfill it he would have to come closer.Or she would. "That's a lovely gown," he said, smiling. "All my gowns are lovely thanks to the Lady Krysta and your own generosity." "It would be a shame to get it wet." She looked at him in alarm, wondering if he would actually do such a thing. His answer was a look of pure innocence, which immediately confirmed her suspicions. "Do you have any idea how any women must have labored so long to make this gown?" "No,do you?" "Well,no,not actually because I never had a gown like this before, but even so, surely you wouldn't do anything to damage it?" "Just to be safe,why don't you take it off?" Oh,yes,that would certainly be safe. Indeed,never was she any safer than when was she naked and in his arms. Except, of course, from the danger of her own emotions. "I bathed when I awoke." "The day is warm." "The pool looks deep.Recall, I cannot swim." "Recall I mean to teach you.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
No doubt the movement which rightly or wrongly we have learnt to call the emancipation of women is in the first place a result of the transformation of society into a capitalist and industrial community, in which the home has lost its importance as an economic and productive unity. But the bitter tone of the champions of Woman’s Rights in their arraignment of man’s rule, the suspiciousness which refused to believe that anything but oppression and masculine tyranny was at the bottom of a great number of laws and customs, which in reality were designed just as much to safeguard women and provide them with protectors and maintenance—the rabidity of militant feminists, in short—was a direct reaction against a dressing-gown and slippers tyranny which was peculiar to non-Catholic Europe at the beginning of the nineteenth century—a revolt against mock heroes who slouched about their homes trying to assert authority over their womenfolk. The other day I came across a book which illustrates in a rather droll way the extent to which Northern European women have taken it for granted that this peculiar North European form of the subjection of women since the Reformation was characteristic of the whole past of Europe. It was a little essay by an English writer, Virginia Woolf—I confess that it is all I have read of hers,1 but she is said to have a great reputation as a novelist.
Sigrid Undset (Stages on the Road)
You can wear a variety of clothing. But you should have one designer you favor. I suggest Amano." "Ooh," Noriko hums. "I love him." Ichiko taps out something on her tablet and hands me photographs of his latest runway show. "I see it now. You are a small-town girl who supports the local artist. An up-and-comer like you. That's your brand." She winks at me. "Amano's pieces are flattering with a nod to classical elements, but with a certain modern flair." Women strut down a white runway. One wears a black silk furisode with flowing kimono sleeves and a lotus flower motif. Another sports a red evening gown with a matching capelet. Another, a turquoise fitted dress with a square neckline and beaded belt. All so pretty. I like.
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
She was kneeling by the fire with her back to him, and the mist wasn’t so thick that he couldn’t see she’d taken off the jacket of her gown and was tugging at the laced-up thing she wore beneath it. Stays. He’d seen them on the bushes at their neighbor’s cabin, washed and spread like the wings of a desiccated bird. He’d never seen them on a woman. Was she trying to get at the ties in back? How tight did women lace those things? For a second or two, he admired her trim shape, then cleared his throat. “You needing help with that?” With a yelp, she scrambled back into the jacket, thrusting her arms into the sleeves. She flipped her braid over her shoulder, head bent to fasten up the front. “Guess that’s no,” he said under his breath.
Lori Benton (The Pursuit of Tamsen Littlejohn)
You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn’t matter so much when you were a little girl, but now you are so tall, and turn up your hair, you should remember that you are a young lady.” “I’m not! And if turning up my hair makes me one, I’ll wear it in two tails till I’m twenty,” cried Jo, pulling off her net, and shaking down a chestnut mane. “I hate to think I’ve got to grow up, and be Miss March, and wear long gowns, and look as prim as a China Aster! It’s bad enough to be a girl, anyway, when I like boy’s games and work and manners! I can’t get over my disappointment in not being a boy. And it’s worse than ever now, for I’m dying to go and fight with Papa. And I can only stay home and knit, like a poky old woman!
Louisa May Alcott (Little Women (Little Women, #1))
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
Louisa May Alcott (Little Women (Little Women #1))
Also, it must be kept in mind at all times that the women we are concerned with conducted their lives, had thoughts, went traveling, ate dinner, and fell in love while entirely encased beneath their gowns in the following articles of clothing: a chemise, a corset, a camisole over the corset, up to six petticoats—beginning with a short, stiff one, one or two flannel ones for warmth, a plain one and then some embroidered ones—a vest or undershirt, stockings, garters, and, depending on the decade, a whalebone crinoline or bustle. And all of these things were held on and together with strings, and tapes, and innumerable buttons and hooks.11 Whatever we are able to make of Mary Ellen’s adulterous behavior, we will not be able to excuse it on the grounds of impulse; there could hardly have been such a thing as an impulsive sexual irregularity for women so encumbered.
Diane Johnson (The True History of the First Mrs. Meredith and Other Lesser Lives)
Hildegard. I am Sapientia. God’s Wisdom. A ray of light from her heart touched mine. Guda had grown into a beauty with her golden curls and emerald eyes, crowned like Adelheid. She offered me a cup overflowing with blood-red wine, her eyes brimming in joyful welcome. Know me, Hildegard. I am Ecclesia, the true and hidden Church. From between these two women, a third appeared, an utter stranger, and so beautiful. Crowned like the others, her long black hair swept to her waist. Her silk gown was as red as the Virgin’s beating heart, and her smile gleamed in tenderness as she stretched out her arms. Hildegard, seek me. My name is Caritas, Divine Love. Before me this trinity of women blazed, the sacred shimmering through them. My fever was broken by the vision of these three divine maidens dancing around a flowing fountain of pure grace. Three women who formed the face of God.
Mary Sharratt (Illuminations: A Novel of Hildegard von Bingen)
She compromised by stuffing all the shining mass loosely into a pink chenille net. The net matched her foaming mousseline gown, also the color of a pink seashell. Like all fashionably dressed women with unlimited means, Miranda had a special gown for every imaginable function. A walking costume could hardly be worn for midday dinner, still less for tea. A morning négligée, no matter how elaborately be-flounced and beribboned, might never appear after noon even in the privacy of the bedroom. This shell-pink gown had been contrived by the knowing modiste for one purpose only- the gratification of a husband's eye at just such an intimate supper party as Miranda was planning. Its graceful skirt belled but slightly over a petticoat stiffened with horsehair, the tight bodice was cut very low into a heart shape to show the swell of the white breasts. The only trimming were tiny rose velvet bows sewn at random with a careless gaiety as though a swarm of rosy bees had settled on a pink cloud.
Anya Seton (Dragonwyck)
Our women—our wives—are the heart of Calberna. Without them, Calbernan males could not function. We would die. Just as you would die without the heart that beats in your chest.” He reached out slowly, laid three fingers lightly on the thin fabric that covered her left breast. Her breath caught in her throat. She stared at him in shocked silence. She made no attempt to move or to remove his hand. There was nothing sexual or teasing about his touch this time. It stunned her all the same. “But for all its strength, the heart is a vulnerable thing,” he continued. “It needs must be surrounded by a cage of bone to protect it. At all cost, at all times, the heart must be protected.” His hand turned over. Now it was the back of his fingers that caressed her skin just above the neckline of her gown, the touch featherlight, impossibly gentle. “Calberna’s sons are those bones. We are the spear, the sword, the unbreakable shield that protects Calberna’s vulnerable heart. It’s why we are born. It’s what we live for.
C.L. Wilson (The Sea King (Weathermages of Mystral, #2))
Drake stood speechless. Admiration- and something else Serena could not quite identify, pride perhaps- showing from his eyes. "Turn around," his deep voice commanded softly. "I would see all of you." She turned slowly, holding back a delighted laugh. Her gown was gold, the color of the amber flecks in her eyes, with a green-and-gold-striped underskirt and matching puffed sleeves. Emeralds hung from her ears, swaying provocatively and catching the candlelight from the wall scones. A choker wrapped around her neck and tiny tear-shaped jewels sparkled from her hair. It had taken the combined urgings of her personal maid and the housekeeper to convince her it was acceptable to wear such a low-cut gown in public. Elegant gloves covered her arms to the elbows with an emerald and gold bracelet on one wrist and a Chinese fan dangling from the other. "I knew you would be beautiful dressed as my duchess, but Serena, I am speechless. The men will adore you and the women will envy you." He spoke the last in an underbreath, as though to himself.
Jamie Carie (The Duchess and the Dragon)
When I'm dressed like this, people will say I don't look like a doctor." Garrett paused before continuing wryly. "On the other hand, they already say that, even when I'm wearing a surgeon's cap and gown." Carys, who was playing with the left-over glass beads on the vanity table, volunteered innocently, "You've always looked like a doctor to me." Helen smiled at her little sister. "Did you know, Carys, that Dr. Gibson is the only lady doctor in England?" Carys shook her head, regarding Garrett with round-eyed interest. "Why aren't there others?" Garrett smiled. "Many people believe women aren't suited to work in the medical profession." "But women can be nurses," Carys said with a child's clear-eyed logic. "Why can't they be doctors?" "There are many female doctors, as a matter of fact, in countries such as America and France. Unfortunately, women aren't allowed to earn a medical degree here. Yet." "But that's not fair." Garrett smiled down into the girl's upturned face. "There will always be people who say your dreams are impossible. But they can't stop you unless you agree with them.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
She threw Lillian a laughing glance. “I’m sure he has found it refreshing to encounter a woman who actually dares to disagree with him.” “I’m not certain that ‘refreshing’ would be his first choice of words,” Lillian replied wryly. “However, when I don’t like something that he’s done, I do not hesitate to tell him so.” “Good,” Lady Olivia returned. “That is precisely what my brother needs. There are few women— or men, for that matter— who ever contradict him. He is a strong man who requires an equally strong wife to balance his nature.” Lillian found herself needlessly smoothing the skirts of her pale green gown as she remarked carefully, “If Lord Westcliff and I did marry… he would face many objections from relatives and friends, wouldn’t he? Especially from the countess.” “His friends would never dare,” Lady Olivia replied at once. “As for my mother…” She hesitated and then said frankly, “She has already made it clear that she does not approve of you. I doubt she ever will. However, that leaves you in very large company, as she disapproves of nearly everyone. Does it worry you that she opposes the match?” “It tempts me beyond reason,” Lillian said, causing Lady Olivia to erupt with laughter. “Oh, I do like you,” she gasped. “You must marry Marcus, as I would love above all else to have you as a sister-in-law.” Sobering, she stared at Lillian with a warm smile. “And I have a selfish reason for hoping that you will accept him. Although Mr. Shaw and I have no immediate plans to move to New York, I know that day will not be long in coming. When that happens, I should be relieved to know that Marcus is married and has someone to care for him, with both his sisters living so far away.” She stood from the bench, straightening her skirts. “The reason I’ve told you all of this is because I wanted you to understand why it is so difficult for Marcus to abandon himself to love. Difficult, but not impossible. My sister and I have finally managed to break free of the past, with the help of our husbands. But Marcus’s chains are the heaviest of all. I know that he is not the easiest man to love. However, if you could bring yourself to meet him halfway… perhaps even a bit more than halfway… I believe you would never have cause to regret it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Unlike Kate, by then I’d had a job. In fact, I’d had sixteen jobs, not including the years I worked as a babysitter before I could legally be anyone’s employee. They were janitor’s assistant (humiliatingly, at my high school), fast-food restaurant worker, laborer at a wildlife refuge, administrative assistant to a Realtor, English as a Second Language tutor, lemonade cart attendant, small town newspaper reporter, canvasser for a lefty nonprofit, waitress at a Japanese restaurant, volunteer coordinator for a reproductive rights organization, berry picker on a farm, waitress at a vegetarian restaurant, “coffee girl” at an accounting firm, student-faculty conflict mediator, teacher’s assistant for a women’s studies class, and office temp at a half a dozen places that by and large did not resemble offices and did not engage me in work that struck me as remotely “officey,” but rather involved things such as standing on a concrete floor wearing a hairnet, a paper mask and gown, goggles, and plastic gloves and—with a pair of tweezers—placing two pipe cleaners into a sterile box that came to me down a slow conveyor belt for eight excruciating hours a day.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
Judith McNaught (Almost Heaven (Sequels, #3))
Gideon lowered her onto the bed, thankful that he’d felt no evidence of stays through her gown as he carried her. As soon as he slid his arms out from under her, she rolled over onto her side and grabbed the second pillow. She snuggled the downy square to her bosom and mumbled a few unintelligible words before settling herself. An unexpected tenderness rose within him as he watched her sleep. Could there be more to his feelings than simple attraction? Something deeper and more lasting? He’d escorted countless debutantes about London in the past, beautiful women who inspired ample appreciation within him for their feminine charms. But none of those women had created the tug of possessiveness he felt when he gazed at Adelaide. None of them stirred this desire to cherish and protect. And no matter how suitable their background and manner, none of them made him smile like his Addie. Addie. The name fit. Fanciful, whimsical—just like the woman herself. Yet there was strength in it, too. Simple, straightforward strength. He’d known she cared for Bella, yet until her relentless plea this morning, he hadn’t realized how deep her affections ran. Gideon couldn’t help hoping that some of those affections extended to him, as well.
Karen Witemeyer (Head in the Clouds)
Would you be willing to tell me how the ladies came to be here? I mean, who are they?” Ian drew a long, impatient breath, tipped his head back, and absently massaged the muscles at the back of his neck. “I met Elizabeth a year and a half ago at a party. She’d just made her debut, was already betrothed to some unfortunate nobleman, and was eager to test her wiles on me.” “Test her wiles on you? I thought you said she was engaged to another.” Sighing irritably at his friend’s naiveté, Ian said curtly, “Debutantes are a different breed from any women you’ve known. Twice a year their mamas bring them to London to make their debut. They’re paraded about during the Season like horses at an auction, then their parents sell them as wives to whoever bids the highest. The winning bidder is selected by the expedient measure of choosing whoever has the most important title and the most money.” “Barbaric!” said Jake indignantly. Ian shot him an ironic look. “Don’t waste your pity. It suits them perfectly. All they want from marriage is jewels, gowns, and the freedom to have discreet liaisons with whomever they please, once they produce the requisite heir. They’ve no notion of fidelity or honest human feeling.” Jake’s brows lifted at that.
Judith McNaught (Almost Heaven (Sequels, #3))
whenever two people kiss the world is born, a drop of light with guts of transparency the room like a fruit splits and begins to open or burst like a star among the silences and all laws now rat-gnawed and eaten away, barred windows of banks and penitentiaries, the bars of paper, and the barbed-wire fences, the stamps and the seals, the sharp prongs and the spurs, the one-note sermon of the bombs and wars, the gentle scorpion in his cap and gown, the tiger who is the president of the Society for the Prevention of Cruelty and the Red Cross, the pedagogical ass, and the crocodile set up as saviour, father of his country, the founder, the leader, the shark, the architect of the future of us all, the hog in uniform, and then that one, the favourite son of the Church who can be seen brushing his black teeth in holy water and taking evening courses in English and democracy, the invisible barriers, the mad and decaying masks that are used to separate us, man from man, and man from his own self they are thrown down for an enormous instant and we see darkly our own lost unity, how vulnerable it is to be women and men, the glory it is to be man and share our bread and share our sun and our death, the dark forgotten marvel of being alive;
Octavio Paz (Selected Poems)
Achievement ceremonies are revealing about the need of the powerful to punish women through beauty, since the tension of having to repress alarm at female achievement is unusually formalized in them. Beauty myth insults tend to be blurted out at them like death jokes at a funeral. Memories of these achievement ceremonies are supposed to last like Polaroid snapshots that gel into permanent colors, souvenirs to keep of a hard race run; but for girls and young women, the myth keeps those colors always liquid so that, with a word, they can be smeared into the uniform shades of mud. At my college graduation, the commencement speaker, Dick Cavett—who had been a “brother” of the university president in an allmale secret society—was confronted by two thousand young female Yale graduates in mortarboards and academic gowns, and offered them this story: When he was at Yale there were no women. The women went to Vassar. There, they had nude photographs taken in gym class to check their posture. Some of the photos ended up in the pornography black market in New Haven. The punch line: The photos found no buyers. Whether or not the slur was deliberate, it was still effective: We may have been Elis but we would still not make pornography worth his buying. Today, three thousand men of the class of 1984 are sure they are graduates of that university, remembering commencement as they are meant to: proudly. But many of the two thousand women, when they can think of that day at all, recall the feelings of the powerless: exclusion and shame and impotent, complicit silence. We could not make a scene, as it was our parents’ great day for which they had traveled long distances; neither could they, out of the same concern for us. Beauty pornography makes an eating disease seem inevitable, even desirable, if a young woman is to consider herself sexual and valuable: Robin Lakoff and Raquel Scherr in Face Value found in 1984 that “among college women, ‘modern’ definitions of beauty—health, energy, self-confidence”—prevailed. “The bad news” is that they all had “only one overriding concern: the shape and weight of their bodies. They all wanted to lose 5–25 pounds, even though most [were] not remotely overweight. They went into great detail about every flaw in their anatomies, and told of the great disgust they felt every time they looked in the mirror.” The “great disgust” they feel comes from learning the rigid conventions of beauty pornography before they learn their own sexual value; in such an atmosphere, eating diseases make perfect sense.
Naomi Wolf (The Beauty Myth)
Trust me, I’ve seen more women in their corsets and shifts than you’ve seen years.” “I can well believe that.” She sniffed. “At least turn around.” “Fine.” He turned his back to her, and Freddy followed suit. “But be quick about it. I’d like to reach Halstead Hall in time for dinner.” “Do as he says, will you?” Freddy put in. “I’m about to faint from hunger.” “For once, Freddy,” she grumbled, “would you stop thinking with your stomach?” The stockings seemed to fit, and she managed to undo her own gown so she could slip the other one on. But she could never button it herself, especially since it was small in the waist. And the bust. Mercy, she would need help. “Freddy, come fasten me up, will you?” Her cousin’s back stiffened. “I can’t do that!” “Oh, for God’s sake.” Lord Stoneville strode over. “I knew you Americans were prudish, but this is absurd.” Before she could even protest, he began fastening her gown. To her horror, the faint scent of his spicy cologne and his fingers working efficiently over the buttons made an odd sort of heat rise up from her belly. That couldn’t be good. “You seem to know how to do up a woman’s gown very well.” She struggled to sound nonchalant. “I take it you’ve had plenty of practice.” “You know us debauchers,” he said dryly. “Practice, practice, practice.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Lukesagynecologist." "What?" Everly tilts her head like I'm talking crazy. "Luke is a gynecologist. At the student health clinic." "Shut the fuck up." I think I've managed to shock Everly. "I did not see this coming." She looks at me. "So?" "So?" I ask. "So you rescheduled the appointment with another doctor?" "No. I kept the appointment." "You kinky bitch, you did not! Stop it." "I did. I was already sitting on the exam table wearing a paper gown when he walked in. What was I supposed to do?" "Was it good for you?" She grins at me suggestively. "Everly!" "Bitch, I know you enjoyed it. At least a little." "You think there's something wrong with me, don't you?" "Sophie, no. That guy has no business being a gynecologist. It's not fair to women." "I think he's technically an obstetrician." "Same difference." "The nurse said he runs a department at the hospital.” "Well done, Sophie. When you crush, you crush classy." "Ugh." I cringe. "That reminds me. Do you keep your socks on during a gynecologist exam?" "Off. So, did you get your prescription?" "Yeah." I nod. "And a bag full of condoms." I pat my backpack. "Aww. Dr. Luke cares about your safety." "You understand I am never waiting on him again, right?" "Oh, yeah. I figured that out about thirty seconds into this conversation.
Jana Aston (Wrong (Cafe, #1))
You have only hours until you go from palace servant to the future queen of Aurelais. Many will not take the news well, particularly not the blue-blooded young ladies who will resent the prince for rebuffing them for you." Cinderella thought of her stepsisters, who'd reveled for years in tormenting her. "I can handle it." When she did not elaborate, Genevieve appraised her. "When Charles declares that you are to be the princess of Aurelais, all attention will be on you. This is the first impression everyone will have of you. "You have natural grace, which most princesses take decades to learn, but it won't be enough. Nothing would ever be enough, even if you had been born royal." The duchess lifted Cinderella's chin so their eyes were level. "In my time, we stood by the three P's. I thought it was a bunch of hogwash, but I'll impart it to you anyway. It was essential that a princess be poised, pleasant, and-" "Pretty?" Cinderella guessed. "Presentable," corrected the duchess. "That's what all the wigs and powder and rouge were for. Nowadays, women are more after the natural look. Which, I suppose, isn't a problem for you." She hummed approvingly. "Now, what color gown should you like to wear tonight?" "Something blue," replied Cinderella thoughtfully. "It was my mother's favorite color, and I wish with all my heart she could have met Charles and seen us together." "That's a beautiful thought, Cindergirl.
Elizabeth Lim (So This is Love)
It had been years since he'd seen a woman handle a crowd of admirers so deftly- not since Lily in her gambling days. Fascinated, he wondered where the hell she had come from. He knew about all the new arrivals in London, and he'd never seen her before. She must be some diplomat's wife, or some exclusive courtesan. Her lips were red and pouting, her pale white shoulders enticingly bare above the blue velvet of her gown. She laughed frequently, tossing her head back in a way that caused her chestnut curls to dance. Like the other men present, Derek was captivated by her figure, the luscious round breasts, the tiny waist, all revealed by a well-fitted gown that was unlike the shapeless Grecian styles of the other women. "A toast to the loveliest bosom in London!" Lord Bromley, a rakish ne'er-do-well, exclaimed. Titillated and excited, the crowd raised their glasses with a cheer. Waiters rushed to bring more liquor. "Miss," one of them begged, "I entreat you to cast my dice for me." "Whatever good luck I have is yours," she assured him, and shook the dice in the box so vigorously that her breasts quivered beneath their shallow covering. The temperature in the room escalated rapidly as a host of admiring sighs greeted the display. Derek decided to intervene before the crowd's mood became too highly charged. Either the vixen didn't realize the lust she was inciting, or she was doing it deliberately. Either way, he wanted to meet her.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
She had a lovely singing voice. Most well-bred young ladies could play, but few could sing, and Miss Cross could. Eliza, he reminded himself. Perhaps his future wife, the mother of his children, the woman would share his bed and his house. She loved her dog, she sang beautifully, and she liked the theater. Other than that, he knew nothing about her.Could he do this? She wasn't a typical beauty. Her face was round and her hair was an ordinary shade of light brown. A string of pearls circled her neck, and Hugh was sure her pale green silk gown had cost as much as Edith's court gown, but it suited her. Some women had no sense of style and bought the latest fashion whether it made them ugly or exquisite. With two sisters and a mother in his house, Hugh knew enough of ladies' clothing to see that this lady chose well. When she reached to turn the page, he got up and went to stand beside her to turn the next one. Her voice wobbled a bit as he did so, but she played on. Her skin was lovely. He spied a few freckles on her nose, but her shoulders and bosom were as pale as cream. Her bosom... Hugh reached for the next page and stole a quick glance downward. Plump and tempting, now that he looked at it. Her hands were graceful on the keys, and his mind wandered involuntarily into thoughts of what they would feel like on him. What it would be like to kiss her. What she would be like in bed. Would she be shy? Frightened? He found himself hoping not, even though he hadn't even decided to court her yet.
Caroline Linden (An Earl Like You (The Wagers of Sin, #2))
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Let’s go home,” she said. He arched his brows. “Already? I thought you would want to stay for a while.” Dark eyes flashed. “No, I want to take you home where women can’t stare at you like hyenas after a baby chick.” He laughed-loudly, which caught a fair bit of attention. “Surely I’m more threatening than a chick?” She smiled, ruining her petulant expression. “A puppy perhaps.” Grey stepped closer so that their torsos touched. It was totally improper behavior, but the gossips already had so much to talk about, one more thing would hardly matter. “Is that all you want to take me home for? To protect me?” Her gaze turned coy. “I received the newest edition of Voluptuous today. I thought I might read to you.” Was it just him or had the temperature in the room suddenly climbed ten degrees. “Let’s go.” He grabbed her by the hand and started weaving their way toward the door. People stopped hi to say hello, and he was forced to speak to them rather than be as rude as he wanted. A good fifteen minutes passed before he and Rose finally made it to the entrance of the ballroom, only to have Vienne La Rieux descend upon them. “Monsieur et Madame le Duc!” she cried, clasping her hands together in front of her breast-abundantly displayed above a peacock-colored gown that must have cost a small fortune. “Finally, you leave my club together, non?” Grey winked at her. “At last, madam. But we may want a room again someday.” The French woman grinned, delighting in Rose’s obvious embarrassment. “Mais oui! An anniversary present, Your Grace. On the house.” He thanked her and bade her farewell. “She knew?” Rose’s tone was incredulous as they made their way closer to the exit. “How could she know?” Grey shrugged. “The woman seems to know deuced near everything that happens here.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
There’s just one thing I don’t understand,” she remarked, setting the periodical aside for a moment. “And that is?” She tucked her skirts around her legs, denying him further glimpses of her ankles. “Would you by chance know what gamahuching is?” Grey would have thought himself far beyond the age of blushing, but the heat in his cheeks was unmistakable. “Good lord, Rose.” His voice was little more than a rasp. “That is hardly something a young woman brings up in casual conversation.” Oh, but he could show her what gamahuching was. He’d be all too happy to crawl between those trim ankles and climb upward until he found the slit in her drawers… Rose shrugged. “I suppose it might be offensive to someone of your age, but women aren’t as sheltered as they once were, Grey. If you won’t provide a definition, I’m sure Mr. Maxwell will when I see him tonight.” And with that threat tossed out between them, the little baggage returned her attention to her naughty reading. His age? What did she think he was, an ancient? Or was she merely trying to bait him? Tease him? Well, two could play at that game. And he refused to think of Kellan Maxwell, the bastard, educating her on such matters. “I believe you’ve mistaken me if you think I find gamahuching offensive,” he replied smoothly, easing himself down onto the blanket beside her. “I have quite the opposite view.” Beneath the high collar of her day gown, Rose’s throat worked as she swallowed. “Oh?” “Yes.” He braced one hand flat against the blanket near her hip, leaning closer as though they were co-conspirators. “But I’m afraid the notion might seem distasteful to a lady of your inexperience and sheltered upbringing.” Doe eyes narrowed. “If I am not appalled by the practice of frigging, why would anything else done between two adults in the course of making love offend me?” Christ, she had the sexual vocabulary of a whore and the naivete of a virgin. There were so many things that people could do to each other that very well could offend her-hell, some even offended him. As for frigging, that just made him think of his fingers deep inside her wet heat, her own delicate hand around his cock, which of course was rearing its head like an attention-seeking puppy. He forced a casual shrug. Let her think he wasn’t the least bit affected by the conversation. Hopefully she wouldn’t look at his crotch. “Gamahuching is the act of giving pleasure to a woman with one’s mouth and tongue.” Finally his beautiful innocent seductress blushed. She glanced down at the magazine in her hands, obviously reimagining some of what she had read. “Oh.” Then, her gaze came back to his. “Thank you.” Thank God she hadn’t asked if it was pleasurable because Grey wasn’t sure his control could have withstood that. Still, glutton for punishment that he was, he held her gaze. “Anything else you would like to ask me?” Rose shifted on the blanket. Embarrassed or aroused? “No, I think that’s all I wanted to know.” “Be careful, Rose,” he advised as he slowly rose to his feet once more. He had to keep his hands in front of him to disguise the hardness in his trousers. Damn thing didn’t show any sign of standing down either. “Such reading may lead to further curiosity, which can lead to rash behavior. I would hate to see you compromise yourself, or give your affection to the wrong man.” She met his gaze evenly, with a strange light in her eyes that unsettled him. “Have you stopped to consider Grey, that I may have done that already?” And since that remark rendered him so completely speechless, he turned on his heel and walked away.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
No, I wouldn’t, for the smart caps won’t match the plain gowns without any trimming on them. Poor folks shouldn’t rig,” said Jo decidedly. “I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?” said Meg impatiently. “You said the other day that you’d be perfectly happy if you could only go to Annie Moffat’s,” observed Beth in her quiet way. “So I did! Well, I am happy, and I won’t fret, but it does seem as if the more one gets the more one wants, doesn’t it? There now, the trays are ready, and everything in but my ball dress, which I shall leave for Mother to pack,” said Meg, cheering up, as she glanced from the half-filled trunk to the many times pressed and mended white tarlaton, which she called her ‘ball dress’ with an important air. The next day was fine, and Meg departed in style for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed so delightful after a winter of irksome work that the mother yielded, and the daughter went to take her first taste of fashionable life. The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly, and soon she began to imitate the manners and conversation of those about her, to put on little airs and graces,
Louisa May Alcott (Little Women)
The tailor sidled forward, his long, multi-joined fingers caressing the dress form closest to me. "Ah, yes," he said. "Beautiful, isn't it? The color of storms and oceans, or so we've been told. This dress," he continued, "belonged to Magdalena. She was beautiful- the way you mortals reckon, anyhow- beautiful, but stupid. Oh ho, we had fun with this one, we did, but we used her up too soon. Her fire died, leaving us cold and dark." The dress form beneath the gown was tall and well-formed, the bosom and hips generous, the waist tiny. The dress, a robe à la française, was made from a deep, jewel-toned blue silk, and I could imagine the dramatic coloring of the woman who had worn it: pale skin, dark hair, and blue eyes to match her gown. A breathless beauty, a glittering jewel, and I imagined the Goblin King partaking of her loveliness over and over again, biting the sweet peaches of her cheeks until she was gone. "And this one," Thistle chimed in, pointing to another dress form, "belonged to Maria Emmanuel. Prissy, she was. Refused to do her duty by her lord. She was consecrated to someone else- a carpenter? Something like that. Don't know what the king saw in her, but they were both possessed of a strange devotion to a figure nailed to a wooden cross. She lasted the longest, this prudish nun, not having given herself to king and land, and during her rule, our kingdom suffered. Yet she lasted the longest for that, although she too died in the end, pining for the world above she could see but not touch." This dress form was slim, the gown that hung on it made of an austere gray wool. I could imagine the woman who wore this dress- a pious creature, veiled like a bride of Christ. No beauty, but her eyes would be a clear, luminous gray, shining with the fervor of her passion and faith. Not like Magdalena, whose loveliness would have been carnal and earthly; Maria Emmanuel would have glowed with an inner light, the beauty of a saint or a martyr. The Goblin King was a man of varied tastes, it seemed.
S. Jae-Jones (Wintersong (Wintersong, #1))
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish." This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder. "What's so funny?" he muttered. "I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end." Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you." "Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly. "You're a lovely woman with the figure of a Venus and a mouth that could make a man-" "You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you." Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?" "Only if you're sincerely trying to seduce me." He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?" She pitched her voice over the music. "I'm a respectable woman, you know." "What has that got to do with anything?" She arched an eyebrow at him as they moved in consort. "Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-" "Lord Devonmont!" "Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening." "There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?" "How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
And what is the popular color for gowns this Season?” he asked with a smile when it became necessary to announce himself. She gave a little start, and when she raised her face to look up at him, her cheeks were pink, her eyes wide. She looked, for lack of a better comparison, like a child caught doing something she oughtn’t. “Oh! Hello, Grey.” She glanced away. “Um, blue seems to be very favorable this year.” Arching a brow, he nodded at the periodical in her hand. “Beg pardon. I thought you were reading a ladies’ magazine.” “I am,” she replied with a coy smile. “But fashion is not one of its main areas of interest.” With an expression like hers-very much like the Cheshire cat in that book by Lewis Carroll-he doubted it was an article on housekeeping that put such becoming color in her cheeks. “May I?” he asked, holding out his hand. Her grip on the magazine tightened, reluctant to give it up. “Only if you promise not to tell Mama you saw me reading it.” Oh, this was trouble. Still, it was none of his business what a grown woman of three and twenty read. He was curious, that was all. “I promise.” She hesitated, then put the pages into his hand. Placing his fingers between the thin sheaves to mark her spot, Grey flipped to the cover. Christ on a pony! The magazine looked fairly harmless-the sketch on the front showed a demure young lady in a stylish gown and hat, sitting on a park bench. Only upon closer inspection could one notice that the object of her attention-and rapturous smile-was the young man bathing in the lake just on the edge of the page. He was bare-chested-quite possibly bare everywhere, but that key part of anatomy was carefully hidden with a line of text that read, “Ten ways to keep a gentleman at home-and in bed.” He didn’t want to see what she was reading. He had heard of this magazine before. Voluptuous was a racy publication for women, filled with erotic stories, advice, and articles about sexual relationships, how to conduct oneself to avoid scandal, etc. He could take her to task for reading it, but what would be the point? No doubt the information in it would serve her wisely someday. He gave the magazine back to her. “I have to confess, I’m a little surprised to find you reading such…material.” She shrugged. “I was curious. My parents were so happy in their marriage, so very much the opposite of most of what I’ve heard. If I’m to make a match as good as theirs, I need to know as much as I can about how to have a satisfying marriage.” Grey almost groaned. The image of Rose “satisfying” herself filled his mind with such clarity it was difficult to remember he’d never actually seen such a delightful sight. His body stiffened at the delectable images his mind conjured, and he had to fold his hands in front of him to hide his growing arousal.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.
Edna Ferber (Gigolo)
With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
Caroline Walken (Ell's Double Down (The Willows #1))
Every now and then she'd see a fine lady in a gorgeous gown that fit her to perfection. Such women didn't have feet, Henry decided. They had rollers - virtually gliding along. And wherever they went, a dozen besotted men followed.
Julia Quinn (Minx (The Splendid Trilogy, #3))
The gown Lottie had decided to wear tonight was a pale blue satin overlaid with white tulle, with a daring scooped neckline that bared the tops of her shoulders. Lottie stood in the center of the bedroom while Mrs. Trench and Harriet pulled the billowing gown over her head and helped guide her arms through the puffed sleeves of stiffened satin. It was a gown as beautiful- no, more beautiful- than any she had seen during the parties at Hampshire. Thinking of the ball she was about to attend, and Nick's reaction when he saw her, Lottie was nearly giddy with excitement. Her light-headedness was no doubt encouraged by the fact that her corset was laced with unusual tightness, to enable Mrs. Trench to fasten the close-fitting gown. Wincing in the confinement of stays and laces, Lottie stared into the looking glass as the two women adjusted the ballgown. The transparent white tulle overslip was embroidered with sprays of white silk roses. White satin shoes, long kid gloves, and an embroidered gauze scarf were the final touches, making Lottie feel like a princess. The only flaw was her stick-straight hair, which refused to hold a curl no matter how hot the tongs were. After several fruitless attempts to create a pinned-up mass of ringlets, Lottie opted for a simple braided coil atop her head, encircled with fluffy white roses. When Harriet and Mrs. Trench stood back to view the final results of their labors, Lottie laughed and did a quick turn, making the blue skirts whirl beneath the floating white tulle.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))