Gotta Keep Moving Quotes

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We all change, when you think about it. We’re all different people all through our lives. And that’s OK, that’s good, you gotta keep moving, so long as you remember all the people that you used to be.
Steven Moffat
The world ain't straight. You grow up thinking things are a certain way. You think there are rules. You think there's a way that things have to be. You try to live straight. But the world doesn't care about your rules, or what you believe. The world ain't straight, Vivian. Never will be. Our rules, they don't mean a thing. The world just happens to you sometimes, is what I think. And people just gotta keep moving through it, best they can.
Elizabeth Gilbert (City of Girls)
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place, and I don't care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that! I'm always gonna love you, no matter what. No matter what happens. You're my son and you're my blood. You're the best thing in my life. But until you start believing in yourself, you ain't gonna have a life.
Sylvester Stallone (Rocky Balboa)
The world just happens to you sometimes, is what I think. And people just gotta keep moving through it, best they can.
Elizabeth Gilbert (City of Girls)
Gotta keep moving; can't stop; stagnation kills.
Lisa Mangum (After Hello)
Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place, and I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That’s how winning is done! Now, if you know what you’re worth, then go out and get what you’re worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain’t where you wanna be because of him, or her, or anybody. Cowards do that and that ain’t you. You’re better than that!
Sylvester Stallone
Babies are the worst roommates. They’re unemployed. They don’t pay rent. They keep insane hours. Their hygiene is horrible. If you had a roommate that did any of the things babies do, you’d ask them to move out. “Do you remember what happened last night? Today you’re all smiles, but last night you were hitting the bottle really hard. Then you started screaming, and you threw up on me. Then you passed out and wet yourself. I went into the other room to get you some dry clothes, I came back, and you were all over my wife’s breasts! Right in front of me, her husband! Dude, you gotta move out.
Jim Gaffigan (Dad Is Fat)
You gotta keep things moving. If leaving behind the past means you can have a better future, then, sure, why not?
Lisa Mangum (After Hello)
I wish I had all day to watch this show but I got things to do,” Darius put in. “You gonna call this in?” he asked Eddie. “Yeah.” Eddie’s eyes moved to Lee. Eddie had taken off his shades and slid an arm in the collar of his tee so they were hanging at his throat. “We gotta talk. Do you think Betty and Veronica here can keep an eye on these two?” “I get to be Veronica,” Ally said instantly. I turned to her. “Why do you get to be Veronica?” I didn’t want to be Betty, Betty was a doormat. Veronica had attitude. “I’m so Veronica,” Ally said in answer. “Unh,” the hit man groaned. “Jesus,” Darius said.
Kristen Ashley (Rock Chick (Rock Chick, #1))
We all change when you think about it we're all different people all through or lives and that's okay that's good you've gotta keep moving so long as you remember all the people that you used to be.
The Doctor
It's easy enough to keep something moving, but getting it going in the first place is hard. That's the thing about second chances and fresh starts. It's a (re)start. You gotta get things moving all over again, the second time around.
Wildbow (Ward (Parahumans, #2))
We all change, when you think about it, we’re all different people; all through our lives, and that’s okay, that’s good, you’ve gotta keep moving, so long as you remember all the people that you used to be. I will not forget one line of this, not one day, I swear. I will always remember when the Doctor was me.
Steven Moffat (Doctor Who: The Shooting Scripts)
Life's not about how hard of a hit you can give... It's about how many you can take, and still keep moving forward. How much you can take and keep moving forward. That’s how winning is done! Now, if you know what you’re worth, then go out and get what you’re worth. But you gotta be willing to take the hits, And not pointing fingers saying you ain’t where you wanna be because of him, or her, or anybody. COWARDS DO THAT AND THAT AIN'T YOU. YOU'RE BETTER THAN THEM!
Sylvester Stallone (ROCKY)
some people get to live life. some people survive it. We're survivors. We can carve out our pieces of happy...But we're foolin' ourselves if we think we can set aside the shit that happened to us, the shit done to us, the shit we've done and move on. It'll be with us forever. We just gotta learn to live with it. We bury it, deny it or pretend it isn't there, we're fucked. It'll surface and tear us to shreds. We acknowledge it and keep on keepin' the fuck on, and we'll be good.
Kristen Ashley (Creed (Unfinished Hero, #2))
When your insides are like skinned knees and curdled milk, you gotta learn how to feel better all by your lonesome, without pills or games or anything like that, or else those bad feelings will just keep coming back.
Christian McKay Heidicker (Cure for the Common Universe)
Isn't a governor something you put on a state to keep it from moving ahead very fast?
Neal Boortz (Somebody's Gotta Say It)
If someone says something hurtful to you or makes you feel down on yourself, then you just gotta stay positive and keep moving forward because they might not know much about you, or they may not understand the situation.
I.C. Robledo (365 Quotes to Live Your Life By: Powerful, Inspiring, & Life-Changing Words of Wisdom to Brighten Up Your Days (Master Your Mind, Revolutionize Your Life Series))
The rain is letting up, Mr. B. What do you want to do?' 'Oh, I’m gonna go fix the Weed Eater, and then, I’m gonna do dog patrol. At 97, I gotta find ways to keep moving!' He pushes himself up from the table. 'See ya later, kiddo.' Joe has decided to get fit. Every day he hops onto our stationary bike that we left sitting on the back porch. He says it helps his balance. He times himself to ensure he rides it ten minutes a day. I bring him a glass of cool water to keep him hydrated. He refuses the water. 'I’m not used to drinking water, Miss.' His exercise routine would never be approved by a local gym.
Lynn Byk quoting Mister B.
But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that!
Sylvester Stallone
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get it and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that!
Sylvester Stallone as Rocky
Let me tell you something you already know. The world ain't all sunshine and rainbows . It's a very mean and nasty place, and I don't care how tough you are , it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that.
Sylvester Stallone
THE GHOST OF THE AUTHOR'S MOTHER HAS A CONVERSATION WITH HIS FIANCÉE ABOUT HIGHWAYS ...and down south, honey. When the side of the road began to swell with dead and dying things, that's when us black children knew it was summer. Daddy didn't keep clocks in the house. Ain't no use when the sky round those parts always had some flames runnin' to horizon, lookin' like the sun was always out. back when I was a little girl, I swear, them white folk down south would do anything to stop another dark thing from touching the land, even the nighttime. We ain't have streetlights, or some grandmotherly voice riding through the fields on horseback tellin' us when to come inside. What we had was the stomach of a deer, split open on route 59. What we had was flies resting on the exposed insides of animals with their tongues touching the pavement. What we had was the smell of gunpowder and the promise of more to come, and, child, that'll get you home before the old folks would break out the moonshine and celebrate another day they didn't have to pull the body of someone they loved from the river. I say 'river' because I want you to always be able to look at the trees without crying. When we moved east, I learned how a night sky can cup a black girl in its hands and ask for forgiveness. My daddy sold the pistol he kept in the sock drawer and took me to the park. Those days, I used to ask him what he feared, and he always said "the bottom of a good glass." And then he stopped answering. And then he stopped coming home altogether. Something about the first day of a season, honey. Something always gotta sacrifice its blood. Everything that has its time must be lifted from the earth. My boys don't bother with seasons anymore. My sons went to sleep in the spring once and woke up to a motherless summer. All they know now is that it always be colder than it should be. I wish I could fix this for you. I'm sorry none of my children wear suits anymore. I wish ties didn't remind my boys of shovels, and dirt, and an empty living room. They all used to look so nice in ties. I'm sorry that you may come home one day to the smell of rotting meat, every calendar you own, torn off the walls, burning in a trashcan. And it will be the end of spring. And you will know.
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?" He stared at Chelsea with bewilderment and glanced back at Jules for help. "Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much." Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team. "Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight. "Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you." "Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!" "Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that." Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether. "Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?" Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said. "I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech. "Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly. Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed. Violet laughed and glanced back at him. "I'll only be a few." Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long." Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!" They all three stopped and turned around. Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
Kimberly Derting (The Body Finder (The Body Finder, #1))
We could hide,” she said. “They’d find us,” Harry told her. “Well, we could find a place—I don’t know, a cave or something—where we could hold them off with your gun.” “And hope that the FBI finds us before they go back to their car and get a grenade thrower out of the trunk?” Allie was silent for a moment, just pushing forward, using both hands to scramble up the ever-steepening hill. “So what exactly are our options?” “We keep moving." “That’s it?” Her anger wasn’t far from the surface, and it bubbled up again. “Do you screw up all your cases this way, or is there just something about me that brings out this incompetent side of you?” “I didn’t set this up,” he told her for the four thousandth time. “If I did, there would have been backup. Believe me.” “I’m done believing you. I believed you twice—and you know that old saying? ‘Fool me once, shame on you. Fool me twice, shame on me.’ I’m making up a third part to that saying. Fool me three times, just shoot me now.” Harry laughed. It was the wrong thing to do. “You think this is funny? We’re probably going to die, and you think this is funny?” She was furious. “You said I’d be safe here, and I trusted you. I did more than trust you, I slept with you, over and over again! Oh, God, the whole time you were probably laughing and—” “Allie, you gotta believe me—I didn’t set this up. George did. George knew about that letter I got from the lawyers. He probably figured out there were court records with Shaun and Em’s names and address on it. And this snafu stinks of Nicole Fenster, too. But I swear to you, I didn’t know. There’s no way in hell I would’ve set you up. And I didn’t mean to sleep with you. I mean, it wasn’t something I planned and . . .” Yeah, and that wasn’t exactly helping. Making it sound as if the lovemaking they’d shared had been some kind of an accident, like Whoops, golly, how’d my penis get in there?
Suzanne Brockmann (Bodyguard)
It takes me nearly a half hour to make what should be a ten-minute trip, and by the time I pull up in front of my house, my hands are cramped from my death grip on the steering wheel. It’s not until I step out of the car, my legs feeling like they’re made of Jell-O, that I notice Ryder’s Durango parked in front of me. “Where the hell have you been?” he calls out from the front porch, just as I make a mad dash to join him there. His face is red, his brow furrowed over stormy eyes. “They let us out an hour ago!” I am really not in the mood for his crap. “Yeah, so?” “So I was worried sick. A tornado touched down over by the Roberts’ place.” “I know! I mean, I didn’t know it touched down, but I was still at school when the sirens went off.” I drop my ridiculously heavy backpack and shake the rain from my hair. “Is everyone okay over there?” He runs a visibly trembling hand through his hair. “Yeah, it just tore up their fence or something. Jesus, Jemma!” “What is wrong with you? Why are you even here?” “I’m supposed to stay over here, remember?” “What…now?” I look past him and notice an army-green duffel bag by the front door. He’s got a key--he could’ve just let himself in. “I figured now’s as good a time as any. We need to put sandbags in front of the back door before it gets any worst out, and then we’ve got to do something about the barn. It’s awful close to the creek, and the water’s rising fast.” “Well, what do you propose we do?” “Don’t you keep your guns out there? We should move them inside. And your dad has some expensive tools in his workshop--we should get those, too.” I let out a sigh. He’s got a point. “Can I at least go inside first? Put my stuff away?” “Sure?” He moves to the edge of the porch and gazes up at the sky. “It looks like we might get a break in a few minutes, once this band moves through. Might as well wait for it.” I dig out my keys and unlock the door. I can hear the dogs howling their heads off the minute I step inside. “I’ve gotta let Beau and Sadie out,” I say over my shoulder as I head toward the kitchen. “Take your stuff to the guest room and get settled, why don’t you?” That’s my attempt at reestablishing the fact that I’m in charge here, not him. This is my house. My stuff. My life.
Kristi Cook (Magnolia (Magnolia Branch, #1))
A beautiful young woman wants to meet Santa Claus, so she puts on a robe and stays up late on Christmas Eve. Santa arrives, climbs down the chimney, and begins filling the stockings. He is about to move on to the next house when the gorgeous redhead says in a sexy voice, “Oh, Santa, please stay. Keep the chill away.” Santa replies, “HO HO HO, gotta go, gotta go. Gotta get the presents to the children, you know.” The girl drops her robe to reveal a sexy bra and panties, and says in her most flirtatious tone, “Oh, Santa, don’t run a mile; just stay for a while...” Santa begins to sweat but replies, “HO HO HO, gotta go, gotta go. Gotta get the presents to the children, you know.” The girl takes off her bra and says, “Oh, Santa... please... stay.” Santa wipes his brow but replies, “HO HO HO, gotta go, gotta go. Gotta get the presents to the children, you know.” She loses the panties and says, “Oh, Santa... please... stay....” Santa, trembling, says, “HEY HEY HEY, gotta stay, gotta stay! Can’t get up the chimney with my pecker this way!!!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Someone else out there?” Luke squints in Hallelujah’s direction. He stands. He steps over his log bench and pushes past Rachel. Hallelujah can’t move, can’t breathe, and in four more steps, Luke has her by the arm. He’s marching her into the light. When he sees who it is, he drops her arm quickly, looking disgusted. “Hallie. You’ve gotta be kidding me.” Behind him, Brad’s on his feet. “Well, glory, Hallelujah!” he whoops. The girl next to him shushes him, and he lowers his voice. But he keeps talking, giving his words a preacher-at-a-revival ebb and flow. “I never thought, Hallelujah, I’d see the day, Hallelujah, where you’d have the guts to show up here, Hallelujah,praise Jesus—” “Give it a rest,” Luke says. “What, it’s only funny when you do it?” “Nah, she’s always funny,” Luke says, looking back at Hallelujah, dismissing her with a roll of his eyes. “You just aren’t. You never do that joke right.” He walks back to his seat. He glances at Rachel. “Turns out, there’s a seat for you right here, next to me.” He pats the unclaimed bit of log to his right.
Kathryn Holmes
Hockey and cooking are similar in so many ways, especially if you are a player-coach, the guy in charge on the ice, a role I would closely relate to that of a chef in the kitchen - they are both contact sports. You've gotta keep your head up, keep moving and communicate well. Even though you might be the leader in the kitchen or on the ice, you need to understand that that you're part of a working machine and that machine stops working if one of the pieces isn't working in unison with the others. I learned from a very young age the importance of being part of this team dynamic and how hard work can take you to so many different places. (Chef Duane Keller)
Chris Hill
Broken Heart" Though I have a broken heart I'm too busy to be heartbroken There's a lot of things that need to be done Lord I have a broken heart Though I have a broken dream I'm too busy to be dreaming of you There's a lot of things that I gotta do Lord I have a broken dream And I'm wasted all the time I've gotta drink you right off of my mind I've been told that this will heal given time Lord I have a broken heart And I'm crying all the time I have to keep it covered up with a smile And I'll keep on moving on for a while Lord I have a broken heart
Spiritualized
Who?” “Bill Judd Jr.” “Oh, noooo.” Round, Swedish oooo’s. “Miz Sweet, when we were going through Judd Sr.’s office, we found some invoices on your computer, for chemicals that were apparently used in an ethanol plant out in South Dakota…” “I heard about it on TV. That was the same one? The one where they were making drugs?” “Yes, it was,” Virgil said. “Oh, nooo.” The sound was driving him crazy; she sounded like a bad comedian. “Who in town knew about the ethanol plant?” She turned her face to one side and put a hand to her lips. “Well, the Judds, of course.” “Both of them?” Virgil asked. “Well…Junior set it up, but Senior knew about it.” He pressed. “Are you sure about that?” “Well, yes. He signed the checks.” “Did you see him signing the checks?” Virgil asked. “No, but I saw the checks. It was his signature…” “Do you remember the bank?” She shook her head. “No, no, I don’t.” She frowned. “I’m not even sure that the bank name was on the checks.” “Did you ever talk to Junior about that?” “No. It wasn’t my business,” she said. “They wanted to keep it quiet, because, you know, when ethanol started, it sounded a little like the Jerusalem artichoke thing. The Judds were involved in that, of course.” “So how quiet did they keep it?” Virgil asked. “Who else knew? Did you tell anybody?” He saw it coming, the noooo. “Oh, noooo…Junior told me, don’t talk about this, because of my father. So, I didn’t.” “Not to anybody?” Her eyes drifted. She was thinking, which meant that she had. “It’s possible…my sister, I might have told. I think there might have been some word around town.” “It’s really important that you remember…” She put her hand to her temple, as though she were going to move a paper clip with telekinesis, and said, “I might have mentioned it at bridge. At our bridge club. That a plant was being built, and some local people were involved.” “All right,” Virgil said. “So who was at the bridge club?” “Well, let me see, there would have been nine or ten of us…” She listed them; he only recognized one of the names. WHEN HE WAS DONE with Sweet, he strolled up the hill to the newspaper office. He pushed in, and found Williamson behind the business counter, talking to a woman customer. Williamson looked past the woman and snapped, “What do you want?” “I have a question, when you’re free.” “Wait.” Williamson was wearing a T-shirt and had sweat stains under his arms, as though he’d been lifting rocks. “Take just a minute.” The customer was trying to dump her Beanie Baby collection locally—ten years too late, in Virgil’s opinion—and wanted the cheapest possible advertisement. She got twenty words for six dollars, looking back and forth between Virgil and Williamson, and after writing a check for the amount, said to Virgil, “I’d love to hear your question.” Virgil looked at her over his sunglasses and grinned: “I’d love to have you, but I’m afraid it’s gotta be private, for the moment.” “Shoot.” She looked at Williamson, who shrugged, and she said, “Oh, well.” WHEN SHE’D GONE out the door, Williamson said, “I’m working. You can ask me out back.” “You still pissed about the search?
John Sandford (Dark Of The Moon (Virgil Flowers, #1))
No matter what life throws at you, ya gotta keep moving forward and never give up. As easy as it may be to give up you can't. "Keep your head up and keep pushing forward.
James Hilton
The world ain't straight. You grow up thinking things are a certain way. You think there are rules. You think there's a way that things have to be. You try to live straight. But the world doesn't care about your rules, or what you believe. The world ain't straight. Never will be. Our rules, they don't mean a thing. The world just happens to you sometimes. And people just gotta keep moving through it, best they can.
Elizabeth Gilbert (City of Girls)
No matter what life throws at you, gotta keep moving forward and never give up. As easy as it may be to do you can't. Keep your head up and keep pushing.
James Hilton
John jumped to the side as an entire keg came flying at his head. Fortunately, Vishous was able to grab it before the thing hit the mosaic floor out in the foyer—which would have been a bitch to fix. “We gotta keep him contained,” someone muttered. “Amen,” somebody else replied. “He gets free in the house, and it’ll be shit even Fritz won’t know how to clean up.” “I’ll take care of it.” Everyone turned and stared at Lassiter. The fallen angel with the bad attitude and even worse taste in just about everything had appeared from out of nowhere—and was looking serious, for once. “What the fuck is that?” V demanded as the angel put a thin gold pen up to his own mouth. Turned out it wasn’t a fancy Bic. With a quick puff, Lassiter discharged a tiny dart across the room—and when it hit Wrath in the shoulder, the impact was as if the King had been struck by a bullet in the chest. He went down hard, his body stiffening and then falling like an oak. “What the fuck did you do!” V pulled a Wrath and went for the angel. But Lassiter got right back in the Brother’s face. “He was going to hurt himself, the house, or one of you assholes! And don’t get your fucking panties in a wad. He’s just going to have a little nap—” Wrath let out a soft snore. Moving carefully, the Brotherhood closed in like they were checking out a grizzly and John went with them. As a circle formed around Sleeping Beauty, there was a lot of cursing under breaths. “If you’ve killed him—” Lassiter put his gold whacker away. “Does he look dead.” No, actually, the poor bastard looked like he was at peace with himself and the world, his coloring strong, his body so relaxed his shitkickers were lolling to the sides.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
I drove to my parents slowly, not eager to get there. Not really eager to be anywhere. So I hit the Jack in the Box drive-through because when you’ve just had amazing yet regrettable sex with the former love of your life, you deserve a friggin’ milk shake, dammit. I got my chocolate milk shake (yes, with the thousand calories of whipped cream on top) and parked in the parking lot to drink it, rather than continuing to my parents. My guilt-ridden solitude was interrupted by my phone buzzing. It was a text from Adam. How’s it going? Hmm. How is it going? I just gave in and had sex with the man that’s dumping me. I’m on my way to move in with my parents, which is every thirty-four-year-old woman’s dream. And I’m getting random texts from a man I don’t know that well, but who I would be more than willing to let screw me into forgetting about Jonathan. Oh, right—that guy’s no longer interested in me. Adam. Question. Why are you texting me now that you are no longer trying to sleep with me? Because I like you. But I’m about to be single. I want to be your friend. I don’t have any women friends so you can be my first. Why no women friends? Because they never want to keep it just friends. It gets awkward. And me? I got to know you before you were single so you were only interested in being friends. I like talking to you. I want to keep talking to you. Why? Why do I like talking to you or why do I want to keep talking to you? Here we go again. Never mind. What makes you think I’ll be satisfied keeping it just friends? Because you’re in love with someone else. Oh. Right. Damn. I’m sorta hoping to not be in love with him forever, you know. Well, we’ll be friends until you fall for me;) Wow. Arrogant. No. We’ll be friends until YOU fall for ME. Either way, Kate. Where was his conceited rebuttal? What is that sensation? Butterflies? Gotta go. Talk to you later. Good night, Kate. Good night, Adam. And just for the hell of it, I hit my head against the steering wheel.
Erin Lyon (I Love You Subject to the Following Terms and Conditions)
Not everyone is running the same race, sometimes you gotta chose sometimes you gotta lose Not everyone is running at the same pace, sometimes you gotta look back sometimes you gotta wait for them on the track Not everyone is looking for the same place, sometimes you gotta run fast sometimes you just gotta walk past It's like the cars on the freeway, they follow the red green rules but they are always on the move Life is this and much more! though you keep running till you reach the heavenly door after all, it is all about the journey and the destination you adore!
Kruthika Swaminathan
When Wimdu launched, the Samwers reached out to Airbnb to discuss combining forces, as they had done with Groupon and eBay to facilitate a speedy exit. Discussions ensued between Airbnb and Wimdu cofounders and investors—meeting multiple times, touring the Wimdu offices, and checking with other founders like Andrew Mason from Groupon to best understand the potential outcome. In the end, Airbnb chose to fight. Brian Chesky described his thought process: My view was, my biggest punishment, my biggest revenge on you is, I’m gonna make you run this company long term. So you had the baby, now you gotta raise the child. And you’re stuck with it for 18 years. Because I knew he wanted to sell the company. I knew he could move faster than me for a year, but he wasn’t gonna keep doing it. And so that was our strategy. And we built the company long term. And the ultimate way we won is, we had a better community. He couldn’t understand community. And I think we had a better product.82 To do this, the company would mobilize their product teams to rapidly improve their support for international regions. Jonathan Golden, the first product manager at Airbnb, described their efforts: Early on, Airbnb’s listing experience was basic. You filled out forms, uploaded 1 photo—usually not professional—and editing the listing after the fact was hard. The mobile app in the early days was lightweight, where you could only browse but not book. There were a lot of markets in those days with just 1 or 2 listings. Booking only supported US dollars, so it catered towards American travelers only, and for hosts, they could get money out via a bank transfer to an American bank via ACH, or PayPal. We needed to get from this skeleton of a product into something that could work internationally if we wanted to fend off Wimdu. We internationalized the product, translating it into all the major languages. We went from supporting 1 currency to adding 32. We bought all the local domains, like airbnb.co.uk for the UK website and airbnb.es for Spain. It was important to move quickly to close off the opportunity in Europe.83 Alongside the product, the fastest way to fight on Wimdu’s turf was to quickly scale up paid marketing in Europe using Facebook, Google, and other channels to augment the company’s organic channels, built over years. Most important, Airbnb finally pulled the trigger on putting boots on the ground—hiring Martin Reiter, the company’s first head of international, and also partnering with Springstar, a German incubator and peer of Rocket Internet’s, to accelerate their international expansion.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
Gotta make a move to a town that's right for me Town to keep me movin' Keep me groovin' with some energy Well, I talk about it, talk about it Talk about it, talk about it Talk about, talk about Talk about movin
Lipps Inc
Look here, he says, what's the matter with you fellows? let's get cracking with this dump. Your road is bad; pave it. Better yet, build a paved road to every corner of the park; better yet, pave the whole damned place so any damn fool can drive anything anywhere is this a democracy or ain't it? Next, charge a good stiff admission fee; you can't let people in free; that leads socialism and regimentation. Next, get rid of all these homely rangers in their Smokey the Bear suits. Hire a crew of pretty girls, call them rangerettes, let them sell the tickets and give the campfire talks. And advertise, for godsake, advertise! How do you expect to get people in here if you don't advertise? Next, these here Arches light them up. Floodlight them, turn on colored, revolving lights -jazz it up, man, it's dead. Light up the whole place, all night long, get on a 24-hour shift, keep them coming, keep them moving, you got two hundred million people out there waiting to see your product-is this a free country or what the hell is it? Next your campgrounds, you gotta do something about your camp grounds, they're a mess. People can't tell where to park their cars or which spot is whose-you gotta paint lines, numbers, mark out the campsites nice and neat. And they're still building fires on the ground, with wood! Very messy, filthy, wasteful. Set up little grills on stilts, sell charcoal briquettes, better yet hook up with the gas line, install jets and burners. Better yet do away with the camp. grounds altogether, they only cause delay and congestion and administrative problems-these people want to see America, they're not going to see it sitting around a goddamned campfire; take their money, give them the show, send them on their way-that's the way to run a business....
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
Sophie had to force herself to breathe slower to keep her head from getting woozy. “I’m sure I speak for everyone,” Keefe grunted, “when I say: Are we there yet?” “Almost,” Tiergan promised. “Everyone dig deep—and don’t look down.” “Steaming sasquatch poop—that’s a long way to fall!” Keefe announced. Fitz moved closer to Sophie, his new cologne tickling her nose as he whispered, “I almost forgot. I brought you a present.” Her heart skipped at least five beats when he slipped an orange velvet satchel into her palm. He’d been bringing her lots of tiny gifts lately—and she’d been trying hard not to read too much into it. “Ugh, anyone else ready to vomit from the Fitzphie?” Keefe asked. “I am,” Dex said, as Linh asked, “Did Fitzphie become an actual thing?” “I don’t even know what ‘Fitzphie’ is supposed to mean,” Tiergan noted. “Want me to explain it?” Tam offered. “No,” Sophie said, opening the satchel and pulling out a fist-size crystal prism. It was heavy like a paperweight, and when she held it up to the light, rainbow sparkles flashed across her fingers, highlighting words carved across the base, along with the Foxfire seal. Alvar Soren Vacker “That’s called a Radiant,” Fitz explained. “It’s the highest honor any prodigy can receive when they complete the basic levels at Foxfire. Alvar was so disgustingly smug about earning one that he told my mom she should keep it on the mantel in our main sitting room, so it could inspire Biana and me to work harder.” “Ugh, I forgot about that,” Biana grumbled. “I can’t believe Mom did it.” “I know. So I think it’s time to destroy it. And considering where we are, maybe it’d be fun to let it take a really nasty fall.” “Gotta give you credit,” Tam told Fitz. “That’s pretty much a perfect gift.” It was. Though Sophie felt bad taking it. “Shouldn’t you or Biana do the honors?” “Nope. Alvar was there when they took your parents,” Biana argued. “And when you were kidnapped.” “Just throw it extra hard, for us,” Fitz added. Sophie glanced at Dex. “Alvar helped kidnap you, too.” “So boost your throw with the Sucker Punch I made you,” he suggested. They seemed pretty sure, so Sophie gathered whatever mental energy she could muster and channeled it into her arm muscles. A burst of force from the Sucker Punch gave her throw extra oomph as she hurled the Radiant down the center of the curving stairs, where none of the bodyguards would be standing. A satisfying
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
Gotta keep moving forward. Small steps, in learning and in life.
Nick Levy (This Book Belongs To)
The crowd were cheering and Geraldine led the Ass squad in that annoying as fuck song about princesses as they all celebrated her win, but I ignore them as I moved forward to offer Roxy a hand up. “I’ll toss Mildred back in her room, heal her and cast a sleeping spell on her so that she can properly recover,” Cal announced as he moved around us and I couldn’t help but smile at him. It might have annoyed the fuck out of me that he’d been with my girl, but he really was a good friend. A true brother. He threw Mildred over his shoulder like a sack of potatoes and shot out of the room as Seth howled in excitement. “Come on,” I said to Roxy. “I’ll clean you up and heal those wounds.” “Okay.” Roxy followed me back to the couch and I sat her down in my spot before throwing a ring of fire and a silencing bubble up around us to give us some pretence of privacy. “Doesn’t this count as us being alone?” Roxy asked as I dropped to my knees in front of her and she pulled her busted bottom lip between her teeth. That shouldn’t have been hot, but it really fucking was. “I’m going with no,” I replied, but as the ground trembled beneath my knees I had to admit it did. “Maybe you should just-” “I’m going to look after you,” I growled, leaving no room for negotiation. “So just let me.” Her lips parted, eyes flared, fingers gripped the edge of the couch and I was sure she was about to tell me no, but instead she just nodded. I reached out and curled my fingers wound around her waist as I pressed healing magic from my skin into hers, closing my eyes so that I could concentrate. She had cracked ribs and healing bones was more difficult than damaged tissue. She fell still as I shifted my hands over her flesh and I tried to ignore the way the floor quaked beneath me. We couldn’t stay in this bubble for long, but I wished that we could. I wished we could just build a bubble where the stars couldn’t see us and stay in it forever. Although I guessed if I offered her that she’d just say no again. I sighed as my magic depleted, using the last drops of it to heal her and clean the blood from her skin after burning through so much in the game. A soft touch against my hair made me open my eyes and I looked up at her as she pushed the crown onto my head. “Mildred knocked me off of the couch first,” she explained in answer to the question in my eyes. “So you win. Besides, you need a big head like yours to pull off a crown like this.” I snorted a laugh as the ground trembled so violently that I was almost knocked back onto my ass. Roxy quickly pulled the rings and bracelets from her hands and offered them to me too and I pushed them into my pockets wordlessly. But as she reached up to unclasp the blood ruby pendant from around her neck I caught her wrist to stop her. “Keep it,” I said, my gaze slipping to the priceless heart where it lay against her flesh. Dragons didn’t give treasure away. Ever. It was inherited through the family or we bought more of it, but we never gifted it to anyone. It went against everything we stood for and the fierce possessiveness of our natures. But for some reason that I couldn’t fully comprehend, I wanted her to keep that necklace. “It looks better on you anyway.” Her eyes widened but before she could reply, I dropped the wall of fire and stepped away from her. Darcy hurried forward with wild eyes, looking between me and her sister for a long moment like she’d expected us to be arguing or something. But the last thing I was going to do was call Roxy out for beating Mildred’s ass for me. She’d absolutely been working in my interests and I wasn’t even going to pretend to be pissed about it. “Darius fixed me up like new. Did you see the bit when I kneed her in the vag?” Roxy asked as she grinned and Darcy started laughing. “It was classic, you’ve gotta come see Tyler’s slow motion footage of you punching her in the throat too!” (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
It's... One Batch, Two Batch, Penny and Dime, you know? It was her favorite book. You gotta cross the ocean, and go fight. You see, whole time you're thinking you're gonna be scared, right? But then you're not. See, that part of it was always easy for me. Killing. Even watching my buddies die, it just didn't mean nothing. The first time I got scared was on a plane on the way home. I kept thinking God was gonna pull the rug out from under us, you know? Shit, that's his kind of funny, you know. But the plane landed safe and we were home. Driving through traffic. Yeah, you pass fast food and donut shops and all that greasy shit, the shit you fought to protect, and then the car stops. We were outside her school. I get to her classroom, right? She's in there, but she's got no idea. She's got no idea Daddy's home. I walk in, these kids, they're not even studying, they're-they're doing some kind of yoga. Yeah. You know? She's there. She's doing her poses, you know, she's bending and, you know, she's moving. She looks like a flower. Yeah. And you know, you can't even understand it, you know, how does something like that have... How does something that beautiful have... How does that... how does that come from me, you know? And she looks up and she sees me. I see her. By God, that's real. That's real, Red. Boom. In an instant, she's across that classroom floor, she's in my arms. She's squeezing me so tight, I swear I was gonna bust a rib, you know? We just stayed there like that, we're holding each other. Teacher's filming the whole thing on her phone, you know, she's gonna put it on YouTube or some shit. She can't hold the thing steady, because, you know, she's... she's bawling so hard, and the kids are all wailing, you know, they're screaming. And me? Shit, I'm the worst of all. I'm a... I'm a rubber-faced clown, you know? I cried so hard. But not my baby. Not my girl. You know, she's my girl. She's... she's not crying, she's holding me up. My girl, she's keeping me on my feet. She says, "I knew it, Daddy. I knew it." And then we go home. To the wife, the boy. Place is the exact same, it's like it was just holding its breath waiting for me to get back, you know? Then it hit me. All of it, you know? The first time I felt how tired I was, you know, I was just tired, you know? You ever been tired, Red?
Jon Bernthal
The world ain’t straight. You grow up thinking things are a certain way. You think there are rules. You think there’s a way that things have to be. You try to live straight. But the world doesn’t care about your rules, or what you believe. The world ain’t straight, Vivian. Never will be. Our rules, they don’t mean a thing. The world just happens to you sometimes, is what I think. And people just gotta keep moving through it, best they can.” “I
Elizabeth Gilbert (City of Girls)
The world ain’t straight. You grow up thinking things are a certain way. You think there are rules. You think there’s a way that things have to be. You try to live straight. But the world doesn’t care about your rules, or what you believe. The world ain’t straight, Vivian. Never will be. Our rules, they don’t mean a thing. The world just happens to you sometimes, is what I think. And people just gotta keep moving through it, best they can.
Elizabeth Gilbert (City of Girls)
The world ain’t straight. You grow up thinking things are a certain way. You think there are rules. You think there’s a way that things have to be. You try to live straight. But the world doesn’t care about your rules, or what you believe. The world ain’t straight, Vivian. Never will be. Our rules, they don’t mean a thing. The world just happens to you sometimes, is what I think. And people just gotta keep moving through it, best they can
Elizabeth Gilbert (City of Girls)
20 percent and that's my final offer." Dog folded his arms across his chest in a move that I assumed was meant to intimidate. He had sizable muscle, but the effect was watered down by his My Little Pony tattoos. I could swear I saw Fluttershy wink. "Don't give me that 20 percent bullshit," I said. "I work in retail. I know the margins and I know you didn't buy these goods so everything is profit for you." "You didn't tell me she was a hard-ass." Dog glared at Jack. "I like to keep the good stuff to myself." "Give me the Boxing Day special," I said. "Six A.M. door crasher." His eyes widened. "40 percent?" I shook my head. "First five people in the door." "Sixty?" "Take it or leave it." I pulled out a wad of cash. We'd all chipped in to cover the costs in hopeful anticipation of a bigger return at the end. Dog took the money, but not before registering a complaint with customer service. "You said she was a newb," he said to Jack. "She's a smart and savvy newb." Jack grinned. "Gotta say, it's pretty damn hot.
Sara Desai (To Have and to Heist)
You want something, you gotta commit to it and go after it. Don’t slow down, don’t stop to think. Just keep moving forward.
Charlie Donlea (The Girl Who Was Taken)
You have to get used to it or you’re going to live your life trying to make people comfortable. I don’t care what people say about me because they don’t have to live as me. You gotta own who you are and keep it moving.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
I’ve never ditched school before. Of course a boy I kissed has never been arrested before, either. This is about me being real. To myself. And now I’m going to be real to Alex, like he’s always wanted. It’s scary, and I’m not convinced I’m doing the right thing. But I can’t ignore this magnetic pull that Alex has over me. I plug in the address on my GPS. It leads me to the south side, to a place called Enrique’s Auto Body. A guy is standing in front. His mouth drops open the minute he sees me. “I’m looking for Alex Fuentes.” The guy doesn’t answer. “Is he here?” I ask, feeling awkward. Maybe he doesn’t speak English. “What do you want with Alejandro?” the guy finally asks. My heart is pumping so hard I can see my shirt move with each beat. “I need to talk to him.” “He’ll be better off if you leave him alone,” the guy says. “Está bien, Enrique,” a familiar voice booms. I turn to Alex, leaning against the auto body’s front door with a shop towel hanging out of his pocket and a wrench in his hand. The hair peeking out of his bandana is mussed and he looks more masculine than any guy I’ve ever seen. I want to hold him. I need him to tell me it’s okay, that he’s not going to jail ever again. Alex keeps his eyes fixed on mine. “I guess I’ll leave you two alone,” I think I hear Enrique say, but I’m too focused on Alex to hear clearly. My feet are glued to the same spot so it’s a good thing he saunters toward me. “Um,” I start. Please let me get through this. “I, uh, heard you got arrested. I had to see if you’re okay.” “You ditched school to see if I was okay?” I nod because my tongue won’t work. Alex steps back. “Well, then. Now that you’ve seen I’m okay, go back to school. I gotta, you know, get back to work. My bike was impounded last night and I need to make money to get it back.” “Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--” “Say it again,” he says. “That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again. He steps closer. “No. The part about you fallin’ for me.” My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.” The sides of his mouth turn up.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that!
Sylvester Stallone as Rocky
I’ve told Miss Teeta a thousand times, it’s no good to keep fixing this ole piece of junk. Everything’s gotta die sometime.” The young man seemed to be talking more to himself than to her. As Miranda watched, he wrestled the air conditioner off the sill and set it carefully on the floor. The prospect of spending even one more minute in this heat was unthinkable. “You mean you can’t fix it?” “I can fix anything, cher.” “That’s not my name,” she corrected him. And aren’t you just pretty impressed with yourself, Mr. Repair Guy. For a split second he looked almost amused, but then his features went unreadable once more. While he knelt down to resume his work, she gave him another curious appraisal. She hadn’t noticed those scars on his arms before--faint impressions, some straight, some jagged, some strangely crisscrossed. She wondered briefly if he’d been in an accident when he was younger. Her eyes moved over the rest of his body. He was busy unscrewing the back off the air conditioner, his movements quick and fluid. She saw him glance at her, and she quickly looked away.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
We all change, when you think about it, we're all different people; all through our lives, and that's okay, that's good, you've gotta keep moving, so long as you remember all the people that you used to be. I will not forget one line of this, not one day, I swear. I will always remember when The Doctor was me.
Eleventh Doctor
You've gotta hit as hard as life. It isn't about how hard you hit, It's about how hard you can get hit and keep moving forward. How much can you take and keep moving forward? That's how winning is done.
Rocky Balboa Slyvester Stallone