Gothic Christmas Quotes

It's like getting the best Christmas gift ever, but Santa decided to kick the crap out of you before you unwrapped it.

I wonder if someday Jack and I will have our own pram filled with tiny skeletons and rag dolls. The scuttle of little feet through the house. Skeleton boys tumbling down the spiral stairs; little rag doll girls with their threads coming loose, always needing their fingers and toes stitched back together. A perfectly grim little family.

Chance of romance: nonexistent. Chance of gothic thriller murder mystery: growing by the minute.

I had an uneasy feeling we might be asked to spend the approaching Christmas with Beatrice. Perhaps I could have influenza.

He kisses me again, folding me in his arms--the place I want to stay for a thousand years. When I first discovered Dream Town, I wasn't sure where I belonged, where my true home was. But now I know. Sometimes home is a town, a house with four walls. Other times, it's two hollow eyes in a skull, a skeleton without a heartbeat. It's here---not in Dream Town or Halloween Town---but in Jack's arms. Folded against this hollow, skeleton chest is where I belong. I let the tears stream down my face, I let them bind us together, salt and water and fabric and bone. Woven parts of ourselves that become one.

Jack pulls me back into his arms, as if he could absorb the pain and take it from me. And I know, I would do it all over again: I would leave Dream Town and never return a thousand times just to be here with Jack, to touch his face, to feel his ice-cold lips on mine, to have a life with him in this town. To stand beside him as Pumpkin Queen. This is the life I want. The one I'm willing to sacrifice everything for.

...и благодарение на смъртта на този човек, къщата беше по-щастлива!

Because right now I am simply a rag doll in a boat with a skeleton whom I love. Madly, Feverishly. Floating through a town where my title doesn't matter. Queen, queen, queen. Where no one knows who I am.

Една котка дращеше по вратата, а под каменния под на камината се чуваше звук от гризене на плъхове. Какво искаха те в стаята на смъртта и защо бяха тъй неспокойни и тревожни, Скрудж не дръзваше да си помисли.

I rather like it, for it is honest, and no malice or mischief is hidden behind it. I always distrust those smooth, sweet voices; they are insincere. I like a full, clear tone; sharp, if you please, but decided and true.

He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I'm certain they should just bury us both here, at the center of the graveyard. Married and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids. The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our feet as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart. I am now Sally Skellington. The Pumpkin Queen. And I'm certain I will never again be as happy as I am right now.

This is the cathedral. Neo-Gothic. They had midnight Mass there last Christmas, but they held it at noon because, of course, no one went out at night at that time unless they were suicidal. On its left you see the synagogue and the mosque. On the right the Orthodox church. All the places where none of us go to worship, situated within a very convenient hundred meters of one another.

Gothic lines grimmer; the soft brilliance of the altar, with its multitude of candles, with the priests performing actions whose meaning was unknown to him; the silent crowd that seemed not to participate but to wait anxiously like a crowd at a station barrier waiting for the gate to open; the stench of wet clothes and the aromatic perfume of incense; the bitter cold that lowered like a threatening unseen presence; it was not a religious emotion that he got from all this, but the sense of a mystery that had its roots far back in the origins of the human race. His nerves were taut, and when on a sudden the choir to the full accompaniment of the orchestra burst with a great shout into the Adeste Fideles he was seized with an exultation over he knew not what.

A graveyard. It's the largest cemetery I've ever seen--a place Jack would surely love. A long rectangle of green lawn lined with rows and rows of old, moss-coated and weather-worn gravestones. Rain pounds the earth, and the cold tickle of air against my neck reminds me of the cemetery in Halloween Town. A feeling that exists in every cemetery, it seems. That hint of death. Of sorrow. Of lives brought to an end. But I don't have to go far before I find a small stone structure, an ornate mausoleum with spires along the roofline and a copper door, tarnished green from the rain. A tomb where the dead are placed to rest. I glance up the path, the cemetery glistening in the wet air. I have passed through many realms, all the way into the human world to a city made strangely silent, and now this mausoleum is my way home. My way back to Jack.

Dying Hours by Stewart Stafford All debts were settled on Christmas Eve, Fail to do so, and there’d be no reprieve, In the dying flame of a guttering candle, Monies got paid, and cash got handled. When the last customer left to journey home, Quinn, the shop owner, found himself alone, He stared at pooling shadows, no one there, Told himself to hurry, be with those who care. As he closed up, something screamed out, A figure from out of the dark began to shout, A man with no eyes begged alms for the dead, Or any old soup with a thick slice of bread. Quinn said he was a business, not a charity, The man’s eyes opened with some clarity, “Very well,” the man said, “Nothing’s free,” “I’ll drag your soul to Hell, come with me!” © Stewart Stafford, 2022. All rights reserved.

She looked like gothic architecture, like a nineties indie movie, like the night after Christmas.

No smiling!" said Melinda. "Look stern, everyone."... He kissed her. "Our American Gothic." "Sweet Montana Farms style." And she kissed him back.

...Lindsay Lohan is a textbook persecuted gothic heroine. In the space of about two months just after Christmas 2006, Lindsay Lohan entered rehab; Anna Nicole Smith was found dead in her suite at the Seminole Hard Rock Hotel and Casino, surrounded by prescription-pill bottles, nicotine gum, and empty cans of SlimFast; and Britney Spears, trailed by paparazzi, walked into a Sherman Oaks tattoo parlor and shaved her head. Each time women like these made headlines, the headlines shot to the top of the most-read lists. The hunger for Britney's pantyless crotch shots dominated even as troops surges, systematic layoffs, and a rise in global warming and global terrorism took place, and as global credit and asset bubbles headed for a pop. It was as though the tabloids were not just distracting us from the scary stuff but enacting our fears and honing our outrage to bite-size pieces. (What were suspect sites and credit-default swaps, anyway?) More virgins were sacrificed to the god of war. Because that's who got it the worst by far: the former child stars and erstwhile Mouseketeers who had the temerity to grow up.

(Admittedly, sometimes they were right, as in the gothic events of Christmas 896, when the corpse of Pope Formosus (891–6) was dug up by his enemy and successor Stephen VI and put on trial; but that horrified the Romans, too–Stephen did not survive another year. Normally, Roman violence to losers had its own stately logic.)

The Dead of Winter by Stewart Stafford In truth, winter is the dead's season, Their graveyard chill touches Earth, The skeleton moon's danse macabre, As the darkened Sun heralds rebirth. Wild hunters of Christmas Eve skies, Mighty Odin or Arthur leading all, Hellhounds, fiery steeds, chase, To feast in a Valhalla or Camelot hall. Assemble at the hearth, my kindred, Share unnerving tales of gothic fright, Raised pulses as spectral guests join us, Frayed nerves spiked on this haunted night. © 2024, Stewart Stafford. All rights reserved.

A Reclusive Invitation by Stewart Stafford In a mansion crouched at the forest's edge, Gargoyles perched on a Jericho hedge, Lived Samuel Keane, with millions at least, Welcomed the locals to his Christmas feast. Self-imposed exile of wealth's solitary scene, On that evening, time for connection pristine, An alabaster white suit in a chessboard hall; Legions of armour and battle scars to recall. "Come, gather round, let camaraderie ignite! On Christmas Eve, a dream-come-true night!" Perkins, the grey butler, in reluctant festive red, Gestured them toward Keane's banquet spread. Their gracious host took his place at the end, A throne chair helped into place with a bend, Beaming, he clapped and food was brought in, To gasps and applause at the goblets of gin. A succulent feast at a baronial ball; Roasted goose, boar, a tall glass highball, Stories grew taller, just like each drink, Songs and jests sent them over the brink. Enjoyment and melody's atmosphere bright, Fleeting warmth shared in lush candlelight. Dawn looms, Les Misérables adore company: "Why does hangover guilt crave chablis?" A Father Christmas event once a year, Guests departed, a loud triple cheer, A fading smile of a host so grand, Adrift, nothing elaborate planned. The fireworks faded, the last ember died, Keane shut his mansion with secrets inside. A portcullis closed slowly on a seasonal high, A gothic arch door shut 'neath morning star sky. © 2024, Stewart Stafford. All rights reserved.

Понякога така се озадачавам, че дори не мога да реша дали изобщо у нас има нещо добро, или сме родени лоши.