Goth Love Quotes

We've searched our database for all the quotes and captions related to Goth Love. Here they are! All 76 of them:

Could a scar be like the rings of a tree, reopened with each emotional season?
Magenta Periwinkle (Cutting Class)
You look like a Goth factory exploded all over you!" he called as she ran down the hall. "Love you, too, jackass!
Rachel Caine
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
Simona Panova (Nightmarish Sacrifice (Cardew))
I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.
Simona Panova (Nightmarish Sacrifice (Cardew))
Desires are what can most easily ruin us, lovely.
Simona Panova (Nightmarish Sacrifice (Cardew))
I’d love to try to tame you... And I would simply adore it if you turn out untamable –
Simona Panova (Nightmarish Sacrifice (Cardew))
Hey,” Shane said from the other side of the bars. “Trade you cigarettes for a chocolate bar.” Funny,” Eve said. She was almost back to her old unGothed self again, though there were still red splotches on her cheeks and around her eyes. “How come you’re always behind bars, troublemaker?” Look who’s talking. I didn’t try to outrun the cops in a hearse.” That hearse had horsepower.” Eve got that moony look in her eyes again. “I love that hearse.
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
And the truth is that I'm not, Ed, is what I wanted to tell you. I'm not arty like everyone says who doesn't know me, I don't paint, I can't draw, I play no instrument, I can't sing. I'm not in plays, I wanted to say, I don't write poems. I can't dance except tipsy at dances. I'm not athletic, I'm not a goth or a cheerleader, I'm not treasurer or co-captain. I'm not gay and out and proud, I'm not that kid from Sri Lanka, not a triplet, a prep, a drunk, a genius, a hippie, a Christian, a slut, not even one of those super-Jewish girls with a yarmulke gang wishing everyone a happy Sukkoth. I'm not anything, this is what I realized ... I like movies, everyone knows I do -- I love them -- but I will never be in charge of one because my ideas are stupid and wrong in my head. There's nothing different about that, nothing fascinating, interesting, worth looking at.
Daniel Handler (Why We Broke Up)
I was never able to accept anyone else’s support but my own –
Simona Panova (Nightmarish Sacrifice (Cardew))
And what if you try to kill me? Or worse: to kiss me?
Simona Panova (Nightmarish Sacrifice (Cardew))
I knew then that I would devote every minute we had left together to making her happy, to repairing the pain I had caused her and returning to her what I never known how to give her. These pages will be our memory until she drows her last breath in my arms and I take her forever and escape at last to a place where neither heaven nor hell will ever be able to find us.
Carlos Ruiz Zafón
A good enemy can be better than the best of friend.
Simona Panova (Nightmarish Sacrifice (Cardew))
Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending – not so much on stage as in real life...
Simona Panova (Nightmarish Sacrifice (Cardew))
One time you told me that the opposite of love isn't hate. And I didn't understand that, but I think I do know. Because if you hate someone, you most still care, right? You have to care a little bit; otherwise you would just ignore them and forget they even live. Or lived.
Barry Lyga (Goth Girl Rising (The Astonishing Adventures of Fanboy and Goth Girl, #2))
Emotions don’t interfere in my acting, nor in my life.
Simona Panova (Nightmarish Sacrifice (Cardew))
You kissed me once and now you feel as if you’ve got some special kind of licence to do it whenever you want?
Simona Panova (Nightmarish Sacrifice (Cardew))
You know what, your imagination works faster than your mind.
Simona Panova (Nightmarish Sacrifice (Cardew))
I think, uh, I might be in love with you," I said, my voice sounding gruff and awkward even to my own ears.
Stacey Kade (Body & Soul (The Ghost and the Goth, #3))
It’s easier for me to make sense of it that way than it is for me to face the other way—reality. And yet, those evil spirits that were unleashed—be they fake entities from a stupid carnival ride, or cruel malevolencies from dark spiritual chasms of our universe—have stayed with me all these years
Tim Cummings (Orphans)
I leave the kitchen table to bathe, and to dress for church. If only my closet held on its shelves an array of faces I could wear rather than dresses, I would know which face to put on today. As for the dresses, I haven't a clue.
Tim Cummings (Orphans)
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
I was recently living more comfortably surrounded by secrets... Like dozens of luxurious satiny pillows, they were embracing me from all directions into safe lulling warmth, thus isolating me from the sharp dead-cold edges of the truth hiding behind their endearingly smooth textures and tender soothing colours. Secrets could be so irresistibly beautiful...
Simona Panova (Nightmarish Sacrifice (Cardew))
You can't rely on love. Love will let you down every time. Every. Single. Time. I don't love Jecca. I don't love Fanboy. But... God, the buts in life will kill you absolutely every time, won't they. I don't love. But I need. I can admit that to myself.
Barry Lyga (Goth Girl Rising (The Astonishing Adventures of Fanboy and Goth Girl, #2))
There are tanned Goths?” Drew asks. I’d forgotten what it can be like with the two of them, constantly bickering in that way that says they really love one another as deeply as only twins can. ", Loving Summer by Kailin Gow
Kailin Gow (Loving Summer (Loving Summer, #1))
I resign myself to apologizing to the miniature goth monster.
Lauren Layne (Isn't She Lovely (Redemption, #0.5))
Listen, we’ll come visit you. Okay? I’ll dress up as William Shakespeare, Lucent as Emily Dickinson, and beautiful ‘Ray’ as someone dashing and manly like Jules Verne or Ernest Hemingway...and we’ll write on your white-room walls. We’ll write you out of your supposed insanity. I love you, Micky Affias. -James (from "Descendants of the Eminent")
Tim Cummings
Insane love. Loving insanity. Insanity and love...
Simona Panova (Nightmarish Sacrifice (Cardew))
The unknown grayish mystifying forest was benumbed into frost-covered cold, and the tremendous pines towering above the dark marshy soil resembled a gathering of severe mute brothers from a forbidden ancient order worshiping forgotten gods no one had ever heard of outside of the world of secret occult visions.
Simona Panova (Nightmarish Sacrifice (Cardew))
Strength and victory... What he would never praise himself for, but whose loss was his most obsessive fear.
Simona Panova (Nightmarish Sacrifice (Cardew))
You can't rely on love. Love will let you down every time. Every. Single. Time.
Barry Lyga (Goth Girl Rising (The Astonishing Adventures of Fanboy and Goth Girl, #2))
Love makes you weak. This I know for sure. Mom loved Roger. Roger loved Mom.And look what happpened there. She died. She thought her love made her strong. She kept telling me-after she was diagnosed-she ket telling me, "I'm going to beat this Kyra. I'm going to come out of it. I love you and I love your father and that love is my strength. You're my strength.
Barry Lyga (Goth Girl Rising (The Astonishing Adventures of Fanboy and Goth Girl, #2))
Overrun with Goths wearing sandals and soaking lentils at home, the future I wanted is gone. The future I was promised. Everything I expected. The way everything was supposed to turn out. Happiness and peace and love and comfort.
Chuck Palahniuk (Invisible Monsters)
At the moment of death, all connections dying people have with the world around them are severed. Everything that bound them to those they loved, those they cared about, vanishes. They will never again see the sun, feel the wind, sense darkness or silence. Joy, grief, happiness, despair – they lose all connection to those things.
Otsuichi (Goth)
No, mother; no. She was really keen on Italy. This travel is quite a crisis for her.” He found the situation full of whimsical romance: there was something half attractive, half repellent in the thought of this vulgar woman journeying to places he loved and revered. Why should she not be transfigured? The same had happened to the Goths.
E.M. Forster (Where Angels Fear to Tread)
The systems we will be exploring in order are: ● Breeding Targets: Arousal patterns tied to systems meant to get our ancestors to have sex with things that might bear offspring (e.g., arousal from things like penises, the female form, etc.). ● Inverse Systems: Arousal patterns that arise from a neural mix-up, causing something that disgusts the majority of the population to arouse a small portion of it (e.g., arousal from things like being farted on, dead bodies, having insects poured on one’s face, etc.). ● Emotional States and Concepts / Dominance and Submission: Arousal patterns that stem from either emotional concepts (such as betrayal, transformation, being eaten, etc.) or dominance and submission pathways. ● Emotional Connections to People: While emotional connections do not cause arousal in and of themselves, they do lower the threshold for arousal (i.e., you may become more aroused by a moderately attractive person you love than a very attractive stranger). ● Trope Attraction: Arousal patterns that are enhanced through a target’s adherence to a specific trope (a nurse, a goth person, a cheerleader, etc.). ● Novelty: Arousal patterns tied to the novelty of a particular stimulus. ● Pain and Asphyxiation: Arousal patterns associated with or enhanced by pain and oxygen deprivation. ● Basic Instincts: Remnants of our pre-cognitive mating instincts running off of a “deeper” autopilot-like neurological system (dry humping, etc.) that compel mating behavior without necessarily generating a traditional feeling of arousal. ● Physical Stimuli: Arousal patterns derived from physical interaction (kissing, touching an erogenous zone, etc.). ● Conditioned Responses: Arousal patterns resulting from conditioning (arousal from shoes, doorknobs, etc.).
Simone Collins (The Pragmatist's Guide to Sexuality)
That everything ends, That everything ends,
Death Cab for Cutie
Liquid heat blasts into me and I can feel it all the way to my navel, feeling him so deep inside me it’s almost like he’s poking at my heart. He
Gemma Rice (Loving Sadem (Goth Girl Book 2))
The full and ardent sentiment which animated my heart with the love of nature, overwhelming me with a torrent of delight, and which brought all paradise before me, has now become an insupportable torment, a demon which perpetually pursues and harasses me.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
Nothing gazed around at the kids in the club. They were all so beautiful. He loved their choppy hairstyles, their costume jewelry, their ragged black or multicolored clothes. He loved the way they all somehow looked like him, and he wished he could make friends with every one of them.
Poppy Z. Brite (Lost Souls)
I wrote about everything I didn’t write on The Fame. While traveling the world for two years, I’ve encountered several monsters, each represented by a different song on the new record: my ‘Fear of Sex Monster,’ my ‘Fear of Alcohol Monster,’ my ‘Fear of Love Monster,’ my ‘Fear of Death Monster,’ my ‘Fear of Loneliness Monster,’ etc. I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90’s dance melodies, an obsession with the lyrical genius of 80’s melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them.
Lady Gaga (Lady Gaga - The Fame Monster Piano, Vocal and Guitar Chords)
Chaotic goth misanthropy and creepy deadpan sarcasm are her brand, and I should know better than to take her seriously.
Ali Hazelwood (Love on the Brain)
This is the exact scenario two post-Evanescence goth podcasters will one day use for their cold open.
Alicia Thompson (Love in the Time of Serial Killers)
The woman's face was like a stone tablet, as if the president of the chess club had wandered over to the Goth corner of the schoolyard and asked to touch a tongue piercing.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Did he judge on appearance alone? would he judge me? "Goth" doesn't cut it when it comes to a word that describes me. I'm complex. Complicated. No one gets me, and I like it that way.
Kelly McClymer (Must Love Black)
Home is where the heart is, and he had mine with one meeting of our gazes, when our souls touched, when they fondled across a crowded room, burning love’s haze into the gloom. Pressing
Gemma Rice (Loving Misery (Goth Girl, #1))
Why didn’t you wake me?” I ask, leaning to look round and up him to see his face, hoping to release some of the pain in my fingers from his brutal hold. “Didn’t have the heart. You drank a lot last night and I nailed you like your name was Jesus, I had to let you rest.
Gemma Rice (Loving Misery (Goth Girl, #1))
You’re not so bad,” she mumbled. “A little freaky looking, sure, but I don’t know what all the fuss is about, honestly. So you look like the grim reaper. Whatever. I think it’s kinda cute, honestly. You’d be a hit at one of Suyin’s Halloween parties, lemme tell ya. The goth kids would go nuts for you.” The claws continued to pet her cheek, and her awareness continued to slip away.” “But don’t get cocky,” she mumbled incoherently. “Doesn’t matter how much they love you, you’re my monster, and I don’t share.” “Isss,” Meph hissed in that fingernails-on-a-chalkboard voice. “Don’t worry.” She smiled faintly. “I’m yours too.
Aurora Ascher (Demon With Benefits (Hell Bent, #3))
No, Mother; no. She was really keen on Italy. This travel is quite a crisis for her.” He found the situation full of whimsical romance: there was something half attractive, half repellent in the thought of this vulgar woman journeying to places he loved and revered. Why should she not be transfigured? The same had happened to the Goths.
E.M. Forster (The Works of E. M. Forster)
Worthy Andronicus, ill art thou repaid For that good hand thou sent’st the Emperor. Here are the heads of thy two noble sons, And here’s thy hand in scorn to thee sent back. Thy grief their sports! thy resolution mock'd, That woe is me to think upon thy woes More than remembrance of my father’s death. [Exit.] Marc. Now let hot Aetna cool in Sicily, And be my heart an ever-burning hell! These miseries are more than may be borne. To weep with them that weep doth ease some deal, But sorrow flouted at is double death. Luc. Ah, that this sight should make so deep a wound And yet detested life not shrink thereat! That ever death should let life bear his name, Where life hath no more interest but to breathe. [Lavinia kisses Titus.] Marc. Alas, poor heart, that kiss is comfortless As frozen water to a starvèd snake. Tit. When will this fearful slumber have an end? Marc. Now farewell, flatt’ry; die, Andronicus. Thou dost not slumber. See thy two sons’ heads, Thy warlike hand, thy mangled daughter here, Thy other banished son with this dear sight Struck pale and bloodless; and thy brother, I, Even like a stony image cold and numb. Ah, now no more will I control thy griefs. Rent off thy silver hair, thy other hand, Gnawing with thy teeth, and be this dismal sight The closing up of our most wretched eyes. Now is a time to storm. Why art thou still? Tit. Ha, ha, ha! Marc. Why dost thou laugh? It fits not with this hour. Tit. Why, I have not another tear to shed. Besides, this sorrow is an enemy And would usurp upon my wat’ry eyes And make them blind with tributary tears. Then which way shall I find Revenge’s cave? For these two heads do seem to speak to me And threat me I shall never come to bliss Till all these mischiefs be returned again Even in their throats that hath committed them. Come, let me see what task I have to do. You heavy people, circle me about That I may turn me to each one of you And swear unto my soul to right your wrongs. The vow is made. Come, brother, take a head, And in this hand the other will I bear. And, Lavinia, thou shalt be employed in these arms. Bear thou my hand, sweet wench, between thy teeth. As for thee, boy, go get thee from my sight. Thou art an exile, and thou must not stay. Hie to the Goths and raise an army there. And if you love me, as I think you do, Let’s kiss and part, for we have much to do. Exeunt.
William Shakespeare (Titus Andronicus)
The demon of power. —Not necessity, not desire—no, the love of power is the demon of men. Let them have everything—health, food, a place to live, entertainment—they are and remain unhappy and low-spirited: for the demon waits and waits and will be satisfied. Take everything from them and satisfy this, and they are almost happy— as happy as men and demons can be. But why do I repeat this? Luther has said it already, and better than I, in the verses: 'Let them take from us our body, goods, honour, children, wife: let it all go—the kingdom [Reich] must yet remain to us!' Yes, yes, the 'Reich'!
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
It was this motley band of modest peeps and plovers on the beach who reminded me of the human beings I loved best - the ones who didn't fit in. These birds may or may not have been capable of emotion, but the way they looked, beleaguered there, few in number, my outcast friends, was how I felt. I'd been told that it was bad to anthropomorphize, but I could no longer remember why. It was, in any case, anthropomorphic only to see yourself in other species, not to see them in yourself. To be hungry all the time, to be mad for sex, to not believe in global warming, to be shortsighted, to live without thought of your grandchildren, to spend half your life on personal grooming, to be perpetually on guard, to be compulsive, to be habit-bound, to be avid, to be unimpressed with humanity, to prefer your own kind: these were all ways of being like a bird. Later in the evening, in posh, necropolitan Naples, on a sidewalk outside a hotel whose elevator doors were decorated with huge blowups of cute children and the monosyllabic injunction SMILE, I spotted two disaffected teenagers, two little chicks, in full Goth plumage, and I wished that I could introduce them to the brownish-gray misfits on the beach.
Jonathan Franzen (The Discomfort Zone: A Personal History)
A VALEDICTION: OF THE BOOK I'll tell thee now (dear love) what thou shalt do To anger destiny, as she doth us; How I shall stay, though she eloign me thus, And how posterity shall know it too; How thine may out-endure Sibyl's glory, and obscure Her who from Pindar could allure, And her, through whose help Lucan is not lame, And her, whose book (they say) Homer did find, and name. Study our manuscripts, those myriads Of letters, which have past 'twixt thee and me; Thence write our annals, and in them will be To all whom love's subliming fire invades, Rule and example found; There the faith of any ground No schismatic will dare to wound, That sees, how Love this grace to us affords, To make, to keep, to use, to be these his records. This book, as long-lived as the elements, Or as the world's form, this all-graved tome In cypher writ, or new made idiom; We for Love's clergy only are instruments; When this book is made thus, Should again the ravenous Vandals and Goths invade us, Learning were safe; in this our universe, Schools might learn sciences, spheres music, angels verse. Here Love's divines—since all divinity Is love or wonder—may find all they seek, Whether abstract spiritual love they like, Their souls exhaled with what they do not see; Or, loth so to amuse Faith's infirmity, they choose Something which they may see and use; For, though mind be the heaven, where love doth sit, Beauty a convenient type may be to figure it. Here more than in their books may lawyers find, Both by what titles mistresses are ours, And how prerogative these states devours, Transferred from Love himself, to womankind; Who, though from heart and eyes, They exact great subsidies, Forsake him who on them relies; And for the cause, honour, or conscience give; Chimeras vain as they or their prerogative. Here statesmen, (or of them, they which can read) May of their occupation find the grounds; Love, and their art, alike it deadly wounds, If to consider what 'tis, one proceed. In both they do excel Who the present govern well, Whose weakness none doth, or dares tell; In this thy book, such will there something see, As in the Bible some can find out alchemy. Thus vent thy thoughts; abroad I'll study thee, As he removes far off, that great heights takes; How great love is, presence best trial makes, But absence tries how long this love will be; To take a latitude Sun, or stars, are fitliest viewed At their brightest, but to conclude Of longitudes, what other way have we, But to mark when and where the dark eclipses be?
John Donne (The Love Poems)
What do woman say to little boys? " Stop fighting. Stop being so rough. Stop rough housing." They're boys you know, that's kinda what they're sapossed to do. So, men are sapossed to overcome all these biological drives and I'm just really interested in helping women overcome theirs caus' I think the spotlight of " Outgrow your bestial nature." has been pointed just a little bit too long at men and I think it's time to swivel that motherfucker around and point it at woman and say stop making yourself look like fucking sex clowns to milk money out of men's dicks. Stop lying about who you are and what you're about. Stop being flirty, manipulative, and trying to be sexy. Just stop doing it. It's time for women to outgrow biology just as men have been instructed to for about the last 20,000 years to outgrow their biology. "Stop slamming doors. Stop yelling. Stop climbing trees. Stop being rude. Stop farting. Stop enjoying fart jokes. Just stop being men." Ok, Well; women stop being women. Be people. Be people who have sex, absolutely but, don't be caricatures. Don't aim to be like a woman who looks like the outline of some playboy mudflap on a trucker's rig. Just be people. Be sexual. Enjoy your sexuality and bodies but, stop trying to bury us in tits so that we pass out and you can rifle through our bank accounts. Just stop doing that shit. I won't enable it anymore. Why does your face have to look like some half rained on Picasso water color? I don't need rainbows on the face of a woman. I don't need these weird butterfly wing goth eyebrows and shit like that. Male sexuality is demonized and female sexuality is elevated. That's bullshit. Then women wonder why men prefer porn to them. It's caus' porn doesn't nag you for wanting stuff that's defined as "kinky" or "weird". Male sexuality is demonized and held in low esteem. Woman's sexuality is always beautiful. Woman's sexuality is unremitting shallow. I'm not saying men's isn't but, we know that about men, right? What turns women on? Women say confidence. Do you know what that means? Money. Do women say " He is really confident about his sidewalk art. He is really confident about his subway busking. That's such a turn on!" Why do men like looking at naked women and women get turned on looking at clothed men? Because if a man's clothes aren't on you don't know how expensive his wardrobe is. This is what Mohammad Ali said. I'm going to throw on some old jeans and a old t-shirt and I'm just gonna walk down into some little town and find some woman who doesn't know who the hell I am and then when she's fallen in love with me and we get married, I'm going to take her to my million dollar mansion and my yacht. This is the reality. Once you start having money, once you start having power, then the true nature of massive swaths of female sexuality becomes clear.
Stefan Molyneux
The blonde was staring at herself in the mirror, taking on a thoughtful, reflective tone. “Well, it isn’t easy. And his mood changes in an instant. But he collects different girls for different flavors – so one girl doesn’t have to be everybody and everything.” “Oh.” I splashed water on my face and stared for a moment at the mask in the mirror. “You’re just his type, totally. With all the tattoos, you are utterly monstrous, if you don’t mind my saying so. Punk-Goth gone mad.” She swung around to take a close, direct look. “I never saw the point of tattoos, mind you, just fad and fashion. But,” she focused on me, stared, grinned, and rolled her eyes. “My God, darling, you really are perfect! How could you do that to yourself?” She licked her lips. “I think you will be a success. As I said, Sergei loves tattoos. He’s totally into the weird and the monstrous. He adores freaks – and kid, you are about as freakish as they come.” “You think so.” I turned my mask towards her and gave her an extra big smile – I was even more grotesque, Martine told me, when I smiled. “Oh, Gwen, how totally utterly horrible!” she declared and then kissed me to console me for having become a monster. As I grinned at Sergei’s girl, the metal rings in my ears clanked against each other. I could feel the large ring nose, warm, smooth steel, against my curled upper lip. “Yes, you look like a masterpiece of self-loathing.” “It’s called body art,” I said, “It’s a statement.” “A statement?” “Absolutely,” I hiccupped. Everything was fuzzy; I forced myself to focus. “Whatever it is, you’ll be a big success. Sergei collects waifs who suffer from extreme self-hatred. Self-destructive and self-hating girls are one of his hobbies. You can do so much with them.
Gwendoline Clermont (Gwendoline Goes Underground)
Katherine MacLean, the former Hopkins researcher who wrote the landmark paper on openness, hopes someday to establish a “psychedelic hospice,” a retreat center somewhere out in nature where not only the dying but their loved ones can use psychedelics to help them let go—the patient and the loved ones both.
Michael Pollan (How to Change Your Mind: The New Science of Psychedelics)
The island of Sicily is the largest in the Mediterranean. It has also proved, over the centuries, to be the most unhappy. The stepping-stone between Europe and Africa, the gateway between the East and the West, the link between the Latin world and the Greek, at once a stronghold, observation-point and clearing-house, it has been fought over and occupied in turn by all the great powers that have at various times striven to extend their dominion across the Middle Sea. It has belonged to them all—and yet has properly been part of none; for the number and variety of its conquerors, while preventing the development of any strong national individuality of its own, have endowed it with a kaleidoscopic heritage of experience which can never allow it to become completely assimilated. Even today, despite the beauty of its landscape, the fertility of its fields and the perpetual benediction of its climate, there lingers everywhere some dark, brooding quality—some underlying sorrow of which poverty, Church influence, the Mafia and all the other popular modern scapegoats may be the manifestations but are certainly not the cause. It is the sorrow of long, unhappy experience, of opportunity lost and promise unfulfilled; the sorrow, perhaps, of a beautiful woman who has been raped too often and betrayed too often and is no longer fit for love or marriage. Phoenicians, Greeks, Carthaginians, Romans, Goths, Byzantines, Arabs, Normans, Germans, Spaniards, French—all have left their mark. Today, a century after being received into her Italian home, Sicily is probably less unhappy than she has been for many centuries; but though no longer lost she still seems lonely, seeking always an identity which she can never entirely find.
John Julius Norwich (The Normans in Sicily : The Magnificent Story of 'the Other Norman Conquest')
Seven Devils” by Florence + The Machine “Paint it, Black” by Ciara “Monsters” by Ruelle “One Way or Another” by Until The Ribbon Breaks “Paranoid” by Post Malone “Royals” by Lorde “So Thick” by Whipped Cream featuring Baby Goth “Sweet But Psycho” by Parker Jenkins “My Blood” by Twenty One Pilots “Candy” by Guccihighwaters “Birthday Cake” by Rihanna “Horns” by Bryce Fox “No One” by Mothica “All The Time” by Jeremih, Lil Wayne and Natasha Mosley “I Wanna Be Yours” by Arctic Monkeys “Monster” by Meg Myers “Soldier” by Fleurie “Fuck It I Love You” by Lana Del Rey “Kill Our Way to Heaven” by Michl “Sweet Dreams” by Emily Browning “Everybody Wants to Rule The World” by Lorde
Ivy Fox (See No Evil (The Society, #1))
Barcelona Barcelona is a modern city with an outdoor lifestyle. Markets, churches, architecture, restaurants, beaches, boulevards are perfect for any explorer who loves to be independent. The city is Spain’s second largest (1.6 million in habitants). It was founded on ancient roots, Hannibal’s father settled here in the 3rd century BC and, from there, it was a Roman settlement before being taken over by the Goths, North Africans, French and finally Spanish – although it still has a streak of independence and a strong movement toward Catalan home rule. An airport bus, Aerobus, connects the airport with the city centre. The bus runs every 10—20 minutes and takes around 30 minutes. The Metro system (stations are marked M) connects most of the
Dee Maldon (The Solo Travel Guide: Just Do It)
A job should not define who or what you are. You should be able to leave today and it not change the overall purpose or direction of your life. Your calling is a much larger concept than what you do daily to create income. Work opportunities can come and go—the direction of your life should remain constant.
Dan Miller (48 Days to the Work You Love: Preparing for the New Normal)
Justin Case and women do not mix. Man boobs, a love of Kings and Castles, and being tight with the "nerd" crowd certainly don't win him any points either. After rescuing Katie, his crush, it turns out she might not be the girl he thought she was, while Elyssa, the school's Goth Girl, turns out to be more. Can high school get any more confusing? Determined to improve himself, he joins a gym and meets a sexy girl that just oozes a "come hither, Justin" vibe. Until she attacks him in the parking lot, and Justin realizes she's no ordinary girl but a being with supernatural speed and strength. After a narrow escape and an excruciating migraine headache, he wakes up with supernatural abilities all his own: speed, strength, and the ability to seduce every woman he sees. While that might sound like the perfect combo for any hormonal teen, Justin is a hopeless romantic who wants his first time to be special. Is that too much to ask for? But he doesn't know what he is or how to stop his carnal urges. One thing is clear: If he doesn't find answers there are other more sinister supernaturals who would like nothing better than to make him their eternal plaything and do far worse than kill him.
John Corwin (Sweet Blood of Mine (Overworld Chronicles, #1))
The Masons will likely be there with Felicity,” she went on. “The Masons want to marry their daughter off to me.” Braden explained. “The mother, Mrs. Mason, is a snob with the warmth of a glacier and her daughter, Felicity, reminds me of Wednesday Addams but more Goth. I think the father might be a hologram.” “And will you be marrying the lovely Felicity?” “I would be more likely to marry Cameron.
N.M. Silber (The Law of Attraction (Lawyers in Love, #1))
The one thing I love about working here is that it’s never dull,’ he replied as he pulled up some images on the left-hand screen. ‘Most places it’s simple stuff, like follow a car, or search for the last known location of a missing man, but here it’s hunt female assassins with wheelchairs, examine the myth of a long forgotten Ley Line, hunt down the history of long-lost occult objects and try to find photos of a victim’s hand.’ He looked back at Declan and Anjli. ‘It’s like Where’s Wally but with Goths,’ he grinned.
Jack Gatland (A Ritual For the Dying (Detective Inspector Declan Walsh #6))
Nothing is impossible when it comes to love.
Chris Riddell (Goth Girl and the Fete Worse than Death (Goth Girl, #2))
Club kids were generally urban and gay, ravers were generally suburban and straight, and goths lived in basements and spiderwebs. The ravers and club kids shared a love for techno and ecstasy, while the goths loved electronic music and old churches. So the Limelight became home for all three tribes.
Moby (Porcelain)
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Night-time desires, when fully realised, are by definition anti-social, or they leave their pursuer in no fit state for work the following morning. Wherever the work ethic governs so rigidly, the Body of State is only interested in the state of the citizen's body in so far as it is fit for work. The night traveller by day, then, runs the risk of censure, of being condemned by those on their way to work. Inculcated with a sense of social responsibility, they cannot mind their own business. Focussing their reproving gaze through mediated ideals of decency and beauty, they see in the state of a body worn out by desires pursuits a threat to the general well-being. The stink of raw love rubbed into their nostrils alerts them to the traveller's disregard for hygeine, self-abuse marking him as anti the body - an antibody within the State Body. Finding no allies on the Left or Right, the night travelling antibody is an object of disgust. He is forced outside - abjected from the society of the everyday. This wouldn't be so bad! But he is not left alone even after abjection. He is now caught in the trap between his own desires and their prohibitions. The pull of these two polarities is irresistibly downward, tugging him deeper into a paralysing depression. And when he can't get any lower, the abjection others confer on him tightens, making it difficult to breathe. Feverish, he is lit up by an illumination: down here at least I feel something. It might not be much of an escape, but the hole abjection opened up constitutes home, a state in and of itself, within which the antibody is the sole subject - that is, the fully fledged Abject. At base at last, all the frustrations accrued from imposed silences and prohibitions finally explode into expression, blowing away the rock with which others block the Abject's hole and splattering anyone peering curiously down at him with searing purples and cold black splotches of night. The stain is indelible.
Biba Kopf
But it wasn’t our differences that I wanted to focus on. So I parked in one of the visitors’ spots and pulled out the GPS I had taken to carrying in my backpack when I went running. I switched it on so I could pinpoint my coordinates, the longitude and latitude that placed me here and nowhere else in the world. The problem was, inside the car, the device couldn’t locate the satellites, so I unrolled the window, stuck my hand out and held the device to the sun. As soon as it calibrated, I grabbed my notebook from my backpack, ripped out a random page, and wrote my position on the paper. As I folded the sheet in half, I caught sight of my meager notes from the lecture about Fate Maps all those months ago. Genetics might be our first map, imprinted within us from the moment the right sperm meets the right egg. But who knew that all those DNA particles are merely reference points in our own adventures, not dictating our fate but guiding our future? Take Jacob’s cleft lip. If his upper lip had been fused together the way it was supposed to be inside his mother’s belly, he’d probably be living in a village in China right now. Then there was me with my port-wine stain. I lifted my eyes to the rearview mirror, wondering what I would have been like had I never been born with it. My fingers traced the birthmark landlocked on my face, its boundary lines sharing the same shape as Bhutan, the country neighboring Tibetans call the Land of the Dragon. I liked that; the dragons Dad had always cautioned me about had lived on my face all this time. Here be dragons, indeed. I leaned back in my seat now, closing my eyes, relishing the feel of the sun warming my face. No, I wouldn’t trade a single experience — not my dad or my birthmark — to be anyone but me, right here, right now. At last, at 3:10, I open my door. I don’t know how I’ll find Jacob, only that I will. A familiar loping stride ambles out of the library. Not a Goth guy, not a prepster, just Jacob decked in a shirt as unabashedly orange as anything in Elisa’s Beijing boutique. This he wore buttoned to the neck and untucked over jeans, sleeves rolled up to reveal tanned arms. For the first time, I see his aggressively modern glasses, deathly black and rectangular. His hair is the one constant: it’s spiked as usual. What swells inside me is a love so boundless, I am the sunrise and sunset. I am Liberty Bell in the Cascades. I am Beihai Lake. I am every beautiful, truly beautiful, thing I’ve ever seen, captured in my personal Geographia, the atlas of myself.
Justina Chen (North of Beautiful)
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