Got My Back Quotes

We've searched our database for all the quotes and captions related to Got My Back. Here they are! All 100 of them:

Do not judge me by my successes, judge me by how many times I fell down and got back up again.
Nelson Mandela
Your memory feels like home to me. So whenever my mind wanders, it always finds it’s way back to you.
Ranata Suzuki
I'm a fighter. I believe in the eye-for-an-eye business. I'm no cheek turner. I got no respect for a man who won't hit back. You kill my dog, you better hide your cat.
Muhammad Ali (The greatest: My own story)
Once I got over the fact that my Latin teacher was a horse, we had a nice tour, though I was careful not to walk behind him. I'd done pooper-scooper patrol in the Macy's Thanksgiving Day Parade a few times, and, I'm sorry, I did not trust Chiron's back the the way I trusted his front.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.
Maurice Sendak
My name is Hazel. Augustus Waters was the great sat-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because-like all real love stories-it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have..." I started crying. "Okay, how not to cry. How am I-okay. Okay." I took a few deep breaths and went back to the page. "I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and infinite collection of others. Of course, there is a Bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
John Green (The Fault in Our Stars)
Roza, my self-control is ten times stronger than yours." I opened my eyes, shifting to look into his. I brushed his hair back and smiled, certain my heart would expand and expand until there was nothing left of me. "Oh yeah? That's not the impression I just got." "Wait until next time," he warned. "I'll do things that'll make you lose control within seconds.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
I'm not moping," I whisper back. "Of course you're not. A girl like you, spending time with a warrior demigod like me. What's to mope about? Leaving a wheelchair behind couldn't possibly show up on the radar compared to that." "You've got to be kidding me." "I never kid about my warrior demigod status.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
You have no idea how much the last few days have meant to me," I began. "Meeting you has been the best thing that's ever happened to me." I hesitated, know that if I stopped now, I'd never be able to say it to anyone. "I love you," I whispered. "Did you ever imagine something like this?" she wondered aloud. "You and me , I mean?" "No," I said. "It scares me a little." My stomach flipped, and all at once, I was sure she didnt feel the same way. "You dont have to say it back to me," I began. "That's not why I said it--" "I know," she interrupted. "You don't understand. I wasnt scared because you told me. I got scared because I wanted to say it, too: I love you, John.
Nicholas Sparks (Dear John)
one thing I don’t need is any more apologies i got sorry greetin me at my front door you can keep yrs i don’t know what to do wit em they don’t open doors or bring the sun back they don’t make me happy or get a mornin paper didn’t nobody stop usin my tears to wash cars cuz a sorry.
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
V was half way down the hall when he heard a yelp. He hightailed it back, barging through the door. “What? What’s …” “I’m going bald!” V whipped back the shower curtain and frowned. “What are you talking about? You’ve still got your hair…” “Not my head! My body, you idiot! I’m going bald!” Vishous glanced down. Butch’s torso and legs were shedding, a rush of dark brown fuzz pooling around the drain. V started laughing. “Think of it this way. At least you won’t have to worry about shaving your back as you get old, true? No manscaping for you.” He was not surprised when a bar of soap came firing at him.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Life is like a box of crayons. Most people are the 8 color boxes, but what you're really looking for are the 64 color boxes with the sharpeners on the back. I fancy myself to be a 64 color box, though I've got a few missing. It's okay though, because I've got some more vibrant colors like periwinkle at my disposal. I have a bit of a problem though in that I can only meet the 8 color boxes. Does anyone else have that problem? I mean there are so many different colors of life, of feeling, of articulation. So when I meet someone who's an 8 color type...I'm like, hey girl, Magenta! and she's like, oh, you mean purple! and she goes off on her purple thing, and I'm like, no I want Magenta!
John Mayer
Simple. I got very bored and depressed, so I went and plugged myself in to its external computer feed. I talked to the computer at great length and explained my view of the Universe to it," said Marvin. "And what happened?" pressed Ford. "It committed suicide," said Marvin and stalked off back to the Heart of Gold.
Douglas Adams (The Ultimate Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1-5))
He wasn't the type for displays of affection, either verbal or not. He was disgusted by couples that made out in the hallways between classes, and got annoyed at even the slightest sappy moments in movies. But I knew he cared about me: he just conveyed it more subtly, as concise with expressing this emotion as he was with everything else. It was in the way he'd put his hand on the small of my back, for instance, or how he'd smile at me when I said something that surprised him. Once I might have wanted more, but I'd come around to his way of thinking in the time we'd been together. And we were together, all the time. So he didn't have to prove how he felt about me. Like so much else, I should just know.
Sarah Dessen (The Truth About Forever)
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
It doesn't hurt." "But my eyes do," said a coolly amused voice from the doorway. Jace. He had come in so quietly that even Simon hadn't heard him; closing the door behind him, he grinned as Isabelle pulled Simon's shirt down. "Molesting the vampire while he's too weak to fight back, Iz?" he asked. "I'm pretty sure that violates at least one of the Accords." "I'm just showing him where he got stabbed," Isabelle protested, but she scooted back to her chair with a certain amount of haste.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
As I moved deeper into the room, his gaze dropped to my feet, and worked its way back to my face. I was wearing faded jeans, boots, and a snug pink Juicy T-shirt I got on sale at TJ Maxx last summer that said I’m a Juicy girl. “I bet you are,” he murmured.
Karen Marie Moning (Faefever (Fever, #3))
Marry me, Kiara,” he blurts out in front of everyone. “Why?” she asks, challenging him. “Because I love you,” he says, walking up to her and bending down on one knee while he takes her hand in his, “and I want to go to sleep with you every night and wake up seein’ your face every mornin’, I want you to be the mother of my children, I want to fix cars with you and eat your crappy tofu tacos that you think are Mexican. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy hot makeup sex. Marry me, because without you I’d be six feet under … and because I love your family like they’re my own … and because you’re my best friend and I want to grow old with you.” He starts tearing up, and it’s shocking because I’ve never seen him cry. “Marry me, Kiara Westford, because when I got shot the only thing I was thinkin’ about was comin’ back here and makin’ you my wife. Say yes, chica.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
A demigod!" one snarled. "Eat it!" yelled another. But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters. "Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down. "New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!" To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long. I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although it‘s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like V‘lane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped. "Sometimes it‘s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldn‘t find you. You‘ll have to choose a new bedroom, too. And I‘m sorry your pretty little world got all screwed up, but everybody‘s does, and you go on. It‘s how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
Karen Marie Moning (Bloodfever (Fever, #2))
Don't push me I've got a corner at my back I've nowhere to go except over you.
Henry Rollins (See a Grown Man Cry, Now Watch Him Die)
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
A few years have gone and come around when we were sittin' at our favorite spot in town and you looked at me, got down on one knee. Take me back to the time when we walked down the aisle; the whole town came and our mammas cried. And you said "I do.", and I did, too. Take me home where we met so many years before; we'll rock our babies on the very front porch. After all this time, you and I. And I'll be eighty-seven you'll be eighty-nine, I'll still look at you like the stars that shine. In the sky. Oh, my my my.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
I watched Titanic when I got back home from the hospital, and cried. I knew that my IQ had been damaged.
Stephen King
She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order. It's good, you know, when you got a woman who is a friend of your mind.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Chaz looks me dead in the eye and says, 'Why yes, Lizzie. I’m manically depressed because the girl I’ve finally realized I’ve always been in love with, and who I was beginning to think just might love me back, turned around and got herself engaged to my best friend, who, frankly, doesn’t deserve her. Does that answer your question?
Meg Cabot
Can I say something?' 'Go on' 'I'm a little drunk' 'Me too. That's okay.' 'Just....I missed you, you know.' 'I missed you too.' 'But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-' 'same here.' 'I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-' 'same here.' '-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'- -'You know what happens you have a family, your responsibilities change, you lose touch with people' 'It won't be like that, I promise.' 'Do you?' 'Absolutely' 'You swear? No more disappearing?' 'I won't if you won't.' Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.
David Nicholls (One Day)
He and the girl had almost nothing to say to each other. One thing he did say was, 'I ain't got any tattoo on my back.' 'What you got on it?' the girl said. 'My shirt,' Parker said. 'Haw.' 'Haw, haw,' the girl said politely.
Flannery O'Connor (The Complete Stories)
You don’t know how it is. It’s like I’ve got this angry little person inside me, and I can feel him trying to get out. He’s running out of room because he’s growing bigger and bigger, and so he starts rising up, into my lungs, chest, throat, and I just push him right back down. I don’t want him to come out. I can’t let him out.
Jennifer Niven (All the Bright Places)
We've got a sort of brainwashing going on in our country, Morrie sighed. Do you know how they brainwash people? They repeat something over and over. And that's what we do in this country. Owning things is good. More money is good. More property is good. More commercialism is good. More is good. More is good. We repeat it--and have it repeated to us--over and over until nobody bothers to even think otherwise. The average person is so fogged up by all of this, he has no perspective on what's really important anymore. Wherever I went in my life, I met people wanting to gobble up something new. Gobble up a new car. Gobble up a new piece of property. Gobble up the latest toy. And then they wanted to tell you about it. 'Guess what I got? Guess what I got?' You know how I interpreted that? These were people so hungry for love that they were accepting substitutes. They were embracing material things and expecting a sort of hug back. But it never works. You can't substitute material things for love or for gentleness or for tenderness or for a sense of comradeship. Money is not a substitute for tenderness, and power is not a substitute for tenderness. I can tell you, as I'm sitting here dying, when you most need it, neither money nor power will give you the feeling you're looking for, no matter how much of them you have.
Mitch Albom (Tuesdays with Morrie)
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
Kazuo Ishiguro (Never Let Me Go)
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
Bill Hicks
You don’t need no gun control, you know what you need? We need some bullet control. Men, we need to control the bullets, that’s right. I think all bullets should cost five thousand dollars… five thousand dollars per bullet… You know why? Cause if a bullet cost five thousand dollars there would be no more innocent bystanders. Yeah! Every time somebody get shut we’d say, ‘Damn, he must have done something ... Shit, he’s got fifty thousand dollars worth of bullets in his ass.’ And people would think before they killed somebody if a bullet cost five thousand dollars. ‘Man I would blow your fucking head off…if I could afford it.’ ‘I’m gonna get me another job, I’m going to start saving some money, and you’re a dead man. You’d better hope I can’t get no bullets on layaway.’ So even if you get shot by a stray bullet, you wouldn't have to go to no doctor to get it taken out. Whoever shot you would take their bullet back, like "I believe you got my property.
Chris Rock
Look at me, he said to her. His arms and legs jerked. Look at me. You got your wish. I have learned how to love. And it’s a terrible thing. I’m broken. My heart is broken. Help me. The old woman turned and hobbled away. Come back, thought Edward. Fix me
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
Love you,” Xavier said just before he drifted back to sleep. “Love you more,” I said playfully. “Not a chance,” Xavier said, fully awake now. “I’m bigger, I can contain more love.” “I’m smaller, therefore my love particles are more compressed, which means I can fit more in.” Xavier laughed. “That argument makes no sense. Overruled.” “I’m just basing it on how much I miss you when you’re not around,” I countered. “How can you possibly know how much I miss you?” he said. “Have you got some sort of built-in miss-o-meter that can give us a reading?” “I’m a girl; of course I have a built-in miss-o-meter.
Alexandra Adornetto (Halo (Halo, #1))
I heard you scream,” he said as he examined the blade in my hands. I’d never held one so finely crafted, so perfectly balanced. “And I hesitated. Not long, but I hesitated before I came running. Even though Tam got there in time, I still broke my word in those seconds I waited.” He jerked his chin at the knife. “It’s yours. Don’t bury it in my back, please.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Hey, wait," I said, pulling back, "you are the son of Satan. Maybe we need a safe word." His grin morphed into something wickedly charming. "Okay, how about, 'Oh, my god, it's so big.'" Laughter burst out of me before I could stop it. Not that it wasn't. "That would be a safe phrase, but okay." I thought about it, then said, "How about 'Is that all you've got?
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
contiguous, adj. I felt silly for even mentioning it, but once I did, I knew I had to explain. "When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are." For a moment, you were quiet. And then you nestled in and whispered. "Contiguous." And I knew you understood.
David Levithan (The Lover's Dictionary)
I nodded. “I’m sorry I let you down.” “No, no, dear,” she said, turning forward. “I see potential in you. I worked in a factory when I was your age. I was dirty and hungry, and sometimes I was angry. But I had an undying crush on the prince of Illéa, and when I got the chance to make him my own, I learned to check those feelings. There’s a lot to be done from here, but it might not happen the way you want it to. You need to learn to accept that, okay?” “Yes, Mom,” I joked. She looked back at me, her face like stone. “I mean, ma’am. Ma’am.” Her eyes started glistening, and she blinked a few times, turning forward again. “If it ends as I suspect it will, Mom will be just fine.
Kiera Cass (The One (The Selection, #3))
You! You tricked me! I never want to see you or that bottle of liquid arsenic again!” I chucked the empty moonshine jug at him. Or tried to. It missed him by a dozen feet. He picked it up in astonishment. “You drank the whole bloody thing? You were only supposed to have a few sips!” “Did you say that? Did you?” He reached me just as I felt the ground tip. “Didn’t say anything. I’ve got those names, so that’s all that matters, but you men…you’re all alike. Alive, dead, undead—all perverts! I had a drunken pervert in my pants! Do you know how unsanitary that is?” Bones held me upright. I would have protested, but I couldn’t remember how to. “What are you saying?” “Winston poltergeisted my panties, that’s what!” I announced with a loud hiccup. “Why, you scurvy, lecherous spook!” Bones yelled in the direction of the cemetery. “If my pipes still worked, I’d go right back there and piss on your grave!
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the Nude Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it
Frank O'Hara
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
While Adrian was interviewing in the back, I got a table and some coffee. Trey came to visit me after about fifteen minutes. "Is that really your brother?" he demanded. "Yes," I said, hoping I sounded convincing. "When you said he was looking for a job, I pictured a male version of you. I figured he'd want to color code the cups or something." "What's your point?" I asked. Trey shook his head. "My point is that you'd better keep looking. I was just back there and overheard him talking with my manager. She was explaining the cleanup he would have to do each night. Then he said something about his hands and manual labor.
Richelle Mead (Bloodlines (Bloodlines, #1))
His smile got even bigger. "Yeah, Ace, a day of you cryin' in my arms, sleepin' in my arms, kissin' you, feelin' your body, smellin' your hair, your perfume, only so much a man can take. I ran for an hour, hard, didn't even fuckin' warm up, it didn't touch it. Come back, deal with that fuckwad, (that's her ex) and you're standin' there, all legs and hair, wearin' my shirt. Seriously. Only so much a man can take.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
how come you're so ugly?" "my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall. sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
...I've made it my business to observe fathers and daughters. And I've seen some incredible, beautiful things. Like the little girl who's not very cute - her teeth are funny, and her hair doesn't grow right, and she's got on thick glasses - but her father holds her hand and walks with her like she's a tiny angel that no one can touch. He gives her the best gift a woman can get in this world: protection. And the little girl learns to trust the man in her life. And all the things that the world expects from women - to be beautiful, to soothe the troubled spirit, heal the sick, care for the dying, send the greeting card, bake the cake - allof those things become the way we pay the father back for protecting us...
Adriana Trigiani (Big Stone Gap (Big Stone Gap, #1))
Um, Bella? You've got a huge cut on your forehead, and it's gushing blood," he informed me. I clapped my hand over my head. Sure enough, it was wet and sticky. I could smell nothing but the damp moss on my face, and that held off the nausea. Oh, I'm so sorry, Jacob." I pushed hard against the gash, as if I could force the blood back inside my head. Why are you apologizing for bleeding?" he wondered as he wrapped a long arm around my waist and and pulled me to my feet.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Nobody's perfect for battling evil. It's seductive. When we find it, it's going to come at you with everything it's got." I was braced for it. I knew it would. I took a deep, slow breath, filling my lungs, squaring my shoulders. "Jericho, I feel like my whole life have been pushing me toward this moment." "That's it. Fate's a fickle whore. We're not going. Take your clothes off and get back in my bed.
Karen Marie Moning (Shadowfever (Fever, #5))
Lately I've become so damned distracted that I can't make a decision about anything. I can't think clearly. I've got knots in my stomach, and constant pains in my chest, and whenever I see you talking to any man, or smiling at anyone, I go insane with jealousy. I can't live this way. I—" He broke off and stared at her incredulously. "Damn it, Evie, what is there for you to smile about?" "Nothing," she said, hastily tucking the sudden smile back into the corners of her mouth. "It's just… it sounds as if you're trying to say that you love me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You aren't going to go crazy," I said firmly. "You're stronger than you think. The next time you feel that way, find something to focus on, to remind you of who are." "Like what? Got some magic object in mind?" "Doesn't have to be magic," I said. I racked my brain. "Here." I unfastened the golden cross necklace. "This has always been good for me. Maybe it'll help you." I set it in his hand, but he caught hold of mine before I could pull back
Richelle Mead
Well, you've finally got a license to kill. It's about time. " I turned and met the amused eyes of Christian Ozera, a onetime annoyance who'd become a good friend. So good, in fact, that in my joyous zeal, I reached out and hugged him--something he clearly didn't expect. I was surprising everyone today. "Whoa, whoa, " he said backing up, flushing. "It figures. You're the only girl who'd get all emotional about the thought of killing. I don't even want to think about what goes on when you and Ivashkov are alone.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-" -"What little bird?" said Aziraphale suspiciously. -"This little bird I'm talking about. And every thousand years-" -"The same bird every thousand years?" -Crowley hesitated. "Yeah," he said. -"Bloody ancient bird, then." -"Okay. And every thousand years this bird flies-" -"-limps-" -"-flies all the way to this mountain and sharpens its beak-" -"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy." -"But it gets there anyway," Crowley persevered. -"How?" -"It doesn't matter!" -"It could use a space ship," said the angel. Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-" -"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have they got to do?" -"Sharpen its beak on the mountain," said Crowley. "And then it flies back-" -"-in the space ship-" -"And after a thousand years it goes and does it all again," said Crowley quickly. There was a moment of drunken silence. -"Seems a lot of effort just to sharpen a beak," mused Aziraphale. -"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-" Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly. -"-then you still won't have finished watching The Sound of Music." Aziraphale froze. -"And you'll enjoy it," Crowley said relentlessly. "You really will." -"My dear boy-" -"You won't have a choice." -"Listen-" -"Heaven has no taste." -"Now-" -"And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
When we first started out I had a really big issue and a lot of my loved ones had a really big issue with the fact that I was totally in pain up there and there was a time when I tried to hurt myself off stage, but I got over that. Like, you should never want to hurt yourself. You should love yourself. Sometimes you have to kind of die inside in order to rise from your own ashes and believe in yourself and love yourself and become a new person and I think that that is going to be a lot of what the next record is about, not to plug it or anything. Like, it's going to talk about dying and coming back to become what you totally want to become. We are all becoming what we want to become.
Gerard Way
And so now I'd like to say - people can change anything they want to. And that means everything in the world. People are running about following their little tracks - I am one of them. But we've all got to stop just following our own little mouse trail. People can do anything - this is something that I'm beginning to learn. People are out there doing bad things to each other. That's because they've been dehumanised. It's time to take the humanity back into the center of the ring and follow that for a time. Greed, it ain't going anywhere. They should have that in a big billboard across Times Square. Without people you're nothing. That's my spiel.
Joe Strummer
I'm making a list of things that make you agreeable." I scoffed, pushing my foot into his leg. "And all you got is sex and vacations?" "The length of the list is not my fault." "Are you saying I'm disagreeable?" He raised an eyebrow. "Woman, how stupid do you think I am? You really think I'm answering that? I want to get laid tonight?" I pushed him harder. "Watch it, or you might get laid to rest." Braden threw his head back and laughed.
Samantha Young (On Dublin Street (On Dublin Street, #1))
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved (Beloved Trilogy, #1))
did anybody ever come back from the dead any single one of the millions who got killed did any one of them ever come back and say by god i'm glad i'm dead because death is always better than dishonor? did they say i'm glad i died to make the world safe for democracy? did they say i like death better than losing liberty? did any of them ever say it's good to think i got my guts blown out for the honor of my country? did any of them ever say look at me i'm dead but i died for decency and that's better than being alive? did any of them ever say here i am i've been rotting for two years in a foreign grave but it's wonderful to die for your native land? did any of them say hurray i died for womanhood and i'm happy see how i sing even though my mouth is choked with worms?
Dalton Trumbo (Johnny Got His Gun)
You are a terrible liar. You do want this. Just as badly as I do.” My mouth opened, but no words came out. “You want this as badly as you want to go to ALA this winter.” Now my jaw was on the floor. “You don’t even know what ALA is!” “American Library Association midwinter event,” he said, grinning proudly. “Saw you obsessing over it on your blog before you got sick. I’m pretty sure you said you’d give up your firstborn child to go.” Yeah, I kind of did say that. Daemon eyes flashed. “Anyway, back to the whole you wanting me part.” I shook my head, dumbfounded. “You do want me.” Taking a deep breath, I struggled with my temper… and my amusement. “You are way too confident.” “I’m confident enough to wager a bet.” “You can’t be serious.” He grinned. “I bet that by New Year’s Day, you will have admitted that you’re madly, deeply, and irrevocably—” “Wow. Want to throw another adverb out there?” My cheeks were burning. “How about irresistibly?” I rolled my eyes and muttered, “I’m surprised you know what an adverb is.” “Stop distracting me, Kitten. Back to my bet—by New Year’s Day, you’ll have admitted that you’re madly, deeply, irrevocably, and irresistibly in love with me.” Stunned, I choked on my laugh. “And that you dream about me.” He released my arm and folded his, cocking an eyebrow. “I bet you’ll even admit that. Probably even show me your notebook with my name circled in hearts—” “Oh, for the love of God…” Daemon winked. “It’s on.
Jennifer L. Armentrout (Onyx (Lux, #2))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
I ate the roll, and forced down some more sparkling wine. When your eyes closed against the sun again, and I had nothing else to look at I glanced quickly at your chest, curious, really. I'd only seen chests like that in magazines. I wondered if that's how you'd got all your money . . . modeling. I looked down at my stomach. I grabbed at it, seeing how much fat I could lift up in a roll. "Don't worry," you said, one eye open again like a crocodile, watching me. "You're beautiful." You tipped your head back again "Beautiful," you murmured. "Perfect." "You wouldn't know. You're built like some sort of supermodel." I bit my lip, wishing I hadn't complimented you like that. "Or a stripper," I added. "Prostitute." "I wouldn't want you to think I'm repulsive," you said, half smiling. "Too late." You opened your other eye to squint at me. "Will you ever give me a break?
Lucy Christopher (Stolen (Stolen, #1))
The children came to a perfume shop. In the show window was a large jar of freckle salve, and beside the jar was a sign, which read: DO YOU SUFFER FROM FRECKLES? 'What does the sign say?' ask Pippi. She couldn’t read very well because she didn’t want to go to school as other children did. 'It says, "Do you suffer from freckles?"' said Annika. 'Does it indeed?' said Pippi thoughtfully. 'Well, a civil question deserves a civil answer. Let’s go in.' She opened the door and entered the shop, closely followed by Tommy and Annika. An elderly lady stood back of the counter. Pippi went right up to her. 'No!' she said decidedly. 'What is it you want?' asked the lady. 'No,' said Pippi once more. 'I don’t understand what you mean,' said the lady. 'No, I don’t suffer from freckles,' said Pippi. Then the lady understood, but she took one look at Pippi and burst out, 'But, my dear child, your whole face is covered with freckles!' 'I know it,' said Pippi, 'but I don’t suffer from them. I love them. Good morning.' She turned to leave, but when she got to the door she looked back and cried, 'But if you should happen to get in any salve that gives people more freckles, then you can send me seven or eight jars.
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
Rachel Vincent (If I Die (Soul Screamers, #5))
-BDB on the board- VAMPIRES WITH ONE EYEBROW ARE SEXY May 8, 2006 Vishous (Back in the Pit, posting in Rhage's room on the board) Hi! My name is Rhage.....:) I'm starting a new trend in facial hair. Having one eyebrow is COOL. Having one eyebrow is SEXY. Having one eyebrow is very INTELLECTUAL. Come. Join me. Rhage: (In his bedroom) 1. He immobilized me, the motherfucker. Or I woud have gone to work on the goatee. AND IF HE WERE SO TOUGH HE WOULDN'T HAVE HAD TO PUT A WHAMMY ON MY ASS TO GET AT ME. 2. My hair grows back VERY fast. I should be BACK TO NORMAL in a couple of days. 3. Even if it takes me the rest of this month...he has SO got it coming for him. Vishous: Rhage! What happened to your eyebrow? Why...it's gone. Did you slip while you were shaving? Hey....lemme ask you something...Does your head feel off-kilter? You know, heavier on one side?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
NO!" She shouted through my lips. Jared caught her hands, then caught me against the wall before I could fall. I sagged, my body confused by the conflicting directions it was receiving. "Mel? Mel!" "What are you doing?" He groaned in relief. "I knew you could do it! Ah Mel!" He kissed her again, kissed the lips that she controlled, and we could both taste the tears that ran down his face. She bit him. Jared jumped back from both of us, and I slid to the floor, landing in a wilted heap. He started laughing, "That's my girl. You still got her, Wanda?" "Yes," I gasped. What the hell, Wanda? She screeched at me. Where have you been? Do you have any idea what I've been going through trying to find you? Yeah, I can see that you were really suffering.
Stephenie Meyer (The Host (The Host, #1))
Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time." "Yeah, bu-" "I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.
John Green (Paper Towns)
Gifts of grace come to all of us. But we must be ready to see and willing to receive these gifts. It will require a kind of sacrifice, the sacrifice of believing that, however painful our losses, life can still be good — good in a different way then before, but nevertheless good. I will never recover from my loss and I will never got over missing the ones I lost. But I still cherish life. . . . I will always want the ones I lost back again. I long for them with all my soul. But I still celebrate the life I have found because they are gone. I have lost, but I have also gained. I lost the world I loved, but I gained a deeper awareness of grace. That grace has enabled me to clarify my purpose in life and rediscover the wonder of the present moment.
Gerald L. Sittser (A Grace Disguised: How the Soul Grows through Loss)
I cling to him, wishing I could ease his pain. I wish I could take his burdens and make them mine. "It's weird, isn't it?" he says. "What is?" "If we were naked right now, I'd be dead." "Shut up," I say, laughing against his chest. We're both wearing long sleeves, long pants. As long as my face and hands don't touch his skin, he's perfectly safe. "Well, it's true." "In what alternate universe would I ever be naked with you?" "I am just saying," he says. "Shit happens. You never know." "I think you need a girlfriend." "Nah," he says. "I just need a hug from my friend." I lean back to look at him. Try to read his eyes. "You're my best friend, Kenji. You know that, right?" "Yeah, kid." He grins at me. "I do. And I can't believe I got stuck with your skinny ass.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
He raped me, Agent Calhoun, he hit me but he didn’t kill me. As long as I’m breathing, I’ve got fight in me and luckily I’m breathing.” It was at that he whispered, “You aren’t like a lot of women.” “Yes I am,” I whispered back. “I’m like all women. You see this but inside there’s something else that I won’t let you see or him see but it’s the mess he left me. But that’s mine. No one gets to it. Everything you get and he gets is a show. One thing you learn really quickly and really well when that kind of thing happens to you is to be a fucking great actress. You don’t have a choice in that because a man like that does something like that to you, you lose having choices. The only choice you have is what role you intend to play. I picked my role and that… that Agent Calhoun is what you see.
Kristen Ashley (Wild Man (Dream Man, #2))
See? See what you can do? Never mind you can’t tell one letter from another, never mind you born a slave, never mind you lose your name, never mind your daddy dead, never mind nothing. Here, this here, is what a man can do if he puts his mind to it and his back in it. Stop sniveling,’ [the land] said. ‘Stop picking around the edges of the world. Take advantage, and if you can’t take advantage, take disadvantage. We live here. On this planet, in this nation, in this county right here. Nowhere else! We got a home in this rock, don’t you see! Nobody starving in my home; nobody crying in my home, and if I got a home you got one too! Grab it. Grab this land! Take it, hold it, my brothers, make it, my brothers, shake it, squeeze it, turn it, twist it, beat it, kick it, kiss it, whip it, stomp it, dig it, plow it, seed it, reap it, rent it, buy it, sell it, own it, build it, multiply it, and pass it on – can you hear me? Pass it on!
Toni Morrison (Song of Solomon)
The Romans move east from New York. They advance in your camp, and nothing can slow them down. "Nothing can slow them down," Leo mused. "I wonder..." "What?" Jason asked. Leo looked at the dwarfs. "I'll make you a deal." Akmon's eyes lit up. "Thirty percent?" "We'll leave you all the treasure," Leo said, "except the stuff that belongs to us, and the astrolabe, and this book, which we'll take back to the dude in Venice." "But he'll destroy us!" Passolos wailed. "We won't say where we got it," Leo promised. "And we won't kill you. We'll let you go free." "Uh, Leo...?" Jason asked nervously. Akmon squealed in delight. "I knew you were as smart at Hercules! I will call you Black Bottom, the Sequel!" "You, no thanks," Leo said. "But in return for us sparing your lives, you have to do something for us. I'm going to send you somewhere to steal from some people, harass them, make life hard for them any way you can. You have to follow my directions exactly. You have to swear on the River Styx." "We swear!" Passalos said. "Stealing from people is our specialty!" "I love harassment!" Akmon agreed. "Where are we going?" Leo grinned. "Ever heard of New York?
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.
Maya Angelou
I was helpless in trying to return people's kindness, but also helpless to resist it. Kindness is a scarier force than cruelty, that's for sure. Cruelty isn't that hard to understand. I had no trouble comprehending why the phone company wanted to screw me over; they just wanted to steal some money, it was nothing personal. That's the way of the world. It made me mad, but it didn't make me feel stupid. If anything, it flattered my intelligence. Accepting all that kindness, though, made me feel stupid. Human benevolence is totally unfair. We don't live in a kind or generous world, yet we are kind and generous. We know the universe is out to burn us, and it gets us all the way it got Renee, but we don't burn each other, not always. We are kind people in an unkind world, to paraphrase Wallace Stevens. How do you pretend you don't know about it, after you see it? How do you go back to acting like you don't need it? How do you even the score and walk off a free man? You can't. I found myself forced to let go of all sorts of independence I thought I had, independence I had spent years trying to cultivate. That world was all gone, and now I was a supplicant, dependent on the mercy of other people's psychic hearts.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Thump “Oh, God” Thump Thump Unbelievable… I woke up faster this time, because I knew what I was hearing I sat up in bed, glaring behind me. The bed was still pulled safely away from the wall, so I felt no movement. But there sure as hell something moving over there. Then I heard ……hissing? I looked down at Clive, whose tail was at full puff. He arched his back and paced back and forth at the foot of the bed. “Hey, mister. It’s cool. We just got a noisy neighbor, that’s all,” I soothed, stretching my hand out to him. That’s when I heard it. “Meow” I cocked my head sideways, listening more intently. I studied Clive, who looked back at me as if to say “T’weren’t me”. “Meow! Oh, God. Me -Yow!” The girl next door was meowing. What in the world was my neighbor packing to make that happen? Clive, at this point, went utterly bonkers and launched himself at the wall. He was literally climbing it, trying to get where the noise was coming from, and adding his own meows to the chorus. “Oooh yes, just like that, Simon…Mmmm….Meow, meow, Meow!” Sweet Lord, there were out-of-control pussies on both sides of this wall tonight.
Alice Clayton (Wallbanger (Cocktail, #1))
Well, you've got the growling part down pat already. Probaly all those years of practice." He began to rise, his legs wobbly. "All right, I'm coming back. I just didn't want to be in your way." A grunt. Your not. Or that's what I hoped he meant. "You can understand me, can't you?" I said as I returned to sit on his discarded sweatshirt. "You know what I'm saying." He tried to nod, then snarled at the awkwardness of it. "Not easy when you can't talk, is it?" I grinned. "Well, not easy for you. I could get used to it." He grumbled, but I coulld see the relief in his eyes, like he was glad to see me smile. "So I was right, wasn't I? It's still you even if wolf form." He grunted. "No sudden urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And I don't smell like dinner, right?" I got a real good look for that one. "Just covering my bases.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because-like all real love stories-it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have..." I started crying. "Okay, how not to cry. How am I-okay. Okay." I took a few deep breaths and went back to the page. "I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and infinite collection of others. Of course, there is a Bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
John Green (The Fault in Our Stars)
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now. Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment. My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin. Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen. So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done. Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
We walk for about an hour before Raffe whispers, “Does moping actually help humans feel better?” “I’m not moping,” I whisper back. “Of course you’re not. A girl like you, spending time with a warrior demigod like me. What’s to mope about? Leaving a wheelchair behind couldn’t possibly show up on the radar compared to that.” I nearly stumble over a fallen branch. “You have got to be kidding me.” “I never kid about my warrior demigod status.” “Oh. My. God.” I lower my voice, having forgotten to whisper. “You are nothing but a bird with an attitude. Okay, so you have a few muscles, I’ll grant you that. But you know, a bird is nothing but a barely evolved lizard. That’s what you are.” He chuckles. “Evolution.” He leans over as if telling me a secret. “I’ll have you know that I’ve been this perfect since the beginning of time.” He is so close that his breath caresses my ear. “Oh, please. Your giant head is getting too big for this forest. Pretty soon, you’re going to get stuck trying to walk between two trees. And then, I’ll have to rescue you.” I give him a weary look. “Again.” I pick up my pace, trying to discourage the smart comeback that I’m sure will come. But it doesn’t. Could he be letting me have the last say? When I look back, Raffe has a smug grin on his face. That’s when I realize I’ve been manipulated into feeling better. I stubbornly try to resist but it’s already too late.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
I was trying to go... somewhere. But I kept getting pulled back here. I couldn't stop walking, couldn't stop thinking. About the first time I ever saw you, and how after I couldn't forget you. I wanted to, but I couldn't stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institute. And even back then, in that stupid coffee shop, when I saw you with Simon, even then that felt wrong to me-- I should have been the one sitting with you. The one who made you laugh like that. I couldn't get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it-- it had never been like that for me before. I'd always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick's and I knew. And then to find out the reason I felt like that-- like you were some part of me I'd lost and never ever knew I was missing until I saw you again-- that the reason was that you were my sister, it felt like some cosmic joke. Like God was spitting on me. I don't even know for what-- for thinking that I actually get to have you, that I would deserve something like that, to be happy. I couldn't imagine what it was I'd done that I was being punished for--
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
love. she liberated me to life, she continued to do that. and when she was in her final sickness i went out to san francisco and the doctor said she had 3 weeks to live, i asked her "would you come to north carolina?" she said yes. she had emphysema and lung cancer, i brought her to my home. she lived for a year and a half ..and when she was finally in extemis, she was on oxygen and fighting cancer for her life and i remembered her liberating me, and i said i hoped i would be able to liberate her, she deserved that from me. she deserved a great daughter and she got one. so in her last days, i said "i understand some people need permission to go… as i understand it you may have done what god put you here to do. you were a great worker, you must've been a great lover cause a lot of men and if I'm not wrong maybe a couple of woman risked their lives to love you. you were a piss poor mother of small children but a you were great mother of young adults, and if you need permission to go, i liberate you". and i went back to my house, and something said go back- i was in my pajamas, i jumped in my car and ran and the nurse said "she just gone". you see love liberates. it doesn't bind, love says i love you. i love you if you're in china, i love you if you're across town, i love you if you're in harlem, i love you. i would like to be near you, i would like to have your arms around me i would like to have your voice in my ear but thats not possible now, i love you so go. love liberates it doesn't hold. thats ego. love liberates.
Maya Angelou
I acquired expensive habits and affected manners. I got a third-class degree and a first-class illusion: that I was a poet. But nothing could have been less poetic that my seeing-through-all boredom with life in general and with making a living in particular. I was too green to know that all cynicism masks a failure to cope-- an impotence, in short; and that to despise all effort is the greatest effort of all. But I did absorb a small dose of one permanently useful thing, Oxford's greatest gift to civilized life: Socratic honesty. It showed me, very intermittently, that it is not enough to revolt against one's past. One day I was outrageously bitter among some friends about the Army; back in my own rooms later it suddenly struck me that just because I said with impunity things that would have apoplexed my dead father, I was still no less under his influence. The truth was I was not a cynic by nature, only by revolt. I had got away from what I hated, but I hadn't found where I loved, and so I pretended that there was nowhere to love. Handsomely equipped to fail, I went out into the world.
John Fowles (The Magus)
Ayden and Blake stared each other down. "Oh. My. God," Luna blurted from Ayden's back seat. "It's a love triangle." We all looked at her like she'd sprouted an alien from her head. "it's just like in a book. Two guys after one girl and-" I groaned. "That's ridiculous, Luna, this is not a love triangle." "Says the girl in the middle of a love triangle. Luna ignored my protests and prattled on. "Not one Hexy Boy but two. I've got to call Danica. Oooo," she squealed and clapped her hands,"We could have teams. Team Ayden and Team Blake. With T-shirt and buttons and-" "I could make a website," Lucian offered. "No!" My voice pitched with panic. "No teams. No shirts. No-" "I'll get you some headshots," Blake said, turning his profile towards Luna and Lucian. "I've been told the left is my best side. What do you think?" "Aurora's right," Ayden said. "This is buts. Blake you can follow us-" "Dude, you know no one would pick Team Ayden. You're just jealous." "That's not true. My team would be way bigger than yours." "Dare to dream, little man, dare to dream." "Care to make a wager on it?" "Absolutely." "Fine. How about-" "You two shut up!" I shoved myself out of the car.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Say something Becks. Say anything" "You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back. "What do you remember about me?" There was strong emotion behind his voice. Something he fought to control. With my eyes closed, I could easily picture the other side of the century. "I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient." I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now." For a moment the space between us held no tension, no questions, no accusations. Finally he leaned back, a stunned expression on his face. "Where do we go from here?" "Nowhere, really," I whispered. "It doesn't change anything.
Brodi Ashton (Everneath (Everneath, #1))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life. And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends. When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her. Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know: I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be. When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail. So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
John Green (Looking for Alaska)
"I gave up a world for you." He glared at me, not giving me anything. I kept right on going. "I thought, perhaps, when I learned I had powers, I might be able to use them to go home," his eyes flashed but that was all I got so I kept on going, "but not for good. My father isn't dead." Another flash. "He's alive and at home and living maybe with a fake Circe. He'll know the difference, though, I KNOW it. He's out of his mind with worry, I know that too. He's wondering where I am and if I'm okay and how to get me back. I also know that. I know that and I know that my life was good. I loved my life. I loved my home. I loved my job. I had a lot of people who loved me that loved me back." I sucked in a breath and then whispered, "But as much as your world scared me, as much as our practices repulsed me, I still chose you." His torso jerked, it was almost imperceptible, but I caught it. I kept at him. "I gave up my world for you, Lahn. I sat at your side through things people in my world would find loathsome and I did it with my head held high. I even felt 'pride' that I could endure, that I could be a good queen to you.......Everything I did in this fucking place, even before I fell in love with you, was for...fucking...YOU."
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.” Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?” “Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.” “Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?” “One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.” He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.” “I already feel that way,” I said quietly. Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.” I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
...he asked, "Where are you today, right now?" Eagerly, I started talking about myself. However, I noticed that I was still being sidetracked from getting answers to my questions. Still, I told him about my distant and recent past and about my inexplicable depressions. He listened patiently and intently, as if he had all the time in the world, until I finished several hours later. "Very well," he said. "But you still have not answered my question about where you are." "Yes I did, remember? I told you how I got to where I am today: by hard work." "Where are you?" "What do you mean, where am I?" "Where Are you?" he repeated softly. "I'm here." "Where is here?" "In this office, in this gas station!" I was getting impatient with this game. "Where is this gas station?" "In Berkeley?" "Where is Berkeley?" "In California?" "Where is California?" "In the United States?" "On a landmass, one of the continents in the Western Hemisphere. Socrates, I..." "Where are the continents? I sighed. "On the earth. Are we done yet?" "Where is the earth?" "In the solar system, third planet from the sun. The sun is a small star in the Milky Way galaxy, all right?" "Where is the Milky Way?" "Oh, brother, " I sighed impatiently, rolling my eyes. "In the universe." I sat back and crossed my arms with finality. "And where," Socrates smiled, "is the universe?" "The universe is well, there are theories about how it's shaped..." "That's not what I asked. Where is it?" "I don't know - how can I answer that?" "That is the point. You cannot answer it, and you never will. There is no knowing about it. You are ignorant of where the universe is, and thus, where you are. In fact, you have no knowledge of where anything is or of What anything is or how is came to be. Life is a mystery. "My ignorance is based on this understanding. Your understanding is based on ignorance. This is why I am a humorous fool, and you are a serious jackass.
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
For me, the last few years of the postmodern era have seemed a bit like the way you feel when you're in high school and your parents go on a trip, and you throw a party. You get all your friends over and throw this wild disgusting fabulous party. For a while it's great, free and freeing, parental authority gone and overthrown, a cat's-away-let's-play Dionysian revel. But then time passes and the party gets louder and louder, and you run out of drugs, and nobody's got any money for more drugs, and things get broken and spilled, and there's cigarette burn on the couch, and you're the host and it's your house too, and you gradually start wishing your parents would come back and restore some fucking order in your house. It's not a perfect analogy, but the sense I get of my generation of writers and intellectuals or whatever is that it's 3:00 A.M. and the couch has several burn-holes and somebody's thrown up in the umbrella stand and we're wishing the revel would end. The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back--I mean, what's wrong with us? Are we total pussies? Is there something about authority and limits we actually need? And then the uneasiest feeling of all, as we start gradually to realize that parents in fact aren't ever coming back--which means we're going to have to be the parents.
David Foster Wallace
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force." "Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?" The man who'd spoken arched an eyebrow. "I wasn't talking to him." "You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics? "What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now. The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands. My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—" That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home. [...] Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away. Dimitri. "Don't touch her," he growled. There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me. "Stay back," he ordered me. "They aren't laying a hand on you.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Something is very wrong with Bunce. She's collapsed in the back seat like a dead rabbit. But I can't really focus on it because of the sun and also the wind and because I'm very busy making a list. Things I hate, a list: 1. The sun. 2. The wind. 3. Penelope Bunce, when she hasn't got a plan. 4. American sandwiches. 5. America. 6. The band, America. Which I didn't know about an hour ago. 7. Kansas, also a band I've recently become acquainted with. 8. Kansas, the state. Which isn't that far from Illinois, so it must be wretched. 9. The State of Illinois, for fucking certain. 10. The sun. In my eyes. 11. The wind in my hair. 12. Convertible automobiles. 13. Myself, most of all. 14. My soft heart. 15. My foolish optimism. 16. The words "road" and "trip" when said together with any enthusiasm. 17. Being a vampire, if we're being honest. 18. Being a vampire in a fucking convertible. 19. A deliriously thirsty vampire in a convertible at midday. In Illinois, which is apparently the brightest place on the planet. 20. The sun. Which hangs miles closer to Minooka, Illinois, than it does over London blessed England. 21. Minooka, Illinois. Which seems dreadful. 22. These sunglasses. Rubbish. 23. The fucking sun! We get it - you're very fucking bright! 24. Penelope Bunce, who came up with this idea. An idea not accompanied by a plan. Because all she cared about was seeing her rubbish boyfriend, who clearly cocked it all up. Which we all should have expected from someone from Illinois, land of the damned - a place that manages to be both hot and humid at the same time. You might well expect hell to be hot, but you don't expect it to also be humid. That's what makes it hell, the surprise twist! The devil is clever!
Rainbow Rowell (Wayward Son (Simon Snow, #2))
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..." "What?" "Like it was with Clotile." "Oh, Jackson, no. I was okay. I'm unharmed." "Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past." ... "When you say we...?" He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest." "I won't laugh. I'm listening." "Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me." My heart felt like it'd stopped--so that I could hear him better. "For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known." "I don't look down at you! I'm too busy looking up to you." ... "The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call." I murmured, "I didn't know...I couldn't be sure." "It's you for me, peekon.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain (The Adventures of Huckleberry Finn)
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them. "Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years." "Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?" "That's right." "OK, I got one word to ask you, a one word question, ready?" "Uh huh." "Dinosaurs." You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point: And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!" "I'm sure gonna mention this in my book," Luke said. "Well, I'm sure gonna mention it in my book," Matthew said. But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!" Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes: "God put those here to test our faith." "I think God put you here to test my faith, dude. I think I've figured this out." Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter: "Did you believe in dinosaurs?" "Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!" "You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!" "It seemed so plausible, aaaaaahh!" "Enjoy the lake of fire, fucker!" They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it. Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet. "Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it." He grumbled, but I could see relif in his eyes, like he was glad to see me smile. "SO i was right, wasn't I? It's still youm even in wolf form." He grunted. "No sudden uncontrollable urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?" I got a real look for that one. "Just covering all the bases." He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers. Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it. "The lack of opposanle thumbs is going to take some getting used to, huh?" He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it. "Okay, okay. I'm just trying not to croud you." That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace. He grunted. "Yes, thats better.thanks. now get some rest." i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that. and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days? Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing. when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep. i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me. "S-sorry, I didn't mean-" He cut me short with a growl, telling me off for apologizing.
Kelley Armstrong