Gore Love Quotes

We've searched our database for all the quotes and captions related to Gore Love. Here they are! All 91 of them:

The important thing is not the object of love, but the emotion itself.
Gore Vidal
Your heart is the size of your fist; keep loving, keep fighting.
Ariel Gore (Atlas of the Human Heart)
Love is a fan club with only two fans.
Gore Vidal
Tanith frowned. Did people still go on DATES any more? She was sure they did. They probably called it something different though. She tried to think of the last date she'd been on. The last PROPER date. Did fighting side by side with Saracen Rue count as a date? They ended up snuggling under the moonlight, drenched in gore and pieces of brain - so it had PROBABLY been a date. If it wasn't, it was certainly a fun time had by all. Well, not ALL. But she and Saracen had sure had a blast.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
The malady of civilized man is his knowledge of death. The good artist, like the wise man, addresses himself to life and invests with his private vision the deeds and thoughts of men. The creation of a work of art, like an act of love, is our one small yes at the center of a vast no.
Gore Vidal
The rhetoric of hate is often most effective when couched in the idiom of love.
Gore Vidal (Julian)
LORD GORING: ... All I do know is that life cannot be understood without much charity, cannot be lived without much charity. It is love, and not German philosophy, that is the true explanation of this world, whatever may.
Oscar Wilde (An Ideal Husband)
I didn't want to be the woman who gave herself over willingly to the first man to notice her. I didn't want to be the stupid girl in every novel who loved without question and entered relationships that didn't make sense.
Destinee Hardwick (Wishing on Raining Stars (The Mayhem Fairy Chronicles, #2))
No one can ever love us quite so much as we love ourselves.
Gore Vidal (Julian)
There is always a peculiar distance to fairy tales. They are denuded of urgency, rinsed of true horror even as the words relish in gore. Love is presented to us as something that must be as vast as a horizon and just as unreachable.
Roshani Chokshi (The Last Tale of the Flower Bride)
anyone who sings about love and harmony and life [john lennon] is dangerous to someone who sings about death and killing and subduing [Nixon]
Gore Vidal
They enjoyed the glamour but not the gore, not knowing that the gore was what gave the glamour its gleam.
Bolu Babalola (Love in Colour)
I felt myself becoming undone. Unravelling like a ball of string rolling down a hillside. A hillside made up of the corpses of the humans I had killed since the virus came into my life.
Eli Wilde (My Unbeating Heart)
The first rule in the book of love is acceptance.
Destinee Hardwick (Wishing on Raining Stars (The Mayhem Fairy Chronicles, #2))
My word stink of blood and gore of sleepless nights of invisible demons of razors and knives of slashed wrists My words - they stink.
Akanksha Singh
It is the fate of great achievements, born from a way of life that sets truth before security, to be gobbled up by you and excreted in the form of shit. For centuries great, brave, lonely men have been telling you what to do. Time and again you have corrupted, diminished and demolished their teachings; time and again you have been captivated by their weakest points, taken not the great truth, but some trifling error as your guiding principal. This, little man, is what you have done with Christianity, with the doctrine of sovereign people, with socialism, with everything you touch. Why, you ask, do you do this? I don't believe you really want an answer. When you hear the truth you'll cry bloody murder, or commit it. … You had your choice between soaring to superhuman heights with Nietzsche and sinking into subhuman depths with Hitler. You shouted Heil! Heil! and chose the subhuman. You had the choice between Lenin's truly democratic constitution and Stalin's dictatorship. You chose Stalin's dictatorship. You had your choice between Freud's elucidation of the sexual core of your psychic disorders and his theory of cultural adaptation. You dropped the theory of sexuality and chose his theory of cultural adaptation, which left you hanging in mid-air. You had your choice between Jesus and his majestic simplicity and Paul with his celibacy for priests and life-long compulsory marriage for yourself. You chose the celibacy and compulsory marriage and forgot the simplicity of Jesus' mother, who bore her child for love and love alone. You had your choice between Marx's insight into the productivity of your living labor power, which alone creates the value of commodities and the idea of the state. You forgot the living energy of your labor and chose the idea of the state. In the French Revolution, you had your choice between the cruel Robespierre and the great Danton. You chose cruelty and sent greatness and goodness to the guillotine. In Germany you had your choice between Goring and Himmler on the one hand and Liebknecht, Landau, and Muhsam on the other. You made Himmler your police chief and murdered your great friends. You had your choice between Julius Streicher and Walter Rathenau. You murdered Rathenau. You had your choice between Lodge and Wilson. You murdered Wilson. You had your choice between the cruel Inquisition and Galileo's truth. You tortured and humiliated the great Galileo, from whose inventions you are still benefiting, and now, in the twentieth century, you have brought the methods of the Inquisition to a new flowering. … Every one of your acts of smallness and meanness throws light on the boundless wretchedness of the human animal. 'Why so tragic?' you ask. 'Do you feel responsible for all evil?' With remarks like that you condemn yourself. If, little man among millions, you were to shoulder the barest fraction of your responsibility, the world would be a very different place. Your great friends wouldn't perish, struck down by your smallness.
Wilhelm Reich (Listen, Little Man!)
A current pejorative adjective is narcissistic. Generally, a narcissist is anyone better looking than you are, but lately the adective is often applied to those "liberals" who prefer to improve the lives of others rather than exploit them. Apparently, a concern for others is self-love at its least attractive, while greed is now a sign of the hightest altruism. But then to reverse, periodically, the meanings of words is a very small price to pay for our vast freedom not only to conform but to consume.
Gore Vidal (Point to Point Navigation)
All those people who rejected me gave me a head-start on freedom, because the fear and obedience we are all taught, well, those things weren't getting me any love.
Ariel Gore
Since they did not understand one another, each was able to sustain an illusion about the other, which was the usual beginning of love, if not truth.
Gore Vidal (The City and the Pillar)
Love and hate are so confused in your savage minds and the vibrations of the one are so very like those of the other that I can't always distinguish. You see, we neither love nor hate in my world. We simply have hobbies.
Gore Vidal (Visit to a Small Planet and Other Television Plays)
…the American reader cannot bear a surprise. He knows that this is the greatest country on earth…and evidence to the contrary is not admissible. That means no inconvenient facts, no new information. If you really want the reader’s attention, you must flatter him. Make his prejudices your own. Tell him things he already knows. He will love your soundness.
Gore Vidal (Burr)
Love is not my bag.
Gore Vidal
Everyone loves a murder, eh? Villains in the night, tragic heroines splattered in gore. Better than an opera. Bloody vultures.
Viola Carr (The Diabolical Miss Hyde (Electric Empire, #1))
Homily professed her love by digging a second crossbow bolt of Shersheshin's body. It was so much clearer a declaration of affection than any of those speeches spun by poets or playwrights. And stuffed into the mouths of actors who pretended to be enamored. One could only pretend to love in language. True love was a woman sinking up to her elbows in her viscera.
John Wiswell (Someone You Can Build a Nest In)
I have been reading Plotinus all evening. He has the power to sooth me; and I find his sadness curiously comforting. Even when he writes: “Life here with the things of earth is a sinking, a defeat, a failure of the wing.” The wing has indeed failed. One sinks. Defeat is certain. Even as I write these lines, the lamp wick sputters to an end, and the pool of light in which I sit contracts. Soon the room will be dark. One has always feared that death would be like this. But what else is there? With Julian, the light went, and now nothing remains but to let the darkness come, and hope for a new sun and another day, born of time’s mystery and a man’s love of life.
Gore Vidal (Julian)
No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?
Ayn Rand (The Fountainhead)
I’ve warned him about the dangers of smoking and second-hand smoke. He always looks off in the distance, as if giving my warnings serious thought, then returns to his paper. I reconcile it all by thinking of him as an incense burner. I do like the smell of pipe tobacco . . . may Al Gore forgive me.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
...Grimacing, I plunged a hand into the fouled water to clear the clog, morbid curiosity drawing my youthful eyes to the gray globs of gore floating upon the surface. It was not horror that seized my imagination so much as wonder: sixty years of dreams and desires, hunger and hope, love and longing, blasted away in a single explosive instant, mind and brain. The mind of Erasmus Gray was gone; the remnants of its vessel floated, as light and insubstantial as popcorn, in the water. Which fluffy bit held your ambition, Erasmus Gray? Which speck your pride? Ah, how absurd the primping and preening of our race! Is it not the ultimate arrogance to believe we are more than is contained in our biology? What counterarguments may be put forth, what valid objections raised, to the claim of Ecclesiastes, "Vanity of vanities; all is vanity"?
Rick Yancey (The Monstrumologist (The Monstrumologist, #1))
In politics, as in love, opposites attract, and the misunderstandings that ensue tend to be as bitter and, as in love, as equally terminal.
Gore Vidal (Lincoln)
Oh, I love London Society!  I think it has immensely improved.  It is entirely composed now of beautiful idiots and brilliant lunatics.  Just what Society should be. lord caversham.  Hum!  Which is Goring?  Beautiful idiot, or the other thing? mabel chiltern. 
Oscar Wilde (An Ideal Husband)
From morning until sunset — and sometimes by moonlight — the surfer dudes ride waves onto shore worried about nothing more than impressing the gorgeous girls watching them. Sometimes those bikini-clad California sweethearts let a boy get to second base to a romantic Leslie Gore or Connie Francis song. If she's really in-love, and trusts him not to tell his buddies, she'll let him round third and wave him home. When that happens, it usually isn't long before Nautica is all abuzz about an impending beach wedding.
Bobby Underwood (Nautica City)
He turned and snarled at me, eyes blazing. “Eep!” I said, because even though it was scary, it was still a scary unicorn, and I couldn’t help but fall in love just a little bit more. “If you ever lock yourself in a room like a spoiled brat again, I will track down my horn, go on a quest to get said horn, defeat whatever creature has the horn, restore it to its rightful place atop my head, come back to the City of Lockes, march in a parade in my honor, and then come up to your room and gore you to death. Do you understand?” “Your eyelashes are made of stars,” I whispered reverently. “I know,” he hissed angrily. “It’s because I’m beautiful. Now are we clear?
T.J. Klune (A Destiny of Dragons (Tales From Verania, #2))
It is in fact an orderly community. The green plants are food for the plant eaters, which are food for the predators, and some of those predators are food for still other predators. And what's left over is food for the scavengers, who return to the earth nutrients needed by the green plants. It's a system that has worked magnificently for billions of years. Filmmakers understandably love footage of gore and battle, but any naturalist will tell you that the species are not in any sense at war with one another. The gazelle and lion are enemies only in the minds of the Takers. The lion that comes across a herd of gazelles doesn't massacre them as an enemy would. It kills one, not to satisfy its hatred of gazelles but to satisfy its hunger, and once it has made its kill the gazelles are perfectly content to go on grazing with the lion in the midst.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
I could watch horror films all day and love them. I could revel in gore when I knew it was fake. But this was real.
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
Love is meant to be shared, and happy is the woman who'd willing to risk all for that.
Sherry Gore (Planted with Hope (Pinecraft Pie Shop #2))
Love it or loathe it, you can never leave it or lose it.
Gore Vidal
Whenever a friend succeeds, something in me dies.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Who can be wise, amazed, temperate and furious, Loyal and neutral, in a moment? No man. The expedition of my violent love Outrun the pauser reason. Here lay Duncan, His silver skin laced with his golden blood, And his gashed stabs looked like a breach in nature             For ruin's wasteful entrance; there the murderers, Steeped in the colours of their trade, their daggers Unmannerly breeched with gore. Who could refrain, That had a heart to love, and in that heart Courage to make's love known?
William Shakespeare (Macbeth)
You run the romantic gauntlet for decades without knowing who exactly it is you're giving and taking such a battering in order to reach. You run the gauntlet without knowing whether the person whose favour you seek will even be there once you somehow put that path strewn with sensory confetti and emotional gore behind you. And then, by some stroke of fortune, the gauntlet concludes, the person does exist after all, and you become that perpetually astonished lover from so many of the songs you used to find endlessly disingenuous. [Otto Shin]
Helen Oyeyemi (Peaces)
Marietta, I do not believe in ghosts, astrology, palmistry, graphology, John Cage, love or God. I do believe in the moment, in the pleasures of the flesh, of conversation, of art-at least for the few so minded. I believe . . .
Gore Vidal (Two Sisters)
And where shall I look for thee, When I no longer hear that voice so dear? Where shall I seek the warmth that love Made all things found glow bright and clear? Look not to the heavenly stars, Nor search the lofty spires, nor bid the choir sing. I will dwell among the details of our lives; My memory will linger in all the found things. —DAPHNE BURTON-GORE
Paula Brackston (The Little Shop of Found Things (Found Things #1))
When you say you’re a fan of the gore, what do you mean?” “The all supernatural bunch, love. The scarier the merrier.
Patricia Morais (The Roommate)
Yet while Vidal writes best about power, politics, and history White’s strengths are sex, art and – sometimes – love. Each tends to stumble when he enters the other’s domain.
Christopher Bram (Eminent Outlaws: The Gay Writers Who Changed America)
I can understand companionship. I can understand bought sex in the afternoon. I cannot understand the love affair.
Gore Vidal
LORD CAVERSHAM. … The thing has gone to the dogs, a lot of damned nobodies talking about nothing. LORD GORING. I love talking about nothing, father. It is the only thing I know anything about.
Oscar Wilde (An Ideal Husband)
What I’ve come to realize I that I don’t like action for action’s sake. Mindless explosions, super close ups of combat and gore, and unnecessary effects make me zone out incredibly fast. What I do love is a fight that is well choreographed and in which I actually care about the outcome. And hopefully not riddled with cliches. Even more so, I have had a long, deep-seated appreciation for watching chicks kick ass. Watching some lone-wolf-type hero beat the crap out of the bad guys is okay, but watching a BAMF femme do it is 10000% times better.
J.M. Richards
The fat man smiled. “But do you have the nerve to tell the world about yourself?” Paul sighed and looked at his hands. “No,” he said, “I don’t.” “So what can we do, if we’re all too frightened?” “Live with dignity, I suppose. And try to learn to love one another, as they say.
Gore Vidal (The City and the Pillar)
She could imagine how it would be. That was the worst part. The suggestive taunts that made her feel clumsy and hyper-vigilant, the soft touches that could spring like a trap—they painted a very vivid picture of what it would be like to fuck him, yes. He would not be nice or gentle, but he would be good, and he would gore her heart like any other trophy in this place just as soon as he was done playing with it.
Nenia Campbell (Raise the Blood)
Senlin loved nothing more in the world than a warm hearth to set his feet upon and a good book to pour his whole mind into. While an evening storm rattled the shutters and a glass of port wine warmed in his hand, Senlin would read into the wee hours of the night. He especially delighted in the old tales, the epics in which heroes set out on some impossible and noble errand, confronting the dangers in their path with fatalistic bravery. Men often died along the way, killed in brutal and unnatural ways; they were gored by war machines, trampled by steeds, and dismembered by their heartless enemies. Their deaths were boastful and lyrical and always, always more romantic than real. Death was not an end. It was an ellipsis. There was no romance in the scene before him. There were no ellipses here. The bodies lay upon the ground like broken exclamation points.
Josiah Bancroft (Senlin Ascends (The Books of Babel, #1))
Twelve legions girded with angelic sword Were at his beck, the scorned and buffeted: He healed another's scratch; his own side bled, Side, feet, and hands, with cruel piercings gored. Oh wonderful the wonders left undone! And scarce less wonderful than those he wrought; Oh self-restraint, passing human thought, To have all power, and be as having none; Oh self-denying love, which felt alone For needs of others, never for its own.
Richard Chenevix Trench (Sabbation: Honor Neale : And Other Poems)
You Don't Own Me You don't own me I'm not just one of your many toys You don't own me Don't say I can't go with other boys And don't tell me what to do Don't tell me what to say And please, when I go out with you Don't put me on display 'cause You don't own me Don't try to change me in any way You don't own me Don't tie me down 'cause I'd never stay I don't tell you what to say I don't tell you what to do So just let me be myself That's all I ask of you I'm young and I love to be young I'm free and I love to be free To live my life the way I want To say and do whatever I please And don't tell me what to do Oh, don't tell me what to say And please, when I go out with you Don't put me on display I don't tell you what to say Oh, don't tell you what to do So just let me be myself That's all I ask of you I'm young and I love to be young I'm free and I love to be free To live
Lesley Gore
I'd been told before by editors to pare back on violence. This always feels like a gendered suggestion to me - the parameters of what's allowed and what isn't from a female-identifying writer. I can't imagine anyone telling, say, Roberto Bolaño or Cormac McCarthy to ease off on the blood and gore. Women should write in pastel shades about love, domesticity. Leave the hardcore realism to the fellas. Well, fuck that. The fury is there; I had better write it than perform it.
Kathryn Kuitenbrouwer (Wait Softly Brother)
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
From thence we proceeded to Oxford. As we entered this city, our minds were filled with the remembrance of the events that had been transacted there more than a century and a half before. It was here that Charles I. had collected his forces. This city had remained faithful to him, after the whole nation had forsaken his cause to join the standard of parliament and liberty. The memory of that unfortunate king, and his companions, the amiable Falkland, the insolent Goring, his queen, and son, gave a peculiar interest to every part of the city which they might be supposed to have inhabited. The spirit of elder days found a dwelling here, and we delighted to trace its footsteps. If these feelings had not found an imaginary gratification, the appearance of the city had yet in itself sufficient beauty to obtain our admiration. The colleges are ancient and picturesque; the streets are almost magnificent; and the lovely Isis, which flows beside it through meadows of exquisite verdure, is spread forth into a placid expanse of waters, which reflects its majestic assemblage of towers, and spires, and domes, embosomed among aged trees.
Mary Wollstonecraft Shelley (Frankenstein)
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
breathed breakfast Madeira in my face. “Charlot, he has robbed me!” I looked at her blankly; not breathing until she removed her face from mine, and sank back onto the velvet cushions. “I have married a thief!” Madame clutched her reticule to her bosom as though I had designs on one or the other, and in a torrent of Frenchified English told me how she had owned stock in a toll-bridge near Hartford. During the first raptures of their honeymoon in the house of Governor Edwards, the Colonel persuaded her to sell the stock. So trusting, so loving, so secure in her new place as the bride of a former vice-president, Madame
Gore Vidal (Burr)
Ronan steeled himself as he would steel himself for dreaming. He reminded himself of where his physical body was in the present. He reminded himself that what was about to happen to him was in the past. Then he headed through the gauzy dreamt security system. Memories rose up. He expected it to be horror, as it often was. Guts and blood. Bones and hair. Closed-casket funerals. The scream. Instead it was every time Ronan had been alone. There was no gore. No shrilling with terror. There was only the quiet that came after all those things. There was only the quiet that came when you were the only one left. Only the quiet that came when you were something strange enough to outsurvive the things that killed or drove away everyone you loved. And then Ronan was through and swiping away the tears before Adam joined him by the shoulder, emerging from the dark with the bright dreamt light cupped in his hands. "Break will be here in just a few days," Adam said. He kissed Ronan's cheek, lightly, and then Ronan's mouth. "I'm coming back. Be here for me." "Tamquam--" Ronan said. "--alter idem." They embraced. Adam put on his helmet. Ronan stood there in the dark long after the taillight had disappeared. Alone. Then he returned to the house to dream of Bryde.
Maggie Stiefvater (Call Down the Hawk (Dreamer, #1))
I want you to hear. I want you to know what’s in store for you. There will be days when you’ll look at your hands and you’ll want to take something and smash every bone in them, because they’ll be taunting you with what they could do, if you found a chance for them to do it, and you can’t find that chance, and you can’t bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he’ll be only asking for a dime, but that won’t be what you’ll hear; you’ll hear that you’re nothing, that he’s laughing at you, that it’s written on your forehead, that thing they hate you for. There will be days when you’ll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about that work which you love, and the things he’ll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you’ll hear the people applauding him, and you’ll want to scream, because you won’t know whether they’re real or you are, whether you’re in a room full of gored skulls, or whether someone has just emptied your own head, and you’ll say nothing, because the sounds you could make—they’re not a language in that room any longer; but if you’d want to speak, you won’t anyway, because you’ll be brushed aside,
Ayn Rand (The Fountainhead)
Now and then, when I tell this story, someone will come up to me afterward and say she liked it. It's always a woman. Usually it's an older woman of kindly temperament and humane politics. She'll explain that as a rule she hates war stories; she can't understand why people want to wallow in all the blood and gore. But this one she liked. The poor baby buffalo, it made her sad. Sometimes, even, there are little tears. What I should do, she'll say, is put it all behind me. Find new stories to tell. I won't say it but I'll think it. I'll picture Rat Kiley's face, his grief, and I'll think, 'You dumb cooze'. Because she wasn't listening. It wasn't a war story. It was a love story.
Tim O'Brien (The Things They Carried)
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
Then there is the very salient question of what the commandments do not say. Is it too modern to notice that there is nothing about the protection of children from cruelty, nothing about rape, nothing about slavery, and nothing about genocide? Or is it too exactingly “in context” to notice that some of these very offenses are about to be positively recommended? In verse 2 of the immediately following chapter, god tells Moses to instruct his followers about the conditions under which they may buy or sell slaves (or bore their ears through with an awl) and the rules governing the sale of their daughters. This is succeeded by the insanely detailed regulations governing oxes that gore and are gored, and including the notorious verses forfeiting “life for life, eye for eye, tooth for tooth.” Micromanagement of agricultural disputes breaks off for a moment, with the abrupt verse (22:18) “Thou shalt not suffer a witch to live.” This was, for centuries, the warrant for the Christian torture and burning of women who did not conform. Occasionally, there are injunctions that are moral, and also (at least in the lovely King James version) memorably phrased: “Thou shalt not follow a multitude to do evil” was taught to Bertrand Russell by his grandmother, and stayed with the old heretic all his life. However, one mutters a few sympathetic words for the forgotten and obliterated Hivites, Canaanites, and Hittites, also presumably part of the Lord’s original creation, who are to be pitilessly driven out of their homes to make room for the ungrateful and mutinous children of Israel.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Everyone in the delivery room was laughing at the story, including me. I never knew whether the doctor thought it was funny or not. She certainly did not join in the lightheartedness the rest of us felt. Because my doctor was also one of my bosses, I respected her and yet felt a bit intimidated by her at the same time. Jase was not intimidated at all. He was so relaxed, and that alleviated all the stress and tension I had felt since I first arrived at the hospital. True to his personality, he kept most of the room enthralled and laughing at his stories. As a lifelong hunter, he is no stranger to blood and gore. He thought the surgical process was very interesting and wanted to study everything inside of me. I’m sure his comment that my insides looked like a deer he had skinned the previous day was the first of its kind uttered during a C-section. At one point, the doctor said to him, “Jason, you have to be quiet now.” “Why?” he asked. “Because I’m getting close to the baby with this scalpel, and Missy has to stop laughing.” “Oh,” he said. “My bad.” As the doctor prepared to remove Cole, the room became quiet; I didn’t know exactly what was going on because I couldn’t see around the sheet, but I knew the time had come for our baby to be born. Jase watched everything intently. The doctor pulled on the baby, but he would not budge. In Jase’s words, “He just wouldn’t come out.” So Jase decided to lend a hand. He reached into the area near where the doctor was working, which caused every person to freeze. The room fell completely silent. As Jase recalled later, the doctor’s eyes filled with fire, and she shot him laser-sharp looks. No words were spoken, but he immediately raised his hands as if to say, “Don’t shoot,” and backed off.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
no matter how much CO2 we produce, Mother Nature takes out almost exactly half on a continuous basis. This is because life on Earth depends upon CO2, and nature loves the stuff. Later I will show evidence of this from satellites.
Roy W. Spencer (An Inconvenient Deception: How Al Gore Distorts Climate Science and Energy Policy)
LORD GORING: I love talking about nothing, father. It is the only thing I know anything about. LORS CAVERSHAM: You seem to me to be living entirely for pleasure. LORD GORING. What else is there to live for, father? Nothing ages like happiness.
Oscar Wilde (An Ideal Husband. The Importance of Being Earnest)
Welcome, welcome,” Parks bellowed. “Nice of you to come and join us this afternoon. We have a lovely time planned for you—blood, gore and a few other unmentionables you’ll be thrilled to see.
J.T. Ellison (14 (Taylor Jackson, #2))
He could not help but admire his posters every time he saw them---the son of a rickshaw puller, now the chief of a prominent political party in this town, who was expected to win by an unprecedented margin of votes in the coming elections. There were many people in the party who begrudged his presence, his power, but they could do nothing. The people of Amrapur loved him and his speeches. Some people called them inflammatory, divisive, and harmful to the peace and harmony of the town. A smile spread across his face every time he heard that word. Has anything ever been achieved by harmony? What would the leaders do with harmony? Why would people come to listen to his speeches in droves if they wanted harmony? Elections can never be won by harmony.
Rohit Gore (A Darker Dawn)
In my experience, all it takes is a conversation to reveal that someone who says they hate horror really means that they hate monster movies, but they actually love the entire Final Destination franchise. Or they hate splatter, gore, and body horror, but love a good haunted house or possession story.
Nina Nesseth (Nightmare Fuel: The Science of Horror Films)
ingest a lot of illicit chemicals. The murder smacks of drug-frenzied adolescence. The dismembered arm and leg, the slit throat. Spaced-out teenage boys who love gore and have low impulse control.
Faye Kellerman (The Ritual Bath (Peter Decker/Rina Lazarus #1))
(Chastity speaking of the torments of Love) For no no vsuall fire, no vsuall rage It is, ô Nurse, which on my life doth feed, And suckes the bloud, which from my hart doth bleed. But since thy faithfull zeale lets me not hyde My crime, (if crime it be) I will it reed. Nor Prince, nor pere it is, whose loue hath gryde My feeble brest of late, and launched this wound wyde. Nor man it is, nor other liuing wight: For then some hope I might vnto me draw, But th’only shade and semblant of a knight, Whose shape or person yet I neuer saw, Hath me subiected to loues cruell law: The same one day, as me misfortune led, I in my fathers wondrous mirrhour saw, And pleased with that seeming goodly-hed, Vnwares the hidden hooke with baite I swallowed. Sithens it hath infixed faster hold Within my bleeding bowels, and so sore Now ranckleth in this same fraile fleshly mould, That all mine entrailes flow with poysnous gore. And th’vlcer groweth daily more and more; Ne can my running sore find remedie, Other then my hard fortune to deplore, And languish as the leafe falne from the tree, Till death make one end of my dayes and miserie. Daughter (said she) what need ye be dismayd, WHY MAKE YE SUCH A MONSTER OF YOUR MIND? Of much more vncouth thing I was affrayd; Of filthy lust, contrarie vnto kind: But this affection nothing straunge I find; For who with reason can you aye reproue, To loue the semblant pleasing most your mind, And yield your heart, whence ye cannot remoue? No guilt in you, but in the tyranny of loue.
Edmund Spenser (The Faerie Queene)
There will be days when you’ll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about that work which you love, and the things he’ll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you’ll hear the people applauding him, and you’ll want to scream, because you won’t know whether they’re real or you are, whether you’re in a room full of gored skulls, or whether someone has just emptied your own head, and you’ll say nothing,
Ayn Rand (The Fountainhead)
ALL THE PRETTY MONSTERS" “One. Two. Hyde’s playing with you.” “Three. Four, We love blood and gore. “Five. Six. We have a whole new bag of tricks. ”Seven. Eight. You opened hell’s gate. “Nine. Ten. You’ll never be on top again,
Kristy Cunning
Al Gore let it go for the good of the community, and just look at what happened.
Amanda Elliot (Love You a Latke)
There is yet one more point which I must mention here in which the gospel is the best help to man. We must remember to-day, that there are districts of the earth where the ground is yet red with blood. There are sad portions of our globe that as yet must have the name of Aceldama, the field of gore, there are spots where the horse-hoof is splashed with blood; where the very carcasses of men are the food of ravens and of jackalls, the mounds of Balaclava are as yet scarcely green, and the spots where rest the relics of our own murdered sisters and brothers are not covered with the memorial stone. War has ravaged whole districts; even in these late times the dogs of war are not yet muzzled. Oh! what shall we do to put an end to war? Mars, where is the chain that shall bind thee like Prometheus, to the rock? How shall we imprison thee for ever, thou cruel Moloch; how shall we for ever chain thee? Behold here is the great chain, that which one day is to bind the great serpent; it has the blood-red links of love. The gospel of Jesus Christ the crucified one, shall yet hush the clarion of war, and break the battle-bow in sunder.
CH Spurgeon
we’re sort of like somebody going along—I don’t know—in a mine field, you know, dropping matches, just dropping matches, waiting— waiting to hear the bang. Well, the bang might take us all out. So as we have chatted our way through much of American history in the course of this conversation, I think everybody should take a sober look at the world about us, remember that practically everything that you’re told about other countries is untrue; what we’re told about ourselves and our great strength and how much loved we are, forget it.
Paul Jay (Gore Vidal: History of The National Security State)
Fact is you might be sick, but the truth is that Jesus is your healer. Fact is you might be out of money, but the truth is that Jesus is your provider. Fact is you might feel unlovable, but the truth is that you are dearly loved! Fact is you might have wayward family members, but the truth is that Jesus is your restorer.
Chris Gore (Walking in Supernatural Healing Power)
21 And the king came out to meet him with his guards, for he supposed that Amalickiah had afulfilled his commands, and that Amalickiah had gathered together so great an army to go against the Nephites to battle. 22 But behold, as the king came out to meet him Amalickiah caused that his servants should go forth to meet the king. And they went and abowed themselves before the king, as if to reverence him because of his greatness. 23 And it came to pass that the king put forth his hand to raise them, as was the custom with the Lamanites, as a token of peace, which custom they had taken from the Nephites. 24 And it came to pass that when he had raised the first from the ground, behold he stabbed the king to the heart; and he fell to the earth. 25 Now the servants of the king fled; and the servants of Amalickiah raised a cry, saying: 26 Behold, the servants of the king have stabbed him to the heart, and he has fallen and they have fled; behold, come and see. 27 And it came to pass that Amalickiah commanded that his armies should march forth and see what had happened to the king; and when they had come to the spot, and found the king lying in his gore, Amalickiah pretended to be wroth, and said: Whosoever loved the king, let him go forth, and pursue his servants that they may be slain. 28 And it came to pass that all they who loved the king, when they heard these words, came forth and pursued after the servants of the king. 29 Now when the aservants of the king saw an army pursuing after them, they were frightened again, and fled into the wilderness, and came over into the land of Zarahemla and joined the bpeople of Ammon. 30 And the army which pursued after them returned, having pursued after them in vain; and thus Amalickiah, by his afraud, gained the hearts of the people.
The Church of Jesus Christ of Latter-day Saints (Book of Mormon | Doctrine and Covenants | Pearl of Great Price)
You see, the world is as big as an elephant or small as a grain of sand, depending on you. You can let it stomp you, gore you, swallow you up. Or you can let it slip into your shell and turn into a pearl.” -- Benjamin East
Jonathan Freedman
Though she looks slightly stunned, she gives me her trademark smile: small, grim, determined. “I’m fine,” she says. Just as, from behind her, a pair of talons grasp her head— And twist. The crack shoots through the room. There is no blood. No gore. Only an abrupt dimming of light in those astute, tawny eyes, and the off-kilter tilt of Chenna’s lovely head on her broken neck. Blood pumps in my ears as I lift my gaze to meet Madam Himura’s piercing yellow eyes. She’s incensed, her feathers sticking on end. She drops Chenna unceremoniously—and comes for me.
Natasha Ngan (Girls of Fate and Fury (Girls of Paper and Fire, #3))
My own list includes Allen Drury, Advise and Consent; Robert Penn Warren, All the King’s Men; Harper Lee, To Kill a Mockingbird; George Orwell, 1984; Gore Vidal, Washington, D.C.; Sinclair Lewis, It Can’t Happen Here. I am also a big fan of the books and short stories of Ward Just. My son came of age watching The West Wing, and I loved both the riotously funny if cynical book and British TV series Yes, Minister. And, even if it is not a substitute for reading The Federalist Papers, you would be hard pressed to spend a more enjoyable evening than watching the musical Hamilton.
Richard N. Haass (The Bill of Obligations: The Ten Habits of Good Citizens)
Werewolfism may have scared men in particular, being less accustomed than women to the idea of a monthly, biological cycle beyond their control, which involves the shedding of blood, not to mention a potentially beastly mood.
Peter Laws (The Frighteners: Why We Love Monsters, Ghosts, Death & Gore)
All is fair in love and gore
Caroline Peckham (The Death Club (Dead Men Walking, #1))
The sun was no longer bleeding through the curtains.... Lesley and Dusty did not need to discuss why they were together and falling in love.... their love stood on its own ....
Linden Lelievre (Better Angels: Lesley Gore and Dusty Springfield)
There were lumps of flesh and gore strewn all over the place, pieces of a destroyed body splattered up the walls and a severed head with terror filling his dead eyes lay floating in the middle of the central pool. “Oh, for the love of the bulbous and everlasting moon!” Geraldine cried.  “What the hell could have done that?” Darcy muttered, her nose wrinkling in disgust as she looked at the remains of the body.
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
This book is not for the faint of heart. Please read all warnings before you continue. ~ Dubcon ~ Light Blood Play ~ Bully ~ Child Abuse (Physical and Sexual Assault) ~ Gore ~ Loved One's Death ~ Mention of Child Death ~ Pew Pew Play ~ Torture ~ Sexual Content ~ Adult Language ~ BDSM
Amber Bunch (A Pursuit of Madness : A Twisted Princess Collection)
REWIND OR DIE Midnight Exhibit Vol. 1 Infested - Carol Gore Benny Rose: The Cannibal King - Hailey Piper - Jan. 23 Cirque Berserk - Jessica Guess - Feb. 20 Hairspray and Switchblades - V. Castro - Feb. 20 Sole Survivor - Zachary Ashford - Mar. 26 Food Fright - Nico Bell - Mar. 26 Hell’s Bells - Lisa Quigley - May 28 The Kelping - Jan Stinchcomb - May 28 Trampled Crown - Kirby Kellogg - Jun. 25 Dead and Breakfast - Gary Buller - Jun. 25 Blood Lake Monster - Renee Miller - Jul. 23 The Catcatcher - Kevin Lewis - Jul. 23 All You Need is Love and a Strong Electric Current - Mackenzie Kiera - Aug. 27 Tales From the Meat Wagon - Eddie Generous - Aug. 27 Hooker - M. Lopes da Silva - Oct. 29 Offstage Offerings - Priya Sridhar - Oct. 29 Dead Eyes - EV Knight - Nov. 26 Dancing on the Edge of a Blade - Todd Rigney - Dec. 12 Midnight Exhibit Vol. 2 - Dec. 12
Hailey Piper (Benny Rose, the Cannibal King)
Freedom is not a project. It is a lifelong trust exercise with the God in you: it is about honouring your humanity in all its gore and glory. Freedom is a hymn and a holler. Freedom is simply believing that your life matters.
Diriye Osman
Margaret Gore knew what love was.
Niall Williams (Four Letters of Love)
The November Road Playlist “Don’t Think Twice, It’s All Right”—Bob Dylan “’Round Midnight”—Billy Taylor Trio “Will You Love Me Tomorrow?”—The Shirelles “Follow the Yellow Brick Road” from The Wizard of Oz—Judy Garland “How Can You Lose”—Art Pepper “Night and Day”—Ella Fitzgerald “I Saw Her Standing There”—The Beatles “Jack O’Diamonds”—Ruth Brown “Ring of Fire”—Johnny Cash “Somebody Have Mercy”—Sam Cooke “Something Cool”—June Christy “Prisoner of Love”—James Brown “It’s My Party”—Lesley Gore “Blowin’ in the Wind”—Peter, Paul and Mary “I’m Walkin’”—Fats Domino “You’re Getting to Be a Habit with Me”—Frank Sinatra “’Round Midnight”—Thelonious Monk
Lou Berney (November Road)
The church is like a back brace,” she said to me. “In the beginning, your muscles are weak, and it is very hard to stand up straight. So you have to use the church, use those who love and support you, to grow stronger. Then one day you’ll stand upright, and you’ll find that you don’t need the brace any longer. But that is still only the beginning, because the most important part is still to come.” “What part is that?” I asked. “Only when you are standing upright and tall yourself, can you lean over and help brace the person next to you.
Sherry Gore (The Plain Choice: A True Story of Choosing to Live an Amish Life)
A beast in a man’s skin, a monster she didn’t recognize under the syrup thick stains of blood and gore sheeting from his skin. Tobias’ wild green eyes swung up to meet Quinn’s. Lip curled up, showing the vicious edge of his teeth, he took in Quinn’s horrified face. Whatever else he saw snapped something inside of him. Something she felt torn asunder deep inside her heart. Pain, yes, but so much more. Possessive, protective. Swimming through it all the sharp edged sword of his love.
Eva Dresden (Destroyed (Omega’s Destruction, #3))
the newly arrived Ivets being hunted down and killed. Beaten into the mud with makeshift clubs, or gored by baying sayce to the sound of cheers. If they looked through the window at an angle they would be able to see boats of all sizes sailing hurriedly out of the circular polyp harbours for the safety of the water. I hate Adamists, Lori said. Only Adamists could do this to one another. They do it because they don’t know one another. They don’t love, they can only lust and fear.
Peter F. Hamilton (The Reality Dysfunction (Night's Dawn, #1))