“
Right now I'd like all my troubles to stand in front of me in a straight line, and one by one I'd give each a black eye.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
... If we don't tell strange stories, when something strange happens we won't believe it.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
I, Geric-Sinath of Gerhard, declare that you're beautiful and you're perfect and I'll slay any man who tries to take you from my side. Goose girl, may I kiss you?
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Yes, we'll yell, 'Help, help us, goose girl, and bring the terrifying legion of warrior geese'.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
If we're mad, we're mad in large numbers, at least larger than yours.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
She closed the book and put her cheek against it. There was still an odor of a library on it, of dust, leather, binding glue, and old paper, one book carrying the smell of hundreds.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
When you get tired of worrying and mourning your horse and trying not to be afraid, tell me and I'll do it for you a while so you can shut your eyes and sleep peaceful.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Its important to know stories. I felt the earth shift to make a place for you when you were born, and I came to tell you stories while you are young. And like me, you were born with a word on your tongue.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
We know it's all just daydreaming...But sometimes, it'd be nice just to hold something real in your hands that felt like a measure of your worth.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
You saw my leg?"
"How can a man help what he sees?" he said. "And, if I could add, you possess a very fine leg.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
...all things speak, in their way, don't they?
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Clearly she was expected to say something, but panic at having to speak stole the thoughts from her head.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
They finished laughing and caught their breaths, and looked at each other, and Ani thought Geric looked at her too long, as though he forgot he was looking, as though he did not wish to do anything else. She looked back. Her heart took its time quieting down.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
She was born Anidori-Kiladra Talianna Isilee, Crown Princess of Kildenree, and she did not open her eyes for three days.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Many times I have learned that, you never judge a book by its cover. Like people, it is the inside that counts.
”
”
Shannon Hale
“
No more crying. It's all wetness and no comfort at all.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
My friends call me by my name."
"You don't have any friends."
"I don't want you to be my friend, Selia, or my servant, not now. I thought you were both. You have let me know I was wrong. So are you to treat me so. You are wrong.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
You, what are you? The brat of lucky parents who were related to a childless king. There is no such thing as royal blood. I believe we are what we make ourselves, and as such, you, Crown Princess, are nothing.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
I can see that one can never pay back Gilsa for the fear that she will give again.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Ah, now, don't cry over lost years and forgetfulness. The tales tell what they can. The rest is for us to learn..
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
But when she turned her back to the lights, she saw that the night was so dark...She could not see the stars. The world felt as high as the depthless night sky and deeper than she could know. She understood, suddenly and keenly, that she was too small to run away, and she sat on the damp ground and cried.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Isi, I’m trying to say that you’ve been… no, you’re so, you’re–” He stopped.
"You are,” he said. His hand found hers, and he held her finger tightly, as though he did not dare to do any more than hold her one hand, and look at her, and breathe deeply.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Geric," she called.
He turned back around.
"What kind of flowers were they?"
"I don't rightly know," he said. He made faltering gestures with his hands, forming their size and shape from the air. "They were yellow, and smallish, and had lots of petals."
"Thank you," she said. "They were beautiful.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
...'Goose girl, may I kiss you?' She answered by... kissing him first.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
She answered by standing and kissing him first and held his cheeks and closed her eyes and felt sure as bones and deep as blood that she had found her place.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Oh, but I like my geese. Like cats, they can't be told what to do, and like dogs, they're loyal, and like people, they talk every chance they get.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Poor gosling. It hurts to be lost. And worse to be home with no kind of homecoming...I'll be lucky if I can do as well as you when all this's done, just a bit out of breath, a bit bruised and scratched, a bit wiser and sadder for it all.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Go on, son, you're not doing me any good by bleeding.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
But in a country where you hang your dead up on walls and pride whether or not a man bears a javelin more than his character, how am I to persuade you out of a war? It would be suicide for Kildenree to war on Bayern and butchery for Bayern to attack Kildenree. If you don't believe me, then send me back. Or if you don't trust me to leave, I'll return to my little room on the west wall and tend your geese, and you can be sure that on my watch no thieves will touch my flock.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
We know it's all just daydreaming. In all likelihood, no one in this forest'll ever get a javelin, and I'll never see my mother's kingdom again, let alone be hailed by crowds as the jewel of Kildenree. Maybe it's vain to wish for it. But sometimes, it'd be nice just to hold something real in your hands that felt like a measure of your worth. Right Finn?
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Ani felt a stirring, a hope, a winged thing waking up in her chest and brushing her heart with it's feathers.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Some people are born with the first word of a language resting on their tongue though it may take some time before they can taste it.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
His fingertips slid down from my face, lightly stroking the line of my neck, down toward my shoulder. Everywhere he touched, a trail of goose bumps appeared. How did he keep doing this to me? Marcus—who made every girl in the world swoon—had zero effect on me. But one whisper of a touch from Adrian completely undid me.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Years ago, before this estate was generously and unwillingly turned over to the crown, the lord here was a genuine dimwit. He had a minister stashed behind his throne to whisper clever things to say.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Saying my story makes me want to change it, make it sound pretty the way I do with the stories I tell the workers. I'd like it to have a beginning as grand as a ball and an ending in a whisper, like a mother tucking in a child for sleep.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
He looked at her, and the clarity of his dark eyes struck her heart with a sensation of a wound touched.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Sometimes it seems my identity’s a matter of opinion
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Am I the moss on your bark, then?" Ani asked.
Enna grabbed her around the waist and shook her affectionately. "You're the mossiest girl I know.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Her nightmare clung to her like the smell of smoke to cloth.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
Ani told them all...telling more than needed telling, the stories clarifying and unifying themselves in her mind as she let them spill out of her mouth.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
We know it's all just daydreaming... But sometimes, it'd be nice just to hold something real in your hands that felt like a measure of your worth.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
She thought now it was time to be tested, to make decisions and find her own roads, to stop falling where she was told to fall and to stand only when allowed to stand.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
I have to spend the rest of my life finding ways to deserve a certain white-haired girl. She's very prickly, occasionally puts goose droppings in my shoes or tries to kill me.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
if we don't tell strange stories, when something strange happens we won't believe it.
”
”
Shannon Hale (The Goose Girl)
“
I wouldn't change it you know," he said, his breath raising goose bumps on the skin of my neck. "The girls, the other boys, everything we experienced before this moment. Because that was all wrong. And I think we needed to feel what was wrong to know what's right.
”
”
Megan Erickson (Trust the Focus (In Focus #1))
“
Anna turned away abruptly. “You needn’t bother,” she said. But the girl held her back. “No, don’t go! Don’t be such a goose. I want to know you! Don’t you want to know me?
”
”
Joan G. Robinson (When Marnie Was There)
“
That's what he got for neglecting his work to go on wild-goose chases to impress a girl
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
If breakups are like deaths, then ex sightings are like seeing a ghost: you feel goose bumps, near loss of bladder control, and the sensation of your heart bursting in your throat. The distinction is that the ex is alive.
”
”
Daria Snadowsky (Anatomy of a Single Girl (Anatomy, #2))
“
That year, when the trees burned the fire of late summer into their leaves and the ground mist was a ghost of the river, long and wet and cold, the aunt looked from her windows to the walls around her and imagined another winter inside them. She began to see the world as a bird sees bars, and she scratched her arms beneath her sleeves.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
What are you doing?" I say hoarsely as he trails a finger from the beauty mark on my rib cage to the one on my hip, leaving a path of goose bumps in his wake.
"Connecting the dots," he murmurs with a wicked look. "Uh-oh, you made me lose my place. Now I have to start all over again...
”
”
Laura Wiess (Such a Pretty Girl)
“
I think so. There are so many tales, so strange and beautiful and perfect. They are not what are real, but better. I thought I had something that was magic once, but I lost it, and now I don’t think it was at all.” She touched her chest where the handkerchief had been and frowned. “I wish there was magic. If all the tales were true, then maybe they could tell me what I’m doing, and what I am to do now.”
“Ah, now, don’t cry over lost years and forgetfulness. The tales tell what they can. The rest is for us to learn. The question is, are we smart enough to figure for ourselves? Now, that’s what I’d like to know.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
And" – his voice was soft now – "you’re a beautiful girl. If you show the slightest interest in Alec, he’ll want to go out with you. I know I would."
My skin prickled with goose bumps, a chill in the hot April evening. My brain knew Grayson didn’t have the crush on me that I’d imagined when he got mad at me at the airport that afternoon. He wouldn’t have asked me to date his brother if he’d been interested in me. But my body didn’t know this, or didn’t care.
”
”
Jennifer Echols (Such a Rush)
“
It hurts to be lost. And worse to be home with no kind of homecoming...I'll be lucky if I can do as well as you when all this's done, just a bit out of breath, a bit bruised and scratched, a bit wiser and sadder for it all.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
The real story was beyond our ability to tell: our girlhood, our friendship, our love—all monumental, all inconsequential. The world had no place for two girls like us, though I was slow then, not knowing that Fabienne, slighted, thwarted, even fatally wounded, tried to make a fool of that world, on her and on my behalf. Revenge is a story that often begins with more promises than the ending can offer.
”
”
Yiyun Li (The Book of Goose)
“
I should be used to it. But right now I’d like all my troubles to stand in front of me in a straight line, and one by one I’d give each a black eye.
”
”
Shannon Hale (The Goose Girl)
“
But sometimes, it’d be nice just to hold something real in your hands that felt like a measure of your worth.
”
”
Shannon Hale (The Goose Girl)
“
I read that a gentleman gives a lady flowers, and I thought maybe I'm not a gentleman, but no reason not to treat you like a lady.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
I know i'm making her sound like something out of a story. But it was the other way around. When my mother told me stories about the spinning princess or the brave goose-girl or the river-maiden, in my head I imagined them all a little like Kasia; that was how I thought of her. And I wasn't old enough to be wise, so I loved her more, not less, because I knew she would be taken from me soon.
”
”
Naomi Novik (Uprooted)
“
Whereas I could conform to an emo crowd easily enough, pretending to matriculate from upper crust asshats was too surreal. Goose insisted my stellar attitude and superb language skills had to be put on hold while we were inside the building, which meant to had to keep my big fat cow shut. It was the equivalent of asking a little girl not to scream the first time she was personally introduced to Hannah Montana.
”
”
J.A. Saare (Dead, Undead, or Somewhere in Between (Rhiannon's Law, #1))
“
Vengeance was not his to wield, but he certainly wished it was.
”
”
Madisyn Carlin (Crown (The Redwyn Chronicles, #0.5))
“
Do you mind?" she finally breathed.
His lips twitched. "What's good for the goose."
Lena felt ice slide down her spine.
Crap.
He had seen her checking him out.
”
”
Loretta Hill (The Girl in Steel-Capped Boots)
“
Poor Miss Binney, dressed like Mother Goose, now had the responsibility of sixty-eight boys and girls.
”
”
Beverly Cleary (Ramona the Pest (Ramona, #2))
“
So I will just say it. I cannot love you as a man loves a woman. I am so sorry if I have presumed what is not true or have taken liberties with your sentiments. I hope you can forgive me.
”
”
Shannon Hale (The Goose Girl)
“
This life is over. Maybe I'll be smarter in the next one."
I snorted. "We'll see. We're going to have to choose new names, you know."
"Misha is already making a list of suggestions."
"Oh, Saints."
"You have nothing to complain about. Apparently I am to be Dmitri Dumkin."
"Suits you."
"I should warn you that I'm keeping a tab of all your insults so that I can reward you when I'm healed."
"Easy with the threats, Dumkin. Maybe I'll tell the Apparat all about your miraculous recovery, and he'll turn you into a Saint too."
"He can try," said Mal. "I don't intend to waste my days in holy pursuits."
"No?"
"No," he said as he drew me closer. "I have to spend the rest of my life finding ways to deserve a certain white-haired girl. She's very prickly, occasionally puts goose dropping in my shoes or tries to kill me."
"Sounds fatiguing," I managed as his lips met mine.
"She's worth it. And one day maybe she'll let me chase her into a chapel."
I shuddered. "I don't like chapels."
"I did tell Ana Kuya I would marry you."
I laughed. "You remember that?"
"Alina," he said and kissed the scar on my palm, "I remember everything.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I have to spend the rest of my life finding ways to deserve a certain white-haired girl. She’s very prickly, occasionally puts goose droppings in my shoes or tries to kill me.”
“Sounds fatiguing,” I managed as his lips met mine.
“She’s worth it. And one day maybe she’ll let me chase her into a chapel.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
These stories had intrigued her with their strange mix of violence and love, so unlike the distant, passionless affection of her own mother.
She thought, she hoped, that the handkerchief was something fantastic, like a piece of a tale, but real, and just for her, a symbol of the real, hidden love of her mother.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
It was a sound like . . . I remember thinking . . . a sound kind of like Joe’s little girl Squeaky made the time she come running in from the barn hollering that her special cat was in the bottom of the milk can drowned and where was everything? She wasn’t crying or carrying on, just hollering my cat got drowned where is everybody? She wouldn’t calm down till she’d gone all over the whole house and talked to everybody and seen everything. That was the same notion I got hearing that lost goose honking: that he wasn’t so much just asking where the lost flock was—he was wanting to know where the river was, and the bank, and everything hooked up with his life. Where is my world? he was wanting to know, and where the hell am I if I can’t locate it? He had lost his way and was out there flying the river, out of his head looking for it. He was trying to check around quick and get everything in its place, like Squeaky had needed to do when she’d lost her cat, and like me wanting to see them logs again. Only with me, I couldn’t figure what I thought I’d lost: no cats that I could think of, and I don’t know as I was missing a flock . . . or ever even had a way. But I still knew the feeling.
”
”
Ken Kesey (Sometimes a Great Notion)
“
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
”
”
Jack Kerouac (Maggie Cassidy)
“
For the rest of the day Hubert couldn't stop grinning. He grinned in the lift on the way back down to the warehouse. He grinned as he passed Mr Coulthard yelling at the new lads. And he grinned all the more later when Kenneth told him a very odd story about being sent on a wild-goose chase to the fourth floor by a girl from Haberdashery.
”
”
Mike Gayle (All the Lonely People)
“
LIFE DOESN'T FRIGHTEN ME
Shadows on the wall
Noises down the hall
Life doesn't frightnes me at all
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all.
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
Life doesn't frighten me at all.
Tough guys in a fight
All alone at night
Life doesn't frighten me at all.
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
That new classrom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
I've got a magic charm
That I keep up my sleeve,
I can walk the ocean floor
And never have to breathe.
Life doesn't frighten me at all
Not at all
Not at all.
Life doesn't frigthen me at all.
”
”
Maya Angelou (And Still I Rise)
“
And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep.
Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky.
'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.
”
”
Jack Kerouac (Maggie Cassidy)
“
body went tense, forcing goose bumps to rise over my bare arms. My tough demeanor had been ripped apart and was replaced by a frightened little girl in need of her father’s protection. But he wasn’t here, and all I had was Jeremy. It wasn’t his responsibility to protect me. He shouldn’t have to worry about me.
And I shouldn’t be falling apart like this.
”
”
Nicole Sobon (No Place Like Home)
“
Watch your tongue, peasant.
”
”
Madisyn Carlin (Crown (The Redwyn Chronicles, #0.5))
“
Her eyes followed the long road that began south of the Great City
”
”
Shannon Hale (The Goose Girl)
“
she also felt a yearning like the beginnings of a yawn arching in her chest to have that separation and to become, finally, who she would be.
”
”
Shannon Hale (The Goose Girl)
“
Just then, a little hopped-up Japanese car zips up next to us. It’s bright yellow with loud, high-pitched exhaust pipes and a big air spoiler on the back. I look over at the driver to see who’s making all the racket. I’m surprised to see a teenage girl there. After a moment, she gooses it and whinnies on past. On her back window, there’s a sticker: NO FEAR.
I think, good girl.
”
”
Michael Zadoorian (The Leisure Seeker)
“
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.”
Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me.
Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?”
“I don’t know. That’s all that Mr. Kadam told me.”
He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.”
He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren.
Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?”
I just smiled back stupidly. He quirked an eyebrow at me.
“What were you thinking about just now?”
“Nothing important.”
He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.”
Gads. His smile was brilliant, even in the fog. I laughed nervously.
“If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.”
He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.”
The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.”
He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.”
He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head.
Disappointed that he’d stopped, I asked, “What does rajkumari mean?”
He laughed quietly, carefully set me down, and said, “It means princess.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Lend finished texting someone and slipped his phone into his back pocket, then stood up. I’d never paid much attention to guys’ jeans before (not for lack of desire, but rather lack of opportunity in the Center), but in the past few months I’d come to realize that most guys’ jeans are really, truly horrendous. Too baggy, too tight, too low, etc. It’s like guys don’t realize that they can look great in a good pair of jeans. Shockingly enough girls, too, enjoy a well-framed butt.
Another area Lend was perfect in. His jeans choice, I mean. Well, his butt, too.
I smiled and stared at his face, watching his two profiles—the glamour one, which fit snugly over his real one. He looked down and caught me staring.
“Evie?”
“You, my dear boyfriend, are kind of beautiful, you know that?”
“That’s what all the old ladies tell me before pinching my cheek.”
“Which cheek?” I reached out and goosed him. He jumped and swatted my hand away, laughing.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Mademoiselle de Watteville, with a little flush of pride in thinking of the success of her Belvedere, discerned in herself a vast superiority over every one about her. No one guessed that a little girl, supposed to be a witless goose, had simply made up her mind to get a closer view of the lawyer Savaron’s private study.
”
”
Honoré de Balzac (Works of Honore de Balzac)
“
In a minefield a blind person is not more likely to be killed than a person who can see.” I thought about it, and realized that she was right. Still, I told her, I would not want us to be blind. But were we not, in a sense, two blind girls? One would walk everywhere as though not a single mine were buried in the field. The other would not find the courage to take a step because the whole world was a minefield.
”
”
Yiyun Li (The Book of Goose)
“
She looked to Pippa. "Have I made it difficult for you?"
Pippa hedged. "Not at all. Castleton sent news to Father just last week that he was planning to court me in earnest, and it's not as though I'm the most ordinary of debutantes."
It was an understatement. Pippa was something of a bluestocking, very focused on the sciences and fascinated by the insides of living things, from plants to people. She'd once stolen a goose from the kitchens and dissected it in her bedchamber.
”
”
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
“
Only later, when I met more girls, when I got to know my nieces and nephews, did I understand that Fabienne and I shared something not often available to children (or adults, for that matter). Neither of us felt intense love toward our parents, or intense resentment. And the world was made of people who were not that different from our parents, so it was only natural that neither of us felt intense love or intense resentment toward anyone. We had each other, and for a long time that was enough.
”
”
Yiyun Li (The Book of Goose)
“
I am finally loose as a goose, my wingspan unfolded its full length, my powerful neck raised as I slice into the sky. I am the same woman in the Innenwelt and the Umwelt. I am that careless girl, hands sunk haphazardly into the dough, bedroom a sty, pen stilled against her hand, eyes cast out the window, mouth humming a song, thinking of something else. I am that outspoken witch; I will disagree with any man. I am a firework gone off in the dark, a spectacle of disobedience, a grand finale of orgasms anytime I want.
”
”
Melissa Febos (Girlhood)
“
I made it until the threes before a new problem, in addition to my possible haunting, came up. I had to pee. Three hours fifty-two minutes. I tried crossing my legs and thinking dry desert thoughts. I wasn't going to make it until six a.m. No way. That left me two choices:
1. Stay here and pee the bed. This option was fraught with a whole load of downsides, not the least being forced to sit in a puddle of my own urine for hours (three hours forty-seven minutes to be exact). Then there would be the morning humiliation to consider. Dick's great-grandmother probably made this bed by collecting feathers off her pet goose. He would shit if I peed in it. He would make me sleep on rubber sheets as long as I lived here. Plus Nathaniel would know. I would be his spastic stepsister with an incontinence problem.
2. Leave the bed and make a run for the bathroom. This had the upside of not getting me a year's subscription to Bedwetters Anonymous. The downside was obvious. I had to leave the safety of the covers and risk the dead girl grabbing ahold of me.
”
”
Eileen Cook (Unraveling Isobel)
“
Little Britain may truly be called the heart's core of the city; the stronghold of true John Bullism. It is a fragment of London as it was in its better days, with its antiquated folks and fashions. Here flourish in great preservation many of the holiday games and customs of yore. The inhabitants most religiously eat pancakes on Shrove Tuesday, hot-cross-buns on Good Friday, and roast goose at Michaelmas; they send love-letters on Valentine's Day, burn the pope on the fifth of November, and kiss all the girls under the mistletoe at Christmas. Roast
”
”
Washington Irving (Little Britain)
“
Willa walks past Arsinoe on the way to the kitchen.
“Goose and onion pie tonight.” Willa holds up a small yellow onion and chucks Arsinoe beneath the chin with it.
“Mmm,” Arsinoe replies uncertainly. “Was that . . . one of my favorites?”
“You do not remember?”
“I don’t.” Arsinoe follows her through the sitting room, looking at the paintings and the furniture. It would not have changed much, but nothing feels familiar. “Mirabella remembers everything. If she were here, the sentimental goof would be hugging that chair.”
“Even when she was a girl, Mirabella had far too much dignity to go about hugging chairs. Unlike you.
”
”
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
“
emotion. It was all absurd—she had been a silly, romantic, inexperienced goose. Well, she would be wiser in the future—very wise—and very discreet—and very contemptuous of men and their ways. "I suppose I'd better go with Una and take up Household Science too," she thought, as she stood by her window and looked down through a delicate emerald tangle of young vines on Rainbow Valley, lying in a wonderful lilac light of sunset. There did not seem anything very attractive just then about Household Science, but, with a whole new world waiting to be built, a girl must do something. The door bell rang, Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him—"Rilla-my-Rilla," he said. "Ken," gasped Rilla. Of course, it was Ken—but he looked so much older—he was so much changed—that scar—the lines about his eyes and lips—her thoughts went whirling helplessly. Ken took the uncertain hand she held out, and looked at her. The slim Rilla of four years ago had rounded out into symmetry. He had left a school girl, and he found a woman—a
”
”
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
“
How long could we remain true to the girls? How long could we keep their memory pure? As it was, we didn’t know them any longer, and their new habits - of opening windows, for instance, to throw out a wadded paper towel - made us wonder if our vigilance had been only the fingerprinting of phantoms. Our talismans ceased to work. Lux’s tartan, when touched, summoned only a hazy memory of her wearing it in class - one bored hand fiddling with the silver kilt pin, undoing it, leaving the folds unfastened on her bare knees, about to fall open any minute but never… We had to rub the skirt for minutes to see it clearly. And every other slide in our carousel began to fade in the same way, or we clicked and absolutely nothing fell into the projection slot, leaving us staring at goose bumps on a white wall.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
We should probably set some ground rules." I continued.
He slumped back against the chair, crossing his arms over his chest. "You want to make rules for tutoring?"
I nodded. "And if you don't follow them, I'll quit."
He studied me for long moments. It made me squirm in my seat. Romeo had a very intense and level stare. "Okay, Rimmel," he drawled. "Let's hear these rules."
I swallowed. Every time he said my name, the spit in my mouth seemed to thicken. "Okay." I agreed. My shoulders straightened and I held up my hand to count the rules as I went. "One: do not be late. It's rude. If you're late again, I won't wait."
His lips twitched, which brought me to the next rule. "Two: Don't bother trying to charm me into doing your work for you. I won't."
He pressed a hand to his chest like he was offended. "You think so low of me." He gasped.
I rolled my eyes. "Three: No girls during tutoring. No disappearing."
"But you're a girl," he said, sitting forward swiftly and tucking a bunch of hair behind my ear. The back of my neck broke out in goose bumps and they scattered down my spine, and my toes curled in the Converse I was wearing.
"Rule four," I said, ignoring the funny way he made me feel. "No charm at all."
"I can't help it, Rimmie." His intensely azure eyes roamed over my face like he was looking at me for the first time. "It's so easy to make you blush."
I hit away his hand. "Rule five: Do not call me Rimmie." Ugh, he was irritating!
He chuckled and sat back. "Fine. Now, can we get to work?" he asked, pointing at his paper.
"No," I snapped. "Tutoring is over for today."
"But what about this assignment?" he whined.
"Here's a thought," I said as I snatched my bag and stood. "Sit here and do it." I started to stalk away, nearly tripping over my half-untied shoelace.
He laughed beneath his breath, and I thought about kicking him.
- Rimmel & Romeo
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
Hullo,” he said sleepily, rubbing a hand along his jaw.
He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room-
I came to life. “Get out!”
He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face.
“But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.”
Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close.
I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up…
Armand shifted a bit, rearranging the pillows behind his shoulders.
I wet my lips. “If this is about the kiss-“
“No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“
“You can’t be in here!”
“And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.”
Dark power. Compel him to leave.
I was desperate enough to try.
“You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.”
Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor.
“That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?”
Blast. I tipped my head back against the wood of the door and clenched my teeth.
“Do you have any idea the trouble I’ll be in if they should find you here? What people will think?”
“Oh, yes. It rather gives me the advantage, doesn’t it?”
“Mrs. Westcliffe will expel me!”
“Nonsense.” He smiled. “All right, probably she will.”
“Just tell me that you want, then!”
His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh.
“All I want,” he said quietly, “is to talk.
“Then pay a call on me later this afternoon,” I hissed.
“No.”
“What, you don’t have the time to tear yourself away from your precious Chloe?”
I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither.
Reasonably certain.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Mal, you’ll have to be careful. The story of the amplifiers could leak out. People might still think you have power.”
He shook his head. “Malyen Oretsev died with you,” he said, his words echoing my thoughts closely enough to raise the hair on my arms. “That life is over. Maybe I’ll be smarter in the next one.”
I snorted. “We’ll see. We’re going to have to choose new names, you know.”
“Misha is already making a list of suggestions.”
“Oh, Saints.”
“You have nothing to complain about. Apparently I am to be Dmitri Dumkin.”
“Suits you.”
“I should warn you that I’m keeping a tab of all of your insults so that I can reward you when I’m healed.”
“Easy with the threats, Dumkin. Maybe I’ll tell the Apparat all about your miraculous recovery, and he’ll turn you into a Saint too.”
“He can try,” said Mal. “I don’t intend to waste my days in holy pursuits.”
“No?”
“No,” he said as he drew me closer. “I have to spend the rest of my life finding ways to deserve a certain white-haired girl. She’s very prickly, occasionally puts goose droppings in my shoes or tries to kill me.”
“Sounds fatiguing,” I managed as his lips met mine.
“She’s worth it. And one day maybe she’ll let me chase her into a chapel.”
I shuddered. “I don’t like chapels.”
“I did tell Ana Kuya I would marry you.”
I laughed. “You remember that?”
“Alina,” he said and kissed the scar on my palm, “I remember everything.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I’m in love with Rachel. There is no doubting that. And while I have a strong sense that she feels something similar, she isn’t ready for anything yet. What happened after our kiss is proof. At first, I wasn’t ready for a relationship since I was keeping too much from her, but that wouldn’t stop me now. I wanted her to be mine; I was just afraid of pushing her again. As much as I hated not being in control of this, I needed to let her make the decisions. Things had been different since the night I sang to her; something had changed. She was still a bitch and loved throwing her attitude at me, but I didn’t want her any other way. Rachel was easily the most beautiful girl I’d ever seen, and that was what had originally caught my attention, but her attitude was what hooked me. In an attempt to give her the time she needed, I had gone back to being exactly like I always was with her. As if there had never been a kiss, as if I’d never sung for her and told her what she meant to me. The last couple weeks though, through the bickering and friends-only relationship, there had been a charge between us. Well, more than usual, anyway. It was constant, and it didn’t make things awkward; it was almost as if it just made us both more aware of each other physically at all times. And I’m not gonna lie. I. Fucking. Loved it. The way she gasped softly whenever I would brush against her, how her arms would be covered in goose bumps when I pulled away from kissing the top of her head, and how she always seemed to shift closer to me without even realizing it.
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
The story we are told of women is not this one.
The story of women is the story of love, of foundering into another. A slight deviation: longing to founder and being unable to. Being left alone in the foundering, and taking things into one's own hands: rat poison, the wheels of a Russian train. Even the smoother and gentler story is still just a modified version of the above. In the demotic, in the key of bougie, it's the promise of love in old age for all the good girls of the world. Hilarious ancient bodies at bath time, husband's palsied hands soaping wife's withered dugs, erection popping out of the bubbles like a pink periscope. I see you! There would be long, hobbledy walks under the plane trees, stories told by a single sideways glance, one word sufficing. Anthill, he'd say; Martini! she'd say; and the thick swim of the old joke would return to them. The laughter, the beautiful reverberations. Then the bleary toddling on to an early-bird dinner, snoozing through a movie hand in hand. Their bodies like knobby sticks wrapped in vellum. One laying the other on the deathbed, feeding the overdose, dying the day after, all heart gone out of the world with the beloved breath. Oh, companionship. Oh, romance. Oh, completion. Forgive her if she believed this would be the way it would go. She had been led to this conclusion by forces greater than she.
Conquers all! All you need is! Is a many-splendored thing! Surrender to!
Like corn rammed down goose necks, this shit they'd swallowed since they were barely old enough to dress themselves in tulle.
The way the old story goes, woman needs an other to complete her circuits, to flick her to fullest blazing.
”
”
Lauren Groff (Fates and Furies)
“
We begin with an onion soup as smoky and fragrant as autumn leaves, with croutons and grated Gruyère and a sprinkle of paprika over the top. She serves and watches me throughout, waiting, perhaps, for me to produce from thin air an even more perfect confection that will cast her effort into the shade.
Instead I eat, and talk, and smile, and compliment the chef, and the chink of crockery goes through her head, and she feels slightly dazed, not quite herself. Well, pulque is a mysterious brew, and the punch is liberally spiked with it, courtesy of Yours Truly, of course, in honor of the joyful occasion. As comfort, perhaps, she serves more punch, and the scent of the cloves is like being buried alive, and the taste is like chilies spiced with fire, and she wonders, Will it ever end?
The second course is sweet foie gras, sliced on thin toast with quinces and figs. It's the snap that gives this dish its charm, like the snap of correctly tempered chocolate, and the foie gras melts so lingeringly in the mouth, as soft as praline truffle, and it is served with a glass of ice-cold Sauternes that Anouk disdains, but which Rosette sips in a tiny glass no larger than a thimble, and she gives her rare and sunny smile, and signs impatiently for more.
The third course is a salmon baked en papillote and served whole, with a béarnaise sauce. Alice complains she is nearly full, but Nico shares his plate with her, feeding her tidbits and laughing at her minuscule appetite.
Then comes the pièce de résistance: the goose, long roasted in a hot oven so that the fat has melted from the skin, leaving it crisp and almost caramelized, and the flesh so tender it slips off the bones like a silk stocking from a lady's leg. Around it there are chestnuts and roast potatoes, all cooked and crackling in the golden fat.
”
”
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
“
Coming as a kind of pleasure-package with her parents and sisters, as a girl Theodora performed acrobatic tricks and erotic dances in and around the hippodrome – part of the fringe of shows, spectacles and penny theatricals that accompanied the games. It was said by contemporary chroniclers that one of Theodora’s most popular turns was a re-enactment of the story of Leda (the mother of Helen of Troy) and the Swan (Zeus in disguise). The Greek myth went that Zeus was so enraptured with Queen Leda when he espied her bathing by the banks of the River Eurotas that he turned himself into a swan so that he could ravish the Spartan Queen. Theodora, as Leda, would leave a trail of grain up on to (some said into) her body, which the ‘swan’ (in Constantinople in fact a goose) then eagerly consumed. The Empress’s detractors delighted in memorialising the fact that Theodora’s services were eagerly sought out for anal intercourse, as both an active and a passive partner. As a child and as an adolescent woman Theodora would have been considered dirt, but she was, physically, right at the heart of human affairs in a burgeoning city in interesting times.
Theodora was also, obviously, wildly attractive. Born in either Cyprus or Syria, as a teenager – already the mother of a young girl and with a history of abortions – she left Constantinople as the companion of a Syrian official, the governor of Libya Pentapolis. The two travelled to North Africa, where, after four years of maltreatment, she found herself abandoned by the Byzantine official, her meal-ticket revoked. A discarded mistress, on the road, was as wretched as things could get in the sixth century. (...)
Theodora tried to find her way back to the mother city, making ends meet as a prostitute, and the only people to give the twenty-year-old reject shelter were a group of Christians in the city of Alexandria. That random act of kindness was epoch-forming.
”
”
Bettany Hughes (Istanbul: A Tale of Three Cities)
“
last sixteen years Aidan’s detected a shift among spirits. He doesn’t know what it means yet, but he’s certain there’s a pattern.” “What kind of pattern?” “Dark spirits and demons are growing stronger.” I bet Nolan could have helped figure out the pattern. I can only imagine how different all of this would be if he had been here with me since the beginning, performing research for Aidan, trying just as hard as Aidan to find answers. Maybe he would have even found some. “Can you sense the demon?” he asks. I nod. Lucio stops dead in his tracks. Despite the flames growing ever higher around us, Lucio and I feel a cool breeze coming from down the road. Lucio starts walking in the direction of the chill, and I follow, placing my feet in the dusty footprints his steps leave behind. Even though he’s not much taller than I am, his feet are bigger than mine, and I feel like a little kid every time I place one of my sneakers in the spot where his dust-covered boot was seconds before. Lucio’s wearing shorts, and instead of looking at where we’re going, I’m watching the muscles in his calves flex and release with each step. He certainly looks strong enough to confront a demon. When he stops, I practically crash into him. “In there,” Lucio whispers, nodding in the direction of a squat stucco building on our left. It’s so small that it can’t possibly have more than one room. An icy breeze blows its splintered wooden door open, bringing a wall of smoke along with it, despite the fact that it’s the only building in sight that isn’t actually on fire. The door bangs against the tiny building with a loud crash as goose bumps rise on my sweaty skin. “Why did the demon choose this town?” I ask. “These people are completely helpless.” “Exactly,” Lucio says. “The same way we gather strength from helping spirits move on, a demon gathers strength from destroying spirits.” Despite the breeze coming from the darkness just a few steps away, I don’t think I’ve ever felt so hot. Somewhere inside
”
”
Paige McKenzie (The Awakening of Sunshine Girl (The Haunting of Sunshine Girl, #2))
“
K. M. Shea is a fantasy-romance author who never quite grew out of adventure books or fairy tales, and still searches closets in hopes of stumbling into Narnia. She is addicted to sweet romances, witty characters, and happy endings. She also writes LitRPG and GameLit under the pen name, A. M. Sohma.
”
”
K.M. Shea (A Goose Girl (Entwined Tales #1))
“
I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back…
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
”
”
Anne Sexton
“
Julia was a tall, ungainly girl, much taller than Gordon, with a thin face and a neck just a little too long - one of those girls who even at their most youthful remind one irresistibly of a goose.
”
”
George Orwell (Keep the Aspidistra Flying)