“
We hunt the flame, the light in the darkness, the good this world deserves.
”
”
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
“
You’re mad,” I said. “You know what he can do. No prize is worth that.”
Sturmhond grinned. “That remains to be seen.”
“The Darkling will hunt you for the rest of your days.”
“Then you and I will have something in common, won’t we? Besides, I like to have powerful enemies. Makes me feel important.”
Mal crossed his arms and considered the privateer. “I can’t decide if you’re crazy or stupid.”
“I have so many good qualities,” Sturmhond said. “It can be hard to choose.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
All right, so give me some idea of what you can do," says Haymitch.
I can’t do anything," says Peeta, "unless you count baking bread."
Sorry, I don’t. Katniss. I already know you’re handy with a knife,” says Haymitch.
Not really. But I can hunt,” I say. “With a bow and arrow.”
And you’re good?” asks Haymitch.
I have to think about it. I’ve been putting food on the table for four years. That’s no small task. I’m not as good as my father was, but he’d had more practice. I’ve better aim than Gale, but I’ve had more practice. He’s a genius with traps and snares. “I’m all right,” I say.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
A good book was its own brand of magic, one I could safely indulge in without fear of getting caught by those who hunted. I loved escaping from reality, especially during times of trouble. Stories made everything possible.
”
”
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
“
Don’t wait to be hunted to hide, that was always my motto.
”
”
Samuel Beckett (Molloy)
“
Evil will win if good people do nothing.
”
”
P.C. Cast (Hunted (House of Night, #5))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Sometimes I wish I had never met you, because then I could go to sleep at night not knowing there was someone like you out there.
”
”
Gus Van Sant (Good Will Hunting)
“
You wasted $150,000 on an education you coulda got for $1.50 in late fees at the public library.
”
”
Matt Damon (Good Will Hunting)
“
Mom! Mom. You have to smell him! It’s like… like… I don’t even know what it’s like! I was walking in the woods to scope out our territory so I could be like Dad and then it was like… whoa. And then he was all standing there and he didn’t see me at first because I’m getting so good at hunting. I was all like rawr and grr but then I smelled it again and it was him and it was all kaboom! I don’t even know! I don’t even know! You gotta smell him and then tell me why it’s all candy canes and pinecones and epic and awesome.
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
I have never seen much point in getting heavy with stupid people or Jesus freaks, just as long as they don't bother me. In a world as weird and cruel as this one we have made for ourselves, I figure anybody who can find peace and personal happiness without ripping off somebody else deserves to be left alone. They will not inherit the earth, but then neither will I... And I have learned to live, as it were, with the idea that I will never find peace and happiness, either. But as long as I know there's a pretty good chance I can get my hands on either one of them every once in a while, I do the best I can between high spots.
”
”
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
“
Battle scars from the war of good versus evil have a unique beauty all their own.
”
”
P.C. Cast (Hunted (House of Night, #5))
“
Pain was good. If I hurt, it meant I wasn't dead.
”
”
Kristin Cast (Hunted (House of Night, #5))
“
Okay, listen to me, you're stronger than they are. You are. They just want a good show, that's all they want. You know how to hunt. Show them how good you are.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
We get to choose who we let in to our weird little worlds.
”
”
Robin Williams
“
There are young men and women up and down the land who happily (or unhappily) tell anyone who will listen that they don’t have an academic turn of mind, or that they aren’t lucky enough to have been blessed with a good memory, and yet can recite hundreds of pop lyrics and reel off any amount of information about footballers. Why? Because they are interested in those things. They are curious. If you are hungry for food, you are prepared to hunt high and low for it. If you are hungry for information it is the same. Information is all around us, now more than ever before in human history. You barely have to stir or incommode yourself to find things out. The only reason people do not know much is because they do not care to know. They are incurious. Incuriosity is the oddest and most foolish failing there is.
”
”
Stephen Fry (The Fry Chronicles)
“
What other problems do American soldiers face when hunting down these fanatical killers?”
“A person’s senses are more acute when being hunted,” Reid said. “More adept at avoiding capture.”
These guys are good, Blake thought as a bead of sweat trickled down the small of his back. What have I gotten myself into?
”
”
Chad Boudreaux (Scavenger Hunt)
“
Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
”
”
Toni Morrison (Paradise (Beloved Trilogy, #3))
“
Did she cry out for God?” he pushes. “Yes,” Xavier spits, and fuck, I’m falling apart. I thrust against Zade’s hand, rolling my hips mindlessly, the bliss eroding my entire being. “Good,” he says, a grin in his voice. “That means she was crying out for me.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much.
”
”
Matt Damon (Good Will Hunting)
“
Everything frightens me, and it's well that it does. Fear is a good friend to the hunted, it's kept me alive this long. The dead are fearless, and I don't care to join them.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
Any guilt borne by the casualties wrought by his hands had long ago been buried by the honor of the cause. That was enough for Olson. He’d been programmed to think about the cause. Nothing else mattered. He knew that by exterminating the bad guys, he was protecting the good guys.
”
”
Chad Boudreaux (Scavenger Hunt)
“
She was sweetness and light, gentleness and goodness, and the burning and searing goal of all his earthly hunts and fascinations.
”
”
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
“
Mrs. Charlotte Phelan's Guide to Husband-Hunting, Rule Number One: a pretty, petite girl should accentuate with makeup and good posture. A tall plain one, with a trust fund.
”
”
Kathryn Stockett (The Help)
“
Most days I wish I never met you because then I could sleep at night and I wouldn’t have to walk around with the knowledge there was someone like you out there.
”
”
Good Will Hunting
“
Curran growled. "Later, babycakes."
Babycakes. Asshole. "Good hunting, sugar woogums.
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
May you find good hunting, swift running, and shelter when you sleep. (Leafpool to Ashfur, page 1)
”
”
Erin Hunter (Sunrise (Warriors: Power of Three, #6))
“
All right’ is when you’re bleeding black but it’s not as bad as bleeding red. When the world crashes but you’re not alone when it does. When the darkness is absolute but you hunt down the smallest flame and coax it brighter. When you carve the good out of every bad and claim it a victory.
”
”
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
“
You can feel that he wants to own you - not like an object but like a good dream he wants to keep having. He lets you know that you already own him.
”
”
Melissa Bank (The Girls' Guide to Hunting and Fishing)
“
Charles could care less about shoes - and he suspected he wasn't alone among men in his feelings. Shoe, no shoe, he didn't care. Naked was good, though over the past couple of weeks he was beginning to think that dressed in his clothes was a decent second best.
”
”
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
“
You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
You will say good-bye for all the right reasons. You're tired of living in wait for his apocalypse. You have your own fight on your hands, and though it's no bigger or more noble than his, it will require all of your energy.
It's you who has to hold on to earth. You have to tighten your grip -- which means letting go of him.
”
”
Melissa Bank (The Girls' Guide to Hunting and Fishing)
“
Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lift the enchantment. If I don’t – well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Being a vampire is not a curse. It’s a disease,” Tessa filled in. “But they still can’t enter hallowed ground, then? Does that mean they’re damned?”
“That depends on what you believe,” said Jem. “And whether you believe in damnation at all.”
“But you hunt demons. You must believe in damnation!”
“I believe in good and evil,” said Jem. “And I believe the soul is eternal. I don’t believe in the fiery pit, the pitchforks, or the endless torment. I do not believe you can threaten people into goodness.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Paul screamed out words as he struggled to stand. "Good...gracious...mercy...mama...you people...are FAT!
”
”
James Dashner (The Hunt for Dark Infinity (The 13th Reality, #2))
“
...called nine-one-one," Howie was saying, "and then I heard something in the alleyway, so I went back there and" --Howie coughed-- "and valiantly attacked his knife with my guts, to no avail."
"Did you get a good look at him? Could you describe him?"
Howie smiled wanly. "Yeah. He was about yay long" --he held up his hands, four inches apart-- "thin, made of steel. Pointy. Sharp.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
In other words, a considerable portion of your extraordinary gift comes from the simple fact that you very much want to do good." -Master George
”
”
James Dashner (The Hunt for Dark Infinity (The 13th Reality, #2))
“
[She] knew there were women who worked successfully out of the home. They ran businesses, created empires and managed to raise happy, healthy, well-adjusted children who went on to graduate magna cum laude from Harvard or became world-renowned concert pianists. Possibly both.
These women accomplished all this while cooking gourmet meals, furnishing their homes with Italian antiques, giving clever, intelligent interviews with Money magazine and People, and maintaining a brilliant marriage with an active enviable sex life and never tipping the scale at an ounce over their ideal weight...
She knew those women were out there. If she'd had a gun, she'd have hunted every last one of them down and shot them like rabid dogs for the good of womankind.
”
”
Nora Roberts (Birthright)
“
Some people can’t believe in themselves until someone else believes in them first.
”
”
Robin Williams
“
Are we not all actors playing parts in another person's play?
”
”
Shannon L. Alder
“
I'm the best," Elena muttered to herself the next morning s she got out of the taxi in front of the magnificient creation that was Archangel Tower.
"Hey, lady, you gonna pay me or just talk to yourself?"
"What? Oh.... Keep the change."
... "...you got a big hunt coming on?"
Elena didn't ask how he'd pegged her for a hunter. "No. But I do have a high chance of meeting a horrible death within the next few hours. Might as well do something good as up my shot at getting into heaven.
”
”
Nalini Singh (Angels' Blood (Guild Hunter, #1))
“
Manchee comes outta the bushes and sits down next to me cuz I’ve stopped right there in the middle of a trail. He looks around to see what I might be seeing and then he says, ”Good poo, Todd.”
”I’m sure it was, Manchee.”
I’d better not get another ruddy dog when my birthday comes. What I want this year is a hunting knife like the one Ben carries on the back of his belt. Now that’s a present for a man.
“Poo,” Manchee’s says quietly.
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
Pain means you're alive. Pain is good. Pain is life.
”
”
Barry Lyga (Blood of My Blood (I Hunt Killers, #3))
“
Take good care of your final word. If your final say will hunt you in day's ahead, then hold back the words, and let silence speak.
”
”
Michael Bassey Johnson
“
If you have a sword, and the Aielman has his bare hands, it is an even fight. If you're good.
”
”
Robert Jordan
“
I thought there was a good chance the fridge was possessed. It was subtle about it, but I had its number. I knew its ways. Oh yes.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
I’m sick of them. I never want to see them again. Except Aros; he smells nice. And Rome; because he’s so strong I’m pretty sure not even Rau can get past him. I don’t need the others. Except Siret. I’m pretty sure he hates me, but he’s really good at catching me like just before I face-plant into something. But the others, I don’t need them. Not at all.” I paused, my brow furrowing, my mouth pursing, and then I quickly blurted, “Except Coen and Yael. Coen is really good at making decisions, and if I leave out Yael he’ll probably hunt me down and haunt me-”
“That's all of them,” Emmy interrupted smoothly.
”
”
Jaymin Eve (Trickery (Curse of the Gods, #1))
“
...in this moment, we are two souls, marooned beneath the moon, hungry and alone, adrift in the current of what we do not understand. We hunt the flame, the light in the darkness, the good this world deserves... You remind me that hope is not lost.
”
”
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
“
Well…alone is a way to be. It’s being by yourself with no one else around. And it can be good or bad. And it can be a choice…. But being lonely is never a choice. It’s not about who is with you or not. You can feel lonely when you are alone, but the worst kind of lonely is when you’re in a room full of people, but you’re still alone. Or you feel like you are anyway.
”
”
Lynda Mullaly Hunt (Fish in a Tree)
“
Your body was fucking made for me. So you’re going to be a good girl and fucking take it.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Looks like I missed a party. Good. I wasn’t really in the mood to off demons this evening. Haven’t had my coffee yet. (Jared)
You drink coffee? (Stryker)
No, but it was my pathetic attempt at humor. (Jared)
”
”
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
“
Pritkin put a heavy hand on my shoulder, which was just as well. It probably wouldn't have looked good to choke the head of the Silver Circle to death right before the coronation. Then again, my reputation was shot to hell anyway....
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Peeta smiles and douses Haymitch's knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirt tail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thought of our time as contestants in the Hunger Games at bay.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
By God, how could you let her do such a thing?’ There was real, fierce anger in his voice. ‘She could have been hurt.’ ‘Let her?’ his friend expostulated, bridling in indignation. ‘Good God man, have you ever tried telling her what to do?
”
”
Sophie Irwin (A Lady's Guide to Fortune-Hunting)
“
It's like this," he'd explained once to Connie. "If someone gave you a single rose, you'd be happy, right?"
"Okay," he went on, "Now imagine someone gives you ten thousand roses."
"That is a whole lotta roses," she said. "That's too much."
"Right. Too much. But more than that, it makes each individual rose much less special, right? It makes it hard to pick one out and say, 'That's the good one.' And it makes you want to just get rid of them all because none of them seem special now."
Connie had narrowed her eyes. "Are you saying when you're at school you just want to get rid of everyone?
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
I do not understand exactly what you mean by fear," said Tarzan. "Like lions, fear is a different thing in different men, but to me the only pleasure in the hunt is the knowledge that the hunted thing has power to harm me as much as I have to harm him. If I went out with a couple of rifles and a gun bearer, and twenty or thirty beaters, to hunt a lion, I should not feel that the lion had much chance, and so the pleasure of the hunt would be lessened in proportion to the increased safety which I felt."
"Then I am to take it that Monsieur Tarzan would prefer to go naked into the jungle, armed only with a jackknife, to kill the king of beasts," laughed the other good naturedly, but with the merest touch of sarcasm in his tone.
"And a piece of rope," added Tarzan.
”
”
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
“
The things that are said in literature are always the same. What is important is the way they are said. Looking for metaphors, for example: When I was a young man I was always hunting for new metaphors. Then I found out that really good metaphors are always the same.
”
”
Jorge Luis Borges
“
He was having an odd paternal rush, a blood surge that was also about blood and was presently hunting through Howard's expansive intelligence to find words that would more effectively express something like don't walk in front of cars take care and be good and don't hurt or be hurt and don't live in a way that makes you feel dead and don't betray anybody or yourself and take care of what matters and please don't and please remember and make sure
”
”
Zadie Smith (On Beauty)
“
I let myself feel good for no reason. I let joy happen right there and then, and it's inside me and around me, it's the lights on the road ahead, the clean black of the night, the cold air coming through the window. It's like hearing a song for the first time and being struck by it, haunted by it, wanting to hunt it down and catch it, because the song sums up something you didn't know you wanted to say, giving you chills and goose bumps. But even as you find out what it's called, and you're thinking you'll download it, you've already lost. Because the feeling was right then and there and it's already fading like a dream.
You just have to see those times for what they are: a chance to look down at your life. And when you do, you see it's a skin made up of shiny little moments.
”
”
Kirsty Eagar (Raw Blue)
“
Those look like broken ribs," Hunt said wryly.
"Definitely broken ribs, Athalar," Bryce replied, sitting back on her heels. "And a broken arm, from the way he's cradling it."
"Skull fracture's healed," Hunt observed with equal distance, as if they were on one of his favorite Vanir crime show procedurals. Ithan's eyes flashed again.
"I'm sensing hostility and a good dose of male pride," Bryce said.
"Throw in some stubbornness and I'd say we've got a classic case of stupidity," Hunt answered.
"What the fuck is wrong with you two?" Ithan demanded.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
Next caller. Betty, you're on the air. What's your question ?"
"Hi, Kitty. I just wanted to know, are you going out with that Cormac guy from last month?"
My jaw dropped. "What?"
"Are you going out with that Cormac guy?"
"We are talking about the same Cormac who tried to kill me on the air, yes? the guy who hunts werewolves for a living ?"
"Uh-huh."
"And you want to know if I'm dating him ? Why on earth do you think that's a good idea?
”
”
Carrie Vaughn (Kitty and the Midnight Hour (Kitty Norville, #1))
“
What seemed at first like an act of incandescent self-destruction turned out to be the onramp to a bleak treadmill, one that felt designed to eradicate my personality and identity. It didn’t end my self-recrimination and misery. Instead, it illustrated just how good I’d had it living on the street.
”
”
Edward Williams
“
Love was a magic fairy spell. Didn't the girls in my books hunt after love like it was a deer with a white tail? Didn't love wake the dead? Didn't that lady love the beast so hard he turned into a good-looking white fellow? That was what love did. It turned you into something else.
”
”
Catherynne M. Valente (Six-Gun Snow White)
“
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have.
As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret.
When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever.
Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows.
Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
West looks up. 'This is the best time to hunt, when the animals are out looking for their suppers. 'Course, with a painted sky, light's not always good.' I never heard someone call the sky painted before, but it's the perfect word. Clouds outlined in gold streak across the firmament, casting uneven shadows over the landscape.
”
”
Stacey Lee (Under a Painted Sky)
“
Let me guess. You think we’re going to live happily ever after, like some stupid fairy tale?”
“Why not?” His stare dared me to laugh or, worse, to argue.
“Because the whole thing is ridiculous,” I said. I despised the bitterness in my own voice. I sounded so damaged. Good. If he thought I was his soul mate for some mysterious reason he wouldn’t let on, let him see the worst of me.
“It’s not ridiculous to me. Perhaps that’s the difference between predators and prey, love. I’ll never stop hunting. But I expect that one day, you’ll stop running.”
“Because I want to die?”
“Because you want to live.
”
”
Delilah S. Dawson (Wicked as They Come (Blud, #1))
“
Ah, dude," Paul said. "What if they beam around like in Star Trek?"
Sofia snorted. "I'll be sure to ask Dark Gator if I see him."
Paul burst out laughing; Tick held hid laugh in pressing his mouth closed.
What?" Sofia asked.
What did you call him?" Paul asked.
Dark Gator."
Man, oh, man, you are too good to be true Miss Italy, too good to be true." Still chuckling, he walked towards all the people. "I think I see a restaurant up there. Let's check it out.
Sofia looked at Tick, her eyebrows raised.
It's Darth Vader," he whispered. "And he's from Star Wars, not Star Trek.
”
”
James Dashner (The Hunt for Dark Infinity (The 13th Reality, #2))
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you."
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
"Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's."
"Don't you guys have somewhere to be?" I asked hastily. "We're about to start."
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat."
"Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
It might have interested Newt to know that, of the thirty-nine thousand women tested with the pin during the centuries of witch-hunting, twenty-nine thousand said “ouch,” nine thousand, nine hundred and ninety-nine didn’t feel anything because of the use of the aforesaid retractable pins, and one witch declared that it had miraculously cleared up the arthritis in her leg.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
What is that?” The question is inane. But, honestly, what the fuck am I supposed to do with this? Alex chuckles nervously. As is appropriate since I’m holding his dick and I’m clearly not sane. “I mean, I know what it is. Obviously. Do you have some kind of . . . disorder? Like elephantiasis of the penis or something?” I did not say that out loud. “It’s not that big.” His erection slides in my grip. I can’t stop staring. My thumb and middle finger must have a good inch or more before they can meet. I squeeze to see if it helps bring them closer together. It doesn’t. What it does is make Alex groan, and that, oh holy monster of cock, is one hot noise.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
I've never been one to mourn the passing of what could have been a promising relationship. When Jeff broke my heart in the ninth grade, I decided then and there that if a guy couldn't see that I was something special, I'd say good-bye with no regrets. Not that I think I'm more special than anyone else, mind you. But if a thing is not meant to be, I figure it's just not part of God's infinite plan.
”
”
Angela Elwell Hunt (The Velvet Shadow (Heirs of Cahira O'Connor, #3))
“
I feel nothing, Nesta said silently. Only the sight of Feyre on Death’s threshold kept her from forgetting why she was here, what she needed to do.
Is that not what you wanted? To feel nothing?
I thought that was what I wanted. Nesta surveyed the people around her. Her sisters. Cassian, who had been willing to plunge a dagger into his heart rather than harm her. But no longer. When the female voice didn’t press her, Nesta went on, I want to feel everything. I want to embrace it with my whole heart.
Even the things that hurt and hunt you? Only curiosity laced the question.
Nesta allowed herself a breath to ponder it, stilling her mind once more. We need those things in order to appreciate the good. Some days might be more difficult than others, but … I want to experience all of it, live through all of it. With them.
That wise, soft voice whispered, So live, Nesta Archeron.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists.
(from 2003 WGA seminar)
”
”
William Goldman
“
Lucky!" she shouted. The creature pulled up and pranced excitedly before her, front hooves pawing at the ground. Laughing with happiness, Kelley flung her arms around the kelpie and buried her face in his mane. Lucky nuzzled her shoulder and head-butted at her in delight.
Besides Sonny, Fennrys gestured with his good arm. "Isn't that...?"
"The Roan Horse, Harbinger of the Wild Hunt and Fearsome Bringer of Doom. Yeah" Sonny nodded. "Used to be."
"Thought so." Lucky kicked up his back hooves like a frolicking colt, and Fennrys snorted is disgust. "Evil really needs to step up its game.
”
”
Lesley Livingston
“
I didn't really want to talk. I'd wanted him there, but I asn't sure why. Maybe just to have someone to drink with. Actually, that sounded pretty good at the moment. I sat on the seat of the chaise and he sat on the foot, and we just drank at each other for a while.
After a few minutes, he leaned back against the railing, like maybe he wanted a backrest, and I shifted my feet over to make room. But I guess I didn't shift far enough, because a large, warm hand covered my right foot, adjusting it slightly. And then it just stayed there, like he'd forgotten to remove it.
I looked at it. Pritkin's hands were oddly refined compared to the rest of him: strong but long fingered, with elegant bones and short-clipped nails. They always looked like they'd wandered off from some fine gentleman, one they'd probably like to get back to, because God knew they weren't getting a manicure while attached to him.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Who will you be when faced with the end?
The end of a kingdom,
The end of good men,
Will you run?
Will you hide?
Or will you hunt down evil with a venomous pride?
Rise to the ashes,
Rise to the winter sky,
Rise to the calling,
Make heard the battle cry.
Let it scream from the mountains
From the forest to the chapel,
Because death is a hungry mouth
And you are the apple.
So who will you be when faced with the end?
When the vultures are circling
And the shadows descend
Will you cower?
Or will you fight?
Is your heart made of glass?
Or a pure Snow White?
”
”
Lily Blake (Snow White & the Huntsman)
“
Lockwood sat up awkwardly, adjusting his Bubble-Wrapped loops of chain. 'We're in good shape,' he said. 'We've lost the heavy duty chains and the stuff in the bags, but we've got our rapiers, iron, and silver seals. And we've found what we wanted now.'
I stared at the clean, calm surface of the door. 'Why couldn't it come after us? Ghosts can pass through walls.'
Lockwood shrugged. 'In some cases a Visitor is tied so completely to the room where it met its death that it no longer has any conception of there being any adjacent space at all. So...when we left its hunting ground, it was as if we ceased to exist, as if we ceased to be....'
I looked at him. 'You haven't really got a clue, have you?'
'No.
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
Ages of happiness. - An age of happiness is quite impossible, because men want only to desire it but not to have it, and every individual who experiences good times learns to downright pray for misery and disquietude. The destiny of man is designed for happy moments - every life has them - but not for happy ages. Nonetheless they will remain fixed in the imagination of man as 'the other side of the hill' because they have been inherited from ages past: for the concepts of the age of happiness was no doubt acquired in primeval times from that condition of which, after violent exertion in hunting and warfare, man gives himself up to repose, stretches his limbs and hears the pinions of sleep rustling about him. It is a false conclusion if, in accordance with that ancient familiar experience, man imagines that, after whole ages of toil and deprivation, he can then partake of that condition of happiness correspondingly enhanced and protracted.
”
”
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
“
That dog is a wolf, is he not?'
'Aye, well, mostly.'
A small flash of hazel told him not to quibble.
'And yet he is thy boon companion, a creature of rare courage and affection, and altogether a worthy being?;
'Oh, aye,' he said with more confidence. 'He is."
She gave him an even look.
'Thee is a wolf, too, and I know it. But thee is my wolf, and best thee know that.'
He'd started to burn when she spoke, an ignition swift and fierce as the lighting of one of his cousin's matches. He put out his hand, palm forward, to her, still cautious lest she too, burst into flame.
'What I said to ye, before . . . that I kent ye loved me-'
She stepped forward and pressed her palm to his, her small, cool fingers linking tight.
'What I say to thee now is that I do love thee. And if thee hunts at night, thee will come home.'
Under the sycamore, the dog yawned and laid his muzzle on his paws.
'And sleep at they feet,' Ian whispered, and gathered her in with his one good arm, both of them blazing bright as day.
”
”
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
“
There was some sort of commotion going on outside, and I decided I’d had enough. I went to the door and stuck my head out. Marco was gasping for breath on the sofa, and two of the guards were bent over a cell phone.
“What are you doing?” I demanded.
“Trying to record this,” the smart-ass from the shopping trip told me. “Nobody is going to believe us otherwise.”
“Well, cut it out. It isn’t funny!”
“On what planet?”
I glared at him, which did no good,because he simply went back to to tinkering with the phone. So I looked at Marco. “Can’t you do anything with them?”
Marco flopped a hand at me, tears streaming down his reddened cheeks, and tried to say something. But all that came out for several moments were asthmatic wheezes. I bent over his prone form, starting to worry about him, and he put a hand on my neck and pulled me down.
” It…is…funny,” he gasped.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear
so suddenly last night? It’s not like you to simply vanish without saying—”
“I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.”
Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask.
“Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea.
“Doing what?” Daisy asked blankly.
Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she
was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
But others of us believed that the only true happiness our Sara had ever known in her short life on this earth had been among these people. And we wished for her soul to go to the place the Cheyennes called Seano – the place of the dead – which is reached by following the Hanging Road in the Sky, the Milky Way. Here the Cheyennes believe that all the People who have ever died live with their Creator, He’amaveho’e. In Seano they live in villages just as they did on earth – hunting, working, eating, playing, loving, and making war. And all go to the place of the dead, regardless of whether they were good or bad on earth, virtuous or evil, brave or cowardly – everyone – and eventually in Seano all are reunited with the souls of their loved ones.
”
”
Jim Fergus (One Thousand White Women: The Journals of May Dodd (One Thousand White Women, #1))
“
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
We have never understood why men mount the heads of animals and hang them up to look down on their conquerors. Possibly it feels good to these men to be superior to animals, but it does seem that if they were sure of it they would not have to prove it. Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage. For ourselves, we have had mounted in a small hardwood plaque one perfect borrego [bighorn sheep] dropping. And where another man can say, "There was an animal, but because I am greater than he, he is dead and I am alive, and there is his head to prove it," we can say, "There was an animal, and for all we know there still is and here is proof of it. He was very healthy when we last heard of him.
”
”
John Steinbeck (The Log from the Sea of Cortez)
“
Then again, maybe you couldn't have killed me," he said, crawling out of the stairway. He moved very slowly, like a lizard who had gotten too cold.
I heard a whimper from behind one of the closed doors next to the bathroom, and sympathized. I wanted to whimper, too.
"I'm not hunting you," I told him firmly, though I stepped backward until I stood in a circle of light at the end of the hallway.
He stopped halfway out of the stairway, his eyes were filmed over like a dead man's.
"Good," he said. "If you kill Andre, I won't tell-and no one will ask."
And he was gone, withdrawing from the hallway and down the stairs so fast that I barely caught the motion, though I was staring right at him.
I walked out of his home because if I'd moved any faster, I'd have run screaming.
”
”
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
“
When rehabilitation works, there is no question that it is the best and most productive use of the correctional system. It stands to reason: if we can take a bad guy and turn him into a good guy and then let him out, then that’s one fewer bad guy to harm us. . . .
Where I do not think there is much hope. . .is when we deal with serial killers and sexual predators, the people I have spent most of my career hunting and studying. These people do what they do. . .because it feels good, because they want to, because it gives
them satisfaction. You can certainly make the argument, and I will agree with you, that many of them are compensating for bad jobs, poor self-image, mistreatment by parents, any number of things. But that doesn’t mean we’re going to be able to rehabilitate them.
”
”
John E. Douglas (Journey Into Darkness (Mindhunter #2))
“
Um, what's cooking in that sadistic brain of yours?" Jen asked nervously.
Sally's eyes snapped open. "I was just thinking that maybe if you met someone else then you could get past your furry problem."
"My furry problem? Really? You make it sound like I have abnormal leg hair growth or something." Jen rolled her eyes.
"Look." Sally stopped Jen before she could walk out of the room. "Let's just give it a go. You, me, and Jacque – tonight. We'll get Sorin to take us somewhere where there are going to be guys. Then you can do your thing."
"My thing?" Jen asked, raising her eyebrows.
"Yeah. You know, your thing. The hottie hunting thing."
Jen laughed. "Man, it sounded like such a good idea at the time."
Sally groaned. "Oh, come on, Jen."
Jen interrupted her before Sally could continue. "Don’t. Don't do that whiny voice."
"Then say you will go tonight," Sally challenged. "Or are you chicken?"
"You really like living on the edge, don't you, Thelma?"
"Hey, I'm just calling it how I see it.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
Civilization is an experiment, a very recent way of life in the human career, and it has a habit of walking into what I am calling progress traps. A small village on good land beside a river is a good idea; but when the village grows into a city and paves over the good land, it becomes a bad idea. While prevention might have been easy, a cure may be impossible: a city isn't easily moved. This human inability to foresee -- or to watch out for -- long-range consequences may be inherent to our kind, shaped by the millions of years when we lived from hand to mouth by hunting and gathering. It may also be little more than a mix of inertia, greed, and foolishness encouraged by the shape of the social pyramid. The concentration of power at the top of large-scale societies gives the elite a vested interest in the status quo; they continue to prosper in darkening times long after the environment and general populace begin to suffer. (109)
”
”
Ronald Wright (A Short History of Progress)
“
I had gone to no place where the roads were frozen and hard as iron, where it was clear cold and dry and the snow was dry and powdery and hare-tracks in the snow and the peasants took off their hats and called you Lord and there was good hunting. I had gone to no such place but to the smoke of cafés and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring. Suddenly to care very much and to sleep to wake with it sometimes morning and all that had been there gone and everything sharp and hard and clear and sometimes a dispute about the cost. Sometimes still pleasant and fond and warm and breakfast and lunch. Sometimes all niceness gone and glad to get out on the street but always another day starting and then another night. I tried to tell about the night and the difference between the night and the day and how the night was better unless the day was very clean and cold and I could not tell it; as I cannot tell it now
”
”
Ernest Hemingway (A Farewell to Arms)
“
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed."
I pressed my face against his neck, breathing him in. "I know."
"So what do we do?"
Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again."
His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?"
I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?"
He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you."
I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for.
"Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards."
His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again.
"Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?"
He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Will: What do I wanna way outta here for? I'm gonna live here the rest of my fuckin' life. We'll be neighbors, have little kids, take 'em to Little League up at Foley Field.
Chuckie: Look, you're my best friend, so don't take this the wrong way but, in 20 years if you're still livin' here, comin' over to my house, watchin' the Patriots games, workin' construction, I'll fuckin' kill ya. That's not a threat, that's a fact, I'll fuckin' kill ya.
Will: What the fuck you talkin' about?
Chuckie: You got somethin' none of us have...
Will: Oh, come on! What? Why is it always this? I mean, I fuckin' owe it to myself to do this or that. What if I don't want to?
Chuckie: No. No, no no no. Fuck you, you don't owe it to yourself man, you owe it to me. Cuz tomorrow I'm gonna wake up and I'll be 50, and I'll still be doin' this shit. And that's all right. That's fine. I mean, you're sittin' on a winnin' lottery ticket. And you're too much of a pussy to cash it in, and that's bullshit. 'Cause I'd do fuckin' anything to have what you got. So would any of these fuckin' guys. It'd be an insult to us if you're still here in 20 years. Hangin' around here is a fuckin' waste of your time.
”
”
Ben Affleck (Good Will Hunting)
“
Sean: …………And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my life apart. You're an orphan right?
[Will nods]
Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
”
”
Matt Damon
“
Now consider the tortoise and the eagle. The tortoise is a ground-living creature. It is impossible to live nearer the ground without being under it. Its horizons are a few inches away. It has about as good a turn of speed as you need to hunt down a lettuce. It has survived while the rest of evolution flowed past it by being, on the whole, no threat to anyone and too much trouble to eat. And then there is the eagle. A creature of the air and high places, whose horizons go all the way to the edge of the world. Eyesight keen enough to spot the rustle of some small and squeaky creature half a mile away. All power, all control. Lightning death on wings. Talons and claws enough to make a meal of anything smaller than it is and at least take a hurried snack out of anything bigger. And yet the eagle will sit for hours on the crag and survey the kingdoms of the world until it spots a distant movement and then it will focus, focus, focus on the small shell wobbling among the bushes down there on the desert. And it will leap… And a minute later the tortoise finds the world dropping away from it. And it sees the world for the first time, no longer one inch from the ground but five hundred feet above it, and it thinks: what a great friend I have in the eagle. And then the eagle lets go. And almost always the tortoise plunges to its death. Everyone knows why the tortoise does this. Gravity is a habit that is hard to shake off. No one knows why the eagle does this. There’s good eating on a tortoise but, considering the effort involved, there’s much better eating on practically anything else. It’s simply the delight of eagles to torment tortoises. But of course, what the eagle does not realize is that it is participating in a very crude form of natural selection. One day a tortoise will learn how to fly.
”
”
Terry Pratchett (Small Gods (Discworld, #13))
“
There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains -- southeastern Utah. A particular tree. A juniper. Large for its species -- maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life.
I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it -- toward continuing to be, come what may.
”
”
Robert Fulghum (Uh-oh: Some Observations from Both Sides of the Refrigerator Door)
“
Sirs, I am but a nameless man,
A rhymester without a home,
Yet since I come of the Wessex clay
And carry the cross of Rome,
I will even answer the mighty earl
That asked of Wessex men
Why they be meek and monkish folk,
And bow to the White Lord's broken yoke;
What sign have we save blood and smoke?
Here is my answer then.
That on you is fallen the shadow,
And not upon the Name;
That though we scatter and though we fly,
And you hang over us like the sky,
You are more tired of victory,
Than we are tired of shame.
That though you hunt the Christian man
Like a hare on the hill-side,
The hare has still more heart to run
Than you have heart to ride.
That though all lances split on you,
All swords be heaved in vain,
We have more lust again to lose
Than you to win again.
Your lord sits high in the saddle,
A broken-hearted king,
But our king Alfred, lost from fame,
Fallen among foes or bonds of shame,
In I know not what mean trade or name,
Has still some song to sing.
Our monks go robed in rain and snow,
But the heart of flame therein,
But you go clothed in feasts and flames,
When all is ice within;
Nor shall all iron dooms make dumb
Men wandering ceaselessly,
If it be not better to fast for joy
Than feast for misery.
Nor monkish order only
Slides down, as field to fen,
All things achieved and chosen pass,
As the White Horse fades in the grass,
No work of Christian men.
Ere the sad gods that made your gods
Saw their sad sunrise pass,
The White Horse of the White Horse Vale,
That you have left to darken and fail,
Was cut out of the grass.
Therefore your end is on you,
Is on you and your kings,
Not for a fire in Ely fen,
Not that your gods are nine or ten,
But because it is only Christian men
Guard even heathen things.
For our God hath blessed creation,
Calling it good. I know
What spirit with whom you blindly band
Hath blessed destruction with his hand;
Yet by God's death the stars shall stand
And the small apples grow.
”
”
G.K. Chesterton (The Ballad of the White Horse)
“
Tenways showed his rotten teeth. ‘Fucking make me.’
‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’
Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’
And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea.
‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’
‘So what?’
‘So shall I draw?
”
”
Joe Abercrombie (The Heroes)
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)