Good Will Hunting Love Quotes

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A good book was its own brand of magic, one I could safely indulge in without fear of getting caught by those who hunted. I loved escaping from reality, especially during times of trouble. Stories made everything possible.
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
Toni Morrison (Paradise (Beloved Trilogy, #3))
You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much.
Matt Damon (Good Will Hunting)
You will say good-bye for all the right reasons. You're tired of living in wait for his apocalypse. You have your own fight on your hands, and though it's no bigger or more noble than his, it will require all of your energy. It's you who has to hold on to earth. You have to tighten your grip -- which means letting go of him.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
A Hunt and an Oliver together? How very Romeo and Juliet.
Vanessa Len (Only a Monster (Monsters, #1))
I want something good to die for. . . to make it beautiful to live.
Stacey T. Hunt (The Adventure Begins (Original Cascade Adventures, #1))
Love was a magic fairy spell. Didn't the girls in my books hunt after love like it was a deer with a white tail? Didn't love wake the dead? Didn't that lady love the beast so hard he turned into a good-looking white fellow? That was what love did. It turned you into something else.
Catherynne M. Valente (Six-Gun Snow White)
Let me guess. You think we’re going to live happily ever after, like some stupid fairy tale?” “Why not?” His stare dared me to laugh or, worse, to argue. “Because the whole thing is ridiculous,” I said. I despised the bitterness in my own voice. I sounded so damaged. Good. If he thought I was his soul mate for some mysterious reason he wouldn’t let on, let him see the worst of me. “It’s not ridiculous to me. Perhaps that’s the difference between predators and prey, love. I’ll never stop hunting. But I expect that one day, you’ll stop running.” “Because I want to die?” “Because you want to live.
Delilah S. Dawson (Wicked as They Come (Blud, #1))
Remember, Bagheera loved thee," he cried, and bounded away. At the foot of the hill he cried again long and loud, "Good hunting on a new trail, Master of the Jungle! Remember, Bagheera loved thee.
Rudyard Kipling (The Jungle Books)
good book was its own brand of magic, one I could safely indulge in without fear of getting caught by those who hunted us. I loved escaping from reality, especially during times of trouble. Stories made everything possible.
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you." I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. "Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's." "Don't you guys have somewhere to be?" I asked hastily. "We're about to start." That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat." "Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Trailblazer, you are a warrior! Other people’s actions gave you a head start because you recognized the red flags and knew that wasn’t the right way to go. The force of awareness broadened your vision; you had the keen insight of an eagle. You knew when to soar in the sky with ease and peace. You also knew when to suit up as you looked down and hunted for your prey. The best part of it all was, just as they thought they’d got the best of you, you attacked at the right time, and they never saw it coming.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
That dog is a wolf, is he not?' 'Aye, well, mostly.' A small flash of hazel told him not to quibble. 'And yet he is thy boon companion, a creature of rare courage and affection, and altogether a worthy being?; 'Oh, aye,' he said with more confidence. 'He is." She gave him an even look. 'Thee is a wolf, too, and I know it. But thee is my wolf, and best thee know that.' He'd started to burn when she spoke, an ignition swift and fierce as the lighting of one of his cousin's matches. He put out his hand, palm forward, to her, still cautious lest she too, burst into flame. 'What I said to ye, before . . . that I kent ye loved me-' She stepped forward and pressed her palm to his, her small, cool fingers linking tight. 'What I say to thee now is that I do love thee. And if thee hunts at night, thee will come home.' Under the sycamore, the dog yawned and laid his muzzle on his paws. 'And sleep at they feet,' Ian whispered, and gathered her in with his one good arm, both of them blazing bright as day.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
But others of us believed that the only true happiness our Sara had ever known in her short life on this earth had been among these people. And we wished for her soul to go to the place the Cheyennes called Seano – the place of the dead – which is reached by following the Hanging Road in the Sky, the Milky Way. Here the Cheyennes believe that all the People who have ever died live with their Creator, He’amaveho’e. In Seano they live in villages just as they did on earth – hunting, working, eating, playing, loving, and making war. And all go to the place of the dead, regardless of whether they were good or bad on earth, virtuous or evil, brave or cowardly – everyone – and eventually in Seano all are reunited with the souls of their loved ones.
Jim Fergus (One Thousand White Women: The Journals of May Dodd (One Thousand White Women, #1))
I might be the only person on the face of the earth that knows you're the greatest woman on earth. I might be the only one who appreciates how amazing you are in every single thing that you do, and how you are with Spencer, "Spence," and in every single thought that you have, and how you say what you mean, and how you almost always mean something that's all about being straight and good. I think most people miss that about you, and I watch them, wondering how they can watch you bring their food, and clear their tables and never get that they just met the greatest woman alive. And the fact that I get it makes me feel good, about me.
Mark Andrus (As Good As It Gets: The Shooting Script)
A good book was its own brand of magic, one I could safely indulge in without fear of getting caught by those who hunted us. I loved escaping from reality, especially during times of trouble. Stories made everything possible.
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
And I’m trying to stay strong. I really, really am. But he smells so damn good, and his lips are just right there. All soft and inviting… and all I can think about is having them on my body.
A. Zavarelli (Gabriel's Collar (Hunted, #2))
I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists. (from 2003 WGA seminar)
William Goldman
In the Wide World the Wood-elves lingered in the twilight of our Sun and Moon, but loved best the stars; and they wandered in the great forests that grew tall in lands that are now lost. They dwelt most often by the edges of the woods, from which they could escape at times to hunt, or to ride and run over the open lands by moonlight or starlight; and after the coming of Men they took ever more and more to the gloaming and the dusk. Still elves they were and remain, and that is Good People.
J.R.R. Tolkien (The Hobbit)
Sean: …………And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
Matt Damon
Because that's what it turned into: in front of a fine painting a viewer stopped looking and started watching, watching is more specific, watching is a hunt for something, a search, the way we search for a loved one's boat on the horizon, or an elk in the trees. Before a good painting they started watching for clues to their own life.
Peter Heller (The Painter)
Dad pressed against my mind. Please, Allison. Let me, just this once, hold my son. I shouldn't. Nothing good ever came from letting my father have his way. But I could feel his love for this baby. And even if he couldn't love me, I knew that at this moment, before the baby could grow up and become a disappointment to him, he truly loved him. I slowly stepped away from the front of my mind, letting him fill that space, letting him feel through my hands, see through my eyes. "He's amazing," Dad said through me. "You're amazing." He looked up at Violet, and she smiled.
Devon Monk (Magic on the Hunt (Allie Beckstrom, #6))
And I'm trying to stay strong. I really, really am. But he smells so damn good, and his lips are just right there... all soft and inviting, and all I can think about is having them on my body.
A. Zavarelli (Gabriel's Collar (Hunted, #2))
The knowledge of secrets is a very enticing ship, a very tempting voyage, and one thinks that the highest attainment in life is to find out hidden truths, to seek out what is truth, to know what are all lies; to uncover, to discover and to rediscover, to dig up, to expose, to reveal... But secrets can go on forever, for an eternity! For as vast as the universe is, so are the secrets therein! And one can lose, because of that thought that in the secrets, everything is to be gained! But I can see, that all the knowledge of hidden things, all the knowledge in the universe, is not nearly as valuable and as worthy as the innocence of one's soul. And we are not directed unto good things through our ability to scavenge or to hunt or to decipher or to sail! Or to fly! But we are directed unto good things, through sovereign providence! He is more worthy- the innocent soul who has a simple faith in what he believes in- than the one who has found out all the dark secrets about what the other man has put his faith in! And it is far more profitable for a man to be healthy, to have a long, long life, loved ones that are blessed with these blessings all the same, much love and happiness and safety! It is far more profitable for a man to be able to remain innocent and have love and be healthy and to be able to watch his loved ones in good health and in good love, than for a man to uncover all the secrets of the universe! A single love, a single faith, a single trust, and one hope- these are far, far better things to aspire to have! And this– this is the biggest secret!
C. JoyBell C.
I’m so sick of polite sex. I want someone to pull my hair. I want my ass smacked, I want fuzzy handcuffs and maybe some mild restraints—I’m not that kinky that I want the whole whips and chains deal, at least I don’t think I do, but some light bondage and a good hard fuck, the kind I’ll feel long into the next day, that I can totally handle.
Helena Hunting (Hooking Up (Shacking Up, #2))
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
He’ll be kind. He’ll love you whether you’re having a good day or bad day. He’ll treat you like a lady, yet trust you to make your own decisions. Some will break your heart, but that’s part of learning the pain of what loving someone can bring. But the pain will lessen, and you’ll love again. And when that special guy comes into your life … you’ll be thankful for the ones who hurt you.
Abi Ketner (Hunted (Sinners, #2))
Meaning that loving a werewolf can be difficult. They’re big and strong, but that only means their luggage is a whole hell of a lot heavier. It takes a good soul mate to help them figure out how to carry it all. And right now, you suck in the soul mate category, dear.
Paige Tyler (Wolf Hunt (SWAT: Special Wolf Alpha Team, #6))
love poem to a stripper 50 years ago I watched the girls shake it and strip at The Burbank and The Follies and it was very sad and very dramatic as the light turned from green to purple to pink and the music was loud and vibrant, now I sit here tonight smoking and listening to classical music but I still remember some of their names: Darlene, Candy, Jeanette and Rosalie. Rosalie was the best, she knew how, and we twisted in our seats and made sounds as Rosalie brought magic to the lonely so long ago. now Rosalie either so very old or so quiet under the earth, this is the pimple-faced kid who lied about his age just to watch you. you were good, Rosalie in 1935, good enough to remember now when the light is yellow and the nights are slow.
Charles Bukowski (Run With The Hunted: A Charles Bukowski Reader)
What kind of books? "Sories that make for wonder. Stories that make for laughter. Stories that stir one within with and understanding of the true natures of courage, of love, of beauty. Stories that make one tingle with high adventure, with daring, with grim determination, with the capacity of seeing danger through to the end. Stories that bring our minds to kneel in reverence; stories that show the tenderness of true mercy, the strength of loyalty, the unmawkish respect for what is good.
Gladys M. Hunt (Honey for a Child's Heart)
My relief mitigates my pain. It’s the relief that comes when what we’ve been dreading finally happens. When we’re playing hide - and - seek and our hiding place is discovered. When a loved one we cared for deeply who’s been sick for a long time passes away. When the main character of a horror movie is caught by the monster who’s been hunting them. It’s a good thing. I have nothing left to fear, because what was bound to happen has happened. I have nothing left to fear, because the worst has happened.
Maud Ventura (My Husband)
Why don’t you worry in the other direction?’ she demanded, nailing me with her penetrating green gaze, which lovingly refused to ever let her students off the hook. ‘Why don’t you worry that it will all work out and you’ll meet all your creative matches and you’ll be too successful and too happy and too busy with how much work you have? Why must you always anticipate the absolute worst-case scenario, when you could worry that everything will just be too wonderful? Why do you do that? Why?’ Good point, I thought. Why do I?
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and the Glory of Growing Up)
Because you look like you’re good at breaking hearts and bed frames
Helena Hunting (I Flipping Love You (Shacking Up, #3))
You have good, but you went hunting for better; what if better isn't good enough? Make sure you don't lose good in your pursuit of better.
Genereux Philip
Did she cry out for God?” he pushes. “Yes,” Xavier spits, a “Good,” Zade says, a grin in his voice. “That means she was crying out for me.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Phil and Jase hunt more than anyone else in the family and take hunting more seriously than the others, so Miss Kay totally understands how I feel once duck season starts. She has said more than once, “I sure hope I don’t die during duck season because none of the men in the family would come to my funeral!” I have to say, she has good reason to be concerned.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
In the words of the Mongolian creation myth: ‘There came a wild dog who was blue and gray and whose destiny was imposed on him by the heavens. His mate was a roe deer.Thus begins another love story. The wild dog with his courage and strength, the doe with her gentleness, intuition, and elegance. Hunter and hunted meet and love each other. According to the laws of nature, one should destroy the other, but in love there is neither good nor evil, there is neither construction nor destruction, there is merely movement. And love changes the laws of nature.
Paulo Coelho
Why will you take by force what you may have quietly by love? Why will you destroy us who supply you with food? What can you get by war? We can hide our provisions and run into the woods; then you will starve for wronging your friends. Why are you jealous of us? We are unarmed, and willing to give you what you ask, if you come in a friendly manner, and not so simple as not to know that it is much better to eat good meat, sleep comfortably, live quietly with my wives and children, laugh and be merry with the English, and trade for their copper and hatchets, than to run away from them, and to lie cold in the woods, feed on acorns, roots and such trash, and be so hunted that I can neither eat nor sleep. In these wars, my men must sit up watching, and if a twig break, they all cry out “Here comes Captain Smith!” So I must end my miserable life. Take away your guns and swords, the cause of all our jealousy, or you may all die in the same manner.
Howard Zinn (A People's History of the United States: 1492 to Present)
We had good long talks about my writing in the days that followed. "Write of things you know, Julie; familiar, simple things that you have experienced; things that have touched you deeply." "But nothing's ever happened to me. I've just lived here with Aunt Cordelia and you most of my life, I've gone to school, visited Father--oh, sure, I'm in love with Danny, but that's something we've grown into--very wonderful for us, but not very exciting for the rest of the world. How can a person who has lived as quiet a life as I have find anything to write about?" "Then you do have a problem. If you haven't lived long enough to have felt anything deeply, than you are in the same position I--as many would-be writers are. You've nothing to say. So take up crocheting.
Irene Hunt (Up a Road Slowly)
But then you hear that he can't hear you, you see that he can't see you. You are not here - and you haven't died yet. You see yourself through his eyes, as The Generic Woman, the skirted symbol on the ladies' room door. When he says, "I love you, honey," you realize that he never call you by your name. You will say good-bye for all the right reasons. You're tired of living in wait for his apocalypse. You have your own fight on your hands, and though it's no bigger or noble than his, it will require all your energy. It's you who has to hold on to earth. You have to tighten your grip - which means letting go of him.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Of course, there has been a lot of speculation over the last couple of years that our wives must have married us bearded ugly ducklings because of our fame and fortune. The fact is that none of us had much at all when we met our wives, and our long, full beards came after we married them. Our crazy uncle Si likes to joke that our gift of gab--or “hot air,” as he puts it--is what helped woo our wives. Actually, our relationships were built on spiritual principles such as faith, hope, and love. Through our poverty, rugged appearances, and, at times, musty aromas, I learned that true joy doesn’t come from what you have or how you look but from what kind of man you are on the inside. On my second date with Missy, I explained to her my love for hunting and fishing, which often causes me to be gone for several days and sometimes weeks at a time. I figured my admission would rule out a third date, but I was surprised when she replied, “Okay.” I knew right then that Missy was a keeper, and she has become my spiritual soul mate and a wonderful mother to our three beautiful children.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
Well, horses take a lot of work, they’re dirty animals, so every weekend he puts on his waders, goes out in the barn, and shovels the manure, and the dirty hay, and puts the new hay in, and feeds the horses, and cleans up their piss. It’s not a good job. It’s miserable, but someone has to shovel the shit so the family can enjoy what they have. That is how he framed it for me. ‘You shovel the shit so your family, so the United States, can have what we have and live the way we do.’ 
Eric Blehm (Fearless: The Heroic Story of One Navy SEAL's Sacrifice in the Hunt for Osama Bin Laden and the Unwavering Devotion of the Woman Who Loved Him)
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
What kind of books? 'Stories that make for wonder. Stories that make for laughter. Stories that stir one within with and understanding of the true natures of courage, of love, of beauty. Stories that make one tingle with high adventure, with daring, with grim determination, with the capacity of seeing danger through to the end. Stories that bring our minds to kneel in reverence; stories that show the tenderness of true mercy, the strength of loyalty, the unmawkish respect for what is good.
Gladys M. Hunt (Honey for a Child's Heart)
Dear Julie: If I didn't feel that there is some good in your story, I wouldn't take the time to write a criticism of it. But there is some good in it, some points that make me feel that if you expend the effort(Look who's talking about expending the effort, I couldn't help thinking) you may well achieve your very worthy ambition. First of all, you have an ear for cadence. Your sentences flow rather smoothly, and the continuity of your paragraphs is quite good. Secondly, your imagery is sharp and clear-cut. I could smell that dank, rat-infested attic and I was more than a little in love with your pretty heroine by the time she emerged from her third paragraph. Furthermore, you occasionally achieve poetic effects which are pleasing. But, my darling niece, your villains have nothing but venom in their souls, and your sympathetic characters are ready to step right off into Paradise without one spot to tarnish their purity. People aren't like that, Julie. Take a look around you. Again, all your colors, your moods, your nusances, are essentially feminine, and it just doesn't ring true to be told that a man is responsible for them. No, Julie, it will be a long time before you speak and think and feel like an anguished old German musician of eighty! And, after all, what do you know about the problems of musical composition, or the life of an impoverised German laborer such as the landlord in his nineteenth-century environment? And how much do you know about sadism and brutality? I must talk to you about any number of points. When you get home from school tomorrow, I shall have some recommendations to make; also some assignments. I am quite excited. It well may be that I have the making of a future writer in my hands. Uncle Haskell
Irene Hunt (Up a Road Slowly)
Moths fly toward burning bulbs not because they’re drunk with love or exhausted from flight, wanting to wait out the pain in their wings, as if waiting was something warm they could wrap themselves around. They fly and die simply because they cannot see what we see. Instead they see stars off in the distance, the same stars we long ago used to navigate the darkness we still know nothing about. It’s hard to imagine what we once needed to know to know where we were. Without depth, with color, the moths look to the light until it calls to them. We are good at thinking we can stay. We are good at finding hurt. I live in a mapped city that keeps expanding like regret. When I look out the window I see a house so close I can hear a toilet flush. At night we take black lights and hunt scorpions stuck to our stucco walls. I walk around darkening rooms not in use, but I cannot stop the sun or streetlights from shining in. We are all aglow. I don’t want to think about the sun burning out or the billion small deaths I continue to cause. Even in the desert, a place whose name I learned to spell by the sweet treat of its opposite, the extra s demanding more, even after all these years of genetics, of rock slides, of canyons cut deep and persistent as a heart, moths spin in circles toward their stars.
Josh Rathkamp
Children have two basic needs, writes Erich Fromm in The Art of Loving: they need both milk and honey from their parents. Milk symbolizes the care given to physical needs: brush your teeth, drink your orange juice, eat your vegetables, get enough sleep. Honey symbolizes the sweetness of life, that special quality that makes life sing with enjoyment for all it holds. Fromm says, “Most parents are capable of giving milk, but only a minority of giving honey, too.” To give honey, one must love honey and have it to give. Good books are rich in honey, and hence the title of this book.
Gladys M. Hunt (Honey for a Child's Heart: The Imaginative Use of Books in Family Life)
You're just a boy. You don't have the faintest idea what you're talking about. You've never been out of Boston. So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term "visiting hours" didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy.
Matt Damon (Good Will Hunting)
The feasting people were Wood-elves, of course. These are not wicked folk. If they have a fault it is distrust of strangers. Though their magic was strong, even in those days they were wary. They differed from the High Elves of the West, and were more dangerous and less wise. For most of them (together with their scattered relations in the hills and mountains) were descended from the ancient tribes that never went to Faerie in the West. There the Light-elves and the Deep-elves and the Sea-elves went and lived for ages, and grew fairer and wiser and more learned, and invented their magic and their cunning craft in the making of beautiful and marvellous things, before some came back into the Wide World. In the Wide World the Wood-elves lingered in the twilight of our Sun and Moon, but loved best the stars; and they wandered in the great forests that grew tall in lands that are now lost. They dwelt most often by the edges of the woods, from which they could escape at times to hunt, or to ride and run over the open lands by moonlight or starlight; and after the coming of Men they took ever more and more to the gloaming and the dusk. Still elves they were and remain, and that is Good People.
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
A man fishes for two reasons: he’s either sport fishing or fishing to eat, which means he’s either going to try to catch the biggest fish he can, take a picture of it, admire it with his buddies and toss it back to sea, or he’s going to take that fish on home, scale it, fillet it, toss it in some cornmeal, fry it up, and put it on his plate. This, I think, is a great analogy for how men seek out women. See, men are, by nature, hunters, and women have been put in the position of being the prey. Think about it: it used to be that a man “picked” a wife, a man “asked” a woman to dinner, a man had to get “permission” from a woman’s father to have her hand in marriage, and even, in some cases, to date her. We pursued—in fact, we’ve been taught all our lives that it was not only a good thing to chase women, but natural. Women have bought into this for years, too; how many times have you or one of your girls said, “I like it when a man pursues me,” or “I need him to romance me and give me flowers and make me feel like I’m wanted”? Flowers, jewelry, phone calls, dates, sweet talk—these are all the weapons in our hunting arsenal when we’re coming for you. But the question always remains: once we hook you, what will we do with you? Taking a cue from my love
Steve Harvey (Act Like a Lady, Think Like a Man, Expanded Edition: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Here are some key attributes of the voice in my head. I suspect they will sound familiar. • It’s often fixated on the past and future, at the expense of whatever is happening right now. The voice loves to plan, plot, and scheme. It’s always making lists or rehearsing arguments or drafting tweets. One moment it has you fantasizing about some halcyon past or Elysian future. Another moment you’re ruing old mistakes or catastrophizing about some not-yet-arrived events. As Mark Twain is reputed to have said, “Some of the worst things in my life never even happened.” • The voice is insatiable. The default mental condition for too many human beings is dissatisfaction. Under the sway of the ego, nothing is good enough. We’re always on the hunt for the next dopamine hit. We hurl ourselves headlong from one cookie, one promotion, one party to the next, and yet a great many of us are never fully sated. How many meals, movies, and vacations have you enjoyed? And are you done yet? Of course not. • The voice is unrelievedly self-involved. We are all the stars of our own movies, whether we cast ourselves as hero, victim, black hat, or all three. True, we can get temporarily sucked into other people’s stories, but often as a means of comparing ourselves to them. Everything ultimately gets subordinated to the one plotline that matters: the Story of Me.
Jeff Warren (Meditation for Fidgety Skeptics: A 10% Happier How-To Book)
I know the difference between peace and war better than any man in my country. Why will you take by force what you may have quietly by love? Why will you destroy us who supply you with food? What can you get by war? Why are you jealous of us? We are unarmed, and willing to give you what you ask, if you come in a friendly manner, and not so simple as not to know that it is much better to eat good meat, sleep comfortably, live quietly with my wives and children, laugh and be merry with the English, and trade for their copper and hatchets, than to run away from them, and to lie cold in the woods, and feed on acorns, roots, and such trash, and be so hunted that I can neither eat nor sleep.
Powhatan the Indian
You said you love me.' 'And?' She cocked an eyebrow. Hunt's mouth twitched upward. 'It was said under duress.' She bit her lip. He wanted to plant his teeth there. 'Are you asking whether I meant it, or do you think you're that good with your mouth that I went out of my mind?' He flicked her nose. 'Smart-ass.' She flopped back onto the mattress. 'They're both true.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Are you babysitting?” I pulled out my phone. “Is this a bad time? I can call for a pick-up. I’m sure Kitty McLitterbox would love to come back for me.” “If you leave me,” she snarled, “I will hunt you down, chop you up and feed you to Grandmother’s koi.” I believed her. “Are all kitsunes this violent, or are you the exception?” She glanced toward the house. “You’ve met my mother and grandmother.” “Good point.
Hailey Edwards (Dog with a Bone (Black Dog, #0.5))
But your last letter… I am so good at missing things. At making myself not see. I stand at a cliff’s edge, and–hell. I love you, Blue. Have I always? Haven’t I? When did it happen? Or has it always happened? Like your victory, love spreads back through time. It claims our earliest association, our battles and losses. Assassinations become assignations. There was, I am sure, a time I did not know you. Or did I dream that me, as I’ve so often dreamed of you? Have we always fulfilled one another in the chase? I remember hunting you through Samarkand, thrilling to think I might touch the loosening strands of your hair. I want to be a body for you. I want to chase you, find you, I want to be eluded and teased and adored; I want to be defeated and victorious–I want you to cut me, sharpen me. I want to drink tea beside you in ten years or a thousand.
Amal El-Mohtar (This Is How You Lose the Time War)
Persons impatient of other’s deficiencies are in fact likely to be equally undiscerning of their merits; and are not aware, in either case, how much they are exposing the deficiencies on their own side. Not only, however, do they get into this dilemma, but what is more, they are lowering their respectability beneath that of the dullest person in the room. They shew themselves deficient, not merely in the qualities they miss in [a wise man who doesn’t make an ostentatious show of his knowledge] but in those which he really possesses, such as self knowledge and good temper. Were they as wise as they pretend to be, they would equal him in these points, and know how to extract something good from them in spite of his deficiency in the other; for intellectual qualities are not the only ones that excite the reflections, or conciliate the regard, of the truly intelligent, of those who can study human nature in all its bearings, and love it or sympathize with it, for all its affections.
Leigh Hunt (The Round Table, Vol. 1: A Collection of Essays on Literature, Men, and Manners)
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Cliff? What is it?” A huge smile dawned. “The voices.” “What about them?” “They’re gone.” Confusion rose. “I thought hunting quieted the voices.” He shook his head. “Hunting just lowers the volume, which really helps. But you…” He stroked her face, the love and happiness that shone in his eyes piercing her heart. “You eradicated them, Emma. They’re completely quiet now.” And she’d thought she couldn’t love him more. “Wow,” she teased. “I must really be good in bed.” He barked out a laugh. “You are. You definitely are.
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
FURIOUS FAVOR I wonder if David would be allowed in our churches today. In most cases, when a church member has an affair, he is shunned at best or mistreated at worst—even if he repents. But David doesn’t just have an affair. He lusts, covets, fornicates, lies, and gets another man hammered. Then he tries to keep his dirty little secrets by murdering the husband of the woman he “loves.” I doubt I’ve met anyone as sinful as David. Have you? He breaks half of the Ten Commandments in a single episode. And he doesn’t repent until he’s caught. But when Nathan shoves his prophetic finger into David’s chest and rebukes him, David falls to his knees and admits his guilt. And right then, at that moment, God rips open the heavens to reach down and touch David’s soul with stubborn delight. God eagerly forgives David for his sin, and all of it is buried at the bottom of the sea, never to be remembered again. There is no hiccup in God’s furious favor toward David. So why do repentant sinners still bear the stigma of “adulterer,” “divorced,” or “addict” in our churches today? It’s one thing if they don’t repent. But quite often we shun repentant sinners, like Jeffrey Dahmer, whose crimes we just can’t forget. “He’s the former addict.” “That’s the divorced mom.” “Here comes the guy who slept with the church secretary.” For some reason we love to define people by the sin in their lives—even past sin in their lives—rather than by the grace that forgave it. It’s no wonder that David pens the last sentence in Psalm 23: “Surely goodness and mercy shall [hunt me down] all the days of my life” (Ps. 23:6).
Preston Sprinkle (Charis: God's Scandalous Grace for Us)
Stop! Stop!” Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get. “Where are the children?” she gasped, once he’d caught her at the base of the steps. “Francesca is watching them.” “And your mother?” He grinned. “I daresay Francesca is watching her, too.” “Anyone could stumble upon us out here,” she said, looking this way and that. His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.” The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball. “The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?” His lips brushed against hers. “I have my ways,” he murmured. “And I,” she returned, smiling slyly, “have my secrets.” He drew back. “Oh? And will you share?” “We five,” she said with a nod, “are about to be six.” He looked at her face, then looked at her belly. “Are you sure?” “As sure as I was last time.” He took her hand and raised it to lips. “This one will be a girl.” “That’s what you said last time.” “I know, but—” “And the time before.” “All the more reason for the odds to favor me this time.” She shook her head. “I’m glad you’re not a gambler.” He smiled at that. “Let’s not tell anyone yet.” “I think a few people already suspect,” Sophie admitted. “I want to see how long it takes that Whistledown woman to figure it out,” Benedict said. “Are you serious?” “The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.” Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?” That stopped him cold. “You’ve been counting?” “Two hundred and thirty-three if you include the time after the masquerade.” “I can’t believe you’ve been counting.” She gave him a nonchalant shrug. “It’s exciting to be mentioned.” Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.” Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.” He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.” She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.” “Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.” “Violet?” Sophie asked softly. “It’s time my mother had a grandchild named after her, don’t you think?” Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
There are stories about "good" vampires like there are stories about the loathly lady who, after a hearty meal of raw horse and hunting hound and maybe the odd huntsman or archer, followed by an exciting night in the arms of her chosen knight turns into the kindest and most beautiful lady the world has ever seen... [...] And the way I see it, the horse and the hound and the huntsman are still dead, and you have to wonder about the psychology of the chosen knight who goes along with all the carnage and the fun and frolic in bed on some dubious ground of "honor.
Robin McKinley (Sunshine)
Like Alan, Jep turned his life around after overcoming the struggles of alcohol and drugs. He came to work for Duck Commander and found his niche as a videographer. He films the footage for our Duckmen videos and works with Willie on the Buck Commander videos. Jep is with us on nearly every hunt, filming the action from a distance. He knows exactly what we’re looking for in the videos and films it, downloads it, edits it, and sends it to the duplicator, who produces and distributes our DVDs. Having worked with the crew of Duck Dynasty over the last few years, I’ve noticed that most people who work in the film industry are a little bit weird. And Jep, my youngest son, is a little strange. It’s his personality-he’s easygoing, likable, and a lot more reserved than his brothers. But he’s the only one who will come up to me and give me a bear hug. He’ll just walk up and say, “Daddy, I need a hug.” The good news for Jep is that as far as the Duck Commander crowd goes, one thing is for sure: weirdos are in! We covet weirdos; they can do things we can’t because they’re so strange. You have to have two or three weirdos in your company to make it work. It’s truly been a blessing to watch Jep grow and mature and become a loving husband and father. He and his wife, Jessica, have four beautiful children.
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
Well, tell me boy," she said, "what have you been reading?" Craftily he picked his way across the waste land of printery, naming as his favorites those books which he felt would win her approval. As he had read everything, good and bad, that the town library contained, he was able to make an impressive showing. Sometimes she stopped him to question about a book--he rebuilt the story richly with a blazing tenacity of detail that satisfied her wholly. She was excited and eager--she saw at once how abundantly she could feed this ravenous hunger for knowledge, experience, wisdom. And he knew suddenly the joy of obedience: the wild ignorant groping, the blind hunt, the desperate baffled desire was now to be ruddered, guided, controlled. The way through the passage to India, that he had never been able to find, would now be charted for him. Before he went away she had given him a fat volume of nine hundred pages, shot through with spirited engravings of love and battle, of the period he loved best. He was drowned deep at midnight in the destiny of the man who killed the bear, the burner of windmills and the scourge of banditry, in all the life of road and tavern in the Middle Ages, in valiant and beautiful Gerard, the seed of genius, the father of Erasmus. Eugene thought The Cloister and the Hearth the best story he had ever read.
Thomas Wolfe
No regrets?” he murmured to Hunt as they strode down the hall, while Shaw and St. Vincent followed at a more leisurely pace. Hunt glanced at him with a questioning smile. He was a big, dark-haired man, with the same sense of uncompromising masculinity and the same avid interest in hunting and sportsmanship that Marcus possessed. “About what?” “Being led around by the nose by your wife.” That drew a wry grin from Hunt, and he shook his head. “If my wife does lead me around, Westcliff, it’s by an altogether different body part. And no, I have no regrets whatsoever.” “I suppose there’s a certain convenience in being married,” Marcus mused aloud. “Having a woman close at hand to satisfy your needs, not to mention the fact that a wife is undoubtedly more economical than a mistress. There is, moreover, the begetting of heirs to consider…” Hunt laughed at his effort to cast the issue in a practical light. “I didn’t marry Annabelle for convenience. And although I haven’t tabulated any numbers, I can assure you that she is not cheaper than a mistress. As for the begetting of heirs, that was the farthest thing from my mind when I proposed to her.” “Then why did you?” “I would tell you, but not long ago you said that you hoped I wouldn’t start—how did you put it?—‘pollinate the air with maudlin sentiment.’” “You believe yourself to be in love with her.” “No,” Hunt countered in a relaxed manner, “I am in love with her.” Marcus lifted his shoulders in a brief shrug. “If believing that makes marriage more palatable to you, so be it.” “Good God, Westcliff…” Hunt murmured, a curious smile on his face, “haven’t you ever been in love?” “Of course. Obviously I have found that some women are preferable to others in terms of disposition and physical appearance—” “No, no, no…I’m not referring to finding someone who is ‘preferable.’ I mean completely being absorbed by a woman who fills you with desperation, longing, ecstasy…” Marcus threw him a disparaging glance. “I haven’t time for that nonsense.” Hunt annoyed him by laughing.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Humans never outgrow their need to connect with others, nor should they, but mature, truly individual people are not controlled by these needs. Becoming such a separate being takes the whole of a childhood, which in our times stretches to at least the end of the teenage years and perhaps beyond. We need to release a child from preoccupation with attachment so he can pursue the natural agenda of independent maturation. The secret to doing so is to make sure that the child does not need to work to get his needs met for contact and closeness, to find his bearings, to orient. Children need to have their attachment needs satiated; only then can a shift of energy occur toward individuation, the process of becoming a truly individual person. Only then is the child freed to venture forward, to grow emotionally. Attachment hunger is very much like physical hunger. The need for food never goes away, just as the child's need for attachment never ends. As parents we free the child from the pursuit of physical nurturance. We assume responsibility for feeding the child as well as providing a sense of security about the provision. No matter how much food a child has at the moment, if there is no sense of confidence in the supply, getting food will continue to be the top priority. A child is not free to proceed with his learning and his life until the food issues are taken care of, and we parents do that as a matter of course. Our duty ought to be equally transparent to us in satisfying the child's attachment hunger. In his book On Becoming a Person, the psychotherapist Carl Rogers describes a warm, caring attitude for which he adopted the phrase unconditional positive regard because, he said, “It has no conditions of worth attached to it.” This is a caring, wrote Rogers, “which is not possessive, which demands no personal gratification. It is an atmosphere which simply demonstrates I care; not I care for you if you behave thus and so.” Rogers was summing up the qualities of a good therapist in relation to her/his clients. Substitute parent for therapist and child for client, and we have an eloquent description of what is needed in a parent-child relationship. Unconditional parental love is the indispensable nutrient for the child's healthy emotional growth. The first task is to create space in the child's heart for the certainty that she is precisely the person the parents want and love. She does not have to do anything or be any different to earn that love — in fact, she cannot do anything, since that love cannot be won or lost. It is not conditional. It is just there, regardless of which side the child is acting from — “good” or “bad.” The child can be ornery, unpleasant, whiny, uncooperative, and plain rude, and the parent still lets her feel loved. Ways have to be found to convey the unacceptability of certain behaviors without making the child herself feel unaccepted. She has to be able to bring her unrest, her least likable characteristics to the parent and still receive the parent's absolutely satisfying, security-inducing unconditional love. A child needs to experience enough security, enough unconditional love, for the required shift of energy to occur. It's as if the brain says, “Thank you very much, that is what we needed, and now we can get on with the real task of development, with becoming a separate being. I don't have to keep hunting for fuel; my tank has been refilled, so now I can get on the road again.” Nothing could be more important in the developmental scheme of things.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
How could I leave Prim, who is the only person in the world I’m certain I love? And Gale is devoted to his family. We can’t leave, so why bother talking about it? And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. When we met, I was a skinny twelve-year-old, and although he was only two years older, he already looked like a man. It took a long time for us to even become friends, to stop haggling over every trade and begin helping each other out. Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Mia has already persevered through so much. One of our biggest fears when she was born was that she wouldn’t be able to talk or sing. My wife loves to sing, and she’s a world-class singer. Through speech therapy, Mia talks well and can hold a normal conversation with anyone. There isn’t an ounce of shyness in her bones! When Mia was four years old, she sang “God Bless America” on one of our Duckmen hunting DVDs. I’m sure most people who watched it thought, Hey, isn’t that cute? They’ve got a little girl singing on the DVD. But when she did it, there wasn’t a dry eye in my family. We knew that Mia was born without the ability to sing, and we realized the pain and suffering she endured to be able to sing. It was a huge moment for our family.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
I wondered how in the world I could possibly sleep now, knowing a wonderful girl who loved me was just down the hall. Slipping into Johnny's pajamas, I figured I might as well see what Perry and Della were up to. The detective yarn was good enough to distract me from a million questions I had no answers to, and in a short while my eyelids grew heavy. I barely managed to mark my place before exhaustion overcame me. It had been the most eventful day in my memory, and that included the War. I had wrecked — though not seriously — my new Packard, bought a lovely home by the sea, met a girl who was supposed to be dead but wasn't, fallen in love with said girl, made a new friend named Carol, and went on an unexpected ghost hunt. I wondered what tomorrow would bring…
Bobby Underwood (Beyond Heaven's Reach)
You have heard that evil is a perversion of the good. The greatest goods can be perverted into the greatest evils. The poor man has not the opportunities for covetousness and self-indulgence which the rich man enjoys. The unlettered man has not the opportunities for intellectual pride and arrogance which the scholar may succumb to. An irreligious man may prostitute the flesh; but it takes a 'religious' man to prostitute the things of the Spirit and the Church of God. Every gift, every insight, ever vision, every talent brings its demand for self-forgetfulness in sanctified service: each brings its opportunities for richer worship or for more damnable self-love. The slum labourer may pervert beer and steak to the sole end of abusing an indulged body. It takes a bishop to pervert episcopacy to the service of self-indulgence; it takes a monk to pervert the religious life to the service of pride.
Harry Blamires (The Devil's Hunting Grounds (Trilogy, #1))
The other night I had dinner with a good friend, a woman writer whom I’ve known for about ten years. Though we’ve never had a romantic relationship, I love her dearly and care about her: she’s a good person, and a talented writer, and those two qualities put her everlastingly on my list of When You Need Help, Even In The Dead Of Night, I’m On Call. Over dinner, we talked about an anguish she has been experiencing for a number of years. She’s afraid of dying alone and unloved. Some of you are nodding in understanding. A few of you are smiling. The former understand pain, the latter are assholes. Or very lucky. We’ve all dreaded that moment when we pack it in, get a fast rollback of days and nights, and realize we’re about to go down the hole never having belonged to anyone. If you’ve never felt it, you’re either an alien from far Arcturus or so insensitive your demise won’t matter. Or very lucky. Her problem is best summed up by something Theodore Sturgeon once said: “There’s no absence of love in the world, only worthy places to put it.” My friend gets involved with guys who do her in. Not all her fault. Some of it is—we’re never wholly victims, we help construct the tiger traps filled with spikes—but not all of it. She’s vulnerable. While not naïve, she is innocent. And that’s a dangerous, but laudable capacity: to wander through a world that can be very uncaring and amorally cruel, and still be astonished at the way the sunlight catches the edge of a coleus leaf. Anybody puts her down for that has to go through me first. So she keeps trying, and the ones with long teeth sense her vulnerability and they move in for the slow kill. (That’s evil: only the human predator destroys slowly, any decent hunting animal rips out the throat and feeds, and that’s that. The more I see of people, the better I like animals.)
Harlan Ellison (Paingod: And Other Delusions)
1. As we’ll explore in chapter 10, the brain is wired to hunt for meaningful patterns in everything, the better to predict what will happen next based on the repetition or the alteration of the pattern (which means, first and foremost, that there need to be meaningful patterns for the reader to find).8   2. We run the scenario on the page through our own personal experience of similar events, whether real or imagined, to see whether it’s believable (which gives us the ability to infer more information than is on the page—or go mad when there isn’t enough information for us to infer anything at all).9   3. We’re hardwired to love problem solving; when we figure something out, the brain releases an intoxicating rush of neurotransmitters that say, “Good job!”10 The pleasure of story is trying to figure out what’s really going on (which means that stories that ignore the first two facts tend to offer the reader no pleasure at all).
Lisa Cron (Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence)
Has being on Duck Dynasty made you more comfortable in the public eye? Jess: I never thought I’d get up and speak in front of thousands of people. The show has made us braver. I’m willing to show the world who we are, to tell our story, and to use this opportunity God has given us to share His love and His Word with other people. Anyway, it’s all from Him, and we know we are blessed. Jep: I want to be a great role model, and so I’m willing to get up and tell my story, even the hard parts, if it will help others. I also want to help people get back to the old ways with hunting and how much joy it is to provide for your family. I don’t ever want to lose that and be some kind of a rich guy who has it made. Also, I never want to move away from Louisiana. I want my kids to grow up with their grandparents, cousins, and uncles and aunts. I learned so much from my granny, and I want my kids to have those relationships and teachable moments too. There’s something about being in a smaller town; the pace of life here is so different, but in a good way.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Deep blue like the hour between the dog and the wolf. An attractively scooped neckline. Sleeves and hemline a length and cut you would call kind. Buttons in back like discreetly sealed lips. Good give in the fabric. Double lined. The sort of dress that looks like nothing but a sad dark sack on the hanger, but on the body it’s a different story. Takes extremely well to accessories. My mother loved this sort of dress. At whatever weight she was—thin, fat, middling—she owned an iteration. I saw her wear it to work, lunch with friends, on dates, to movies, parties, funerals. I saw her wear it alone in her apartment for days on end. Scratch at a stain on the boob. Shit. The hemline begin to unravel. Fuck fuck fuck. Do you have a safety pin? Holes begin to appear in the armpits. Jesus. The sleeves fray. Well. That’s that, isn’t it? She wore it so much she’d wear it out and then she’d have to hunt for another, whip through the plus-size racks for something that fit just as impossibly well, that was just as dignified, just as forgiving in its plain dark elegance.
Mona Awad (13 Ways of Looking at a Fat Girl)
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
I need to teach you the trick.” He didn’t say it creepy. I could smell the liquor pouring off him in waves, but he wasn’t hunting me, not right at this moment. I took a deeper breath. “What trick?” He sat up straighter, garbling his words. “Whenever you can’t sleep, take five deep breaths, pulling them all the way into your toes and holding them until you can’t stand it. Then you stretch everything, even your little finger. Even the hair in your ears.” I smiled at this, though he wasn’t looking at me. That was something he used to say to us when we were younger. I love even the hair in your ears. Eww! We’d say. It’s full of wax! I still love it because I love you. “Then hold your eyes halfway closed to the count of twenty-five, then all the way closed to the count of one hundred. Think you can do that?” A big tear globe was swelling up in my right eye. I nodded. “Good,” Dad said. He pushed himself off the ground but started to tip. He got it on his second try. “You don’t need me, then. I think I’ll go for a walk.” He pointed toward the basement door. “Don’t go in there. Basements are where men hide their secrets.
Jess Lourey (Unspeakable Things)
The moonlight filtered through the trees like water from a strainer. Agatha’s hair was the color and consistency of wet noodles. I said she might look sexy as a redhead, and she asserted she’d be staying a creamy alfredo. I touched her tight skin they way a drummer might strum a guitar. She called me Mozart, and I didn’t know how to reply so I simply belched. Before I had finished, her open mouth was on mine, and she was huffing my essence like David Hasselhoff hoofing it to the liquor store. I remember what color panties she wore. They were transparent with the texture of flesh. I rubbed her back while she purred. Her skin was as soft as a fur coat. We made love for what seemed like days, but was in fact 3:58.95—a personal best for me. I felt like Roger Bannister, and she felt like a cheetah. Literally. I told her she’d look good on my rug, as a rug, and she playfully pinched the folds on my stomach. She explored my naval cavity with her pinky, and what started out as foreplay turned into a scavenger hunt. While she might have expected to find lint, nobody could have ever suspected she’d find the lost Templar treasure.
Jarod Kintz (This Book is Not for Sale)
You’ve known Bryce for what—a few months? We were friends for five years. So don’t fucking talk about me, my brother, or her as if you know anything about us. You don’t know shit, Umbra Mortis.” “I know you were a dick to her for two years. I watched you stand by while Amelie Ravenscroft tormented her. Grow the fuck up.” Ithan barred his teeth. Hunt barred his own right back. Syrinx hopped to his feet and whined, demanding more food. Hunt couldn’t help his exasperated laugh. “Fine, fine,” he said to the chimera, reaching for the container of kibble. Ithan’s eyes burned him like a brand. Hunt had seen that same take-no-shit face during televised sunball games. “Connor was in love with her for those five years, you know.” The wolf headed over to the couch and plopped onto the cushions. “Five years, and by the end of it, he’d only managed to get her to agree to go on a date with him.” Hunt kept his face unreadable as Syrinx devoured his second—potentially third—breakfast. “So?” Ithan turned on the morning news before propping his feet on the coffee table and interlacing his hands behind his head. “You’re at month five, bro. Good luck to you.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
It’ll Get Worse Before It Gets Worse" For Alexander Moysaenko The black heart of the moon’s visible through the trees from here. Where are you? I’m alone on the road with a dead phone. The birds are flapping overhead but there’s not much light to be guided by. If any horizon becomes visible enough to follow. Forget the rain’s smear, the chafe of fabric at the calf. The money ran out. The diners are stuffed and back for more. Each terrible thing I said to the child will get repeated hopefully as a joke. And like language, these gestures, or a certain way of nodding one’s head, it all eases in with less than a breath. Forget the song’s words, the order of the band’s set tonight. The black moon’s heart’s got that sinister bent and I want to get touched at by the snakes. One of the students in my class used to go bear hunting with his two uncles. They played recordings of distressed animals to lure in tentative animals to kill. This practice is illegal in many places. Because it’s so very effective. I split open the apple and hand the good half to a child on the bus nestled in under the arm of her sleeping mother. Love from here is a long way to go. Get on your bike and ride through the lights. Poetry (March 2019)
Joshua Marie Wilkinson
I decided to begin with romantic films specifically mentioned by Rosie. There were four: Casablanca, The Bridges of Madison County, When Harry Met Sally, and An Affair to Remember. I added To Kill a Mockingbird and The Big Country for Gregory Peck, whom Rosie had cited as the sexiest man ever. It took a full week to watch all six, including time for pausing the DVD player and taking notes. The films were incredibly useful but also highly challenging. The emotional dynamics were so complex! I persevered, drawing on movies recommended by Claudia about male-female relationships with both happy and unhappy outcomes. I watched Hitch, Gone with the Wind, Bridget Jones’s Diary, Annie Hall, Notting Hill, Love Actually, and Fatal Attraction. Claudia also suggested I watch As Good as It Gets, “just for fun.” Although her advice was to use it as an example of what not to do, I was impressed that the Jack Nicholson character handled a jacket problem with more finesse than I had. It was also encouraging that, despite serious social incompetence, a significant difference in age between him and the Helen Hunt character, probable multiple psychiatric disorders, and a level of intolerance far more severe than mine, he succeeded in winning the love of the woman in the end. An excellent choice by Claudia.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
You see,” resumed Laura, “I really have some grounds for supposing that my next incarnation will be in a lower organism. I shall be an animal of some kind. On the other hand, I haven’t been a bad sort in my way, so I think I may count on being a nice animal, some thing elegant and lively, with a love of fun. An otter, perhaps.” “I can’t imagine you as an otter,” said Amanda. “Well, I don’t suppose you can imagine me as an angel, if it comes to that,” said Laura. Amanda was silent. She couldn’t. “Personally I think an otter life would be rather enjoyable,” continued Laura; “salmon to eat all the year around, and the satisfaction of being able to fetch the trout in their own homes without having to wait for hours till they condescend to rise to the fly you’ve been dangling before them; and an elegant svelte figure—” “Think of the otter hounds,” interposed Amanda, “how dreadful to be hunted and harried and finally worried to death!” “Rather fun with half the neighbourhood looking on, and anyhow not worse than this Saturday-to-Tuesday business of dying by inches; and then I should go on into something else. If I had been a moderately good otter I suppose I should get back into human shape of some sort; probably something rather primitive—a little brown, unclothed Nubian boy, I should think.
Audrey Niffenegger (Ghostly: A Collection of Ghost Stories)
ANITA, I KNEW THAT MOMENT IN THE CAVE THAT YOU WOULD THINK AS I DID. I FELT THAT YOU WOULD KNOW WHERE I WOULD GO TO HUNT. NOW HERE YOU ARE. I AM NEARBY. I HAVE WATCHED YOU COME TO THE GOOD PROFESSOR'S RESCUE. I WATCHED YOU TAKE THE ENVELOPE, AND I KNOW YOU ARE READING IT NOW. I BELITTLED EDWARD WHEN HE SPOKE OF SOUL MATES. I OWE HIM AN APOLOGY. WHEN I SAW YOU TAKE HIS HEART, SO PRACTICED, I KNEW THAT YOU WERE AS I AM. HOW MANY HAVE YOU KILLED? HOW MANY HEARTS HAVE YOU RIPPED OUT? HOW MANY HEADS HAVE YOU TAKEN? YOU'LL ARGUE WITH YOURSELF THAT YOU ARE NOT AS I AM. MAYBE YOU DON'T TAKE TROPHIES, BUT YOU STILL LIVE FOR THE KILL, ANITA. YOU WOULD WITHER AND DIE WITHOUT THE VIOLENCE. WHAT TRICK OF FATE HAS MADE YOU PHYSICALLY THE WOMAN I KILL OVER AND OVER AGAIN, AND YET PUT INSIDE THAT TINY BODY THE OTHER HALF OF MY SOUL? ARE MOST OF THE VAMPIRES YOU KILL MEN? DO YOU HAVE YOUR VICTIM PREFERENCE, ANITA? I WOULD LOVE TO HUNT WITH YOU AT MY SIDE. I WOULD HUNT YOUR VICTIMS BECAUSE I KNOW YOU WILL NOT HUNT MINE. BUT WE WOULD STILL KILL TOGETHER AND CUT THE BODIES UP, AND THAT WOULD BE MORE THAN I EVER DREAMED OF SHARING WITH A WOMAN. "What does the note say?" Bernardo asked. I handed it to him. Bernardo read faster than I would have thought, "Jesus, Anita, Olaf has a crush on you." "A crush," I said, "a crush, God, there's got to be another word for it.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
A postscript on Ryan: Ryan did recover, but he was left permanently blind. His girlfriend Kelly stayed by his side through his recovery, and they soon married. I’m happy to say that we all became good friends. Ryan had an indomitable spirit that infected everyone he met. He used to say that he suspected God had chosen him to be wounded, rather than someone else, because He knew he could bear it. If so, it was an excellent choice, for Ryan inspired many others to deal with their own handicaps as he dealt with his. He went hunting with the help of friends and special devices. His wound inspired the logo Chris would later use for his company; it was a way for Chris to continue honoring him. Ryan and his wife were expecting their first child in 2009 when Ryan went into the hospital for what seemed like a routine operation, part of follow-up treatment for his wounds. Tragically, he ended up dying. I remember looking at his wife at the funeral, so brave yet so devastated, and wondering to myself how we could live in such a cruel world. My enduring vision of Ryan is outside one of the hospitals where he was recovering from an operation. He was in his wheelchair with some of the Team guys. Head bandaged and clearly in pain, he asked to be pointed toward the American flag that flew in the hospital yard; once there, he held his hand up in a long and poignant salute, still a patriot.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
This is the best idea you’ve had all day. And you’ve had a ton of good ones. You are so the idea girl. Quitting your job? Great idea. Getting Lay to give you the latex replica of yourself? Stellar. Just gotta follow through. The excessive drinking? Also masterful. And now we’re going to kick ass in person. I love it. Let’s dress you up, though. We’ll make Hudson’s balls cry big, girly tears when he thinks of all the anal he could have had with you tonight.” “Did I tell you he has his tongue pierced? And his dick pierced?” Verity asked, holding Angie by her face. “Do you know what that means to a vagina? Are you aware of the commitment he’s made to my vagina’s happiness? He slapped his man meat out somewhere…” She waved a boozy hand at the city. “Thought about pleasure, and took a stab in his pee hole. Do you even understand that?” “You did mention that already. And the tongue one is hard to miss.” Angie nodded seriously. “Let’s find the hottest thing you own and pour your boobs in it. Have I told you you have great tits? Your tits are the sweetest friends with my tits.” They proceeded to bump their boobs together. “Okay, let’s go.” Angie dragged Verity to her closet.   Verity Michaels @VerityPics03 I’ve never thunk Fireball was a bad idea. #RageDrinking   Verity Michaels @VerityPics03 Angie made me sexlicious. #GreatTitBuddies   Verity Michaels @VerityPics03 Pierced dicks are fucktacular. #PoundTown
Helena Hunting (Felony Ever After)
That same day we drove to Seville to celebrate. I asked someone for the name of the smartest hotel in Seville. Alfonso XIII, came the reply. It is where the King of Spain always stays. We found the hotel and wandered in. It was amazing. Shara was a little embarrassed as I was dressed in shorts and an old holey jersey, but I sought out a friendly-looking receptionist and told her our story. “Could you help us out? I have hardly any money.” She looked us up and down, paused--then smiled. “Just don’t tell my manager,” she whispered. So we stayed in a $1,000-a-night room for $100 and celebrated--like the King of Spain. The next morning we went on a hunt for a ring. I asked the concierge in my best university Spanish where I would find a good (aka well-priced) jeweler. He looked a little surprised. I tried speaking slower. Eventually I realized that I had actually been asking him where I might find a good mustache shop. I apologized that my Spanish was a little rusty. Shara rolled her eyes again, smiling. When we eventually found a small local jeweler, I had to do some nifty subcounter mathematics, swiftly converting Spanish pesetas into British pounds, to work out whether or not I could afford each ring Shara tried on. We eventually settled on one that was simple, beautiful--and affordable. Just. Love doesn’t require expensive jewelry. And Shara has always been able to make the simple look exquisite. Luckily.
Bear Grylls (Mud, Sweat and Tears)
He brought them a lot of joy, whether by tossing a ball around or tickling them, teaching them how to hunt or just watching TV. Angel loved to climb into his lap and cuddle. His tensions and cares would melt away as he held her. I know there’s a saying about “Daddy’s little girl wrapping him around her finger.” Chris and Angel didn’t have that kind of relationship, exactly. She was definitely his girl--he was closer to her than probably any other female on the planet, including me. But he also held her to high standards. She couldn’t get away with being bad or taking advantage of him. She could see in his face that he was absolutely delighted by her. He “got” her humor, and he definitely got her. One day he had to leave on an overnight trip. We said good-bye and closed the door; Angel and I went into the kitchen. She had tears in her eyes. “Okay, honey?” I asked. “Yeah. I know he’s coming back tomorrow,” she said. “I guess I just miss him already.” I told Chris what she’d said later on that night when he called to check in. It was something cute she’d done. “Wow,” he said. “I feel like I’ve just been punched in the stomach.” He slid down the wall to the floor, hand to his face, devastated by his daughter’s simple statement of love. “I wasn’t trying to make you feel bad,” I told him. “I’m sorry.” “It’s okay.” We talked a little more, then he hung up the phone. The man he was traveling with said later that he looked wounded the whole rest of the trip.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
A week is a long time to go without bedding someone?” Marcus interrupted, one brow arching. “Are you going to claim that it’s not?” “St. Vincent, if a man has time to bed a woman more than once a week, he clearly doesn’t have enough to do. There are any number of responsibilities that should keep you sufficiently occupied in lieu of…” Marcus paused, considering the exact phrase he wanted. “Sexual congress.” A pronounced silence greeted his words. Glancing at Shaw, Marcus noticed his brother-in-law’s sudden preoccupation with knocking just the right amount of ash from his cigar into a crystal dish, and he frowned. “You’re a busy man, Shaw, with business concerns on two continents. Obviously you agree with my statement.” Shaw smiled slightly. “My lord, since my ‘sexual congress’ is limited exclusively to my wife, who happens to be your sister, I believe I’ll have the good sense to keep my mouth shut.” St. Vincent smiled lazily. “It’s a shame for a thing like good sense to get in the way of an interesting conversation.” His gaze switched to Simon Hunt, who wore a slight frown. “Hunt, you may as well render your opinion. How often should a man make love to a woman? Is more than once a week a case for unpardonable gluttony?” Hunt threw Marcus a vaguely apologetic glance. “Much as I hesitate to agree with St. Vincent…” Marcus scowled as he insisted, “It is a well-known fact that sexual over-indulgence is bad for the health, just as with excessive eating and drinking—” “You’ve just described my perfect evening, Westcliff,” St. Vincent murmured with a grin, and returned his attention to Hunt. “How often do you and your wife—” “The goings-on in my bedroom are not open for discussion,” Hunt said firmly. “But you lie with her more than once a week?” St. Vincent pressed. “Hell, yes,” Hunt muttered. “And well you should, with a woman as beautiful as Mrs. Hunt,” St. Vincent said smoothly, and laughed at the warning glance that Hunt flashed him. “Oh, don’t glower—your wife is the last woman on earth whom I would have any designs on. I have no desire to be pummeled to a fare-thee-well beneath the weight of your ham-sized fists. And happily married women have never held any appeal for me—not when unhappily married ones are so much easier.” He looked back at Marcus. “It seems that you are alone in your opinion, Westcliff. The values of hard work and self-discipline are no match for a warm female body in one’s bed.” Marcus frowned. “There are more important things.” “Such as?” St. Vincent inquired with the exaggerated patience of a rebellious lad being subjected to an unwanted lecture from his decrepit grandfather. “I suppose you’ll say something like ‘social progress’? Tell me, Westcliff…” His gaze turned sly. “If the devil proposed a bargain to you that all the starving orphans in England would be well-fed from now on, but in return you would never be able to lie with a woman again, which would you choose? The orphans, or your own gratification?” “I never answer hypothetical questions.” St. Vincent laughed. “As I thought. Bad luck for the orphans, it seems.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I’m very glad,” Jones continued fervently, sounding like a card-carrying Colin Firth impersonator. “So very glad. You can’t know how glad . . .” He cleared his throat. “I hate to be the bearer of more bad tidings, but your . . . friend was something of a criminal, the way I heard it. He had a price on his head—millions—from some druglord who wanted him dead. Chased him mercilessly, for years. I guess this Jones fellow used to work for him—it’s all very sordid, I’m afraid. And dangerous. He had to be on the move constantly. It was risky just to have a drink with Jones—you might’ve gotten killed in the crossfire. Of course, the big irony here is that the druglord died two weeks before Jones. He never knew it, but he was finally free.” As he looked at her with those eyes that she’d dreamed about for so many months, Molly understood. Jones was here, now, only because the druglord known as Chai, a dangerous and sadistic bastard who’d spent years hunting him, was finally dead. “It’s entirely possible that whoever’s taken over business for this druglord,” he continued, “would’ve gone after this Jones, too. Of course, he probably wouldn’t have searched to the ends of the earth for him . . . Although, when dealing with such dangerous types, it pays to be cautious, I suppose.” Message received. “Not that that’s anything Jones needs to worry about,” he added. “Considering he’s left his earthly cares behind. Still, I suspect it’s rather hot where he’s gone.” Yes, it certainly was hot in Kenya right now. Molly covered her mouth, pretending to sob instead of laugh. “Shhh,” Helen admonished him, thinking, of course, that he was referring to an unearthly heat. “Don’t say such a thing. She loved him.” She turned back to Molly. “This Jones is the man that you spoke of so many times?” Molly could see from the expression on Jones’s face that Helen had given her away. She might as well go big with the truth. She wipes her eyes with a handkerchief that Helen had at the ready, then met his gaze. “I loved him very much. I’ll always love him,” she told this man who’d traveled halfway around the world for her, who apparently had waited years for it to be safe enough for him to join her, who had actually thought that, once he arrived, she might send him away. If you don’t want me here—and I don’t blame you if you don’t—just say the word . . . “He was a good man,” Molly said, “with a good heart.” Her voice shook, because, dear Lord, there were now tears in his eyes, too. “He deserved forgiveness—I’m positive he’s in heaven.” “I don’t think it’s going to be that easy for him,” he whispered. “It shouldn’t be . . .” He cleared his throat, put his glasses back on. “I’m so sorry to have distressed you, Miss Anderson. And I haven’t even properly introduced myself. Where are my manners?” He held out his hand to her. “Leslie Pollard.” Even with his glasses on, she could see quite clearly that he’d far rather be kissing her. But that would have to wait for later, when he came to her tent . . . No, wait, Gina would be there. Molly would have to go to his. Later, she told him with her eyes, as she reached out and, for the first time in years, touched the hand of the man that she loved.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
For the lady’s husband to become actively jealous was considered both doltish and dishonorable, a breach of the spirit of courtesy. Yet the record suggests that this was a fairly common occurrence and one of the occupational hazards of being a troubadour. The most famous crime passionnel of the epoch was the murder of Guilhem de Cabestanh, a troubadour knight whose love for the Lady Seremonda aroused the jealousy of her husband, Raimon de Castel-Roussillon. The story goes that Raimon killed Guilhem while he was out hunting, removed the heart from the body, and had it served to his wife for dinner, cooked and seasoned with pepper. Then comes the great confrontation: “And when the lady had eaten of it, RAimon de Castel-Roussillon said unto her: “Know you of what you have eaten?’ And she said, ‘I know not, save that the taste thereof is good and savoury.’ Then he said to her that that she had eaten of was in very truth the head of SIr Guilhem of Cabestanh, and caused the head to be brought before her, that she might the more readily believe it. And when the lady had seen and heard this, she straightway fell into a swoon, and when she was recovered of it, she spake and said: “Of a truth, my Lord, such good meat have you given me that never more will I eat of other.” THen he, hearing this, ran upon her with his sword and would have struck at her head, but the lady ran to a balcony, and cast herself down, and so died.” ...the story is probably apocryphal… grisly details...borrowed from an ancient legend...the Middle Ages believed it and drew the intended moral conclusion-that husbands should leave well enough alone. Raimon was held up to scorn while Guilhem became one of the great heroes of the troubadour epoch.
Horizon Magazine, Summer 1970
Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives. ‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.
Samantha Hunt (The Dark Dark)
Korie: Phil and Willie are so much alike. We went to a marriage seminar at our church one time, and Phil and Kay and Jase and Missy were there as well. Each of the couples took a personality test to see if their personalities were compatible. We all laughed because Phil and Willie scored high in the characteristics for having a dominant personality. They were almost identical in a lot of areas, but somewhat different in that Willie was high in the social category as well. I think Willie got that part of his personality from his mother. It’s funny because people look at the Robertsons and think Jase and Phil are just alike, and they are certainly similar in their love for ducks. But when we took the personality test, we saw that Jase’s personality is much more like his mother’s. So I guess it makes sense that Phil and Jase get along so well in the duck blind. They made a good team, just like Phil and Kay do at home. Kay has always said that Willie is a lot like Phil and even calls him “Phil Jr.” at times. While I wouldn’t go that far, I definitely saw the similarities. They both have strong, charismatic personalities. They are both big-picture guys with big ideas and deep beliefs. Whatever either of them is going in life, he does it all the way, and they are both very opinionated, which can sometimes be a challenge. Phil and Willie haven’t always been as close as they are now. As they grew, they recognized the attributes they have in common and learned to value one another’s differences and strengths. Willie says it couldn’t have happened until after he was thirty, though. He needed to grow up and mature, and Phil has gotten more relaxed as he’s gotten older. Willie loves to hunt with his dad and brothers, but there have been times when he’s had a hard time sitting in Phil’s blind. You can only have one leader in the duck blind, only one man who lines up the men and yells, “Cut ‘em!” when it’s time to shoot. Willie and Phil have both always been leaders, whether it’s in the blind or in business.
Willie Robertson (The Duck Commander Family)
GET MOVING People are often scared of the word exercise. We associate the word with pain, and we think of it as a chore. (And it can be--who likes going to the gym at 6 A.M.?) If that’s how you’re thinking, then you need to change your psychology. I don’t think of my body in terms of exercise; I think in terms of movement. Look at the actual word--I see it as “meant to move.” As human beings, going back to the beginning of civilization, we’ve had to move to survive. We had to throw spears to hunt, we had to prepare land to plant seeds, we had to gather firewood. Our bodies are hardwired to move. Not even TiVo can rewire those thousands of years of DNA. This isn’t a new idea, but it’s easy to forget: your body is connected to your mind and spirit. People say, “I’m miserable because I’m overweight” or “I’m overweight because I’m miserable,” but these two go hand in hand. I know when I drink to excess or put poisons in my body, the next day I’m not going to feel happy or inspired. The body is the vehicle that can help you reach your dreams. Keeping it moving, strong, and healthy paves the way to overall well-being. You can’t say you love yourself when you abuse yourself physically, and by not using your body, you’re abusing it. But here’s the first piece of good news: you don’t have to be in the gym to exercise. You just need to move--and keep moving. It can be anywhere, at any time. Sometimes I’ll do push-ups during a commercial break while watching TV. Sometimes I take a short walk, even around the block with my dog, just to break up my day. Your body wants to move; your body was created to move. You have to feed that. When you’re feeling miserable, your body is telling you to get on your feet. Moving makes you feel good. It helps you slay the demon of procrastination that lurks in the shadow of every human being. Most of us sleepwalk through life because we’re waiting for the perfect time, the perfect place, and the perfect opportunity to improve ourselves. Stop waiting. Start moving and keep moving.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
I was a country kid who went to a public school, and she was more of a middle-class girl who attended a private school. I was into hunting and fishing, and she liked drama and singing in the choir at school and church. Our lives up until that point were totally different. But Missy and I had a very deep spiritual connection, and I thought our mutual love for the Lord might be our biggest strength in sustaining our relationship. Even though Missy was so different from me, I found her world to be very interesting. Looking back, perhaps another reason I decided to give our relationship a chance was because of my aunt Jan’s bizarre premonition about Missy years earlier. My dad’s sister Jan had helped bring him to the Lord, and she taught the fourth grade at OCS. One of her students was Missy, and they went to church together at White’s Ferry Road Church. When I was a kid we attended a small church in the country, but occasionally we visited White’s Ferry with my aunt Jan and her husband. One Sunday, Missy walked by us as we were waiting in the pew. “Let me tell you something,” Jan told me as she pointed at me and then Missy. “That’s the girl you’re going to marry.” Missy was nine years old. To say that was one of the dumbest things I’d ever heard would be an understatement. I love my aunt Jan, but she has a lot in common with her brother Si. They talk a lot, are very animated, and even seem crazy at times. However, they love the Lord and have great hearts. I actually never thought about it again until she reminded me of that day once Missy and I started getting serious. Freaky? A bit. Bizarre? Definitely! Was she right? Absolutely, good call! Missy still isn’t sure what my aunt Jan saw in her. Missy: What did Jan see in me at nine years old? Well, you’ll have to ask her about that. She was the only teacher in my academic history from whom I ever received a smack. She announced a rule to the class one day that no one could touch anyone else’s possessions at any time (due to a recent rash of kids messing with other people’s stuff). The next day, I moved some papers around on one of my classmates’ desks before school, and he tattled on me. Because of her newly pronounced rule, she took me to the girls’ bathroom and gave me a whack on the rear. At the time, I certainly would have never thought she had picked me out to marry her nephew!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Among the many people Chris met while doing charity work was Randy Cupp, who invited him and Bubba out to shoot with him come deer season. When Chris passed away, Randy made it clear to me that the offer not only still stood, but that he would love to give Bubba a chance to kill his first buck. With deer season upon us, the kids and I decided to take him up on the offer. Angel, Bubba, and I went out to his property on a beautiful morning. Setting out for the blind, I felt Chris’s presence, as if he were scouting along with us. We settled into our spots and waited. A big buck came across in front of us a short time later. It was an easy shot--except that Bubba had neglected to put his ear protection in. He scrambled to get it in, but by the time he was ready, the animal had bounded off. Deer--and opportunities--are like that. We waited some more. Another buck came out from the trees not five minutes later. And this one was not only in range, but it was bigger than the first: a thirteen pointer. Chris must have scared that thing up. “That’s the one,” said Randy as the animal pranced forward. Bubba took a shot. The deer scooted off as the gunshot echoed. My son thought he’d missed, but Randy was sure he’d hit him. At first, we didn’t see a blood trail--a bad sign, since a wounded animal generally leaves an easily spotted trail. But a few steps later, we found the body prone in the woods. Bubba had killed him with a shot to the lungs. Like father, like son. While Bubba left to dress the carcass, I went back to the blind with Angel to wait for another. She was excited that she might get a deer just like her brother. But when a buck walked within range, tears came to her eyes. “I can’t do it,” she said, putting down her gun. “It’s okay,” I told her. “I just can’t.” “Do you want me to?” I asked. She nodded. I took aim. Even though I was married to a hard-core hunter, I had never shot a deer before. I lined up the scope, walking him into the crosshairs. A slow breath, and I squeezed the trigger. The shot surprised me--just as Chris said it should. The deer fell. He was good meat; we eat what we kill, another of Chris’s golden rules. “You know, Angel, you’re going to be my hunting partner forever,” I told her later. “You’re just so calm and observant. And good luck.” We plan to do that soon. She’ll be armed with a high-powered camera, rather than a rifle.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
newer marshals,” Newman added. “I was glad when they invited them to teach you new guys. That much field experience shouldn’t go to waste.” “A lot of them are stake-and-hammer guys though,” Newman said. “Old-fashioned doesn’t begin to cover their methods.” “The hunter that taught me the ropes was like that.” “I thought Forrester was your mentor. He’s known for his gun knowledge,” Livingston said. “You get that off his Wikipedia page?” I asked. “No, he worked a case that a buddy of mine was on. My friend is a gun nut, and he loved Forrester’s arsenal. He said that Forrester even used a flamethrower.” “Yep, that’s Ted,” I said, shaking my head. “So, he wasn’t your first mentor?” “No, Manny Rodriguez was. He taught me how to raise zombies and how to kill vampires.” “What happened to him?” Newman asked. “His wife thought he was getting too old and forced him to retire from the hunting side of things.” “It is not a job for old men,” Olaf said. “I guess it isn’t, but I wasn’t ready to fly solo when Manny retired. I was lucky I didn’t get killed doing jobs on my own at first.” “When did Forrester start training you?” Livingston asked. “Soon enough to help me stay alive.” “Ted spoke highly of you from the beginning,” Olaf said. “He does not give unearned praise. Are you being humble?” “No, I don’t . . . I really did have some close calls when Manny first retired, or maybe I just missed having backup.” Hazel brought our coffee and my Coke. “I’ll be back to fill those waters up, and with the juice,” she said before she left again. I so wanted to start questioning her, but this was Newman’s warrant and everyone else besides Olaf was local. They knew Hazel. I didn’t. I’d let them play it for now. The coffee was fresh and hot and surprisingly good for a mass-produced cup. I did add sugar and cream, so it wasn’t great coffee, but I didn’t add much, so it wasn’t bad either. Olaf put in way more sugar than I did, so his cup would have been too sweet for me. He didn’t take cream. I guessed we could be snobby about each other’s coffee habits later. “But it was Forrester who taught you how to fight empty hand?” Livingston asked. “I had some martial arts when we met, but he started me on more real-world training that worked outside of a judo mat or a martial arts tournament.” “I thought he was out of New Mexico,” Livingston said. “He is.” “And you’re in St. Louis, Missouri.” “I am.” “Hard to train long-distance.” “I have people I train with at home.” “How often do you train?” Kaitlin asked. “At least three times a week in hand-to-hand and blade.” “Really that often?” Newman asked. “Yeah. How often do you train?” “I go to the range two, three times a month.” “Any martial arts?” I asked. “I go to the gym three times a week.
Laurell K. Hamilton (Sucker Punch (Anita Blake, Vampire Hunter #27))
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
Debra Holland (Healing Montana Sky (Montana Sky, #5))
{Excerpt from a message from one of the Cherokee chiefs - Onitositaii, commonly known as Old Tassle} ... 'If, therefore, a bare march, or reconnoitering a country is sufficient reason to ground a claim to it, we shall insist upon transposing the demand, and your relinquishing your settlements on the western waters and removing one hundred miles back towards the east, whither some of our warriors advanced against you in the course of last year's campaign. Let us examine the facts of your present eruption into our country, and we shall discover your pretentions on that ground. What did you do? You marched into our territories with a superior force; our vigilance gave us no timely notice of your manouvres [sic]; your numbers far exceeded us, and we fled to the stronghold of our extensive woods, there to secure our women and children. Thus, you marched into our towns; they were left to your mercy; you killed a few scattered and defenseless individuals, spread fire and desolation wherever you pleased, and returned again to your own habitations. If you meant this, indeed, as a conquest you omitted the most essential point; you should have fortified the junction of the Holstein and Tennessee rivers, and have thereby conquered all the waters above you. But, as all are fair advantages during the existence of a state of war, it is now too late for us to suffer for your mishap of generalship! Again, were we to inquire by what law or authority you set up a claim, I answer, none! Your laws extend not into our country, nor ever did. You talk of the law of nature and the law of nations, and they are both against you. Indeed, much has been advanced on the want of what you term civilization among the Indians; and many proposals have been made to us to adopt your laws, your religion, your manners, and your customs. But, we confess that we do not yet see the propriety, or practicability of such a reformation, and should be better pleased with beholding the good effect of these doctrines in your own practices than with hearing you talk about them, or reading your papers to us upon such subjects. You say: Why do not the Indians till the ground and live as we do? May we not, with equal propriety, ask, Why the white people do not hunt and live as we do? You profess to think it no injustice to warn us not to kill our deer and other game for the mere love of waste; but it is very criminal in our young men if they chance to kill a cow or a hog for their sustenance when they happen to be in your lands. We wish, however, to be at peace with you, and to do as we would be done by. We do not quarrel with you for killing an occasional buffalo, bear or deer on our lands when you need one to eat; but you go much farther; your people hunt to gain a livelihood by it; they kill all our game; our young men resent the injury, and it is followed by bloodshed and war. This is not a mere affected injury; it is a grievance which we equitably complain of and it demands a permanent redress. The Great God of Nature has placed us in different situations. It is true that he has endowed you with many superior advantages; but he has not created us to be your slaves. We are a separate people! He has given each their lands, under distinct considerations and circumstances: he has stocked yours with cows, ours with buffaloe; yours with hogs, ours with bear; yours with sheep, ours with deer. He has indeed given you an advantage in this, that your cattle are tame and domestic while ours are wild and demand not only a larger space for range, but art to hunt and kill them; they are, nevertheless, as much our property as other animals are yours, and ought not to be taken away without consent, or for something equivalent.' Those were the words of the Indians. But they were no binding on these whites, who were living beyond words, claims ...
John Ehle (Trail of Tears: The Rise and Fall of the Cherokee Nation)