Good Rocky Quotes

We've searched our database for all the quotes and captions related to Good Rocky. Here they are! All 100 of them:

Though the road's been rocky it sure feels good to me.
Bob Marley
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face. "Sorry," she murrmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Remember to celebrate the small accomplishments along your journey because they will provide the support needed when the road gets rocky. 
C. Toni Graham
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was mt face. "Sorry," she murmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Adjust orbit while stupid. Good plan.' I snicker. 'New word: "sarcasm." You say opposite of true meaning to make point. Sarcasm.
Andy Weir (Project Hail Mary)
Never be discouraged. If I were sunk in the lowest pits of Nova Scotia, with the Rocky Mountains piled on me, I would hang on, exercise faith, and keep up good courage, and I would come out on top.
Joseph Smith Jr.
Good dog," Nick said. "That's one of the tricks I've taught him, shaking water on girls so they back into my arms." "Really! How smart of Rocky - and you, of course." "That's another thing I've been wanting to tell you," he said, turning me to face him. "I'm tired of getting jealous of my dog. I mean, he has nice eyes, but so do I." I looked from Rocky's golden eyes to Nick's laughing green ones. "I didn't enjoy the way Rocky got to stick close to you while I played Holly's boyfriend. He's going to have some competition from now on." "Oh, yeah? Are you good at retrieving sticks?" "I'm good at stealing kisses," Nick said, then proved it.
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
Don't you think I ever wanted other things? Don't you think I had dreams and hopes? What about my life? What about me. Don't you think it ever crossed my mind to want to know other men? That I wanted to lay up somewhere and forget about my responsibilities? That I wanted someone to make me laugh so I could feel good? You not the only one who's got wants and needs. But I held on to you, Troy. I took all my feelings, my wants and needs, my dreams...and I buried them inside you. I planted myself inside you and waited to bloom. And it didn't take me no eighteen years to find out the soil was hard and rocky and it wasn't never gonna bloom.
August Wilson (Fences (The Century Cycle, #6))
A good book is a lighthouse; a wise man is a lighthouse; conscience is a lighthouse; compassion is a lighthouse; science is a lighthouse! They all show us the true path! Keep them in your life to remain safe in the rocky and dark waters of life!
Mehmet Murat ildan
Percy stared at his jelly donut. He had a rocky history with Nico di Angelo. The guy had once tricked him into visiting Hades's palace, and Percy had ended up in a cell. But most of the time, Nico sided with the good guys. He certainly didn't deserve slow suffocation in a bronze jar, and Percy couldn't stand seeing Hazel in pain. "We'll rescue him," he promised her. "We have to. The prophecy says he holds the key to endless death.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
If you have not touched the rocky wall of a canyon. If you have not heard a rushing river pound over cobblestones. If you have not seen a native trout rise in a crystalline pool beneath a shattering riffle, or a golden eagle spread its wings and cover you in shadow. If you have not seen the tree line recede to the top of a bare crested mountain. If you have not looked into a pair of wild eyes and seen your own reflection. Please, for the good of your soul, travel west.
Daniel J. Rice (This Side of a Wilderness)
I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists. (from 2003 WGA seminar)
William Goldman
I laugh as I float into the lab where Rocky is waiting. “On Earth, we have a scary, deadly creature called a spider. You look like one of those. Just so you know.” “Good. Proud. I am scary space monster. You are leaky space blob.” He points to the breeder tanks. “Check tanks!
Andy Weir (Project Hail Mary)
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
ROSE: I been standing with you! I been right here with you, Troy. I got a life, too. I gave eighteen years of my life to stand in the same spot with you. Don't you think I ever wanted other things? Don't you think I had dreams and hopes? What about my life? What about me. Don't you think it ever crossed my mind to want to know other men? That I wanted to lay up somewhere and forget about my responsibilities? That I wanted someone to make me laugh so I could feel good? You not the only one who's got wants and needs. But I held on to you, Troy. I took all my feelings, my wants and needs, my dreams...and I buried them inside you. I planted a seed and watched and prayed over it. I planted myself inside you and waited to bloom. And it didn't take me not eighteen years to find out the soil was hard and rocky and it wasn't never gonna bloom. But I held on to you. I held you tighter. You was my husband. I owed you everything I had. Every part of me I could find to give you. And upstairs in that room...with the darkness falling in on me...I gave everything I had to try and erase the doubt that you wasn't the fines man in the world. And wherever you was going...I wanted to be there with you. Cause you was my husband. Cause that's the only way I was gonna survive as your wife. You always taking about what you give...and what you don't have to give. But you take too. You take...and you don't even know nobody's giving!
August Wilson (Fences (The Century Cycle, #6))
Your ship has more science that my ship. Better science. I bring my things in to your ship. Release tunnel. You make your ship spin for science. You and me science how to kill Astrophage together. Save Earth. Save Erid. This is good plan, question?
Andy Weir (Project Hail Mary)
We all have our own road to walk. Whether rocky, curving, straight or smooth, what good is a lonely road? It’s when we run and intersect with other roads that defines our road. When road meets road do we get direction, and choices to cross into another life.
Anthony Liccione
I just love all this,' Walt says. 'The sights, the smells, making the effort and pushing yourself and getting something that's really hard to get. I'll fly on a plane and people will look out the window at thirty thousand feet and say, 'Isn't this view good enough for you?' And I say no, it's not good enough. I didn't earn it. In the mountains, I earn it.
Mark Obmascik (Halfway to Heaven: My White-knuckled--and Knuckleheaded--Quest for the Rocky Mountain High)
Ride your cowboy,darling.Make it good.
Vivian Arend (Rocky Mountain Rebel (Six Pack Ranch #5; Rocky Mountain House #5))
Maybe they had become volcano smoke jumpers, diving into an unknown risk to do a dangerous job because, in part, it was a social good and, in part, because they loved the big show.
Dick Thompson (Volcano Cowboys: The Rocky Evolution of a Dangerous Science)
Good food, good friends.
Kristen Heitzmann (The Rose Legacy (Diamond of the Rockies, #1))
Good good. Enough talk. Check breeder tanks, please.' 'Yeah, yeah. Let me get some water first.' He bounces and skitters down his tube to the lab. 'Why humans need water so much, question? Inefficient life-forms!' ... 'Eiridians need water too, you know.' 'We keep inside. Closed system. Some inefficiencies inside, but we get all water we need from food. Humans leak! Gross!' I laugh as I float in to the lab where Rocky is waiting. 'On Earth, we have a scary, deadly creature called a spider. You look like one of those, just so you know.' 'Good. Proud. I am scary space monster. You are leaky space blob.
Andy Weir (Project Hail Mary)
Gentlemen,” I said to my officers, “let’s talk about discipline within our army, and let’s consider our danger from no-account leaders. Unfortunately, such rogues sometimes find more followers than good leaders. Promising everyone a good time with plenty of instant rewards, these scoundrels can exert much more influence than virtuous men, who end up alone on steep, rocky paths.
Xenophon (Cyrus the Great: The Arts of Leadership and War)
It’s good for the species,” I say. “A self-sacrifice instinct makes the species as a whole more likely to continue.” “Not all Eridians willing to die for others.” I chuckle. “Not all humans either.” “You and me are good people,” Rocky says. “Yeah.” I smile. “I suppose we are.
Andy Weir (Project Hail Mary)
The only thing that prevented a father's love from faltering was the fact that there was in his possession a photograph of himself at the same early age, in which he, too, looked like a homicidal fried egg. This proof that it was possible for a child, in spite of a rocky start, to turn eventually into a suave and polished boulevardier with finely chiselled features heartened him a good deal, causing him to hope for the best.
P.G. Wodehouse (Eggs, Beans, and Crumpets)
You and me are good people,” Rocky says. “Yeah.” I smile. “I suppose we are.
Andy Weir (Project Hail Mary)
A good man is like a good corset. He will always be supportive and never leave you hanging. -- MISS ABIGAIL JENKINS, 1875
Margaret Brownley (A Suitor for Jenny (A Rocky Creek Romance, #2))
Fear of failure is a powerful thing. But what you don’t see ... is that failure allows you to grow. To get better. To learn. It is a part of life. And it’s a good thing.
Aven Ellis (Outscored (Rinkside in the Rockies #3))
It's not easy having a good time! Even smiling makes my face ache!
Richard O'Brien (The Rocky Horror Show)
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and I found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
To the north and south in the golden glow of a September twilight we saw the long line of the Outer Hebrides like the rocky backbone of some submerged continent. The scenes and colours on the land and ocean and in the sky seemed more like some magic vision, reflected from Faerie by the 'good people' for our delight, than a thing of our own world. Never was air clearer or sea calmer, nor could there be air sweeter than that in the mystic mountain-stillness holding the perfume of millions of tiny blossoms of purple and white heather; and as the last honey-bees were leaving the beautiful blossoms their humming came to our ears like low, strange music from Fairyland.
W.Y. Evans-Wentz (The Fairy-Faith in Celtic Countries)
We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns.
Jonathan Evison (The Revised Fundamentals of Caregiving)
Being a whole person was powerful, but the economics of sports (defined and maintained by men) didn’t leave much space for that. Contracts penalized the rocky road inherent to life, especially the one commonly traveled by women.
Lauren Fleshman (Good for a Girl: A Woman Running in a Man's World)
I laugh as I float into the lab where Rocky is waiting. “On Earth, we have a scary, deadly creature called a spider. You look like one of those. Just so you know.” “Good. Proud. I am scary space monster. You are leaky space blob.
Andy Weir (Project Hail Mary)
There weren't so very many good boxes on this beach," said Sniff. "But I've made a great discovery." "What was that?" asked Moomintroll, for a discovery (next to Mysterious Paths, Bathing, and Secrets) was what he liked most of all. Sniff paused and then said dramatically: "A cave!" "A real cave," asked Moomintroll, "with a hole to creep in through, and rocky walls, and a sandy floor?" "Everything!" answered Sniff proudly. "A real cave that I found myself." "That's splendid!" said Moomintroll. "Wonderful news. A cave is much better than a box.
Tove Jansson (Comet in Moominland (The Moomins, #2))
167 It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog. I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot. Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop? Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing? A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
Fernando Pessoa (The Book of Disquiet)
What looks good to you?” he asked as if we were out for ice cream. Rocky road or pistachio? Like my Corvette sitting back in the shop, he had a penchant for American-made classics, the ones Detroit had long-since forgotten it once knew how to make. Slowly, I walked around looking at each one—the acid green Shelby Mustang with white racing stripes, the powder blue Ford Fairlane, the black Chevy Bel-Air— each in pristine condition and only because his blood and sweat coursed through them as surely as gasoline. But if he was serious that I could take my pick and drive it out of here, there was only one choice for me: the cherry red 1955 Ford Bronco.
Leesa Freeman
When we draw from the deepest fissures inside us, we become a fresh breeze that lifts the souls of other people. You are the restorative wind in my soul. Late at night, in the underwater current of dreams, I hear your voice whispering to me, a voice of kindness and wisdom beseeching me to become the fullest expression of who I am capable of being. My goal is to become like you: a synthesis of all the good in the world, a person who encircles the rocky strewn bank of human existence and embraces it with a loving and a gentle heart, a person who recognizes the value of living free from anxiety and want, who lives gracefully without desire and attachment.
Kilroy J. Oldster (Dead Toad Scrolls)
Still, it was up to her to lure her victim to the rocky shore of loss by appealing to his vanity and challenging his manly pride.She smiled at herself in the mirror. "It isn't perfect, but 'twill have to do." "Och,miss! Ye look as pretty as a princess." Mary opened the door and stood to one side. "Careful going down the stairs; yer pa pried up a board in the third step." "On the steps? Someone could get injured." "So he's hopin'." Sophia frowned. "I'll have Angus fix it. I want MacLean to hate the house, not die in it." "Men never think,miss. 'Tis a sad fact 'o life." "Tell me about it," Sophia muttered. "Wish me luck. I've heard a lot about MacLean,none of it good.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
The boats bumped against the side of the ship, the sailors and passengers shouted lustily, and somewhere a child, as if crushed to death, choked itself with screaming. The damp wind blew through the doors, and outside on the sea, from a reeling boat which showed the flag of the Hotel Royal, a fellow with guttural French exaggeration yelled unceasingly : '* Rrroy-al ! Hotel Rrroy-al ! " intending to lure passengers aboard his craft. Then the Gentleman from San Francisco, feeling, as he ought to have felt, quite an old man, thought with anguish and spite of all these " Royals," " Splendids,' 1 " Excelsiors," and of these greedy, good-for-nothing, garlic-stinking fellows called Italians. Once, during a halt, on opening his eyes and rising from the sofa he saw under the rocky cliff-curtain of the coast a heap of such miserable stone hovels, all musty and mouldy, stuck on top of one another by the very water, among the boats, and the rags of all sorts, tin cans and brown fishing-nets, and,remembering that this was the very Italy he had come to enjoy, he was seized with despair. . .
Ivan Bunin (The Gentleman from San Francisco and Other Stories)
A small container of Rocky Road lands on the counter next to me. “I figured Rocky Road was appropriate to pave the way to brown town,” she says with a laugh. The man in front of me takes his receipt, and the cashier, a younger woman, reaches for our purchases as soon as Banner starts laughing at her own joke. The cashier’s eyes go wide when she comprehends. “Brown Town? Is that up in the foothills, Logan? I’m not sure I’ve heard of it,” a familiar voice says from behind me. Oh, for Christ’s sake. I turn around to face Mrs. Harris, her hands full with a box of tea and a bottle of melatonin, but when I open my mouth to respond, nothing comes out. Banner smiles sweetly and says, “It’s just south of Pussy Ridge. At least, I’m pretty sure it is.” I choke, and the cashier’s face turns red. “Pussy Ridge. I haven’t heard of that either. I’ll have to ask Mr. Harris to get out the Rand McNally so we can take a drive there this weekend. I do love my weekend drives.” I have no idea how Banner is keeping a straight face, but she replies, “I love a good long ride too. Especially when it gets a little rough.” The older woman smiles. “Me too. Emmy has never been a fan, though. She’s always gotten carsick at the littlest bump.” Banner finally grins. “That explains so much about her.” The cashier’s eyes are tearing up as I shove money at her before I bag the ice cream, Doritos, and lube myself. “See you later, Mrs. Harris. You’ll have to let us know how that drive goes.
Meghan March (Real Good Man (Real Duet, #1))
The hex wall is gone- it's been replaced by a solid wall of clear material. And on the other side of that wall is Rocky. He's a spider. A big-assed spider. I turn to flee. But my rational brain takes over. 'Easy... easy... they're friendly.' I say to myself. I turn back and take in the scene. Rocky is smaller than a human. He's about the size of a Labrador. He has five legs radiating out from a central carapace-looking thing. The carapace, which is roughly a pentagon, is 18 inches across and half as thick. I don't see eyes or a face anywhere. Each leg has a joint in the middle- I'll call it an elbow. Each leg (or should I say arm?) ends in a hand. So he's got five hands. Each hand has those triangular fingers I got a good look at last time. Looks like all five hands are the same. I don't see any "front" or "back" to him. He appears to be pentagonally symmetrical. He wears clothing. The legs are bare, showing the rocklike skin, but there's cloth on the carapace. Sort of like a shirt with five armholes. I don't know what the shirt is made of but it looks thicker than typical human clothing. It's a dull greenish-brown, and inconsistently shaded. The top of the shirt has a large open hole. Like where the neck goes on a human's t-shirt. This hole is smaller than the carapace/ So he must have to put that shirt on by pulling it downward and sliding the arms through their respective holes. Again, like a human's shirt. But there's no neck or head to go through that hole on top- just a hard-looking rocky pentagon that sticks up a little bit from the crusty skin.
Andy Weir (Project Hail Mary)
Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her. Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
And how was my time? Truth be told, not so great. At least, not as good as I’d been secretly hoping for. If possible, I was hoping to be able to wind up this book with a powerful statement like, “Thanks to all the hard training I did, I was able to post a great time at the New York City Marathon. When I finished I was really moved,” and casually stroll off into the sunset with the theme song from Rocky blaring in the background.
Haruki Murakami (What I Talk About When I Talk About Running)
Growth is rarely glamorous; instead, it’s forged in the rocky hills of hardship, the valleys of suffering, and the foggy paths of waiting. It’s marked by a gradual movement toward Christ in the middle of the messy, mundane moments of life. If you expect life to be perfect, you will be let down every time. But if you embrace the struggle, eyes glued to Jesus, you will surrender to your Savior and find in him the perfection you long for. He’s working in your waiting, creating a masterpiece out of your mess. In other words: life won’t ever be easy, but God is always good.
Gretchen Saffles (The Well-Watered Woman: Rooted in Truth, Growing in Grace, Flourishing in Faith)
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather." He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it." I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive." "Well, I have a healthy respect for what the sun does," he counters with a smile." "I'd rather have the sun after a good, hard rainfall." He just shakes his head at me but he's smiling. "The good with the bad?" "Isn't that life?" He frowns. "Why do I sense a metaphor behind that?" "Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch. Where a father is murdered bacause he made the mistake of wanting a van for his family. In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched. Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it. What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her. Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
K.A. Tucker (Becoming Rain (Burying Water, #2))
This is an older history being taught here, not the one often taught in schools and universities now, in which the story of the West is reduced to atrocity and little more. It is true that historical research is necessary to defeat jingoistic nationalism. The more history we know, the more complex the story of our past becomes and the more realistic we can be about it. But without some kind of usable past, there is no possibility of affecting geopolitics for the good. How do we know where to go if we can’t draw upon some inspiration from the past? There is too much destruction coming out of the academy, not enough inspiration. We require a proper balance.
Robert D. Kaplan (Earning the Rockies: How Geography Shapes America's Role in the World)
In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone. Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)
Robbie Arnott (Limberlost)
Pretty soft!' he cried. 'To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!' I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent. 'It would kill me to have to live in New York,' he went on. 'To have to share the air with six million people! TO have to wear stiff collars and decent clothes all the time! To - ' He started. 'Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!' I was shocked, absolutely shocked. 'My dear chap!' I said, reproachfully. 'Do you dress for dinner every night, Bertie?' 'Jeeves,' I said coldly. 'How many suits of evening clothes have we?' 'We have three suits full of evening dress, sir; two dinner jackets- ' 'Three.' 'For practical purposes, two only, sir. If you remember, we cannot wear the third. We have also seven white waistcoats.' 'And shirts?' 'Four dozen, sir.' 'And white ties?' 'The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.' I turned to Rocky. 'You see?' The chappie writhed like an electric fan. 'I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realise that most days I don't get out of my pyjamas till five in the afternoon and then I just put on an old sweater?' I saw Jeeves wince, poor chap. This sort of revelation shocked his finest feelings.
P.G. Wodehouse
Good good,' he says. 'I make sure my people take good care of you. They will make Astrophage maybe for you to go home!' 'Yeah...' I say. 'About that... I'm not going home. The beetles will save Earth. But I won't ever see it again.' His joyous bouncing stops. 'Why, question?' 'I don't have enough food. After I take you back to Erid, I will die.' 'You... you can no die.' His voice gets low. 'I no let you die. We send you home. Erid will be grateful. You save everyone. We do everything to save you.' 'There's nothing you can do,' I say. 'There's no food. I have enough to last until we get to Erid and then a few months more. Even if your government gave me the Astrophage to get home, I wouldn't survive the trip.' 'Eat Erid food. We evolve from same life. We use same proteins. Same chemicals. Same sugars. Must work!' 'No, I can't eat your food, remember?' 'You say is bad for you. We find out.' I hold up my hands. 'It's not just bad for me. It will kill me. Your whole ecology uses heavy metals all over the place. Most of them are toxic to me. I'd die immediately.' He trembles. 'No. You can no die. You are friend.' I float closer to the divider wall and talk softly. 'It's okay. I made my decision. This is the only way to save both of our worlds.' He backs away. 'Then you go home. Go home now. I wait here. Erid maybe send another ship someday.' 'That's ridiculous. Do you really want to risk the survival of your entire species on that guess?' He's silent for a few moments and finally answers. 'No.
Andy Weir (Project Hail Mary)
Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department. I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed. When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town. Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her. Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
MATTHEW 13:18-23 “Listen then to what the parable of the sower means: 19When anyone hears the message about the kingdom and does not understand it, the evil one comes and snatches away what was sown in his heart. This is the seed sown along the path. 20The one who received the seed that fell on rocky places is the man who hears the word and at once receives it with joy. 21But since he has no root, he lasts only a short time. When trouble or persecution comes because of the word, he quickly falls away. 22The one who received the seed that fell among the thorns is the man who hears the word, but the worries of this life and the deceitfulness of wealth choke it, making it unfruitful. 23But the one who received the seed that fell on good soil is the man who hears the word and understands it. He produces a crop, yielding a hundred, sixty or thirty times what was sown.
Steven K. Scott (The Greatest Words Ever Spoken: Everything Jesus Said About You, Your Life, and Everything Else)
You weren’t supposed to choose me,” he said. Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it. “The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.” Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed. “Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone. “I was in the dory,” he whispered. Ira cocked his head. “Say again?” Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat. “The dory?” Oscar nodded again, eyebrows creased. “I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.” So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably. “And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued. Samuel and Ira glanced at each other with marked expressions of doubt and confusion. “But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.” Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him? "Did he say anything?" she asked, anxious to know yet afraid to hear. "It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces." Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side. "I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry." She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool. "No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me.
Angie Frazier (Everlasting (Everlasting, #1))
This is waste of time. Also waste of my food.' 'I need to know if I can eat your food.' 'Eat your own food.' 'I've only got a few months of real food left. You have enough aboard your ship to feed a crew of twenty-three Eridians for years. Erid life and Earth life use the same proteins. Maybe I can eat your food.' 'Why you say "real food", question? What is non-real food, question?' I checked the readout again. Why does Eridian food have so many heavy metals in it? 'Real food is food that tastes good. Food that's fun to eat.' 'You have not-fun food, question?' 'Yeah. Coma slurry. The ship fed it to me during the trip here. I have enough to last me almost four years.' 'Eat that.' 'It tastes bad.' 'Food experience not that important.' 'Hey,' I point at him. 'To humans, food experience is very important.' 'Humans strange.' I point at the spectrometer readout screen. 'Why does Eridian food have thallium in it?' 'Healthy.' 'Thallium kills humans!' 'Then eat human food.' 'Ugh.
Andy Weir (Project Hail Mary)
Some twenty minutes later, I was back at the river, and my son and father were waiting on the far side.  Crossing the swift river with my dad was something I was really dreading.  I helped him check his bandages, and he was under the impression that his injury was a compound fracture—bone sticking through flesh.  While I didn’t get a good look at the foot itself, I noticed there were blood blisters everywhere on his lower leg.  It was a shockingly bad injury, and I worried he might lose his foot.  It was time to cross the stream.  My son took my father’s left side, where he could keep close watch on the placement of the improvised wooden cane.  I took my father’s right arm in mine and silently prayed as our feet hit the water together.  Our footing held firm on the stream’s rocky bottom, and the rushing water didn’t rise above our knees.  I was so tremendously grateful at that final step onto the rocky shore, but there was lots of work still requiring our attention before my son and I could make the final journey to the trailhead beyond Lake Pamelia.
Karl Erickson (Mt. Jefferson Wilderness (Oregon, My Oregon, A Photographic Journey))
Anyone who’s spent time below the Mason-Dixon line knows this truth: Southern women are anything but ordinary. Our unique, often unspoken code of conduct has allowed us to survive good times and bad, and never lose the sense of who we are. Margaret Mitchell, the belle of Southern female writers, got it right when she had Scarlett O’Hara come down the stairs in a dress made out of curtains: a Southern girl knows that pride and endurance always come before vanity. Our character is both created by, and essential to, the fabric of our society. Without the strength of the Southern girl, the South couldn’t have survived its rich and rocky history; without history, on the other hand, the Southern girl wouldn’t be who she is today. It’s sometimes suggested (by Yankees, we’d wager) that Grits are one-dimensional. This is not surprising: those who don’t understand us see only our outward devotion to femininity and charm. What they are missing is the fact that, like the magnolia tree, our beautiful blossoms are the outward expression of the strength that lies beneath.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
DAYS ONE THROUGH SIX, ETC. You keep on asking me that – “Which day was the hardest?” Blockheads! They were all hard – And of course, since I’m omnipotent, they were all easy. It was Chaos, to begin with. Can you imagine Primeval Chaos? Of course you can’t. How long had it been swirling around out there? Forever. How long had I been there? Longer than that. It was a mess, that’s what it was. Chaos is Rocky. Fuzzy. Slippery. Prickly. As scraggly and obstreperous as the endless behind of an infinite jackass. Shove on it anywhere, it gives, then slips in behind you, like smog, like lava, like slag. I’m telling you, chaos is – chaotic. You see what I was up against. Who could make a world out of that muck? I could, that’s who – land from water, light from dark, and so on. It might seem like a piece of cake now that it’s done, but back then, without a blueprint, without a set of instructions, without a committee, could you have created a firmament? Of course there were bugs in the process, grit in the gears, blips, bloopers – bringing forth grass and trees on Day Three and not making sunlight until Day Four, that, I must say, wasn’t my best move. And making the animals and vegetables before there was any rain whatsoever – well, anyone can have a bad day. Even Adam, as it turned out, wasn’t such a great idea – those shifty eyes, the alibis, blaming things on his wife – I mean, it set a bad example. How could he expect that little toddler, Cain, to learn correct family values with a role model like him? And then there was the nasty squabble Over the beasts and birds. OK, I admit I told Adam to name them, but – Platypus? Aardvark? Hippopotamus? Let me make one thing perfectly clear – he didn’t get that gibberish from Me. No, I don’t need a planet to fall on Me, I know something about subtext. He did it to irritate Me, just plain spite – and did I need the aggravation? Well, as you know, things went from bad to worse, from begat to begat, father to son, the evil fruit of all that early bile. So next there was narcissism, then bigotry, then jealousy, rage, vengeance! And finally I realized, the spawn of Adam had become exactly like – Me. No Deity with any self-respect would tolerate that kind of competition, so what could I do? I killed them all, that’s what! Just as the Good Book says, I drowned man, woman, and child, like so many cats. Oh, I saved a few for restocking, Noah and his crew, the best of the lot, I thought. But now you’re back to your old tricks again, just about due for another good ducking, or maybe a giant barbecue. And I’m warning you, if I have to do it again, there won’t be any survivors, not even a cockroach! Then, for the first time since it was Primeval Chaos, the world will be perfect – nobody in it but Me.
Philip Appleman
You’re back,” I said, refusing to embarrass myself further by getting angry. “I took Tag home. He had big plans to train for his next fight old school, like Rocky, but discovered that it’s a little more appealing in the movies. Plus, I don’t do a very good Apollo Creed.” “Tag’s a fighter?” “Yeah. Mixed martial arts stuff. He’s pretty good.” “Huh.” I didn’t know what else to say. I didn’t know anything about the sport. “Didn’t Apollo Creed die in one of the movies?” “Yeah. The black guy always dies at the hands of the white man.” I rolled my eyes, and he grinned, making me grin with him before I remembered that I was embarrassed and ticked off that he had kissed me and left town. It felt a little too much like the past. The grin slipped from my face and I turned away, busying myself shaking out the saddle blankets. “So why did you come back?” I kept my eyes averted. He was quiet for a minute, and I bit my lips so I wouldn’t start to babble into the awkward silence. “The house needs more work,” he replied at last. “And I’m thinking of changing my name.” My head shot up, and I met his smirk with confusion. “Huh?” “I heard there was this new law in Georgia. Nobody named Moses can even visit. So I’m thinking a name change is in order.” I just shook my head and laughed, both embarrassed and pleased at his underlying meaning. “Shut up, Apollo,” I said, and it was his turn to laugh.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
Suddenly, a rock hits the other side of the hex. It stays there. It's just a few inches away from me. It's roughly triangular, kind of a dark brown, and has rough, jagged edges. Like you might see on the tip of a spear from a caveman. Have I met spacefaring cavemen? Stop being stupid, Ryland. Why did they put a rock there? And is it sticky? Are they trying to block my view? If so, they're doing a terrible job. The little triangle is only a couple of inches wide at the thickest point and the hex is a good 8 inches across. And it gets sillier. Now the rock is bending at articulated joints, and there are two similar rocks that do the same thing, and there's a larger rock attached to them that- That's not a rock. It's a claw! It's a claw with three fingers! ... The alien's claw-er... I'll call it a hand. That's less scary. The alien's hand has three triangular fingers, each one with articulation points. Knuckles, I guess. They can close up in to a raindrop shape of widen out to a sort of three-legged starfish. The skin is weird. It looks like brownish-black rock. It's irregular and bumpy, like someone carved the hand out of granite and hasn't gotten around to smoothing it out yet. Natural armour, maybe? Like a turtle shell, but less organised? There's an arm, too. I can barely see it from this angle, no matter how hard I stupidly press my face in to the Hot Wall of Pain. But there's definitely an arm leading away from the hand. I mean, there'd have to be, right? Not just a magic floating hand.
Andy Weir (Project Hail Mary)
Missy and I were married on August 10, 1990. To say our marriage got off to a rocky start would be an understatement. My brothers and closest friends took me frog-hunting the night before my wedding for my bachelor party. As we were searching for frogs, my oldest brother, Alan, gave me a lot of advice on marriage in general as we motored along the bayou. The main thing he reminded me of is that God is the architect of marriage. Having a great relationship with our Creator is the best thing you can do for your marriage relationship. Alan gave me an illustration of a triangle with the husband and wife on the bottom corners and God at the top corner. His point was that as each person moves closer to God, they also move closer to each other. I never forgot that and he was right. I was mainly the motorman that night and was filled with anxiety and anticipation of the wedding. As we moved along, we saw two big frogs mating on the riverbank. “Whoa, there you go!” Al shouted. It kind of broke the ice for a conversation about intimacy and sex. Missy and I had not seen each other much in the previous couple of months because we couldn’t keep our hands off each other. Many times we had to remind each other of our commitment to stay pure and had had many prayers together. We were not perfect, but one of us would always stop things from getting too heated. Eventually, we decided to have only a long-distance relationship via telephone and our face-to-face encounters became limited to church and public gatherings. As our wedding was approaching, Missy and I were both a little bit nervous about having sex for the first time. I think that’s the way it is when you’re both virgins. We were both excited because we’d decided to save ourselves for marriage and our big night was finally here!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Holy s——!” someone shouted from outside. A few guests reacted with good-natured titters. The children hardly noticed, they were so absorbed in their music. The song ended. All the little eyes were on Mr. Kangana, who counted them into their next song, “One, two, three—” “F——!” someone else shouted. This was not OK. I dashed through the laundry room to the back door, with the intention of shushing the raucous caterers. I turned the handle. A strong, dull, consistent pressure pushed the door toward me. Immediately sensing a terrible force of nature on the other side, I attempted to close the door. The inhuman force wouldn’t allow it. I stuck my foot against the bottom of the door. I heard an ominous creak. The hinges began pulling loose from the frame. Before I could compute any of this, the marimba music suddenly stopped. A series of pops and pings erupted from the sunroom. A child squealed in distress. I abandoned the threat at the door and hurtled to the sunroom, where I was met by the shattering of glass. The children were running, screaming, from their instruments. With none of their own parents to run to for comfort, the kindergarteners collectively burrowed into the crowd of prospective parents, who in turn were trying to squeeze through the one small door leading to the living room. It’s a small miracle nobody was trampled. My daughter, Ginny, ran to me and hugged my legs. Her back was wet… and muddy. I looked up. The shades were now eerily raised of their own accord. And then came the mud. In it sloshed, through the broken windows. Thick mud, watery mud, rocky mud, mud with beveled-glass shards, mud with window muntins, mud with grass, mud with barbecue utensils, mud with a mosaic birdbath. In a flash, the sunroom windows were gone, and in their place, a gaping, mud-oozing hole.
Maria Semple (Where'd You Go, Bernadette)
Gary Cooper called to invite me to a dinner party he was giving for Clark Gable at his house. When I accepted and he asked if I would mind picking up Barbara Stanwyck, I was delighted. I had always thought she was one of the greatest. The Lady Eve and Double Indemnity are two of my favorite films and feature two of the many terrific performances she gave through the years. I arrived at her door promptly at 6:30 P.M., a huge bouquet of pink peonies in hand. The maid said she would be right down, took the flowers, and offered me a glass of champagne. Barbara came down a few minutes later, looking terrific in something silver and slinky. She carried on about the flowers as the maid brought them in and joined me for some champagne. I was anxious to get things off to a good start with the right kind of small talk, but unfortunately I was out of touch with the latest gossip. I asked how and where her husband was. An expletive told me how she felt about her husband: “That son of a bitch ran off with some kraut starlet.” As I struggled to pull my foot out of my mouth, she started to laugh and said, “Don’t worry about it, baby, he’s not worth sweating over,” and the rest of the evening went like gangbusters. We arrived at 7:30 on the dot and were met at the door by Rocky, Mrs. Gary Cooper, who hugged Barbara and said, “He’s going to be so glad to see you.” Cooper and Stanwyck had made a couple of great films together, Meet John Doe and Ball of Fire, the latter for Sam Goldwyn, whom she liked even though she referred to him as “that tough old bastard.” Rocky sent Barbara out to the garden to see Coop, took my arm, and showed me around their lovely home. As we walked into the garden, I spotted him laughing with Barbara. Rocky took me over to meet him. He was tall, lean, warm, and friendly. The thing I remember most about him is the twinkle in his deep blue eyes, which were framed by thick dark lashes. He was a movie star.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
We are still young, but we have done something remarkable already. We have stayed together. I think where we find ourselves is extremely significant. Significant because the next seven years, I think, are going to be final in a way that the last seven have not. In the next seven years every one of us will be in our thirties, some nearing forty. We are already starting marriages, families, careers, and settling into cities. In the next seven years those things are going to become more and more entrenched. The concrete we’re pouring into the habits of our lives is going to dry, and we are going to become the kind of people that we’re going to be for a long, long time. Let me put it another way. The college years and the early twenties lend themselves to a kind of emotional radicalness where you actually can and do completely shift your habits, and we become new people. That window, however, is likely closing. Thus, I think now is the time to consider seriously what kinds of people we are becoming. We have a good start, but I think the next seven years will be far more determinative of what kinds of friends we will be in the long run. The next seven years will show: Will we have the kind of friendships that sustain us through rocky years in marriage? Maybe more important, will we have the kind of friendships that sustain us through the difficulties of not being married yet? Will we have the kind of friends who live as examples to one another’s kids? Will we be the kind of friends who support one another financially if a job or business falls through or support one another emotionally if we hit dead ends in our careers? Will we be the kind of friends who won’t ignore and won’t let one another get into bad emotional, physical, sexual, or financial habits? I think the summary of what I’m longing for, the reasons why I decided to write all this down, is I see the beginnings of a covenant between us. And I see the possibility of covenant relationships forming in the long run. And I want to name the goodness, to give words to what the Lord is doing among us. I want to call one another not simply by what we are but by what we are hoping to become. I think that might be “covenant friends.” I leave whatever form it takes to you, but what I hope is that we begin to think and talk of one another in these terms, in terms of covenant relationships, where we acknowledge that the Lord is binding us together in ways that we don’t have the option to separate. In conclusion, I think our next seven years may be our most important, and I want us to consider pushing into those years consciously, as covenant friends. It might go a long way toward what I hope for as our end. This is what I imagine: that in the long run we will look at one another and say, “I have a lot of friends, but none like you.
Justin Whitmel Earley (Made for People: Why We Drift into Loneliness and How to Fight for a Life of Friendship)
The curative properties of distraction were a balm to her agitated state. She had recently discovered that she was damn good at demolition; she liked tearing things apart, ripping entire walls off in huge slabs.
Jacqueline Sheehan (Picture This (Rocky Pelligrino #2))
Am I rooted in sincere fidelity and love to Jesus? If my heart remains unsoftened and unfertilized by grace, the good seed may germinate for a season, but it must ultimately wither, for it cannot flourish on a rocky, unbroken, unsanctified heart. Let me dread a godliness as rapid in growth and as lacking in endurance as Jonah’s vine; let me count the cost of being a follower of Jesus. Above all let me feel the energy of His Holy Spirit, and then I shall possess an abiding and enduring seed in my soul. If my mind remains as stubborn as it was by nature, the sun of trial will scorch, and my hard heart will help cast the heat the more terribly upon the ill-covered seed, and my religion will soon die, and my despair will be terrible. Therefore, O heavenly Sower, plow me first, and then cast the truth into me, and let me yield a bounteous harvest
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
Somewhere on the rocky voyage from the garage to the fully managed organization, they get it backward. They begin to view the passion as something they can use to build the business. That may well be true, of course. The problem is, if you keep heading in that direction, you’ll eventually lose whatever it was that gave the company its mojo in the early days. Contributing something great and unique to the world will become less and less of a priority. By the time the second or third generation of owners takes over, there’s a good chance that the passion and the business will have gone their separate ways, and the company will have become just another income-producing property. If it’s acquired, it won’t be because the acquirer’s stockholders share the passion or believe in the mission (whatever the new management may say). They’ll want to own it only if they think it will improve their financial returns. People will work there mainly because they need a job. Customers will buy its products and services only if they offer the best value for the money. The company will be an economic mechanism and little more. Pretty much everything else will have been lost.
Bo Burlingham (Small Giants: Companies That Choose to Be Great Instead of Big)
My mother came over to give the new dog a good sniff. Daisy held still and then did the same back. She wasn’t shy with Rocky or me, either. When we came over, Daisy stuck her nose down to be sniffed, and even flopped down so we could wrestle with her. I liked Daisy, I decided. Wrestling was even more fun than chasing. But when Jennifer came outside with bowls of food and water, Daisy waited until Jennifer was far away before she bolted over to the food and devoured it in three gulps.
W. Bruce Cameron (Molly's Story)
We get to honor what we’re feeling,” I added. “Yes, we’re strong, and truly we kick ass like nobody’s business, and put a good face on it, and hold it together for our kids and our husbands or whatever. But sometimes, every once in a while, we get to just be women with emotions sloshing through us like rocky seas. We get to be compassionate with ourselves and not hold ourselves to impossible standards.
Lucía Ashta (Charmed Caper (Witches of Gales Haven, #3))
I need to name you,” I tell the rock. “The hell you do.” “I’m thinking . . .” “Already got a name,” the rock says. “. . . oh, but that’s too obvious.” I laugh. I laugh hard. It’s the first time I’ve laughed in so long that all my emotional triggers, which have only known sobbing, mix some tears in with the laughter. “Don’t you fucking dare,” the rock says. “I’m going to call you . . .” “I’VE GOT A NAME!” “. . . Rocky.” Rocky stares at me. It’s more of a glare, really. I start laughing again. Damn, it feels good. “You’re the worst human I’ve ever met,” Rocky says. I wipe the tears from my cheeks. “I think maybe when the supply shuttle comes, I’ll just keep you. Not tell the labcoats about you.” “That’s called kidnapping, you sadistic ape.” This makes me laugh some more. It’s the accent. It kills me. “Are you stoned?” Rocky asks. And this is too much. I double over and clutch my shins, there in the command pod, not a stitch of clothing on, laughing and crying and wheezing for breath, fearing I might not be able to stop, that I’ll die like this, die from so much joy and mirth, while debris from a destroyed cargo ship peppers the hull and cracks into the solar array, and ships full of people navigate through space at twenty times the speed of light, narrowly avoiding this great reef of drifting rocks, and all because I’m here, because I’m holding it together, this trained and hairless monkey in outer space.
Hugh Howey (Beacon 23)
That’s because we’re human, more so than Adamists can ever be. Our empathy means we can never hide from what we feel, and that’s good. But you must always walk the balance, Syrinx; the balance is the penalty of being human: the danger of allowing yourself to feel. For this we walk a narrow path high above rocky ground. On one side we have the descent into animalism, on the other a godhead delusion. Both pulling at us, both tempting. But without these forces tugging at your psyche, stirring it into conflict, you can never love. They awaken us, you see, these warring sides, they arouse our passion. So learn from this wretched episode, learn to be proud of Thetis and what he accomplished, use it to counter the grief. It is hard, I know; for captains more than anyone. We are the ones who truly open our souls to another entity, we feel the deepest, and suffer the most. And knowing that, knowing what you would endure in life, I still chose to bring you into existence, because there is so much joy to be had from the living.
Peter F. Hamilton (The Reality Dysfunction (Night's Dawn, #1))
For the long haul, a draught animal is only as good as its hooves. Oxen seem to have less hoof-breakage than either horses or mules. The feet of horses are particularly sensitive to moisture: it is said that whereas in dry lands like Spain their hooves remain so hard that they can gallop unshod over rocky terrain, in northern Europe the hoof becomes soft, and is quickly worn and easily damaged.
Lynn Townsend White Jr. (Medieval Technology and Social Change)
I made a pudding and we all tasted it and it was a good pudding, that is if it had been intended for a cannonball and not for an object of diet. It probably lies there to-day; our camp-site may fade, our trip be forgotten, but that pudding ought to be there when the next explorers go through.
Mary T.S. Schäffer (A Hunter of Peace: Mary T.S. Schaffer's Old Indian Trails of the Canadian Rockies (With Her Heretofore Unpublished Account 1911 Expedition to Maligne Lake))
But true character cannot remain buried under any circumstances. It is the lack of character and its companion, morals, that make a man what he is, but all too often others judge a man by his possessions, position, appearance or power, believing these things are gained by good works and sound judgment.
B.N. Rundell (Rocky Mountain Saint: The Complete Series)
Richards put his hand on Tate's shoulder, saying nothing, but meaning everything. That's the way it is between men that are good friends and have been through the fire, a hand on the shoulder says more than words could express.
B.N. Rundell (Rocky Mountain Saint: The Complete Series)
The Earth is a testing ground for every one of us including the most prominent and of the most eminent ones. A place where we find duality in everything including how we see it and how it actually is in reality. Similarly, the duality concept is in people you see and meet who are either good, bad, or people who have two faces, one that they show and one that they are within. One is the duality of the personalities we veil through ourselves and another is the duality of the soul within. Whether are you a soul having fire within or are you a soul having light within and whichever you feed the most becomes your abode within and hereafter. You are both, your heaven and hell, fire and light, and finally, love or hate within. And our creator wants us to purify ourselves of the fire within and become light by being on the side of truth within and outside, righteousness within and outside, and pious within and outside, and finally sincere within and outside. Creator loves the one who has one tongue, one thing which is in the heart and which is on the tongue. The thing you are within is outside and the thing outside is within so you become successful. Like Rocky has said: “The world ain't all sunshine and rainbows. It is a very mean and nasty place and it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't how hard you hit; it's about how hard you can get hit, and keep moving forward." The matter is not that you have truth with you but the question is are you truthful?!. The truth will only set you free when you are truthful within yourself.
Aiyaz Uddin (The Inward Journey)
O.K., Maggie. You will note, we have no clocks, hourglasses, or even calendars. Time is measured in years, seasons, or even phases of the moon. But, we have no way of keeping track of what month or day it is, except our own memories. Now, as to when we'll get somewhere, there's just no telling. Because, we don't even know where we're going, so we don't know when we'll get there. I can tell you this. If we're careful, and fortunate, and the Good Lord is willing, we will make it to someplace to camp for the night, and hopefully have something to eat before we try to get some sleep. And if we're careful, and fortunate, and the Good Lord is willing, we'll wake up in the morning and start again. Everything in this country will either stick you, sting you, bite you, kick you, claw you, pluck your eyes out or try to kill you. And if that doesn't get you the weather will try to drown you, bake you, freeze you, or bury you. So, if we're careful, and fortunate, and the Good Lord is willing, we'll make it somewhere, but for right now, I just don't know where.
B.N. Rundell (Rocky Mountain Saint: The Complete Series)
A diagnosis of ED is a good time to rethink your bad habits. Smoking, alcohol and substance abuse restrict blood flow, which is critical, as blood needs to flow to the penis for an erection. What’s more important? A shot of whisky or sex? “Whisky Dick” is real—a shot might calm your nerves, but it won’t help you get it up! Whisky is ED’s best friend.
Kelly Dawn, Rockie Dale
If you look, you might be able to make out my two pit bulls, Rocky and Rambo. Not very creative names, I know, but I’ve never been good with names. They’re vicious. I trained them well so they only respond to me. There’s nothing I like more than taming a wild beast.” He throws his head back and laughs. “I can’t believe people actually keep them as pets.
Lucinda Berry (Appetite for Innocence)
I never figured you for starting all this trouble. Tragic figure, that’s you. Following Rocky around with your little pink tongue hanging out, like a bitch in heat. It was a good role, Gaby, one you could a life around. I ain’t gonna forgive you for writing your own lines.
John Varley (Demon (Gaea, #3))
She loves spectacle. It’s what attracted her to movies in the first place. It’s the basic reason she started the war, god help us all. Give her a good one, Rocky, and I’ll take care of the rest.
John Varley (Demon (Gaea, #3))
Goats. This was once thought to be an antidote for North Korea’s economic ills. The terrain in the northern portion of the peninsula is mountainous and not suitable for farming. There are no green plots of grass for grazing cows, and therefore no source of dairy products or meat. So, in 1996, the North Koreans started a campaign to breed goats. These mountain animals are a good source of milk and meat; moreover, they feed on the shrubs tucked away high in the rocky terrain. The goat-breeding campaign led to a doubling of the goat population almost overnight, and tripled it within two years. This solved a short-term problem, but it had long-term consequences that were more destructive. The goats completely denuded the areas they inhabited, chewing up every single shrub in sight. This then had the effect of removing the last line of the land’s defense against the annual massive rains. The result? Annual monsoons led to deluges of biblical proportions, which wiped out the little remaining arable land and flooded the coal mines that were a source of energy. This only worsened the chronic food and energy shortages.
Victor Cha (The Impossible State: North Korea, Past and Future)
For eighteen hours we had neither drunk nor eaten anything. My body and mind both felt strangely distant. Both were aching for some relief. In the porch of our tiny single-skinned tent, I reached out to hug Neil again. Then--unceremoniously--I collapsed. “Bear, come on, buddy. You’ve got to get inside the tent properly. Bear, can you hear me?” Michael’s voice brought me round. He had been waiting for us at the col--hoping. I shuffled backward into the tent. My head was pounding. I needed to drink. I hadn’t peed for more than twenty-four hours. Neil and Alan were slowly shedding their harnesses. Neither had the energy to speak. Michael passed me a warm drink from the stove. I was so happy to see him and Geoffrey in one piece. As the afternoon turned to evening we talked. I hadn’t really known fully why Michael and Geoffrey had retreated. They told their story. Of the impending storm and their growing fatigue, as they struggled in the deep snow and thin air. Their retreat had been a decision based on sound mountain judgment. A good call. Hence they were alive. We, though, had kept going. That decision had been based on an element of recklessness. But we got lucky, and that storm never came. Daring had won out--this time. It doesn’t always. Knowing when to be reckless and when to be safe is the great mountaineering game. I knew that. Michael turned to me later as we were getting ready for our last night in the Death Zone. He told me something that I have never forgotten. It was the voice of twenty years’ climbing experience in the wild Rockies of Canada. “Bear, do you realize the risk you guys were taking up there? It was more recklessness than good judgment, in my opinion.” He smiled and looked right at me. “My advice: from now on in your life, rein it back a fraction--and you will go far. You’ve survived this time--now go use that good fortune.” I have never forgotten those words.
Bear Grylls (Mud, Sweat and Tears)
That year I was going to take you up in the Rockies. No more of that. We’ll have to choose Old Flat Top because I don’t want Violet getting all tired out with a long climb. And I don’t want me getting all tired out either. The rest of you are tough enough.” Grandfather looked up to see that every Alden was looking at him. The four shining faces answered him. There were four nods. “You do have the strangest ideas, Benny,” said Jessie. “What put that into your head?” “Well,” said Benny, “I’ve been reading about that place in school.” “About Flat Top?” asked Violet. “Oh, you have, have you?” said Henry. “You chose Flat Top yourself?” “Right,” said Benny. “I don’t want to climb too much myself. I get lame.” Mr. Alden said, “Well, my answer is yes. Old Flat Top is easy enough for all of us, and yet it is interesting all the way up. And we’ll all be able to get a good rest on the smooth top.” “Just like airplanes landing on an airplane carrier,” said Benny.
Gertrude Chandler Warner (Mountain Top Mystery (The Boxcar Children Mysteries Book 9))
To the Cedar Falls legalists, if God’s word could come that way 10,000 years ago, there was no reason to believe it couldn’t come that way now. So when Vicki decided her family would follow Old Testament law and stop eating unclean meat like pork and oysters (“The Lord says, ‘Don’t eat it’—He knows it’s got trichonomas and isn’t good for your body,” Vicki wrote to a friend), no one in the group thought she’d come about the decision from anywhere but Scripture and His divine will. There would be anywhere from four to ten people at the Weavers’ house, sometimes as often as four nights a week. Randy led the Bible study most of the time, but everyone read chapters and commented on what they might mean. Vicki was clearly the scripturalist and scholar of the group. It was as if she had memorized the whole thing, from Genesis to Revelation, Acts to Zechariah. They read only the King James Version of the Bible, because Vicki said other translations weren’t divinely inspired and were pagan-influenced. By 1981, the Old Testament books were opening up for Randy and Vicki, not as outdated stories, but as the never-ending law of the Maker. He was opening their eyes to what was happening now, in the United States, just as Hal Lindsey had foretold. The forces of evil (the Soviet Union, the U.S. government, Jewish bankers) were ready to strike at any time against American people. From Ezekiel, they read: “Son of man [Christian Americans], set thy face against Gog [the grand conspiracy] … “Be thou prepared, and prepare for thyself, thou, and all thy company [their Bible study group] that are assembled unto thee, and be thou a guard unto them. After many days thou shalt be visited: in the latter years thou shalt come into the land that is brought back from the sword [somewhere in the American West], and is gathered out of many people, against the mountains [the Rockies] of Israel [the United States], which have been always waste [the desolate mountains of Montana? Colorado?
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
How do you describe your style?” he asked as they drove back to the rocky beach. “Descriptive but not realistic. Makes viewers use a little imagination. That’s good for ’em. Imagination’s a muscle; needs exercise.
Lilian Jackson Braun (The Cat Who Sang for the Birds (Cat Who... #20))
When that grenade blew me over the cliff, it probably should have killed me, but the only new injury I had sustained was a broken nose, which I got when I hit the deck semiconscious. To be honest, it hurt like hell, along with my back, and I was bleeding all over my gear. However, I had not been seriously shot, as two of my team had. Axe was holding the tribesmen off, leaning calmly on a rock, firing up the hill, the very picture of an elite warrior in combat. No panic, rock steady, firing accurately, conserving his ammunition, missing nothing. I was close to him in a similar stance, and we were both hitting them pretty good. One guy suddenly jumped up from nowhere a little above us, and I shot him dead, about thirty yards range. But we were trapped again. There were still around eighty of these maniacs coming down at us, and that’s a heck of a lot of enemies. I’m not sure what their casualty rate was, because both Mikey and I estimated Sharmak had thrown 140 men minimum into this fight. Whatever, they were still there, and I was not sure how long Danny could keep going. Mikey worked his way alongside me and said with vintage Murphy humor, “Man, this really sucks.” I turned to face him and told him, “We’re gonna fucking die out here — if we’re not careful.” “I know,” he replied. And the battle raged on. The massed, wild gunfire of a very determined enemy against our more accurate, better-trained response, superior concentration, and war-fighting know-how. Once more, hundreds of bullets were ricocheting around our rocky surroundings. And once more, the Taliban went to the grenades, blasting the terrain around us to pieces. Jammed between rocks, we kept firing, but Danny was in all kinds of trouble, and I was afraid he might lose consciousness.
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
SWIMMING IN THE RAIN Swaddled and sleeved in water, I dive to the rocky bottom and rise as the first drops of sky find the ocean. The waters above meet the waters below, the sweet and the salt, and I’m swimming back to the beginning. The forecasts were wrong. Half the sky is dark but it keeps changing. Half the stories I used to believe are false. Thank God I’ve got the good sense at last not to come in out of the rain. The waves open to take in the rain, and sunlight falls from the clouds onto the face of the deep as it did on the first day before the dividing began.
Chana Bloch
Ultimately, Ruth decided that not punishing the wicked was unfair to the good.
Elizabeth Garden (TREE OF LIVES: My rocky path out of the Wildwoods)
The state of New Hampshire boasts a mere eighteen miles of Atlantic Ocean coastline. The Piscataqua River separates the state's southeastern corner from Maine and empties into the Atlantic. On the southwestern corner of this juncture of river and ocean is Portsmouth, New Hampshire. The smaller town of Kittery, Maine, is on the opposite side of the river. The port of Piscataqua is deep, and it never freezes in winter, making it an ideal location for maritime vocations such as fishing, sea trade, and shipbuilding. Four years before the founding of Jamestown, Virginia, in 1603, Martin Pring of England first discovered the natural virtues of Piscataqua harbor. While on a scouting voyage in the ship Speedwell, Pring sailed approximately ten miles up the unexplored Piscataqua, where he discovered “goodly groves and woods replenished with tall oakes, beeches, pine-trees, firre-trees, hasels, and maples.”1 Following Pring, Samuel de Champlain, Captain John Smith, and Sir Ferdinando Gorges each sailed along the Maine-New Hampshire coastline and remarked on its abundance of timber and fish. The first account of Piscataqua harbor was given by Smith, that intrepid explorer, author, and cofounder of the Jamestown settlement, who assigned the name “New-England” to the northeast coastline in 1614. In May or June of that year, he landed near the Piscataqua, which he later described as “a safe harbour, with a rocky shore.”2 In 1623, three years after the Pilgrim founding of Plymouth, an English fishing and trading company headed by David Thomson established a saltworks and fishing station in what is now Rye, New Hampshire, just west of the Piscataqua River. English fishermen soon flocked to the Maine and New Hampshire coastline, eventually venturing inland to dry their nets, salt, and fish. They were particularly drawn to the large cod population around the Piscataqua, as in winter the cod-spawning grounds shifted from the cold offshore banks to the warmer waters along the coast.
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
Who wrote it first? Who was borrowing from whom? Such were the questions that roiled the women after the publication of Let the Hurricane Roar and lay uneasily between them as Lane prepared to leave Rocky Ridge Farm for good. For the first time since Wilder had begun writing her children’s series, they would be forced out of their long-established routine of editorial conferences masked as teas and social visits. As they took up their consultations by mail, putting all their queries, complaints, and arguments down on paper, the question of how much the daughter would be allowed to influence the mother’s work—and how much she could borrow for her own—assumed new urgency.
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
Each house looks secure in good weather. But Palestine is known for torrential rains that can turn dry wadis into raging torrents. Only storms reveal the quality of the work of the two builders. The thought reminds us of the parable of the sower, in which the seed sown on rocky ground lasts only a short time, until “trouble or persecution comes because of the word” (13:21). The greatest storm is eschatological (cf. Isa 28:16–17; Eze 13:10–13; see also Pr 12:7). But Jesus’ words about the two houses need not be thus restricted. The point is that the wise man (a repeated term in Matthew; cf. 10:16; 24:45; 25:2, 4, 8–9) builds to withstand anything.
D.A. Carson (Matthew (The Expositor's Bible Commentary))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
the lights would come on; when he left, they would fade back down.  Once he was in the kitchen, the lights turned on and the curtains retracted to show a stunning view of the Rocky Mountains.   Howard grabbed his cup from beneath the coffee pot and sat alone at the breakfast table. “Good morning, Hal.”  Howard
Richard Stephenson (Collapse (New America - Book 1))
To think that we have offended so kind and good a Lord is more than sufficient reason for being constant weepers. Lord, smite our rocky hearts, and make the waters flow.
Charles Haddon Spurgeon (Morning and Evening)
There's a rule in horror movies that says the last thing you want to do in a haunted house emergency is go upstairs, and I respect the good sense and logic it tries to convey. But when you're facing down two tons of anthropomorphic silicone and your best friend yells, "Stairs!", by God, you're going to run up those stairs like you're Rocky Balboa.
Shukyou (Mike Dies At The End)
That had been David’s motto apparently. He’d never even suggested Jeremy try S&M or B&D or LMNOP. Whatever the hell it was called. Good thing, he supposed, since while he was all about “whatever floats your boat,” he was certainly vanilla in the sex department; maybe butterscotch ripple, but definitely not rocky road
Tam Ames (Summer School)
Accepting Christ" is only the beginning, not the ultimate goal. Likewise, evangelism is vital, but so is discipleship. To go no deeper is to risk being like the seed that fell not on good soil but on rocky ground, sprouting up but bearing little or no fruit. Focusing solely on God's gift of free salvation is focusing on the minimum.
Ann Spangler
On his return, my husband was impressed that it was his duty to write and publish the present truth. He was greatly encouraged and blessed as he decided thus to do. But again he would be in doubt and perplexity as he was penniless. There were those who had means, but they chose to keep it. He at length gave up in discouragement, and decided to look for a field of grass to mow. As he left the house, a burden was rolled upon me, and I fainted. Prayer was offered for me, and I was blessed, and taken off in vision. I saw that the Lord had blessed and strengthened my husband to labor in the field one year before; that he had made a right {260} disposition of the means he there earned; and that he would have a hundred fold in this life, and, if faithful, a rich reward in the kingdom of God; but that the Lord would not now give him strength to labor in the field, for he had another work for him; that if he ventured into the field he would be cut down by sickness; but that he must write, write, write, and walk out by faith. He immediately commenced to write, and when he came to some difficult passage we would call upon the Lord to give us the true meaning of his word.  “My husband then began, to publish a small sheet at Middletown, eight miles from Rocky Hill, and often walked this distance and back again, although he was then lame. When he brought the first number from the printing-office, we all bowed around it, asking the Lord, with humble hearts and many tears, to let his blessing rest upon the feeble efforts of his servant. He then directed the paper to all he thought would read it, and carried it to the post office in a carpet-bag. Every number was taken from Middletown to Rocky Hill, and always before preparing them for the post office, they were spread before the Lord, and earnest prayers mingled with tears, were offered to God that his blessing would attend the silent messengers. Very soon letters came bringing means to publish the paper, and the good news of many souls embracing the truth. 
James White (Collected Writings of James White, Vol. 2 of 2: Words of the Pioneer Adventists)
On the outside, I appeared happy and giddy, but on the inside, my soul had died. Everything that had ever mattered to me had been abandoned, but what was even more depressing was the fact that I didn’t even seem to care. I was content in my washed-up 40-something body, looking like a has-been. And then, when the ride was over, when I was no longer good for his image, I washed out with the tide, out to sea, silently screaming as I crashed against the rocky shores.
Alice Ward (RECKLESS - Part 2 (The RECKLESS, #2))
You can spend your life chitchatting with someone—even a good friend—but spend even an hour moving over a rocky path, breathing in pine-scented air, and I guarantee you the chitchat will turn to something else.
Scott Jurek (Eat and Run: My Unlikely Journey to Ultramarathon Greatness)