Good Morning Super Quotes

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I never believed in Santa Claus. None of us kids did. Mom and Dad refused to let us. They couldn't afford expensive presents and they didn't want us to think we weren't as good as other kids who, on Christmas morning, found all sorts of fancy toys under the tree that were supposedly left by Santa Claus. Dad had lost his job at the gypsum, and when Christmas came that year, we had no money at all. On Christmas Eve, Dad took each one of us kids out into the desert night one by one. "Pick out your favorite star", Dad said. "I like that one!" I said. Dad grinned, "that's Venus", he said. He explained to me that planets glowed because reflected light was constant and stars twinkled because their light pulsed. "I like it anyway" I said. "What the hell," Dad said. "It's Christmas. You can have a planet if you want." And he gave me Venus. Venus didn't have any moons or satellites or even a magnetic field, but it did have an atmosphere sort of similar to Earth's, except it was super hot-about 500 degrees or more. "So," Dad said, "when the sun starts to burn out and Earth turns cold, everyone might want to move to Venus to get warm. And they'll have to get permission from your descendants first. We laughed about all the kids who believed in the Santa myth and got nothing for Christmas but a bunch of cheap plastic toys. "Years from now, when all the junk they got is broken and long forgotten," Dad said, "you'll still have your stars.
Jeannette Walls (The Glass Castle)
I feel I am on a high. For the first time in a very long while I have a feeling that anything can happen. This morning I woke up thinking everything could happen, that things would just come to me, and that they would be good.
Erlend Loe (Naïve. Super)
Reading for me, was like breathing. It was probably akin to masturbation for my brain. Getting off on the fantasy within the pages of a good novel felt necessary to my survival. If I wasn't asleep, knitting, or working, I was reading. This was for several reasons, all of them focused around the infititely superior and enviable lives of fictional heroines to real-life people. Take romans for instance. Fictional women in romance novels never get their period. They never have morning breath. They orgasm seventeen times a day. And they never seem to have jobs with bosses. These clean, well-satisfied, perm-minty-breathed women have fulfilling careers as florists, bakery owners, hair stylists or some other kind of adorable small business where they decorate all day. If they do have a boss, he's a cool guy (or gal) who's invested in the woman's love life. Or, he's a super hot billionaire trying to get in her pants. My boss cares about two things: Am I on time ? Are all my patients alive and well at the end of my shift? And the mend in the romance novels are too good to be true; but I love it, and I love them. Enter stage right the independently wealthy venture capitalist suffering from the ennui of perfection until a plucky interior decorator enters stage left and shakes up his life and his heart with perky catch phrases and a cute nose that wrinkles when she sneezes. I suck at decorating. The walls of my apartment are bare. I am allergic to most store-bought flowers. If I owned a bakery, I'd be broke and weigh seven hundred pounds, because I love cake.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
Jane Jacobs (The Death and Life of Great American Cities)
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
Next, I drink a few more glasses of water containing liquid chlorophyll to build my blood. If I’m stressed, I’ll have some diluted black currant juice for an antioxidant boost to the adrenals. Once I’m hungry, I sip my way through a big green alkaline smoothie (a combination of spinach, cucumber, coconut, avocado, lime, and stevia is a favorite) or tuck into a fruit salad or parfait. And tomatoes, cucumbers, and avocados are fruits, too; a morning salad is a good breakfast and keeps the sugar down. But, this kind of morning regime isn’t for everyone. You can get really hungry, particularly when you first start eating this way. And some people need to start the day with foods that deliver more heat and sustenance. If that’s how you roll, try having fruit or a green smoothie and then waiting for 30 minutes (if your breakfast includes bananas, pears, or avocados, make it 45) before eating something more. As a general rule, sour or acidic fruits (grapefruits, kiwis, and strawberries) can be combined with “protein fats” such as avocado, coconut, coconut kefir, and sprouted nuts and seeds. Both acid fruits and sub-acid fruits like apples, grapes, and pears can be eaten with cheeses; and vegetable fruits (avocados, cucumbers, tomatoes, and peppers) can be eaten with fruits, vegetables, starches, and proteins. I’ve also found that apples combine well with raw vegetables. Leafy greens (spinach, kale, collard greens), along with the vegetable fruits noted above, are my go-to staples. They are the magic foods that combine well with every food on the planet. I blend them together in green smoothies, cold soups, and salads.
Tess Masters (The Blender Girl: Super-Easy, Super-Healthy Meals, Snacks, Desserts, and Drinks--100 Gluten-Free, Vegan Recipes!)
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
Next, I drink a few more glasses of water containing liquid chlorophyll to build my blood. If I’m stressed, I’ll have some diluted black currant juice for an antioxidant boost to the adrenals. Once I’m hungry, I sip my way through a big green alkaline smoothie (a combination of spinach, cucumber, coconut, avocado, lime, and stevia is a favorite) or tuck into a fruit salad or parfait. And tomatoes, cucumbers, and avocados are fruits, too; a morning salad is a good breakfast and keeps the sugar down.
Tess Masters (The Blender Girl: Super-Easy, Super-Healthy Meals, Snacks, Desserts, and Drinks--100 Gluten-Free, Vegan Recipes!)
14 Awesome Conversation Starters 1. What do you do for fun? Hobbies, recreation . . . 2. What are your super powers? Gifts, talents, strengths. 3. Good morning! It’s great to see you! 4. What is your story? Tell me about yourself. 5. What brought you to __________? 6. Do you have anything special happening in your life (or your business)? 7. What’s the best thing that’s happened this week? 8. Are you living your life purpose or still searching for it? 9. What gives you passion and makes you happy to be alive? 10. Do you have any pets? 11. How do you know the host? 12. When you were a child, what did you want to be when you grew up? 13. If you could go anywhere in the world, where would it be? 14. What's next on your bucket list?
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Being in the middle of the region's largest superhuman hub had its advantages. Louisville boasted a variety of services made possible only by the advent of the Next. Common abilities such as super speed and flight made delivering goods all over the city cheap and competitive. The morning donuts were usually brought to the facility by a man who could run at just below the speed of sound.
Joshua Guess (Next)
Phyl Newton was visiting Sandy that evening, but the girls displayed a marked coolness toward Tom and Bud. Instead of engaging in conversation, they retired to Sandy's room upstairs to play records, while Mrs. Swift served the boys a warmed-up but tasty meal of roast beef and mince pie. "What's wrong? Are we repulsive or something?" Bud asked as they ate. Tom shrugged, concentrating on a mouthful of roast beef. "Search me. We sure don't seem very popular with the girls tonight." Mrs. Swift, overhearing their remarks in the kitchen, smiled but maintained a diplomatic silence. Suddenly Bud slapped his forehead. "Good night! No wonder!" Tom looked up with a grin of interest. "Well, what have we done?" "It's what we haven't done, pal!" Bud retorted. "We had a date this afternoon, remember? That beach party and dance put on by Sandy and Phyl's school sorority!" Tom gulped. "Oops! Boy, we really did pull a boner this time! I completely forgot!" As they finished supper, the boys discussed various ways to make amends. Boxes of chocolates? Flowers? None of their ideas seemed to have the proper spark. "We'll have to come up with something super," Bud said. "Right!" Tom agreed. "Let's sleep on it and see if we can't dream up something by tomorrow morning that'll really wow them." The next morning Tom had a flash of inspiration as he drove to the plant in his sports car. He hailed Bud at the first opportunity. "I
Victor Appleton II (Tom Swift and the Electronic Hydrolung)
At around six a.m., he gave up on trying to go back to sleep. He called Leo, whose first reply instead of good morning or hello was, “Haven’t you gone to bed yet?” “Actually, I am just getting up.” That silenced Leo for a moment. “Are you sick?” “No.” “You do realize it’s not even close to noon, right?” “I know what time it is,” Hayder snapped, getting irked. “It’s time for you to stop messing with me and bring me some clothes.” “Why would I do that? Where are you? Wait, don’t tell me you stayed with the girl last night.” “She’s mine. Where else would I be?” “Dude, you met her yesterday.” “Yeah, and?” “You. Met. Her. Yesterday.” Leo enunciated each word slowly. “I. Know,” Hayder mocked. “What is this hang-up everyone has with time? She keeps saying the same thing. Who cares? She’s the one.” “This is my fault,” Leo grumbled. “How do you figure that? Are you in charge of the fates and the decision on who belongs together?” “No, but I might have knocked some sense into you one too many times.” “Aren’t you just the comedian? But this is no joke. Arabella’s mine, and that’s that. Now would you bring me some clothes?” “What about Jeoff?” “What about Jeoff?” “You don’t think her brother might have an issue with you hooking up with his sister, who, by all accounts, is vulnerable right now.” “Hey, are you implying my Arabella has loose morals? I’ll have you know she turned me down. Would you believe she shoved me out of bed? Told me to go away?” Incredulity still filled him. It didn’t take super hearing to catch Leo’s snort of mirth. “Ha. In that case, maybe she is the one. You need a woman who can say no to you sometimes.” “You are not a nice omega, Leo.” “Nice is for pussies. Now, are you done whining, or should I come over there and really give you something to whine about?” Hayder rubbed his jaw. “No need.” “Are you sure? You know I’m always ready to help a pride member in need.” “All I need right now are some clothes.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Wakey wakey, Vex. Aren’t you going to answer? It’s your mother, and this is the fourth time she’s called. Would you like me to tell her you’re indisposed?” Hold on a second. It didn’t take long for her bleary mind to grasp Leo was here. In her room. About to talk to her mother at— she squinted at her clock— seven in the morning. Eep. Her eyes shot open, but before she could flail an arm in his direction and demand the phone, he answered. “Meena’s phone. Can I help you?” She moaned, her super hearing meaning she heard her mother’s very polite, “Excuse me, but who are you, and why are you answering my daughter’s phone?” If this were Meena, she’d say something like “I’m a serial killer, and sorry, but your daughter is all tied up right now. Muahahaha.” Of course, the last time she did that, the SWAT team wasn’t impressed, and she wasn’t allowed to hang out with Mary Sue anymore. Trust her Pookie to stick to the truth. “I’m Leo.” “Hello, Leo. How are you today?” Her mother ever Miss Manners. “I am just purrrr-fect. Yourself?” “Um. Er. Would you mind passing the phone to Meena, please?” “I would, but she’s kind of… indisposed.” Did he just smirk at her as he said it? She frowned. He grinned. It was a sexy grin, a mischievous grin, but that still didn’t prepare her for him saying, “How about I get her to call you back once we’ve located her clothes? With my help, I’m sure I can get her dressed in no time. Or not.” How low and husky he said it, his eyes boring into hers, wicked promise within them. Of course, that wicked promise would have to wait, given what he’d just said to her mother! “Are you insane?” she mouthed. “If I’m insane, then it’s totally your fault,” he replied, aloud. Uh-oh. “Peter! I need you now!” Her mother forgot her manners and yelled for Meena’s dad. Not good. So not good. Poor Leo. And she liked him so much. Even if it was only going to be a verbal barrage, she still yanked the covers over her head so she wouldn’t have to witness the carnage as her daddy came on the line. Unfortunately, she could still hear it. “Who the fuck is this, and what are you doing with my daughter?” Daddy didn’t bother with niceties. “Hello, sir, I’m Leo, the omega for the pride harboring your daughter while her spot of trouble blows over. As to what I’m doing with your daughter, I am trying to keep her out of trouble, but not succeeding very well so far. She has a knack it seems for causing disasters.” Familiar laughter boomed. “That’s my baby girl.” At least her father didn’t see the havoc that followed her as a problem. Mother wailed she’d never get married if she didn’t start to act like a proper lady. “As to my presence with your daughter, just keeping an eye on her. We’ve run into a issue with an old beau following her here.” “That Russian prick showed up?” “Indeed. And events have escalated where I fear there is only one thing to do. It’s drastic, but inevitable. ” The click of the door cut off the rest of that conversation. What the hell? She poked her head out, only to note her bedroom was empty. While Meena hid under the covers, Leo had wandered away. Still talking to my father. That couldn’t bode well.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
I’ll never forget when my brothers took me out frogging for the very first time. (Frog meat is like a mix between chicken and fish but super tender.) When we would go frogging, we’d leave the house at ten or eleven at night and didn’t come in until daylight. It was late for a little kid. We never caught them by giggin’, which is spearing frogs with a long-handled metal fork. Giggin’ wasn’t dangerous enough, I guess. Instead, a real man grabs the frog with his bare hands, or at least that’s what Jase always says. You go out in a boat and use a powerful spotlight to shine in the frog’s eyes. When the frog is blinded by the light, he freezes, paralyzed. If the spotlight man is good and steady, then you just run up quick in the boat, lean over, and grab the frog on the way by. I was in charge of the ice chest, where we stashed the frogs. When one of my brothers caught a frog, he’d hand him over to me still alive, and I’d stick it in the ice chest. After serving as ice-chest man until about two in the morning, I was worn out and fell asleep right on top of the ice chest.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Rogers 1. Heart Splinters 2. Anger and His Shell 3. The Millionth New Plan 4. Good Morning, Confidence 5. Diagnosis Inconclusive 6. Mom Has a Problem 7. Tyler Has a Problem 8. Tyler Is My Brother 9. A Bad Kid 10. Jigsaw Brains 11. Golden, Glittery Gwendolyn 12. Diagnosis Conclusive 13. Letter Friends 14. A Good Kid in the Making 15. Similar Genetic Makeup 16. Extreme Side Effects 17. SuperGwendolyn 18. Gwendolyn on Pointlessness 19. Diagnosis Re-Inconclusive 20. The No Plan Plan 21. The Worst Possible Thing 22. The First Crack 23. Cross-Outs 24. Hettie’s List 25. Awesome Things Author Letter
Caela Carter (Fifty-Four Things Wrong with Gwendolyn Rogers)
Dedication Fifty-Four Things Wrong with Gwendolyn Rogers 1. Heart Splinters 2. Anger and His Shell 3. The Millionth New Plan 4. Good Morning, Confidence 5. Diagnosis Inconclusive 6. Mom Has a Problem 7. Tyler Has a Problem 8. Tyler Is My Brother 9. A Bad Kid 10. Jigsaw Brains 11. Golden, Glittery Gwendolyn 12. Diagnosis Conclusive 13. Letter Friends 14. A Good Kid in the Making 15. Similar Genetic Makeup 16. Extreme Side Effects 17. SuperGwendolyn 18. Gwendolyn on Pointlessness 19. Diagnosis Re-Inconclusive 20. The No Plan Plan 21. The Worst Possible Thing 22. The First Crack 23. Cross-Outs 24. Hettie’s List 25. Awesome Things Author Letter
Caela Carter (Fifty-Four Things Wrong with Gwendolyn Rogers)
See no one wanted me on the team when I was a kid. I was really good at sports though, but I'd still always begrudgingly be picked last. My mom sent me to school in smelly rags. No one wanted to be near me, and I didn't know any better. She was very sick back then - like a zombie, and my father didn't care about us - every night he'd tell me he doesn't care about me and how worthless I am. I was malnourished too. The pots and pans used for cooking were covered in rotten food from the week prior. So I didn't eat. Had severe acne and super oily skin. Everyone including some of the teachers would pick on me. I was always made out to be the bad one - the fall guy. I took out my anger at school mostly. I didn't go around beating on people, but I'd punch walls and lockers, and threw hands with anyone who picked on me. Made a lot of enemies. At some point I had enough. I didn't feel like I belonged anywhere. I shut everything out and drowned myself deep in the computer. And there's where I lived for many years. Things got a little better. Moved into a decent house with a big yard. Money wasn't a big issue any longer. We were middle class. Then we moved to NC. My parents quickly found out that they'd be working 3x as hard for less than half the pay, and infact they couldn't hold their jobs. I worked 60+ hours a week to keep everyone from being homeless. Then came my injury. I feel bad for my mom. I don't hug her. She says good morning to me and I say nothing. Hugs feels strange to me, like something alien. Love is not something I've ever known. Not really. I am one cold bastard. I thought she was the one to help me heal. I was wrong. I told her everything. She made me feel like I did when I was a kid over and over and over again. I asked nicely for a cup of coffee. For a conversation. But I wasn't worth the time. Yes I am angry. But I am not an obstacle. I am nothing. You are worth her time. You are her world. She shares time with you. She is yours, and you are hers, and that's the way it is. She would bury me a million times over for you. I have no choice. I accept it.
Anonymous
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