“
A WOMAN SHOULD HAVE ....
enough money within her control to move out
and rent a place of her own even if she never wants
to or needs to...
A WOMAN SHOULD HAVE ....
something perfect to wear if the employer or date of her
dreams wants to see her in an hour...
A WOMAN SHOULD HAVE ...
a youth she's content to leave behind....
A WOMAN SHOULD HAVE ....
a past juicy enough that she's looking forward to
retelling it in her old age....
A WOMAN SHOULD HAVE .....
a set of screwdrivers, a cordless drill, and a black
lace bra...
A WOMAN SHOULD HAVE ....
one friend who always makes her laugh... and one who
lets her cry...
A WOMAN SHOULD HAVE ....
a good piece of furniture not previously owned by anyone
else in her family...
A WOMAN SHOULD HAVE ....
eight matching plates, wine glasses with stems, and a
recipe for a meal that will make her guests feel honored...
A WOMAN SHOULD HAVE ....
a feeling of control over her destiny...
EVERY WOMAN SHOULD KNOW...
how to fall in love without losing herself..
EVERY WOMAN SHOULD KNOW...
HOW TO QUIT A JOB,
BREAK UP WITH A LOVER,
AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
EVERY WOMAN SHOULD KNOW...
when to try harder... and WHEN TO WALK AWAY...
EVERY WOMAN SHOULD KNOW...
that she can't change the length of her calves,
the width of her hips, or the nature of her parents..
EVERY WOMAN SHOULD KNOW...
that her childhood may not have been perfect...but it's over...
EVERY WOMAN SHOULD KNOW...
what she would and wouldn't do for love or more...
EVERY WOMAN SHOULD KNOW...
how to live alone... even if she doesn't like it...
EVERY WOMAN SHOULD KNOW...
whom she can trust,
whom she can't,
and why she shouldn't
take it personally...
EVERY WOMAN SHOULD KNOW...
where to go...
be it to her best friend's kitchen table...
or a charming inn in the woods...
when her soul needs soothing...
EVERY WOMAN SHOULD KNOW...
what she can and can't accomplish in a day...
a month...and a year...
”
”
Pamela Redmond Satran
“
He would always want me near him. I would always be first in his eyes. We were a good match. A perfect match. Soul mates.
Passion, friendship, love, loyalty, trust…if you found the right person…you really could have it all.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
Why was the blind guy playing with matches, you ask? Because he's good at it. Anything to do with fire, igniting things, exploding things, things with fuses, wicks, accelerants . . . Iggy's your man. It's one of those good/bad things.
”
”
James Patterson (The Angel Experiment (Maximum Ride #1))
“
I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy. And yet I cannot pretend that the reading I have done in my adult years matches in its impact on my soul the reading I did as a child. I still believe in stories. I still forget myself when I am in the middle of a good book. Yet it is not the same. Books are, for me, it must be said, the most important thing; what I cannot forget is that there was a time when they were at once more banal and more essential than that. When I was a child, books were everything. And so there is in me, always, a nostalgic yearning for the lost pleasure of books. It is not a yearning that one ever expects to be fulfilled.
”
”
Diane Setterfield (The Thirteenth Tale)
“
[...] Tess and I are a good match. She understands intimately where I came from. She can cheer me up on my darkest days. It's as if she came perfectly happy home instead of what Kaede just told me. I feel a relaxing warmth at the thought, realizing suddenly how much I'm anticipating meeting up with Tess again. Where she goes, I go, and vice versa. Peas in a pod.
Then there's June.
Even the thought of her name makes it hard for me to breathe. I'm almost embarrassed by my reaction. Are June and I a good match? No. It's the first word to pop into my mind.
And yet, still.
”
”
Marie Lu (Prodigy (Legend, #2))
“
In my youth, it was my good luck to have a few good teachers, men and women, who came into my head and lit a match.
”
”
Yann Martel
“
It is not until you change your identity to match your life blueprint that you will understand why everything in the past never worked.
”
”
Shannon L. Alder
“
Burns from dropped matches, Ms. Lane? Matches one might have dropped while flirting with a pernicious
Fae, Ms. Lane? Have you any idea the value of this rug?”
I didn’t think his nostrils could flare any wider. His eyes were black flame. “Pernicious? Good grief, is English
your second language? Third?” Only someone who’d learned English from a dictionary would use such a word.
“Fifth,” he snarled. “Answer me.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
No matter how hard Evil tries, it can never quite match up to the power of Good, because Evil is ultimately self-destructive. Evil may set out to corrupt others, but in the process corrupts itself.
”
”
John Connolly (The Infernals (Samuel Johnson, #2))
“
He needed more and more of me. He would always want me near him. I would always be first in his eyes. We were a good match. A perfect match. Soul mates.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
I wonder if death will always taste this good
”
”
Ally Condie (Matched (Matched, #1))
“
Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist.
We are one long frightening climax.
”
”
Gillian Flynn (Gone Girl)
“
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?
”
”
Irvine Welsh (Trainspotting)
“
I've got this." Apollo stepped forward. His fiery armor was so bright it was hard to look at, and his matching Ray-Bans and perfect smile made him look like a male model for battle gear. "God of medicine, at your service."
He passed his hand over Annabeth's face and spoke an incantation. Immediately the bruises faded. Her cuts and scars disappeared. Her arm straightened, and she sighed in her sleep.
Apollo grinned. "She'll be fine in a few minutes. Just enough time for me to compose a poem about our victory: 'Apollo and his friends save Olympus.' Good, eh?"
Thanks, Apollo," I said. "I'll, um, let you handle the poetry.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what had not yet ever been seen is devoured by the eyes: the scene consecrates the object I am going to love. The context is the constellation of elements, harmoniously arranged that encompass the experience of the amorous subject...
Love at first sight is always spoken in the past tense. The scene is perfectly adapted to this temporal phenomenon: distinct, abrupt, framed, it is already a memory (the nature of a photograph is not to represent but to memorialize)... this scene has all the magnificence of an accident: I cannot get over having had this good fortune: to meet what matches my desire.
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other... In this moment, everything is suspended: time, law, prohibition: nothing is exhausted, nothing is wanted: all desires are abolished, for they seem definitively fulfilled... A moment of affirmation; for a certain time, though a finite one, a deranged interval, something has been successful: I have been fulfilled (all my desires abolished by the plenitude of their satisfaction).
”
”
Roland Barthes (A Lover's Discourse: Fragments)
“
He swept the red cloak around Inej's shoulders in a rain of petals and blossoms as she continued to strap on her knives. She looked almost as startled as the flower seller.
"What?" he asked as he tossed her a Mister Crimson mask that matched his own.
"Those were my mother's favorite flower."
"Good to know Van Eck didn't cure you of sentiment."
"Nice to be back, Kaz."
"Good to have you back, Wraith.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I'm tired of this 'we better lay low, or someone will figure out we're different' crap. I mean, it's not like if I win a match people are going to say, who's that kid, he's a really good wrestler, he must be an angel.
”
”
Cynthia Hand (Unearthly (Unearthly, #1))
“
I'm so grateful now, for every match and every win and every loss and every lesson that I have behind me. It feels so good, right now, to be thirty seven years old. To have figured at least some things out.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
There is satisfaction in knowing that something good and right and true was part of you. That you had the blessing, gift, good fortune, perfect luck, to know someone like this, to pass through fire and water and stone and sky together and emerge, all of you, strong enough to hold on, strong enough to let go. (Cassia)
”
”
Ally Condie (Reached (Matched, #3))
“
Percy and Reyna occupied matching praeters' chairs on the dais, which made Percy self-conscious. It wasn't easy looking dignified wearing a bedsheet and a purple cape. "The camp is safe," Octavian continued. " I'll be the first to congragulate our heroes for bringing back the legion's eagle and so much Imperial gold! Truly we have been blessed with good fortune. But why do more? Why tempt fate?"
"I'm glad you asked." Percy stood, taking the question as an opening. Octavian stammered, " I wasn't--"
"--Part of the quest," Percy said. "Yes I know. And your'e wise to let me explain, since I was.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Nature doesn’t see things through the prism of good or bad. It rewards efficiency. That’s the beautiful simplicity of evolution. It matches design to environment.
”
”
Blake Crouch (Pines (Wayward Pines, #1))
“
But stay away from him, Juliana. When we said we wanted to make you a good match, Leighton was not who we imagined."
Even her brother thought Simon too good for her.
"Because he is a duke?"
"What? No," Ralston said, truly perplexed by her instant defensive response. "Because he's an ass.
”
”
Sarah MacLean (Eleven Scandals to Start to Win a Duke's Heart (Love By Numbers, #3))
“
To set a forest on fire, you light a match. To set a character on fire, you put him in conflict.
”
”
James N. Frey (How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling)
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Good-byes are like this. You can’t always mark them well at the moment of separation—no matter how deep they cut. (Ky Markham)
”
”
Ally Condie (Crossed (Matched, #2))
“
He held up one finger. "I thought it wasn't loaded" Shane said. Second finger. "Hand me a match so I can check the gas tank." Third finger. "Killed over ice cream. Basically, any death that requires me to be stupid first."
Michael shook his head. "So what's on your good list?"
"Oh you know. Hero stuff that gets me rerun on CNN, Like I died saving a busload of supermodels" Claire smacked his arm. "Ow! Saving them! What did you think I meant?
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
I wonder whether I'm single not because I haven't met the right person yet, but because I'm not the right person yet. The other night, I had the most terrifying thought: Who would I be a good match for? Like, I honestly can't imagine who that man is.
”
”
Christina Lauren (My Favorite Half-Night Stand)
“
Phoebe tapped the toe of her sneaker against the dock. “There’s only one good use for a man like Heath Champion.”
“Here we go again,” Molly muttered.
Phoebe’s lip curled. “Target practice.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
There are many of them in the world, I think, good men and women with their frail deeds. Wondering what might have been, how things might have danced, if we had only dared to be bright.
”
”
Ally Condie (Reached (Matched, #3))
“
There's always a good lesson in meeting new people, its enlarging your circle of friends. And though there are times you don't match with their likes, there are some whom you just blend well.
”
”
Solita
“
Sweet baby Jesus, Blue Eyes was…
He was gorgeous in all the ways that made girls do stupid things. He was tall, a good head or two taller than me and broad at the shoulders, but tapered at the waist. An athlete’s body—like a swimmer’s. Wavy black hair toppled over his forehead, brushing matching eyebrows. Broad cheekbones and wide, expressive lips completed the package created for girls to drool over. And with those sapphire-colored eyes, holy moley…
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
We were in such good moods, we even decided to hit Todd's house for candy. Sam rang the doorbell, and when it opened, this hideous, rubber monster face roared at us. Sam screamed. Todd started laughing and took off the mask. I yelled, "Put it back on! Put it back on! Your hideousness is terrifying!"
Todd did a fake yuk-yuk-yuk at my joke. "What are you guys supposed to be? Is it Prom Night Massacre or something?"
Sam sighed at Todd's obvious stupidity. "We're zombie princesses, Todd. Can't you tell?" She stuck her arms straight out in front of her and said, "BRAINS! BRAINS!"
I patted Sam on the head and said, "Sorry, Sam. You're wasting your time with this one.
”
”
Kristin Walker (A Match Made in High School)
“
There are many charming, intelligent people out there who can make you happy, but there are also many who are not right for you. The only way to make sure that you meet potential soul mates is to go out with a lot of people. It's a simple law of probability -- the more you meet, the greater the chances you'll find the one who is a good match for you.
”
”
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
“
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now.
Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment.
My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin.
Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen.
So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done.
Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
He still thinks that knowing why might help. He doesn't yet know that the reason will never be good enough.
”
”
Ally Condie (Crossed (Matched, #2))
“
Love came when you weren't looking, except in the case of millions who found mates on Match.com, but, hey. It sounded good.
”
”
Kristan Higgins (The Best Man (Blue Heron, #1))
“
This has been a really tough lesson for me to learn. The people I love, I love hard and without conditions. My loyalty, once earned, will be with you for a lifetime. I really get that we are all connected and that until we all get it, no-one is getting it. That said, I'm also learning that some people are not a good match for us and their presence in our life is incredibly toxic. We can still love them, we just need to love them from a distance. Maybe after a few more reincarnations, we'll be able to love them up close again.
”
”
Brooke Hampton
“
Revenge on everybody. That would fill her time. That would keep her busy. Keep her from feeling her feelings.
If she couldn't be responsible or careful or good or loved, if she was doomed to be a lit match, then Charlie might as well go back to finding stuff to burn.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
A little surge of bitterness goes through me like someone's shot it right into my veins with a syringe. But I know how to get over the feeling: remember that it doesn't do any good.
”
”
Ally Condie (Reached (Matched, #3))
“
Grief is not linear. People kept telling me that once this happened or that passed, everything would be better. Some people gave me one year to grieve. They saw grief as a straight line, with a beginning, middle, and end. But it is not linear. It is disjointed. One day you are acting almost like a normal person. You maybe even manage to take a shower. Your clothes match. You think the autumn leaves look pretty, or enjoy the sound of snow crunching under your feet. Then a song, a glimpse of something, or maybe even nothing sends you back into the hole of grief. It is not one step forward, two steps back. It is a jumble. It is hours that are all right, and weeks that aren't. Or it is good days and bad days. Or it is the weight of sadness making you look different to others and nothing helps.
”
”
Ann Hood (Comfort: A Journey Through Grief)
“
It's good to know that Xander's here. So that when I go down, she won't be alone.
"You walked through the Carving to find me," I tell Cassia softly. "I'm going to walk through this to reach you.
”
”
Ally Condie (Reached (Matched, #3))
“
Jules says there are three things that make you a grown-up: an eight-piece set of matching dishes; gin, vodka and whiskey in the house; and making your bed every morning. I disagree with her. I think you're officially a grown-up when you've got another half. When you don't have to live in fear of other couples. When you don't have to feel you're not good enough.
”
”
Jane Green (Mr. Maybe)
“
Good,” he said softly. “Set the world afire. Just let me hand you the matches.
”
”
Lisa Kleypas (Suddenly You)
“
No.” He wouldn’t lie about that. Not to her. And not because she’d rip him to pieces when she discovered the truth. “I can’t give you forever.”
The nibbling increased in intensity, leaving a bead of blood in the center of her mouth. “Because we’re not a good match?”
Of course she would remember every insult he’d ever thrown at her. “Yes.”
“Then what can you give me?”
“Here. Now.” Something his body craved more with every second that passed.
”
”
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
“
All right. And...can someone see about having the roof fixed?"
Matching grins broke out on Tolya's and Tamar's faces. "Can't we leave it that way for just a few days?"
"No," I laughed. "I don't want the whole thing craving in on us. Talk to the Fabrikators. They should know what to do." I ran my thumb over the raised ridge of flesh that ran the length of my palm. "But don't let them make it too perfect," I added. Scars made good reminders.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
How can you regret never having found true love? That's like saying you regret not being born a genius. People don't have control over such things. It either happens or it doesn't. It's a gift - a present that most never get. It's more like a miracle, really, when you think of it. I mean, first you have to find that person, and then you have to get to know them to realize just what they mean to you - that right there is ridiculously difficult. Then... then that person has to feel the same way about you. It's like searching for a specific snowflake, and even if you manage to find it, that's not good enough. You still have to find its matching pair. What are the odds?
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
It's refreshing to see you using your psychology skills for evil as well as for good.
”
”
Kristin Walker (A Match Made in High School)
“
One learns a good deal in the school of suffering. I wonder what would have happened to me if I had had an easy life, and had not had the privilege of tasting the joys of jail and all it means." ~ Badsha Khan, quote in Nonviolent Soldier of Islam, p. 87
”
”
Eknath Easwaran (Nonviolent Soldier of Islam: Badshah Khan: A Man to Match His Mountains)
“
The Librarian shyly held out a small, battered green book. Vimes had been expecting something bigger, but he took it anyway. It paid to look at any book the orangutan gave you. He matched you up to books. Vimes supposed it was a knack, in the same way that an undertaker was very good at judging heights.
”
”
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
“
What do I really want? he thinks. This is, of course, an extremely good question. It was just such a pity that, life being as it tended to be, it so rarely came as part of a matched pair, with an extremely good answer.
”
”
Iain Banks (The Steep Approach to Garbadale)
“
Like it or not, it's the society we live in. Even the standard of right and wrong has been subdivided, made sophisticated. Within good, there's fashionable good and unfashionable good, and ditto for bad. Within fashionable good, there's formal and then there's casual; there's hip, there's cool, there's trendy, there's snobbish. Mix 'n' match.
”
”
Haruki Murakami (Dance Dance Dance)
“
It felt like some kind of honor, you know? Being asked to be the head of the Council's son-in-law. Plus, you dad, he, uh, told me a lot about you."
My voice was barely above a whisper. "What did he say?"
"That you were smart, and strong. Funny. That you had trouble using your powers, but you were always trying to use them to help people." He shrugged. "I thought we'd be a good match."
The vast dining room suddenly felt very small, like it consisted only of this table and me and Cal.
”
”
Rachel Hawkins
“
I think sexy is a grown-up word to describes a person who's confident that she is already exactly who she was made to be. A sexy woman knows herself and she likes the way she looks, thinks & feels. She doesn't try to change to match anybody else. She's a good friend herself kind and patient. and she knows how to use her words to tell people she trusts about what's going on inside of her-her fears and anger, love, dreams the mistakes, and needs. When she's angry she expresses her anger in healthy ways. When she's joyful, she does the same thing. She doesn't hide her true self because she is not ashamed. She knows she's just human-exactly how God made her and that's good enough. She's brave enough to be honest and kind enough to except others when they're honest. When two people are sexy enough to be brave and kind with each other, that's love. Sexy is more about how you feel and how you look. Real sexy is letting your true self come out of hiding and find love in safe places. That kind of sexy is good, really good, because we all we want and need love more than anything else
”
”
Glennon Doyle Melton (Love Warrior)
“
Diana gave her a measured look and ducked down behind the counter. She came up a moment later with a sword about the length of Clary's forearm. "What do you think of this?"
Clary stared at the weapon. It was undoubtedly beautiful. The cross-guard, grip and pommel were gold chased with obsidian, the blade a silver so dark it was nearly black.
"It's a shortsword. You might want to look at the other side," said Diana, and she flipped the sword over. On the opposite side of the blade, down the center ridge, ran a pattern of black stars.
"Oh." Clary's heart thumped painfully; she took a step away and nearly bumped into Jace, who had come up behind her, frowning. "That's a Morgenstern sword."
"Yes, it is." The sword-seller's eyes were shrewd. "Long ago the Morgensterns commissioned two blades from Wayland the Smith-a matched set. You have doubtless seen the the larger sword already, for Valentine Morgenstern carried it, and now his son carries it after him."
"You know who we are," Jace said. It wasn't a question. "Who Clary is."
"The Shadowhunter world is small," said Diana, and she looked from one of them to the other. "I'm on the Council. I've seen you give testimony, Valentine's daughter."
Clary looked doubtfully at the blade. "I've seen two men bear the larger version of that sword, and I hated them both. There are no Morgensterns in this world now who are dedicated to anything but evil."
Jace said, "There's you."
"I'll give it to you," said Diana. "You're right that people hate the Morgensterns; it's not the sort of item I could sell elsewhere. Or would necessarily want to. It should go to good hands."
"I don't want it," Clary said.
"If you flinch from it, you give it power over you," said Diana. "Take it, and cut your brother's throat with it, and reclaim the honor of your blood.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool
belt, Ray-Ban sunglasses, and a porkpie hat.
“God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.”
“Hey, shut up!”
“I think he looks good,” said Coach Hedge. “’Course, I look better.”
The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a
matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate.
“Well,” Jason said, “at least your mom overlooked me.”
Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like
he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s
message was clear: This one needs no improvement.
And Piper agreed.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
You left!” he says, his voice rising. And then he shakes his head and laughs to himself. “You hurt your knee, you lost a couple matches, and you gave up. That’s what you did. You’re saying we’re the same, but we’re not. I stuck around. I had the guts to try. I have the guts to lose. You, you just run. Well, guess what, Carrie? People who are actually playing the game lose. We all lose. We lose all the time. That is life. So we are not the same, Soto. I have courage. You’re just good at tennis.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
She gestured toward his very fine chest with her pencil. “On the off chance I find out after we’re married that your declaration of abiding love and devotion has been an elaborate con job perpetrated by you, Bodie, and Scary Spice…”
He massaged her arch. “I definitely wouldn’t lose too much sleep over that.”
“Just in case. You will give me all you worldly goods, shave your head, and leave the country.”
“Deal.”
“Plus, you have to hand out your Sox tickets so I can burn them in front of your eyes.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
I first started liking you when we went to talk to the rulers of the low Courts,” I say. “You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you’d been the one to get us out of the brugh after Dain’s coronation, right before I put that knife to your throat.”
He doesn’t try to interrupt, so I have no choice but to barrel on.
“After I tricked you into being the High King,” I say. “I thought once you hated me, I could go back to hating you. But I didn’t. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile—” I take a ragged breath. “I hid a lot, I guess. I thought if I didn’t, if I let myself love you, I would burn up like a match. Like the whole matchbook.”
“But now you’ve explained it,” he says. “And you do love me.”
“I love you,” I confirm.
“Because I am clever and funny,” he says, smiling. “You didn’t mention my handsomeness.”
“Or your deliciousness,” I say. “Although those are both good qualities.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
My mind was quickly consumed with thoughts of my girlfriend and all the good times we had had, like one of those cheesy montages ni eighties movies, when the angsty protagonist envisions himself and his ex holding hands on the beach, feeding a small puppy, getting into some kind of zany wrestling match with whipped cream. I interrupted my cliché memories by saying aloud: "Ugh, I'm feeling pretty low about this whole thing."
"You just gotta try to put it out of your head," he said, folding the paper halfway down to look at me.
"I know, it's just hard. I mean, I still have stuff at her place. What am I going to do about that? I still have a TV...," I said.
"Fuck the TV. Leave the TV. Cut your ties."
"It's a fifteen-hundred-dollar TV," I insisted.
"Go get that fucking TV.
”
”
Justin Halpern (Sh*t My Dad Says)
“
Look you don't know I'm your soul mate," Lily said. " You barely know me at all. I have terrible habits. I swallow toothpaste. My socks don't always match. I'm not good at small talk. I'm just about the most unpopular kid in class, a close third behind the guy who doesn't shower and the girl who's a compulsive liar. Besides, it's not like Jake and me... He was just being nice."
"You are my soul mate, even if you don't know it yet," Tye said
”
”
Sarah Beth Durst (Enchanted Ivy)
“
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just
crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which
is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!”
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
”
”
Jonathan Safran Foer
“
Cheat? Good heavens, this is an amateur cricket match amongst leading prep schools, I'm an Englishman and a schoolmaster supposedly setting an example to his young charges. We are playing the most artistic and beautiful game ever devised. Of course I'll cunting well cheat. Now, give me my robe and put on my crown. I have immortal longings in me.
”
”
Stephen Fry (The Liar)
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
I’ve never been very good at doing what I’m told.
It’s a problem.
Or a reflex. If they say left, I go right. If they say sit, I jump. If they say behave, I get drunk and spend the weekend screwing all three of the Archbishop’s tripled nieces.
They were nice girls. I wonder what they’re doing this Friday?
”
”
Emma Chase (Royally Matched (Royally, #2))
“
The greats never stop learning. Instinct and talent without technique just makes you reckless, like a teenager driving a powerful, high-performance vehicle. Instinct is raw clay that can be shaped into a masterpiece, if you develop skills that match your talent. That can only come from learning everything there is to know about what you do.
”
”
Tim S. Grover (Relentless: From Good to Great to Unstoppable (Tim Grover Winning Series))
“
Saskia.” A hand covered hers.
Saskia frowned. It was irritating enough that she only had one hand to work with. She didn’t need to have the movement of that one impeded as well. “I’m in the middle of – Oh! Tania! What – I thought you were in Canberra.”
“I was yesterday. I returned this morning.”
“Yesterday?” Saskia turned from staring at Tania to staring at her computer and the table. A half-empty mug of something sat next to a partly eaten sandwich and a mostly empty glass of water. “Oh,” she sat back in her chair. “I do this sometimes. I get caught up in things.”
Her gaze fell on the lines and boxes on the monitor’s screen. She sat forward, her surroundings disappearing from her awareness again. “Tania, I think I’m close to figuring it out.”
Tania’s hand, still on Saskia’s, squeezed gently. “Good. But now you need to take a rest.”
“No. I can finish this. I’m on a roll.”
“Yes. You can roll again later.”
“Look! I think I’ve almost worked it out.” She tugged her hand from under Tania’s and pointed to her computer screen, which showed a bank statement. “Look at these transactions. I can match them to –”
Tania peered at the screen. “Whose statement is that?
”
”
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
“
Who said anything about sleeping? I’m talking about sex. Good sex. Lots of it.”
That puts a flush on her pretty cheeks and she laughs. “I don’t want to have sex with you.”
I pat her hand. “Now you’re just being silly. The cat-and-mouse game can be tantalizing, but it’s not necessary.” My voice drops to a whisper. “I’m a sure thing.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Oddly enough, it was he who had introduced the twins to Kathakali...He is searching for the beast that lives within him, Comrade Pillai had told them - frightened, wide-eyed children - when the ordinarily good natured Bhima began to bay and snarl.
Which beast in particular, Comrade Pillai didn't say. Searching for the Man who lives in him was perhaps what he really meant, because certainly no beast has essayed the boundless, infinitely inventive art of human hatred. No beast can match its range and power.
”
”
Arundhati Roy (The God of Small Things)
“
Now, I want you to look at each other. Really look. And then I'd like you to each say something positive about the other person." "Now Todd, you go first."
Todd eye balled me up and down."She appears to have all her teeth".
"OOh, good one,Todd," I cooed,then turned to maggie and smiled sweetly. " And Todd smells very little like a pile of goat crap.
”
”
Kristin Walker (A Match Made in High School)
“
He interrupts her again. "I will stay without complaining..."
"You have no choice!"
"...if you'll do two things." The teasing has long left his face. He is dead serious.
I should leave but I can't. I know I'm about to witness a historic event, and I lurk next to the door, my eyes glued to Charlotte and Ambrose.
"Okay," Charlotte says, matching his gravity.
"Promise me you'll come back."
Charlotte is silent.
"And give me a kiss good-bye."
"What?" Charlotte blurts.
"You heard me."
She stands stock-still for a good couple of seconds before raising her fingertips to her mouth. Her eyes glitter with tears as she sits back down on the side of his bed. And taking his good hand in hers, she leans forward and kisses him. It is a slow kiss. It is a lingering kiss. It's the kiss she's been waiting for for years.
”
”
Amy Plum (If I Should Die (Revenants, #3))
“
Latter-day capitalism. Like it or not, it's the society we live in. Even the standard of right and wrong has been subdi-vided, made sophisticated. Within good, there's fashionable good and unfash-ionable good, and ditto for bad. Within fashionable good, there's formal and then there's casual; there's hip, there's cool, there's trendy, there's snobbish. Mix 'n' match. Like pulling on a Missoni sweater over Trussardi slacks and Pollini shoes, you can now enjoy hybrid styles of morality. It's the way of the world—philosophy starting to look more and more like business administration.
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.
”
”
Haruki Murakami (Dance Dance Dance)
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
I have always been a reader; I have read at every stage of my life and there has never been a time when reading was not my greatest joy. And yet I cannot pretend that the reading I have done in my adult years matches in its impact on my soul the reading I did as a child. I still believe in stories. I still forget myself when I am in the middle of a good book. Yet it is not the same.
”
”
Diane Setterfield (The Thirteenth Tale)
“
He was shockingly easy to follow. The pressure of his hand, the step of his foot, the angle of his frame... it was like reading his mind. When he leaned right, they turned in perfect unison. He swept her across the gallery in a quick three, a dizzying pace. Gilded frames and glass cases and the window blurred in her vision, and Azalea spun out, her skirts pulling and poofing around her, before he caught her and brought her back into dance position. She could almost hear music playing, swelling inside of her.
Mother had once told her about this perfect twining into one. She called it interweave, and said it was hard to do, for it took the perfect matching of the partners’ strengths to overshadow each other’s weaknesses, meshing into one glorious dance. Azalea felt the giddiness of being locked in not a pairing, but a dance. So starkly different than dancing with Keeper. Never that horrid feeling that she owed him something; no holding her breath, wishing for the dance to end. Now, spinning from Mr. Bradford’s hand, her eyes closed, spinning back and feeling him catch her, she felt the thrill of the dance, of being matched, flow through her.
”Heavens, you’re good!” said Azalea, breathless.
”You’re stupendous,” said Mr. Bradford, just as breathless. “It’s like dancing with a top!
”
”
Heather Dixon Wallwork (Entwined)
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed- interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing sprit- crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that?
”
”
John Hodge (Trainspotting: A Screenplay (Based on the Novel by Irvine Welsh))
“
That dog is a wolf, is he not?'
'Aye, well, mostly.'
A small flash of hazel told him not to quibble.
'And yet he is thy boon companion, a creature of rare courage and affection, and altogether a worthy being?;
'Oh, aye,' he said with more confidence. 'He is."
She gave him an even look.
'Thee is a wolf, too, and I know it. But thee is my wolf, and best thee know that.'
He'd started to burn when she spoke, an ignition swift and fierce as the lighting of one of his cousin's matches. He put out his hand, palm forward, to her, still cautious lest she too, burst into flame.
'What I said to ye, before . . . that I kent ye loved me-'
She stepped forward and pressed her palm to his, her small, cool fingers linking tight.
'What I say to thee now is that I do love thee. And if thee hunts at night, thee will come home.'
Under the sycamore, the dog yawned and laid his muzzle on his paws.
'And sleep at they feet,' Ian whispered, and gathered her in with his one good arm, both of them blazing bright as day.
”
”
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
“
Thank you," I tell Xander. "I didn't get anything for you -"
"It's all right," he says, "but maybe - you could -"
He looks into my eyes and I know what he wants. A kiss. Even thought he knows about Ky. Xander and I are still connected; this is still good-bye. I know already that that kiss would be sweet. It would be what he would hold on to, as I hold on to Ky's.
But that's something I don't think I can give. "Xander -"
"It's all right," he was, and then he stands up. I do too, and he reaches for me, pulls me close.
”
”
Ally Condie (Matched (Matched, #1))
“
Read any women's magazine and you'll see the same complaint over and over again: men - those little boys ten or twenty or thirty years on - are hopeless in bed. They are not interested in "foreplay"; they have no desire to stimulate the erogenous zones of the opposite sex; they are selfish, greedy, clumsy, unsophisticated. These complaints, you can't help feeling, are ironic. Back then, all we wanted was foreplay, and girls weren't interested. They didn't want to be touched, caressed, stimulated, aroused; in fact, they used to thump us if we tried. It's not really very suprising, then, that we're not much good at all that. We spent two or three long and extremely formative years being told very forcibly not even to think about it. Between the ages of fourteen and twenty-four, foreplay changes from being something that boys want to do and girls don't, to something that women want and men can't be bothered with. (Or so they say. Me, I like foreplay - mostly because the times when all I wanted to do was touch are alarmingly fresh in my mind.) The perfect match, if you ask me, is between the Cosmo woman and the fourteen-year-old boy.
”
”
Nick Hornby (High Fidelity)
“
And when you speak of tea or coffee or wine or any of our liquid spells, the drink must be matched perfectly with the drinker to get the best effect. If the match is a good one, the coffee will get to know you a little while you drink it, to know you and love you and cheer for your victories, lend you bravery and daring. The tea will want you to do well, will stand guard before your fear and sorrow. Afternoon tea is really a kind of séance. And at the end of it all, the grounds—or leaves!—left in the bottom of your little cup are not really prophecies but your teatime trying to talk to you, to tell you something secret and dear, just between the two of you.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
Here is the best true story on giving I know, and it was told by Jack Kornfield of the Spirit Rock Meditation Center in Woodacre. An eight-year-old boy had a younger sister who was dying of leukemia, and he was told that without a blood transfusion she would die. His parents explained to him that his blood was probably compatible with hers, and if so, he could be the blood donor. They asked him if they could test his blood. He said sure. So they did and it was a good match. Then they asked if he would give his sister a pint of blood, that it could be her only chance of living. He said he would have to think about it overnight. The next day he went to his parents and said he was willing to donate the blood. So they took him to the hospital where he was put on a gurney beside his six-year-old sister. Both of them were hooked up to IVs. A nurse withdrew a pint of blood from the boy, which was then put in the girl’s IV. The boy lay on his gurney in silence while the blood dripped into his sister, until the doctor came over to see how he was doing. Then the boy opened his eyes and asked, “How soon until I start to die?
”
”
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
“
As I believe I have said, everyone in prison is an innocent man. Oh, they read the scripture the way those holy rollers on TV read the Book of Revelations. They were the victims of judges with hearts of stone and balls to match, or incompetent lawyers, or police frame-ups, or bad luck. They read the scripture, but you can see a different scripture in their faces. Most cons are a low sort, no good to themselves or anyone else, and their worst luck was that their mothers carried them to term.
”
”
Stephen King (Different Seasons)
“
You're not my matchmaker any longer. But we're still friends, and in the interest of our friendship we need to discuss page thirteen."
"Page thirteen ?"
"You've accused me of being arrogant. I've always thought of myself as confident, but I'm here to tell you, no more. After studying these pictures... Honey, if this is what you're looking for in a man, I don't think any of us are going to measure up."
"I have no idea what you're talking about."
"Who knew flexible silicone came in so many colors?"
Her sex toy catalog. He'd taken it months ago. She'd hoped he forgotten it by now.
" Most of these products are hypoallergenic. That's good, I guess. Some with batteries, some without. I suppose that's a matter of preference. There's a harness on this one. That's pretty kinky. And...Son of a bitch ! It says this one is dishwater safe. I'm sorry but there's just something unappetizing about that.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
The new captain looked up. Oh, good grief, Vimes thought. It's bloody Rust this time round!
And it was indeed the Hon. Ronald Rust, the god's gift to the enemy, any enemy, and a walking encouragement to desertion.
The Rust family had produced great soldiers, by the undemanding standards of 'Deduct your own casualties from those of the enemy, and if the answer is a positive number, it was a glorious victory' school of applied warfare. But Rust's lack of any kind of military grasp was matched only by his high opinion of the talent he in fact possessed only in negative amounts.
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
The year is done. I spread the past three hundred sixty-five days before me on the living room carpet. Here is the month I decided to shed everything not deeply committed to my dreams. The day I refused to be a victim to the self-pity. Here is the week I slept in the garden. The spring I wrung the self-doubt by its neck. Hung your kindness up. Took down the calendar. The week I danced so hard my heart learned to float above water again. The summer I unscrewed all the mirrors from their walls. No longer needed to see myself to feel seen. Combed the weight out of my hair. I fold the good days up and place them in my back pocket for safekeeping. Draw the match. Cremate the unnecessary. The light of the fire warms my toes. I pour myself a glass of warm water to cleanse myself for january. Here I go. Stronger and wiser into the new.
”
”
Rupi Kaur (The Sun and Her Flowers)
“
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
”
”
pleasefindthis (I Wrote This For You)
“
There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of one’s own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)
“
She scanned the room, and her grin broadened when she saw Christian. She then sought me out. Her smile for him had been affectionate; mine was a bit humorous. I smiled back, wondering what she would say to me if she could.
"What's so funny?" asked Dimitri, looking down at me with amusement.
"I'm just thinking about what Lissa would say if we still had the bond."
In a very bad breach of protocol, he caught hold of my hand and pulled me toward him. "And?" he asked, wrapping me in an embrace.
"I think she'd ask,'What have we gotten ourselves into?'"
"What's the answer?" His warmth was all around me, as was his love, and again, I felt completeness. I had that missing piece of my world back. The soul that complemented mine. My match. My equal. Not only that, I had my life back-my own life. I would protect Lissa, I would serve, but I was finally my own person.
"I don't know," I said, leaning against his chest. "But I think it's going to be good.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
A beam or pillar can be used to batter down a city wall, but it is no good for stopping up a little hole - this refers to a difference in function. Thoroughbreds like Qiji and Hualiu could gallop a thousand li in one day, but when it came to catching rats they were no match for the wildcat or the weasel - this refers to a difference in skill. The horned owl catches fleas at night and can spot the tip of a hair, but when daylight comes, no matter how wide it opens its eyes, it cannot see a mound or a hill - this refers to a difference in nature. Now do you say, that you are going to make Right your master and do away with Wrong, or make Order your master and do away with Disorder? If you do, then you have not understood the principle of heaven and earth or the nature of the ten thousand things. This is like saying that you are going to make Heaven your master and do away with Earth, or make Yin your master and do away with Yang. Obviously it is impossible.
”
”
Zhuangzi (The Complete Works of Chuang Tzu)
“
Daddy, you’re the worst person to watch Harry Potter with. The whole time you’re talking about”—I deepen my voice—“‘Why don’t they shoot that nigga Voldemort?’” “Ay, it don’t make sense that in all them movies and books, nobody thought to shoot him.” “If it’s not that,” Momma says, “you’re giving your ‘Harry Potter is about gangs’ theory.” “It is!” he says. Okay, so it is a good theory. Daddy claims the Hogwarts houses are really gangs. They have their own colors, their own hideouts, and they are always riding for each other, like gangs. Harry, Ron, and Hermione never snitch on one another, just like gangbangers. Death Eaters even have matching tattoos. And look at Voldemort. They’re scared to say his name. Really, that “He Who Must Not Be Named” stuff is like giving him a street name. That’s some gangbanging shit right there. “Y’all know that make a lot of sense,” Daddy says. “Just ’cause they was in England don’t mean they wasn’t gangbanging.” He looks at me. “So you down to hang out with your old man today or what?
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
You can’t just do whatever you feel like.” “You can’t just do anything you want.” “You have to learn self-restraint.” “You’re only interested in gratifying your desires.” “You don’t care about anything but your own pleasure.” Can you hear the judgmentality in these admonitions? Can you see how they reproduce the mentality of domination that runs our civilization? Goodness comes through conquest. Health comes through conquering bacteria. Agriculture is improved by eliminating pests. Society is made safe by winning the war on crime. On my walk today, students accosted me, asking if I wanted to join the “fight” against pediatric cancer. There are so many fights, crusades, campaigns, so many calls to overcome the enemy by force. No wonder we apply the same strategy to ourselves. Thus it is that the inner devastation of the Western psyche matches exactly the outer devastation it has wreaked upon the planet. Wouldn’t you like to be part of a different kind of revolution?
”
”
Charles Eisenstein (The More Beautiful World Our Hearts Know Is Possible (Sacred Activism Book 2))
“
No, I thought, growing more rebellious, life has its own laws and it is for me to defend myself against whatever comes along, without going snivelling to God about sin, my own or other people's. How would it profit a man if he got into a tight place, to call he people who put him there miserable sinners? Or himself a miserable sinner? I disliked the levelling aspect of this sinnerdom, it was like a cricket match played in a drizzle, where everybody had an excuse - and what a dull excuse! - for playing badly. Life was meant to test a man, bring out his courage, initiative, resource; and I longed, I thought, to be tested: I didn't want to fall on my knees and call myself a miserable sinner.
But the idea of goodness did attract me, for I did not regard it as the opposite of sin. I saw it as something bright and positive and sustaining, like the sunshine, something to be adored, but from afar.
”
”
L.P. Hartley (The Go-Between)
“
Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.”
Peter smiled. “He’s not going to stop liking you over one little argument. I don’t think he’s the type to just fall for someone and then hate them the next day. We don’t live in that kind of world anymore, anyway.”
“What do you mean?”
“Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from. You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby. But now, there’s no candy store. There’s a single jawbreaker that you found in the gutter. And there are no more jawbreaker factories. No more candy stores. No more refined sugar. That one jawbreaker you found could be the only one you’ll ever have again. You aren’t going to just eat it and say goodbye.”
His analogy wasn’t perfect but I saw where he was going with it. “So I’m like a jawbreaker. A dirty one you find in the gutter.”
“Yeah. And he likes that candy. It’s his favorite. So he doesn’t care that it has smelly feet.”
I scowled at him. “How do you know he likes jawbreakers so much?”
“I just know. I can tell a good match when I see one. He needs someone spunky and tough, someone different than other girls. That’s you.”
I smiled, liking how Peter had described me. “But what if he just decides to eat it real quick and then move on? I mean, there are other jawbreakers out there. They’re just more rare.”
“That’s not how he is. He’s methodical. A thinking person. He’s not rash. And he knows his odds of finding a jawbreaker of this flavor? Are pretty slim.”
“I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.”
“That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker. He wants to keep the candy happy. Keep it sweet.”
I rolled my eyes. “Ugh. Your analogy is making me want to eye gouge you right now.
”
”
Elle Casey (Kahayatle (Apocalypsis, #1))
“
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation.
you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser.
do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on.
do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.
this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition.
the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence.
avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
”
”
Leonard Cohen (Death of a Lady's Man)
“
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Stop. You can’t love me because you’re lonely, or because I am the only one who doesn’t piss you off. I want to piss you off, I want to get on your fucking nerves. I don’t want the responsibility of always being your rock. I will try, but I’m a mess, too. I lie, I sleep too much and I don’t like children under the age of 6, really. I don’t even know if I want kids because I’m selfish, and mothers can’t be selfish once they decide to carry another life.
I’m always looking for the rain to come so I trip over my own feet. I know exactly what the air smells like before a storm.
Before you fall in love with me, I want you to know that I cry a lot because it feels good, and I masturbate at least 4 times a week, and you might fall out of love with me before either of us are ready for it.
I have no experience with this. I’m trying to be brave and smart but its almost impossible to be both at the same time.
You can’t love me like a fire escape. Sometimes I will be the match, or the smoke under the door. I don’t know what I’m doing, all I know is that we all catch fire sometimes, before we even get warm.
Before you fall in love with me, I want you to know that there’s a 50% chance that this won’t work, that one of us will wind up hating the other. I will try to keep your head above water, but sometimes I’ll need help, too.
I can’t be your savior, and I don’t expect you to be mine. Just watch me unfold and I’ll watch you unfold, too. We’ll get drunk and tell each other everything. I know that’s cheating but maybe it’ll be alright. Maybe we won’t wake up embarrassed.
I am going to fall in love with you, too, feet first. Maybe we’ll slow dance off a building together, maybe we’ll have forgotten each other’s names by this time next year. I don’t care, the sky is gray with or without you, so I’m not going to look up anymore, I’m going to look ahead .
”
”
Caitlyn S.
“
It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles."
“We’re doing all right.”
“We’re sitting in this huge moldy room. It’s like we’re flung back.”
“We have heat, we have light.”
“These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?”
“‘Boil your water,’ I’d tell them.”
“Sure. What about ‘Wash behind your ears.’ That’s about as good.”
“I still think we’re doing fairly well. There was no warning. We have food, we have radios.”
“What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.”
“There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.”
“They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.
”
”
Don DeLillo (White Noise)
“
This was something new. Or something old. I didn’t think of what it might be until after I had let Aubrey go back to the clinic to bed down next to her child. Bankole had given him something to help him sleep. He did the same for her, so I won’t be able to ask her anything more until she wakes up later this morning. I couldn’t help wondering, though, whether these people, with their crosses, had some connection with my current least favorite presidential candidate, Texas Senator Andrew Steele Jarret. It sounds like the sort of thing his people might do—a revival of something nasty out of the past. Did the Ku Klux Klan wear crosses—as well as burn them? The Nazis wore the swastika, which is a kind of cross, but I don’t think they wore it on their chests. There were crosses all over the place during the Inquisition and before that, during the Crusades. So now we have another group that uses crosses and slaughters people. Jarret’s people could be behind it. Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.
”
”
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
life to the lees. All times I have enjoyed
Greatly, have suffered greatly, both with those
that loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vexed the dim sea. I am become a name;
For always roaming with a hungry heart
Much have I seen and known---cities of men
And manners, climates, councils, governments,
Myself not least, but honored of them all---
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untraveled world whose margin fades
Forever and forever when I move.
How dull it is to pause, to make an end.
To rust unburnished, not to shine in use!
As though to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains; but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, my own Telemachus,
To whom I leave the scepter and the isle---
Well-loved of me, discerning to fulfill
This labor, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
There lies the port; the vessel puffs her sail;
There gloom the dark, broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me---
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads---you and I are old;
Old age hath yet his honor and his toil.
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with gods.
The lights begin to twinkle from the rocks;
The long day wanes; the slow moon climbs; the deep
Moans round with many voices. Come, my friends.
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
the sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down;
It may be that we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are---
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
”
”
Alfred Tennyson