Gold Bracelets Quotes

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Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.
Elizabeth Gilbert (Eat, Pray, Love)
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Sam looked at her outstretched hand, which he knew as well as any hand except his own---the precise pattern of the lines that made up the grid of her palm, the slim fingers with the purplish veins at the knuckles, the particular creamy olive hue of her skin, her delicate wrist, pinkish, with a penumbral callus that must have come from Dov, the white gold bracelet she wore that he knew had been a gift from Freda on her twelfth birthday. How could she honestly think he wouldn't know about the handcuffs? He had spent hours sitting next to her, playing games and then making them, staring at her hands as her fingers flew across a keyboard or jabbed at a controller. Tell me I don't know you, Sam thought. Tell me I don't know you when I could draw both sides of this hand, your hand, from memory.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
You’re one of the best men I know. You wear your tats and piercings and those damn leather bracelets that only you could get away with. But inside you are one big teddy bear. When someone you love needs you, there is nothing you won’t do for them. When I needed you, you were always there. I’ve never questioned your heart. It’s made of fucking gold, and we all know it. We laugh at your crude jokes and snide comments because we know they mean nothing. It’s part of your shield. Underneath, I don’t know many men that compare. You’re one of the best, Dewayne. One of the best.
Abbi Glines (Hold on Tight (Sea Breeze, #8))
They don't give gold bracelets for regrets.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.
Bret Easton Ellis (American Psycho)
The dragon bracelet that Humongous created, out of misplaced love and gratitude, in the hellish nightmare of the Lava-Lout Jail-Forges is exquisitely made, for he was a far better goldsmith than he was a singer. It curls around my arm, its shining wings folded back, as if about to unfurl and take off, and now that its ruby eyes are set into the gold, you cannot see their tear shape, so they seem to be laughing rather than crying. It is a constant reminder to me of the human ability to create something beautiful even when things are at their darkest.
Cressida Cowell (How to Twist a Dragon's Tale (How to Train Your Dragon, #5))
He had several rings, a gold identification bracelet, and a gold bracelet watch, and he carried a heavy gold cigarette case, set with jewels. The case was empty, and Evarts furnished him with cigarettes as they talked.
John Cheever (The Stories of John Cheever)
Zoey had later found a few of her mother's things mistakingly tangled in her own---a pair of lavender-colored leather gloves, a twisted and knotted gold bracelet, and a tube of saucy red lipstick, the color of which was called Bye Bye Birdie.
Sarah Addison Allen (Other Birds: A Novel)
The carpeting of moss underfoot was so green and soft that her father told her it was a pillow for faeries at night, and that the white stars of the flowers that grew only in the hidden country of Idris made bracelets and rings for their delicate hands.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.
Charlotte Brontë (Jane Eyre)
She was tall and stout with a firm jaw and a glossy platinum braid sitting on each shoulder. She was wearing denim overalls, a blue T-shirt, and lots of rings and gold bangle bracelets. I imagined her with one of those horned helmets that cartoon opera singers always wear. Nona’s very own Warrior Princess.
Carleen Brice (Orange Mint and Honey)
She gives me my name bracelet back, the gold melded where it'd been broken, but still whole.
Elizabeth Acevedo (The Poet X)
Gold, silver, and leather bracelets decorate his wrists, and dozens of bauble rings adorn his fingers like knuckle-dusters. My dad had a knuckle-duster from when he was younger. It’s in the bottom drawer of my mom’s dresser wrapped in a yellowing handkerchief. “You
Zoraida Córdova (Labyrinth Lost (Brooklyn Brujas, #1))
What are we waiting for, assembled in the forum? The barbarians are due here today. Why isn't anything happening in the senate? Why do the senators sit there without legislating? Because the barbarians are coming today. What laws can the senators make now? Once the barbarians are here, they'll do the legislating. Why did our emperor get up so early, and why is he sitting at the city's main gate on his throne, in state, wearing the crown? Because the barbarians are coming today and the emperor is waiting to receive their leader. He has even prepared a scroll to give him, replete with titles, with imposing names. Why have our two consuls and praetors come out today wearing their embroidered, their scarlet togas? Why have they put on bracelets with so many amethysts, and rings sparkling with magnificent emeralds? Why are they carrying elegant canes beautifully worked in silver and gold? Because the barbarians are coming today and things like that dazzle the barbarians. Why don't our distinguished orators come forward as usual to make their speeches, say what they have to say? Because the barbarians are coming today and they're bored by rhetoric and public speaking. Why this sudden restlessness, this confusion? (How serious people's faces have become.) Why are the streets and squares emptying so rapidly, everyone going home so lost in thought? Because night has fallen and the barbarians have not come. And some who have just returned from the border say there are no barbarians any longer. And now, what's going to happen to us without barbarians? They were, those people, a kind of solution
Constantinos P. Cavafy
He always clothed his thoughts in elegant expressions, for a word said well was akin to a gold apple in a goblet of transparent sardonyx, and that was why the words of the wise were as sharp as needles, and as strong as nails, and their creators were all from the same stock.
Aleksandr Kuprin (The Garnet Bracelet, other stories and novellas)
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower; a London black cab; a helicopter—Charlie Tango; a glider—the soaring, a catamaran—The Grace; a bed; and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically(...)
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
See the gold metal I can now wear. I gave birth to your brothers and then your father gave me these two bracelets. Then I had you. And every few years, when I have a little extra money, I buy another bracelet. I know what I’m worth. They’re always twenty-four carats, all genuine.
Amy Tan (The Joy Luck Club)
Blue approaches the temple in pilgrim’s guise: hair shorn to show the shine of circuitry curling around ears and up to scalp, eyes goggled, mouth a smear of chrome sheen, eyelids chrome hooded. She wears antique typewriter keys on her fingertips in veneration of the great god Hack, and her arms are braceleted in whorls of gold, silver, palladium, glinting brighter than bright against her dark skin.
Amal El-Mohtar (This is How You Lose the Time War)
Warriors all rose uneagerly shuffled under Earnanaes lagging with sorrow to look upon death. They found on the sand their soulless gift-lord still and wordless there who served and ruled them for fifty winters—the final life-day had come for the good one—the Geats’ hall-master dear warrior-king died a wonder-death. There they discovered that cooling fire-snake stretched upon the earth, seething no more 3040 with foul flame-death flying no longer with burning bellows, blackened with death. Fifty long feet was his full length-measure stretched on the fire-field. He flew in hate-joy seared through the nights then soared at daybreak to his grayrock den—now death stilled him ended his slumber in that stony barrow. By him were heaped bracelets and gem-cups jeweled gold-dishes great treasure-swords darkened with rust from their deep earth-home 3050 a thousand winters walled against light. Those ancient heirlooms earned much curse-power old gold-treasure gripped in a spell— no one might touch them those nameless stone-riches no good or bad man unless God himself the great Glory-King might give to someone to open that hoard that heap of treasures, a certain warrior as seemed meet to him. They found no happiness who first buried there wealth in the ground—again it was hidden 3060 by an only survivor till an angered serpent singed for a cup till swords cooled him sent him deathwards. Strange are the ways how the king of a country will come to the end of his loaned life-span when at last he vanishes gone from the meadhall his gold and his kin. So it was with Beowulf when he bore his shield to that roaring night-flyer.
Unknown (Beowulf: An Updated Verse Translation)
In a moment a fussy-looking woman came down the stairs. Do you know what I mean by fussy? I mean, everything about her was too much and too cute. She was wearing two necklaces, a pin, bracelets on each wrist, rings, earrings, and even an ankle bracelet. Her stockings were lacey, and she was, well, as Claud might have said, overly accessorized. Practically everything she wore had a bow attached. There were bows on her shoes, a bow on her belt, a bow in her hair, and a bow at the neck of her blouse. Her sweater was beaded, and she hadn’t forgotten to pin a fake rose to it. Whew! As for cute, her earrings were in the shape of ladybugs, one of her necklaces spelled her name — Linda — in gold script, her pin was in the shape of a mouse, and the bow in her hair was a ribbon with a print of tiny ducks all over it.
Ann M. Martin (Mallory and the Trouble With Twins (The Baby-Sitters Club, #21))
I sit on the bed. I remember a golden bracelet, thin gold, an apple with a bite taken out of it for the clasp, and the words "I Love You," and I take it out from the box of treasures under the bed. I remember Mama said, "I mean it. Though we never say it in this family," as she put the bracelet around my wrist last Christmas. And I still believe her, what she said about love. We just never say it in this family.
Lois-Ann Yamanaka
THERE ARE FEW THINGS as beautiful as a glass bottle filled with deep amber whiskey. Liquor shines when the light hits it, reminiscent of precious things like jewels and gold. But whiskey is better than some lifeless bracelet or coronet. Whiskey is a living thing capable of any emotion that you are. It’s love and deep laughter and brotherhood of the type that bonds nations together. Whiskey is your friend when nobody else comes around. And whiskey is solace that holds you tighter than most lovers can. I thought all that while looking at my sealed bottle. And I knew for a fact that it was all true. True the way a lover’s pillow talk is true. True the way a mother’s dreams for her napping infant are true. But the whiskey mind couldn’t think its way out of the problems I had. So I took Mr. Seagram’s, put him in his box, and placed him up on the shelf where he belonged.
Walter Mosley (Black Betty (Easy Rawlins #4))
You don't wear jewelry, do you? Besides your wedding ring, I mean?' 'Now often. If is not that I disapprove. I simply don't take the time to bother with it. I've been given a few trinkets over the years, but rarely wear them.' Thora looked down at her hand, the plain thin wedding band, the unadorned wrist, and a memory struck her. She said, 'Frank gave me a gift once - a find gold bracelet with a blue enamel heart dangling from it. He said it was to remind me that I was more than his helpmeet and housekeeper, but also an attractive woman. I was sure I'd break the delicate chain, and the heart clacked against the desk whenever I wrote in the ledger. So I put it back in its box, and there it has remained ever since.' Nan said gently, 'We've all been given gifts, Thors, and ought not to hide them away. They remind us that we are blessed and loved. They give pleasure to those who see them - especially to the one who bestowed the gift in the first place.
Julie Klassen (The Innkeeper of Ivy Hill (Tales from Ivy Hill, #1))
Drake stood speechless. Admiration- and something else Serena could not quite identify, pride perhaps- showing from his eyes. "Turn around," his deep voice commanded softly. "I would see all of you." She turned slowly, holding back a delighted laugh. Her gown was gold, the color of the amber flecks in her eyes, with a green-and-gold-striped underskirt and matching puffed sleeves. Emeralds hung from her ears, swaying provocatively and catching the candlelight from the wall scones. A choker wrapped around her neck and tiny tear-shaped jewels sparkled from her hair. It had taken the combined urgings of her personal maid and the housekeeper to convince her it was acceptable to wear such a low-cut gown in public. Elegant gloves covered her arms to the elbows with an emerald and gold bracelet on one wrist and a Chinese fan dangling from the other. "I knew you would be beautiful dressed as my duchess, but Serena, I am speechless. The men will adore you and the women will envy you." He spoke the last in an underbreath, as though to himself.
Jamie Carie (The Duchess and the Dragon)
Two things weren’t. The silver bracelet he had given her—and her grandmother’s pearls. “Jesus bloody Christ.” He looked again, just to be sure, dumping out the glittering junk and spreading it on his counterpane. No pearls. Certainly no string of baroque Scottish pearls, spaced with antique gold roundels. She couldn’t be wearing them, not to an engineering conference in Sri Lanka. The pearls were an heirloom to her, not an ornament. She seldom wore them. They were her link with— “You didn’t,” he said aloud. “God, tell me you didn’t do it!
Diana Gabaldon (Drums of Autumn (Outlander, #4))
depending on the angle at which she regarded you. Uniforms weren’t required of the wait staff, and this woman—her badge identified her as KANANI, which was Hawaiian for a beauty—was dressed in white slacks and a white blouse accessorized with a red-silk sash worn as a belt and a red-and-gold silk scarf at her throat. Elaborate dangling gold earrings. Flashy bracelets. Eight diamond finger rings. She might have worn ten rings, except that she had only eight fingers. Ironically, on each hand, she was missing the ring finger, which was next to the pinkie. Kanani
Dean Koontz (Ashley Bell)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
My aunts were elegant American women, dressed in silk and fur, with diamond rings and charm bracelets and other bracelets as heavy as chains. Their moving hands were jangling, they were playing a symphony in gold. The style of these people was so different from mine. They were as strange to me as I must have looked to them. That fall of 1947, women's fashions had changed entirely. While I left Bucharest, went through Europe for a month, a new `look' was launched in Paris by Christian Dior. Skirts were long, coats big and long, a sloppy style, a `new look', the Dior style.
Pearl Fichman (Before Memories Fade)
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't. Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do." Suddenly she heard a voice calling to her. "Kilikina!" Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around. "Kilikina," called out the tall, blond surfer who was running toward her. Christy looked up into the screaming silver-blue eyes that could only belong to one person. "Todd?" she whispered, convinced she was hallucinating. "Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be? "Todd?" she whispered again. "How? I mean, what...? I don't..." Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed. "For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?" Christy shook her head, unable to find any words. "Didn't Dr. Benson tell you?" She shook her head again. "You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised. "No, I thought you were in Papua New Guinea or something. I had no idea you were here!" "They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling." Christy had never heard him talk like this before. Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God." The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips. "Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever." Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible. Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp. Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding. Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart. In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever." "Forever," Christy whispered back. Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
I want you to know that life will try to crack you like an egg and your silence will eventually break. Someday you will spill some of those painful secrets and taste a modicum of much-needed freedom. You will lose a great deal as a result but the gains will outweigh every loss. You will love and be loved by a beautiful man in a place where your mutual passion won’t be a marker of shame but pride. You will be awkward and alone and alien for a long time but you will transform these qualities, which is to say yourself, into a work of art. You will wear your awkwardness, your aloneness and your alienness in your hair like gold thread. You will adorn your wonkiness on your wrist like a charm bracelet studded with stars.
Diriye Osman
She hadn't gotten his expression quite right in her imagination, because the stunned, vacant expression on Shane's face when she started down the stairs was even better than fantasy. His mouth actually dropped open. Next to him, Michael turned around, and although she hadn't counted on it, there was a warm fuzzy to making a hot golden-angel vampire blink and give her a quick, involuntary once-over. Claire stopped on the steps above them and did a tentative hip-shimmy. "Okay?" she asked. Shane's mouth shut with a snap, and Michael actually cleared his throat. "Fine," Michael said. "Fine?" That was Eve, coming down the stairs behind Claire. She moved around the roadblock and punched Michael in the arm. "She looks amazing. I'm not half g*y and I think she's hot." Shane wasn't saying anything. Claire felt warm and a little dizzy, the way he was looking at her. She resisted the urge to check to see if her skirt was straight -- she'd done it a dozen times already --and forced herself to meet his gaze and smile. "You sure this is smart?" Shane asked, which was not what she'd expected, not at all. "You look fantastic." "Thanks -- " He interrupted her. "Fantastic in this town pops you to the top of the take-out menu." She held up her left hand and pointed to her wrist. The gold bracelet was clearly visible. "I'll be okay," she said. "The vamps won't bother me." "Not even talking about the vamps. You're going to be drawing every guy there who's looking to get off.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
I saw the power this respect holds in traditional cultures on our family sabbatical to Thailand and Bali. My daughter Caroline studied Balinese dance for two months with a wonderful teacher, and he proposed to stage a farewell recital for her at his school, which is also his home. When we arrived, they set up the stage, got the music ready, and then started to dress Caroline. They took a very long time dressing a six-year-old whose average attention span is about five minutes. First they draped her in a silk sarong, with a beautiful chain around her waist. Then they wrapped embroidered silk fifteen times around her chest. They put on gold armbands and bracelets. They arranged her hair and put golden flowers in it. They put on more makeup than a six-year-old could dream of. Meanwhile, I sat there getting impatient, the proud father eager to take pictures. It was getting dark. “When are they going to finish dressing her and get on with the recital?” Thirty minutes, forty-five minutes. Finally the teacher’s wife came out and took off her own golden necklace and put it around my daughter’s neck. Caroline was thrilled. When I let go of my impatience, I realized what a wonderful thing was happening. In Bali, whether a dancer is six or twenty-six, she is equally honored and respected. She is an artist who performs not for the audience but for the gods. The level of respect that Caroline was given as an artist allowed her to dance beautifully. Imagine how you would feel if you were given that respect as a child. We need to learn respect for ourselves, for one another, to value our children through valuing their bodies, their feelings, their minds. Children may be limited in what they can do, but their spirit isn’t limited.
Jack Kornfield (Bringing Home the Dharma: Awakening Right Where You Are)
I'll bet My. Pinter knows his way around a rifle. She scowled. He probably thought he was a grand shot, anyway. For a man whose lineage was reputedly unsavory, Mr. Pinter was so high in the instep that she privately called him Proud Pinter or Proper Pinter. He'd told Gabe last week that most lords were good for only two things-redistributing funds from their estates into the gaming hells and brothels in London, and ignoring their duty to God and country. She knew he was working for Oliver only because he wanted the money and prestige. Secretly, he held them all in contempt. Which was probably why he was being so snide about her marrying. "Be that as it may," she said, "I'm interested in marriage now." She strode over to the fireplace to warm her hands. "That's why I want you to investigate my potential suitors." "Why me?" She shot him a sideways glance. "Have you forgotten that Oliver hired you initially for that very purpose?" His stiffening posture told her that he had. With a frown, he drew out the notebook and pencil he always seemed to keep in his pocket. "Very well. Exactly what do you want me to find out?" Breathing easier, she left the fire. "The same thing you found out for my siblings-the truth about my potential suitors' finances, their eligibility for marriage, and...well..." He paused in scratching his notes to arch an eyebrow at her. "Yes?" She fiddled nervously with the gold bracelet she wore. This part, he might balk at. "And their secrets. Things I can use in my...er...campaign. Their likes, their weaknesses, whatever isn't obvious to the world." His expression chilled her even with the fire at her back. "I'm not sure I understand." "Suppose you learn that one of them prefers women in red. That could be useful to me. I would wear red as much as possible." Amusement flashed in his eyes. "And what will you do if they all prefer different colors?" "It's just an example," she said irritably.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
See my coat over there? I want you to look in the pockets.” CyFi’s heavy coat is a few yards away tossed over the seat of a swing. Lev goes to the swing set and picks up the coat. He reaches into an inside pocket and finds, of all things, a gold cigarette lighter. He pulls it out. “Is that it, Cy? You want a cigarette?” If a cigarette would bring CyFi out of this, Lev would be the first to light it for him. There are things far more illegal than cigarettes, anyway. “Check the other pockets.” Lev searches the other pockets for a pack of cigarettes, but there are none. Instead he finds a small treasure trove. Jeweled earrings, watches, a gold necklace, a diamond bracelet—things that shimmer and shine even in the dim daylight. “Cy, what did you do . . . ?” “I already told you, it wasn’t me! Now go take all that stuff and get rid of it. Get rid of it and don’t let me see where you put it.” Then he covers his eyes like it’s a game of hide-and-seek. “Go—before he changes my mind!” Lev pulls everything out of the pocket and, cradling it in his arms, runs to the far end of the playground. He digs in the cold sand and drops it all in, kicking sand back over it. When he’s done, he smoothes it over with the side of his shoe and drops a scattering of leaves above it. He goes back to CyFi, who’s sitting there just like Lev left him, hands over his face. “It’s done,” Lev says. “You can look now.” When Cy takes his hands away, there’s blood all over his face from the cuts on his hands. Cy stares at his hands, then looks at Lev helplessly, like . . . well, like a kid who just got hurt in a playground. Lev half expects him to cry. “You wait here,” Lev says. “I’ll go get some bandages.” He knows he’ll have to steal them. He wonders what Pastor Dan would say about all the things he’s been stealing lately. “Thank you, Fry,” Cy says. “You did good, and I ain’t gonna forget it.” The Old Umber lilt is back in his voice. The twitching has stopped.
Neal Shusterman (Unwind (Unwind, #1))
She opened the satchel. And honestly, fate couldn't have provided a better prize at the end of a scavenger hunt. She pulled out a beautiful, sparkling crown. Her large green eyes grew even larger. Despite the hour and lack of sunlight, its jewels still managed to shimmer and twinkle in a magical, expensive way. Rapunzel might not have had much experience with royal gems or any kind of precious stone, but it was very clear that these were those. The thing was straight out of a fairy tale, what a princess would be wearing when she was turned back from a swan. The giant diamonds were even shaped like swans' eggs. Under each was a round pink ruby, and threading between them was a strand of perfectly round pearls. She turned it over in her hands, tracing the tiny, intricately wound gold wire that held it all together. And there, in a small flat patch of smooth metal, was the artist's mark-- and a multi-rayed sun symbol. The same one on her bracelet clasp. The same one that she constantly painted and dreamed of. The one that meant life and happiness and energy in the personal vocabulary of Rapunzel's soul.
Liz Braswell (What Once Was Mine)
Both men and women of the race were extremely handsome; the former tall and strong, with fine features, curly hair, and a clear bronze complexion. They wore long tunics and turbans, and carried lances, bucklers, or round shields, and large swords slung across their shoulders, the latter, also very tall and well formed, were dressed in becoming bodices with full skirts, a loose mantle enveloping the whole form in graceful drapery. They wore jewels in their ears, and necklaces, bracelets, bangles, and anklets, made of gold, ivory, or shells.   Thousands of oxen paced quietly along with these men, women, old men, and children. They had neither harness nor halter, only bells or red tassels on their heads, and double packs thrown across their backs, which contained wheat and other grains.   A whole tribe journeyed in this manner, under the directions of an elected chief, called the “naik,” whose power is despotic while it lasts. He controls the movements of the caravan, fixes the hours for the start and the halt, and arranges the dispositions of the camp.   I was struck by the magnificent appearance of a large bull, who with superb and imperial step led the van. He was covered with a bright coloured cloth, ornamented with bells and shell embroidery, and I asked Banks if he knew what was the special office of this splendid animal.   “Kâlagani will of course be able to tell us,” answered he. “Where is the fellow?”   He was called, but did not make his appearance, and search being made, it was found he had left Steam House.   “No doubt he has gone to renew acquaintance with some old comrade,” said Colonel Munro. “He will return before we resume our journey.”   This seemed very natural. There was nothing in the temporary absence of the man to occasion uneasiness, but somehow it haunted me uncomfortably.   “Well,” said Banks, “to the best of my belief this bull represents, or is an emblem of, their deity. Where he goes they follow; where he stops, there they encamp; but of course we are to suppose he is in reality under the secret control of the ‘naik.’ Anyhow, he is to these wanderers an embodiment of their religion.”   The cortege seemed interminable, and for two hours there was no sign of an approaching end.
Jules Verne (The Steam House)
Lying sprawled uncouthly at the foot of the Red Dragon where the men had tumbled him down, there was a certain splendor about him still. An old man, an old giant, with bright hairs that shone like gold wires in the gray jut of his beard and the mane of wild hair outflung about his head. I recognized him first by the earl's bracelet twisted about his sword arm, for a spear had taken him between the eyes, but as I looked down more closely into the smashed and blood-pooled face, I recognized the cunning iron-bound mouth, drawn back now in a frozen snarl. I recognized above all, I think the greatness that seemed to cling about him still, an atmosphere of the thing that had made him a giant in more than body; this ancient enemy of Ambrosius's. Hengest, the Jutish adventurer who had grown to be a war lord of the Saxon hordes, lying flung down like a tribute at the foot of the British standard that stirred faintly in the night air above him. That left the son and the grandson to deal with. 'So-o,' Bedwyr said softly. 'Earl Hengest goes at last to his own Storm Lords again. He should have died on a night of tempest, with the lightning leaping from hill to hill, not on a still summer evening with the scent of hawthorn in the air.' 'He was a royal stag,' I said. 'Thank God he is dead.
Rosemary Sutcliff (Sword at Sunset)
As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath. “Happy wedding,” he said sweetly, leaning against the wall of the barn and motioning toward the center with his eyes. My eyes adjusted to the light…and slowly focused on what was before me. It wasn’t a pug. It wasn’t a diamond or a horse or a shiny gold bangle…or even a blender. It wasn’t a love seat. It wasn’t a lamp. Sitting before me, surrounded by scattered bunches of hay, was a bright green John Deere riding lawn mower--a very large, very green, very mechanical, and very diesel-fueled John Deere riding lawn mower. Literally and figuratively, crickets chirped in the background of the night. And for the hundredth time since our engagement, the reality of the future for which I’d signed up flashed in front of me. I felt a twinge of panic as I saw the tennis bracelet I thought I didn’t want go poof, disappearing completely into the ether. Would this be how presents on the ranch would always be? Does the world of agriculture have a different chart of wedding anniversary presents? Would the first anniversary be paper…or motor oil? Would the second be cotton or Weed Eater string? I would add this to the growing list of things I still needed to figure out.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
Ah, my dear friend Hassim, seems our paths cross once again, how fortunate for this humble Sheik.” As Abdullah spoke in his usual self deprecating manner I realized that a favor was on the tip of his tongue and that I was about to be offered a quid-pro-quo. We were sitting crossed legged on large fat pillows with gold fringe. The tent was large with partitions dividing living, sleeping and cooking space. It was made from heavy cotton canvas erected on thick poles in the center giving the structure a peaked circus tent appearance. The women serving us were young, wearing harem pants low on their hips with cropped gauze tops made from sheer silk. Their exposed midriffs were flat and toned, their belly buttons were decorated in precious stones that glittered in the torch light as they moved. They were bare footed with stacks of gold ankle bracelets making the only sound we heard as they kept our glasses filled with fresh sweet tea and our communal serving trays piled high with dates and sugar incrusted sweets of undetermined origin. Abdullah took no notice of these women, his nonchalance intrigued me as I was obviously having trouble keeping my mind focused on the discussion at hand, this was all part of the Arab way, when it came to negotiation they had no peers. “So my dear friend, tell me, the region is on fire is there a solution?” I spoke in a deliberate and flat tone, little emotion just concern, one friend to another. “We were shocked by the American response in Egypt and Libya, never had we seen them move so fast with such efficiency. The fall of Gadaffi was unexpected and Mubarak’s fate stunned us; he had been a staunch supporter of the US in this region we fully expected the Obama administration to prop him up one more time, as they had done so many times in the past.” I looked carefully at Abdullah,
Nick Hahn
The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
her ear. She was stick-thin and pretty, with a loose pink top that let her breasts sway and rose-colored tight pants, but other than her Vegas body, she wasn’t making any effort to look glamorous. Her brown hair hung limply to her shoulders in a mess of curls. She hadn’t put on makeup or jewelry, except for a gold bracelet that she twisted nervously around her wrist with her other hand. The whites of her eyes were lined with red. Amanda began to approach her but found her way blocked by a giant Samoan in a Hawaiian shirt, obviously a bodyguard. She discreetly flashed her badge. The man asked if she could wait, then lumbered over to Tierney and whispered in her ear. The girl studied Amanda, murmured something to the Samoan, and went back to her phone call. “Mrs. Dargon wonders if she could talk to you in her limo,” the bodyguard told Amanda. “It’s waiting outside. There’s a picture of Mr. Dargon on the door.” Amanda shrugged. “Okay.” She found the limo without any problem. Samoa had obviously radioed to the driver, who was waiting for her with the door open. He was in his sixties, and he tipped his black hat to Amanda as she got in. “There’s champagne if you’d like,” he told her. “We have muffins, too, but don’t take the blueberry oatmeal muffin. That’s Mrs. Dargon’s favorite.” Amanda smiled. “She
Brian Freeman (Stripped (Jonathan Stride, #2))
When Diana was unable to visit, she telephoned the apartment to check on her friend’s condition. On her 30th birthday she wore a gold bracelet which Adrian had given to her as a sign of their affection and solidarity. Nevertheless, Diana’s quiet and longstanding commitment to be with Adrian when he died almost foundered. In August his condition worsened and doctors advised that he should be transferred to a private room at St Mary’s Hospital, Paddington where he could be treated more effectively. However Diana had to go on a holiday cruise in the Mediterranean with her family on board a yacht owned by the Greek millionaire John Latsis. Provisional plans were made to fly her from the boat by helicopter to a private plane so that she could be with her friend at the end. Before she left, Diana visited Adrian in his home. “I’ll hang on for you,” he told her. With those words emblazoned on her heart, she flew to Italy, ticking off the hours until she could return. As soon as she disembarked from the royal flight jet she drove straight to St Mary’s Hospital. Angela recalls: “Suddenly there was a knock on the door. It was Diana. I flung my arms around her and took her into the room to see Adrian. She was still dressed in a T-shirt and sporting a sun tan. It was wonderful for Adrian to see her like that.” She eventually went home to Kensington Palace but returned the following day with all kinds of goodies. Her chef Mervyn Wycherley had packed a large picnic hamper for Angela while Prince William walked into the room almost dwarfed by his present of a large jasmine plant from the Highgrove greenhouses. Diana’s decision to bring William was carefully calculated. By then Adrian was off all medication and very much at peace with himself. “Diana would not have brought her son if Adrian’s appearance had been upsetting,” says Angela. On his way home, William asked his mother: “If Adrian starts to die when I’m at school will you tell me so that I can be there.
Andrew Morton (Diana: Her True Story in Her Own Words)
he first time I ever laid eyes on you, you were jogging with your friend, Hilary,” he murmured. I lowered my gaze back to the tiny shoe and smiled. “The first time I ever had the pleasure of hearing your voice,” he titled his head in thought, “you ended up tripping and needed bandaged.” His finger brushed over the tiny silver Band-Aid. Tears began pooling in my eyes. His gift was unlike anything I ever expected. I wasn’t sure what to think or even feel in that moment. “The first time I knew you were more than a pretty face,” he smiled, his thumb caressing my cheek for the briefest moment, “you brought Oliver and me muffins.” His voice cracked and I bit my bottom lip as he touched upon the tiny muffin. The burn of a stray tear as it slipped down my cheek pulled my gaze to my lap. Quickly, I wiped it away. Next, he held up the miniature swimming pool in his hand and I laughed, looking up at him. “This one speaks for itself, sweetheart.” His smile widened into a broad grin. “It was a night I’ll never forget…and one I wouldn’t mind experiencing again next summer.” My head shot down, heat creeping up my cheeks. I shook my head, chuckling. “This,” he held up a music note, “is for the first time we danced.” He lowered the bracelet and looked me in the eyes. “I wanted you that night, Cassandra. More than I’ve ever wanted any woman. But I’m thankful every day that you wouldn’t let me have my way.” He sighed. “We wouldn’t be here today if I had slept with you then.” He looked back down, frowning. “I can’t image you not being here today.” My heart swelled helping me find my voice. “The pumpkin patch,” I said, running my fingers over the shiny jack-o-lantern. “Yes, the first day I realized I wanted nothing more than to protect you. From your ex, from anyone that could hurt you.” I smiled, his words soothing every part of my soul. “The carnival.” I smiled, remembering our day together. The charm was of a Ferris wheel and the only one that was gold. Logan took my hand and clasped the bracelet around my wrist. He looked up at me, my hand still in his. “The first day I knew Oliver was falling in love with you.
Angela Graham (Inevitable (Harmony, #1))
Foreign journalists allowed to enter nationalist Spain soon discovered to their amazement that a hysterical relationship with the truth existed there. Anyone who doubted an invention of nationalist propaganda, however preposterous, was suspected of being a secret ‘red’. The American journalist Virginia Cowles, who had just been in republican Spain, discovered in Salamanca that people were eager to ask how things were in Madrid, but refused to believe anything which did not accord with their own grotesque imaginings. The degree of political self-hypnosis she encountered was so strong that ‘it was almost a mental disease’. When she told her questioners that bodies were not piled in the gutters and left to rot, as they had been told, and that militiamen had not been feeding right-wing prisoners to the animals in the zoo, they instantly assumed that she must be a ‘red’ herself. Pablo Merry del Val, the chief of Franco’s press service, admiring the gold bracelet that she was wearing, said with a smile, ‘I don’t imagine that you took that to Madrid with you.’ Cowles replied that in fact she had bought it there. Merry del Val was ‘deeply affronted’ and never spoke to her again.8
Antony Beevor (The Battle for Spain: The Spanish Civil War 1936-1939)
I used to wear the word count of my first novel on a cheap gold bracelet around my wrist: 82311 was etched into it, and every time I looked at it, I would remember what I'd achieved.
Rachel Hollis (Girl Wash your Face)
Every time Amazons swarmed beneath them, demanding their surrender, Hazel made a crate of jewelry explode, burying their enemies in a Niagara Falls of gold and silver. When they got to the bottom of the ladder, they found a scene that looked like Mardi Gras Armageddon—Amazons trapped up to their necks in bead necklaces, several more upside down in a mountain of amethyst earrings, and a battle forklift buried in silver charm bracelets.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Then here,” I said, unfastening a ruby-studded gold bracelet from my wrist, one Ianthe had told me better suited my coloring than the silver I’d almost worn. I
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
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He’s fine. Every time any of us are late you imagine we’re dead. You are no longer allowed to imagine anyone is dead.” “I’m not imagining he’s dead,” I whisper, but I’m totally imagining him bleeding to death on the snowy forest floor. Crows circle above him. A pixie arrow juts out of his beautiful chest. It’s the same thing I imagined about Devyn last week when he forgot to check in. “You are such a liar-liar pants-on-fire.” Is kisses my cheek in her sweet friend way. “But I love you.” “I just worry about people,” I whisper back. “If I’m not the one out there I feel so helpless.” Coach Walsh notices we’re talking. “Girls, pay attention. And no kissing.” Everyone starts snickering. I let go of Issie’s goose-bump covered arm. My face gets hot, which means I’m in insane blush mode. Nick thinks insane blush mode is cute. I bend down and check on my ankle bracelet that Nick gave me. It’s gold and thin-chained. A tiny dolphin dangles off of it. The dolphin reminds me of Charleston because they swim right off the Battery. Next to it dangles a heart, which just reminds me of love—corny but true. I’m so afraid of losing the anklet, but I can’t take it off. I adore it that much.
Carrie Jones (Captivate (Need, #2))
But then they rounded a corner and nearly collided with Kaltain Rompier. The assassin would have grimaced, but she forgot all about Kaltain as her eyes fell upon her companion. It was an Eyllwe woman. She was stunning, long and lean, each of her features perfectly formed and smooth. Her loose white dress contrasted with her creamy brown skin, and a three-plated gold torque covered much of her chest and neck. Bracelets of ivory and gold glimmered around her wrists, and her feet were sandaled beneath matching anklets. A thin circlet comprising dangling gold and jewels crowned her head. She had two male guards with her, armed to the teeth with an assortment of curved Eyllwe daggers and swords, both of them studying Chaol and Celaena closely—weighing the threat. The Eyllwe girl was a princess.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Right now, Harlem is delicious. On the corner of 125th and Frederick Douglass Avenue, I turn my head south and see Little Senegal steeped in barter and food. Then I look north. Charles' Country Pan Fried Chicken is beyond my sight, but I know it's there. Smothered pork chops, hoppin' John, and fried chicken so good it makes you believe in prayer. Charles and his soul food is not alone. When hidden or right on an avenue, Harlem is cooking. An entire neighborhood is draped in spice and smells: cumin, garlic, brown sugar. And if that's not enough, take a peek and pause at the folks selling a heart's desire: wooden bracelets, gold-plated necklaces, sun dresses, bed sheets, Jamaican beef patties. You are in Harlem.
Marcus Samuelsson (The Red Rooster Cookbook: The Story of Food and Hustle in Harlem)
They wanted me to not have any hope of returning, so they royally ordered her to tell me all that." "Then why give you anything with the royal sigil on it?" Flynn asked quietly. "If they didn't want you to know who you were? Like your pretty red bracelet there. Tirulian red coral, handwrought chain, pure gold clasp-- yes, yes, I totally sized it up. And the royal sun on the back." Rapunzel looked at her bracelet in wonder. The little sun, constant companion of her childhood, in mobiles, embroidered on her clothing, on the little gifts Gothel sometimes gave her, the crown... That was the symbol of the royal house? Her whole life had been hints of the truth, everywhere!
Liz Braswell (What Once Was Mine)
On the day I left, when I gave her a gold bracelet, she kissed me and told me not to come back, as things were never as good the second time. She was God's gift to bachelors, that girl.
Dick Francis (For Kicks)
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Anyway, you're to have four sets- to match jewels, I suppose- white gold, pale gold, yellow gold and rose gold. Can't have your oculars clashing with your bracelets, I suppose. I'll send the 'prentice up with them later. I'm waiting for the frames to cool now." "If the Princess is not here, you can leave them with her handmaiden, Iris," Lady Thalia put in, and came around to take a look at the Sophont's handiwork. She blinked. "Good heavens. That is 'much' more flattering!" "Yes, it is," Balan agreed with a lopsided smile. "Now you can see what pretty eyes she has. Well, I'm off! Lady Thalia, it was a pleasure meeting you. Princess, a delight to serve you!" As soon as he was out of the room, Andie was out of the chair. Picking up the skirt of her gown this time to keep it from tripping her, she ran to her bedroom to peer into the little mirror over her dressing table. The difference was astounding. The old oculars had been small, vaguely rectangular, and had cut across her face like a slash mark. These were large, circular and, for the first time, did not obscure her eyes. If anything, they made her eyes look bigger, like those of a young animal, soft and giving an impression of innocence and vulnerability. The frame, of white gold, was very simple and polished, somehow less fussy than Balan's frame of twisted wire had been. "Gracious!" Iris exclaimed. "What a difference!" "You don't think they look-well- 'owlish'?" Lady Thalia asked, a little doubtfully. "Not a bit!" Iris declared. "Just look how big they make her eyes look! And 'you've' heard all those daft poets, my Lady, going on about a girl's eyes supposed to be like a doe's, or big pools of water!
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
I visited four jewelry shops before I found a bracelet that appealed to me: two-carat, cushion-cut diamonds set in 18K gold. It was horribly expensive, but I handed over my plastic gaily, following McNally’s First Law of Shopping: If you can afford it, it’s not worth buying.
Lawrence Sanders (McNally's Luck (Archy McNally #2))