β
In three words I can sum up everything I've learned about life: it goes on.
β
β
Robert Frost
β
Whenever I feel the need to exercise, I lie down until it goes away.
β
β
Paul Terry
β
Don't touch any of my weapons without my permission."
"Well, there goes my plan for selling them all on eBay," Clary muttered.
"Selling them on what?"
Clary smiled blandly at him. "A mythical place of great magical power.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
My daddy said, that the first time you fall in love, it changes you forever and no matter how hard you try, that feeling just never goes away.
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes βAwww!
β
β
Jack Kerouac (On the Road)
β
This life is what you make it. No matter what, you're going to mess up sometimes, it's a universal truth. But the good part is you get to decide how you're going to mess it up. Girls will be your friends - they'll act like it anyway. But just remember, some come, some go. The ones that stay with you through everything - they're your true best friends. Don't let go of them. Also remember, sisters make the best friends in the world. As for lovers, well, they'll come and go too. And baby, I hate to say it, most of them - actually pretty much all of them are going to break your heart, but you can't give up because if you give up, you'll never find your soulmate. You'll never find that half who makes you whole and that goes for everything. Just because you fail once, doesn't mean you're gonna fail at everything. Keep trying, hold on, and always, always, always believe in yourself, because if you don't, then who will, sweetie? So keep your head high, keep your chin up, and most importantly, keep smiling, because life's a beautiful thing and there's so much to smile about.
β
β
Marilyn Monroe
β
Sometimes our light goes out, but is blown again into instant flame by an encounter with another human being.
β
β
Albert Schweitzer
β
And so it goes...
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Beauty is only skin deep, but ugly goes clean to the bone.
β
β
Dorothy Parker
β
Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity.
β
β
Paulo Coelho (The Alchemist)
β
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way
Where many paths and errands meet.
And whither then? I cannot say
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
When everything goes to hell, the people who stand by you without flinching -- they are your family.
β
β
Jim Butcher
β
Great heroes need great sorrows and burdens, or half their greatness goes unnoticed. It is all part of the fairy tale.
β
β
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
β
It's so much darker when a light goes out than it would have been if it had never shone.
β
β
John Steinbeck (The Winter of Our Discontent)
β
Iβm on a roller coaster that only goes up, my friend.
β
β
John Green (The Fault in Our Stars)
β
No good deed goes unpunished.
β
β
Oscar Wilde
β
You donβt know what goes on in anyoneβs life but your own. And when you mess with one part of a personβs life, youβre not messing with just that part. Unfortunately, you canβt be that precise and selective. When you mess with one part of a personβs life, youβre messing with their entire life. Everything. . . affects everything.
β
β
Jay Asher (Thirteen Reasons Why)
β
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
β
β
Robert Frost
β
Stories make sense when so much around us is senseless, and perhaps what makes them most comforting is that while life goes on and pain goes on, stories do us the favor of ending.
β
β
John Hodgman
β
Love, it never dies. It never goes away, it never fades, so long as you hang on to it. Love can make you immortal
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
And that's just it, isn't it? That's how we manage to survive the loss. Because love, it never dies, it never goes away, it never fades, so long as you hang on to it.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
Time goes, you say? Ah, no! Alas, Time stays, we go.
β
β
Henry Austin Dobson
β
Time goes on even when we do not.
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
Demons run when a good man goes to war
Night will fall and drown the sun
When a good man goes to war
Friendship dies and true love lies
Night will fall and the dark will rise
When a good man goes to war
Demons run, but count the cost
The battle's won, but the child is lost
β
β
Steven Moffat
β
A little girl robbed you?" Tessa said.
"Actually, she wasnβt a little girl at all, as it turns out, but a midget in a dress with a penchant for violence, who goes by the name of Six-Fingered Nigel."
"Easy mistake to make," Jem said.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
β
β
Martin Amis (The Second Plane: September 11, 2001-2007)
β
It all goes away. Eventually, everything goes away.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
I don't care about whose DNA has recombined with whose. When everything goes to hell, the people who stand by you without flinching--they are your family.
β
β
Jim Butcher (Proven Guilty (The Dresden Files, #8))
β
Wherever you will go,
I will let you down,
But this lullaby goes on.
β
β
Sarah Dessen (This Lullaby)
β
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting β
over and over announcing your place
in the family of things.
β
β
Mary Oliver
β
Aerodynamically, the bumble bee shouldn't be able to fly, but the bumble bee doesn't know it so it goes on flying anyway.
β
β
Mary Kay Ash
β
As time goes on, you'll understand. What lasts, lasts; what doesn't, doesn't. Time solves most things. And what time can't solve, you have to solve yourself.
β
β
Haruki Murakami (Dance Dance Dance)
β
Heaven goes by favor. If it went by merit, you would stay out and your dog would go in.
β
β
Mark Twain
β
When we meet someone and fall in love, we have a sense that the whole universe is on our side. And yet if something goes wrong, there is nothing left! How is it possible for the beauty that was there only minutes before to vanish so quickly? Life moves very fast. It rushes from heaven to hell in a matter of seconds.
β
β
Paulo Coelho (Eleven Minutes)
β
There are ships sailing to many ports, but not a single one goes where life is not painful.
β
β
Fernando Pessoa (The Book of Disquiet)
β
This is night, Diddykins. That's what we call it when it goes all dark like this.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
When a person is lucky enough to live inside a story, to live inside an imaginary world, the pains of this world disappear. For as long as the story goes on, reality no longer exists.
β
β
Paul Auster (The Brooklyn Follies)
β
We're all lonely for something we don't know we're lonely for. How else to explain the curious feeling that goes around feeling like missing somebody we've never even met?
β
β
David Foster Wallace
β
All great literature is one of two stories; a man goes on a journey or a stranger comes to town.
β
β
Leo Tolstoy
β
No one can tell what goes on in between the person you were and the person you become. No one can chart that blue and lonely section of hell. There are no maps of the change. You just come out the other side.
Or you don't.
β
β
Stephen King (The Stand)
β
Alice laughed. 'There's no use trying,' she said. 'One can't believe impossible things.'
I daresay you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast. There goes the shawl again!
β
β
Lewis Carroll
β
A Woman in harmony with her spirit
is like a river flowing.
She goes where she will without pretense and arrives at her destination
prepared to be herself
and only herself
β
β
Maya Angelou
β
Things end. People leave. And you know what? Life goes on. Besides, if bad things didn't happen, how would you be able to feel the good ones?
β
β
Elizabeth Scott (Perfect You)
β
Heard joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says, "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says, "But doctor...I am Pagliacci.
β
β
Alan Moore (Watchmen)
β
I've got the Mark of Cain," said Simon. "That means nothing can kill me, right?"
"You can kill yourself," Magnus said, somewhat unhelpfully. "As far as I know, inanimate objects can accidentally kill you. So if you were planning on teaching yourself the lambada on a greased platform over a pit full of knives, I wouldn't."
"There goes my Saturday.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
Read at every wait; read at all hours; read within leisure; read in times of labor; read as one goes in; read as one goest out. The task of the educated mind is simply put: read to lead.
β
β
Marcus Tullius Cicero
β
Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That's its balance.
β
β
Osho (Everyday Osho: 365 Daily Meditations for the Here and Now)
β
I'm on a roller coaster that only goes up," he said.
"And it is my privilege and my responsibility to ride all the way up with you," I said.
β
β
John Green (The Fault in Our Stars)
β
I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unnerving ease. It begins in your mind, always ... so you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
β
β
Yann Martel (Life of Pi)
β
Inside every sane person there's a madman struggling to get out," said the shopkeeper. "That's what I've always thought. No one goes mad quicker than a totally sane person.
β
β
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
β
If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.
β
β
Nelson Mandela
β
The worst pain in the world goes beyond the physical. Even further beyond any other emotional pain one can feel. It is the betrayal of a friend.
β
β
Heather Brewer (Ninth Grade Slays (The Chronicles of Vladimir Tod, #2))
β
i will admit there's a certain degree of giving a fuck that goes into not giving a fuck. by saying you don't care if the world falls apart, in some small way you're saying you want it to stay together, on your terms.
β
β
David Levithan (Will Grayson, Will Grayson)
β
The truth knocks on the door and you say, "Go away, I'm looking for the truth," and so it goes away. Puzzling.
β
β
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
β
Love, like fire, goes out without fuel.
β
β
Mikhail Lermontov (A Hero of Our Time)
β
By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry...
β
β
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
β
I do not speak as I think, I do not think as I should, and so it all goes on in helpless darkness.
β
β
Franz Kafka
β
Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.
β
β
Frida Kahlo
β
Karma comes after everyone eventually. You can't get away with screwing people over your whole life, I don't care who you are. What goes around comes around. That's how it works. Sooner or later the universe will serve you the revenge that you deserve.
β
β
Jessica Brody (The Karma Club)
β
Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can't go through an obstacle, go around it. Water does.
β
β
Margaret Atwood (The Penelopiad)
β
A guy needs somebodyβto be near him. A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he's with you. I tell ya, I tell ya a guy gets too lonely an' he gets sick.
β
β
John Steinbeck (Of Mice and Men)
β
How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, butβmainlyβto ourselves.
β
β
Julian Barnes (The Sense of an Ending)
β
Culture tends to argue that it forbids only that which is unnatural. But from a biological perspective, nothing is unnatural. Whatever is possible is by definition also natural. A truly unnatural behaviour, one that goes against the laws of nature, simply cannot exist, so it would need no prohibition.
β
β
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
β
Water that never moves." I say to him. "Its fine for a little while. You can drink from it and it'll sustain you. But if it sits too long it goes bad. It grows stale. It becomes toxic." I shake my head. "I need waves. I need waterfalls. I want rushing currents.
β
β
Tahereh Mafi (Ignite Me (Shatter Me, #3))
β
You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple years you're satisfied that no matter what goes wrong, at least you've got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug. Then you're trapped in your lovely nest, and the things you used to own, now they own you.
β
β
Chuck Palahniuk (Fight Club)
β
Iβm boredβ is a useless thing to say. I mean, you live in a great, big, vast world that youβve seen none percent of. Even the inside of your own mind is endless; it goes on forever, inwardly, do you understand? The fact that youβre alive is amazing, so you donβt get to say βIβm bored.
β
β
Louis C.K.
β
Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.
β
β
AnaΓ―s Nin (The Diary of AnaΓ―s Nin, Vol. 1: 1931-1934)
β
I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible...
β
β
Elizabeth Wurtzel (Prozac Nation)
β
There is a primal reassurance in being touched, in knowing that someone else, someone close to you, wants to be touching you. There is a bone-deep security that goes with the brush of a human hand, a silent, reflex-level affirmation that someone is near, that someone cares.
β
β
Jim Butcher (White Night (The Dresden Files, #9))
β
Has Ron saved a goal yet?β asked Hermione, peering over the top of Magical Hieroglyphs and Logograms.
βWell, he can do it if he doesn't think anyoneβs watching him,β said Fred, rolling his eyes. βSo all we have to do is ask the crowd to turn their backs and talk among themselves every time the Quaffle goes up his end on Saturday.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Your children are not your children.
They are sons and daughters of Life's longing for itself.
They come through you but not from you.
And though they are with you yet they belong not to you.
You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For thir souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.
You may strive to be like them, but seek not to make them like you.
For life goes not backward nor tarries with yesterday.
You are the bows from which your children as living arrows are sent forth.
The archer sees the make upon the path of the infinite, and He bends you with His might that His arrows may go swift and far.
Let your bending in the archer's hand be for gladness.
For even as He loves the arrow that flies, so He also loves the bow that is stable.
β
β
Kahlil Gibran
β
There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says "Morning, boys. How's the water?" And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes "What the hell is water?
β
β
David Foster Wallace (This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life)
β
There were five others before they got to him. He smiled a little when his turn came. His voice was low, smoky, and dead sexy. βMy name is Augustus Waters,β he said. βIβm seventeen. I had a little touch of osteosarcoma a year and a half ago, but Iβm just here today at Isaacβs request.β
βAnd how are you feeling?β asked Patrick.
βOh, Iβm grand.β Augustus Waters smiled with a corner of his mouth. βIβm on a roller coaster that only goes up, my friend.
β
β
John Green (The Fault in Our Stars)
β
there are a few rules I know to be true about love and marriage: If you don't respect the other person, you're gonna have a lot of trouble. If you don't know how to compromise, you're gonna have a lot of trouble. If you can't talk openly about what goes on between you, you're gonna have a lot of trouble. And if you don't have a common set of values in life, you're gonna have a lot of trouble. Your values must be alike.
β
β
Mitch Albom (Tuesdays with Morrie)
β
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky."
"She's drunk," Joe Bell informed me.
"Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
β
β
Truman Capote (Breakfast at Tiffanyβs and Three Stories)
β
But the worst enemy you can meet will always be yourself; you lie in wait for yourself in caverns and forests. Lonely one, you are going the way to yourself! And your way goes past yourself, and past your seven devils! You will be a heretic to yourself and witch and soothsayer and fool and doubter and unholy one and villain. You must be ready to burn yourself in your own flame: how could you become new, if you had not first become ashes?
β
β
Friedrich Nietzsche (Thus Spoke Zarathustra)
β
Now it is such a bizarrely improbable coincidence that anything so mind-bogglingly useful could have evolved purely by chance that some thinkers have chosen to see it as the final and clinching proof of the non-existence of God.
The argument goes something like this: "I refuse to prove that I exist,'" says God, "for proof denies faith, and without faith I am nothing."
"But," says Man, "The Babel fish is a dead giveaway, isn't it? It could not have evolved by chance. It proves you exist, and so therefore, by your own arguments, you don't. QED."
"Oh dear," says God, "I hadn't thought of that," and promptly vanishes in a puff of logic.
"Oh, that was easy," says Man, and for an encore goes on to prove that black is white and gets himself killed on the next zebra crossing.
β
β
Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
β
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
β
β
N.H. Kleinbaum (Dead Poets Society)
β
O Me! O life!... of the questions of these recurring;
Of the endless trains of the faithlessβof cities fillβd with the foolish;
Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)
Of eyes that vainly crave the lightβof the objects meanβof the struggle ever renewβd;
Of the poor results of allβof the plodding and sordid crowds I see around me;
Of the empty and useless years of the restβwith the rest me intertwined;
The question, O me! so sad, recurringβWhat good amid these, O me, O life?
Answer.
That you are hereβthat life exists, and identity;
That the powerful play goes on, and you will contribute a verse.
β
β
Walt Whitman (Leaves of Grass)
β
Roads Go Ever On
Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.
Roads go ever ever on,
Under cloud and under star.
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen,
And horror in the halls of stone
Look at last on meadows green,
And trees and hills they long have known.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way,
Where many paths and errands meet.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with weary feet,
Until it joins some larger way,
Where many paths and errands meet.
And whither then? I cannot say.
The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone.
Let others follow, if they can!
Let them a journey new begin.
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet.
β
β
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
β
A soulmate is someone who has locks that fit our keys, and keys to fit our locks. When we feel safe enough to open the locks, our truest selves step out and we can be completely and honestly who we are; we can be loved for who we are and not for who weβre pretending to be. Each unveils the best part of the other. No matter what else goes wrong around us, with that one person weβre safe in our own paradise. Our soulmate is someone who shares our deepest longings, our sense of direction. When weβre two balloons, and together our direction is up, chances are weβve found the right person. Our soulmate is the one who makes life come to life.
β
β
Richard Bach
β
These are the things I learned (in Kindergarten):
1. Share everything.
2. Play fair.
3. Don't hit people.
4. Put things back where you found them.
5. CLEAN UP YOUR OWN MESS.
6. Don't take things that aren't yours.
7. Say you're SORRY when you HURT somebody.
8. Wash your hands before you eat.
9. Flush.
10. Warm cookies and cold milk are good for you.
11. Live a balanced life - learn some and drink some and draw some and paint some and sing and dance and play and work everyday some.
12. Take a nap every afternoon.
13. When you go out into the world, watch out for traffic, hold hands, and stick together.
14. Be aware of wonder. Remember the little seed in the Styrofoam cup: The roots go down and the plant goes up and nobody really knows how or why, but we are all like that.
15. Goldfish and hamster and white mice and even the little seed in the Styrofoam cup - they all die. So do we.
16. And then remember the Dick-and-Jane books and the first word you learned - the biggest word of all - LOOK.
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Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
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When we read, another person thinks for us: we merely repeat his mental process. In learning to write, the pupil goes over with his pen what the teacher has outlined in pencil: so in reading; the greater part of the work of thought is already done for us. This is why it relieves us to take up a book after being occupied with our own thoughts. And in reading, the mind is, in fact, only the playground of anotherβs thoughts. So it comes about that if anyone spends almost the whole day in reading, and by way of relaxation devotes the intervals to some thoughtless pastime, he gradually loses the capacity for thinking; just as the man who always rides, at last forgets how to walk. This is the case with many learned persons: they have read themselves stupid.
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Arthur Schopenhauer (Essays and Aphorisms)
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Sometimes you want to say, βI love you, butβ¦β
Yet the βbutβ takes away the βI love youβ. In love their are no βbutsβ or βifβsβ or βwhenβ. Itβs just there, and always. No beginning, no end. Itβs the condition-less state of the heart. Not a feeling that comes and goes at the whim of the emotions. It is there in our heart, a part of our heartβ¦eventually grafting itself into each limb and cell of our bodies. Love changes our brain, the way we move and talk. Love lives in our spirit and graces us with its presence each day, until death.
To say βI love you, butβ¦.β is to say, βI did not love you at allβ.
I say this to you now: I love you, with no beginning, no end. I love you as you have become an extra necessary organ in my body. I love you as only a girl could love a boy. Without fear. Without expectations. Wanting nothing in return, except that you allow me to keep you here in my heart, that I may always know your strength, your eyes, and your spirit that gave me freedom and let me fly.
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Coco J. Ginger
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Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh.
And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time.
There is a good deal of comfort, now, in remembering this.
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Margaret Atwood (The Handmaid's Tale)
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Entertaining a notion, like entertaining a baby cousin or entertaining a pack of hyenas, is a dangerous thing to refuse to do. If you refuse to entertain a baby cousin, the baby cousin may get bored and entertain itself by wandering off and falling down a well. If you refuse to entertain a pack of hyenas, they may become restless and entertain themselves by devouring you. But if you refuse to entertain a notion - which is just a fancy way of saying that you refuse to think about a certain idea - you have to be much braver than someone who is merely facing some blood-thirsty animals, or some parents who are upset to find their little darling at the bottom of a well, because nobody knows what an idea will do when it goes off to entertain itself.
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Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
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I've come to believe that there exists in the universe something I call "The Physics of The Quest" β a force of nature governed by laws as real as the laws of gravity or momentum. And the rule of Quest Physics maybe goes like this: "If you are brave enough to leave behind everything familiar and comforting (which can be anything from your house to your bitter old resentments) and set out on a truth-seeking journey (either externally or internally), and if you are truly willing to regard everything that happens to you on that journey as a clue, and if you accept everyone you meet along the way as a teacher, and if you are prepared β most of all β to face (and forgive) some very difficult realities about yourself... then truth will not be withheld from you." Or so I've come to believe.
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Elizabeth Gilbert (Eat, Pray, Love)
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Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night.
Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else.
Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. Itβs us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world.
Was Rorschach.
Does that answer your Questions, Doctor?
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Alan Moore (Watchmen)
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Stories have changed, my dear boy,β the man in the grey suit says, his voice almost imperceptibly sad. βThere are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sisterβs story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
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Erin Morgenstern (The Night Circus)
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I am too alone in the world, and yet not alone enough
to make every moment holy.
I am too tiny in this world, and not tiny enough
just to lie before you like a thing,
shrewd and secretive.
I want my own will, and I want simply to be with my will,
as it goes toward action;
and in those quiet, sometimes hardly moving times,
when something is coming near,
I want to be with those who know secret things
or else alone.
I want to be a mirror for your whole body,
and I never want to be blind, or to be too old
to hold up your heavy and swaying picture.
I want to unfold.
I donβt want to stay folded anywhere,
because where I am folded, there I am a lie.
and I want my grasp of things to be
true before you. I want to describe myself
like a painting that I looked at
closely for a long time,
like a saying that I finally understood,
like the pitcher I use every day,
like the face of my mother,
like a ship
that carried me
through the wildest storm of all.
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Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
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There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.
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Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
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I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain personβs back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you donβt see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
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Lemony Snicket
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Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet."
"Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth.
"No," he says, almost puzzled. "But they taste familiar. Sugar berries?"
"Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go.
"They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable.
I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.
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Suzanne Collins (The Hunger Games (The Hunger Games, #1))
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It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
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Deb Caletti (The Secret Life of Prince Charming)
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One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands out and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun--which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with the millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in someone's eyes.
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Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
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To my babies,
Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be.
-Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna.
-Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point.
-Push your boundaries, that's what they're there for.
-I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name."
-Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it.
-And Laugh a lot. Never go a day without laughing at least once.
-Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life.
-Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers.
-Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people.
-Choose your battles, but don't choose very many.
-Keep an open mind; it's the only way new things can get in.
-And last but not least, not the tiniest bit least. Never regret.
Thank you both for giving me the best years of my life.
Especially the last one.
Love,
Mom
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Colleen Hoover (Slammed (Slammed, #1))
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The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we β¦ kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok β¦ But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
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Bill Hicks
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I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written.
I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
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Lemony Snicket (The Beatrice Letters)
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The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
βshould warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ
And there it stopped.
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Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))