Goblin Market Quotes

For there is no friend like a sister In calm or stormy weather; To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands

We must not look at goblin men, We must not buy their fruits: Who knows upon what soil they fed Their hungry thirsty roots?

What’s the Goblin Market?” “It is a place where dreamers go when they don’t fit in with the dreams their homes think worth dreaming. Doors lead here. Perhaps you found one.

I have no heart?--Perhaps I have not; But then you're mad to take offence That I don't give you what I have not got: Use your own common sense.

I'm fine," Nick snarled, and shut his eyes. "Mae, he is not fine!" Jamie almost yelled, and Mae scrambled to her feet. "Oh God," she said. "Alan's down. Alan's down.--I can't see him. I think he could be--" "What?" Nick rasped. Mae looked down and saw Nick struggle up on one knee. He glared up at her and then got painfully to his feet, a knife in either hand. There was blood running down his arm, his shoulder was a mess, and his mouth was set in a grim, determined line. "Where's Alan?" "Oh, Alan's fine," Mae said, nodding to where Alan was throwing himself at the magicians again. Sin was beside him now, and the rest of the Goblin Market was behind her. "I was lying so you'd get up. Sorry about that." Nick laughed, spun, and stabbed something. "Don't be sorry. I've just decided that lying's kind of sexy.

Good folk, I have no coin, To take were to purloin: I have no copper in my purse, I have no silver either, And all my gold is on the furze That shakes in windy weather Above the rusy heather.

Morning and evening Maids heard the goblins cry: 'Come buy our orchard fruits, Come buy, come buy

For there is no friend like a sister In calm or stormy weather; To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands.

They are so frail humans. So easily crumpled and broken, like flower petals under foot.

Golden head by golden head, Like two pigeons in one nest Folded in each other's wings, They lay down in their curtained bed: Like two blossoms on one stem, Like two flakes of new-fall'n snow, Like two wands of ivory Tipped with gold for awful kings. Moon and stars gazed in at them, Wind sang to them lullaby, Lumbering owls forbore to fly, Not a bat flapped to and fro Round their rest: Cheek to cheek and breast to breast Locked together in one nest.

For there is no friend like a sister In calm or stormy weather; To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands. —Christina Rossetti, “Goblin Market,” 1862

Jamie had seen Nick at school, at home, and at the Goblin Market, which meant that Jamie knew him better than anyone but Alan.  It only now occurred to Nick that he was fairly sure Jamie was scared of him, and here they were stranded together in Salisbury.  Well, he was helping to save Jamie’s life. Jamie could learn to cope. 

Evening by evening Among the Brookside rushes, Laura bow'd her head to hear, Lizzie veil'd her blushes: Crouching close together In the cooling weather, With clasping arms and cautioning lips, With tingling cheeks and fingertips. "lie close," Laura said, Pricking up her golden head: "We must not look at Goblin men, We must not buy their fruits: who knows upon the soil they fed Their hungry thirsty roots?" "Come buy," call the Goblins Hobbling down the glen

Mirage" The hope I dreamed of was a dream, Was but a dream; and now I wake, Exceeding comfortless, and worn, and old, For a dream's sake. I hang my harp upon a tree, A weeping willow in a lake; I hang my silent harp there, wrung and snapped For a dream's sake. Lie still, lie still, my breaking heart; My silent heart, lie still and break: Life, and the world, and mine own self, are changed For a dream's sake.

She kissed and kissed her with a hungry mouth.

We ate the berries ripe and juicy and hot from the sun, like Laura and Lizzie at the Goblin Market, For your sake I have braved the glen, and had to do with goblin merchant men. Eat me, drink me, love me. Hero, Wolf, make much of me. With clasping arms and cautioning lips, with tingling cheeks and fingertips, cooing all together.

Lizzie, Lizzie, have you tasted For my sake the fruit forbidden? Must your light like mine be hidden, Your young life like mine be wasted, Undone in mine undoing, And ruined in my ruin, Thirsty, cankered, goblin-ridden?'— She clung about her sister, Kissed and kissed and kissed her: Tears once again Refreshed her shrunken eyes, Dropping like rain After long sultry drouth; Shaking with aguish fear, and pain, She kissed and kissed her with a hungry mouth. Her lips began to scorch, That juice was wormwood to her tongue, She loathed the feast: Writhing as one possessed she leaped and sung, Rent all her robe, and wrung Her hands in lamentable haste...

I was going to suggest we start looking for you, but then you turned up. How did you find us?” “A saint led me,” said Marra. “The one from the goblin market.” All three of them stared at her. “Huh,” said the dust-wife. “How fascinating!” said Agnes. “A few months ago, I would have thought you were mad or lying,” said Fenris. “Now I’m just surprised she didn’t stay for tea.” “But how did you get away?” asked Marra. “The thief-wheel fell on you. I saw it.” The dust-wife sniffed haughtily. “It was nothing.” “It squashed you!” “Fine, it was something.” She looked annoyed. Marra noticed that her coat was rumpled and there were a few stains where the contents of the pockets had broken. The brown hen was missing a couple of tail feathers. “They were very disobedient dead.” “Bad dead. No treat,” said Fenris, not quite under his breath. Marra choked and spluttered and began helplessly, to laugh. So did Agnes. The dust-wife folded her arms and the hen went errrk indignantly, which only made Marra laugh harder.

obstreperously,—

A bird with feathers made of fire watched over them, in a cage with bars that shone like moonlight.

Even a wise man knows doubt from time to time, it is the fool who allows it to rule his judgement.

Don't stare,' murmured the dust-wife, 'but don't look away if someone looks at you. Show as little weakness as you can. Agree to nothing and accept nothing until you know the price.

O where are you going with your love-locks flowing On the west wind bellowing along this valley track?” “The downhill path is easy, come with me an it please ye, We shall escape the uphill by never turning back.” So they two went together in glowing August weather, The honey-breathing heather lay to their left and right; And dear she was to doat on, her swift feet seemed to float on The air like soft twin pigeons too sportive to alight. “Oh, what is that in heaven where grey cloud-flakes are seven, Where blackest clouds hang riven just at the rainy skirt?” “Oh, that’s a meteor sent us, a message dumb, portentous, An undeciphered solemn signal of help or hurt>” “Oh, what is that glides quickly where velvet flowers grow thickly, Their scent comes rich and sickly?” “A scaled and hooded worm.” ”Oh, what’s that in the hollow, so pale I quake to follow?” “Oh, that’s a thin dead body which waits the eternal term.” “Turn again, O my sweetest,--turn again, false and fleetest: This beaten way thou beatest, I fear is hell’s own track.” “Nay, too steep for hill mounting; nay, too late for cost counting: This downhill path is easy, but there’s no turning back.

Song" Two doves upon the selfsame branch, Two lilies on a single stem, Two butterflies upon one flower: Oh happy they who look on them. Who look upon them hand in hand Flushed in the rosy summer light; Who look upon them hand in hand And never give a thought to night.

There were stalls nestled around the castle the way the lights were, not in rows but in odd spots, as if the stalls had grown there or alighted on random places like birds. There was one stall with ringing chimes that was set halfway up a ruined wall, so the customers had to climb sliding pieces of slate to get to it. There were more stalls set in the grassy hollows among the stones and nestled into the corners of the walls. One woman had actually turned a ruined wall into her stall, brightly colored jars arranged on the jagged, protruding shards of stone. All through the fragments of a lost castle lit by magic moved the people of the Goblin Market. There was a man hanging up knives alongside wind chimes, which made dangerous and beautiful music as they rang together in the sea breeze. There was a boy who looked about twelve stirring something in a cauldron with a rich-smelling cloud handing over it, and bark cups ranged along his stall.

Not that I am totally obsessed with merchantry!” said Glasswort Groof as she led them in an artful circle round the Market. “Goblins are well-rounded, though you’d never think it from the dastard tales folk tell of us. For example, I enjoy stamp collecting as well as haggling. The stamps that pay our letters’ way Above are works of art, practically bigger than the envelope! I’ve an early Mallow three-kisser with a rampant rhinocentaur on it in pewter paint. Pride of my collection. And it goes without saying I’m quite the gardener. Goblin vegetables pack twice the punch of fruit with half the delicacy of a simpering little apricot. Soon turnips will be all the rage!

I was a cottage maiden Hardened by sun and air, Contented with my cottage mates, Not mindful I was fair. Why did a great lord find me out, And praise my flaxen hair? Why did a great lord find me out To fill my heart with care? He lured me to his palace home— Woe's me for joy thereof— 10 To lead a shameless shameful life, His plaything and his love. He wore me like a silken knot, He changed me like a glove; So now I moan, an unclean thing, Who might have been a dove. O Lady Kate, my cousin Kate, You grew more fair than I: He saw you at your father's gate, Chose you, and cast me by. 20 He watched your steps along the lane, Your work among the rye; He lifted you from mean estate To sit with him on high. Because you were so good and pure He bound you with his ring: The neighbours call you good and pure, Call me an outcast thing. Even so I sit and howl in dust, You sit in gold and sing: 30 Now which of us has tenderer heart? You had the stronger wing. O cousin Kate, my love was true, Your love was writ in sand: If he had fooled not me but you, If you stood where I stand, He'd not have won me with his love Nor bought me with his land; I would have spit into his face And not have taken his hand. 40 Yet I've a gift you have not got, And seem not like to get: For all your clothes and wedding-ring I've little doubt you fret. My fair-haired son, my shame, my pride, Cling closer, closer yet: Your father would give lands for one To wear his coronet.

Thackeray’s The Rose and the Ring (1855), Christina Rossetti’s Goblin Market (1862), Kingsley’s The Water Babies (1863).

It felt like a trap. Constructed to lure people in and keep them from ever leaving. Like that poem about the goblin market they'd studied in English. Suddenly, she wished she hadn't eaten or drunk anything since setting foot in the Fair Realm. She had to get away.

We must not look at goblin men, We must not buy their fruits: Who knows upon what soil they fed Their hungry thirsty roots?

My tears were swallowed by the sea;   Her songs died on the air.

The stars rise, the moon bends her arc, Each glowworm winks her spark

Have done with sorrow I will bring you plums tomorrow.

The majority of the crowd had looked human from a distance, but once she was among them, she had her doubts. Some were human shaped but had green or blue skin. A number had horns rising from their foreheads, short and pointed as antelopes'. One woman walked by with a rack of antlers that would do any stag proud, and small black birds seated on each tine, wearing silver collars around their necks. Others were not even human shaped. A trio of boards in starched collars, walking on their hind legs, went grunting past. Six white rats, each nearly three feet tall, carried a palanquin on their shoulders. And who could guess what lay beneath the pale braids that covered that figure from head to toe?

She picked up a river stone and set it down in the pile of treasure. It acquired facets and blazed like a ruby under her hands. She picked up a coin, stamped with the face of an ancient king, and moved it to the other side of the table, where it was a dried leaf with the edges turning to powder.

I pass trays of spun-sugar animals, little acorn cups filled with wine, enormous sculptures of horn, and a stall where a bent-backed woman takes a brush and draws charms on the soles of shoes. It takes some wandering, but I finally find a collection of sculpted leather masks. They are pinned to a wall and cunningly shaped like the faces of strange animals or laughing goblins or boorish mortals, painted gold and green and every other colour imaginable.

... her teeth had begun to dance. They twitched in her jaw like living things. She shrieked, not in pain but in horror, her mouth suddenly full of wiggling bone, as if she were in one of those nightmares where all her teeth fell out at once. It was like chewing and squirming and wiggling a loose tooth, wrapped all together, in time to the pennywhistle's tune. She tried to bite down hard, hoping to still the awful dance, but it was worse, much worse, all the teeth rattling against each other, her skull filling up with the sounds of chattering. Oh god oh god no no no no NO! It most of her teeth were dancing, the one bad molar was kicking. It felt as if it were battering against her cheek and the rest of her teeth, like a bird at a window, slam, slam, slam. The Toothdancer leaned in closer and played more quickly. Marra wanted to scream in denial, but if she opened her mouth, all her teeth would dance out. Oh god this was worse than anything worse than the blistered land, that had been outside, and this was inside her skin inside her face- With a popping sensation, the bad tooth pulled itself free of her jaw. It landed on her tongue, bouncing like an insect and began to batter against the backs of her lips. Marra yelped at the sensation of hard, crawling life loose inside her mouth. She tried frantically to spit. The Toothdancer dropped the pennywhistle, leaned in, and plucked the tooth neatly from the surface of her tongue with his beak. He turned and dropped the tooth, wet and glistening, in to the tooth seller's palm. Then he bowed very politely to Marra, patted her arm, and walked away.

It looked like a market, but such a market as Marra had never seen. There were jeweled pavilions crowded next to mud huts and hide tents and things that looked like upside-down bird nests. The aisles between were crowded, but the people within them did not move like a crowd. They moved like dancers, some light, some heavy, some in circling solitary waltzes. They reminded Marra far more of the courtiers in the prince's palace than of the town on market day.

The Toothdancer looked like a stork or a heron, with a long hard bill and a curved, mobile neck. He wore a tattered black suit, with feathers sticking out of the holes, and his hands were very human. When he turned his head, Marra saw half a man's face below the beak, as if it were a mask, and yet his eyes were clearly a heron's, the colour of new-minted coins, and set back from the beak like a bird's.

The staircase seemed much longer going up than coming down. Perhaps that was always the way in a fairy world. The man she had ransomed, the man she needed, had his arm locked around hers. They leaned against each other, shoulder against shoulder, two humans in a place where no humans should ever have come. When Marra looked over at him in the sickly firefly light, she could see a silvery terror in his eyes, mastered but very much alive. Bonedog walked beside them, Marra's hand wrapped around the rope collar. She felt the illusion of fur against her fingers, except when she didn't and he briefly felt like bones.

To-morrow,' cried they, one and all,   While no one spoke of yesterday. 20 Their life stood full at blessed noon;   I, only I, had passed away: 'To-morrow and to-day,' they cried; I was of yesterday.

Come buy, come buy

The fair folk?” Marra licked her lips. “Is it dangerous?” “Deeply,” said the dust-wife. “But everywhere’s dangerous if you’re foolish about it. The goblin market has rules, and if you obey the rules, it’s no worse than anywhere else.” She considered for a moment. “At least if you’re there outside the dark of the moon. The rules change in the dark, and sometimes they change minute to minute. Full and waxing are more forgiving. We’ll go tonight.” “Where is it?” “Doesn’t matter.” The dust-wife’s mouth crooked up at the corner. “If we can find a stream, it’s easier to get there. If not, we’ll go by fire.” Marra had to be content with that, because no further information was forthcoming. She added the goblin market to things that she had to worry about, and felt anxiety gnawing her rib cage.

Come buy, come buy: Our grapes fresh from the vine, Pomegranates full and fine, Dates and sharp bullaces, Rare pears and greengages, Damsons and bilberries, Taste them and try: Currants and gooseberries, Bright-fire-like barberries, Figs to fill your mouth, Citrons from the South, Sweet to tongue and sound to eye; Come buy, come buy. —CHRISTINA ROSSETTI, GOBLIN MARKET

The poem was called “Goblin Market,” and the book whose proof pages were on the desk was titled Goblin Market and Other Poems. Christina

For there is no friend like a sister In calm or stormy weather; To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands.

It would be squash fritters, squash pudding, pierogies stuffed with squash until autumn. Every year they ate squash until they were sick of it.

She liked cookies and press cake; paczki filled with cream; tarts and candies. The more sugar the better. Fruit wasn't sweet enough for her.