Goats Image Quotes

Today I awoke from a sound sleep with curses of joy on my lips, with gibberish on my tongue, repeating to myself like a litany – "Fay ce que vouldras!… fay ce que vouldras!"; Do anything, but let it produce joy. Do anything, but let it yield ecstasy. So much crowds into my head when I say this to myself: images, gay ones, terrible ones, maddening ones, the wolf and the goat, the spider, the crab, syphilis with her wings outstretched and the door of the womb always on the latch, always open, ready like the tomb. Lust, crime, holiness: the lives of my adored ones, the failures of my adored ones, the words they left behind them, the words they left unfinished; the good they dragged after them and the evil, the sorrow, the discord, the rancor, the strife they created. But above all, the ecstasy!

The paintings here were mystifying. In the reds and greens of the canvases, maidens danced with animals, a goat or something carried a violin in its mouth, and a man and a woman embraced under a gigantic blazing bouquet. This swarm of unrelated images was like a glimpse into a dream. But not a good one. The joy I saw there was ferocious, and the sadness suffocatingly cold. Blues thrown onto the canvas warred with yellows approaching like tornadoes. People gathered round aghast to watch a circus spin to life.

The carved images on the early Minoan sealstones are tantalising, inscrutable. The Nature Goddess is yanked from the soil like a snake or a sheaf of barley; the Mistress of the Animals suckles goats and gazelles. There are male Adorants certainly - up on tiptoe, their outstretched arms hoisted in a kind of heil, their bodies arched suggestively, pelvis forward, before the Goddess - but there are no masculine deities, not a single one in sight. No woman worth her salt, one might think, could fail to be intrigued.

When Charles Darwin published On the Origin of Species in 1859, he exposed the world to a momentous discovery . For the first time in history, human beings were seen not as creatures of divine origin, but instead, as a product of nature, an animal like every other on the planet. Imagine yourself back in that amazing year. The day before Darwin’s book was published, you wake up thinking yourself the image of God; the next morning you realize you have the face of a monkey. Not everybody immediately embraced this rude demotion from god to goat.

Mirabai composed many ecstatic songs which are still treasured in India; I translate one of them here: “If by bathing daily God could be realised Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife would summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love.

Slavery has been outlawed in most arab countries for years now but there are villages in jordan made up entirely of descendants of runaway Saudi slaves. Abdulrahman knows he might be free, but hes still an arab. No one ever wants to be the arab - its too old and too tragic, too mysterious and too exasperating, and too lonely for anyone but an actual arab to put up with for very long. Essentially, its an image problem. Ask anyone, Persian, Turks, even Lebanese and Egyptians - none of them want to be the arab. They say things like, well, really we're indo-russian-asian european- chaldeans, so in the end the only one who gets to be the arab is the same little old bedouin with his goats and his sheep and his poetry about his goats and his sheep, because he doesnt know that he's the arab, and what he doesnt know wont hurt him.

asked him what exactly he meant by that. “When somebody says something about me on radio or TV, or when they write articles in the papers or tabloids, I don’t combat it, and I don’t try to correct it. I give no credence to any of it. I just let it become their reality. I know it’s not true, but that becomes the image that is created. It really doesn’t matter what a bunch of people I don’t know think of me. My family and my true friends know who I am.

Mirabai composed many ecstatic songs, which are still treasured in India. I translate one of them here: If by bathing daily God could be realized Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife could summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love. Several

He could galvanize the dead with his talk. It was a sort of devouring process: when he described a place he ate into it, like a goat at tacking a carpet. If he described a person he ate him alive from head to toe. If it were an event he would devour every detail, like an army of white ants descending upon a forest. He was everywhere at once, in his talk. He attacked from above and below, from the front, rear and flanks. If he couldn't dispose of a thing at once, for lack of a phrase or an image, he would spike it temporarily and move on, coming back to it later and devouring it piecemeal. Or like a juggler,- he would toss it in the air arid, just when you thought he had forgotten it, that it would fall and break, he would deftly put an-arm behind his back and catch it in his palm without even turning his eye. It wasn't just talk he handed out, but language — food and beast language. He always talked against a landscape, like the protagonist of a lost world.

That goat has been nothing but trouble. And the dratted creature isn’t even picturesque. Goats resemble nothing so much as badly dressed sheep.” “That’s quite unfair,” Beatrix said. “Goats have far more character and intelligence than sheep, who are nothing but followers. I’ve met far too many in London.” “Sheep?” Christopher asked blankly. “My sister is speaking figuratively, Captain Phelan,” Amelia said. “Well, I have met some actual sheep in London,” Beatrix said. “But yes, I was mainly referring to people. They all tell you the same gossip, which is tedious. They adhere to the current fashions and the popular opinions, no matter how silly. And one never improves in their company. One starts falling in line and baaing.” A quiet laugh came from the doorway as Cam Rohan entered the room. “Obviously Hathaways are not sheep. Because I’ve tried to herd the lot of you for years, without any success.” From what Christopher remembered of Rohan, he had worked at a London gaming club for a time, and then had made a fortune in manufacturing investments. Although his devotion to his wife and family was well-known in Stony Cross, Rohan was hardly the image of a staid and respectable patriarch. With his longish dark hair, exotic amber eyes, and the diamond stud flashing in his ear, his Romany heritage was obvious. Approaching Christopher, Rohan exchanged a bow and surveyed him with a friendly gaze. “Captain Phelan. It is good to see you. We were hoping for your safe return.” “Thank you. I hope my presence is not an imposition.” “Not in the least. With Lord Ramsay and his wife still in London, and my brother Merripen and his wife visiting Ireland, it’s been far too peaceful here of late.” Rohan paused, a glitter of amusement entering his eyes. “Fugitive goats notwithstanding.

An Ant in the Mouth of the Furnace Sorrow likes itself most when it’s At its best being A barrier Impenetrable. An obstacle. A veil that can’t be torn. When beyond its deckled edges sorrow won’t let you see. As if you were a blue blur on paper intended to be a child’s image of heaven. And it takes more bearing because more of it is always coming. And it takes up space where space has never been. Where there is no space. Where no space has ever been. And it will not move. And brings all else to a standstill. To no longer be in a state of grief is also a state. To encounter the respite it is Is to judge Sometimes one’s self Other times others. There must be a name somewhere For what’s not there For what doesn’t By its aggravating presence Begin to replicate what’s gone. Goat in the snow. My life’s work. Man overboard. Black & blue overcoat. Orange eyes. Bleeding wall. Ring-tailed neck riverbed blanket. It’s not As though After all Suits every blue circumstance As if — what’s that — — what comes after — After which is Is no other After afterall No after other All as if at Last all that That grieving It is over — So as to make room for another You are doing something With someone who isn’t here How many conversations With who isn’t Able to talk back Is one human allotted? Things were only Like they were Because we were Having them together. Having them without you Is another thing altogether Before when You once were Here we was A something never failing We could Be counted on We would Have always been What we were No wonder

If by bathing daily God could be realised Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife would summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love.

If by bathing daily God could be realized Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife could summon God Would not thousands be eunuchs?

Women are twice as likely to suffer depression as men are, because on the average they think about problems in ways that amplify depression. Men tend to act rather than reflect, but women tend to contemplate their depression, mulling it over and over, trying to analyze it and determine its source. Psychologists call this process of obsessive analysis rumination, a word whose first meaning is “chewing the cud.” Ruminant animals, such as cattle, sheep, and goats, chew a cud composed of regurgitated, partially digested food—not a very appealing image of what people who ruminate do with their thoughts, but an exceedingly apt one. Rumination combined with pessimistic explanatory style is the recipe for severe depression. This ends the bad news. The good news is that both pessimistic explanatory style and rumination can be changed, and changed permanently. Cognitive therapy can create optimistic explanatory style and curtail rumination. It prevents new depressions by teaching the skills needed to bounce back from defeat. You will see how it works on others, and then you will learn how to use its techniques on yourself.

I get straight to work preparing my yeast, mixing it with a splash of milk and warming it in a pan as an image of a Swedish cardamom twist comes into my head. With its elaborate plaiting, it's like a cinnamon roll but more complex. I love a bread tied in knots. I'll make mine savory. That will be interesting. I turn off the burner and rush to my designated sage-green refrigerator on the side of the tent. It's stocked to the brim, stuffed full of fresh produce, exotic fruits, and dairy from local farms. I get to work, sorting through my options. What is this? Spring onion? No, chives. That'll be perfect. I'll dice them and mix them with olive oil, so they crisp up in the cracks of the bread, along with some mature cheddar. I dig deeper in the dairy compartment and find a log of expensive goat cheese. Even better! Then I'll add a ton of fresh-ground black pepper and top with some flaky sea salt. My mouth is already watering. Pair a few of these freshly baked buns with a crisp, mineral white and aperitvo is served!

They camped at night among evergreens, and George showed her how to make use of her herbs for a lentil stew for breakfast. She already was thinking longingly of the food back in the Palace- though, she was ravenous enough to have eaten almost anything. But their fare was plain in the extreme and even though there was quite enough to keep her from feeling hungry, still, images of roast fowl, lamb, bowls of ripe fruit and yogurt, fresh bread and honeycomb, and sweet wine kept intruding between her and her plain flatbread and crumbled goat cheese and olives.

Environmental historian Valeria Fogleman wrote that perhaps the early Christian colonists saw themselves figuratively as the wolves’ prey based on the New Testament’s anecdote of Jesus sending his followers out as sheep among wolves. Their antipathy and fear toward wolves was a physical manifestation of their spiritual protectiveness, she wrote, for “wolves were considered capable of murdering a person’s soul.” Wolves were also viewed through a religious and cultural lens as animals that made pacts with the devil, thereby garnering them the stigma of being full of trickery and evil. Livestock damages may have been the rational argument for clearing wolves from the woods around settlements, but wolves likely also symbolized a potent religious threat in the minds of some early colonists. The Native Americans did not view wolves so negatively, and some even tattooed images of wolves - along with moose, deer, bears, and birds - on their cheeks and arms, according to William Wood, writing about New England in 1634, described the “ravenous howling Wolfe: Whose meagre paunch suckes like a swallowing gulfe” in a passage that imparts the belief that wolves consumed more prey than was necessary. Wood wished that all the wolves of the country could be replaced by bears, but only on the condition that the wolves were banished completely, because he believed wolves hunted and ate black bears. He also lamented that “common devourer,” the wolf, preying upon moose and deer. No doubt, the colonists wanted the bears, moose, and deer for their own meat and hide supplies. Yet Wood also observed the wolves of New England to be different from wolves in other countries. He wrote that they were not known to attack people, and that they did not attack horses or cows but went after pigs, goats, and red calves. The colonists seemed to believe the wolves mistook calves that were more coppery colored for deer, so much so that a red-colored calf sold for much less than a black one.

If by bathing daily God could be realized Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife could summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love.

God is utterly holy and set apart from sinful man, and the blood of bulls and goats cannot take away sin. So God graciously established a means by which these sacrifices would be tied to a future sacrifice for sin. The people were to live by faith through grace, and to multiply followers of the one, true God. They were to be imagers who would know, obey, and use God’s word to spread the knowledge of the Lord over the whole earth.

Deity Candle Colors Images and Symbols Pan Purple, brown, green Goat, pan pipes, caves, mountain forests Gaia Green, blue, brown Serpent, bees, harvested crops, green calcite, amber, honeysuckle Hecate Black, orange Snake, black dog, raven Venus Pink, white Spring flowers, pine cones Bacchus Red, purple Chalice, lion, bull Diana Silver, white Bow and arrow, forest animals, vegetation

We stepped down a path well-worn by many feet through many seasons. It was soft, smooth under our bare feet and on either side the branches were heavy with blossom—almond trees planted by tender hands, long dead, lost dust but never forgotten, their stories told around the feasting table. Music too—a zither, a flute, the heartbeat of a drum. “Our feet knew this path well. As children, we followed our mothers, our arms filled with loaves and sweet-smelling flowers or we held the hands of our grand-dams. From this old road, we entered into a clearing at the crest of the hill. The grove of our Oldest Mother waited for the women each month at the crescent Moon. Our Mother stood in a circle of almond trees, an image carved from a cedar tree. She stood straight and tall, carved by women’s hands long ago and smeared with sacred milk and honey, and with holy blood. Her face was strange with large staring eyes that looked into the future and into the past. She was taller than the tallest village woman and stout, firmly set in the earth. Her arms were folded above her belly and they held new babies, wild tears, offerings of small stones and beads. She was strong and beautiful, our perfect Mother. Sweet herbs and flowers were always strewn at the base of the wooden plinth and there were gifts among the stems—bowls of goat milk, shiny rocks, handfuls of dates. We would touch her with reverent fingertips, dusting the old wood with our kisses. The love that flowed through this grove sustained the women from moon to moon as the world changed around us. We drew comfort from ancient familiarity and unquestioning adoration. A place of wisdom, a place where our grief had a container but our joy was unbound. We danced, alone or in a tight circle, our hands around our sisters’ waists, our heads resting on soft shoulders, our floating hair scented with rose and frankincense.“ -H. Byron Ballard, excerpt from “The Grove of Earthly Delights” - Asherah: Roots of the Mother Tree.