Goat Life Quotes

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It's bad enough in life to do without something YOU want; but confound it, what gets my goat is not being able to give somebody something you want THEM to have.
Truman Capote (A Christmas Memory)
No matter how much I wanted all those things that I needed money to buy, there was some devilish current pushing me off in another direction -- toward anarchy and poverty and craziness. That maddening delusion that a man can lead a decent life without hiring himself out as a Judas Goat.
Hunter S. Thompson (The Rum Diary)
This life of ours...human life is like a flower gloriously blooming in a meadow: along comes a goat, eats it up---no more flower.
Anton Chekhov
A book is like a key that fits into the tumbler of the soul. The two parts have to match in order for each to unlock. Then—click—a world opens.
Brad Kessler (Goat Song: A Seasonal Life, A Short History of Herding, and the Art of Making Cheese)
There is a life behind the personality that uses personalities as masks. There are times when life puts off the mask and deep answers unto deep.
Dion Fortune (The Goat-Foot God)
Gideon laughed. "I like to be direct." "Okay," I said. "But I warn you, I like to be evasive, inserutable and generally send mixed messages." "I doubt it." "Human interaction is not my strong point," I told him. "Not seriously." "Seriously," I said. Thinking: There is so much about me he doesn't know. Gideon put his hand on my leg. "What's your strong point, then?" "Goats," I told him. "I am excellent with goats.
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
Good things never last, bad things never die.
John Darnielle (Master of Reality)
I knew Dad was concerned about my past associations. I was from the Trash Alley. It was my community. I hung out with thugs from the Frog Bottom, the Burns Bottoms, the Red Line, the S-Curve, the Sandfield, the Morning Side, and a bunch of other places that shall remain nameless. I knew all of the “Legends of the Hood”: Sin Man, Swap, Boo Boo, Emp-Man, Cookie Man, Shank, Polar Bear, Bae Willy, Bae Bruh, Skullhead Ned, Pimp, Crunch, and Goat Turd (just to name a few). I thought maybe Dad had summoned me as a “show and tell” for the kids in his neighborhood—the hardliner to scare those wayward suburban brats back into reality.
Harold Phifer (Surviving Chaos: How I Found Peace at A Beach Bar)
People know your tragedies and they treat you like you’re not human. Like you’re a three-headed goat. A monster from some other planet. They keep reminding you of your pain. You see how they look at me? They’re stuck on that person I used to be. They can’t see that old life as just a moment in time that I’ve moved on from. It was a horrible life.
Eric Jerome Dickey (Genevieve)
Every universe, our own included, begins in conversation. Every golem in the history of the world, from Rabbi Hanina's delectable goat to the river-clay Frankenstein of Rabbi Judah Loew ben Bezalel, was summoned into existence through language, through murmuring, recital, and kabbalistic chitchat -- was, literally, talked into life.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
I still hadn’t learned the power of words. How, once they have left your mouth, they have a breath and a life of their own. I had yet to realize that you no longer own them. I hadn’t learned that, once you have let them go, the words can then, in fact, become the owner of you.
Joanna Cannon (The Trouble with Goats and Sheep)
BORKIN: [Sighing] The life of a man is like a flower, blooming so gaily in a field. Then, along comes a goat, he eats it, and the flower is gone!
Anton Chekhov (Ivanov (Plays for Performance Series))
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
All I wanted to do was be a hero... But do I ever get to be a hero? All I ever get to be is the stupid goat!" "Don't be discouraged, Charlie Brown... In this life we live, there are always some bitter pills to be swallowed..." "If it's all the same with you, I'd rather not renew my perscription!
Charles M. Schulz (The Complete Peanuts, Vol. 5: 1959-1960)
Once, in a village, there was a goat. No one knew where she was born. The birth of an ordinary life never leaves a trace, does it?
பெருமாள் முருகன் (Poonachi: Or the Story of a Black Goat)
Miss Vesper Holly has the digestive talents of a goat and the mind of a chess master. She is familiar with half a dozen languages and can swear fluently in all of them. She understands the use of a slide rule but prefers doing calculations in her head. She does not hesitate to risk life and limb- mine as well as her own. No doubt she has other qualities as yet undiscovered. I hope not.
Lloyd Alexander (The Illyrian Adventure)
God has a sense of humor that gets my goat sometimes.
Robert McCammon (Boy's Life)
You religious men who boast so much that you live on charity including what the poor manage to scrape together out of their meagre income - how can you justify your actions? How can your moral conscience be clear when you acknowledge that in no way do you contribute to the society that is maintaining you, day after day? In your self complacent conceit, you denigrate and harshly condemn, those who, with their sweat and hard work, provide you with a life fit for a king. What is the reason you spend your lives living comfortably in some ashram or isolated monastery when life only makes sense if it is experienced with your fellow brothers and sisters by showing compassion to them? It is easy and simple enough to spend your lives meditating in the Himalayas being irritated by nothing and no one if not the occasional goat, rather than placing yourselves in the midst of your fellow men and living an ordinary life of toil as they do. Do not delude yourselves, because what you refer to as a state of internal peace represents nothing but the personal satisfaction of the conscious ego that is admiring and adoring itself..
Anton Sammut (The Secret Gospel Of Jesus AD 0-78)
My parents, and librarians along the way, taught me about the space between words; about the margins, where so many juicy moments of life and spirit and friendship could be found. In a library, you could find miracles and truth and you might find something that would make you laugh so hard that you get shushed, in the friendliest way. There was sanctuary in a library, there is sanctuary now, from the war, from the storms of our family and our own anxious minds. Libraries are like the mountain, or the meadows behind the goat lady’s house: sacred space." [Good Friday world, Salon.com, March 28, 2003]
Anne Lamott
I suppose she's right. It's like a metaphor for life: No one wants an ornery old goat, but we can't resist opening the door ayway. We can't keep from hoping.
Lauren Myracle (Bliss (Crestview Academy, #1))
Will we see each other again?” she asked softly. “Yes.” Gauri fell silent. “In this life?” I turned to face her. “What do you mean?” “Mother Urvashi says that if I’m bad in this life then I’ll come back as a goat in my next life. Which means that there is another life.” Gauri didn’t look at me, focusing instead on tightly twisting the hem of her gown. “So will you see me again before I’m a goat?
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?” The poor wretch flees. I am not making chatter; I mean to change his life.
Annie Dillard (Pilgrim at Tinker Creek)
Oh, just you wait. I'll have, like Great Danes and pygmy goats and maybe even a baby panda living with me. That is what panic does to people if the attacks get bad enough.
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
My name is Nick Gautier and this is the story of my life. First off, get the name right. It’s pronounced Go-shay not Go-tee-ay or Goat-chay (that has an extra H in it and as my mom says we’re so poor we couldn’t afford the extra letter). I’m not some fancy French fashion designer. I’m just a regular kid… well as regular as someone with a stripper for a mother and a career felon for a father can be.
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
Pardon me, but my father says that it is a lie that Americans have everything. You have no sheep, no goats, no trees, no oil, no vines, no wine, not even chickens. He asks, 'What kind of life is that?' He says, 'No wonder you don't sing or dance or recite poetry very often.
Robert Fulghum (What On Earth Have I Done?: Stories, Observations, and Affirmations)
Ah ken the junk gits bad press, but ah think it's barry. It's easy tae criticize something fae outside, but yuv goat tae experience eveything in life, ken? Thinkay how shitey things would huv been for eveycat if Jim Morrison hudnae droaped acid. He widnae broken oan through tae the other side n aw barry tunes wid be shiter as a result.... it aw disnae goaway on skag:it jist disnae bother ye any mair.
Irvine Welsh (Skagboys (Mark Renton, #1))
I often feel like a camel in the mountains, and a goat in the desert. Ah, but that’s life, no?
Jarod Kintz (Ah, but that's life, no?)
If you have no troubles – buy a goat.
Idries Shah (The Dermis Probe)
No matter what people say, life is marvelous, if you want to know who gets mu goats, it's those killjoy pessimists, even if I have plenty to complain about, you don't hear a peep out of me, what for. I ask you, what for, when life can bring me a day like today; oh, how marvelous it all is: a strange town, and me here with you...
Milan Kundera (The Joke)
Men have always hated the wolf." "Why?" said the boy indignantly, suddenly looking very unhappy indeed. "Maybe because they see something in the wolf that they hate and fear in themselves. Maybe because wolves take their sheep and goats, as if we shouldn't all share life's bounty.
David Clement-Davies (The Sight (The Sight, #1))
Signs and wonders, eh? Pity if there is nothing wonderful in signs, and significant in wonders! There's a clue somewhere; wait a bit; hist--hark! By Jove, I have it! Look, you Doubloon, your zodiac here is the life of man in one round chapter; and now I'll read it off, straight out of the book. Come, Almanack! To begin: there's Aries, or the Ram--lecherous dog, he begets us; then, Taurus, or the Bull--he bumps us the first thing; then Gemini, or the Twins--that is, Virtue and Vice; we try to reach Virtue, when lo! comes Cancer the Crab, and drags us back; and here, going from Virtue, Leo, a roaring Lion, lies in the path--he gives a few fierce bites and surly dabs with his paw; we escape, and hail Virgo, the Virgin! that's our first love; we marry and think to be happy for aye, when pop comes Libra, or Scales--happiness weighed and found wanting; and while we are very sad about that, Lord! how we suddenly jump, as Scorpio, or the Scorpion, stings us in rear; we are curing the wound, when whang comes the arrows all round; Sagittarius, or the Archer, is amusing himself. As we pluck out the shafts, stand aside! here's the battering-ram, Capricornus, or the Goat; full tilt, he comes rushing and headlong we are tossed; when Aquarius, or the the Waterbearer, pours out his whole deluge and drowns us; and, to wind up, with Pisces, or the Fishes, we sleep. There's a sermon now, writ in high heaven, and the sun goes through it every year, and yet comes out of it all alive and hearty.
Herman Melville (Moby-Dick)
Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken? Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?
Irvine Welsh (Trainspotting)
Sometimes, we expect life to work a certain way and when it doesn’t we blame others or see it as a sign, rather than face the pain of the choices we should or shouldn’t have made. Real healing won’t begin until we stop saying, “God prevented this or that.” Often in our attempt to protect ourselves from pain, we leave things to fate and don’t take chances. Or, we don’t work hard enough to keep the blessings we are given. Maybe, we didn't recognize a blessing, until it was too late. Often, it is the lies we tell ourselves that keeps us stuck in a delusion of not being responsible for our lives. We leave it all up to God. The truth is we are not leaves blowing toward our destiny without any control. To believe this is to take away our freedom of choice and that of others. The final stage of grief is acceptance. This can’t be reached through always believing God willed the outcomes in our lives, despite our inaction or actions. To think so is to take the easy escape from our accountability. Sometimes, God has nothing to do with it. Sometimes, we just screwed up and guarded our heart from accepting it, by putting our outcome on God as the reason it turned out the way it did. Faith is a beautiful thing, but without work we can give into a mysticism of destiny that really doesn't teach us lessons or consequences for our actions. Life then becomes a distorted delusion of no accountability with God always to blame for battles we walked away from, won or loss.
Shannon L. Alder
From sunrise to sunset, I was in the forest, sometimes far from the house, with my goat who watched me as a mother does a child. All the animals in the forest became my friends, even dangerous and poisonous ones. Thanks to my goat-mother and my Indian nurse, I have always enjoyed the trust of animals--a precious gift. I still love animals infinitely more than human beings.
Diego Rivera (My Art, My Life)
At the end of his life, which had included financial ruin in the Great Depression, his wife's barbiturate addiction and death by overdose, and then his own lung cancer, Doc said, "It was enough to have been a unicorn." What he meant was that he got to do art. It was magic to him that his hands and mind got to make wonderful things, that he didn't have to be just another goat or horse.
Mark Vonnegut (Just Like Someone Without Mental Illness Only More So)
Climbing hills was never one of my great ambitions. Perhaps I was just lazy, but I admit--now that I've been climbing a hill every other day--that it's very difficult to think about the stresses in your life while you're trying to avoid falling backwards when a goat with large horns is chasing you because you came too close to the little patch of grass he was planning to eat for breakfast.
Gene Wilder (The Woman Who Wouldn't)
I understand you’ve been helping Gurn. A comfort to know that while you can’t work a simple spell, you can at least milk a goat” Her hands twitched before relaxing at her sides. He was curious to see if she’d conquer that urge to slam her fist into his jaw. It seemed so as she laced her fingers together until her knuckles turned white. “Yes, Master. I’ve worked among livestock all my life, including cows, pigs, goats…and asses.
Grace Draven (Master of Crows (Master of Crows, #1))
My twin sisters weren’t precisely human. They’d begun life as a pair of goat kids before a fair one had had too much wine and enchanted them on a lark. It was slow going, but I reminded myself that at least it was going. This time last year they hadn’t been house-trained. And it worked in their favor that their transformative enchantment had rendered them more or less indestructible: I’d seen March survive eating a broken pot, poison oak, deadly nightshade, and several unfortunate salamanders without any ill effects. For all my concern, March jumping off cabinets posed more danger to the kitchen furniture.
Margaret Rogerson (An Enchantment of Ravens)
That night longer than all my life before it. No scale or measure in this world can ever be held constant. We are always slipping.
David Vann (Goat Mountain)
The birth of an ordinary life never leaves a trace,
பெருமாள் முருகன் (Poonachi: Or the Story of a Black Goat)
The most favourite food of goats is a plant which has thorns all over it. But they munch on it so softly and artfully that thorns just add to the taste just as heat adds to the taste of coffee. That is the only way to win over duality: Drink life sip by sip, one moment at a time.
Shunya
You know what I think? I think wasted potential is a lot scarier than feeling overwhelmed. There is no monster greater than regret. I wouldn’t wish it on anyone. Yes, I do too much. It’s what I do.
Jenna Woginrich (One-Woman Farm: My Life Shared with Sheep, Pigs, Chickens, Goats, and a Fine Fiddle)
The paintings here were mystifying. In the reds and greens of the canvases, maidens danced with animals, a goat or something carried a violin in its mouth, and a man and a woman embraced under a gigantic blazing bouquet. This swarm of unrelated images was like a glimpse into a dream. But not a good one. The joy I saw there was ferocious, and the sadness suffocatingly cold. Blues thrown onto the canvas warred with yellows approaching like tornadoes. People gathered round aghast to watch a circus spin to life.
Mieko Kawakami (Heaven)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
With the exception of those born in refugee camps, every refugee used to have a life. It doesn’t matter whether you were a physician in Bosnia or a goat herder in the Congo: what matters is that a thousand little anchors once moored you to the world. Becoming a refugee means watching as those anchors are severed, one by one, until at last you’re floating outside of society, an untethered phantom in need of a new life.
Viet Thanh Nguyen (The Displaced: Refugee Writers on Refugee Lives)
Ravi was right. Truly I was to be the next goat. I had a wet, trembling, half-drowned, heaving and coughing three-year-old adult Bengal tiger in my lifeboat. Richard Parker rose unsteadily to his feet on the tarpaulin, eyes blazing as they met mine, ears laid tight to his head, all weapons drawn. His head was the size and colour of the lifebuoy, with teeth. I turned around, stepped over the zebra and threw myself overboard.
Yann Martel (Life of Pi)
What woman lives on her own with a goat and a low roof of drying herbs? What woman keeps company with the birds and the creatures that belonged to the dappled places? What woman finds contentment in such a solitary life, has no need of children or the comfort of a man? One who has been chosen to walk the boundaries. One who somehow has an understanding of the mysteries of the world and who sees in the clawing briars God's own handwriting.
Hannah Kent (The Good People)
It hit me that being hip was a full-time job, and I was only a part-timer. I couldn't hide forever that I liked county fairs, particularly the goat booth at the 4-H tent, or that I once spent a week with my grandmother at her house in the giant retirement community of Sun City, Arizona, and it was one of the most carefree times of my life.
Jancee Dunn
Indeed, a bird is made in such a way that it can fly, gather food and build a nest, and when I see a bird doing these things I rejoice. Goats, hares and wolves are made in order to eat, multiply and feed their families, and when they do this I feel quite sure that they are happy and that their lives are meaningful. What should a man do? He too must work for his existence, just as the animals do, but with the difference that he will perish if he does it alone, for he must work for an existence, not just for himself, but for everyone. And when he does this I feel quite sure that he is happy and that his life has meaning. And what had I been doing for all those thirty years of conscious life? Far from working for an existence for everyone, I had not even done so for myself. I had lived as a parasite and when I asked myself why I lived, I received the answer: for nothing. If the meaning of human existence lies in working to procure it I had spent thirty years attempting, not to procure it, but to destroy it for myself and for others. How then could I get any answer other than that my life is evil and meaningless? Indeed it was evil and meaningless.
Leo Tolstoy (A Confession and Other Religious Writings)
I couldn’t help the chuckle that escaped my lips. “You’re so right. I really need to say something else when people are getting my goat.” “Who’s getting your goat? You’ve got a goat?” she asked excitedly, her eyes big as saucers and her face full of expectation.
K.L. Shandwick (Another Life: A Second Chance Widowed Single Dad Romance)
Shams of Tabriz Befuddled believer! If every Ramadan one fasts in the name of God and every Eid one sacrifices a sheep or a goat as an atonement for his sins, if all his life one strives to make pilgrimage to Mecca and five times a day kneels on a prayer rug but at the same time has no room for love in his heart, what is the use of all this trouble? Faith is only a word if there is no love at its center, so flaccid and lifeless, vague and hollow -- not anything you could truly feel. Pity the fool who thinks the boundaries of his mortal mind are the boundaries of God the Almighty. Pity the ignorant who assume they can negotiate and settle debts with God. Do such people think God is a grocer who attempts to weigh our virtues and wrongdoings on two separate scales? Is He a clerk meticulously writing down our sins in His accounting book so as to make us pay Him back someday? Is this their notion of Oneness?
Elif Shafak (The Forty Rules of Love)
In the rainy season, back home, when the land had given way to water and the buffaloes grew webbed feet, when the hens took to the roofs, when marooned goats teetered on minuscule islands, when the women splashed across on the raised walkway to the cooking hut and found they could no longer kindle a dung-and-husk fire and looked to their reserves, when the rain rang louder than cow bells, rice was the means, the giver of life.
Monica Ali (Brick Lane)
Matheus pondered which deity he'd annoyed in a previous life. Maybe if he figured out which sacrifices he'd skipped, he could make amends. Did they sell goats at the farmer's market? Matheus wrinkled his nose. He didn't want to leave the city, not to mention the issue of travelling with a goat. People frowned on sticking farm animals in the trunk. What if he got a rack of lamp and chanted over that? Sheep were kind of like goats.
Amy Fecteau (Real Vampires Don't Sparkle (Real Vampires Don't Sparkle, #1))
There exists yonder in the mountains," said the Bishop, "a tiny community no bigger than that, which I have not seen for three years. They are my good friends, those gentle and honest shepherds. They own one goat out of every thirty that they tend. They make very pretty woollen cords of various colors, and they play the mountain airs on little flutes with six holes. They need to be told of the good God now and then. What would they say to a bishop who was afraid? What would they say if I did not go?" "But the brigands, Monseigneur?" "Hold," said the Bishop, "I must think of that. You are right. I may meet them. They, too, need to be told of the good God." "But, Monseigneur, there is a band of them! A flock of wolves!" "Monsieur le maire, it may be that it is of this very flock of wolves that Jesus has constituted me the shepherd. Who knows the ways of Providence?" "They will rob you, Monseigneur." "I have nothing." "They will kill you." "An old goodman of a priest, who passes along mumbling his prayers? Bah! To what purpose?" "Oh, mon Dieu! what if you should meet them!" "I should beg alms of them for my poor." "Do not go, Monseigneur. In the name of Heaven! You are risking your life!" "Monsieur le maire," said the Bishop, "is that really all? I am not in the world to guard my own life, but to guard souls.
Victor Hugo (Les Misérables)
All religions must, at their core, look forward to the end of this world and to the longed-for moment when all will be revealed and when the sheep will be divided from the goats, or whatever other bucolic Bronze-Age desert analogy might seem apt. (In Papua New Guinea, where as in most tropical climes there are no sheep, the Christians use the most valued animal of the locals and refer to the congregation as “swine.” Flock, herd: what difference does it make?) Against this insane eschatology, with its death wish and its deep contempt for the life of the mind, atheists have always argued that this world is all that we have, and that our duty is to one another to make the very most and best of it. Theism cannot coexist with this unexceptionable conclusion.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
Before coronapocalypse, people were so distracted by items presenting themselves throughout life; items that really do not matter. Noise for the mind. Ways to distract the heart. Escape goats, scapegoats (work, projects, moving targets, parties) for getting away from conditions of the soul and heart that must be fully faced and dealt with. Now there are no more distractions, noise evaporated. Everyone must face their truth now: their Demons and their Angels.
C. JoyBell C.
I sat there a long time, and thought about a lot of things. Foremost among them was the suspicion that my strange and ungovernable instincts might do me in before I had a chance to get rich. No matter how much I wanted all those things that I needed money to buy, there was some devilish current pushing me off in another direction—toward anarchy and poverty and craziness. That maddening delusion that a man can lead a decent life without hiring himself out as a Judas Goat.
Hunter S. Thompson (The Rum Diary)
And the earth itself still turning on its axis and revolving around that sun, the sun revolving around the luminous wheel of this galaxy, the countless unmeasured jewelled wheels of countless unmeasured galaxies, turning, turning, majestically, into infinity, into eternity, through all of which all life ran on—all this, long after she herself was dead, men would still be reading in the night sky, and as the earth turned through those distant seasons, and they watched the constellations still rising, culminating, setting, to rise again—Aries, Taurus, Gemini, the Crab, Leo, Virgo, the Scales and the Scorpion, Capricorn the Sea-goat and Aquarius the Water Bearer, Pisces, and once more, triumphantly, Aries!—would they not, too, still be asking the hopeless eternal question: to what end? What force drives this sublime celestial machinery?
Malcolm Lowry (Under the Volcano)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
She thought, sometimes, that, after all, this was the happiest time of her life—the honeymoon, as people called it. To taste the full sweetness of it, it would have been necessary doubtless to fly to those lands with sonorous names where the days after marriage are full of laziness most suave. In post chaises behind blue silken curtains to ride slowly up steep road, listening to the song of the postilion re-echoed by the mountains, along with the bells of goats and the muffled sound of a waterfall; at sunset on the shores of gulfs to breathe in the perfume of lemon trees; then in the evening on the villa-terraces above, hand in hand to look at the stars, making plans for the future. It seemed to her that certain places on earth must bring happiness, as a plant peculiar to the soil, and that cannot thrive elsewhere. Why could not she lean over balconies in Swiss chalets, or enshrine her melancholy in a Scotch cottage, with a husband dressed in a black velvet coat with long tails, and thin shoes, a pointed hat and frills? Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds? Words failed her—the opportunity, the courage.
Gustave Flaubert (Madame Bovary)
It was a wonderful meal at Michaud’s after we got in; but when we had finished and there was no question of hunger any more the feeling that had been like hunger when we were on the bridge was still there when we caught the bus home. It was there when we came in the room and after we had gone to bed and made love in the dark, it was there. When I woke with the windows open and the moonlight on the roofs of the tall houses, it was there. I put my face away from the moonlight into the shadow but I could not sleep and lay awake thinking about it. We had both wakened twice in the night and my wife slept sweetly now with the moonlight on her face. I had to try to think it out and I was too stupid. Life had seemed so simple that morning when I had waked and found the false spring and heard the pipes of the man with the herd of goats and gone out bought the racing paper. But Paris was a very old city and we were young and nothing was simple there, not even poverty, nor sudden money, nor the moonlight, nor right and wrong nor the breathing of someone who lay beside you in the moonlight.
Ernest Hemingway (A Moveable Feast)
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?” Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.” As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!” “Oy,” says Peter, “another one - wait here.” He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten. “What is it, my son?” he asks. The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?” “Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ” Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?” “No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?” The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
Weirdly, D&D didn't encourage my leanings towards trying magic of my own at all. In fact, it frustrated them. Even the most pompous and ambitious historical magicians, from the Zaroastrian Magi through John Dee, Francis Barrett and Aleister Crowley, never claimed to be able to throw fireballs or lightning bolts like D&D wizards can. So D&D was never going to feed the fantasies of practising magic in the real world. That is all about gaining secret knowledge, a higher level of perception or inflicting misfortune or a boon on someone rather than causing a poisonous cloud of vapor to pour from your fingers (Cloudkill, deadly to creatures with less than 5 hit dice, for those who are interested). The game, as we played it, just doesn't support the occult idea of magic. In fact, it might even be argued that, by giving such a powerful prop to my imagination, D&D stopped me from going deeper into the occult in real life. I certainly had all the qualifications—bullied power-hungry twerp with no discernable skill in conventional fields and no immediate hope of a girlfriend who wasn't mentally ill. It's amazing I'm not out sacrificing goats to this day.
Mark Barrowcliffe (The Elfish Gene: Dungeons, Dragons And Growing Up Strange)
What drew him towards the outside was not the student, not the goat, not even the man in the down-at-heel shoes who joined them. Simply the street, like a blanched life-drained cadaver, fettered his whole attention. Never before had he seen it look so monstrously real, lit by the tired face of the moon, quiet and grave. There was about it, as it were, a sort of despairing dignity. You might have thought that the street had been killed by the weight of its suffering, that it had that moment died after long agony. It was old, the street, hobbling and twisted with age. Some of its houses were already crumbling in ruins. For years now it had sheltered the petty life of men. And now they had elected it to express the extent of their weariness. Naked beneath the prodigious brightness of the moon, it revealed all that men hid in the depths of their beings, the little hopes, the hates so huge. No longer could it hide anything; it cried out its despair from every corner.
Albert Cossery (Men God Forgot)
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
The ox was bad enough, Mina thought as she checked out the damage to her vegetables, yet now I have goats to torment me. However, if the goru was like the king, then the goats must be like the political parties, so maybe in the end her life won’t be so different after all? Yet she had to make sure that it would be different this time somehow, at least for Sidip’s sake, if for no other reason.
Andrew James Pritchard (To Revolt Is a People's Right)
When God doesn't conform to our expectations, we're tempted to betray what we believe in. Like Judas, we're in it for what we can get out of it. So when God doesn't grant our wishes like a divine genie in a bottle, we are tempted to turn our back on Him. This is what separates the boys from the men. Or maybe I should say the sheep from the goats! How do you react when God doesn't meet your expectations? If you truly accepted the invitation to follow Jesus, you'll keep going on through hurricanes, hail, and hazardous conditions. If you have simply invited Him to follow you, you'll bail out at the first sign of bad weather.
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
Last night I dreamed of the "happy hunting ground." I passed through a place of bones that looked human, but weren't--the skulls were wrong. Then I came to a place where the days were the best of every season, the sweetest air and water in spring, then the dry heat where deer make dust in the road, the fog of fall with good leaves. And you could shoot without a gun, never kill, but the rabbits would do a little dance, all as if it were a game, and they were playing it too. Then winter came with heavy powder-snow, and big deer, horses, goats and buffaloes--all white--snorted, tossed their heads, and I lay down with my Army blanket, made my bed in the snow, then dreamed within the dream. I dreamed I was at Fleety's, and she told me the bones were poor people killed by bandits, and she took me back to the place, and under a huge rock where no light should have shown, a cave almost, was a dogwood tree. It glowed the kind of red those trees get at sundown, the buds were purple in that weird light, and a madman came out with an axe and chopped at the skulls, trying to make them human-looking. Then I went back to the other side of both dreams. --from a letter to his mother, Helen Pancake, where he describes a dream that seems to encapsulate the play between violence and gentleness in his life.
Breece D'J Pancake
The weeks up there were almost the most beautiful in my life. I breathed the pure, clear air, drank the icy water from streams and watched the herds of goats grazing on the steep slopes, guarded by dark-haired, musing goatherds. At times I heard storms resound through the valley and saw mists and clouds at unusually close quarters. In the clefts of rocks I observed the small, delicate, bright coloured flowers and the many wonderful mosses, and on clear days I used to like to walk uphill for an hour until I could see the clearly outlined distant peaks of high mountains, their blue silhouettes, and white, sparkling snow fields across the other side of the hill.
Hermann Hesse (Gertrude)
He believed in something larger than himself, but there was no evidence to point to someone or something listening to a man with brown leather shoes and a sweaty shirt. He didn't find this unusual or disturbing. Why should he be noticed when there were so many others to notice? It was like the dry blades of grass at his feet. Every blade was different, reaching for the sky in its own humble way, but from a goat's perspective, they were all the same: something to eat.
Eleanor Morse (White Dog Fell from the Sky)
Except that now, for having accused Ravi of an unspecified crime he hadn't committed, I was as good as dead. In years subsequent, when he was in the mood to terrorize me, he would whisper to me, "Just wait till we're alone. You're the next goat!
Yann Martel (Life of Pi)
This may have looked like a cookbook, but what it really is is an annotated list of things worth living for: a manifesto of moments worth living for. Dinner parties, and Saturday afternoons in the kitchen, and lazy breakfasts, and picnics on the heath; evenings alone with a bowl of soup, a or a heavy pot of clams for one. The bright clean song of lime and salt, and the smoky hum of caramel-edged onions. Soft goat's cheese and crisp pastry. A six-hour ragù simmering on the stove, a glass of wine in your hand. Moments, hours, mornings, afternoons, days. And days worth living for add up to weeks, and weeks worth living for add up to months, and so on and so on, until you've unexpectedly built yourself a life worth having: a life worth living.
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
Gale spreads the bread slices with the soft goat cheese, carefully placing a basil leaf on each while I strip the bushes of their berries. We settle back in a nook in the rocks. From this place, we are invisible but have a clear view of the valley, which is teeming with summer life, greens to gather, roots to dig, fish iridescent in the sunlight. The day is glorious, with a blue sky and soft breeze. The food's wonderful, with the cheese seeping into the warm bread and the berries bursting in our mouths.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
She never would admit it, but she felt utterly exposed at El Redentor, all those pale eyes gnawing at her duskiness like locusts––and she didn't know how to handle such vulnerability. Did what had always saved her in the past. Was defensive and aggressive and mad overreactive. You said something slightly off-color about her shoes and she brought up the fact that you had a slow eye and danced like a goat with a rock stuck in its ass. Ouch. You would just be playing and homegirl would be coming down on you off the top rope.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
Elizabeth studied the drawing again. She'd been reading Madeline a book about how the Egyptians used the surfaces of sarcophagi to tell the tale of a life lived -its ups, its downs, its ins, its outs-all of it laid out in precise symbology. But as she read, she'd found herself wondering- did the artist ever get distracted? Ink an asp instead of a goat? And if so, did he have to let it stand? Probably. On the other hand, wasn't that the very definition of life? Constant adaptations brought about by a series of never-ending mistakes? Yes, and she should know.
Bonnie Garmus (Lessons in Chemistry)
Crutches may be a pain in the (pinched nerve back) ass to use, but damn, they are handy when your dog pushes open the bathroom door while you are contemplating life. They're also handy to turn on lights just out of your reach, and to threat your husband with if he doesn't fetch you a Fresca because you are a poor, pathetic little thing huddled under a Snuggy, unable to walk without bellowing profanities at the top of your lungs, thereby scaring your dogs, the fat squirrel stuffing his face on the deck, and the manic depressive goats that live three houses down.
Katie MacAlister
My grandmother had been married to my grandfather for almost seventy years. Their relationship had been so close, their roots so deeply intertwined, that I rarely thought of them as individuals. Together, they had been one powerful spiritual force, a two-tiered anchor, a double-sided talisman. Now, for the first time, I wondered if my grandmother had ever longed for another life, if she had had any regrets, if on that last morning, while I was cooking oatmeal and spooning Folgers into her mug, she was dreaming of all the places she had been and the people she had loved, or if, in the end, she had simply taken one giant leap and become a part of it all.
Jennifer McGaha (Flat Broke with Two Goats)
Your life seems simple,' Lancelot said. Leo Sen said, 'My life is beautiful.' Lancelot saw that it was. He was enough of a lover of forms to understand the allure of such a strict life, how much internal wildness it could release. Leo waking to dawn over the cold seabird ocean, the fresh berries and goat-milk yogurt for breakfast, the tisanes of his own herbs, blue crabs in the black tide pools, going to bed with the whipping winds and rhythm of waves against hard rock. Lettuce shoots glowing in the south-facing windows. The celibacy, the temperate, moderate life that Leo lived, at least on the outside, in his state of constant cold. And the feverish musical life within.
Lauren Groff (Fates and Furies)
He told us of an incident from the life of the Prophet Musa. Musa heard a poor shepherd praying: ‘Where art Thou that I may serve Thee? I will mend Thy boots, comb Thy hair, give Thee milk from my goats.’ Musa reprimanded the shepherd for so speaking to God. God in His turn reprimanded Musa. ‘Thou hast driven away one of my true servants.
Khushwant Singh (Delhi: A Novel)
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
For them I learned to be a mother again, cooking pancakes and thick herb-and-apple sausages. I made jam for them from figs and green tomatoes and sour cherries and quinces. I let them play with the little brown mischievous goats and feed them crusts and pieces of carrot. We fed the hens, stroked the soft noses of the ponies, collected sorrel for the rabbits. I showed them the river and how to reach the sunny sandbanks. I warned them- with such a catch in my heart- of the dangers, the snakes, roots, eddies, quicksand, made them promise never, never to swim there. I showed them the woods beyond, the best places to find mushrooms, the ways of telling the fake chanterelle from the true, the sour bilberries growing wild under the thicket.
Joanne Harris (Five Quarters of the Orange)
A favorite pastime of soldiers on long mounted patrols was testing each other with impossible hypotheticals. They were an endearing yet vulgar form of moral drama, but only because the alternative was to contemplate being blown up by an illiterate goat herder’s morning project. “What would you rather do, have sex with your sister or shoot your mother?” “Would you rather pick up a baby with a pitchfork, or throw a paraplegic in a fire?” In one form or another, these young men were weighing the relative value of human life in real terms, perhaps as a surrogate for murkier thoughts that might otherwise be in the forefront, such as, “Why am I risking my life in this wasteland?” or “Whose life is worth more, that of my best friend in the gun turret or of some Iraqi kid I’ve never met?” It passed the time.
Mike MacLeod
Hidden under wild ferns on Howth. Below us bay sleeping sky. No sound. The sky. The bay purple by the Lion's head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you'll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweet and sour with spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft, warm, sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her; eyes, her lips, her stretched neck, beating, woman's breasts full in her blouse of nun's veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.
James Joyce (Ulysses)
We Let the Boat Drift I set out for the pond, crossing the ravine where seedling pines start up like sparks between the disused rails of the Boston and Maine. The grass in the field would make a second crop if early autumn rains hadn't washed the goodness out. After the night's hard frost it makes a brittle rustling as I walk. The water is utterly still. Here and there a black twig sticks up. It's five years today, and even now I can't accept what cancer did to him -- not death so much as the annihilation of the whole man, sense by sense, thought by thought, hope by hope. Once we talked about the life to come. I took the Bible from the nightstand and offered John 14: "I go to prepare a place for you.""Fine. Good," he said. "But what about Matthew? 'You, therefore, must be perfect, as your heavenly Father is perfect.'" And he wept. My neighbor honks and waves driving by. She counsels troubled students; keeps bees; her goats follow her to the mailbox. Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddles rested across our laps; glittering drops fell randomly from their tips. The light around us seemed alive. A loon-itinerant- let us get quite close before it dove, coming up after a long time, and well away from humankind
Jane Kenyon (Otherwise: New and Selected Poems)
It seems jolly on the page. But imagine poverty, violence, natural disasters, or political fear driving you away from everything you know. Imagine how bad things get to make you leave behind your family, your friends, your lovers; your home, as humble as it might be; your church, say. Let's take it further - you've said good-bye to the graveyard, the dog, the goat, the mountains where you hunted, your grade school, your state, your favorite spot on the river where you fished and took time to think.
Luis Alberto Urrea (Across the Wire: Life and Hard Times on the Mexican Border)
Man wills to make of earth, not one Jerusalem but two; this sacramental blood de- clears the double mind by which he wills to lift both lion and lamb beyond the killing to exchange unaccount- able and vast. Man's priestliness therefore bespeaks his refusal of despair; proclaims acceptance of a world which, by its murderous hand, subscribes the insupportable dilemma of its being—the war of lion and lamb having no other, likely outcome here than two im- possibilities: The one, a pride of victors feeding on the slain; but leaving the lion as he was before, trapped in ancient reciprocities by which at last all power falls to crows; And the other, a hymn to despair no victim will accept; it is not enough, in this paroxysm of two martyrdoms, to stand upon the ship- wrecks of the slain and praise the weak for weakness; the lamb's will, too, was life; he died refusing death. Sacrifice therefore Not written off, but recognized, a sign in blood of the vaster end of blood; a redness turning all things white; an impossibility prefiguring the last exchange of all. The old order, of course, unchanged; the deaths of bulls and goats achieving nothing; Aaron still ineffectual; creation still bloody; But haunted now by bells within the veil where Aaron walks in shadows sprinkling blood and bids a new Jerusalem descend. Endless smoke now rising Lion become priest And lamb victim The world awaits The unimaginable union By which the Lion lifts Himself Lamb slain And, Priest and Victim, Brings The City Home.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
The Pyrenean ibex, an extinct form of wild mountain goat, was brought back to life in 2009 through cloning of dna taken from skin samples. This was followed in June of 2010 by researchers at Jeju National University in Korea cloning a bull that had been dead for two years. Cloning methods are also being studied for use in bringing back Tasmanian tigers, woolly mammoths, and other extinct creatures, and in the March/April 2010 edition of the respected Archaeology magazine, a feature article by Zah Zorich (“Should We Clone Neanderthals?”) called for the resurrection via cloning of what some consider to be man’s closest extinct relative, the Neanderthals. National Geographic confirmed this possibility in its May 2009 special report, “Recipe for a Resurrection,” quoting Hendrik Poinar of McMaster University, an authority on ancient dna who served as a scientific consultant for the movie Jurassic Park, saying: “I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I’m not laughing anymore.… This is going to happen.
Thomas Horn (Forbidden Gates: How Genetics, Robotics, Artificial Intelligence, Synthetic Biology, Nanotechnology, and Human Enhancement Herald The Dawn Of TechnoDimensional Spiritual Warfare)
Therefore," said the Bishop, "I intend to go without escort." "You do not really mean that, Monseigneur!" exclaimed the mayor. "I do mean it so thoroughly that I absolutely refuse any gendarmes, and shall set out in an hour." "Set out?" "Set out." "Alone?" "Alone." "Monseigneur, you will not do that!" "There exists yonder in the mountains," said the Bishop, "a tiny community no bigger than that, which I have not seen for three years. They are my good friends, those gentle and honest shepherds. They own one goat out of every thirty that they tend. They make very pretty woollen cords of various colors, and they play the mountain airs on little flutes with six holes. They need to be told of the good God now and then. What would they say to a bishop who was afraid? What would they say if I did not go?" "But the brigands, Monseigneur?" "Hold," said the Bishop, "I must think of that. You are right. I may meet them. They, too, need to be told of the good God." "But, Monseigneur, there is a band of them! A flock of wolves!" "Monsieur le maire, it may be that it is of this very flock of wolves that Jesus has constituted me the shepherd. Who knows the ways of Providence?" "They will rob you, Monseigneur." "I have nothing." "They will kill you." "An old goodman of a priest, who passes along mumbling his prayers? Bah! To what purpose?" "Oh, mon Dieu! what if you should meet them!" "I should beg alms of them for my poor." "Do not go, Monseigneur. In the name of Heaven! You are risking your life!" "Monsieur le maire," said the Bishop, "is that really all? I am not in the world to guard my own life, but to guard souls.
Victor Hugo (Les Misérables)
We feel the life and motion about us, and the universal beauty: the tides marching back and forth with weariless industry, laving the beautiful shores, and swaying the purple dulse of the broad meadows of the sea where the fishes are fed, the wild streams in rows white with waterfalls, ever in bloom and ever in song, spreading their branches over a thousand mountains; the vast forests feeding on the drenching sunbeams, every cell in a whirl of enjoyment; misty flocks of insects stirring all the air, the wild sheep and goats on the grassy ridges above the woods, bears in the berry-tangles, mink and beaver and otter far back on many a river and lake; Indians and adventurers pursuing their lonely ways; birds tending to their young—everywhere, everywhere, beauty and life, and glad, rejoicing action. In this moment, he was experiencing what the Stoics would call sympatheia—a connectedness with the cosmos. The French philosopher Pierre Hadot has referred to it as the “oceanic feeling.” A sense of belonging to something larger, of realizing that “human things are an infinitesimal point in the immensity.
Ryan Holiday (Ego Is the Enemy)
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points. He’d sat in all sorts of churches, waiting for that single flash of blue light, and it hadn’t come. And then he’d tried to become an official Atheist and hadn’t got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he’d given up on ecology when the ecology magazine he’d been subscribing to had shown its readers a plan of a self-sufficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother’s house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word “community” too often; Newt had always suspected that people who regularly used the word “community” were using it in a very specific sense that excluded him and everyone he knew. Then he’d tried believing in the Universe, which seemed sound enough until he’d innocently started reading new books with words like Chaos and Time and Quantum in the titles. He’d found that even the people whose job of work was, so to speak, the Universe, didn’t really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt’s straightforward mind this was intolerable. Newt had not believed in the Cub Scouts and then, when he was old enough, not in the Scouts either. He was prepared to believe, though, that the job of wages clerk at United Holdings [Holdings] PLC, was possibly the most boring in the world. This is how Newton Pulsifer looked as a man: if he went into a phone booth and changed, he might manage to come out looking like Clark Kent.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Thanks for not killing me,” Rachael said presently. “Hell, as you said, you’ve only got two years of life left, anyhow. And I’ve got fifty. I’ll live twenty-five times as long as you.” “But you really look down on me,” Rachael said. “For what I did.” Assurance had returned to her; the litany of her voice picked up pace. “You’ve gone the way of the others. The bounty hunters before you. Each time they get furious and talk wildly about killing me, but when the time comes they can’t do it. Just like you, just now.” She lit a cigarette, inhaled with relish. “You realize what this means, don’t you? It means I was right; you won’t be able to retire any more androids; it won’t be just me, it’ll be the Batys and Stratton, too. So go on home to your goat. And get some rest.” Suddenly she brushed at her coat, violently. “Yife! I got a burning ash from my cigarette—there, it’s gone.” She sank back against the seat, relaxing. He said nothing. “That goat,” Rachael said. “You love the goat more than me. More than you love your wife, probably. First the goat, then your wife, then last of all—” She laughed merrily. “What can you do but laugh?
Philip K. Dick (Do Androids Dream of Electric Sheep?)
They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?
Steven Erikson
It’s so cute, isn’t it?” Arianna said dreamily. “Are we seeing the same creature? It’s like a demented goat with a bone growth.” “You’re going to hurt its feelings! Now shut up and sit on the ground.” I did as I was told, sticking my ankle out. “How is it going to heal me?” I asked, suddenly nervous. I pictured it licking my ankle and gagged. I could only imagine the diseases unicorn saliva had or what it carried around in its filthy, matted beard and hair. Bleating reproachfully, it stared at me with its doleful, square-pupiled brown eyes. “Oh, fine. Great, glorious unicorn, beloved of oblivious girls everywhere, please heal me. Now, if you don’t mind.” With one last bat of its gunk-crusted eyelashes, it lowered its head and put its stubby horn against my ankle. I cringed, waiting for pain, but felt instead tingling warmth spread out, almost like having butterflies in my stomach. Only in my ankle. Butterflies . . . with rainbows. The feeling of wholeness and well-being spread up my leg and into my entire body, and I couldn’t stop grinning. The forest was beautiful! The tree branches, naked against the brightening sky, held unimaginable wonders. The hard-packed dirt beneath me was a treasure trove of unrealized potential, lovely for what it could eventually give life to. I could sit out here forever and just enjoy nature. I was so happy! And rainbows! Why did I keep thinking of rainbows? Who cared! Rainbows were totally awesome! And the unicorn! I beamed at it, reaching out my hand to stroke it. There was never a creature more beautiful, more majestic. I’d spend the rest of my life out here, and we’d prance around the forest, worship the sunlight, bathe in the moonlight, and . . . I shook my head, scattering the idiotic warm fuzzies that had invaded. “Whoa,” I said, shoving the unicorn’s head away. “That’s enough of that.” I looked down at my ankle, which was now completely healed, not even a scar left. I fixed a stern look on the unicorn. “I am not going to frolic in an eternal meadow of sunshine and moonlight with you, you rotten little fink. But thanks.” I smiled, just enough to be nice without being too encouraging, and patted it quickly on the head. I was going to soak that hand in bleach. “Okay, let’s get out of here.” I stood, testing my ankle and relieved with the utter lack of pain. I still had an irrational desire to do an interpretive dance about rainbows, but it was a small price to pay for being healed.
Kiersten White (Endlessly (Paranormalcy, #3))
I was outside St. Cecelia's Rectory smoking a cigarette when a goat appeared beside me. It was mostly black and white, with a little reddish brown here and there. When I started to walk away, it followed. I was amused and delighted, but wondered what the laws were on this kind of thing. There's a leash law for dogs, but what about goats? People smiled at me and admired the goat. "It's not my goat," I explained. "It's the town's goat. I'm just taking my turn caring for it." "I didn't know we had a goat," one of them said. "I wonder when my turn is." "Soon," I said. "Be patient. Your time is coming." The goat stayed by my side. It stopped when I stopped. It looked up at me and I stared into its eyes. I felt he knew everything essential about me. We walked on. A police- man on his beat looked us over. "That's a mighty fine goat you got there," he said, stopping to admire. "It's the town's goat," I said. "His family goes back three-hundred years with us," I said, "from the beginning." The officer leaned forward to touch him, then stopped and looked up at me. "Mind if I pat him?" he asked. "Touching this goat will change your life," I said. "It's your decision." He thought real hard for a minute, and then stood up and said, "What's his name?" "He's called the Prince of Peace," I said. "God! This town is like a fairy tale. Everywhere you turn there's mystery and wonder. And I'm just a child playing cops and robbers forever. Please forgive me if I cry." "We forgive you, Officer," I said. "And we understand why you, more than anybody, should never touch the Prince." The goat and I walked on. It was getting dark and we were beginning to wonder where we would spend the night.
James Tate
Love is not something we must try hard to do, love comes naturally, it is trusting that love is enough—That is the hard thing to do. It sounds simple, but even when the simple answer is right in front of us, since the feeling is complicated, we often pass up the right answer to look for a complicated answer to match it. In the 1300s somewhere between seventy-five and two-hundred million people died from the black plague, which was a bacteria carried by fleas. Fleas are not a new problem, and the cure has been widely known long before the 1300s. It was simply to shave your hair off, wear clothes made from something coarse like goat hair, and to cover your skin in ash. The fleas lay eggs that stick to our hair, and with the hair gone, there is nowhere for the eggs to stick. The ash has the chemical hydroxide, which is enough to make the skin unlivable for the fleas. Everyone knew that anyone with a shaved head and ash on their skin meant that they knew they had fleas. To avoid the shame, many people would rather put up with the fleas, as long as other people didn’t think they had them. Maybe the quote before Mark Twain coined his was, “It's better to keep your hair and appear free from fleas than shave your head and remove all doubt.” Besides itching and inflammation, fleas were fine… sort of… that is, until those fleas got infected with the plague, and spread that deadly infection. Instead of shaving their heads, people tried any other thing, and about half of Europe died. We shouldn’t be embarrassed to be human, and we shouldn’t feel stupid that we’re embarrassed, we should just talk about it, and get over it. Feeling unworthy of connection just for being human is the emotional plague, and we won’t know what it means to be human until we talk to other humans and realize they are scared and confused and definitely not perfect either.
Michael Brent Jones (Conflict and Connection: Anatomy of Mind and Emotion)
Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence... 'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University.
John Barth (Giles Goat-Boy)
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
Alan Lightman (Einstein's Dreams)
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
Anne Frank (The Diary Of a Young Girl)