“
I knew Dad was concerned about my past associations. I was from the Trash Alley. It was my community. I hung out with thugs from the Frog Bottom, the Burns Bottoms, the Red Line, the S-Curve, the Sandfield, the Morning Side, and a bunch of other places that shall remain nameless. I knew all of the “Legends of the Hood”: Sin Man, Swap, Boo Boo, Emp-Man, Cookie Man, Shank, Polar Bear, Bae Willy, Bae Bruh, Skullhead Ned, Pimp, Crunch, and Goat Turd (just to name a few). I thought maybe Dad had summoned me as a “show and tell” for the kids in his neighborhood—the hardliner to scare those wayward suburban brats back into reality.
”
”
Harold Phifer (Surviving Chaos: How I Found Peace at A Beach Bar)
“
Kids are baby goats. They're cute and they have redeeming social value. You are definitely not kids.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Goats did have names for themselves, she well knew: there was 'goat who is my kid,' 'goat who is my mother,' 'goat who is herd leader,' and half a dozen other names not least of which was 'goat who is this goat.
”
”
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
“
Otis and his brother, Marvin, pulled the god’s chariot. They also provided Thor with a never-ending supply of goat meat. Each night, Thor killed and ate them for dinner. Each morning, Thor resurrected them. This is why you should go to college, kids—so when you grow up you do not have to take a job as a magical goat.
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
He's better-looking then the last vagabond I had to take in," Eddie said, standing and carrying empty bowls to the sink. "I'll give him that."
The insult slid off of Bobby like water. "So, you know, kid, according to thief culture, if you're going to court Kat, you now owe me two dozen goats."
"It's a dozen," Eddie corrected.
"Yeah, but Kat's worth two," Hamish said with a wink.
Through it all, Hale said nothing. Then, finally, he smiled. "I'm afraid I'm all out of goats at the moment, but I've got some ruby cuff links you can have."
"No." Bobby shook his head. "It's goats or nothing."
"Sorry, Kat." Hale shrugged, disappointed. "It was fun while it lasted."
"Don't look at me." Kat threw up her hands. "I'm officially ignoring all of you.
”
”
Ally Carter (Perfect Scoundrels (Heist Society, #3))
“
Hedge snorted. “Kids are baby goats. They’re cute, and they have redeeming social value. You are definitely not kids.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I won't be mad, he'd told Tobin, but he was mad. Really mad. Not mad enough to kill a kid, of course not (probably of course not), but he wasn't going to let the little Judas-goat out of his sight, either.
”
”
Stephen King (In the Tall Grass)
“
When I was a kid, I was just a boy. But that all changed by my 18th birthday. No longer a kid, I was a full-fledged goat.
”
”
Jarod Kintz (This Book is Not for Sale)
“
What happened?"
"This happened." He shifted his arms to reveal a bundle of tiny, knobby joints and fluffy patches of black and white.
A newborn goat.
"Oh, my goodness." She knelt behind him, peering over his shoulder. "Surely not Marigold?"
"I told you so," he said irritably.
As if she'd be intimidated by gruff words from a man cradling a newborn goat in his arms. She'd always known he had a capacity for gentleness.
I told you so, too.
She reached to stroke the little goat's fur.
Gabriel's shoulder muscle flinched in annoyance. "My shirt was ruined, I'll have you know. Completely unsalvageable. And then this runtish little thing wouldn't stop shivering."
"Would it help if I told you that I've never found you so wildly attractive as I do in this moment?"
"No.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
This is Ruthie Stuart, Officer Kowalski’s mate. She will show your pups around the Market Square,” Simon said.
Sarah giggled. Robert said, “We’re not pups; we’re kids.”
Simon looked at Robert and Sarah, then at Ruthie.
Kids. He’d heard Merri Lee say something about when she was a kid. But the word didn’t apply to her now because she was an adult, so it had never occurred to him that, maybe, humans had a little shifter ability that they outgrew as they matured. When she had said kid, maybe she had meant kid?
He eyed Robert and Sarah with more interest. “Little humans can shift into young goats?
”
”
Anne Bishop (Vision in Silver (The Others, #3))
“
Son, it’s easy tae be guid oan a fu’ belly. It’s when a man’s goat two bites an’ wan o’ them he’ll share, ye ken whit he’s made o’. Listen. In ony country in the world, who are the only folk that ken whit it’s like tae leeve in that country? The folk at the boattom. The rest can a’ kid themselves oan. They can afford to hiv fancy ideas. We canny, son. We loass the wan idea o’ who we are, we’re deid. We’re wan anither. Tae survive, we’ll respect wan anither. When the time comes, we’ll a’ move forward thegither, or nut at all.
”
”
William McIlvanney (Docherty)
“
My twin sisters weren’t precisely human. They’d begun life as a pair of goat kids before a fair one had had too much wine and enchanted them on a lark. It was slow going, but I reminded myself that at least it was going. This time last year they hadn’t been house-trained. And it worked in their favor that their transformative enchantment had rendered them more or less indestructible: I’d seen March survive eating a broken pot, poison oak, deadly nightshade, and several unfortunate salamanders without any ill effects. For all my concern, March jumping off cabinets posed more danger to the kitchen furniture.
”
”
Margaret Rogerson (An Enchantment of Ravens)
“
The black bear is a ridiculously lovable species. There's a reason kids have teddy bears, not teddy goats or teddy eels.
”
”
Mary Roach (Fuzz: When Nature Breaks the Law)
“
My name is Nick Gautier and this is the story of my life. First off, get the name right. It’s pronounced Go-shay not Go-tee-ay or Goat-chay (that has an extra H in it and as my mom says we’re so poor we couldn’t afford the extra letter). I’m not some fancy French fashion designer. I’m just a regular kid… well as regular as someone with a stripper for a mother and a career felon for a father can be.
”
”
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
“
This is why you should go to college, kids—so when you grow up you do not have to take a job as a magical goat.
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
If you ask me the man's short a hat size or two but he's harmless. Not like the Texas Kid or the Tuscon Kid. Drat, he's not even like Billy the Kid. Now those are outlaws."
His assurances did little to calm her nerves. Apparently the only bandits he took seriously were the ones belonging to a society of human goats.
”
”
Margaret Brownley (Dawn Comes Early (The Brides of Last Chance Ranch, #1))
“
Gabriel nudged her with his shoulder. "Look."
The newborn goat was standing on his own wobbly legs, taking drunken steps. When he toppled sideways, he bleated indignantly.
Gabriel started to reach for him, but Penny held him back. "Wait."
Marigold roused herself and ambled over to her kid, licking him about the head until George lurched and swayed himself to his hooves, and when he nosed at her swollen underside, she allowed him to nurse.
"Oh. That's lovely." Penny snuggled under Gabriel's arm.
"Thank God she finally took to him," he said.
"How could she not? Look how adorable he is. Best little goat in the world.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
Oh Kay you are like a key that opens the door of my heart. Your charm crushes me. Like a clinking machete slicing my flesh thinly cutting my heart. Let you hit my neck with the longing that you create without compassion and mercy.
Kay oh Kay there's no one like you in this world. Because for you, I'm a little kid who can cry for a stuffed toy. Wherever you sing, the rhythm of the music will accompany you. And let the dance floor come to you, twisting and lifting you in a dance that makes everyone crazy.
Kay oh Kay you are my sickle machete. You are the dagger that stabbed my soul, you stoned me with the sweet needle of your innocent smile. You're the sweet mouth that sighs that moans that laughs that makes my soul restless.
Kay oh Kay. Your sweet spit drips like the most sugary honey on my thirsty mind. I desire you from the most sordid nests, the most abominable paths and the most perverted thoughts. I want to taste the most delicious nectar of your flowers.
Oh how you taint me with your fire. You trapped me with your innocence. With your nakedness that leads me astray. How you give hope that I do not have. You won a heart I didn't fight for.
Kay oh Kay you are the only answer I never questioned. A destination I never expected but greeted me with joy. You are the reality that I never dreamed of but came true by itself.
How do I accept you as you accept me with all the charm of your madness. Kay oh Kay my sunshine moon. You are my river and sea. Only you my eyes are fixed, only you my heart trembles.
You let me be the key that enters the darkest hole of your soul. It is not in your majesty that my dreams wander, but in your intoxicating beauty. You have imprisoned my most wretched soul.
Oh Kay you are my kitchen knife, my axe, my saw, my hammer, my screwdriver. You enslaved me in this unbreakable lust. I serve you like a stupid servant. A deaf and blind goat that only serves one master. You are the master of all this passion and madness.
Everything I know about you is a lie. How did you deign to allow me to love someone other than you? Kay oh Kay, if truly adoring you will give me the true meaning of a poem, then how can you give me true love that you never had?
”
”
Titon Rahmawan
“
Maternal stress during pregnancy has effects on the emotional and stress hormone reactions, particularly in female offspring. These effects were measured in goat kids. The stressed female kids ended up startling more easily and being less calm and more anxious than the male kids after birth. Furthermore, female kids who were stressed in utero showed a great deal more emotional distress than female kids who weren’t. So if you’re a girl about to enter the womb, plan to be born to an unstressed mom who has a calm, loving partner and family to support her. And if you are a mom-to-be carrying a female fetus, take it easy so that your daughter will be able to relax.
”
”
Louann Brizendine (The Female Brain)
“
He lifted the kid and placed her in the old man's hands. At first, it felt as if a hammer had grazed his hand; the next moment, he found a flower on his palm.
”
”
பெருமாள் முருகன் (Poonachi: Or the Story of a Black Goat)
“
She set the kid on the floor, and George gamboled about the room, making high-pitched, chirping bleats. "He prances. Sideways. It's adorable."
The kid attempted to admit it was rather adorable. Especially the way the newborn goat made its way to him from across the room, stopping at his boots to issue an entitled bleat. He was a demanding little thing already.
Gabe bent to give the kid a scratch between the ears.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research “childhood.”
There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises “adolescence.” The feeling haunts people all their lives.
Everyone, sooner or later, gets a thorough schooling in brokenness. The question becomes: What to do with the pieces? Some people hunker down atop the local pile of ruins and make do, Bedouin tending their goats in the shade of shattered giants. Others set about breaking what remains of the world into bits ever smaller and more jagged, kicking through the rubble like kids running through piles of leaves. And some people, passing among the scattered pieces of that great overturned jigsaw puzzle, start to pick up a piece here, a piece there, with a vague yet irresistible notion that perhaps something might be done about putting the thing back together again.
Two difficulties with this latter scheme at once present themselves. First of all, we have only ever glimpsed, as if through half-closed lids, the picture on the lid of the jigsaw puzzle box. Second, no matter how diligent we have been about picking up pieces along the way, we will never have anywhere near enough of them to finish the job. The most we can hope to accomplish with our handful of salvaged bits—the bittersweet harvest of observation and experience—is to build a little world of our own. A scale model of that mysterious original, unbroken, half—remembered. Of course the worlds we build out of our store of fragments can be only approximations, partial and inaccurate. As representations of the vanished whole that haunts us, they must be accounted failures. And yet in that very failure, in their gaps and inaccuracies, they may yet be faithful maps, accurate scale models, of this beautiful and broken world. We call these scale models “works of art.
”
”
Michael Chabon (The Wes Anderson Collection)
“
…in Pliny’s time, it was believed that only the blood of a newly sacrificed kid, or lamb, could shatter a diamond. Pliny wondered—as many did until the seventeenth century when this ‘fact’ was still being quoted as a gemological curiosity—how anyone could have thought to experiment with such a thing … He did not realize that the story was probably a metaphor, perhaps with the same root as the Christian symbol of the Lamb of God. A diamond is the hardest substance; a sacrificed lamb or goat the most innocent. The only way to overcome harshness and brutality, the imagery suggests, is with love.
”
”
Victoria Finlay (Jewels: A Secret History)
“
Because six billion of us are pursuing an evolutionarily unstable strategy, we’re fundamentally attacking the very ecological systems that keep us alive. Just like the goat that refuses to suckle its kids, we’re in the process of eliminating ourselves. Think about the time line Charles drew in his talk about the boiling frog. For the first six thousand years, the impact of our evolutionarily unstable strategy was minimal and confined to the Near East. Over the next two thousand years, the strategy spread to Eastern Europe and the Far East. In the next fifteen hundred years, the strategy spread throughout the Old World. In the next three hundred years, it became global. By the end of the next two hundred years—which is now—so many people were following the strategy that the impact was becoming catastrophic. We’re now about two generations away from finishing the job of making this unstable strategy extinct.
”
”
Daniel Quinn (The Story of B: An Adventure of the Mind and Spirit)
“
The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church.
”
”
Jason Born (The Norseman (The Norseman Chronicles, #1))
“
No matter how together we are, no matter how many friends or kids or partners or dogs or goats we have, there are always moments where we not only feel alone, but lonely.
”
”
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
“
A scythe’s journal is traditionally made of lambskin parchment and kid leather.” “I assume you mean ‘kid’ as in ‘goat,’” Rowan said, “and not ‘kid’ as in ‘kid.
”
”
Neal Shusterman (Scythe (Arc of a Scythe, #1))
“
The old couple was so overwhelmed by their own good fortune that they were unable to sleep, Grief-stricken at having lost all her kids at one stroke, Poonachi couldn't sleep either.
”
”
பெருமாள் முருகன் (Poonachi: Or the Story of a Black Goat)
“
Not only did the selection of chicken as the dominant meat source have no basis in the history of the Mediterranean diet, but one could reasonably question whether chicken has the same effect on health as do Cretan goats or kids or lamb. Red meat, for example, has a far greater abundance of vitamins B12 and B6, as well as the nutrients selenium, thiamine, riboflavin, and iron, than does chicken.
”
”
Nina Teicholz (The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet)
“
A favorite pastime of soldiers on long mounted patrols was testing each other with impossible hypotheticals. They were an endearing yet vulgar form of moral drama, but only because the alternative was to contemplate being blown up by an illiterate goat herder’s morning project. “What would you rather do, have sex with your sister or shoot your mother?” “Would you rather pick up a baby with a pitchfork, or throw a paraplegic in a fire?” In one form or another, these young men were weighing the relative value of human life in real terms, perhaps as a surrogate for murkier thoughts that might otherwise be in the forefront, such as, “Why am I risking my life in this wasteland?” or “Whose life is worth more, that of my best friend in the gun turret or of some Iraqi kid I’ve never met?” It passed the time.
”
”
Mike MacLeod
“
But then she thought about the falcon, how it was made to do what it did and had no choice in the matter. It was eat pigeon (or sparrow or rat or raccoon) or die, and Kid supposed that the beauty of the falcon was directly related to its ability to kill, a completely different kind of beauty than the beauty of the pigeon, and that humans' ability to recognize the two beauties and not to call one beautiful and the other ugly said a lot about humans in ways you could probably spend years contemplating.
”
”
Anne Fleming (The Goat)
“
Unprotected by the army, the Mexican peasants were helpless to resist the Apache raiders, with scores carried off into captivity and hundreds more slaughtered. The desert now reclaimed the untilled fields. Cattle, sheep, mules, and goats wandered free only to fall prey to the great packs of wolves and coyotes that trailed the Apache raiding parties just as the raven shadows the predator on his rounds. Skeletons lined the roads, littered the burned haciendas, and were picked clean by scavengers in deserted villages. It was a perfect reign of terror.
”
”
Paul Andrew Hutton (The Apache Wars: The Hunt for Geronimo, the Apache Kid, and the Captive Boy Who Started the Longest War in American History)
“
His big, pleasant, ugly black-clad wife, very broad-beamed, came out. Said she also milked goats; described frisky games of little kid with hand motions. Moon brightening through clouds as we left, clear-cut pine tree jagged against sky. Man happy, own world, out of earth; brother kept three cows on hill beyond railroad station. Left feeling good day; light yellow-green eyes of goats.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Flavors are much more intense for people these days, so some of the old recipes don't stand up the way they used to. Think about what people are eating now, all kinds of hot sauces and spicy foods. Intensely spiced global cuisines. Bitter kale instead of buttery spinach, funky goat cheese instead of mild cheddar."
He tilts his head at me, pondering. "So what you are saying is that because people are much more exposed to these things, the original recipes taste different to them?"
"Exactly! Sriracha is as common as ketchup in most houses these days, so people's palates are used to more oomph in their flavors. Think about how it all used to be basic caramel, and now salted caramel is everywhere! When I was a kid it was all about milk chocolate, and now the darker and more intense the better.
”
”
Stacey Ballis (Wedding Girl)
“
Just then, a tinkling, and the flock of black and gray aristocratic goats rounded the wall of the corral with the little leprechaun of a blue-eyed milkman, in patched faded dungarees, rope sandals, and sombrero; he looked happy and pleasant; let us come into corral; new world; his world. Goats at home in bare, neat yard, drank out of water pails; black and white spotted kid. Two goats butted; one rising on hillock as if strung up from neck, poised, hung, butting down on other; playing.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Later, as the sisters grew, Esther hyperfocused on their differences, but as a little kid she'd been far more hypnotised by their sameness. They both loved chewing lemon peels and watermelon rinds, loved pictures of goats but not actual goats, loved putting sand in their hair so they could scratch it out later, loved watching their parents slow-dance in the living room to Motown records. They loved the sound of the wind, the sound of breaking ice, the sound of coyotes calling on the mountain.
They disliked zippers, ham, the word 'milk', flute music, the gurgling sound of the refrigerator, Cecily's long weekends away, Abe's insistence on regular chess matches, and days with no clouds. They disliked the boxes of books that came to their door daily or were lugged home by their father, disliked their dusty lonesome smell and how they consumed Abe's attention. They disliked when their parents closed the bedroom door and fought in whispers. They hated the phrase 'half sister.' There had been no half about it.
”
”
Emma Törzs (Ink Blood Sister Scribe)
“
hoped that would be the last time they would see that one. He blew out a breath. “I think I know why those goats ran right off the cliff into the lava.” “Oh? Why?” Mom asked. “Because they didn’t see the ewe-turn sign.” He wiggled his eyebrows. “OH NO!” Kate groaned. “Not again!” “Don’t mind me, I’m only kid-ding,” Dad said, wiggling his eyebrows even harder. “Oh maaaaan,” Jack said. “Honey,” Mom said, “I don’t think the kids are interested in your jokes right now.” “Okay, I’ll stop,” Dad said with a sigh. Mom patted him on the shoulder and Dad looked at her. “I would hate to butt heads with you over it.” Jack and Kate both burst out laughing and Mom rolled her eyes. “Now kids, no butting in!” Dad said, pointing his finger at them. The kids laughed even harder and Mom chuckled too. Dad put his hands on his hips. “You have goat to be kidding me! I said NO butting in!” The kids were laughing bigly now, and Mom had a big grin on her face. Their spirits had been lifted, even if only a little. Mom squeezed Dad’s hand. “I love you, honey.” Dad squeezed hers back. “We already did the bee jokes, dear.” He winked.
”
”
Pixel Ate (The Accidental Minecraft Family: Book 13)
“
As data analytics, superfast computers, digital technology, and other breakthroughs enabled by science play a bigger and bigger role in informing medical decision-making, science has carved out a new and powerful role as the steadfast partner of the business of medicine—which is also enjoying a new day in the sun. It may surprise some people to learn that the business of medicine is not a twenty-first-century invention. Health care has always been a business, as far back as the days when Hippocrates and his peers practiced medicine. Whether it was three goats, a gold coin, or a bank note, some type of payment was typically exchanged for medical services, and institutions of government or learning funded research. However, since the 1970s, business has been the major force directing the practice of medicine. Together, the business and science of medicine are the new kids on the block—the bright, shiny new things. Ideally, as I’ve suggested, the art, science, and business of medicine would work together in a harmonious partnership, each upholding the other and contributing all it has to offer to the whole. And sometimes (as we’ll find in later chapters) this partnership works well. When it does, the results are magnificent for patients and doctors, not to mention for scientists and investors.
”
”
Halee Fischer-Wright (Back To Balance: The Art, Science, and Business of Medicine)
“
The dairy industry has its own ways of forcing animals to do its will. Cows, goats and sheep produce milk only after giving birth to calves, kids and lambs, and only as long as the youngsters are suckling. To continue a supply of animal milk, a farmer needs to have calves, kids or lambs for suckling, but must prevent them from monopolising the milk. One common method throughout history was to simply slaughter the calves and kids shortly after birth, milk the mother for all she was worth, and then get pregnant again. This is still a very widespread technique. In many modern dairy farms a milk cow usually lives for about five years before being slaughtered. During these five years she si almost constantly pregnant, and is fertilised within 60 to 120 days after giving birth in order to preserve maximum milk production. Her calves are separated from her shortly after birth. The females are reared to become the next generation of dairy cows, whereas the males are handed over to the care of the meat industry.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
is Jotunheim. If we go the wrong way, we’ll run across giants. Then we’ll all be butchered and put in a stew pot.” “We won’t go the wrong way,” I promised. “Will we, Jack?” “Hmm?” said the sword. “Oh, no. Probably not. Like, a sixty percent chance we’ll live.” “Jack….” “Kidding,” he said. “Jeez, so uptight.” He pointed upstream and led us through the foggy morning, with spotty snow flurries and a forty percent chance of death. Hearthstone Passes Out Even More than Jason Grace (Though I Have No Idea Who That Is) JOTUNHEIM LOOKED a lot like Vermont, just with fewer signs offering maple syrup products. Snow dusted the dark mountains. Waist-high drifts choked the valleys. Pine trees bristled with icicles. Jack hovered in front, guiding us along the river as it zigzagged through canyons blanketed in subzero shadows. We climbed trails next to half-frozen waterfalls, my sweat chilling instantly against my skin. In other words, it was a huge amount of fun. Sam and I stayed close to Hearthstone. I hoped my residual aura of Frey-glow might do him some good, but he still looked pretty weak. The best we could do was keep him from sliding off the goat. “Hang in there,” I told him. He signed something—maybe sorry–but his gesture was so listless I wasn’t sure. “Just rest,” I said. He grunted in frustration. He groped through his bag of runes, pulled one out, and placed it in my hands. He pointed to the stone, then to himself, as if to say This is me. The rune was one I didn’t know:
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence...
'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University.
”
”
John Barth (Giles Goat-Boy)
“
Christopher Cerf has been composing songs for Sesame Street for twenty-five years. His large Manhattan townhouse is full of Sesame Street memorabilia – photographs of Christopher with his arm around Big Bird, etc. ‘Well, it’s certainly not what I expected when I wrote them,’ Christopher said. ‘I have to admit, my first reaction was, “Oh my gosh, is my music really that terrible?” ’ I laughed. ‘I once wrote a song for Bert and Ernie called “Put Down The Ducky”,’ he said, ‘which might be useful for interrogating members of the Ba’ath Party.’ ‘That’s very good,’ I said. ‘This interview,’ Christopher said, ‘has been brought to you by the letters W, M and D.’ ‘That’s very good,’ I said. We both laughed. I paused. ‘And do you think that the Iraqi prisoners, as well as giving away vital information, are learning new letters and numbers?’ I said. ‘Well, wouldn’t that be an incredible double win?’ said Christopher. Christopher took me upstairs to his studio to play me one of his Sesame Street compositions, called ‘Ya! Ya! Das Is a Mountain!’ ‘The way we do Sesame Street,’ he explained, ‘is that we have educational researchers who test whether these songs are working, whether the kids are learning. And one year they asked me to write a song to explain what a mountain is, and I wrote a silly yodelling song about what a mountain was.’ Christopher sang me a little of the song: Oompah-pah! Oompah-pah! Ya! Ya! Das is a mountain! Part of zee ground zat sticks way up high! ‘Anyway,’ he said, ‘forty per cent of the kids had known what a mountain was before they heard the song, and after they heard the song, only about twenty-six per cent knew what a mountain was. That’s all they needed. You don’t know what a mountain is now, right? It’s gone! So I figure if I have the power to suck information out of people’s brains by writing these songs, maybe that’s something that could be useful to the CIA for brainwashing techniques.’ Just then, Christopher’s phone rang. It was a lawyer from his music publishers, BMI. I listened into Christopher’s side of the conversation: ‘Oh really?’ he said. ‘I see . . . Well, theoretically they have to log that and I should be getting a few cents for every prisoner, right? Okay. Bye, bye . . .’ ‘What was that about?’ I asked Christopher. ‘Whether I’m due some money for the performance royalties,’ he explained. ‘Why not? It’s an American thing to do. If I have the knack of writing songs that can drive people crazy sooner and more effectively than others, why shouldn’t I profit from that?’ This is why, later that day, Christopher asked Danny Epstein – who has been the music supervisor of Sesame Street since the very first programme was broadcast in July 1969 – to come to his house. It would be Danny’s responsibility to collect the royalties from the military if they proved negligent in filing a music-cue sheet.
”
”
Jon Ronson (The Men Who Stare At Goats)
“
This is why you should go to college, kids – so when you grow up you do not have to take a job as a magical goat.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Thanks, Dad,” he muttered under his breath, for his mother had always said that he got his big feet from his father’s side of the family. Matt suddenly thought of his father and mother and tears came to his eyes, as he wondered if he would ever see them again.
“What did you say?” Israel asked.
“Oh, I was just thinking how glad I was for once that I have such big feet for a kid,” Matt said, wiping a tear from his cheek.
“A goat?” Israel frowned.
“No, where I come form we call boys ‘kids.’ Like I would be a regular kid and you’re older so you would be a big kid,” Matt tried to explain.
Israel cocked his head and smiled slowly. “Where I come from they’d be calling you a sight dim for telling a man with a musket that he’s an old goat!”
Matt was about to explain further when he saw that Israel was laughing. “I guess it does sound funny.
”
”
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
“
Many of the things that appear in this book exist because of the widely accepted creed of meritocracy. In this view of the world, it is primarily the job of politicians to sort the sheep from the goats. It is perfectly acceptable for someone to toil away hopelessly in a rotten job, as long as that person has been judged to lack the requisite merit to do anything better. Our entire political vocabulary – social mobility, bright but poor kids, grammar schools – is geared towards pulling a few people out of the soup without changing its basic ingredients. The debate in 2017 around grammar schools in instructive in this regard: it is not seen as wrong that a child who fails the 11-Plus team should have to spend a lifetime doing soul-destroying work; rather, the tragedy is that it should happen to the wrong child. Woe betide if a 'bright but poor child' should slip through the net, so to speak. One can do what one likes with the other lot.
”
”
James Bloodworth (Hired: Six Months Undercover in Low-Wage Britain)
“
If they found it strange that the Argo II was populated by half-asleep kids in armor and pajamas and a man with goat legs, they didn’t let on.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups.
"There's more calcium in her forearm than in an entire dairy farm," she liked to say.
That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her.
The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up.
"What?" my father kept asking me. "What do you see?"
I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all."
Finally, I squealed, "Butter fire!"
Some honey upside-down cake went flying from my mouth.
"Butter fire?" they asked me. "Butter fire?"
"Butter fire!" I yelled, pointing, reaching, waving.
They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel.
"Chipmunk?" they asked. "Owl?"
I shook my head fiercely. No. No. No.
"Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames.
They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky.
They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.
”
”
Jessica Soffer (Tomorrow There Will Be Apricots)
“
We pass a bunch of children playing in a small meadow which appears to be in the middle of nowhere and then a little girl with a backpack stops to stare at me like I'm a freak and I'm thinking what is she doing out here all by herself? Further up are more kids, shabbily dressed but clean and chasing each other around and some are digging something up from the ground and one is chasing a goat (I think it's a goat) and they are all laughing and suddenly it occurs to me that these children look pretty damn happy like they are having big fun and I'm certain they don't have Sega Genesis or Super Nintendo or five-hundred-dollar road bikes or Lightning Rollerblades at home and doesn't look like any crack houses or drive-bys or gang-banging going on around here and those kids look like they know how to amuse themselves, something we have forgotten, and I understand they are probably better off much better off than I thought.
”
”
Terry McMillan (How Stella Got Her Groove Back)
“
We have a crazy art teacher who brings in insane things for the kids to draw. She went to a farm and rented a goat for them to draw, and it shit all over the hallways.
”
”
Jane Morris (More Teacher Misery: Nutjob Teachers, Torturous Training, & Even More Bullshit)
“
And how is your child faring?' I asked, peeking into the buggy. Tucked into the buggy was not a child. It was a goat. 'Don't judge me. said the woman, stepping in front of the buggy. If I don't take it someone else will. I've got kids who are hungry.'
'I'm not judging. We're are all hungry.'
'Well, this goats mine. Find your own.
”
”
Ruta Sepetys (Salt to the Sea)
“
So after Fergus’ house, I went home to research some talent show acts, but instead, I fell into a YouTube rabbit hole of a talking goat that made food. Yeah, I spent about three hours watching that. Worth it.
”
”
Marcus Emerson (Kid Youtuber 8: Trending (a hilarious adventure for children ages 9-12): From the Creator of Diary of a 6th Grade Ninja)
“
That kid needs to shave his legsand not That kid is half goat.
”
”
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
“
Kimi, I think it’s a landslide!” Gracie cried out. Small rocks joined the pebbles and Kimi flicked her wand. A giant bubble appeared around the goat. The rocks and pebbles bounced off it, keeping everyone safe. A few seconds later, the kid landed gently beside its father. He nuzzled it happily. “Now I’m happy that the chief troll threw my bubble tea this way,” said Kimi. “If she hadn’t, we would never have been able to save the baby goat.
”
”
Daisy Meadows (Kimi the Bubble Tea Fairy (Rainbow Magic Book 1149))
“
Tis also a sin to rid a woman of a child, yet every woman in Colmar knows that you can do it.” “Not through potions nor incantations, my dear. I ain’t no witch. I help women remain without child through revulsion.” “Tell me again, Appel, how does this ‘revulsion’ against children work? And what does ‘revulsion’ mean?” “Ah, yes.” Appel straightened and cleared her throat with the gravity of a philosopher. “You take the womb of a she-goat who has never borne a kid and carry it against you when Jorges starts a’plowing in your field. This will prevent you from getting with child again, mark me.” They looked at each other and laughed. “Well, it works because he doesn’t wish to go investigating anything so foul! You see? Revulsion!” They roared with such laughter that they didn’t hear the knock at the door.
”
”
Elizabeth R. Andersen (The Alewives (The Alewives of Colmar, #1))
“
go to college, kids—so when you grow up you do not have to take a job as a magical goat.
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
On the Day of Atonement two kids of the goats were brought to the door of the tabernacle, and lots were cast upon them, “one lot for the Lord, and the other lot for the scapegoat.” The goat upon which the first lot fell was to be slain as a sin offering for the people. And the priest was to bring his blood within the veil, and sprinkle it upon the mercy seat. “And he shall make an atonement for the holy place, because of the uncleanness of the children of Israel, and because of their transgression in all their sins; and so shall he do for the tabernacle of the congregation, that remaineth among them in the midst of their uncleanness.
”
”
Ellen Gould White (Patriarchs and Prophets)
“
Animals give birth to children, so that alone is not an argument strong enough to make a human a man. Otherwise goats, dogs and pigs could beat us to the game, because they could do in one go what will take man years to accomplish. A woman can only give birth to a number of kids at a time, in a year, while some animals could give birth to as many as tens of breeds in a year.
”
”
Sunday Adelaja
“
Pandora, come back here!” came a new voice--Beatrix Hathaway’s voice--and Christopher’s senses sparked in recognition. He twitched uneasily at the commotion, his reflexes urging him to take some kind of action, although he wasn’t yet certain what the bloody hell was going on.
A large white goat came leaping and capering and twisting through the hallway.
And then Beatrix Hathaway appeared, tearing around the corner. She skidded to a halt. “You might have tried to stop her,” she exclaimed. As she glanced up at Christopher, a scowl flitted across her face. “Oh. It’s you.”
“Miss Hathaway--” he began.
“Hold this.”
Something warm and wriggling was thrust into his grasp, and Beatrix dashed off to pursue the goat.
Dumbfounded, Christopher glanced at the creature in his hands. A baby goat, cream colored, with a brown head. He fumbled to keep from dropping the creature as he glanced at Beatrix’s retreating form and realized she was wearing breeches and boots.
Christopher had seen women in every imaginable state of dress or undress. But he had never seen one wearing the clothes of a stablehand.
“I must be having a dream,” he told the squirming kid absently. “A very odd dream about Beatrix Hathaway and goats…
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
You might have tried to stop her,” she exclaimed. As she glanced up at Christopher, a scowl flitted across her face. “Oh. It’s you.”
“Miss Hathaway--” he began.
“Hold this.”
Something warm and wriggling was thrust into his grasp, and Beatrix dashed off to pursue the goat.
Dumbfounded, Christopher glanced at the creature in his hands. A baby goat, cream colored, with a brown head. He fumbled to keep from dropping the creature as he glanced at Beatrix’s retreating form and realized she was wearing breeches and boots.
Christopher had seen women in every imaginable state of dress or undress. But he had never seen one wearing the clothes of a stablehand.
“I must be having a dream,” he told the squirming kid absently. “A very odd dream about Beatrix Hathaway and goats…”
“I have her!” the masculine voice called out. “Beatrix, I told you the pen needed to be made taller.”
“She didn’t leap over it,” came Beatrix’s protest, “she ate through it.”
“Who let her into the house?”
“No one. She butted one of the side doors open.”
An inaudible conversation followed.
As Christopher waited, a dark-haired boy of approximately four or five years of age made a breathless entrance through the front door. He was carrying a wooden sword and had tied a handkerchief around his head, which gave him the appearance of a miniature pirate. “Did they catch the goat?” he asked Christopher without preamble.
“I believe so.”
“Oh, thunderbolts. I missed all the fun.” The boy sighed. He looked up at Christopher. “Who are you?”
“Captain Phelan.
The child’s gaze sharpened with interest. “Where’s your uniform?”
“I don’t wear it now that the war is over.”
“Did you come to see my father?”
“No, I…came to call on Miss Hathaway.”
“Are you one of her suitors?”
Christopher gave a decisive shake of his head.
“You might be one,” the boy said wisely, “and just not know it yet.”
Christopher felt a smile--his first genuine smile in a long time--pulling at his lips. “Does Miss Hathaway have many suitors?”
“Oh, yes. But none of them want to marry her.”
“Why is that, do you imagine?”
“They don’t want to get shot,” the child said, shrugging.
“Pardon?” Christopher’s brows lifted.
“Before you marry, you have to get shot by an arrow and fall in love,” the boy explained. He paused thoughtfully. “But I don’t think the rest of it hurts as much as the beginning.”
Christopher couldn’t prevent a grin. At that moment, Beatrix returned to the hallway, dragging the nanny goat on a rope lead.
Beatrix looked at Christopher with an arrested expression.
His smile faded, and he found himself staring into her blue-on-blue eyes. They were astonishingly direct and lucid…the eyes of a vagabond angel. One had the sense that no matter what she beheld of the sinful world, she would never be jaded. She reminded him that the things he had seen and done could not be polished away like tarnish from silver.
Gradually her gaze lowered from his. “Rye,” she said, handing the lead to the boy. “Take Pandora to the barn, will you? And the baby goat as well.” Reaching out, she took the kid from Christopher’s arms. The touch of her hands against his shirtfront elicited an unnerving response, a pleasurable heaviness in his groin.
“Yes, Auntie.” The boy left through the front door, somehow managing to retain possession of the goats and the wooden sword.
Christopher stood facing Beatrix, trying not to gape. And failing utterly. She might as well have been standing there in her undergarments. In fact, that would have been preferable, because at least it wouldn’t have seemed so singularly erotic. He could see the feminine outline of her hips and thighs clad in the masculine garments. And she didn’t seem at all self-conscious. Confound her, what kind of woman was she?
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Also, and this is something I feel passionate about, I simply never call children "kids." Baby goats are kids, not children! I know it may seem silly to some, but it's something I feel most strongly. If we respect little people, then they in turn will grow up to respect others.
”
”
Brenda Ashford (A Spoonful of Sugar: A Nanny's Story)
“
She killed her sons first. Hammering a long fence nail through each of their hearts. Then, taking an ax, she methodically beheaded each one of her brothers-in-law. Going out to the pens, she drove the livestock into the barn, bolting it shut, and while the goat kids and spring lambs panicked and brayed, she put all the buildings to flame.
”
”
Toby Barlow (Babayaga)
“
He makes the turn into the long gravel lane of my brother Jacob’s farm. The place originally belonged to my parents but was handed down to him, the eldest male child, when they passed away. I mentally brace as the small apple orchard on my right comes into view. The memories aren’t far behind, and I find myself looking down the rows of trees, almost expecting to see the three Amish kids sent to pick apples for pies. Jacob, Sarah, and I had been inseparable back then, and instead of picking apples, we ended up playing hide-and-seek until it was too dark to see. As was usually the case, I was the instigator. Kate, the druvvel-machah. The “troublemaker.” Or so my datt said. The one and only time I confessed to influencing my siblings, he punished me by taking away my favorite chore: bottle-feeding the three-week-old orphan goat I’d named Sammy. I’d cajoled and argued and begged. I was rewarded by being sent to bed with no supper and a stomachache from eating too many green apples. The
”
”
Linda Castillo (After the Storm (Kate Burkholder #7))
“
Isn't everything cuter heart-shaped?" Roisin asks, gesturing towards the homemade pizza we constructed. She chose to be creative, selecting a pesto base, topped with lavender goat cheese and grilled peaches.
Something about her playfulness relaxes me. There's an innocence as she sprinkles cheese into her mouth and leaves handprints on the counter with her powdered palms. It reminds me of being a kid, when things weren't so scary and we could just have fun. That time in my life hadn't lasted long. I always wanted to please my parents. They made sure everything I did was done with heart, and I was cautious not to disappoint them. But being with Roisin reminds me we can still create something while having fun.
"You know," I say, "I think heart-shaped cookies would be extra cute with this heart-shaped pizza. Don't you think?"
She squeals. "Oh, I love that idea!"
In between licking the spoon and adding extra teaspoons of vanilla, I draw kitten whiskers on Roisin's face with the flour. She tosses a handful of powder at me, and I squeal when it hits me in the face. We laugh, sinking onto the hardwood floor. I lean my head against her shoulder as the smell of cinnamon intensifies. We relax for a moment beneath the hot sweet air.
”
”
Kiana Krystle (Dance of the Starlit Sea)
“
Those boys wouldn’t even have been there if Walter hadn’t stolen the child, so he’d brought everything on himself. It was a chain reaction. They were just being kids at the end of the day, and they meant no harm.
”
”
Joanna Cannon (The Trouble with Goats and Sheep)
“
Walter has appeared at one of the upstairs windows. He is shouting about trespassing and calling for the police. The kids are just laughing at him, mimicking his voice and finding words only their parents should know.
”
”
Joanna Cannon (The Trouble with Goats and Sheep)
“
The man hammers again. His fists sound like bullets. He steps back and yells up at the house, shouting for Walter Bishop to show himself. “You take photographs of my kids, you come out here and you fucking answer to me.
”
”
Joanna Cannon (The Trouble with Goats and Sheep)
“
Sheila Dakin watched Grace and Tilly all the way to the back door of number four. It was a habit, watching children. Even after the fire. Even after they’d all agreed that Walter Bishop had been punished enough and they should leave him well alone, she still watched the kids.
”
”
Joanna Cannon (The Trouble with Goats and Sheep)
“
Heavens, imagine what a lost lamb I would be without a strong young man guiding me," I muttered.
"I always pictured you as more of a kid goat," Blackwood said. "Always butting heads.
”
”
Jessica Cluess (A Poison Dark and Drowning (Kingdom on Fire, #2))
“
But I’m pretending to. I wouldn’t disrespect my theoretical girlfriend.” He grinned. I had to stifle a smile. “So you’re not with your baby’s mother?” He looked amused. “Definitely not. I’m fostering.” Liz smiled. “Chloe is soooo cute. He’s such a good daddy to her.” She nodded at him. “Show her a picture.” He pulled out his phone and swiped. Then he held it out to me. A laugh burst from my lips. “Your kid is a baby goat? In pajamas?
”
”
Abby Jimenez (Part of Your World (Part of Your World, #1))
“
Scape Goat and Maple Stirrup, yes.” Her chin tips up. “Pony Soprano’s on loan to a kids’ petting zoo this week.” It’s official. She’s his dream girl.
”
”
Tawna Fenske (Killer Instincts (Assassins in Love #1))
“
Prehistoric peoples probably charged interest on loans of corn and livestock. The association between interest and the fruit of a loan is embedded in ancient languages. Across the ancient world the etymologies of interest derive from the offspring of livestock. The Sumerian word for interest, mas, signifies a kid goat (or lamb).2 The ancient Egyptian equivalent ms means to give birth.3 In ancient Greek interest is tokos, a calf. Among the several Hebrew words for interest are marbit and tarbit, meaning to increase and multiply. The Latin for interest, foenus, connotes fertility, and for money, pecunia, is derived from pecus, a flock. Our word capital comes from caput, a head of cattle. These derivations, claim Sydney Homer and Richard Sylla, imply that interest originated with loans of seeds and of animals. These were loans for productive purposes. The seeds yielded an increase. At harvest time the seed could conveniently be returned with interest. Some part or all of the animal’s progeny could be returned with the animal. We shall never know but we can surmise that the concept of interest in its modern sense arose from just such productive loans.
”
”
Edward Chancellor (The Price of Time: The Real Story of Interest)
“
Chad Gadya,” the Passover song he was taught by the rabbis in school, one he would sing to himself in the many nights during which sleep felt like something that only others could enjoy, a nursery rhyme that tells the story of a father who buys a young goat for two farthings, but then the kid—who the wise men said represented Israel in its purest, most innocent state—is killed by a cat, which is bitten by a dog, which is wounded by a stick, which is burned by fire, which is quenched by water, which is drunk by an ox, which is slaughtered by a man, in an unbroken chain of cause and effect, sin and penance, crime and punishment, that reaches all the way to heaven, where the Mighty Lord himself, the Holy One, Blessed be He, smites the angel of death, establishing the Kingdom of God,
”
”
Benjamín Labatut (The MANIAC)
“
perfectly viable. I wondered about the Bible as a whole. Maybe the entire thing was just a history of a certain culture, specific to that particular time and place, which made it hard for us now to understand, and which maybe even made it not applicable for us today. Like Exodus. Thou shalt not seethe a kid in its mother’s milk. Deuteronomy said it too. But what did it mean? What did it mean back then? Was the boiling of the young goat in its mother’s milk a metaphor for insensitivity, for coldness of heart? Or did it refer to some ancient ritual that nobody performed anymore? But still, there it was in the Bible, open to whatever meaning people decided to give to it.
”
”
Chinelo Okparanta (Under the Udala Trees)
“
Not at all, not in the slightest — you know Darcy only dines upon the meat of kid goats of precisely seventeen days old, cooked in—
”
”
Timothy Underwood (Overhearings Less to the Purpose)
“
The cry of agony from the attacker was worse than the cry of the goat whose kid is slaughtered in front of her helpless eyes by the laughing butchers for selling the fatty chumps at good profits
”
”
Abhishek Kapoor (The Selfish Betrayals)
“
Are you kidding me? I’d love to write with you, Fish. Hell yeah.” Fish is beaming. “Cool. I’ve got some lyrics, too. Some weird shit I wanna bounce off you.” “Awesome. And just so you know, you’re a sick-ass bass player, Fish Head. Always have been. I wouldn’t want anyone else standing there with me every night.” “Word,” Colin says. “Same with you, Colinoscopy. You’re a sick-ass drummer beast, and I couldn’t do what I do without you, either.” Colin and Fish are both clearly moved. And so am I. On impulse, we all step into a huddle and put our hands in. We make stupid goat noises, ever so briefly, but they don’t make us laugh as usual. This time, they make our Adam’s apples bob.
”
”
Lauren Rowe (Rockstar (Morgan Brothers, #5))
“
Rapunzel, I'm not anything heroic or wonderful or whatever you thought," he said sadly. "I'm a sneak thief mostly out for my own good. The rest of it's a lie. My name isn't even Flynn Rider."
"Um, what?"
Of all the many things she thought he might say, this was not one of them.
"My real name is Eugene Fitzherbert. At least, that was what was on record at the orphanage."
There might have been a glint from inside a guard's helmet at that, as if he couldn't help sniggering a little.
Rapunzel's jaw actually fell open.
"Eugene?" she asked.
"Yes."
"And doesn't Fitz mean--"
"Yes, it does," he interrupted in annoyance. "But who knows if that's really my family name, or a real name, or whatever. I think of myself as Flynn Rider. Daring hero, escape artist, adventurer extraordinaire... Eugene is someone who wastes away in an orphanage, who nobody wants. Eugene eats porridge once or twice a day, maybe, and wears the old clothes that bigger kids grew out of a generation ago."
"I like Eugene," Rapunzel protested, patting his hand. "I like it better than Flynn. It sounds more... real. Like who you really are."
"Thanks," he muttered.
"No, really! Eugene doesn't abandon his friends. Eugene makes snarky remarks... and then hangs around witchy goat farms to see how he can help. Eugene pauses his wild, adventurous life to make sure the people around him get their happy endings. Eugene gives crowns back to their rightful owners."
"Eugene winds up drained of his blood in a castle ruled by a demonic she-beast," Flynn said, looking up to gauge his captors' possibly violent response. They didn't move. "Flynn Rider is somewhere off riding into the sunset--"
"Without his princess," Rapunzel interrupted, hands on hips.
Flynn smiled sadly at her.
”
”
Liz Braswell (What Once Was Mine)
“
We have Gina here dress up as Rapunzel...."
"Never going to happen," Gina said immediately.
"Come on, it's just for a few hours. You'll be the bait."
"Nope. But you have a slender waist-- maybe with the corset..."
"In your dreams."
"Oh, believe me, my dreams have nothing to do with you in a corset. My nightmares, on the other hand..."
"There's a reason I never wanted more than one kid," the Goodwife muttered.
Dodger let out an angry bleat from the window.
"Human kid," she added apologetically.
”
”
Liz Braswell (What Once Was Mine)
“
The Prescott family primarily dealt in sheep and goats, selling wool, yarn, milk, cheese, lambs, and kids.
”
”
Hannah Lee Davis (A Frontier Family for the Fake Cowboy)