Glue Table Quotes

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Hotel-Room Coffee Tables I’ll admit to this one. They’re just not as sturdy as they look. It’s really hard to find wood glue at 9 a.m., before checkout.
Tristan Taormino (The Ultimate Guide to Kink: BDSM, Role Play and the Erotic Edge)
One minute we were sitting at the lowly kitchen table moaning about the sorry state of our lives and the next we were liberating the architecture with heavy projectiles. This was pure, freedom. Better than sniffing glue.
Augusten Burroughs (Running with Scissors)
Only one-tenth of what you write will make it into your manuscript, but when you knock on that tenth” – I rap my knuckles on the table – “you’ll hear oaken solidity, not sawdust and glue.
David Mitchell (The Bone Clocks)
They began to invent humourless, glum jokes of their own and disastrous rumours about the destruction awaiting them at Bologna. Yossarian sidled up drunkenly to Colonel Korn at the officers' club one night to kid with him about the new Lepage gun that the Germans had moved in. 'What Lepage gun?' Colonle Korn inquired with curiousity. 'The new three-hundred-and-forty-four-millimeter Lepage glue gun,' Yossarian answered. 'It glues a whole formation of planes together in mid-air.' Colonel Korn jerked his elbow free from Yossarian's clutching fingers in startled affront. 'Let go of me, you idiot!' he cried out furiously, glaring with vindictive approval as Nately leaped upon Yossarian's back and pulled him away. 'Who is that lunatic anyway?' Colonel Cathcart chortled merrily. 'That's the man you made me give a medal to after Ferrara. You had me promote him to captain, too, remember? It serves you right.' Nately was lighter than Yossarian and had great difficulty maneuvering Yossarian's luching bulk across the room to an unoccupied table. 'Are you crazy?' Nately kept hissing with trepidation. 'That was Colonel Korn. Are you crazy?' Yossarian wanted another drink and promised to leave quietly if Nately bought him one. Then he made Nately bring him two more. When Nately finally coaxed him to the door, Captain Black came stomping in from outside, banging his sloshing shoes down hard on the wood floor and spilling water from his eaves like a high roof. 'Boy, are you bastards in for it!' he announced exuberantly, splashing away from the puddle forming at his feet. 'I just got a call from Colonel Korn. Do you know what they've got waiting for you at Bologna? Ha! Ha! They've got the new Lepage glue gun. It glues a whole formation of planes together in mid-air.' 'My God, it's true!' Yossarian shrieked, and collapsed against Nately in terror.
Joseph Heller (Catch-22)
How could I compete with that? Candies and toys! I had string and glue and some very complicated dynamics going on at my station. I mean, when I was assigned to that table, no one happened to mention that it was a simmering hotbed of political unrest concerning the lower case r. A wicked web indeed.
Laurie Notaro (I Love Everybody (and Other Atrocious Lies))
And I will not allow you to think that you make my decisions, or made them. I am myself, not an appendage to you. Now go away. I must finish these arrows if I am to have even a few shafts that will fly true. I do not mean to kill you, and I would not have it happen by accident.” Unstopping the glue pot, she bent over the table. “Do not forget to curtsy like a good girl on your way out.
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
Work in the Federation is not a matter of compulsion or survival. Federation citizens need not perform tasks or exercise professions that do not suit their inclinations just so that they can afford to put food on the table and enjoy the respect of their peers. … What makes the Federation so appealing … It is the nature and meaning of work. It is almost a paradox to state it this way, but in a society where nothing is scarce and consequently where work is no longer a prerequisite for survival, finding good reasons to work becomes paramount, the defining existential question that everyone has to ask themselves. Why work at all if it’s not necessary? Because learning, making, and sharing is what makes life in the Federation worth living. Work, no longer a necessary burden, is the glue that holds the Federation together. It is the social bond and the social contract that impart substance and significance to life.
Manu Saadia (Trekonomics: The Economics of Star Trek)
We sat at long tables side by side in a big dusty room where we laughed and carried on until they told us to pipe down and paint. The running joke was how we glowed, the handkerchiefs we sneezed into lighting up our purses when we opened them at night, our lips and nails, painted for our boyfriends as a lark, simmering white as ash in a dark room. "Would you die for science?" the reporter asked us, Edna and me, the main ones in the papers. Science? We mixed up glue, water and radium powder into a glowing greenish white paint and painted watch dials with a little brush, one number after another, taking one dial after another, all day long, from the racks sitting next to our chairs. After a few strokes, the brush lost its shape, and our bosses told us to point it with our lips. Was that science? I quit the watch factory to work in a bank and thought I'd gotten class, more money, a better life, until I lost a tooth in back and two in front and my jaw filled up with sores. We sued: Edna, Katherine, Quinta, Larice and me, but when we got to court, not one of us could raise our arms to take the oath. My teeth were gone by then. "Pretty Grace Fryer," they called me in the papers. All of us were dying. We heard the scientist in France, Marie Curie, could not believe "the manner in which we worked" and how we tasted that pretty paint a hundred times a day. Now, even our crumbling bones will glow forever in the black earth.
Eleanor Swanson
This ancient span of furniture was littered with textbooks, blue pencils, pipes filled to various depths with white ash and dottle, pieces of chalk, a sock, several bottles of ink, a bamboo walking-cane, a pool of white glue, a chart of the solar system, burned away over a large portion of its surface through some past accident with a bottle of acid, a stuffed cormorant with tin-tacks through its feet, which had no effect in keeping the bird upright; a faded globe, with the words ‘Cane Slypate Thursday’ scrawled in yellow chalk across it from just below the equator to well into the Arctic Circle; any number of lists, notices, instructions; a novel called ‘The Amazing Adventures of Cupid Catt’, and at least a dozen high ragged pagodas of buff-coloured copybooks. Perch-Prism had cleared a small space at the far end of this table, and there he squatted, his arms folded.
Mervyn Peake (The Illustrated Gormenghast Trilogy)
My bones are leather and cardboard, my parchment smells of glue and mildew, and I strut at my ease across a hundredweight of paper. I am reborn, I have at last become a complete man, thinking, speaking, singing, thundering, and asserting himself with the peremptory inertia of matter. I am taken up, opened out, spread on the table, smoothed with the flat of the hand and sometimes made to crack. I let it happen and then suddenly I flash, dazzle, impose myself from a distance; my powers traverse space and time, strike down the wicked and protect the good. No one can forget me or pass me over in silence: I am a large, manageable, and terrible fetish. My consciousness is in fragments: all the better. Other consciousnesses have taken charge of me. They read me and I leap to their eyes; they talk about me and I am on everyone’s lips, a universal and singular language; I have made myself a prospective interest for millions of glances. For anyone who knows how to like me, I am his most intimate disquiet: but if he wants to touch me, I draw aside and vanish: I exist nowhere but I am, at last! I am everywhere: a parasite on humanity, by my good deeds I prey on it and force it endlessly to revive my absence.
Jean-Paul Sartre (The Words: The Autobiography of Jean-Paul Sartre)
ay cheese!" If you're like most women I know, you have at least one family and friends photo area in your home. My entire home is practically a photo gallery! Walls, tabletops, and my refrigerator door are all crowded with the faces of people I love. My husband, Bob, my children, grandchildren, new friends, old friends you name 'em and I've displayed 'em. How precious are these gatherings of faces to us. And it's so fitting, isn't it? Because our family and friends' pictures tell the story of their lives.. .and ours! Cherish your family and friends and those priceless moments. Hold them close. Seek out your friends and enjoy their company more often. Treasure their faces, their characteristics, their uniqueness. But also make room for new people.. .and add them to the gallery in your heart. ant to hold a spring garden party? It can be a birthday, a graduation, or just a celebration. For invitations, glue inexpensive packets of seeds to index cards and write in your party information. Pass them out or stick them in envelopes and mail them. Decorate a picnic table with an umbrella and bright floral sheets or vinyl cloths. Why not decorate the awnings and porch posts to make it even more festive? Flowers, flowers, and flowers everywhere create a bright, aromatic space. If you're limber and energetic or you're inviting kids, spread sheets on the ground for an authentic, old-fashioned picnic. A little red wagon or painted tub with a potted plant makes a fun off-to-the-side "centerpiece." Use a clean watering can for your lemonade pitcher. Engage your imagination and have fun entertaining.
Emilie Barnes (365 Things Every Woman Should Know)
It took you long enough to come back,” Lexy tells me bitingly. The girl is ruining my meal. Ever since the stable girls showed up, she’s been attached like glue to Vin’s side. I recognize it for what it is—infatuation. No way Vin is leading her on. He barely tolerates her, which isn’t to say he isn’t sleeping with her, but he definitely isn’t putting pretty pictures in her head. She’s doing that all on her own. “That’s what he said,” I grumble around a large bite of bread, gesturing to Vin. “We were sure you’d left us to die.” “Sorry to disappoint.” “Don’t be. We wouldn’t have been sorry to see you go.” I look up from my plate to eye her carefully. I do it for too long. She twitches under my stare, making me grin. “‘We,’ huh? You’re a ‘we’ now?” Vin looks up sharply. “What? No.” “Vin,” Lexy protests. “Are you sure?” I ask him. “Yes,” he tells me angrily. He stares Lexy down. “And, no, we’re not a ‘we.’ We’re nothing.” “I’m sure he doesn’t mean it, Lex,” I tell her consolingly. “Never give up hope.” “Kitten,” Vin growls in warning. Lexy shoots me an icy stare from across the table. It’s cute how hard she tries. “Be sure to watch your back out there, Kitten,” she spits sarcastically. “I’d hate to see you get hurt.” I put up my finger in her face, getting serious. “Watch yourself. You’re toeing a dangerous line with me right now and I don’t want to have to remind you what happened to the last girl who threatened me. Forget Vin, I’ll put you to bed with Caroline. You get me?” Lexy pales. She glances once at Vin, then Ryan and Trent. All of them keep their heads down, carefully pretending they have no idea what’s happening. Finally she stands slowly, turns, and leaves without a word. “Well, that’s handy,” I mumble, picking up my bread. “Kinda harsh,” Ryan comments. I hate that I immediately feel a twinge of guilt just from those two words from him. “I did him a favor,” I say defensively. “That girl was one kiss away from collecting his hair. I don’t have time for that kind of crazy.” “Amen to that,” Vin says heartily, raising his glass to me. “Calm down, Romeo. You’re the idiot who keeps getting us into these situations.” “‘Us’?” he asks with a sly grin. “Are we an ‘us’ now?” “No,” Ryan replies darkly.
Tracey Ward
I purchased one of those electronic things that plugs into the wall that is meant to scare cockroaches by sending a pulse through the apartment wiring, but while it has reduced the numbers, it seems some have evolved to feed off the electrical signal, increasing their size. I am using one as a coffee table in the lounge and two smaller ones as side tables in the bedroom. They would probably be susceptible to carbon monoxide poisoning, though, so I will try running a hose pipe from my car exhaust to the apartment, closing the windows and leaving the vehicle running overnight. It is apparently an odorless gas so should not prove an issue for my son’s Cub group sleepover. Also, I read somewhere once that cockroaches can survive a nuclear attack, so I have been collecting the dead ones and intend to glue several thousand to the walls thereby ensuring my survival should Cyberdyne Systems become self-aware between now and when the lease runs out.
David Thorne (The Internet is a Playground)
It is an inescapable fact that the Great British Pudding is made of flour and water. In other words, our sweet culinary heritage is based on little more than glue. Sure, our puddings are sweetened with jam, or currants, or treacle, or syrup, or honey, or chocolate, or apples, but at their heart and soul is glue – something that cannot be said for a French crème brulée or an Italian tiramisu, or even a New York cheesecake.
Nigel Slater (Eating for England: The Delights and Eccentricities of the British at Table)
And so they did. Over the next several weeks, the garden friends collected trash that they found lying around—from soda cans that had tumbled out of the recycling bin, to a weather-beaten cardboard box, to an old baseball cap that was the perfect size for a mosquito-sized soda fountain. The friends used this junk to construct tiny buildings. They decorated their new business with colorful leaves and flower petals, and they used rocks and pebbles for tables and chairs. Wiggly worked hard at making tunnels in the dirt for his new park, and even Snarky caught on to the enthusiasm and collected shiny pebbles for his shop. By the time they were finished, Garden Town had come to be—a tiny town with a soda fountain, a park, a restaurant, and a pebble shop. Wiggly Worm and his friends had proved that, with a little hard work and determination, it’s possible to make your dreams come true! Just for Fun Activity Collect old containers and other trash-bound items in your house. With a little imagination (and some craft supplies), I bet you can make a pretty cool Garden Town of your own! Glue the town to a piece of poster
Arnie Lightning (Wiggly the Worm)
What Bosch had were just parts of the whole. What he needed was the glue that would correctly hold them together. When he had first received his gold shield he had a partner on the robbery table in Van Nuys who told him that facts weren’t the most important part of an investigation, the glue was. He said the glue was made of instinct, imagination, sometimes guesswork and most times just plain luck.
Michael Connelly (The Black Ice (Harry Bosch, #2; Harry Bosch Universe, #2))
Grandma is seated at the head of the table, as usual. She’s the glue that keeps us all together, and I hate that I’m letting her down. Ever since our parents died in a plane crash fifteen years ago, she’s taken on both of their roles.
Catharina Maura (The Wrong Bride (The Windsors, #1))
What is Gosetsu Udon, you ask? Meaning "snowy noodles," it is a local specialty from Kutchan, Hokkaido, one of the snowiest places on Earth! The Kutchan region is a big producer of potatoes, and one of the most famous kinds they grow is the extra mealy and starchy Irish Cobbler Potato, also called Danshaku. It's from that potato that Gosetsu Udon Noodles are made! In fact, Gosetsu Udon Noodles are 95 percent starch! First, boil the potatoes, and then peel them... Mash them until they're smooth and fluffy... Then add water, salt and flour to make the dough! "There wasn't enough flour left for us to use. But thankfully... ... there were a few bags of this still available!" Potato starch! That was meant to be used for dusting cutting boards and table surfaces when making handmade noodles! It's not normally used as an ingredient in noodles... but as it's potato starch, that changes when it comes to potato noodles! Acting as the glue holding the noodles together, it also adds that extra starchiness for making the finished noodles that much chewier!
Yūto Tsukuda (食戟のソーマ 21 [Shokugeki no Souma 21] (Food Wars: Shokugeki no Soma, #21))
Office and Classroom Tools—Have the child cut with scissors; use a stapler and hole puncher; draw with crayons and chalk; paint with brushes, feathers, sticks, and eyedroppers; squeeze glue onto paper in letters or designs, sprinkle sparkles on the glue, and shake off the excess; and wrap boxes with brown paper, tape, and string. MOTOR PLANNING Jumping from a Table—Place a gym mat beside a low table and encourage the child to jump. After each landing, stick tape on the mat to mark the spot. Encourage the child to jump farther each time. Walking Like Animals—Encourage the child to lumber like a bear, on all fours; a crab, from side to side on all fours; a turtle, creeping; a snake, crawling; an inchworm, by stretching flat and pulling her knees toward her chest; an ostrich, while grasping her ankles; a duck, squatting; a frog, squatting and jumping; a kangaroo or bunny, jumping; a lame dog, with an “injured” leg; a gorilla, bending her knees; a horse, galloping. Playground Games—Remember Simon Says, Ring-Around-the-Rosy, The Hokey-Pokey, London Bridge, Shoo Fly, and Mother, May I? Insy-Outsy—Teach the child to get in and out of clothes, the front door, and the car. With a little help, the child may become able to perform these tasks independently, even if it takes a long time!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)