Glow After Crying Quotes

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I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college “adult” person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person I’d become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because that’s when life will really begin. And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin. I love movies about “The Big Moment” – the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that wasn’t what it looked like in the movies. John Lennon once said, “Life is what happens when you’re busy making other plans.” For me, life is what was happening while I was busy waiting for my big moment. I was ready for it and believed that the rest of my life would fade into the background, and that my big moment would carry me through life like a lifeboat. The Big Moment, unfortunately, is an urban myth. Some people have them, in a sense, when they win the Heisman or become the next American Idol. But even that football player or that singer is living a life made up of more than that one moment. Life is a collection of a million, billion moments, tiny little moments and choices, like a handful of luminous, glowing pearl. It takes so much time, and so much work, and those beads and moments are so small, and so much less fabulous and dramatic than the movies. But this is what I’m finding, in glimpses and flashes: this is it. This is it, in the best possible way. That thing I’m waiting for, that adventure, that move-score-worthy experience unfolding gracefully. This is it. Normal, daily life ticking by on our streets and sidewalks, in our houses and apartments, in our beds and at our dinner tables, in our dreams and prayers and fights and secrets – this pedestrian life is the most precious thing any of use will ever experience.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Readers, friends, if you turn these pages Put your prejudice aside, For, really, there's nothing here that's outrageous, Nothing sick, or bad — or contagious. Not that I sit here glowing with pride For my book: all you'll find is laughter: That's all the glory my heart is after, Seeing how sorrow eats you, defeats you. I'd rather write about laughing than crying, For laughter makes men human, and courageous.
François Rabelais (Gargantua and Pantagruel)
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
After a Retreat What hast thou learnt today? Hast thou sounded awful mysteries, Hast pierced the veiled skies, Climbed to the feet of God, Trodden where saints have trod, Fathomed the heights above? Nay, This only have I learnt, that God is love. What hast thou heard today? Hast heard the Angel-trumpets cry, And rippling harps reply; Heard from the Throne of flame Whence God incarnate came Some thund'rous message roll? Nay, This have I heard, His voice within my soul. What hast thou felt today? The pinions of the Angel guide That standeth at thy side In rapturous ardours beat Glowing, from head to feet, In ecstasy divine? Nay, This only have felt, Christ's hand in mine.
Robert Hugh Benson
You said it was twenty feet!” “Yeah. You’ll have to trust me. Put your arms around my neck and hang on.” “How can you possibly—” “There!” cried a voice behind them. “Kill the ungrateful tourists!” The children of Nyx had found them. Annabeth wrapped her arms around Percy’s neck. “Go!” With her eyes closed, she could only guess how he managed it. Maybe he used the force of the river somehow. Maybe he was just scared out of his mind and charged with adrenaline. Percy leaped with more strength than she would have thought possible. They sailed through the air as the river churned and wailed below them, splashing Annabeth’s bare ankles with stinging brine. Then—CLUMP. They were on solid ground again. “You can open your eyes,” Percy said, breathing hard. “But you won’t like what you see.” Annabeth blinked. After the darkness of Nyx, even the dim red glow of Tartarus seemed blinding. Before them stretched a valley big enough to fit the San Francisco Bay. The booming noise came from the entire landscape, as if thunder were echoing from beneath the ground. Under poisonous clouds, the rolling terrain glistened purple with dark red and blue scar lines. “It looks like…” Annabeth fought down her revulsion. “Like a giant heart.” “The heart of Tartarus,” Percy murmured. The center of the valley was covered with a fine black fuzz of peppery dots. They were so far away, it took Annabeth a moment to realize she was looking at an army—thousands, maybe tens of thousands of monsters, gathered around a central pinpoint of darkness. It was too far to see any details, but Annabeth had no doubt what the pinpoint was. Even from the edge of the valley, Annabeth could feel its power tugging at her soul. “The Doors of Death.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Personally I do not believe in world reform. No. I do not believe in any kind of world reform. Not because I consider that the world is perfect as it is—certainly not, the world is crooked and grim and full of suffering—but whoever comes along to reform it soon sinks in rivers of blood. Now let’s drink a glass of tea and leave aside these obscenities you’ve brought me today. If only all religions and all revolutions vanished from the face of the earth someday, I tell you—all of them, without exception—there would be far fewer wars in the world. (p. 68) Only in one window a feeble light glowed, and he pictured a young rabbinical student sitting there reciting psalms. He said to him in his heart: You and I are both searching for something that has no fixed measure. And for that reason we will not find it even if we search till morning and the next night and every night to come until the day of our death, and maybe after that. (p. 184) “The eyes,” Gershom Wald said, “will never open. Almost everyone traverses their lifespan, from birth to death, with eyes closed. Even you and I, my dear Shmuel. With eyes closed. If we open our eyes for just a moment, a great and terrible cry will burst forth from us and we shall scream and never stop. And if we don’t cry out day and night, that’s a sign that our eyes are closed... ” (p. 192) Anyone willing to change,” Shmuel said, “will always be considered a traitor by those who cannot change and are scared to death of change and don’t understand it and loathe change...” (p. 230)
Amos Oz (Judas)
Winter tightened its grip on Alaska. The vastness of the landscape dwindled down to the confines of their cabin. The sun rose at quarter past ten in the morning and set only fifteen minutes after the end of the school day. Less than six hours of light a day. Snow fell endlessly, blanketed everything. It piled up in drifts and spun its lace across windowpanes, leaving them nothing to see except themselves. In the few daylight hours, the sky stretched gray overhead; some days there was merely the memory of light rather than any real glow. Wind scoured the landscape, cried out as if in pain. The fireweed froze, turned into intricate ice sculptures that stuck up from the snow. In the freezing cold, everything stuck -- car doors froze, windows cracked, engines refused to start. The ham radio filled with warnings of bad weather and listed the deaths that were as common in Alaska in the winter as frozen eyelashes. People died for the smallest mistake -- car keys dropped in a river, a gas tank gone dry, a snow machine breaking down, a turn taken too fast. Leni couldn't go anywhere or do anything without a warning. Already the winter seemed to have gone on forever. Shore ice seized the coastline, glazed the shells and stones until the beach looked like a silver-sequined collar. Wind roared across the homestead, as it had all winter, transforming the white landscape with every breath. Trees cowered in the face of it, animals built dens and burrowed in holes and went into hiding. Not so different from the humans, who hunkered down in this cold, took special care.
Kristin Hannah (The Great Alone)
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
After we place our orders, June speaks up. The gold flecks in her eyes shine in the lantern’s orange glow. “Why didn’t you tell me?” she whispers. I hold my hands against the lantern, savoring the heat. “What good would it have done?” June furrows her eyebrows, and only then do I notice that her eyes look kind of swollen, like she’s been crying. She shakes her head at me. “The rumors are all over the place,” she continues in a voice I can barely hear. “Witnesses say they saw you being carried out of your apartment on a stretcher thirty-four hours ago—one of them apparently overheard a medic discussing your condition.” I sigh and put my hands up in defeat. “You know what, if this is all somehow causing riots in the
Marie Lu (Champion (Legend, #3))
She blew a warm breeze on his face and rustled his hair and embraced him in a warm haze and he felt her nonthreatening presence. She looked down and saw his face stained with tears, nobody could reach him in his grief but she could. He saw her and blew her a kiss goodbye. She flew down in a haze in a white dress with wings and whispered into his ear “please don’t cry I am in a better place. Marriage was forever. Love and life was forever. My body died but my soul lives on for eternity”. (Katie) “The rain stopped suddenly and the grey sky cleared into a bright blue colour and a glowing warm orange sun appeared to show her appreciation. A perfect blue sky remained on the dark winter’s day until after the ceremony and the hailstone and rain commenced again and the dark sky reappeared as the funeral car drove away
Annette J. Dunlea
The next school day, I went very early to school to put the letter on Lupe’s desk. I also had something special for Jason—but it wasn’t the letter I wrote him. It was something else I had picked up recently from another Chinese immigrant. When I was helping this uncle with his luggage, I had pulled too hard and got a blister on my hand. The man said he had just the thing, and gave me a little vial of Chinese medicine. It felt minty and cool on my finger, but when I reached up to tuck my bangs behind my ear, my minty finger got a little too close to my eye. I was crying in seconds. So after I set Lupe’s letter down on her desk, I practically soaked Jason’s pencils with the same stuff that had made me cry. Let’s see him twirl these suckers now! Jason did not notice the gleam on his pencils when he sat down later that morning. He was too busy bragging about Las Vegas and all the great food he ate and the luxurious suite they stayed in. “They had a pool with three pool slides! There was even a restaurant right smack in the—” “When are you going to give me my pencil back?” I asked. I wanted to cut to the chase. I couldn’t care less about his fancy pools, considering I stared at one all day. “You mean my pencil?” He shrugged. “I gave it to my dog, Wealthy. It’s probably all chewed up by now.” He would give it to his dog. And he would have a dog named Wealthy. Jason smirked, picked up one of his pencils and started twirling. He twirled it a little too close to his face and just as I predicted, the strong minty smell made his eyes water. He put the pencil down and began rubbing his eyes furiously with his menthol fingers. Big mistake. “Oh my God, Jason’s crying!” one of my classmates exclaimed. “No, I’m not!” Jason insisted, blinking furiously. But it was too late. Everyone ran over and huddled next to Jason. It wasn’t every day a kid in fifth grade started bawling—fourth grade maybe, but not fifth grade. We watched with wide eyes as Jason cried and cried. Sunlight flooded in through the tall glass windows, and Jason’s tears glistened in the warm peach glow. I couldn’t stop smiling the whole time. It was a beautiful, beautiful day. The only thing that could make that day more beautiful was the chance of Lupe forgiving me.
Kelly Yang (Front Desk (Front Desk #1) (Scholastic Gold))
Why does the night have to be so beautiful? As I walked through the night, I remember what Mitsutsuka said to me. "Because at night, only half the world remains." I count the lights. All the lights of the night. The red light at the intersection, trembling as if wet, even though it isn't raining. Streetlight after streetlight. Taillights trailing off into the distance. The soft glow of the windows. Phones in the hands of people just arriving home, and people just about to go somewhere. Why is the night so beautiful? Why does it shine the way it does? Why is the night made up entirely of light? The music flows from the earphones filling my ears, filling me it becomes everything. A lullaby. A gorgeous piano lullaby. What a wonderful piece of music. It really is. It's my favorite piece by Chopin. Did you like it too, Fuyuko? Yeah. It's like the night is breathing. Like the sound of melted light. (The light at night is special because the overwhelming light of day has left us, and the remaining half draws on everything it has to keep the world around us bright.) You're right, Mitsutsuka. It isn't anything, but it's so beautiful that I could cry.
Mieko Kawakami (All the Lovers in the Night)
The Lama of the Crystal Monastery appears to be a very happy man, and yet I wonder how he feels about his isolation in the silences of Tsakang, which he has not left in eight years now and, because of his legs, may never leave again. Since Jang-bu seems uncomfortable with the Lama or with himself or perhaps with us, I tell him not to inquire on this point if it seems to him impertinent, but after a moment Jang-bu does so. And this holy man of great directness and simplicity, big white teeth shining, laughs out loud in an infectious way at Jang-bu’s question. Indicating his twisted legs without a trace of self-pity or bitterness, as if they belonged to all of us, he casts his arms wide to the sky and the snow mountains, the high sun and dancing sheep, and cries, 'Of course I am happy here! It’s wonderful! Especially when I have no choice!' In its wholehearted acceptance of what is, this is just what Soen Roshi might have said: I Feel as if he had struck me in the chest. I thank him, bow, go softly down the mountain: under my parka, the folded prayer flag glows. Butter tea and wind pictures, the Crystal Mountain, and blue sheep dancing on the snow - it's quite enough! Have you seen the snow leopard? No! Isn't that wonderful?
Peter Matthiessen (The Snow Leopard)
Everything has its price," Reverend Willows said. "The sunset costs us the moment in which we pause to look at it. We pay for a great love or a great dream in self-discipline, in self-sacrifice, in the giving of our love and our time and sometimes the sacrificing of our happiness." He grew silent. After a moment she realized that he was praying, his head bowed, his eyes closed. She was embarrassed, thinking that she was an intrusion upon his privacy, but when a moment later he opened his eyes, he smiled with surprising shyness and said, "A very impressive cathedral, isn't it?" He left her there. She looked and saw that the sky had turned pink and coral and gray, and as the light of dawn was born in the sky, a new light was born within her, too. There was a new day before them and with it new hope, new possibilities. A thousand men before her, a thousand million people, had looked up at the reddening sky or had seen the fragile green budding of the trees in spring, had heard the sudden song of a bird winging skywar, and had felt hope rekindled in their breasts. The dark night was over, the long winter ended, God was still in his heaven. How plain, how often repeated those homilies, yet what succor they gave. A bird cried somewhere in the rocks above her, and now in the distant valley she could see the glow of campfires and the smoke rising from the brown bosom of the land. At last she turned and went down the path to the wagons. And she, child of the earth, felt a thrill of response within her. She was thousands of miles from France. Between here and there lay an entire continent and a vast ocean, and yet in her heart she suddenly felt that she had come home.
Victor J. Banis (This Splendid Earth)
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
Why did you come back to Salt Lake?" I knew the answer before I asked the question and he knew I knew, and it was like you could see the shadow of it hanging there between us. "I needed to see you," he finally said. "It's hard to explain." "You don't have to." "I tried telling my mom once what happed that day. Showed her the hole in the window screen and Moe and even after that she said it was complicated, that my dad's a complicated man and we all needed to try harder to understand him." His voice was shaking now. "And I thought, hey, maybe she's right. Maybe he was just playing around, you know. Maybe we didn't need to run." "We did," I whispered. "That's why I had to come, see?" He didn't move and I didn't move, but in a few seconds I heard him sniffling and he couldn't stop and I knew he was crying. "Cameron." I propped myself up, reached out my arm. "Come here." He got up and came to me, dragging his blanket behind him like a child. I scooted over in my bed to make room. "Come on." He positioned himself beside me-I stayed under the covers, he was on top of them, his head next to mine on the pillow. I stroked his hair and thought of the week he'd lived at our house, the way we slept shoulder to shoulder in our sleeping bags in the living room and I got another good memory. Jennifer, Cameron had said. You awake? His voice was coming from across the room. I sat up. Yeah. Look. He was standing by the living room window. The blinds were closed, but he had his hands on the cord, a big smile on his face. Ready? I nodded, starting to smile myself. One, two, three, Cameron said, then pulled the blind up, hand over hand on the cord like someone on TV. His smile got even bigger as he watched my face. Snow. Giant flakes of it falling in front of the window even though it was only September. Now, I fell asleep with my arm over Cameron's chest, thinking of how the flakes had been slow and white in the glow of the streetlights that lined the apartment walkways, and the smile on his face and on mine, like the snow was personal, a gift he'd given me himself.
Sara Zarr (Sweethearts)
And she knew her defiance in escaping his grasp, even temporarily, had shown Jasu the depth of her strength. In the months afterward, though he behaved awkwardly, he had allowed her the time and space she needed. It was the first genuine show of respect he had made toward her in their four years of marriage. Jasu’s parents made no such concession, their latent disappointment growing into relentless criticism of her for failing to bear a son.Kavita walks outside and spreads her mat on the rough stone steps, where she sits facing the rising sun in the east She lights the small ghee-soaked diya and thin stick of incense, and then closes her eyes in prayer. The wisp of fragrant smoke slowly circles its way up into the air and around her. She breathes deeply and thinks, as always, of the baby girls she has lost. She rings the small silver bell and chants softly. She sees their faces and their small bodies, she hears their cries and feels their tiny fingers wrap around hers. And always, she hears the sound of Usha’s desperate cry echoing behind the closed doors of the orphanage. She allows herself to get lost in the depths of her grief. After she has chanted and sung and wept for some time, she tries to envision the babies at peace, wherever they are. She pictures Usha as a little girl, her hair wound in two braids, each tied with a white ribbon. The image of the girl in her mind is perfectly clear: smiling, running, and playing with children, eating her meals and sleeping alongside the others in the orphanage.Every morning, Kavita sits in the same place outside her home with her eyes closed until the stormy feelings peak and then, very gradually, subside. She waits until she can breathe evenly again. By the time she opens her eyes, her face is wet and the incense has burned down to a small pile of soft ash. The sun is a glowing orange ball on the horizon, and the villagers are beginning to stir around her. She always ends her puja by touching her lips to the one remaining silver bangle on her wrist, reconciling herself to the only thing she has left of her daughters. These daily rituals have brought her comfort and, over time, some healing. She can carry herself through the rest of the day with these peaceful images of Usha in her mind. Each day becomes more bearable. As days turn to weeks, and weeks to months, Kavita feels her bitterness toward Jasu soften. After several months, she allows him to touch her and then, to reach for her at night.
Shilpi Somaya Gowda (Secret Daughter)
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Once Mom and Ossie and I spent an afternoon alone together in her hospital room. We were watching the small TV above her head politely, as if the TV were a foreign dignitary giving an unintelligible lecture, and waiting for any news from Dr. Gautman. As if on cue, that lame movie from the sixties started playing, Ladies In Waiting. A quintet of actresses haunt the punch bowl--they are supposed to be spinster sisters or spinster best friends, or maybe just ugly and needy acquaintances--anyhow, these pink chameleons, voiceless in their party chignons, they stand around the back of a ballroom having flashbacks for most of the movie, regretting older events in their minds, ladling cups of glowing punch from a big bowl, and only after the dying violin note of the final song do they at last step away from the wall. "Oh, but we DID want to dance!" the actresses cry at the end of the scene, their faces changing almost totally. All these angry multiplying women. Hopes were like these ladies, Mom told us. Hopes were wallflowers. Hopes hugged the perimeter of a dance floor in your brain, tugging at their party lace, all perfume and hems and doomed expectation. They fanned their dance cards, these guests that pressed against the walls of your heart. Our mom had become agitated as the movie credits rolled: There had never been a chance for them! What STUPID women. That day we watched TV with her until the hospital began to empty, until the lights went white as a screech and the room grew so quiet...
Karen Russell
After the fire passed us it marched on across the dune tops into the Kalahari, lighting the night sky like a spectacular sunset. Behind it, the cool pink glow of burned-out trees and logs remained, until the fire’s crimson was lost in the blush of dawn.
Mark Owens (Cry of the Kalahari)
I still couldn't believe how creative Annie was in coming up with the different flavors and embellishments for each cupcake; the finished products looked like huge jewels that sparkled appealingly in the counter display and on the black lacquer trays passed by the waitstaff. Annie had had her nose to the grindstone for days, as focused as I'd ever seen her, dicing apples and pears until they looked like nuggets of gold- as well they should, considering what that fruit cost!- and tasted like pure, sweet, warm explosions of flavor baked into the cakes. Annie's dexterity, precision, and speed with a knife had been a sight to behold. My contributions to the cupcakery's opening night were decidedly more mundane: I'd interviewed and hired the night's waitstaff, overseen the completion of the various construction and design projects, and ordered all of the noncooking supplies the shop needed. Treat glowed with sexy, low-lit energy; laughter and music filled the space; hip, beautiful people bit into cupcake after cupcake. If the shop had been in the Marina instead of the Mission, it was just the sort of place I would have visited frequently. But there was no use crying over that spilled buttercream.
Meg Donohue (How to Eat a Cupcake)
The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again. Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home. With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past. “Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?” Loretta had no idea what the child had asked until Blackbird steepled her fingers. “Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.” Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers. A deep voice came from behind her. “She asks how long you will eat and keep warm with us.” Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless. “You will tell her, ‘Pihet tabbe.’” Trust didn’t come easily to Loretta. “What does that mean?” A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.” Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.” “Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.” Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.
Catherine Anderson (Comanche Moon (Comanche, #1))
am full beyond words. And as is usual with me, I wept just a little. It’s silly weak, kiddish and all that, but, gee, to have done something real … One can if one will. Now I know it. We measure by material accomplishments, that is, in the eyes of society.… I think I am registering a comeback, to employ the vernacular. Now to burst into print and to begin—not to shine—but to show phosphorescent tendencies that may assemble into a little glow. Big fires from little sparks grow. You’re with me, dad’s with me; and there are many I rather feel will jump on top when my bus gets going. I have youth; I am acquiring faith, i.e. courage, confidence, right’s might: I am learning every day and developing every hour.… Fool that I am, I’d like to cry for a week, just from sheer happiness.… This year I am sure is the most glorious in my college so far after all.—If only I could find a girl, now. That is a big problem for me to thrash out—and it must be for myself, by myself, and with no other source or guide, less perchance it be Experience. I have so long avoided and put off telling this to you: but you must see it. After Emma, I have lost faith in your sex. That affair you never knew in detail. I can tell you of it some day, but not here and now.… Why I write this, I cannot say. I don’t know. But as I see engagements about me by the score—not that I think it even tolerable in one so young—but because I realize that I of equal age (in years) do not feel the slightest attraction or inclination to … (page missing)
William Wright (Harvard's Secret Court: The Savage 1920 Purge of Campus Homosexuals)
All the pain I put you through Imploded, exploded and demolished you What did you do to deserve all this But love me, this endlessly broken abyss ?! Now, nothing have I become I've lost myself and have gone numb And here I am wondering How you are and how you've been Are you happy through all the pain? Did you manage to break that chain The One from which you suffocated When I ended us, unappreciated Has your heart at all mended From all the blows I extended? Do I ever cross your mind? Do you still hate me, after all this time? I am deserving of all of this Of all the pain and lack of bliss I became the reason why Your glowing eyes still cry and cry I won't ask for your forgiveness My lack of you is my deepest illness Forgiveness given to me would be a crime But even if you did, I wouldn't give myself mine Regret fills my very essence My whole being will miss your presence I lost my singularity of creation I just wish for you more appreciation Loneliness my bitter friend We'll be together until the end A long life of being hollow A continuum of time in endless sorrow
Klaudio Marashi
She looked down and saw in surprise an elegant pattern of flowers and vines that wove around her fingers, and in the center of her palm, an open eye. "This is so you will see yourself as I see you," Nour said, her eyes prickling with tears. Dina stood and turned to face the mirror. For a moment she did not recognize her reflection. That woman was beautiful, glowing, beaming a smile, kindness and joy radiating from her. That woman was Dina. That's me. The hex had felt insurmountable, impossible to break, even once she had known she was the cause of it. It was one thing to be told she needed to love herself to break the curse, but quite another to do it in practice. But as Dina looked at herself, everything fell into place. Her family accepted her for who she was. And if she told herself that she was worthy of love, then it was true. And if it was true, there was no need for the hex anymore. No need for that wall that she had built between herself and others to keep them from seeing her as she truly was. Scott loved her, and she loved him. And they would be okay. She shuddered in a breath as the insidious magic of the hex began to dissipate, like ashes blowing away after a fire's gone out. Then her ears popped, and the hex was gone. Dina looked across at her mother, smiling through her tears. "It's gone," she cried. "Mama, I'm free.
Nadia El-Fassi (Best Hex Ever)
She and Becky had been on their hands and knees scrubbing the kitchen floor when he'd come in with an ear-to-ear grin, his skin glowing and his hair damp, unruly, and deliciously tousled. With him around, getting any work done had been impossible. He'd been munching an apple, prowling the kitchen like a restless cat, and driving Juliet insane with his playful feints to her face, to the wall, to the leg of a chair. "Would you stop?" she'd finally cried, looking up at him and laughing as she'd swatted him away. "Can't," he'd said and, winking at Becky, leaned down and kissed Juliet fully on the lips. He'd tasted of sweet apples and sunshine, and she'd felt a rush of desire for him that had made her wish Becky was anywhere but in their kitchen. "What's got you in such a good mood?" she'd managed after he finally broke the kiss and straightened up, leaving her breathless and flushed, her hand to her suddenly pounding heart. "Oh, nothing."  Another playful feint to her shoulder. "Nothing at all, dearest!" "The way you're acting, one might think you were going to the fight tonight." His eyebrows had risen, and then he'd laughed, loudly. "Well, maybe I am," he'd said, cheerfully; then, saluting her with his apple, he'd swung back out the door. Juliet had watched him as he crossed the lawn and headed toward the manor house, his stride cocky and giving him the appearance of owning the world. When she'd turned back to Becky, the other girl was simply sitting back on her heels and shaking her head in amusement. "Men!  They just never grow up, do they?" "Do you know, Becky ... I hope that one never does. He can make me laugh when all I want to do is cry. He can make me see the good in a situation when all I see is the bad. He knows when life should be taken seriously — and when it shouldn't. He's delightful and funny and clever — and not afraid to make a total cake of himself."  She had smiled and given a little sigh. "No, I never want him to grow up ... not if it means seeing him change into something other than what he currently is." Becky
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
I Want More Cheese Jasper Van Dumpken was a twelve year old boy that lived on a farm. He had rosy cheeks, bright red hair, and a huge appetite. He ate rye bread with cheese and fresh milk for breakfast. At lunch, he usually ate macaroni and cheese. At dinner time, he ate a portion of meat and potatoes with lots of cheese of course. As you can see, cheese was Jasper’s favorite kind of food. Although Jasper’s parents weren’t particularly rich, they always had plenty to eat. However, because of Jasper’s craving for cheese they often ran out of it. His father would poke fun at him and ask him if he had a hole in his tummy, because he just couldn’t understand how he put so much cheese in there. One summer’s evening, Jasper climbed into bed with his stomach a little more filled than usual. He had stuffed himself with cheese curds all day. He felt a soft wind blow through his window and he took a sniff of the piny smell that came in from the tree nearby. That tree seemed to glow and he thought he saw beams of lights dancing under it. They seemed to be shaped like a girl. He laughed at the idea of it. Pretty soon though, he heard a voice whisper, “Come with us, there’s plenty of cheese.” Then again the voice whispered, “Come with us, there’s plenty of cheese.” Now Jasper was a very curious young man, and although something deep inside of him told him to stay put, he was ready for an adventure. So he put on his shoes and carefully climbed out his bedroom window. As he stepped out, he noticed three little women. They were absolutely beautiful and had wings that shined like fireflies. “Come with us and we will show you where we keep all of our cheese,” they said together. Their soft voices sounded like music to his ears. He wanted to try their cheese so he followed them to end of the forest. They told him to sit down. They disappeared and came back carrying all different kinds of cheese. Some that Jasper had never even tried before. Jasper ate until his poor little tummy ached. “Stop, please, stop! No more cheese!” he cried out. But the fairies kept bringing more until a huge wall had formed around him. Jasper was now trapped. He started to scream for help, but it was no use. He yelled until he was tired and fell right to sleep. Several hours later Jasper woke up, he rubbed his eyes and expected to see mounds of cheese around him. But instead he was back in his bedroom. Jasper breathed a sigh of relief because it had all been a terrible nightmare. From that day forward, Jasper never ate another piece of cheese again. Although he had once loved it, after that horrible dream, he couldn’t even stand the smell of cheese anymore.
Sharlene Alexander (40 Fun Halloween Stories for Kids (Perfect for Bedtime & Young Readers-Huge Children's Story Book Collection) (+FREE Halloween Games & Extras Included))
I wonder for the first time, with a sharply caught breath, if I did love Peeta then. If the grief that poured out of me during his Games had been the outcry of a breaking heart, rendered powerless to prevent her beloved's pain. If I agreed to his bargain not simply to save my family but because my heart desperately wanted to live in the glow of his. If the kiss I clumsily pressed to his cheek after the Reaping – the kiss that sent me sprinting back to the woods to burrow among the roots of an old tree and cry myself sick – had nothing to do with debt or gratitude and everything to do with love and loss. I wonder if I've loved him since that moment under the apple tree when a boy with a bruised cheek threw burnt bread and life to a dying girl. A girl who grew and thrived because of that boy and that bread, who wished for five years that she could have soothed his cruel bruise with a kiss. Was that why I kissed him after the Reaping? Had I been carrying that clumsy kiss inside of me all that while? Had Peeta brought life to my heart as well as my body that hopeless day in the rain? Have I ever not loved him? I shake away these troubling thoughts with a shiver that reaches to my bones. My love for Peeta is fresh and fragile as a hatchling, I'm sure of it; kindled by his compassion and coaxed into its present brave blaze by the tenderness he shows me at every moment. It's foolish and futile to wonder whether I might have loved him before coming here, let alone when that love might first have flickered into existence. I am a wild creature, devoted to the boy who tamed me with warmth and food and gentle touches, and I accordingly express that love with woodland gifts. Like a courting bird in an old tale, bringing her sweetheart all manner of odd little presents to feather his nest.
Mejhiren (When the Moon Fell in Love with the Sun (When the Mooniverse, #1))
Mosscap looked over. Its eyes glowed in the dark, a different shade of blue. “Should we go back?” it asked. “Not a chance,” Dex said. They did what they should’ve done at the start and stripped their clothes off, piece by piece. They left their garments in a heap on the sand a safe distance from the water, then turned and ran full tilt into the waves, whooping like a little kid. They gasped as the water crashed into their naked body, cool and enveloping, spraying salt in their mouth and filling the world with light. Mosscap ran after them, laughing in harmony. There was nothing more that could be said in words. There was only shouting, cheering, cries of delight as the two of them jumped and played and marveled at the spectacle that would’ve existed whether anyone was there to witness it or not.
Becky Chambers
that should’ve made sense, but didn’t. I just couldn’t quite bring it all together. I thought there was movement. I thought there were feather-light touches. I thought there were tears. Mine? Surely not. I’d cried all my tears, hadn’t I? But if not mine, then whose? Smells. Familiar smells. Coconut. Then burning wood. Then clean linen. Softness. Like clouds. Clouds that couldn’t, shouldn’t, wouldn’t hold me. I didn’t deserve clouds. I deserved hard, cold concrete. And that was the thought that woke me. A memory. The first in a cascade of memories, of terrors I’d just as soon have forgotten. That would’ve been merciful. But merciful wasn’t to be the case. I opened my eyes to the dim glow of light. A lamp. A familiar ceiling as I blinked up at it. Plain white with a medallion around a gorgeous chandelier. I remembered the day Gabe and I picked it out. Home. I was home. It was a thought. A feeling. A fantasy. How could I ever go home? After what I’d done, after what I’d become, how could I ever go home? I heard sobbing. Gentle, delicate sobbing. Only when a hand pressed lightly onto my shoulder did I realize it was me. The sobs were mine. They were as broken as I was. I rolled onto my side, away from the light. “Bright,” I croaked. I needed darkness.
Leah Montgomery (Right Next Door)
Ha- I may have them I need to find out, I ran from inside there and found the yellow overpass, and fowl over everything and everyone, with gray wings, it was a night sky, all the light made me glow even more, to the dying world below. I want to fly to him or her or someone that loves me to get that white one that I should have. I have seen it all now, or so I think I do; yet will I remember when, I wake up in my bed undead, like all the days before. I killed myself- it’s what they all see… I see the three rivers run through me now over my head, yet that is fine, I will- drowned- that’s fine- to stop all this… I cannot take what I am doing or see any longer. I kissed a girl, Jenny said, we all just about crap ourselves. I want to go home and sleep this off, said Madalyn was also known as Maddie, wanted you to come home with me, Olivia was also known as Liv, but I- she would not let us or for we all running after crazy Karly that is all freaked up in the head these days. She’s going to do it- she’s going to do it this time. Right before the real came, she flowed out the door crying. She was freaking out waving her hands like a girl on drugs! Jenny was hugely relieved after telling us- ‘She is not going to go over, tee-he-ing- Saying ‘Chick-en sh-it, freaking- do it.
Marcel Ray Duriez (Nevaeh They Call Out)
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
YOUNG HAD BEEN AT ZERMATT climbing with Herford during the soft summer of 1914, when all of Europe glowed with weather so beautiful and fine that it would be remembered for a generation, invoked by all those who sought to recall a time before the world became a place of mud and sky, with only the zenith sun to remind the living that they had not already been buried and left for dead. Stunned by a mix of emotions—horror, incredulity, morbid anticipation, fear, and confusion—Young returned to London to find “the writing of madmen already on the wall.” He recalled, “I attended the peace meeting in Trafalgar Square, the last protest of those who had grown up in the age of civilized peace: and then the dogs of war were off in full cry.” Forty years later, near the end of his days, he would write, “After the hardening effects of two wars it is difficult to recall the devastating collapse of the structure of life, and all its standards, which the recrudescence of barbarous warfare denoted for our generation.
Wade Davis (Into the Silence: The Great War, Mallory, and the Conquest of Everest)