Glossy Quotes

We've searched our database for all the quotes and captions related to Glossy. Here they are! All 20 of them:

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Once you’ve been to Cambodia, you’ll never stop wanting to beat Henry Kissinger to death with your bare hands. You will never again be able to open a newspaper and read about that treacherous, prevaricating, murderous scumbag sitting down for a nice chat with Charlie Rose or attending some black-tie affair for a new glossy magazine without choking. Witness what Henry did in Cambodia – the fruits of his genius for statesmanship – and you will never understand why he’s not sitting in the dock at The Hague next to MiloΕ‘eviΔ‡.
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Anthony Bourdain
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On and on they flew, over the countryside parceled out in patches of green and brown, over roads and rivers winding through the landscapes like strips of matte and glossy ribbon.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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Cindy Divine and her parents paused by their boat to take in the natural beauty. Lake Barkley could have been a top-paid model for a glossy postcard company that morning. It lay between little hills all dressed up in new green, and its mirror-like water reflected a cloudless sky everywhere except along the shoreline where the hills were upside down. Clusters of blossoms, dogwood and redbud, were scattered here and there on the hillsides, and a brightening red was coloring the sky along the eastern hilltops.
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Shafter Bailey (Cindy Divine: The Little Girl Who Frightened Kings)
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I think there must be probably different types of suicides. I'm not one of the self-hating ones. The type of like "I'm shit and the world'd be better off without poor me" type that says that but also imagines what everybody'll say at their funeral. I've met types like that on wards. Poor-me-I-hate-me-punish-me-come-to-my-funeral. Then they show you a 20 X 25 glossy of their dead cat. It's all self-pity bullshit. It's bullshit. I didn't have any special grudges. I didn't fail an exam or get dumped by anybody. All these types. Hurt themselves. I didn't want to especially hurt myself. Or like punish. I don't hate myself. I just wanted out. I didn't want to play anymore is all. I wanted to just stop being conscious. I'm a whole different type. I wanted to stop feeling this way. If I could have just put myself in a really long coma I would have done that. Or given myself shock I would have done that. Instead.
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David Foster Wallace (Infinite Jest)
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The feel of them (books) and the smell of them. A bookshop was like an Aladdin's cave for me. Entire worlds and lives can be found just behind that glossy cover. All you had to do was look." Claire (Watermelon)
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Marian Keyes (Watermelon (Walsh Family, #1))
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He was right. It made no sense at all, but the feeling flooded through Karou, and whatever it was, it was as sweet as a patch of sun on a glossy floor and, like a cat, she just wanted to curl up in it.
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Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
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Wow. Nice bike,” I said. Which was a lie. It looked like a glossy black death trap.
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Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
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Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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His mouth went dry and for a split second he had a metallic taste on the sides of his tongue. He stood, turned, and gulped. A vision had appeared from somewhere. Was she real? She was tall, with long, glossy light-gold hair surrounding a perfectly shaped face. The front of her silk white robe was open down to a delightful cleavage where a long silver cross hung. As she walked slowly past Alec to sit at the desk, the robe parted for a fleeting glimpse of her leg. A scent of lily of the valley meandered over him. A hand with long graceful fingers indicated for him to sit again in his chair. She was real! She was, without doubt, the most beautiful woman Alec had ever seen.
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Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
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Each day had a tranquility a timelessness about it so that you wished it would never end. But then the dark skin of the night would peel off and there would be a fresh day waiting for us glossy and colorful as a child's transfer and with the same tinge of unreality.
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Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
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If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
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Werner Herzog
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There is a gentrification that is happening to cities, and there is a gentrification that is happening to the emotions too, with a similarly homogenising, whitening, deadening effect. Amidst the glossiness of late capitalism, we are fed the notion that all difficult feeling - depression, anxiety, loneliness, rage - are simply a consequence of unsettled chemistry, a problem to be fixed, rather than a response to structural injustice or, on the other hand, to the native texture of embodiment, of doing time, as David Wojnarowicz memorably put it, in a rented body, with all the attendant grief and frustration that entails.
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Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
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Cardan gazes at a rosebush with petals so black and glossy they look like patent leather. Β¨It was terrifying,Β¨ he says, Β¨watching you fall. I mean, youΒ΄re generally terrifying, but I am unused to fearing for you. And then I was furious. I am not sure I have ever been that angry before.Β¨ Β¨Mortals are fragile,Β¨ I say. Β¨Not you,Β¨ he says in a way that sounds a little like a lament. Β¨You never break.Β¨ Page 159
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Holly Black (The Queen of Nothing (The Folk of the Air, #3))
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I had never seen hair that purely black. It was glossy and slightly long, the ends drifting over his collar. That sexy length was the crowning touch of bad boy hotness over the successful businessman, like whipped cream topping on a hot fudge brownie sundae. As my mother would say, only rogues and raiders had hair like that." (Eva about Gideon)
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Sylvia Day (Bared to You (Crossfire, #1))
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We still groped for each other on the backstairs or in parked cars                                                                                                                                                       as the road around us grew glossy with ice and our breath softened the view through the glass                     already laced with frost, but more frequently I was finding myself sleepless, and he was running out of                                                                                                                                                                           lullabies. But damn if there isn’t anything sexier                                                             than a slender boy with a handgun,                                                                                                                                   a fast car, a bottle of pills.
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Richard Siken (Crush)
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She shrugged and flipped her glossy hair behind her shoulders. "What else do you have to do with your time besides think about stuff like this? It's not like you're real heavy into extracurriculars. Besides, you're all, like, goth and into the dead, right?" Alona Dare, queen of the insult-compliment. "Wow. Thanks. Anyone ever tell you you're good with people?" She frowned. "No." "Good. I'm not goth." "Your hair is black, you have piercings, you wear black all the time and act all freaky-" "My hair is naturally this color. I have three earings in one ear, that's it. This shirt" -I tugged at the fabric across my chest- "is navy blue, and if I act weird all the time, it's because of ghosts like you.
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Stacey Kade (The Ghost and the Goth (The Ghost and the Goth, #1))
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God...this was who he loved, he thought. And always would. It was the thrust of that stubborn jaw, and the dark, slashing eyebrows, and those piercings up his ear and in his full lower lip. It was that thick, glossy black hair and the golden skin and that heavily muscled body. It was the way he laughed and the fact that he never, ever cried. It was the scars on his inside no one knew about and the conviction that he would always be the first to run into a burning building or a bloody fight or a car wreck. It was all the things Qhuinn had been and was ever going to be.
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J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
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I smiled at the stacks, inhaling again. Hundreds of thousands of pages that had never been turned, waiting for me. The shelves were a warm, blond wood, piled with spines of every color. Staff picks were arranged on tables, glossy covers reflecting the light back at me. Behind the little cubby where the cashier sat, ignoring us, stairs covered with rich burgundy carpet led up to the worlds unknown. 'I could just live here,' I said.
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Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
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Female psychopaths, researchers eventually realized, don't present like the males. To which I respond: No shit. We women have an emotional wiliness that shellacs us in glossy patina of caring. We have been raised to take interest in promoting healthy interior lives of other humans; preparation, I suppose, for taking on the emotional labor of motherhood - or marriage; either way, really. Few women come into maturity unscathed by the suffocating pink press of girlhood, and even psychopaths are touched by the long, frilly arm of feminine expectations. It's not that women psychopaths don't exist; it's that we fake it better than men.
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Chelsea G. Summers (A Certain Hunger)
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I don’t know if I’ve learned anything yet! I did learn how to have a happy home, but I consider myself fortunate in that regard because I could’ve rolled right by it. Everybody has a superficial side and a deep side, but this culture doesn’t place much value on depth β€” we don’t have shamans or soothsayers, and depth isn’t encouraged or understood. Surrounded by this shallow, glossy society we develop a shallow side, too, and we become attracted to fluff. That’s reflected in the fact that this culture sets up an addiction to romance based on insecurity β€” the uncertainty of whether or not you’re truly united with the object of your obsession is the rush people get hooked on. I’ve seen this pattern so much in myself and my friends and some people never get off that line. But along with developing my superficial side, I always nurtured a deeper longing, so even when I was falling into the trap of that other kind of love, I was hip to what I was doing. I recently read an article in Esquire magazine called β€˜The End of Sex,’ that said something that struck me as very true. It said: β€œIf you want endless repetition, see a lot of different people. If you want infinite variety, stay with one.” What happens when you date is you run all your best moves and tell all your best stories β€” and in a way, that routine is a method for falling in love with yourself over and over. You can’t do that with a longtime mate because he knows all that old material. With a long relationship, things die then are rekindled, and that shared process of rebirth deepens the love. It’s hard work, though, and a lot of people run at the first sign of trouble. You’re with this person, and suddenly you look like an asshole to them or they look like an asshole to you β€” it’s unpleasant, but if you can get through it you get closer and you learn a way of loving that’s different from the neurotic love enshrined in movies. It’s warmer and has more padding to it.
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Joni Mitchell