Glossier Quotes

We've searched our database for all the quotes and captions related to Glossier. Here they are! All 12 of them:

Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more.
Alan W. Watts (The Wisdom of Insecurity)
Just being able to say “I’m a Glossier girl” or “I follow Dr. Joe Dispenza” (a dubious self-help star we’ll meet in part 6) softens the burden and responsibility of having to make so many independent choices about what you think and who you are.
Amanda Montell (Cultish: The Language of Fanaticism)
it felt a bit like these companies were playing with the ideas of equity and advancement for women, which is not the same as actually doing it.
Marisa Meltzer (Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss's Glossier)
Warby Parker, Glossier, Dollar Shave Club, and many new direct-to-consumer brands recognize that as important as a good product is, creating a good customer experience fosters loyalty, and loyal customers spread the word on social media and bring in more customers. “In the digital economy, your audience has an audience,” says David Bell.
Lawrence Ingrassia (Billion Dollar Brand Club: How Dollar Shave Club, Warby Parker, and Other Disruptors Are Remaking What We Buy)
Weiss is a complicated woman who is admired more than she is liked.
Marisa Meltzer (Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss's Glossier)
Glossier is about much more than aesthetic appearance; it has become a way for people to feel connected to bigger beliefs, to feel like their daily choices are having an impact, and that they are putting the money were their mouth is.
Marisa Meltzer (Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss's Glossier)
What would a Glossier girl do?
Amanda Montell (Cultish: The Language of Fanaticism)
Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more. Despite the immense hubbub and nervous strain, we are convinced that sleep is a waste of valuable time and continue to chase these fantasies far into the night. Animals spend much of their time dozing and idling pleasantly, but, because life is short, human beings must cram into the years the highest possible amount of consciousness, alertness, and chronic insomnia so as to be sure not to miss the last fragment of startling pleasure. It isn’t that the people who submit to this kind of thing are immoral. It isn’t that the people who provide it are wicked exploiters; most of them are of the same mind as the exploited, if only on a more expensive horse in this sorry-go-round. The real trouble is that they are all totally frustrated, for trying to please the brain is like trying to drink through your ears. Thus they are increasingly incapable of real pleasure, insensitive to the most acute and subtle joys of life which are in fact extremely common and simple.
Alan W. Watts (The Wisdom of Insecurity)
*Note: if any of the musicians listed in the sections above is a full-time participant in one or more ensembles specializing in historical performance or contemporary music, they will display fewer of the characteristics I have described above and behave, instead, like vegans. Not Hollywood vegans, whose activism is displayed in a glossier, trendier way, but the kinds of vegans you find hiking the Appalachian Trail or existing in any place called “Portland.
Arianna Warsaw-Fan Rauch (Declassified: A Low-Key Guide to the High-Strung World of Classical Music)
The key to a product’s success lies not in being something entirely new. What makes a product successful is a combination of performance, price, marketing, and packaging. Is there a perceived sense of prestige? Are cool and influential people wearing the brand? Because, frankly, there’s not a great deal of difference on a chemical or ingredient level between many products, and many supposedly key or active ingredients have little scientific basis for their efficacy.
Marisa Meltzer (Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss's Glossier)
This is what feminist writers in books like Reviving Ophelia and Playing Big have talked about all along regarding women downplaying achievements in the classroom and now out in the business world. The problem Weiss found herself wrestling with was wanting to be both relatable and likable, which is a trap not just for female executives, but for all women.
Marisa Meltzer (Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss's Glossier)
One prominent source was the Instagram account Glossier Brown by blogger Devin McGhee that showcased Glossier fans of color. McGhee told Glamour, “Women of color, black women specifically, spend more money than any other demographic on cosmetics. I believe this is mainly because we
Marisa Meltzer (Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss's Glossier)