Glitter Eye Makeup Quotes

We've searched our database for all the quotes and captions related to Glitter Eye Makeup. Here they are! All 7 of them:

It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.” Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.” “Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.” “That doesn’t mean that I don’t—” “What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.” “But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?” “No.” “I thought you might like Magnus. He’s nice, isn’t he?” “Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely. “I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.” “I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace. But Jace, his golden head down, lost in thought, didn’t notice.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Edie Sedgwick (1943-1971) I don't know how she did it. Fire She was shaking all over. It took her hours to put her make-up on. But she did it. Even the false eye-lashes. She ordered gin with triple limes. Then a limosine. Everyone knew she was the real heroine of Blonde on Blonde. oh it isn't fair oh it isn't fair how her ermine hair turned men around she was white on white so blonde on blonde and her long long legs how I used to beg to dance with her but I never had a chance with her oh it isn't fair how her ermine hair used to swing so nice used to cut the air how all the men used to dance with her I never got a chance with her though I really asked her down deep where you do really dream in the mind reading love I'd get inside her move and we'd turn around and she'd turn around and turn the head of everyone in town her shaking shaking glittering bones second blonde child after brian jones oh it isn't fair how I dreamed of her and she slept and she slept forever and I'll never dance with her no never she broke down like a baby like a baby girl like a lady with ermine hair oh it isn't fair and I'd like to see her rise again her white white bones with baby brian jones baby brian jones like blushing baby dolls
Patti Smith (Seventh Heaven)
I top it off with the sort of makeup that his mother would call “unseemly” or “unbecoming.” My lips are the color of fresh blood, making my mouth more eye-catching than the Babadook’s. My eyeliner is a thick swoop of black that extends way past its cue, and my eyelids glitter all the way up to my eyebrows like a pageant contestant. It’s not enough. I add pounds of blush and bronzer until my face is indistinguishable from a Mardi Gras float. I have bypassed “unseemly” and cannonballed head-first into Deborah’s nightmare.
Sarah Hogle (You Deserve Each Other)
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
Colette Gauthier-Villars
Toby found himself sharing a stool with a tipsy redheaded actress who wore Ugg boots, a scarf, and eye shadow with glitter (aka the herpes of makeup).
Joshua V. Scher (Here & There)
I have hope that a human woman can give birth to a female child. I have long suspected that it is so. I believe something has happened to our women to prevent this, and with a human woman, the chances will be far greater that she can carry to full term and deliver a healthy female.” “The male determines the sex,” Mikhail pointed out. “We have tried to produce females but have failed.” “But we have tried with Carpathian women,” Gregori pointed out. “If you believe this to be true, why have you waited to test your theory?” Mikhail asked suspiciously. Why would Gregori even be thinking along those lines when they all knew the few human women they’d attempted to turn had become mad and could not be saved? The continuation of their species was of the utmost importance--yes--but not at the cost of experimenting on a human being. “Because I also believe a true ritual mating with an ordinary human woman would drive her insane. I do not believe it can be done and had despaired of ever seeing it happen until you successfully converted Raven. I had to ask myself why it worked with her and not with any others. She is your true lifemate, that much is evident, but what else is different about her that allowed it to be so? She is psychic, Mikhail. She possesses extraordinary psychic ability. It is my belief that she carries the genetic makeup to allow us to convert her. In all the world there is perhaps a handful of these women.” “Do you base your belief on Raven alone?” Mikhail asked softly. The terrible nagging in his gut wouldn’t quite leave. Experimenting on a woman was certainly an unforgiveable crime, and one he could never tolerate. Gregori’s silver eyes narrowed, glittered. For a moment there was arctic cold, even icy death, reflected there, as if he were all too aware of Mikhail’s concerns. The black emptiness was growing in Gregori, a dark stain spreading over his soul. He made no effort to hide it from Mikhail. It was as if he wanted to show Mikhail just how desperate the situation was becoming. Keeping his gaze steady on his prince’s, Gregori answered the charge. “I have done many dark, ugly, unforgivable things, but I would never use a female for experimental purposes.” He shrugged his wide shoulders. “Although we both know others have tried and failed, I have not yet managed to sink that low.” “Nor would you,” Mikhail said with more confidence than he felt.
Christine Feehan (Dark Prince (Dark, #1))