Glitter And Shine Quotes

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All that is gold does not glitter, Not all those who wander are lost.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Honest is how I want to look. The truth doesn't glitter and shine.
Chuck Palahniuk (Survivor)
When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks make them hunt for one another.
Zora Neale Hurston (Their Eyes Were Watching God)
Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
It's not what you have on the outside that glitters in light, it's what you have on the inside that shines in the dark.
Anthony Liccione
And you, Ring-bearer,’ she said, turning to Frodo. ‘I come to you last who are not last in my thoughts. For you I have prepared this.’ She held up a small crystal phial: it glittered as she moved it, and rays of white light sprang from her hand. ‘In this phial,’ she said, ‘is caught the light of Eärendil’s star, set amid the waters of my fountain. It will shine still brighter when night is about you. May it be a light to you in dark places, when all other lights go out. Remember Galadriel and her Mirror!’ Frodo took the phial, and for a moment as it shone between them, he saw her again standing like a queen, great and beautiful.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Have you seen lamplight shine through dusty air, setting the dust motes on fire?” He waved a hand. “Imagine that, spread across the night sky—but ten thousand motes and ten thousand times brighter, glittering like the eyes of all the gods.
Rosamund Hodge (Cruel Beauty)
Staring at her face, she began to fancy her outer layer had begun to melt away while she wasn't paying attention, and something -- some new skeleton -- was emerging from beneath the softness of her accustomed self. With a deep, visceral ache, she wished her true form might prove to be a sleek and shining one, like a stiletto blade slicing free of an ungainly sheath. Like a bird of prey losing its hatchling fluff to hunt in cold, magnificent skies. That she might become something glittering, something startling, something dangerous.
Laini Taylor (Lips Touch: Three Times)
The truth doesn't glitter and shine.
Chuck Palahniuk
How can those who incinerate with jealousy at the sight of someone else's external glitter not realize that not everything that shines is a diamond? Only the person wearing new shoes can truly experience the pain; for others, captivating is the allure of new shoes.
Sanu Sharma (एकादेशमा [Ekadeshma])
the only wall we could ever build against What’s Going On was the glitter and the shine and the synth and the knowing grin that never stops knowing. The show. Because the opposite of fascism isn’t anarchy, it’s theater. When the world is fucked, you go to the theater, you go to the shine, and when the bad men come, all there is left to do is sing them down.
Catherynne M. Valente (Space Opera (Space Opera, #1))
Bound for your distant home" Bound for your distant home you were leaving alien lands. In an hour as sad as I’ve known I wept over your hands. My hands were numb and cold, still trying to restrain you, whom my hurt told never to end this pain. But you snatched your lips away from our bitterest kiss. You invoked another place than the dismal exile of this. You said, ‘When we meet again, in the shadow of olive-trees, we shall kiss, in a love without pain, under cloudless infinities.’ But there, alas, where the sky shines with blue radiance, where olive-tree shadows lie on the waters glittering dance, your beauty, your suffering, are lost in eternity. But the sweet kiss of our meeting ...... I wait for it: you owe it me .......
Alexander Pushkin
In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.
Sei Shōnagon
How could anybody think of Bach as 'cold' when these [cello] suites seem to shine with the most glittering kind of poetry," Casals said. "As I got on with the study I discovered a new world of space and beauty... the feelings I experienced were among the purest and most intense in my artistic life!
Pau Casals (The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece)
I had a gift too; not the bright and shining coin that was Christopher's. It was my way to turn over all that glittered and look for the tarnish.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
Those of us who believe in princesses are often laughed at. But I believe the world needs princesses and dukes and queens and kings. We need people who glitter and shine and make a room silent with their entrance. We need them the same way we need ice cream and soccer and music and stories. Oh, how we need stories.
Beverly Bartlett
The stars were his pleasure, but tonight they did not comfort him; they did not make him remember that what happens to us on earth is lost in the endless shine of eternity. Gazing at them-the stars-he thought of the jewelled guitar and its worldly glitter.
Truman Capote (A Diamond Guitar)
She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks made them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine.
Zora Neale Hurston
You never know if happy memories are going to become sad ones. They glow and shine in the vast realms of our subconscious, making that part of our brain feel like it’s filled with glitter. We pick them up and cradle them like expensive cats, or wriggle into them like they are jumpers we’ve left to warm on a radiator. Until the day when, for one reason or another, life can suddenly make this happy memory into a sad memory instead. Good memories exist in the naivety of not knowing any better.
Holly Bourne (The Places I've Cried in Public)
Because it is the Midwest, no one really glitters because no one has to, it's more of a dull shine, like frequently used silverware.
Charles Baxter (The Feast of Love)
And so their spirits soared as they took positions own the passageways of battle all night long, and the watchfires blazed among them. Hundreds strong, as stars in the night sky glittering round the moon's brilliance blaze in all their glory when the air falls to a sudden, windless calm... all the lookout peaks stand out and the jutting cliffs and the steep ravines and down from the high heavens bursts the boundless bright air and all the stars shine clear and the shepherd's heart exults - so many fires burned between the ships and the Xanthus' whirling rapids set by the men of Troy, bright against their walls. A thousand fires were burning there on the plain and beside each fire sat fifty fighting men poised in the leaping blaze, and champing oats and glistening barley, stationed by their chariots, stallions waited for Dawn to mount her glowing throne.
Homer (The Iliad)
On the screen it rained and rained confetti, for minutes, and that glitter-rain, plus the cameras flashing and the lights from the billboards and the awesome mass of the crowds in their shiny hats and toothy smiles, made the world pop and shine and blur in a way that makes you sad to be watching it all on your TV screen, in a way that makes you feel like, instead of bringing the action into your living room, the TV cameras are just reminding you of how much you're missing, confronting you with it, you in your pajamas, on your couch, a couple of pizza crusts resting in some orange grease on a paper plate in front of you, your glass of soda mostly flat and watery, the ice all melted, and the good stuff happening miles and miles away from where you're at.
Emily M. Danforth (The Miseducation of Cameron Post)
Oh, you tears, I'm thankful that you run. Though you trickle in the darkness, You shall glitter in the sun. The rainbow could not shine if the rain refused to fall; And the eyes that cannot weep are the saddest eyes of all.
Charles Mackay
Wood does not customarily glitter. Few things do, unless they are attempting to lure something closer to themselves. Sparkle and shine are pleasures reserved for predators, who can afford the risk of courting attention. The exceptions - which exist, for all things must have exceptions - are almost entirely poisonous, and will sicken whatever they lure. So even the exception feeds into the rule, which states that a bright, shimmering thing is almost certainly looking to be seen, and that which hopes to be seen is persuing its own agenda.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
Manfried imagined the stars to be jewels shining in the depths of a long-sealed crypt and, drifting off, he almost glimpsed himself prying open the lid of night and stuffing his pockets with the glittering gems.
Jesse Bullington (The Sad Tale of the Brothers Grossbart)
To the winter forest And nowhere to go This girl runs From all she knows The pressure rises to the top The pressure rises (it won't stop) They want your body They want your soul They want fake smiles That's rock and roll The wolves surrond you A fever dream The wolves surrond you So start the scream Howl, into the night, Howl, until the light, Howl, your turn to fight, Howl, just make it right Howl howl howl howl (Motherfucker) You can't fight fo ever You have to comply If your life isn't working You have to ask why Remember When we were young enough Not to fear tomorrow Or mourn yesterday And we were just Us And time was just Now And we were in Life Not rising through Like arms in a sleeve Because we had time We had time to breathe The bad times are here The bad times have come but life can't be over When it hasn't begun The lake shines and the water's cold All that glitters can turn to gold Silence the music to improve the tune Stop the fake smiles and howl at the moon Howl, into the night, Howl, until the light, Howl, your turn to fight, Howl, just make it right Howl howl howl howl
Matt Haig (The Midnight Library)
Thinking he knows can be a trap. An ex-professor once told him he had a diamond-hard intellect and he’d been flattered at the time. Now he considers the nature of diamonds. Although sharp and glittering and useful for cutting glass, they shine with reflected light only. They’re no use at all in the dark
Margaret Atwood (The Blind Assassin)
We have mirrorballs in the middle of a dance floor because they reflect light; they are broken a million times and that's what makes them so shiny. We have people like that in society too, they hang there and everytime they break it entertains us. And when you shine a light on them, it's this glittering, fantastic thing, but then a lot of the time when the spotlight isn't on them, they're just still there up on a pedestal but nobody's watching them.
Taylor Swift
So here’s the thing about glitter: once it’s out of the bottle, there’s just no way of putting it back. It’s the same with kindness. Once it pours out of your soul, there’s no way of containing it. It just continues to spread from person to person, a shining, sparkling, wonderful thing.
R.J. Palacio (365 Days of Wonder: Mr. Browne's Precepts)
For a moment she was truly terrified. This was Abbadon the Cruel. The Angel of Destruction. He could and would destroy her if he had to. If he felt like it. He had destroyed worlds before. He had decimated Paradise in the name of the Morningstar. She trembled in his grasp. All his gentleness, all his kindness, all the bright shining gorgeousness of his love, he had always given to someone else. He had adored Gabrielle, had worshiped her, had written her poems and sang her songs, and for Schuyler there were novels and love notes and sweet kisses and furtive tender meetings by a fireplace. But for his twin, Azrael, he had shown nothing but his anger and violence. His strength and destruction. He saved the best of himself for those who did not deserve it. Never showed his true face to those damnable Daughters of the Light. For Azrael, there was only darkness and annihilation. Rape and carnage. War and pillage. A tear escaped from her eye and glittered in the moonlight.
Melissa de la Cruz
The light from the setting sun shines through the windows, making his hair glitter like spun gold. My heart squeezes the same way it did when I saw pictures of the Sistine Chapel. A beauty so staggering it makes you feel physically close to God.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
What exactly are you doing?' Jacks drawled. The breath left her lungs, and the broken heart scar on her wrist caught fire. She hadn't even heard him enter. Evangeline stopped mid-twirl, her skirts still swishing as she caught his dashing reflection in the mirror. Her heart gave a silly jolt. She tried to stop it. But while Jacks was many terrible things, there was no denying that he was also painfully handsome. It was the golden hair. In certain lights, it looked like real gold, shining over eyes that glittered more than human eyes ever could. So maybe it was the eyes as well. And perhaps she could blame a little on his lips. They were perfect, of course, and right now they were smiling with amusement. 'So this is what you do when I'm not around?' Evangeline felt the sudden urge to hide inside her wardrobe, but she tampered it down as she turned and met his gaze with a smile of her own. 'You think about what I do when you're not around?' 'Careful, Little Fox.' He took a step forward. 'You sound excited by the idea.' 'I'm not, I assure you,' she said, wishing she didn't sound so breathless. 'I merely like the thought that I torment you as much as you torment me.' Jacks flashed one of his dimples, making him look deceptively charming. 'So you're the one who thinks about what I do when you're not around?' 'Only because I know you're up to no good.' 'No good.' He laughed as he said the words. 'I would hope you know by now that I'm up to far worse than just "no good".
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
And you're right―I don't want nice. I want sparks and fire. I want a romance novel. A Jane Austen movie. A fairy tale.
Shari L. Tapscott (Shine and Shimmer (Glitter and Sparkle, #2))
Who spilled these stars across the sky like sparkling dust like clouds of light? They pour their milky shine into the deep black bowl above their heads white glittering too many to count.
Barbara Juster Esbensen (Cold Stars and Fireflies: Poems of the Four Seasons)
How the moon triumphs through the endless nights! How the stars throb and glitter as they wheel Their thick processions of supernal lights Around the blue vault obdurate as steel! And men regard with passionate awe and yearning The mighty marching and the golden burning, And think the heavens respond to what they feel. Boats gliding like dark shadows of a dream Are glorified from vision as they pass The quivering moonbridge on the deep black stream; Cold windows kindle their dead glooms of glass To restless crystals; cornice dome and column Emerge from chaos in the splendour solemn; Like faery lakes gleam lawns of dewy grass. With such a living light these dead eyes shine, These eyes of sightless heaven, that as we gaze We read a pity, tremulous, divine, Or cold majestic scorn in their pure rays: Fond man! they are not haughty, are not tender; There is no heart or mind in all their splendour, They thread mere puppets all their marvellous maze.
James Thomson (The City of Dreadful Night)
Metal is from the earth, he thought as he scrutinized. From below: from that realm which is the lowest, the most dense. Land of trolls and caves, dank, always dark. Yin world, in its most melancholy aspect. World of corpses, decay and collapse. Of feces. All that has died, slipping and disintegrating back down layer by layer. The daemonic world of the immutable; the time-that-was. And yet, in the sunlight, the silver triangle glittered. It reflected light. Fire, Mr. Tagomi thought. Not dank or dark object at all. Not heavy, weary, but pulsing with life. The high realm, aspect of yang: empyrean, ethereal. As befits work of art. Yes, that is artist's job: takes mineral rock from dark silent earth transforms it into shining light-reflecting form from sky. Has brought the dead to life. Corpse turned to fiery display; the past had yielded to the future.
Philip K. Dick (The Man in the High Castle)
Cause everything is better when you add some glitter And you let happiness shine The world would be brighter and a little lighter If we had glitter colored skies Then people would be happy all the time Cause everything is better when you add some glitter" - Everything Is Better When You Add Some Glitter, song by Morgan Lee Scheel
Morgan Lee Scheel (The Fabulous Glitter Girl)
We have mirrorballs in the middle of a dance floor, because they reflect light. They are broken a million times, and that's what makes them so shiny. We have people like that in society, too. They hang there, and every time they break, it entertains us; and when you shine a light on them, it's this glittering, fantastic thing. But then a lot of the time, when the spotlight isn't on them, they're just there, up on a pedestal, but nobody's watching them.
Taylor Swift
Diwali (Lakshmi Pujan/Amavasya) is the darkest night of the year. And our ancestors have taught us to overcome darkness with light. When the moon is not shining, neither the sun, sky is dark; India glitters. Proud of being part of such a wise and one of the finest tradition. Diwali is practicing "तमसोमा जोतिर्गमय" . . . Happy Diwali to all. May der b light in your life. . .
Harihar D. Naik
SAPPHIRE AND DIAMONDS When I look up at Heaven, I see the souls of those who died Beaming down at me, Wanting to scream: “I'm still alive!”, Wishing to scribble across the sapphire sky - Letters to their loved ones, But a million dark oceans stand between us, Between those who passed and the living, Between those of us still stuck below, And those who have crossed over the threshold of time - Where what seems like eternity Is really only a few minutes. So you see, there is no reason to weep over the shining ones - For even though the space that separates us is limitless, The wall of time that divides us is only paper-thin. And one day, we shall all reunite with them, When our souls are released like fish Back into the vast shimmering sea To shine together like Glittering diamonds.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
It Was a lovely spring morning, and the sun was shining gloriously. I knew that the rain of the last night must be glittering on the grass and the young leaves; and I heard the birds singing as if they knew far more than mere human beings, and believed a great deal more than they knew. Nobody will persuade me that the birds don't mean it; that they sing from any thing else than gladness of heart.
George MacDonald (The Vicar's Daughter)
The land was so distant that no shining roof or glittering window could be any longer seen. The tremendous weight of the shadowed earth had engulfed such frail fetters, such snail-shell encumbrances. Now there was only the liquid shadow of the cloud, the buffeting of the rain, a single darting spear of sunshine, or the sudden bruise of the rainstorm. Solitary trees marked distant hills like obelisks.
Virginia Woolf (The Waves)
The crags of the mountain were ruthless in the moon; cold, deadly and shining. Distance had no meaning. The tangled glittering of the forest roof rolled away, but its furthermost reaches were brought suddenly nearer in a bound by the terrifying effect of proximity in the mountain that they swarmed. The mountain was neither far away nor was it close at hand. It arose starkly, enormously, across the lens of the eye. The hollow itself was a cup of light. Every blade of the grass was of consequence, and the few scattered stones held an authority that made their solid, separate marks upon the brain - each one with its own unduplicated shape: each rising brightly from the ink of its own spilling.
Mervyn Peake (Titus Groan (Gormenghast, #1))
And then she was nodding—nodding and smiling, too, as he drew the dagger from his boot and offered it to her. “Say it, Aelin.” Not daring to let her hands shake in front of Maeve or Rowan’s stunned friends, she took his dagger and held it over her exposed wrist. “Do you promise to serve in my court, Rowan Whitethorn, from now until the day you die?” She did not know the right words or the Old Language, but a blood oath wasn’t about pretty phrases. “I do. Until my last breath, and the world beyond. To whatever end.” She would have paused then, asked him again if he really wanted to do this, but Maeve was still there, a shadow lurking behind them. That was why he had done it now, here—so Celaena could not object, could not try to talk him out of it. It was such a Rowan thing to do, so pigheaded, that she could only grin as she drew the dagger across her wrist, leaving a trail of blood in its wake. She offered her arm to him. With surprising gentleness, he took her wrist in his hands and lowered his mouth to her skin. For a heartbeat, something lightning-bright snapped through her and then settled—a thread binding them, tighter and tighter with each pull Rowan took of her blood. Three mouthfuls—his canines pricking against her skin—and then he lifted his head, his lips shining with her blood, his eyes glittering and alive and full of steel. There were no words to do justice to what passed between them in that moment.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice." "Eh?" "Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?" Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?" Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?" "Mmm," said Logen, leaning back and staring slightly crosseyed at the shining point of the sword. Bayaz let it drop and slid it gently back into its scabbard, something to Logen's relief. "Yes, a sword has a voice. Axes and maces and so forth are lethal enough, but a sword is a subtle weapon, and suited to a subtle man. You I think, Master Ninefingers, are subtler than you appear." Logen frowned as Bayaz held the sword out to him. He had been accused of many things in his life, but never subtlety. "Consider it a gift. My thanks for your good manners.
Joe Abercrombie (The Blade Itself (The First Law, #1))
God is the Light of the heavens and the earth; the likeness of His Light is as a niche wherein is a lamp (the lamp in a glass, the glass as it were a glittering star) lit from a blessed tree, an olive that is neither of the East nor of the West whose oil wellnigh would shine, even if no life touched it; Light upon Light;
Anonymous (القرآن الكريم)
On one of the nights during my journey I wandered out under the sky which was lit with stars and I believed for a moment that soon these stars would cease to glitter, that the nights of the future would be dark beyond dark, that the world itself would undergo a great change, and then I quickly came to see that the change would happen only to me and to the few who knew me; it would be only we who would look at the sky at night in the future and see the darkness before we saw the glitter. We would see the glittering stars as false and mocking, or as bewildered themselves by the night as we were , as leftover things confined to their place, their shining nothing more than a sort of pleading.
Colm Tóibín (The Testament of Mary)
Glint, glisten, glitter, gleam... Tiffany thought a lot about words, in the long hours of churning butte. Onomatopoetic , she'd discovered in the dictionary, meant words that sounded like the thing they were describing, like cuckoo. But she thought there should be a word that sounds like the noise a thing would make if that thing made a noise even though, actually, it doesn't, but would if it did. Glint, for example. If light made a noise as it reflected off a distant window, it'd go glint!And the light of tinsel, all those little glints chiming together, would make a noise like glitterglitter. Gleam was a clean, smooth noise from a surface that intended to shine all day. And glisten was the soft, almost greasy sound of something rich and oily.
Terry Pratchett
There were rockets like a flock of scintillating birds singing with sweet voices. There were green trees with trunks of dark smoke: their leaves opened like a whole spring unfolding in a moment, and their shining branches dropped glowing flowers down upon the hobbits, disappearing with a sweet scent just before their touched their upturned faces. There were fountains of butterflies that flew glittering into the trees; there were pillars of coloured fires that rose and turned into eagles, or sailing ships, or a phalanx of flying swans; there was a red thunderstorm and a shower of yellow rain; there was a forest of silver spears that sprang suddenly into the air with a yell like an embattled army, and and came down again into the Water with a hiss like a hundred hot snakes.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
There were opera cloaks stitched of myriad, many-colored silks and furs; there were jewels dripping from arms and throats and ear-tips of white and rose; there were innumerable broad shimmers down the middles of innumerable silk hats; there were shoes of gold and bronze and red and shining black; there were the high-piled, tight-packed coiffures of many women and the slick, watered hair of well-kept men—most of all there was the ebbing, flowing, chattering, chuckling, foaming, slow-rolling wave effect of this cheerful sea of people as to-night it poured its glittering torrent into the artificial lake of laughter…. After
F. Scott Fitzgerald (The Beautiful and Damned)
The Holy Grail, the most precious of all Christ’s bequests to man, lost these thousand years and more, and he could see it glowing in the sky like shining blood and about it, bright as the glittering crown of a saint, rays of dazzling shimmer filled the heaven. Thomas
Bernard Cornwell (Vagabond (The Grail Quest, #2))
First Snow The snow began here this morning and all day continued, its white rhetoric everywhere calling us back to why, how, whence such beauty and what the meaning; such an oracular fever! flowing past windows, an energy it seemed would never ebb, never settle less than lovely! and only now, deep into night, it has finally ended. The silence is immense, and the heavens still hold a million candles; nowhere the familiar things: stars, the moon, the darkness we expect and nightly turn from. Trees glitter like castles of ribbons, the broad fields smolder with light, a passing creekbed lies heaped with shining hills; and though the questions that have assailed us all day remain—not a single answer has been found— walking out now into the silence and the light under the trees, and through the fields, feels like one.
Mary Oliver
I feel like I’ve loved you for my whole life, Lilly,” he whispers back, his own voice just as choked as mine. “I just needed to find you.” He lifts his head, his eyes shining, and I watch, spellbound, as a single bead of glittering moisture breaks free and glides down his cheek.
Rosa Lee (Bound (Highgate Preparatory Academy, #2))
Ma said that Jack Frost came in the night and made the pictures, while everyone was asleep. Laura thought that Jack Frost was a little man all snowy white, wearing a glittering white pointed cap and soft white knee-boots made of deer-skin. His coat was white and his mittens were white, and he did not carry a gun on his back, but in his hands he had shining sharp tools with which he carved the pictures. Laura and Mary were allowed to take Ma’s thimble and make pretty patterns of circles in the frost on the glass. But they never spoiled the pictures that Jack Frost had made in the night.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
A mimosa tree, green and thin limbed, pushes up through the snow. My grandmother brought the seeds with her from back home. Sometimes, she pulls a chair to the window, looks down over the yard. The promise of glittering sidewalks feels a long time behind us now, no diamonds anywhere to be found. But some days, just after snow falls, the sun comes out, shines down on the promise of that tree from back home joining us here. Shines down over the bright white ground. And on those days, so much light and warmth fills the room that it's hard not to believe in a little bit of everything.
Jacqueline Woodson (Brown Girl Dreaming)
My thoughts Chink against my ribs And roll about like silver hail-stones. I should like to spill them out, And pour them, all shining, Over you. But my heart is shut upon them And holds them straitly. Come, You! and open my heart; That my thoughts torment me no longer, But glitter in your hair.
D.H. Lawrence (The Complete Works)
Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB
Ashish Bhardwaj
Dazzling ice stars bombarded the world with rays, which splintered and penetrated the earth, filling earth’s core with their deadly coldness, reinforcing the cold of the advancing ice. And always, on the surface, the indestructible ice-mass was moving forward, implacably destroying all life. I felt a fearful sense of pressure and urgency, there was no time to lose, I was wasting time; it was a race between me and the ice. Her albino hair illuminated my dreams, shining brighter than moonlight. I saw the dead moon dance over the icebergs, as it would at the end of the world, while she watched from the tent of her glittering hair.
Anna Kavan
Freya was the most beautiful of all the gods. Her golden hair tumbled about her shoulders, and it glinted in the morning light. Freya’s two cats prowled the room, eager to pull her chariot. Around her neck, as golden and shining as her hair, glittered the necklace of the Brisings, made for Freya by dwarfs far underground.
Neil Gaiman (Norse Mythology)
Baldini stood up. He opened the jalousie and his body was bathed to the knees in the sunset, caught fire like a burnt-out torch glimmering low. He saw the deep red rim of the sun behind the Louvre and the softer fire across the slate roofs of the city. On the river shining like gold below him, the ships had disappeared. And a wind must have come up, for gusts were serrating the surface, and it glittered now here, now there, moving ever closer, as if a giant hand were scattering millions of louis-d’or over the water. For a moment it seemed the direction of the river had changed: it was flowing toward Baldini, a shimmering flood of pure gold.
Patrick Süskind (Perfume: The Story of a Murderer)
Meanwhile, Beowulf gave zero shits.   He dressed himself in glittering gear,   his mail-shirt finely forged, links locked   and loaded. He’d meet this murdering mother   under mere, and amend her existence.   Even if she tried to smother him, his bone-cage   would stay intact. No weakness here. His helmet,   bright against the bleak backdrop, would save his skull   from the watery substrate, from the black mud 1450  and curious currents—hammered gold for a glamour-god,   made by one long gone, jewels and boar-shaped ornaments   imbued by the smith with power to keep other men from dying.   No battle-teeth could test it, no sword slice that shine.   Gold is good.
Maria Dahvana Headley (Beowulf: A New Translation)
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower’s half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
The moment I said Broken Harbor to O’Kelly, every faded scar in my mind had lit up like a beacon. I had walked the glittering lines of those scars, obedient as a farm animal, from that moment straight to this one. I had moved through this case shining like Conor Brennan had shone on that dark road, a blazing signal for predators and scavengers far and wide.
Tana French (Broken Harbor (Dublin Murder Squad, #4))
Tell me what you need to tell me but keep far away from my son who still loves a beautiful thing not for what it means— this way or that—but for the way facets set off prisms and prisms spin up everywhere and from his own jeweled body he’s cast rainbows—made every shining true color. Now try to tell me—man or woman—your heart was ever once that brave.
Victoria Redel
Joan Valentine was a tall girl with wheat-gold hair and eyes as brightly blue as a November sky when the sun is shining on a frosty world. There was in them a little of November’s cold glitter, too, for Joan had been through much in the last few years; and experience, even when it does not harden, erects a defensive barrier between its children and the world.
P.G. Wodehouse (Something Fresh: (Illustrated Edition))
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
The new High King of Faerie lounges on his throne, his crown resting at an insouciant angle, his long, villainously scarlet cloak pinned at his shoulders and sweeping the floor. An earring shines from the peak of one pointed ear. Heavy rings glitter along his knuckles. His most ostentatious decoration, however, is his soft, sullen mouth. It makes him look every bit the jerk that he is.
Holly Black (The Wicked King (The Folk of the Air, #2))
When I look up at Heaven, I see the souls of those who died Beaming down at me, Wanting to scream: “I'm still alive!”, Wishing to scribble across the sapphire sky - Letters to their loved ones, But a million dark oceans stand between us, Between those who passed and the living, Between those of us still stuck below, And those who have crossed over the threshold of time - Where what seems like eternity to us, Is really only a few minutes to them. So you see, there is no reason to weep over the shining ones - For even though the space that separates us is limitless, The wall of time that divides us is only paper-thin. And one day, we shall all reunite with them, When our souls are released like fish Back into the vast shimmering sea To shine together like Glittering diamonds.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Here Nanny had taken the biggest thing God ever made, the horizon—for no matter how far a person can go the horizon is still way beyond you—and pinched it in to such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her. She hated the old woman who had twisted her so in the name of love. Most humans didn’t love one another nohow, and this mislove was so strong that even common blood couldn’t overcome it all the time. She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still-bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks make them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine.
Zora Neale Hurston (Their Eyes Were Watching God)
Her grey hair was arranged with precision, and her clothes looked excessively new and yet slightly old-fashioned. They were always black and tightly fitting, with an expensive glitter: she was the kind of woman who wore jet at breakfast. Lily had never seen her when she was not cuirassed in shining black, with small tight boots, and an air of being packed and ready to start; yet she never started.
Edith Wharton (The House of Mirth)
We are on a great journey, through darkness and dawn, across time, though sometimes I fear that our journey is about to end. We must not succumb to fear or avarice; we must continue to embrace life, seek light, and gather in the charity of night. This is what God wants from us and for us. Mirrors of the past shine with the hue of unborn days, just as stars glitter in the dark night to light our way.
Bruce Cockburn (Rumours of Glory: A Memoir)
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Have you ever been lost hope in what you believed so far in life as no meaning? And when started adapting to the life what you got and moving forward, suddenly something comes up and glitters a shine on the hope you lost belief. Your brain is never believed the glitter, but heart attracts to the stuff which you may get hurt. Why I am always been the victim of the life’s crisis. Hope makes the life a life, in the meantime it is the source of all pains.
Vivek Thangaswamy
Celestial Music” I have a friend who still believes in heaven. Not a stupid person, yet with all she knows, she literally talks to god, she thinks someone listens in heaven. On earth, she’s unusually competent. Brave, too, able to face unpleasantness. We found a caterpillar dying in the dirt, greedy ants crawling over it. I’m always moved by weakness, by disaster, always eager to oppose vitality. But timid, also, quick to shut my eyes. Whereas my friend was able to watch, to let events play out according to nature. For my sake, she intervened, brushing a few ants off the torn thing, and set it down across the road. My friend says I shut my eyes to god, that nothing else explains my aversion to reality. She says I’m like the child who buries her head in the pillow so as not to see, the child who tells herself that light causes sadness— My friend is like the mother. Patient, urging me to wake up an adult like herself, a courageous person— In my dreams, my friend reproaches me. We’re walking on the same road, except it’s winter now; she’s telling me that when you love the world you hear celestial music: look up, she says. When I look up, nothing. Only clouds, snow, a white business in the trees like brides leaping to a great height— Then I’m afraid for her; I see her caught in a net deliberately cast over the earth— In reality, we sit by the side of the road, watching the sun set; from time to time, the silence pierced by a birdcall. It’s this moment we’re both trying to explain, the fact that we’re at ease with death, with solitude. My friend draws a circle in the dirt; inside, the caterpillar doesn’t move. She’s always trying to make something whole, something beautiful, an image capable of life apart from her. We’re very quiet. It’s peaceful sitting here, not speaking, the composition fixed, the road turning suddenly dark, the air going cool, here and there the rocks shining and glittering— it’s this stillness that we both love. The love of form is a love of endings.
Louise Glück (Ararat)
CRICKET A poor little cricket Hidden in the flowery grass, Observes a butterfly Fluttering in the meadow. The winged insect shines with the liveliest colors: Azure, purple, and gold glitter on his wings; Young, handsome, foppish, he hastens from flower to flower, Taking from the best ones. Ah! says the cricket, how his lot and mine Are dissimilar! Lady Nature For him did everything, and for me nothing. I have no talent, even less beauty; No one takes notice of me, they know me not here below; Might as well not exist. As he was speaking, in the meadow Arrives a troop of children. Immediately they are running After this butterfly, for which they all have a longing. Hats, handkerchiefs, caps serve to catch him. The insect in vain tries to escape. He becomes soon their conquest. One seizes him by the wing, another by the body; A third arrives, and takes him by the head. It should not be so much effort To tear to pieces the poor creature. Oh! Oh! says the cricket, I am no more sorry; It costs too dear to shine in this world. How much I am going to love my deep retreat! To live happily, live hidden.
Bill Dedman (Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune)
She will always be with me. I know it through my gasping. Know it through my grasping. I know that I will see the gleam of her in the pocked glitter of the moon, in its embered shine. Know I will see her in the shattered stream of stars across the molasses-dark sky. Know that I will see her in the wrinkling of my hands, the whitening of my hair. After my last breath, at the end of my toil and hours, know it will be her who will ferry me across the Water. Mama. I know it sure as I know the far-off hounds, rooting through the underbrush at the water’s edge, raising their noses to bay all at once, their calls trailing up to whip off in the air: frenzied and starving.
Jesmyn Ward (Let Us Descend)
OUR ABILITY TO BOTH RECALL AND FORGET Pieces of holographic film containing multiple images, such as those described above, also provide a way of understanding our ability to both recall and forget. When such a piece of film is held in a laser beam and tilted back and forth, the various images it contains appear and disappear in a glittering stream. It has been suggested that our ability to remember is analogous to shining a laser beam on such a piece of film and calling up a particular image. Similarly, when we are unable to recall something, this may be equivalent to shining various beams on a piece of multiple-image film, but failing to find the right angle to call up the image/memory for which we are searching.
Michael Talbot (The Holographic Universe)
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Taking her grandfather’s advice, Anna turned her head toward the sky. Clouds were moving in quickly to cover the moon and stars, but for now the stars were so bright they almost blinded her. She stared up into the sky for several minutes and then closed her eyes. Gradually, her thoughts dissolved in the glistening bounty, and Anna felt herself lifted upward, her body nearly weightless. For a fleeting moment, the world around her fell away. As if drawn by a vision, Anna drifted deep into the night, engulfed in a bright gleam. She had no thoughts, no feelings. The tears in her eyes splintered the light into countless separate beams, leading Anna toward a glittering palace of shining rays. Perfect indifference flooded her body. If only this sensation would last forever!
Catherine Shepherd (Fatal Puzzle (Zons Crime #1))
There were rockets like a flight of scintillating birds singing with sweet voices. There were green trees with trunks of dark smoke: their leaves opened like a whole spring unfolding in a moment, and their shining branches dropped glowing flowers down upon the astonished hobbits, disappearing with a sweet scent just before they touched their upturned faces. There were fountains of butterflies that flew glittering into the trees; there were pillars of coloured fires that rose and turned into eagles, or sailing ships, or a phalanx of flying swans; there was a red thunderstorm and a shower of yellow rain; there was a forest of silver spears that sprang suddenly into the air with a yell like an embattled army, and came down again into the Water with a hiss like a hundred hot snakes.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Let thy gold be cast in the furnace, Thy red gold, precious and bright, Do not fear the hungry fire, With its caverns of burning light; And thy gold shall return more precious, Free from every spot and stain; For gold must be tried by fire, As a heart must be tried by pain! In the cruel fire of Sorrow Cast thy heart, do not faint or wail; Let thy hand be firm and steady, Do not let thy spirit quail; But wait till the trial is over, And take thy heart again; For as gold is tried by fire, So a heart must be tried by pain! I shall know by the gleam and glitter Of the golden chain you wear, By your heart’s calm strength in loving, Of the fire they have had to bear. Beat on, true heart, for ever; Shine bright, strong golden chain; And bless the cleansing fire, And the furnace of living pain!
G. Campbell Morgan (The Answer of Jesus to Job)
If we thought that the eyes of such a girl were merely two glittering sequins of mica, we would not be athirst to know her and to unite her life to ours. But we sense that what shines in those reflecting discs is not due solely to their material composition; that it is, unknown to us, the dark shadows of the ideas that this being is conceiving, relative to the people and places that she knows— the turf of racecourses, the sand of cycling tracks over which, pedaling on past fields and woods, she would have drawn me after her, that little Peri, more seductive to me than she of the Persian paradise—the shadows, too, of the home to which she will presently return, of the plans that she is forming or that others have formed for her; and above all that it is she, with her desires, her sympathies, her revulsions, her obscure and incessant will. I knew that I would never possess this young cyclist if I did not possess also what was in her eyes.
Marcel Proust (In the Shadow of Young Girls in Flower)
As a world that has no well, Darting bright in forest dell; As a world without the gleam Of the downward-going stream; As a world without the glance Of the ocean's fair expanse; As a world where never rain Glittered on the sunny plain; - Such, my hear, thy world would be, If no love did flow in thee. As a world without the sound Of the rivulets underground; Or the bubbling of the spring Out of darkness wandering; Or the mighty rush and flowing Of the river's downward going; Or the music-showers that drop On the outspread beech's top; Or the ocean's mighty voice, When his lifted waves rejoice;- Such, my soul, thy world would be, If no love did sing in thee. Lady, keep they world's delight; Keep the waters in thy sight. Love hath made me strong to go, For thy sake, to realms below, Where the water's shine and hum Through the darkness never come: Let, I pray, one thought of me Spring, a little well, in thee; Lest thy loveless soul be found Like a dry and thirsty ground.
George MacDonald (The Light Princess)
Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.
Bernie Morris (The Fury of the Fae)
I serve no man,’ said Aragorn; ‘but the servants of Sauron I pursue into whatever land they may go. There are few among mortal Men who know more of Orcs; and I do not hunt them in this fashion out of choice. The Orcs whom we pursued took captive two of my friends. In such need a man that has no horse will go on foot, and he will not ask for leave to follow the trail. Nor will he count the heads of the enemy save with a sword. I am not weaponless.’ Aragorn threw back his cloak. The elven-sheath glittered as he grasped it, and the bright blade of Andúril shone like a sudden flame as he swept it out. ‘Elendil!’ he cried. ‘I am Aragorn son of Arathorn, and am called Elessar, the Elfstone, Dúnadan, the heir of Isildur Elendil’s son of Gondor. Here is the Sword that was Broken and is forged again! Will you aid me or thwart me? Choose swiftly!’ Gimli and Legolas looked at their companion in amazement, for they had not seen him in this mood before. He seemed to have grown in stature while Éomer had shrunk; and in his living face they caught a brief vision of the power and majesty of the kings of stone. For a moment it seemed to the eyes of Legolas that a white flame flickered on the brows of Aragorn like a shining crown.
J.R.R. Tolkien (The Lord Of The Rings: One Volume)
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes.” He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. “But a sword… a sword has a voice.” “Eh?” “Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy’s ear.” He wrapped his fingers tightly round the grip. “A gentle warning. A word of caution. Do you hear it?” Logen nodded slowly. “Now,” murmured Bayaz, “compare it to the sword half drawn.” A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. “It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?” Logen nodded again, his eye fastened on that glittering edge. “Now compare it to the sword full drawn.” Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen’s face. “It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?
Joe Abercrombie (The Blade Itself (The First Law, #1))
The cave was cool and silent- thoroughly carpeted- with the most luxuriant mantle of mosses Alma Whittaker had ever seen. The cave was not merely mossy; it throbbed with moss. It was not merely green; it was frantically green. It was so bright in its verdure that the color nearly spoke, as though- smashing through the world of sight- it wanted to migrate into the world of sound. The moss was a thick, living pelt, transforming every rock surface into a mythical, sleeping beast. Improbably, the deepest corners of the cave glittered the brightest; they were absolutely studded, Alma realized with a gasp, with the jewellike filigree of 'Schistotega pennata.' Goblin's gold, dragon's gold, elfin gold- 'Schistotega pennata' was that rarest of cave mosses, that false gem that gleams like a cat's eye from within the permanent twilight of geologic shade, that unearthly sparkling plant that needs but the briefest sliver of light each day to sparkle like glory forever, that brilliant trickster whose shining facets have fooled so many travelers over the centuries into believing that they have stumbled upon hidden treasure. But to Alma, this 'was' treasure, more stunning than actual riches, for it bedecked the entire cave in the uncanny, glistering, emerald light that she had only ever before seen in miniature, in glimpses of moss seen through a microscope... yet now she was standing fully within it.
Elizabeth Gilbert (The Signature of All Things)
Wasanbon sugar, honey and tofu. Together, they make a silky-smooth pastry crust that gently caresses the lips... while the fluffy, sticky white bean paste melts on the tongue. Its mellow and robust flavor wafting up to tickle the nose! And with every bite, the crisp tartness of apples pop like fireworks, glittering brightly and fading, only to sparkle once again. Its sweet deliciousness ripples from the mouth straight up to the brain... a super-heavyweight punch of moist, rich goodness!" "Yeeah!" "Ladies and gentlemen, all the judges have looks on their faces! What on earth could have created a flavor that rapturous?!" "The biggest secret to that flavor is right here, brushed on the underside of the pastry crust... apple butter!" "Apple butter?!" "Hmm..." It's as simple as its name- grated apple, lemon juice and sugar added into melted butter. The distinctive tang of fruit is melded together harmoniously with mellow butter, creating a spread that can add acidity, saltiness and rich body to a dish! "Yet making something like this is no mean feat! Two completely disparate ingredients must be not just mixed but perfectly emulsified together! It's a task akin to perfectly melding oil with water! Even pro chefs have difficulty bringing out the butter's smooth shine without accidentally letting it separate! Managing it all requires mastery of a very specific cooking technique!" "Yes, sir! I did use Monter au Beurre. It's a technique for finishing sauces... ... common in French cooking!
Yūto Tsukuda (食戟のソーマ 28 [Shokugeki no Souma 28] (Food Wars: Shokugeki no Soma, #28))
The tailor sidled forward, his long, multi-joined fingers caressing the dress form closest to me. "Ah, yes," he said. "Beautiful, isn't it? The color of storms and oceans, or so we've been told. This dress," he continued, "belonged to Magdalena. She was beautiful- the way you mortals reckon, anyhow- beautiful, but stupid. Oh ho, we had fun with this one, we did, but we used her up too soon. Her fire died, leaving us cold and dark." The dress form beneath the gown was tall and well-formed, the bosom and hips generous, the waist tiny. The dress, a robe à la française, was made from a deep, jewel-toned blue silk, and I could imagine the dramatic coloring of the woman who had worn it: pale skin, dark hair, and blue eyes to match her gown. A breathless beauty, a glittering jewel, and I imagined the Goblin King partaking of her loveliness over and over again, biting the sweet peaches of her cheeks until she was gone. "And this one," Thistle chimed in, pointing to another dress form, "belonged to Maria Emmanuel. Prissy, she was. Refused to do her duty by her lord. She was consecrated to someone else- a carpenter? Something like that. Don't know what the king saw in her, but they were both possessed of a strange devotion to a figure nailed to a wooden cross. She lasted the longest, this prudish nun, not having given herself to king and land, and during her rule, our kingdom suffered. Yet she lasted the longest for that, although she too died in the end, pining for the world above she could see but not touch." This dress form was slim, the gown that hung on it made of an austere gray wool. I could imagine the woman who wore this dress- a pious creature, veiled like a bride of Christ. No beauty, but her eyes would be a clear, luminous gray, shining with the fervor of her passion and faith. Not like Magdalena, whose loveliness would have been carnal and earthly; Maria Emmanuel would have glowed with an inner light, the beauty of a saint or a martyr. The Goblin King was a man of varied tastes, it seemed.
S. Jae-Jones (Wintersong (Wintersong, #1))
The houses were left vacant on the land and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming were alive, and they were alive with metal and gasoline and oil, discs of the plows shining. The tractors had lights shining, for there is no day and night for a tractor, and the discs turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn, there is a life and vitality left. There is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn and the heat and smell of life, but when the motor of a tractor stops it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy, that the wonder goes out of work. So efficient, that the wonder goes out of land, the working of it, and with the wonder, the deep understanding and the relation. And in the tractor man the grows the contempt that comes only to a stranger who has little understanding and no relation, for nitrates are not the land, nor phosphates, and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt, water, nor calcium. He is all these, but he is much more, much more. And the land is so much more than its analysis. The man who is more than his chemistry walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch, that man who is more than his elements knows the land that is more than it's analysis. But the machine man, driving a dead tractor on land he does not know and love understands only chemistry, and he is contemptuous of the land and of himself. When the corrugated iron doors are shut he goes home, and his home is not the land.
John Steinbeck (The Grapes of Wrath)
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
Anna Kavan (Ice)
like he hadn’t just shattered me with one sentence.
Shari L. Tapscott (Shine and Shimmer (Glitter and Sparkle, #2))
Test your senses of knowledge; stars are stars in every frame and sense. Never run after those since all the glitter stars are just the stones that, shine of the sun.
Ehsan Sehgal
She was made to sparkle, to be bright with outside garniture, — to shine and glitter, and be rich in apparel. The only doubt might be whether paste diamonds might not better suit her character.
Anthony Trollope (Complete Works of Anthony Trollope)
It's not what you have on the outside that glitters in light, it's what you have on the inside that shines in the dark,
Willow Summers (Yes, Please (Please, #1))
You don’t shine in the light, so why keep running from what makes you gloriously radiant? To deny darkness within you is to deny the magical sparkly intuitive rain-bow of light that lives and moves inside your essence. One does not exist without the other. Stop running from that part of your soul and start letting your star-light glitter!
Melody Lee (Moon Gypsy)
Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
I sobbed out the story of the day thus far, too far gone in my relief to see Drake to care that I was watering his tux again. “Kincsem, I understand that it was difficult to be banished in that way. I do not understand why you believe your hands are possessed, but I am confident you will fill me in on that aspect of your day. We must leave now, however. I cannot protect this house, and I will not have you at further risk.” I sniffled and accepted the tissues that he had recently started carrying. “I know. And I want to go. I’m just so glad you’re here. Sometimes things get so overwhelming, and only when you’re around do I feel better.” Drake tipped my chin up, his eyes sparkling with a brilliant emerald light. “That has to be one of the nicest things you’ve said to me. You have made yourself necessary to me, as well.” I balled up my fingers and punched him in the stomach. He laughed as he rubbed his belly, then pulled me tightly against his chest. “All right, I will say it, but you must make note that this fulfills the requirement for the day.” “Too much talking and not enough kissing,” I said as I grabbed his head and pulled it down to me. His kiss was as hot as his dragon fire, scorching more than just my lips. His tongue danced along mine, driving me into squirming against him, wanting what only he could give me. “Give it,” I whispered into his mouth, and quivered to the tips of my toes when he opened his mouth and let his fire sweep through me. It blazed a trail along my veins, burning my blood, carrying me along in an inferno of desire, love, and need. “I love you more than all the treasures of the world, Aisling. Our love will burn for an eternity until we have taken our last breaths, and even then it will continue to shine as a testament to that which we are together, a beacon of passion for all to see like a glittering star in the darkness of the night sky.” “You sure know how to sweep a girl off her feet,” I said, kissing the corners of his delectable mouth as his dragon fire faded away. I felt empty inside without it, as if a part of me was missing, a sadness so profound it made my soul weep. “I love you, too.” “We must leave. I do not like this place.” “I know the feeling
Katie MacAlister (Holy Smokes (Aisling Grey, #4))