Glass House Quotes

We've searched our database for all the quotes and captions related to Glass House. Here they are! All 100 of them:

Damn, Claire. Warn a guy before you do a face-plant on the floor next time. I could have looked all heroic and caught you or something -Shane
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
People who live in glass houses should shut the fuck up.
Ernest Cline (Ready Player One (Ready Player One, #1))
You're kidding. I thought all geniuses read Latin. Isn't that the international language for smart people?"-Shane (Glass Houses)
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Scoot over, man. I don't like you that much." "Dick. That's not what you said last night." "Bite me.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Run first,' Shane said. 'Mourn later.' It was the perfect motto for Morganville.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Hell,' Shane spit in disgust. 'I can't hit a girl. Here, Claire. You hit her.' He tossed her the bat.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Claire stretched out against the wall and kissed it. "Glad to see you, too," she whispered, and pressed her cheek against the smooth surface. It almost felt like it hugged her back. "Dude, it's a house," Shane said from behind her. "Hug somebody who cares.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
Okay, this was kissing. Serious kissing. Not just a kiss before moving out, not a good-bye, this was Hello, sexy, and wow, she’d never even suspected that it could feel this way.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
You know," Shane said twenty minutes later, "I'd feel a whole lot better about the two of us if you didn't think I was the go-to guy for breaking and entering.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
You're still here. No beer. I'm not corrupting a minor." "But you're a minor," she pointed out. "At least for beer." "Yeah, and by the way, how much does it suck that I'm an adult if I kill somebody, and I'm not if I want a beer?
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Hidup sungguh sangat sederhana. Yang hebat-hebat hanya tafsirannya.
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
One time I saw a tiny Joshua tree sapling growing not too far from the old tree. I wanted to dig it up and replant it near our house. I told Mom that I would protect it from the wind and water it every day so that it could grow nice and tall and straight. Mom frowned at me. "You'd be destroying what makes it special," she said. "It's the Joshua tree's struggle that gives it its beauty.
Jeannette Walls (The Glass Castle)
And the ship went out into the High Sea and passed into the West, until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Everybody has a home team: It’s the people you call when you get a flat tire or when something terrible happens. It’s the people who, near or far, know everything that’s wrong with you and love you anyways. These are the ones who tell you their secrets, who get themselves a glass of water without asking when they’re at your house. These are the people who cry when you cry. These are your people, your middle-of-the-night, no-matter-what people.
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
And if you dont come back from the dorm, I'm the one who has to explain to Micheal how I let you go off and get yourself killed like a Dumbass. First rule in horror movies, Clair-Never split up!
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Orang boleh pandai setinggi langit, tapi selama ia tak menulis, ia akan hilang di dalam masyarakat dan dari sejarah.
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
We throw stones though we live in glass houses, We talk shit like its a cross to bare. You're only relevant 'til you get older. Keep your friends close, and your enemies closer
Alex Gaskarth
That's kind of a leap, but the Russian judge gave you a nine point five for style, so okay.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
There's a ghost in this house! An unquiet spirit!" Unquiet spirit?" Shane said under his breath. "Is that politically correct for pissed off? You know, like Undead American or something?
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Orang bilang ada kekuatan-kekuatan dahsyat yang tak terduga yang bisa timbul pada samudera, pada gunung berapi dan pada pribadi yang tahu benar akan tujuan hidupnya .
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
You shouldn't throw stones if you live in a glass house and if you got a glass jaw, you should watch yo mouth: cause I'll break yo face.
50 Cent
When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.
Margaret Atwood (Alias Grace)
Claire. Wake up.” She blinked and realized that her head was on Shane’s shoulder, and Michael was nowhere to be seen. Her first thought was, Oh my God, am I drooling? Her second was that she hadn’t realized she was so close to him, snuggled in. Her third was that although Michael’s part of the couch was empty, Shane hadn’t moved away. And he was watching her with warm, friendly eyes. Oh. Oh, wow, that was nice.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
There is an old American saying 'He who lives in a glass house should not try to kill two birds with one stone.
Vladimir Nabokov (Pnin)
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
Crosses?" "Definitely" "Why?" "Because they're evil, soulless, bloodsucking fiends?" "So was my sixth-grade gym teacher, but he wasn't afraid of a cross.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Bite me
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
The first morning Simon had been at Amatis's house, a grinning lycanthrope had showed up on the doorstep with a live cat for him. "Blood," he'd said, in a heavily accented voice. "For you. Fresh!" Simon had thanked the werewolf, waited from him to leave, and let the cat go, his expression faintly green. "We'll you're going to have to get your blood from somewhere," said Luke, looking amused. "I have a pet cat," Simon replied. "There's no way.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
If we learn to see things as they are and not as we would like them to be, we avoid many frustrations. If we do not confuse our hopes with our perceptions, the glass house of our values will remain lustrous. ("Like peeing against the wind" )
Erik Pevernagie
The second bathroom's downstairs - that's kind of the emergency backup bathroom when Shane's in there moussing his hair for like an hour or something...." "Bite me!" Shane yelled from behind the closed door.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
I may never be happy, but tonight I am content. Nothing more than an empty house, the warm hazy weariness from a day spent setting strawberry runners in the sun, a glass of cool sweet milk, and a shallow dish of blueberries bathed in cream. When one is so tired at the end of a day one must sleep, and at the next dawn there are more strawberry runners to set, and so one goes on living, near the earth. At times like this I'd call myself a fool to ask for more...
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Shane - who knows about Shane? Planet Shane is a lovely place a long way from here.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Is it him?” Dad asked. “Did he get you into trouble?” “Not me,” Shane said. “I’ve just got that kind of face.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Nico's voice was like broken glass. "I- I wasn't in love with Annabeth." "You were jealous of her," Jason said. "That's why you didn't want to be around her. Especially why you don't want to be around... him. It makes total sense.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
The leaf fall of his words, the stained glass hues of his moods, the rust in his voice, the smoke in his mouth, his breath on my vision like human breath blinding a mirror.
Anaïs Nin (House of Incest)
Oh, hey, Claire,” she said, and blinked. “Where are you going?” “Funeral,” Shane said. On-screen, a zombie shrieked and died gruesomely. “Yeah? Cool! Whose?” “Hers.” Shane said.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
You are not my high school crush, idiot.” “Great. I can die happy, then.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Setiap tulisan merupakan dunia tersendiri, yang terapung-apung antara dunia kenyataan dan dunia impian.
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.
Shirley Jackson (The Haunting of Hill House)
It’s in Latin.” “So? What does it say?” “I don’t read Latin!” “You’re kidding. I thought all geniuses read Latin. Isn’t that the international language for smart people?
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature and living by complicated artifice, man in civilization surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate for having taken form so far below ourselves. And therein do we err. For the animal shall not be measured by man. In a world older and more complete than ours, they move finished and complete, gifted with the extension of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings: they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.
Henry Beston (The Outermost House: A Year of Life On The Great Beach of Cape Cod)
He spoke again as if he hadn’t just shattered his promise and her security. Her house of glass now lay in a pile of shards.
Aleatha Romig (Consequences (Consequences, #1))
Have I mentioned how hot Michael is? Hot, hot, hot. I mean, all guitar players are crushworthy - it's like it's issued with the talent - but I've been noticing lately that he is total Hottie McHottie of Hotland. Not that I could tell him that. Luckily, he is a boy. Hence, too dense to figure out why I'm staring at his ass.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Pada akhirnya persoalan hidup adalah persoalan menunda mati, biarpun orang-orang yang bijaksana lebih suka mati sekali daripada berkali-kali.
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
Michael!” Oliver’s voice came faint through the front door. “Something you should see, my boy! Look out your windows!” “Trap,” Shane said instantly, and reached out to grab Michael’s arm as he walked by. “Don’t, man.” “What’s he going to do? Make faces at me?
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
See? My plans don’t all suck. Just most of them.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Kita semua harus menerima kenyataan, tapi menerima kenyataan saja adalah pekerjaan manusia yang tak mampu lagi berkembang. Karena manusia juga bisa membikin kenyataan-kenyataan baru. Kalau tak ada orang mau membikin kenyataan-kenyataan baru, maka “kemajuan” sebagai kata dan makna sepatutnya dihapuskan dari kamus umat manusia.
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
Now," said Brandons low, cold voice. "Lets not be rude eve.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
I’d say over my dead body, but I think you already made that point,” Michael snapped. “Thanks for the visit. Now fuck off, man.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
The woman let out an expansive laugh that resounded through the house like a spray of broken glass.
Gabriel García Márquez (One Hundred Years of Solitude)
Eleanor looked up, surprised; the little girl was sliding back in her chair, sullenly refusing her milk, while her father frowned and her brother giggled and her mother said calmly, 'She wants her cup of stars.' Indeed yes, Eleanor thought; indeed, so do I; a cup of stars, of course. 'Her little cup,' the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill's good country milk was not rich enough for the little girl. 'It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk.' The waitress nodded, unconvinced, and the mother told the little girl, 'You'll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?' Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.
Shirley Jackson (The Haunting of Hill House)
Not everything is about beating your head against the wall until it breaks.” “Just most things.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
OMG OMG OMG, Shane is totally crushing on the new roomie! I can’t believe it. I always pictured Shane going after blond beach hotties. Who knew he liked big brains and teeny little bodies? Although, to be fair, she is cute as a button. (Why do we say that? What’s so cute about a button, anyway?)
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Sir, pay no attention to the people who say the glass is half empty, because 32% means it's 2/3 empty. There's still some liquid in that glass is my point, but I wouldn't drink it. The last third is usually backwash. (Said to President Bush at the White House Correspondents Dinner)
Stephen Colbert
I've given up my living room, guest room, job, career, heterosexuality and my stance on no pets in the house, but I'm not giving up my room. I'm drawing a line.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
I tried to help you make better choices. You could have saved yourself. But you defied me at every step. You built your ship. You joined that foolish quest. Now you are trapped here, helpless, while the mortal world dies. Leo's hands burst into flame. He wanted to melt Gaea's sandy face to glass. Then he felt Calypso's hand on his shoulder. "Gaea." Her voice was stern and steady. "You are not welcome.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Cinderella was such a dork. She left behind her glass slipper at the ball and then went right back to her step-monster's house. It seems to me she should have worn the glass slipper always, to make herself easier to find. I always hoped that after the prince found Cinderella and they rode away in their magnificent carriage, after a few miles she turned to him and said, "Could you drop me off down the road please? Now that I've finally escaped my life of horrific abuse, I'd like to see something of the world, you know?... I'll catch back up with you later, Prince, once I've found my own way.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Unless you want to hang a This Vein for Rent sign around your neck, move already!
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Does it give you deja voodoo how alike the houses are?" "That's deja vu, and I hate you right now." "For narcing on you to your mom? Wait until you hear what I tell your dad." From the sly grin on his face, she knew what he was thinking. "Don't you even think about it." "I could tell him about the time we-" "Hell, no.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Of course, we could all die soon. I'm writing because Michael's patrolling the house and Shane and Claire are asleep. It may be the last chance I have to write anything down. So in case that's true, I want to say that I love Shane and Claire, and I love Michael, and staying here in the Glass House has been the best time in my entire life.... But if it all ends here, at least it's ending with the people I really love.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Kami memang orang miskin. Di mata orang kota kemiskinan itu kesalahan. Lupa mereka lauk yg dimakannya itu kerja kami.
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
Three Pines is a state of mind. When we choose tolerance over hate. Kindness over cruelty. Goodness over bullying. When we choose to be hopeful, not cynical. Then we live in Three Pines.
Louise Penny (Glass Houses (Chief Inspector Armand Gamache, #13))
Because you know, I’m your best friend, but you’re just not that badass, man.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Tell me he’s not talking to Brandon,” Claire said. “Um… Ok. He’s not talking to Brandon.” “You’re lying.” “Yeah. He’s talking to Brandon. Look, let Shane do his thing, okay? He’s not as stupid as he looks, mostly.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
I often think of you all, one cannot do what one wants in life. The more you feel attached to a spot, the more ruthlessly you are compelled to leave it, but the memories remain, and one remembers - as in a looking glass, darkly - one's absent friends.
Vincent van Gogh
I’m not a kid!” she told Shane hotly. “I’m only, like, a year younger than Eve!” “And girls are much more mature.” Eve nodded wisely. “So you’re about ten years older than Shane, then.” “Seriously,” Claire insisted. “I’m not a kid!” “Whatever you say, kid,” Shane said blandly. “Cheer up. Just means you don’t have to put up with me telling you how much sex I didn’t get.” “I’m telling Michael,” Eve warned. “About how much sex I didn’t get? Go ahead.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
He said he would come in,' the White Queen went on, `because he was looking for a hippopotamus. Now, as it happened, there wasn't such a thing in the house, that morning.' Is there generally?' Alice asked in an astonished tone. Well, only on Thursdays,' said the Queen.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
She wasn't absolutely sure who kissed whom this time. Maybe it was gravity tilting, stars exploding. It felt like it.... She gasped into his open mouth, and he moaned. Moaned. She had no idea a sensation could go through her like that, traveling through her skin and nerves like lightning.... Okay, this was kissing. Serious kissing. Not just a kiss before moving out, not a goodbye, this was Hello, sexy, and wow, she'd never even suspected it could feel this way.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Kid,” Richard said wearily, “I am not in the mood. I haven’t slept in thirty-six hours, my sister’s crazy–” “Hey!” Monica protested. “–and you’re not my high school crush–” “He is not my high school crush, Richard!” “The point it, I couldn’t give a crap about you, your friends, or your problems, because for me this isn’t personal. Monica will kill you because she’s nuts. I’ll kill you because you make me kill you. Are we straight?” “Well,” Shane said, “That’s kind of a personal question.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Yeah, she was hot, all right, but I think she had the hots for you - kept saying how she saw you over at the Waterhouse last year and you were all, like, wow, amazing. It was like a menage a trois, only you weren't there, thank God.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Totalitarianism is not only hell, but all the dream of paradise-- the age-old dream of a world where everybody would live in harmony, united by a single common will and faith, without secrets from one another. Andre Breton, too, dreamed of this paradise when he talked about the glass house in which he longed to live. If totalitarianism did not exploit these archetypes, which are deep inside us all and rooted deep in all religions, it could never attract so many people, especially during the early phases of its existence. Once the dream of paradise starts to turn into reality, however, here and there people begin to crop up who stand in its way, and so the rulers of paradise must build a little gulag on the side of Eden. In the course of time this gulag grows ever bigger and more perfect, while the adjoining paradise gets even smaller and poorer.
Milan Kundera (The Book of Laughter and Forgetting)
You’re kind of a psycho. I get that.” “I might be,” Monica agreed, and gave her a slow, strange smile. “You’re one smart little freak. Now run away, smart little freak, before I change my mind and stick you in one of these old suitcases for some architect to find a hundred years from now.” Claire blinked. “Archaeologist.” Monica’s eyes turned winter cold. “Oh, you’d better start running away now.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Dammit, Michael, get out of my room, you pervert!” Could you even be a pervert if you were dead? She supposed you could, if you had a working body half the time. “I swear, I’m going to start taking my clothes off!” The cold spot stayed resolutely put until she got the hem of her T-shirt all the way up to her bra line, and then faded away. “Chicken,” she said, and paced the room, back and forth.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Michael held me when I got inside, because I was shaking all over. That felt so good. Warm all the way down. Did I mention Michael’s feet? They’re all the way sexy, and he’s always barefoot – he hates shoes. I wish he hated pants and shirts, too.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
There wasn't a single item of importance [in the newspaper]. A tower of illusion, all of it, made of illusory bricks and full of holes. If life were made up only of important things, it really would be a dangerous house of glass, scarcely to be handled carelessly. But everyday life was exactly like the headlines. And so everybody, knowing the meaninglessness of existence, sets the center of his compass at his own home.
Kōbō Abe (The Woman in the Dunes)
Eve said, in a high, squeaky, airless voice, “The ghost! You’re the ghost Miranda was talking about! Oh my God, Michael, you’re the ghost! You bastard!” He nodded, still concentrating on breathing. Eve got control of her voice and squealed, “That is without a doubt the coolest damn thing I have ever seen in my entire life!
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
He let Shane drop back down in his chair, and walked out, back stiff. Furious. Shane sat with his hands clutching at the armrests. He exchanged a stunned look with Eve, and they both stood up at once. "No," Shane said. "I did it. Let me fix it." He went off after Michael. Eve chewed her lip and said, "Well, we're either going to see half the house destroyed, or their bromance is going to go all the way.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
Eve rose stiffly when he strode out of the house. In silence, she watched Julia look after him. "The male ego," Eve murmured as she crossed the room to put an arm around Julia's shoulders. "It's a huge and fragile thing. I always envision it as an enormous penis made of thin glass.
Nora Roberts (Genuine Lies)
I’m saying a prayer. Maybe you ought to, too. It’s going to take us a miracle to get through this.” Whether he was serious or not, Claire sent the prayer up toward heaven, and she thought the others did, too. So it seemed kind of miraculous when the doorbell rang. “At least they’re getting more polite when they try to kill us,” Shane said.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Not bad,” she finally said. “At least you left out the oh-my-God sauce this time.” “Made myself a batch with it,” Shane said. “It’s got the biohazard sticker on it in the fridge, so don’t bitch if you get flamed. Where’d you pick up the stray?” “Outside. She came to see the room.” “You beat her up first, just to make sure she’s tough enough?” “Bite me, chilli boy.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
And in a small house five miles away was a man who held my mud-encrusted charm bracelet out to his wife. Look what I found at the old industrial park," he said. "A construction guy said they were bulldozing the whole lot. They're afraid of sink holes like that one that swallowed the cars." His wife poured him some water from the sink as he fingered the tiny bike and the ballet shoe, the flower basket and the thimble. He held out the muddy bracelet as she set down his glass. This little girl's grown up by now," she said. Almost. Not quite. I wish you all a long and happy life.
Alice Sebold (The Lovely Bones)
Abby must have been the one who found the safe house, because Townsend didn't like it. "The building across the street is under construction," he snarled as soon as we'd carried our bags inside. "The elevator has key card access, and I've hacked into the surveillance cameras from every system on the block," Abby argued. "We have a three-hundred-sixty-degree visual." "Excellent." Townsend dropped his bag. "Now the circle can see us from every angle." "Don't mind Agent Townsend, girls," Abby told us. "He's a glass-half-empty kind of spy." "Also known as the good kind," he countered. Abby huffed.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention. It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him.
Harper Lee (To Kill a Mockingbird)
When you are in the middle of a story it isn’t a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It’s only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.
Dolly Alderton (Everything I Know About Love: A Memoir)
You’re still here. No beer. I’m not corrupting a minor.” “But you’re a minor,” she pointed out. “At least for beer.” “Yeah, and by the way, how much does it suck that I’m an adult if I kill somebody, but not if I want a beer?” Shane jumped in. “They’re all dicks.” “Man, seriously, you are one cheap drunk. Three beers? My junior high girlfriend could hold her liquor better.” “Your junior high girlfriend–” Shane brought himself up short without finishing that sentence, and flushed bright red. Must have been good, whatever it was. “Claire, get the hell out of here. You’re making me nervous.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end -- not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman's second glance, a child's apple breath, the shatter of glass in the road, the words 'I have something to tell you,' a cat with a broken spine dragging itself into the forest to die, the brush of your mother's papery ancient hand in a thicket of your hair, the memory of your father's voice early in the morning echoing from the kitchen where he is making pancakes for his children.
Brian Doyle (One Long River of Song: Notes on Wonder)
Don’t!” Lillian yelled, and put up her arms when Shane pulled back the bat. “Hell,” Shane spat in disgust. “I can’t hit a girl. Here, Claire. You hit her.” He tossed her the bat. Claire grabbed it and came to a clumsy batting stance, wishing she’d paid more attention in phys ed. Lillian screamed again and ran into the open doorway of Eve’s room. Eve, coming up the stairs, screamed, too, for different reasons. “Hey! That’s my room, bitch!” And she flew in to grab Lillian by the hair, swing her around, and throw her out into the hall, then shoved her toward the stairs. “Michael! This one needs to go out!
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
She dug in her backpack, found her cell phone, and checked for coverage. It was kind of lame in Morganville, truthfully, out in the middle of the prarie, in the middle of Texas, which was about as middle of nowhere as it was possible to get unless you wanted to go to Mongolia or something.... Claire started dialing numbers. The first person told her that they'd already found somebody.... The second one sounded like a weird old guy. The third one was a weird old lady. The fourth one... well, the fourth one was just plain weird.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
The whole idea of it makes me feel like I'm coming down with something, something worse than any stomach ache or the headaches I get from reading in bad light-- a kind of measles of the spirit, a mumps of the psyche, a disfiguring chicken pox of the soul. You tell me it is too early to be looking back, but that is because you have forgotten the perfect simplicity of being one and the beautiful complexity introduced by two. But I can lie on my bed and remember every digit. At four I was an Arabian wizard. I could make myself invisible by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince. But now I am mostly at the window watching the late afternoon light. Back then it never fell so solemnly against the side of my tree house, and my bicycle never leaned against the garage as it does today, all the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, as I walk through the universe in my sneakers. It is time to say good-bye to my imaginary friends, time to turn the first big number. It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine. But now when I fall upon the sidewalks of life, I skin my knees. I bleed.
Billy Collins
I love you." For a start, we'd better put these words on a high shelf; in a square box behind glass which we have to break with our elbow; in a bank. We shouldn't leave them lying around the house like a tube of vitamin C. If the words come too easily to hand, we'll use them without thought; we won't be able to resist. Oh, we say we won't, but we will. We'll get drunk, or lonely, or - likeliest of all - plain damn hopeful, and there are the words gone, used up, grubbied. We think we might be in love and we're trying out the words to see if they're appropriate? How can we know what we think till we hear what we say? Come off it; that won't wash. These are grand words; we must make sure we deserve them. Listen to them again: "I love you.
Julian Barnes (A History of the World in 10½ Chapters)
Now the two of them rode silently toward town, both lost in their own thoughts. Their way took them past the Delgado house. Roland looked up and saw Susan sitting in her window, a bright vision in the gray light of that fall morning. His heart leaped up and although he didn't know it then, it was how he would remember her most clearly forever after- lovely Susan, the girl in the window. So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely if ever crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.
Stephen King (Wizard and Glass (The Dark Tower, #4))
I'll teach you later, but for now I just need someone to watch the signs for me. Come on up to the copilot chair." I jerked a thumb in the direction of Chubs. Liam only shook his head. "Are you kidding me? Yesterday he thought a mailbox was a clown." I unbuckle my seat belt with a sigh. As I climbed over Chubs's outstretched legs to the front, I glanced over my shoulder, my eyes going to his too-small glasses. " Is his eyesight really that bad?" "Worse," Liam said. "So, right after we got the hell out of Caledonia, we broke into this house to spend the night, right? I woke up in the middle of the night hearing the most awful noise, like a cow dying or something. I followed the wailing, clutching some kid's baseball bat, thinking I was going to have to beat someone's head in for us to make a clean getaway. then I saw what was sitting at the bottom of a drained pool." "No way," I said. "Way," he confirmed. "Hawkeye had gone out to relieve himself and had somehow missed the giant gaping hole in the ground. Twisted his ankle and couldn't climb out of the deep end. I tried so hard not to laugh, but it was impossible. The mental image was just too damn good.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?
Walt Whitman (Leaves of Grass)
Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows- a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues — every stately or lovely emblazoning — the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge — pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?
Herman Melville (Moby-Dick or, The Whale)
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)