Glamour Queen Quotes

We've searched our database for all the quotes and captions related to Glamour Queen. Here they are! All 30 of them:

That was impressive," Ash said quietly as we walked through the maze of tents. Summer fey parted for us, scurrying out of sight as we headed deeper into camp. "Oberon was throwing all the mind-altering glamour he could at you, trying to get you to agree to his terms quickly and not question him. Not only did you resist, you turned the contract to your advantage. Not many could have done that." "Really?" I thought back to the thick, sluggish feeling in the Erlking's tent. "So that was Oberon trying to manipulate me again, huh? Maybe I could resist since I'm family. Half Oberon's blood and all that." "Or you're just incredibly stubborn," Ash added, and I smacked his arm. He chuckled, taking my hand and we continued on to the Winter's territory.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Wonderful what Hollywood will do to a nobody. It will make a radiant glamour queen out of a drab little wench who ought to be ironing a truck driver's shirts, a he-man hero with shining eyes and brilliant smile reeking of sexual charm out of some overgrown kid who was meant to go to work with a lunch-box. Out of a Texas car hop with the literacy of a character in a comic strip it will make an international courtesan, married six times to six millionaires and so blasé and decadent at the end of it that her idea of a thrill is to seduce a furniture-mover in a sweaty undershirt.
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
Old Money Blue hydrangea, cold cash, divine, Cashmere, cologne and white sunshine. Red racing cars, Sunset and Vine, The kids were young and pretty. Where have you been? Where did you go? Those summer nights seem long ago, And so is the girl you used to call, The Queen of New York City. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. The power of youth is on my mind, Sunsets, small town, I'm out of time. Will you still love me when I shine, From words but not from beauty? My father's love was always strong, My mother's glamour lives on and on, Yet still inside I felt alone, For reasons unknown to me. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. And if you call, I'll run, run, run, If you change your mind, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. Blue hydrangea, cold cash, divine, Cashmere, cologne and hot sunshine. Red racing cars, Sunset and Vine, And we were young and pretty.
Lana Del Rey
If she'd ever hoped to impress Amon Byrne with her newly acquired glamour and beauty, that chance was gone forever. He'd seen her in every kind of ugly.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
I saw Oberon charge into the fray on a huge black warhorse, glamour swirling around him, and sweep a hand toward the thickest of the fighting. Vines and roots erupted from the ground, coiling around the Iron fey, strangling them or pulling them beneath the earth. Atop a rise, Mab raised her arms, and a savage whirlwind swept across the field, freezing fey solid or impaling them with ice shards. The armies of Summer and Winter howled with renewed vigor and threw themselves at the enemy.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I snorted an aborted snore.  Oh yeah baby, glamour queen... and I wonder why I am single.
Erik Schubach (Red Hood: The Hunt (Urban Fairytales #1))
I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I could see us sitting at the old piano, while he tried to explain how music worked. I could see the Iron glamour in the notes, the strict lines and rigid rules that made up the score, but the music itself was a vortex of song and pure, swirling emotion. They weren’t separate entities, creative magic and Iron glamour. They were one; cold logic and wild emotion, merged together to create something truly beautiful.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
They’re cloaking,” I said, as the pieces clicked into place. “They’re using Iron glamour to twist the light around themselves so they appear invisible.” I felt a thrill of discovery, of knowing I was right. All those years of watching Star Trek had finally paid off.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Perhaps I cannot be glamoured, but that doesn't mean I cannot be broken." -The Wicked Prince
Holly Black (The Cruel Prince / The Wicked King / The Queen of Nothing (The Folk of the Air, #1-3))
Uh," said Alec. "Can you fly a hot-air balloon?" "Of course! Magnus declared. "Did I ever tell you about the time I stole a hot-air balloon to rescue the queen of France?" Alec grinned as if Magnus was making a joke. Magnus smiled back. Marie Antoinette had actually been quite a handful. "It's just," Alec said thoughtfully, "I've never even seen you drive a car." He stood to admire the balloon, which was glamoured to be invisible. As far as the mundanes around them were concerned, Alec solemnly gazed at the open air. "I can drive. I can also fly, and pilot, and otherwise direct any vehicle you like. I'm hardly going to crash the balloon into a chimney," Magnus protested. "Uh-huh," said Alec, frowning. "You seem lost in thought," Magnus remarked. "Are you considering how glamorous and romantic your boyfriend is?" "I'm considering," said Alec, "how to protect you if we crash the balloon into a chimney.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
They beached me, like a harpooned baby whale, and started to check the damage, just for the record ... By this time the whole joint was jumping -- cops, reporters, neighbors, passersby -- as much hoopdedoo as we get in Los Angeles when they open a Super Market. Even the newsreel guys came roaring in. Here was an item everybody could have some fun with, the heartless so-and-so's. What would they do to her? Even if she got away with it in court- crime of passion - temporary insanity - those headlines would kill her: Forgotten Star a Slayer--Aging Actress--Yesterday's Glamour Queen...
Billy Wilder
A mother cat is rightfully called a Queen. Personally, I think it would be great if pregnant women were also called Queens. If the gay community protested too much we might possibly accept Baroness, Duchess or Fairy Princess. Anything instead of those glamour-sapping medical terms Gravida, Multigravida and the dreaded Geriatric Multigravida.
Helen Brown (Cleo: How an Uppity Cat Helped Heal a Family)
Addie's father told her so many stories of Paris. Made it sound like a place of glamour and gold, rich with magic and dreams waiting to be uncovered. Now she wonders if he ever saw it, or if the city was nothing but a name, an easy backdrop for princes and knights, adventures and queens. They have bled together in her mind, those stories, become less a picture than a palette, a tone. Perhaps the city was less splendid. Perhaps there were shadows mixed in with the light.
Victoria Schwab (The Invisible Life of Addie LaRue)
This eye,' Lucien gestured to the metal contraption. 'It can see things that others... can't. Spells, glamours... Perhaps it can help me find her. And break her curse.' He glanced at Elain, who was again studying her lap. 'I'm not needed here. I'll fight if you need me to, but...' He offered me a grim smile. 'I do not belong in the Autumn Court. And I'm willing to bet I'm not longer welcome at h- the Spring Court.' Home, he had almost said. 'But I cannot sit here and do nothing. Those queens with their armies- there is a threat in that regard, too. So use me. Send me. I will find Vassa, see if she can... bring help.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Jude never loved Locke.” My face feels hot, but my shame is an excellent cover to hide behind. “She loved someone else. He’s the one she’d want dead.” I am pleased to see Cardan flinch. “Enough,” he says before I can go on. “I have heard all I care to on this subject—” “No!” Nicasia interrupts, causing everyone under the hill to stir a little. It is immense presumption to interrupt the High King. Even for a princess. Especially for an ambassador. A moment after she speaks, she seems to realize it, but she goes on anyway. “Taryn could have a charm on her, something that makes her resistant to glamours.” Cardan gives Nicasia a scathing look. He does not like her undermining his authority. And yet, after a moment, his anger gives way to something else. He gives me one of his most awful smiles. “I suppose she’ll have to be searched.” Nicasia’s mouth curves to match his. It feels like being back at lessons on the palace grounds, conspired against by the children of the Gentry. I recall the more recent humiliation of being crowned the Queen of Mirth, stripped in front of revelers. If they take my gown now, they will see the bandages on my arms, the fresh slashes on my skin for which I have no good explanation. They will guess I am not Taryn. I can’t let that happen. I summon all the dignity I can muster, trying to imitate my stepmother, Oriana, and the way she projects authority. “My husband was murdered,” I say. “And whether or not you believe me, I do mourn him. I will not make a spectacle of myself for the Court’s amusement when his body is barely cold.” Unfortunately, the High King’s smile only grows. “As you wish. Then I suppose I will have to examine you alone in my chambers.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Neamh. Evie. Neamh. Evie. Lend, Lend, Lend. Neamh. Evie. “What are you doing, my love?” I scowled at Reth for breaking my concentration. “Thinking. Shut up.” The Light Queen was speechifying up on a podium made of liquid light, her radiance bathing all the faeries in a glow that was nearly overpowering. Within a few seconds of being around this much faerie glamour I was having a hard time seeing straight and found myself slack-jawed and dazed. Thus, the name equivalent of pinching myself. I realized at some point she had stopped talking, and now every single set of faerie eyes—a few hundred of them—were trained intently on me. “Oh, uh, hey.” I waved. “What did I miss?” I whispered to Reth. “You’re supposed to tell us how to convince the Dark Court to join us.” “I—What? Seriously? I’m only here to make sure everything happens. I thought the queen would have a plan! I’m a glorified doorman. I open the gate, I close the gate. Nowhere in my job description of Empty One does it say I also manage to convince a mob of anti-Evie faeries to saunter through the gate.” Reth smiled. “And just when she’d finished praising human ingenuity and assuring us that everything will work out according to plan.” “Yes! Plan! Her plan! Gosh, you guys are sucking it up all over the place. Aren’t you supposed to have these things in place for centuries, or were you too busy writing pretty little poems to describe the plans that you never bothered actually making them?” His golden eyes, now with fine lines around them, twinkled with amusement. “We had a plan, my love. I was to fill you up and you were to open a fate for us immediately. But I seem to recall you doing everything in your power to resist and change that plan. So now we’ve had to account for all the other creatures from our world and conform to your requirements. I think you’ll find that we fey, while obviously superior in nearly every way, are not quite as adaptable as temporary creatures. If you want improvisations, you’ll have to provide it yourself.
Kiersten White (Endlessly (Paranormalcy, #3))
And if someone can lead me to him?” Malaki asks. “Report back to me first. I don’t want to chance losing him. Oh and by the way—” Des’s eyes inadvertently land on Temper, “be discreet.” “Why are you looking at me?” Temper’s voice is several octaves louder than everyone else’s. The Bargainer arches an eyebrow. “I’m as motherfucking discreet as they come,” she says. I’m trying really, really hard not to laugh, but the struggle is real. Malaki manages a sharp nod. “We will be discreet,” he assures Des. The sorceress huffs. “Y’all need to get your heads checked. I am not the problem.” She turns on Malaki. “And you don’t need to go making promises for me. I never even said I was coming along.” “And you don’t need to.” The Bargainer stands. “But if you imagined staying behind so that you could have fun with Callie, then you’ll be sorely disappointed. The future Night Queen has official business that will take her away from the palace.” It takes me a second to realize Des is referring to me. “Wait,” I say, “I haven’t agreed to be queen.” “Yeah,” Temper agrees, “my girl hasn’t agreed—what?” She turns on me. “Bitch, have you lost your mind? Take that crown and wear that shit like it’s your birthright.” Ignoring Temper, Des’s gaze falls on me, his features sharp. “I apologize, the Night King’s consort has official business that will take her away from the palace.” I narrow my eyes at my mate. I might not have jumped onboard with this whole queen business, but I sure as hell don’t want to be known simply as someone else’s consort. “Hoooo!” Temper whoops, falling back into her seat. “You better sleep with one eye open, Desmond. I’ve seen my girl make men pay for less.” He’s still staring intensely at me. “That’s odd. For as long as I’ve known Callie, she’s the one who’s paid for my services. I admit, it’ll be nice to not be the prostitute in our relationship for once.” Temper snickers, appraising Des all over again. “Fuck one eye. Sleep with both eyes open.” I shake my head at Des as I stand, my eyes slitted. “It’s time to go.” We give curt goodbyes to Temper and Malaki, then slip out of the library. “You do realize how close you were to getting glamoured, don’t you?” I say as we head down the hallway. Des’s eyes seem to be laughing at me. “You say that like I’d mind.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
A moving story of shattered dreams in which Barbara March achieved international stardom adored for her dramatic soprano voice of unique beauty and passion. At the peak of her considerable powers adverse circumstances closed that chapter in her life and living with this regret haunted her deeply and emotionally throughout her life As her thoughts centred on the tragic death of her husband Edward feeling somewhat saddened as she approached her sixtieth birthday. Still glamourous and beautiful she decides to go on a cruise and another phase in her life was beginning and what that might hold for her she could only imagine and that was where she befriends Lord Marcus Logan the laird of Glen Haven Castle on the cruise ship Queen Elizabeth 2nd and in the weeks to come on-board ship the emotional attraction was established and strong. Her life was not over a new chapter had begun, a year later they were married. It soon becomes apparent to Marcus that in the shadows of Barbara's life going back into the past and having to recall the loss of her career had hurt her deeply and emotionally, that chapter was one subject on which she found it painful to cope with and she avoided it whenever she could. Glen Haven will take you on an enchanting journey with dear friends with heart-warming thoughts of all times and a great deal of nostalgia, you will never want to lose the stories spell or bid farewell to its wonderful characters. All that I could say of the story to any purpose I have endeavoured to say it.
Margaret L. Lauder
Maybe she’d be better suited to a glittering palace, to a great and terrible queen whose eyes are as pale as diamonds, who drinks bloodred wine, and trails a cloak of dark glamour.
Nicola Griffith (Always (Aud Torvingen #3))
I’d spent our marriage on high alert for the sex kittens, the glamour queens, the pinup models masquerading as pencil pushers. I’d known his type—leggy brunettes with great bodies—and had blocked every potential threat with precise accuracy. He was a sexual man, one who appealed to practically every woman out there, and I’d spent the first few years of our marriage playing badminton with beauties until I’d
A.R. Torre (Every Last Secret)
This eye,' Lucien gestured to the metal contraption. 'It can see things that others... can't. Spells, glamours... Perhaps it can help me find her. And break her curse.' He glanced at Elain, who was again studying her lap. 'I'm not needed here. I'll fight if you need me to, but...' He offered me a grim smile. 'I do not belong in the Autumn Court. And I'm willing to bet I'm no longer welcome at h- the Spring Court.' Home, he had almost said. 'But I cannot sit here and do nothing. Those queens with their armies- there is a threat in that regard, too. So use me. Send me. I will find Vassa, see if she can... bring help.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the fornt doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Iran was the glamour and glitz of Tehran, Shiraz, Esfahan. (...) she was struck by the high fashion and opulence of the cities. Parties overflowing with champagne. Women dressed in the latest Paris haute couture. But when Louise left Iran in search of horses, the landscape quickly changed from high rises to the high peaks of the Alborz Mountains, and overflowing rice paddies replaced champagne parties. (...) This was Persia. Roads that ended in orchards. Mountains rising and rivers tumbling in white and blue. All shades of green contouring farming fields and jagged peaks. (...) Iran was politics; Persia was poetry.
Pardis Mahdavi (Book of Queens: The True Story of the Middle Eastern Horsewomen Who Fought the War on Terror)
By some quirk of fate, I had been chosen—along with five others—as a candidate to be the next equerry to the Princess of Wales. I knew little about what an equerry actually did, but I did not greatly care. I already knew I wanted to do the job. Two years on loan to the royal household would surely be good for promotion, and even if it was not, it had to be better than slaving in the Ministry of Defense, which was the most likely alternative. I wondered what it would be like to work in a palace. Through friends and relatives I had an idea it was not all red carpets and footmen. Running the royal family must involve a lot of hard work for somebody, I realized, but not, surely, for the type of tiny cog that was all I expected to be. In the wardroom of the frigate, alongside in Loch Ewe, news of the signal summoning me to London for an interview had been greeted with predictable ribaldry and a swift expectation that I therefore owed everybody several free drinks. Doug, our quiet American on loan from the U.S. Navy, spoke for many. He observed me in skeptical silence for several minutes. Then he took a long pull at his beer, blew out his mustache, and said, “Let me get this straight. You are going to work for Princess Di?” I had to admit it sounded improbable. Anyway, I had not even been selected yet. I did not honestly think I would be. “Might work for her, Doug. Only might. There’re probably several smooth Army buggers ahead of me in the line. I’m just there to make it look democratic.” The First Lieutenant, thinking of duty rosters, was more practical. “Whatever about that, you’ve wangled a week ashore. Lucky bastard!” Everyone agreed with him, so I bought more drinks. While these were being poured, my eye fell on the portraits hanging on the bulkhead. There were the regulation official photographs of the Queen and Prince Philip, and there, surprisingly, was a distinctly nonregulation picture of the Princess of Wales, cut from an old magazine and lovingly framed by an officer long since appointed elsewhere. The picture had been hung so that it lay between the formality of the official portraits and the misty eroticism of some art prints we had never quite got around to throwing away. The symbolic link did not require the services of one of the notoriously sex-obsessed naval psychologists for interpretation. As she looked down at us in our off-duty moments the Princess represented youth, femininity, and a glamour beyond our gray steel world. She embodied the innocent vulnerability we were in extremis employed to defend. Also, being royal, she commanded the tribal loyalty our profession had valued above all else for more than a thousand years, since the days of King Alfred. In addition, as a matter of simple fact, this tasty-looking bird was our future Queen. Later, when that day in Loch Ewe felt like a relic from another lifetime, I often marveled at the Princess’s effect on military people. That unabashed loyalty symbolized by Arethusa’s portrait was typical of reactions in messhalls and barracks worldwide. Sometimes the men gave the impression that they would have died for her not because it was their duty, but because they wanted to. She really seemed worth it.
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
Apa? WARIA? Iiih, Dennis! Sudah kubilang berapa kali, sih? Aku ini drag queen, darling, bukan waria! Drag queen itu perwujudan Madonna! Glamor, berani, berbahaya! Sementara waria itu ibarat Nicki Minaj berjakun.
Adham T. Fusama (Dead Smokers Club Part 1)
Hannah shook her head, exasperated. She did that a lot, I noticed. A fierce energy infused her every long-limbed movement, led her easily to frustration. Emmeline, by contrast, had the calculated posture of a doll come to life. Their features, similar when considered individually- two neat noses, two pairs of intense blue eyes, two pretty mouths- manifested themselves uniquely on each girl's face. Where Hannah gave the impression of a fairy queen- passionate, mysterious, compelling- Emmeline's was a more accessible beauty. Though still a child, there was something in the way her lips parted in repose that reminded me of a glamour photograph I had once seen when it fell from the pedlar's pocket.
Kate Morton (The House at Riverton)
New York in the seventies it was not. No disco decadence, drag queens, nudity, or androgyny. But even with this basement’s lack of glamour, I was aware of being truly relevant—within my time and of my time.
Stephanie Danler (Sweetbitter)
Unless under a doctor's orders to be a lady of the dark, a woman wearing sunglasses indoors or at night looks like nothing more than a satire of a Hollywood glamour queen- grade B.
Anne Fogarty (Wife Dressing: The Fine Art of Being a Well-Dressed Wife)