“
But I have to confess, I'm glad you two had at least a few months of happiness together."
I'm not glad," says Peeta. "I wish we had waited until the whole thing was done officially."
This takes even Caesar aback. "Surely even a brief time is better than no time?"
Maybe I'd think that, too, Caesar," says Peeta bitterly, "If it weren't for the baby.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I'm glad you think this is funny."
"You're not happy to see me, then?" Jace asked. "I have to say, I'm surprised. I've always been told my presence brightened up any room. One might think that went doubly for dank underground cells.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Actions speak louder than words, and a smile says, ‘I like you. You make me happy. I am glad to see you.’ That is why dogs make such a hit. They are so glad to see us that they almost jump out of their skins. So, naturally, we are glad to see them.
”
”
Dale Carnegie (How to Win Friends & Influence People)
“
You can not die of grief, though it feels as if you can. A heart does not actually break, though sometimes your chest aches as if it is breaking. Grief dims with time. It is the way of things. There comes a day when you smile again, and you feel like a traitor. How dare I feel happy. How dare I be glad in a world where my father is no more. And then you cry fresh tears, because you do not miss him as much as you once did, and giving up your grief is another kind of death.
”
”
Laurell K. Hamilton
“
At lunchtime I bought a huge orange
The size of it made us all laugh.
I peeled it and shared it with Robert and Dave—
They got quarters and I had a half.
And that orange it made me so happy,
As ordinary things often do
Just lately. The shopping. A walk in the park
This is peace and contentment. It's new.
The rest of the day was quite easy.
I did all my jobs on my list
And enjoyed them and had some time over.
I love you. I'm glad I exist.
”
”
Wendy Cope (Serious Concerns)
“
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.
”
”
Norton Juster (The Phantom Tollbooth)
“
Sometimes,’ she said, ‘at special moments like that, people feel a pain alongside their happiness. I’m glad you watch everything so carefully, Klara.
”
”
Kazuo Ishiguro (Klara and the Sun)
“
I wish I could manage to be glad!" the Queen said. "Only I never can remember the rule. You must be very happy, living in this wood, and being glad whenever you like!
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
Today you are you, that is truer than true. There is no one alive who is you-er than you. Shout aloud, I am glad to be what I am. Thank goodness I'm not a ham, or a clam, or a dusty old jar of gooseberry jam. I am what I am, what a great thing to be. If I say so myself, happy everyday to me!
”
”
Dr. Seuss
“
It is not your passing thoughts or brilliant ideas so much as your plain everyday habits that control your life....Live simply. Don’t get caught in the machine of the world— it is too exacting. By the time you get what you are seeking your nerves are gone, the heart is damaged, and the bones are aching. Resolve to develop your spiritual powers more earnestly from now on. Learn the art of right living. If you have joy you have everything,so learn to be glad and contented....Have happiness now.
”
”
Paramahansa Yogananda
“
Child, child, love while you can
The voice and the eyes and the soul of a man;
Never fear though it break your heart-
Out of the wound new joy will start;
Only love proudly and gladly and well,
Though love be heaven or love be hell.
Child, child, love while you may,
For life is short as a happy day;
Never fear the thing you feel-
Only by love is life made real;
Love, for the deadly sins are seven,
Only through love will you enter heaven.
”
”
Sara Teasdale
“
What is it, Angel?" she said, starting up. "Have they come for me?"
"Yes, dearest," he said. "They have come."
"It is as it should be," she murmured. "Angel, I am almost glad—yes, glad! This happiness could not have lasted. It was too much. I have had enough; and now I shall not live for you to despise me!"
She stood up, shook herself, and went forward, neither of the men having moved.
"I am ready," she said quietly.
”
”
Thomas Hardy (Tess of the D’Urbervilles)
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
She's proud of you. She said so herself. And she knows you deserved a chance to be happy. I know that, too" I added. "I just wish Henry could look at me the way he looks at you."
Persephone wrapped her fingers around mine. "You should be glad he doesn't. When he looks at me, he hurts. But when he sees you..." She smiled faintly "He has hope. I'm not surprised you don't notice it. It took me a while to read him, too. I spent thousands of years with him though, and I know that look. I saw it the day we got married. You don't forget the first time someone looks at you like that.
”
”
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
“
Your boyfriend and Micah will both be speechless."
I unfastened my seatbelt. "That's the third time I've heard 'your boyfriend.' What's going on about that? Why won't anyone say Brayden's name?"
Neither of them answered right away. Finally, Jill said sheepishly, "Because none of us can remember it."
"Oh, come on! I'd expect that from Adrian but not you guys. It's not that weird of a name."
"No," admitted Eddie. "But there's just something so...I don't know. Unmemorable about him. I'm glad he makes you happy, but I just start to tune out whenever he talks.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
Let it rain on some days,
Let yourself shiver on some cold nights,
So when it's Spring you'll know why it was all worth going through.
”
”
Sanhita Baruah
“
So that means your mom's okay with everything?"
"She will be," Ellie said. "We both will."
Graham nodded. "I'm glad."
"She took it better than expected. If you'd asked me yesterday, I would've guessed I'd be locked in my room tonight."
He waved this away. "I'd have to come to rescue you," he told her. "I might not have a white horse, but I do have a very portly pig."
"How romantic," Ellie said.
”
”
Jennifer E. Smith (This Is What Happy Looks Like (This is What Happy Looks Like, #1))
“
Happy belated birthday, Cat," he said, giving me a self-deprecating smile.
"Aren't you glad Juan picked the place and not me?
We wold have had lattes and hors d'oeuvres instead of liquor and G-strings.
Anyone get you a gin yet?
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
I've never been happy that I was born as myself but right now, just a little, I'm glad that I was born as me. and I'm glad that you were born as you.
”
”
Kaito (Blue Flag, Vol. 1)
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
I’m glad you’re quitting the bar."
"You are?"
"Yeah. I’ve never liked you working there, and I miss you at the weekend."
"Why didn’t you say anything?"
"Because you seemed happy. It’s sort of my life mission to make sure you stay that way," he teased.
”
”
Samantha Young (Castle Hill (On Dublin Street, #3.5))
“
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand.
Unless, of course, you can literally believe all that stuff about family reunions 'on the further shore,' pictured in entirely earthly terms. But that is all unscriptural, all out of bad hymns and lithographs. There's not a word of it in the Bible. And it rings false. We know it couldn't be like that. Reality never repeats. The exact same thing is never taken away and given back. How well the Spiritualists bait their hook! 'Things on this side are not so different after all.' There are cigars in Heaven. For that is what we should all like. The happy past restored.
”
”
C.S. Lewis (A Grief Observed)
“
She bent forward to look, then gave a startled little cry and drew back. There was indeed a seed lying in the palm of his hand, but it was shaped exactly like a long, sharply-pointed thorn… ‘The seed looks very sharp,’ she said shrinkingly. ’Won’t it hurt if you put it into my heart?’
He answered gently, ‘It is so sharp that it slips in very quickly. But, Much-Afraid, I have already warned you that Love and Pain go together, for a time at least. If you would know Love, you must know pain too.’
Much-Afraid looked at the thorn and shrank from it. Then she looked at the Shepherd’s face and repeated his words to herself. ’When the seed of Love in your heart is ready to bloom, you will be loved in return,’ and a strange new courage entered her. She suddenly stepped forward, bared her heart, and said, ‘Please plant the seed here in my heart.’
His face lit up with a glad smile and he said with a note of joy in his voice, ‘Now you will be able to go with me to the High Places and be a citizen in the Kingdom of my Father.’
Then he pressed the thorn into her heart. It was true, just as he had said, it did cause a piercing pain, but it slipped in quickly and then, suddenly, a sweetness she had never felt or imagined before tingled through her. It was bittersweet, but the sweetness was the stronger. She thought of the Shepherd’s words, ‘It is so happy to love,’ and her pale, sallow cheeks suddenly glowed pink and her eyes shown. For a moment Much-Afraid did not look afraid at all.
”
”
Hannah Hurnard (Hinds' Feet on High Places)
“
Life is short, so short, so precious, every minute, every day. Don't let the people you love, the people who make you happy, the people who bring you joy — don't let them go. Hang on to them, even when it hurts. When it seems impossible. Hold on to the things that breathe life into you. Listen to your soul and honor what it tells you. Live. Fight for what you love. Because one day, you'll be where I am, and in that moment I want you to look back gladly, with no regrets.
”
”
Staci Hart (A Thousand Letters (The Austens #2))
“
The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective.
This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God.
Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell!
It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin!
People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude!
Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell!
In the Presence of God
Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly.
Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present.
The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote,
"Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5).
It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.
”
”
Francis Frangipane
“
I am glad you are happy--but I never believe much in happiness. I never believe in misery either. Those are things you see on the stage or the screen or the printed page, they never really happen to you in life.
”
”
F. Scott Fitzgerald
“
I’m glad you think all this is funny.”
“You’re not happy to see me, then?” Jace said. “I have to say, I’m surprised. I’ve alwaysbeen told my presence brightened up any room. One might think that went doubly fordank underground cells.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
You cannot touch the clouds, you know; but you feel the rain and know how glad the flowers and the thirsty earth are to have it after a hot day. You cannot touch love either; but you feel the sweetness that it pours into everything. Without love you would not be happy or want to play.
”
”
Helen Keller (The Story of My Life)
“
As always, I thank God for words. I’m so glad I don’t have to try to communicate this story to you with my antennae or something. Words are so delicious, and I’ll be forever happy they exist.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Has it ever happened, you’ve seen a striking film, beautifully written and acted and photographed, that you walk out of the theater glad to be a human being and you say to yourself I hope they make a lot of money from that? I hope the actors, I hope the director earns a million dollars for what they’ve done, what they’ve given me tonight? And you go back and see the movie again and you’re happy to be a tiny part of the system that is rewarding those people with every ticket...the actors I see on the screen, they’ll get twenty cents of this very dollar I’m paying now; they’ll be able to buy an ice cream cone any flavor they want from their share of my ticket alone. Glorious moments in art in books and films and dance, they’re delicious because we see ourselves in glory’s mirror.
”
”
Richard Bach (The Bridge Across Forever: A True Love Story)
“
I told you it's pointless talking about ifs and if nots. But...I do think it's nice if there could come a time where we could have fun talking about if and if nots, no matter how pointless it is...You know, I feel really happy right now. I'm so glad I was able to meet you in this life. Thank you.
”
”
Inio Asano (おやすみプンプン 12 [Oyasumi Punpun 12])
“
Sarah turned her narrow-eyed gaze on him, making me glad once more that Antimony's comic books got it wrong, and telepaths can't actually kill you with their brains. Give you a whopping headache and earworm you with annoying jingles, yes; kill you, no. (Although sometimes, when she's managed to stick "The Happy Banana Song" in my head for a week, I sort of wish she could kill people with her brain. It would be kinder.)
”
”
Seanan McGuire (Discount Armageddon (InCryptid, #1))
“
Self-hatred is self-imprisonment. Self-forgiveness is self-liberation. You have the right to suppress yourself, oppress yourself and depress yourself. You have the right to impress yourself too. Feel happy!
”
”
Israelmore Ayivor (Daily Drive 365)
“
Not all stories have happy endings. I cannot promise this one will either. But I am certain you will be glad you stayed with Susanna to the end. She deserves that much - a witness, one who says I see you, hear you, I'm better for knowing your story
”
”
Joy McCullough (Blood Water Paint)
“
For it was Saturday night, the best and bingiest glad-time of the week, one of the fifty-two holidays in the slow-turning Big Wheel of the year, a violent preamble to a prostrate Sabbath. Piled up passions were exploded on Saturday night, and the effect of a week's monotonous graft in the factory was swilled out of your system in a burst of goodwill. You followed the motto of 'be drunk and be happy,' kept your crafty arms around female waists, and felt the beer going beneficially down into the elastic capacity of your guts.
”
”
Alan Sillitoe (Saturday Night and Sunday Morning)
“
When I shoot, the ball bounces hard against the backboard, and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Robot Boy
Mr. an Mrs. Smith had a wonderful life.
They were a normal, happy husband and wife.
One day they got news that made Mr. Smith glad.
Mrs. Smith would would be a mom
which would make him the dad!
But something was wrong with their bundle of joy.
It wasn't human at all,
it was a robot boy!
He wasn't warm and cuddly
and he didn't have skin.
Instead there was a cold, thin layer of tin.
There were wires and tubes sticking out of his head.
He just lay there and stared,
not living or dead.
The only time he seemed alive at all
was with a long extension cord
plugged into the wall.
Mr. Smith yelled at the doctor,
"What have you done to my boy?
He's not flesh and blood,
he's aluminum alloy!"
The doctor said gently,
"What I'm going to say
will sound pretty wild.
But you're not the father
of this strange looking child.
You see, there still is some question
about the child's gender,
but we think that its father
is a microwave blender."
The Smith's lives were now filled
with misery and strife.
Mrs. Smith hated her husband,
and he hated his wife.
He never forgave her unholy alliance:
a sexual encounter
with a kitchen appliance.
And Robot Boy
grew to be a young man.
Though he was often mistaken
for a garbage can.
”
”
Tim Burton
“
Holy shadows of the dead, I am not to blame for your cruel and bitter fate, but the accursed rivalry which brought sister nations and brother people to fight one another. I do not feel happy for this victory of mine. On the contrary, I would be glad, brothers, if I had all of you standing here next to me, since we are united by the same language, the same blood and the same visions.
[Addressing the dead Hellenes of the Battle of Chaeronea]
”
”
Alexander the Great
“
Laurel rolled her eyes. “Now there‟s something I really wanted to know ” she said sarcastically.
“Ah come on—everyone wonders.”
“Do not ”
“Sure. I‟ve always wondered what kind of a kisser David is.”
“Um that‟s one of those questions you‟re not supposed to ask.”
Chelsea laughed. “I didn‟t ask. I just said I‟ve always wondered.”
“That‟s asking.”
“Is not.” She leaned back against her headboard. “‟Course you could tell me anyway.”
“Chelsea ”
“What I told you.”
“I didn‟t ask.”
“Technicality.”
“I‟m not telling.”
“That‟s code for he sucks.”
“He does not suck.”
“Aha ”
Laurel sighed. “You are so weird.”
“Yeah ” Chelsea said with a grin tossing her springy curls. “But you love me.”
Laurel laughed. “Yes I do.” She leaned over and tipped her head onto Chelsea‟s shoulder. “And I‟m glad you‟re happy.
”
”
Aprilynne Pike (Spells (Wings, #2))
“
Before you live, love. Before you expire, inspire. Let your love be an inspiration to someone to also love another and together we build up a happy world!
”
”
Israelmore Ayivor (Leaders' Watchwords)
“
There are two ways to ruin any chances of leading a happy life. The first is to chase a goal twenty-four hours a day, day after day, and gladly give up all the little laughs and joys that life has to offer in exchange for that ever-elusive moment of jubilation. The second way is far worse, in that it NEVER fails. You know what it is, Sam? Falling in love with someone who chases a goal twenty four hours a day.
”
”
Ali Sheikh (Closure of the Helpdesk — A Geek Tragedy)
“
The problem is that contemporary people think life is all about finding happiness. We decide what conditions will make us happy and then we work to bring those conditions about. To live for happiness means that you are trying to get something out of life. But when suffering comes along, it takes the conditions for happiness away, and so suffering destroys all your reason to keep living. But to “live for meaning” means not that you try to get something out of life but rather that life expects something from us. In other words, you have meaning only when there is something in life more important than your own personal freedom and happiness, something for which you are glad to sacrifice your happiness.129
”
”
Timothy J. Keller (Walking with God through Pain and Suffering)
“
Love is something like the clouds that were in the sky before the sun came out..you cannnot touch the clouds,you know; but you feel the rain and know how glad the flowers are to have it after a hot day.You cannot touch love either; but you feel the sweetness that it pours into everything. Without love we would not be happy.
”
”
Annie Sullivan
“
i've been reading whitman, you know what he says, cheer up slaves, and horrify foreign despots, he means that's the attitude for the bard, the zen lunacy bard of old desert paths, see the whole thing is a world full of rucksack wanderers, dharma bums refusing to subscribe to the general demand that they consume production and there have to work for the privilege of consuming, all that crap they didn't really want anyway such as refrigerators, tv sets, cars, at least new fancy cars, certain hair oils and deodorants and general junk you finally always see a week later in the garbage anyway, all of them imprisoned in a system of work, produce, consume, work, produce, consume, i see a vision of a great rucksack revolution thousands or even millions of young americans wandering around with rucksacks, going up into the mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures
”
”
Jack Kerouac (The Dharma Bums)
“
. . . children should draw [a husband & wife] nearer than ever, not separate you, as if they were all yours, and [your husband] had nothing to do but support them. . . . don't neglect husaband for children, don't shut him out of the nursery, but teach him how to help in it. His place is there as well as yours, and the children need him; let him feel that he has his part to do, and he will do it gladly and faithfully, and it will be better for you all. . . . That is the secret of our home happiness: he does not let business wean him from the little cares and duties that affect us all, and I try not to let domestic worries destroy my interest in his pursuits. Each do our part alone in many things, but at home we work together, always. . . . no time is so beautiful and precious to parents as the first years of the little lives given them to train. Don't let [your husband] be a stranger to the babies, for they will do more to keep him safe and happy in this world of trial and temptation than anything else, and through them you will learn to know and love one another as you should.
”
”
Louisa May Alcott (Good Wives. Meg, Jo, Beth, and Amy: Being a Sequel to 'Little Women'. With Illustrations by Jessie T. Mitchell)
“
Son, you were your mother's peace. You brought her so much peace and joy from the very first time she held you, that she knew she had to name you Pax. Your mother loved you more than anything in the world. She would have gladly given her life a hundred times over to keep you safe. Whatever you do, just live a good life for her. She had so many hopes for you. But when it boils down to it, all she would want is for you to be happy.
”
”
Courtney Cole (If You Stay (Beautifully Broken, #1))
“
Do you like him? Ty asked. "Not that I care." "I do," I said, because it was true. Even though it didn't matter anymore. "Not that I care you don't care. Though you clearly do care, and I don't care about that either." "Well, I don't care that you don't care that I don't care. In fact i'm glad. Because, um, if I were seeming someone that I liked, I'd want you to be happy for me.""Are you seeing someone?" I asked, pretty sure he wasn't. "Not that I care.
”
”
Sarah Rees Brennan (Team Human)
“
You can’t afford to limit your joy. It has been proven several times that angry people are never happy people.
”
”
Israelmore Ayivor (Leaders' Frontpage: Leadership Insights from 21 Martin Luther King Jr. Thoughts)
“
Beer's nice for being glad and dizzy, and sometimes for the mystery and stuff, but the happy that comes out of a beer can is not like the real happy you got to make in your heart.
”
”
Tom Robbins (B Is for Beer)
“
I respect your beliefs Andrew, and I'm glad they make you happy. But I'm not up here to be lectured at or spoken down to. Clear?
”
”
Peter Clines (14 (Threshold, #1))
“
Her eyes will hold your eyes captive, and she’ll take the air out your lungs with just a smile. Her laugh, well shit……. her laugh will drive you mad and you will try to do everything under the sun to hear it as much as you can. Her tears will rip your heart out, especially if you caused ‘em. Just the sound of her voice will drive you mad. When you find that girl boys, you found love. Not lust….but true love. You’ll have found the girl who you’ll spend the rest of your life loving, taking care of and just trying to make her so goddamn happy that you would gladly die doing it.
”
”
Kelly Elliott (Wanted (Wanted, #1))
“
I love you,” he says. “I love you so much. I love waking up with you on Sunday mornings when we don’t have any plans. And I love coming home to you at night, seeing you reading a book, bundled up in a sweater and huge socks even though you have the heat up to eighty-eight degrees. I want that for the rest of my life. I want you to be my wife. That’s what I want.”
I want to tell him that I want that, too. Ever since I met him I’ve wanted that, too. But now everything is different, everything has changed. And I’m not sure what I want at all.
“But I don’t want you to share those things with me because you have to, because you feel it’s right to honor a promise we made months ago. I want us to share all of that together because it’s what makes you happy, because you wake up every day glad that you’re with me, because you have the freedom to choose the life you want, and you choose our life together. That’s what I want. If I don’t give you the chance to leave right now, then I don’t know,” he says, shrugging. “I just don’t think I’ll ever feel comfortable again.
”
”
Taylor Jenkins Reid (One True Loves)
“
See, there's the pie chart. If you look, you can see clear as day that the happy times -- the times when you think "How fun! I'm glad I'm alive" -- don't make up even one tenth of life. I'm work this out properly with a calculator, so there's no mistake.
”
”
Tatsuhiko Takimoto (Welcome to the N.H.K.)
“
You cannot die from grief, though it feels like you can. A heart does not actually break, though sometimes you chest aches as if it is breaking. Grief dims with time. It is the way of things. There comes a day when you smile again, and you feel like a traitor. How dare I feel happy. How dare I be glad in a world my father is no more. And then you cry fresh tears, because you do not miss him so much as you once did, and giving up your grief is another kind of death.
”
”
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
“
Sir, I am a true laborer; I earn that I eat, get that I wear; owe no man hate, envy no man’s happiness; glad of other men’s good, content with my harm; and the greatest of my pride is to see my ewes graze and my lambs suck.” (As You Like It, Act 3, Sc. 2.)
”
”
William Shakespeare (Complete Works of William Shakespeare)
“
Trust me when I say that one day it’s going to hit you — that you woke up happy, that you’re smiling for no reason, that your hands aren’t shaking anymore. One day, you’re going to remember what it was like to be you a year ago, or three years ago, or even a week ago, and you’re going to be so glad that you fought. You’re going to be so glad that you kept going.
”
”
Bianca Sparacino (The Strength In Our Scars)
“
There is a club in this world that you do not join knowingly.
One day you are just a member.
It is “The life changing events club.”
The fee to join the club is hurt beyond belief, payable in full, up front for a lifetime membership.
The benefit of the club is a new found perspective on life, and a deep understanding that you may not be happy about your current situation, but you can be happy in your current situation.
The only rule to the club is that you cannot tell anyone that you are a member.
The club does not provide a directory of its members, but when you look into a member’s eye, you can tell that they too are part of the club. Members are allowed to exchange that brief eye contact that says: “I didn’t know.”
Being a member of this club is the last thing that anyone initially wants in their life.
Being a member of this club is the best thing that ever happens to a person in their life, and there is not a person in the club that would ever give up their membership.
If you really look and know what you are looking for you can spot the clubs members; they are the ones that provide a random act of kindness and do something for someone who can never repay them for what they have done. They are the people spreading joy and optimism and lifting people’s spirits even when their own heart has been broken.
I have paid my dues; my lifetime membership arrived today, not by mail, but by a deep inner feeling that I cannot describe.
It is the best club that I never wanted to be part of.
But I am glad that I am a member.
”
”
JohnA Passaro (6 Minutes Wrestling With Life (Every Breath Is Gold #1))
“
You think that you've moved on.
That you’re happier
and now that you think about it —
you're quite glad
that it didn’t work out
because you are free
and happy.
You're so happy.
And it’s better this way.
"Here,
let me tell you my reasons,"
you say. "Let me explain
what I mean."
After hours of telling
your neighbour and
the florist
and the girl on the bus,
you conclude:
"So, you see? I’m happier now.”
You tell the brokenhearted
your tale
and assure them
it's for the best,
“So you see? It was meant to be.”
But my dear,
my foolish
hurting dear,
your ego is the bullet
left in the wound.
It’s this ego
that needs to explain itself
and justify the battle.
A true warrior
would be too busy
fighting to live.
”
”
Kamand Kojouri
“
Here's what I think I'm having trouble with: this is what happiness is. When I was a kid, I thought I'd just get happier and happier as I got older, and have more things to be happy about. I based this theory on observation of select adults. The problem with my results is that I couldn't tell the difference then between happy and fake-happy. Now I know you pretend to be just frigging ecstatic over everything, maybe because you're so glad it's not worse.
”
”
Emma Bull (The Green Man: Tales from the Mythic Forest)
“
He stretched out in the grass too, leaning on his elbow, facing his friend, the pal of his heart, happy to watch him, fondly, his face. The grass was wonderfully cool in the shadows. It gave a fringy brush to his legs. Doyler grinned. He took the grass stem from his mouth and tickled its ear under Jim's chin. 'You can tell does a fellow like you with a spear of grass, did you know that?'
'How do you tell?'
'You wave it under his chin, and if his face goes red at all, then you know.'
Jim laughed. The blush had risen, as of course it must, but for once he could be glad of it. He thought how lovely it would be to touch at this moment. The notion hadn't formed before Doyler's leg came to rest against his own. It pressed ever so lightly, and Jim pressed lightly back. he smiled with his bottom lip caught in his teeth, for it was wonderful to lie in the long grass, with just this tiny pressure of touch between.
Then Doyler said, 'I think I'm going to ask for a kiss.'
And Jim said, 'I think I hoped if you would.
”
”
Jamie O'Neill (At Swim, Two Boys)
“
And, of course, there is the person you come back to: his face and body and voice and scent and touch, his way of waiting until you finish whatever you're saying, no matter how lengthy, before he speaks, the way his smile moves so slowly across his face that it reminds you of moonrise, how clearly he has missed you and how clearly happy he is to have you back. Then there are the things, if you are particularly lucky, that this person has done for you while you're away: how in the pantry, in the freezer, in the refrigerator will be all the food you like to eat, the scotch you like to drink. There will be the sweater you thought you lost the previous year at the theater, clean and folded and back on its shelf. There will be the shirt with its dangling buttons, but the buttons will be sewn back in place...And there will be no mention of it, and you will know that it was done with genuine pleasure, and you will know that part of the reason—a small part, but a part—you love being in this apartment and in this relationship is because this other person is always making a home for you, and that when you tell him this, he won't be offended but pleased, and you'll be glad, because you meant it with gratitude. And in these moments—almost a week back home—you will wonder why you leave so often, and you will wonder whether, after the next year's obligations are fulfilled, you ought not just stay here for a period, where you belong.
”
”
Hanya Yanagihara (A Little Life)
“
Does that feel better?" she asked, not expecting any sort of an answer but feeling nonetheless that she ought to continue with her one-sided conversation. "I really don't know very much about caring for the ill, but it just seems to me like you'd want something cool on your brow. I know if I were sick, that's how I'd feel."
He shifted restlessly, mumbling something utterly incoherent.
"Really?" Sophie replied, trying to smile but failing miserably. "I'm glad you feel that way."
He mumbled something else.
"No," she said, dabbing the cool cloth on his ear, "I'd have to agree with what you said the first time." He went still again.
"I'd be happy to reconsider," she said worriedly. "Please don't take offense." He didn't move.
Sophie sighed. One could only converse so long with an unconscious man before one started to feel extremely silly.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
While I slept you stood in the
colorful night market
with pyramids of bright
fruit piled high
Where those who loved you,
rushing back to their intimate stalls,
held out pears that had been
dreamed for you
And would the dream pear not
come gladly
once it knew this was you
wanting to take it in?
The dream pear chose reality,
wanting your mouth as I did -
Honestly, it was happy to be bitten.
”
”
Brenda Hillman
“
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
You’re very impatient,” Violet said, facing the door. “You always have been.”
“I know,” Eloise said, wondering if this was a scolding, and if so, why was her mother choosing to do it now?
“I always loved that about you,” Violet said. “I always loved everything about you, of course, but for some reason I always found your impatience especially charming. It was never because you wanted more, it was because you wanted everything.”
Eloise wasn’t so sure that sounded like such a good trait.
“You wanted everything for everyone, and you wanted to know it all and learn it all, and . . .”
For a moment Eloise thought her mother might be done, but then Violet turned around and added, “You’ve never been satisfied with second-best, and that’s good, Eloise. I’m glad you never married any of those men who proposed in London. None of them would have made you happy. Content, maybe, but not happy.”
Eloise felt her eyes widen with surprise.
“But don’t let your impatience become all that you are,” Violet said softly. “Because it isn’t, you know. There’s a great deal more to you, but I think sometimes you forget that.” She smiled, the gentle, wise smile of a mother saying goodbye to her daughter.
”
”
Julia Quinn (To Sir Phillip, With Love (Bridgertons, #5))
“
Do you know how hard it is to kill something? Nothing wants to die. Things cling to their lives against all hope, even when it's hopeless. It's like the end is always there, you can't escape it. But things try so, so hard not to cross that finish line. So when they finally do, everything's been stripped away, their bodies and happiness and hope. Things just don't know when to die, I wish they did. I wish my friends had known that, sort of anyway. But I'm glad they tried, that's part of being human right? Part of being any living thing. You hold onto life until it gets ripped away from you, even if it gets ripped away in pieces, you just hold on.
”
”
Nick Cutter (The Troop)
“
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now…
In our ”“special place.”
Waiting for you…
Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you...
Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is...
The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance...
I think you know what I mean...
Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm afraid you don't really want me to come home.
Whenever you come see me, I can tell how hard it is on you...
I don't know if you hate me or pity me... Or maybe I just disgust you....
I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James.
That's why I understand if you do hate me. But I want you to know this, James. I'll always love you.
Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together.
Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead.
I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us...
You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James.
James...
You made me happy.
“I love you, Mary.”
As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
”
”
Sadamu Yamashita (Silent Hill 2: The Novel)
“
Feel that?” he asked. “You’re the first woman who’s ever made my heart beat like that. You’re the first woman I’ve ever wanted to spend all my time with, the only one who could convince me to start a new life. You’re the first woman who’s ever made me genuinely happy. Who makes me glad to be alive, who makes me burn hotter than fire. You’re the first woman who’s ever made me afraid.”
I stared at him. “Afraid?”
“Afraid of how good this is. Afraid it won’t last.” He pushed a lock of hair off my forehead. “Scared to death of losing you.”
“Oh.” I was speechless. I swallowed hard. “You’re … You don’t have to be scared of losing me.”
Something flickered in his expression that I didn’t understand, couldn’t decipher.
“I don’t?” he said.
“No.” I shook my head. “No.”
“Good.” He pulled me closer. “Because you’re the first woman I’ve never wanted to let go.
”
”
Nina Lane (Allure (Spiral of Bliss, #2))
“
Drop a pebble in the water: just a splash, and it is gone;
But there's half-a-hundred ripples circling on and on and on,
Spreading, spreading from the center, flowing on out to the sea.
And there is no way of telling where the end is going to be.
Drop a pebble in the water: in a minute you forget,
But there's little waves a-flowing, and there's ripples circling yet,
And those little waves a-flowing to a great big wave have grown;
You've disturbed a mighty river just by dropping in a stone.
Drop an unkind word, or careless: in a minute it is gone;
But there's half-a-hundred ripples circling on and on and on.
They keep spreading, spreading, spreading from the center as they go,
And there is no way to stop them, once you've started them to flow.
Drop an unkind word, or careless: in a minute you forget,
But there's little waves a-flowing, and there's ripples circling yet,
And perhaps in some sad heart a mighty wave of tears you've stirred,
And disturbed a life was happy ere you dropped that unkind word.
Drop a word of cheer and kindness: just a flash and it is gone;
But there's half-a-hundred ripples circling on and on and on,
Bearing hope and joy and comfort on each splashing, dashing wave
Till you wouldn't believe the volume of the one kind word you gave.
Drop a word of cheer and kindness: in a minute you forget;
But there's gladness still a-swelling, and there's joy a-circling yet,
And you've rolled a wave of comfort whose sweet music can be heard
Over miles and miles of water just by dropping one kind word.
”
”
James W. Foley
“
You certainly remember this scene from dozens of films: a boy and a girl are running hand in hand in a beautiful spring (or summer) landscape. Running, running, running and laughing. By laughing the two runners are proclaiming to the whole world, to audiences in all the movie theaters: "We're happy, we're glad to be in the world, we're in agreement with being!" It's a silly scene, a cliche, but it expresses a basic human attitude: serious laughter, laughter "beyond joking."
All churches, all underwear manufacturers, all generals, all political parties, are in agreement about that kind of laughter, and all of them rush to put the image of the two laughing runners on the billboards advertising their religion, their products, their ideology, their nation, their sex, their dishwashing powder.
”
”
Milan Kundera (The Book of Laughter and Forgetting)
“
see the people on the sidewalk?...aren't you glad you're not one of them?
they're all so self-importantly going nowhere...they just have no idea of who they are or where they really belong. nothing will ever be enough for them. nothing will truly make them happy. they all think they've got to get someplace, got to meet someone, got to get to work, got to get home, got to keep that appointment. if they had a hundred million bucks, it wouldn't be enough for them. if they had four cars, they'd need more. if they had four homes, they'd need more. they are organically out of touch with their land and their tribe.
”
”
Kinky Friedman (Kill Two Birds and Get Stoned)
“
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely.
“He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers.
I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.”
I’m so suave.
I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father.
This is silly.
Brushing through my embarrassment, I walk up, put my hand on his shoulder.
He straightens up with a wide grin. “Am I glad to see you!”
“Oh, really?”
“Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.”
“Maybe you should have gotten more sleep,” I offer.
“No way,” he says. Then we just gaze at each other for a long moment.
For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also.
“That was the best study session I ever had,” I tell him.
“Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.”
“This thumb?” I reach for one of his callused hands, kiss the thumb.
“It was the left one.” Jase’s face creases into a smile as I pick up his other hand.
“I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.”
I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt.
“Feeling better?”
His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.”
My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.”
Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Meditation
I KNOW there is a Power for Good which is responding to me and bringing into my experience everything that is necessary to my unfoldment, to my happiness, to my peace, to my health, and to my success. I know there is a Power for Good that enables me to help others and to bless the whole world.
So I say quietly to myself: There is one Life, that Life is God, that Life is perfect, that Life is my life now. It is flowing through me, circulating in me. I am one with Its rhythm. My heart beats with the pulsation of the Universe, in serenity, in peace, and in joy. My whole physical being is animated by the Divine Spirit, and if there is anything in it that does not belong, it is cast out because there is One Perfect Life in me now.
And I say to myself: I am daily guided so that I shall know what to do under every circumstance, in every situation. Divine Intelligence guides me in love, in joy, and in complete self-expression. Desiring that the Law of Good alone shall control me, I bless and prosper everything I am doing; I multiply every activity; I accept and expect happiness and complete success.
Realizing that I am one with all people, I affirm that there is a silent Power flowing through me and them, which blesses and heals and prospers, makes happy and glad their pathway.
And realizing that the world is made up of people like myself, I bless the world and affirm that it shall come under the Divine government of Good, under the Divine providence of Love, and under the Divine leadership of the Supreme Intelligence. For thine is the kingdom, and the power, and the glory, for ever. Amen.
”
”
Ernest Shurtleff Holmes (Living the Science of Mind: The Only Writings by the Founder of SCIENCE OF MIND to Help You Understand His Classic Textbook)
“
You can say whatever you like to me. I'm your oyster."
Before she could restrain herself, an appalled giggle escaped her. "Please don't say that. You're no such thing."
"You can choose another word, if you like." Mr. Severin extended his arm to escort her downstairs. "But the fact is, if you ever need anything- any favor, any service, large or small- I'm the one to send for. No questions asked. No obligations attached. Will you remember that?"
Cassandra hesitated before taking his arm. "I'll remember." As they proceeded to the first floor, she asked in bewilderment, "But why would you make such a promise?"
"Haven't you ever liked someone or something right away, without knowing exactly why, but feeling sure you would discover the reasons later?"
She couldn't help smiling at that, thinking, Yes, as a matter of fact. Just now. But it would be too forward to say so, and besides, it would be wrong to encourage him. "I would be glad to call you a friend, Mr. Severin. But I'm afraid marriage will never be a possibility. We don't suit. I could please you only in the most superficial ways."
"I would be happy with that," he said. "Superficial relationships are my favorite kind."
A regretful smile lingered at her lips. "Mr. Severin, you couldn't give me the life I've always dreamed of."
"I hope your dream comes true, my lady. But if it doesn't, I could offer you some very satisfying substitutes."
"Not if you're heart is frozen," Cassandra said.
Mr. Severin grinned at that, and made no reply. But as they neared the last step, she heard his reflective, almost puzzled murmur.
"Actually... I think it just thawed a little.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
You know how when you step on court your coach is like "go go go!"? And all throughout you just keep telling yourself to hit harder and harder and keep at it? You know how much you treasure those five-minute timeouts? You know how good you feel at the end of a session? You know how you're glad you're tired? No pills, no shots, just plain energy. I want to work like that. Whether I have to write ten thousand words or send five hundred emails, brainstorm for hours at a time, I want to have that energy. To keep fighting. To know it's all worth it.
Oh, yeah. That's my perfect day.
”
”
Thisuri Wanniarachchi
“
He slouches,' DeeDee contributes.
'True--he needs to work on his posture,' Thelma says.
'You guys,' I say.
'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?'
'You guys. We are not getting married!'
'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?'
'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'
I swat her. "I'm not having Mitchell's children!'
'I'm sorry--what?' Thelma says.
Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!
But I don't care. If they're going to embarrass me, then I'll embarrass them right back.
'I said'--I raise my voice--'I am not having Mitchell Truman's children!'
Jolene turns beet red, and she and DeeDee dissolve into mad giggles.
'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.
'Okaaay, I think maybe I won't turn around,' I announce.
A person of the male persuasion clears his throat.
'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.
'If you change your mind, we might be able to work something out,' the person of the male persuasion says.
'About the children?' DeeDee asks. 'Or the turning around?'
'DeeDee!' Jolene says.
'Both,' says the male-persuasion person.
I shrink in my chair, but I raise my hand over my head and wave.
'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'
Warm fingers clasp my own.
'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.'
'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'
I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.
Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.
He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.
Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.
'Did you see!' Thelma gasps. 'Did you see how proud he was?'
'You improve his posture!' Jolene says.
'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.'
'I can't believe you waved at him,' DeeDee says.
'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.'
'It was a surrender flag. I was surrendering myself to abject humiliation.'
'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
First I need to do something.’ He pulled me closer towards him until our lips were almost touching.
‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet.
‘Swim,’ he said, grinning at me. ‘Come on.’
‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me.
Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack.
My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt.
I reassessed the swimming option. I could definitely do swimming.
He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by.
The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water.
I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression.
‘I’m just trying to protect your honour,’ he said, guessing it anyway.
I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
”
”
Sarah Alderson (Losing Lila (Lila, #2))
“
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
”
”
Charlotte Brontë (Jane Eyre)
“
Thus, when Paul says, "Praise the Lord all you nations, and let all the peoples extol him" (Rom. 15:11), he is saying that there is something about God that is so universally praiseworthy and so profoundly beautiful and so comprehensively worth and so deeply satisfying that God will find passionate admirers in every diverse people group in the world. His true greatness will be manifest in the breadth of the diversity of those who perceive and cherish his beauty. His excellence will be shown to be higher and deeper than the parochial preferences that make us happy most of the time. His appeal will be to the deepest, highest, largest capacities of the human soul. Thus, the diversity of the source of admiration will testify to his incomparable glory.
”
”
John Piper (Let the Nations Be Glad!: The Supremacy of God in Missions)
“
Father had stretched out his long legs and was tilting back in his chair. Mother sat with her knees crossed, in blue slacks, smoking a Chesterfield. The dessert dishes were still on the table. My sisters were nowhere in evidence. It was a warm evening; the big dining-room windows gave onto blooming rhododendrons.
Mother regarded me warmly. She gave me to understand that she was glad I had found what I had been looking for, but that she and father were happy to sit with their coffee, and would not be coming down.
She did not say, but I understood at once, that they had their pursuits (coffee?) and I had mine. She did not say, but I began to understand then, that you do what you do out of your private passion for the thing itself.
I had essentially been handed my own life. In subsequent years my parents would praise my drawings and poems, and supply me with books, art supplies, and sports equipment, and listen to my troubles and enthusiasms, and supervise my hours, and discuss and inform, but they would not get involved with my detective work, nor hear about my reading, nor inquire about my homework or term papers or exams, nor visit the salamanders I caught, nor listen to me play the piano, nor attend my field hockey games, nor fuss over my insect collection with me, or my poetry collection or stamp collection or rock collection. My days and nights were my own to plan and fill.
”
”
Annie Dillard (An American Childhood)
“
Then we were at the fountain - we stop and look up at the many illuminated windows of number 2.
"This is as far as you can walk me," she says. "Thanks for taking me home."
I bowed, not daring to say a word. I doffed my hat and stood bareheaded. I wondered if she would give me her hand.
"Why don't you ask me to walk back with you part of the way?" She says playfully. But she looks down at the tip of her shoe.
"Gee," I answer, "if only you would!"
"Sure, but only a little way."
And we turned around.
I was utterly bewildered, I didn't know which way was up anymore; this person turned all my thinking topsy-turvy. I was enchanted, wonderfully glad; I felt as though I were dying from happiness. She had expressly wanted to go back with me, it wasn't my idea, it was her own wish. I gaze and gaze at her, growing more and more cocky, and she encourages me, drawing me toward her by every word she speaks. I forget for a moment my poverty, my humble self, my whole miserable existence, I feel the blood coursing warmly through my body as in the old days, before I broke down.
”
”
Knut Hamsun (Hunger)
“
You are the greatest comfort for exhausted spirits. By the weight of your tenets and the delightfulness of your singing you have so refreshed me that I now think myself capable of facing the blows of Fortune. You were talking of cures that were rather sharp. The thought of them no longer makes me shudder; in fact I'm so eager to hear more, I fervently beg you for them.'
'I knew it,' She replied. 'Once you began to hang onto my words in silent attention, I was expecting you to adopt this attitude, or rather, to be more exact, I myself created it in you. The remedies still to come are, in fact, of such a kind that they taste bitter to the tongue, but grow sweet once they are absorbed.
But you say you are eager to hear more. You would be more than eager to hear if you knew the destination I am trying to bring you to.'
I asked what it was and she told me that it was true happiness.
'Your mind dreams of it,' she said, 'but your sight is clouded by shadows of happiness and cannot see reality.'
I begged her to lead on and show me the nature of true happiness without delay.
'For you,' she said, 'I will do so gladly.
”
”
Boethius (The Consolation of Philosophy)
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
The days I’d passed with my mom before she died were still there, it seemed, seared into the corners of my heart.
The atmosphere of the station brought it all back. I could see myself running to the hospital, glad to be seeing my mother again. You never know you’re happy until later. Because physical sensations like smells and exhaustion don’t figure into our memories, I guess. Only the good bits bob up into view.
I was always startled by the snatches of memory that I saw as happy, how they came.
This time, it was the feeling I got when I stepped out onto the platform. The sense of what it had been like to be on my way to see my mom, for her still to be alive, if only for the time being, if only for that day. The happiness of that knowledge had come back to life inside me.
And the loneliness of that moment. The helplessness.
”
”
Banana Yoshimoto
“
I am so glad Todd and I eloped,” she said sincerely. “There was no way to salvage the wreckage. But I think that you deserved this, and I'm very happy for you.” She leaned forward and kissed my cheek. Then she whispered, “He is really, really a hottie. How did you mange that?”
“Brat,” I told her, and gave her a hug. “Todd’s not exactly chopped liver.”
She smiled smugly and took another sip. “No he’s not.”
“He could be,” said Ben from behind me, his British accent giving him a civilized air that he didn’t deserve. “Do you want him to be chopped liver, darling?”
I turned, making sure I was between Ben and Nan, “My sisters are off-limits,” I reminded him.
A flash of hurt came and went on his face. With Ben, it was even odds whether the emotion was genuine or not -but my instincts told me they had been. So I continued in a mock-chiding tone, “Ruthie is too young for you, and Nan is married to a very nice man. So be good.”
Nan had caught the flash of hurt, too, I thought. She was softer than our mother, more like her father in temperament as well as looks. She couldn’t stand to have anyone hurting and not do anything about it.
She sighed dramatically. “All the pretty men, and I’m tied to just one.”
Ben smiled at her. “Anytime you want to change that…”
I poked him in the side-he could have slipped out of the way, but he didn’t bother.
“Okay,” he said, backing away with exaggerated fear. “Ill be good, I promise. Just don’t hurt me again.”
He was loud enough that all the people around us looked at us. Adam pushed his way through the pack and ruffled Ben’s hair as he went by him. “Behave Ben.”
The Ben I’d first met would have snarled and pulled away from the affectionate scold. This one grinned at me, and said, “Not if I can help it, I wont,” to Adam.
”
”
Patricia Briggs (River Marked (Mercy Thompson, #6))
“
Stop it!“ Newt yelled. Stop it now!“
Thomas has been frozen in place, crouching as he waited for an opportunity to jump in and help Minho. But he twisted around to see that Newt was holding his Launcher in shooting position, his eyes wild with fury.
“Stop or I’ll start shooting and not give a buggin’ piece of klunk who gets hit.”
….. Thomas couldn’t believe the sudden turn of events. He looked at Newt with wide eyes, glad he’d done what he had, and happy he hadn’t aimed the Launcher at him or Minho.
“I told him to stop,” Newt half whispered. Then he aimed the weapon at Minho, but it was shaking because his arms were. “Now you guys leave. No more discussion. I’m sorry.“
Minho held up his hands. “You’re going to shoot me? Old pal?”
“Go,” Newt said. „I asked nicely. Now I’m telling. This is hard enough. Go.“
„Newt, let’s go outside..“
„Go!“ Newt stepped closer and aimed more fiercely. „Get out of here!“
Thomas hated what he was seeing – the complete wilderness that had taken over Newt. His whole body trembled and his eyes had lost any hint of sanity. He was losing it, completely.
“Let’s go,” Thomas said, one of the saddest things he’d ever heard himself say. „Come on.”
Minho’s gaze snapped to Thomas, and he looked like his heart had been shattered. “You can’t be serious.”
Thomas could only nod.
Minho’s shoulders slumped, and his eyes fell to the floor. “How did the world get so shucked?” The words barely came out, low and full of pain.
“I’m sorry,” Newt said, and there were tears streaming down his face. “I’m .. I’m going to shoot if you don’t go. Now.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
Why have you done all this for me?" She turned her head to look at him. "Tell me the truth."
He shook his head slowly.
"I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it."
His face was expressionless. "I know," he said.
"I was afraid of your hands more than anything," she said. "They are beautiful hands."
He said nothing.
"When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?"
She watched him swallow.
"For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them."
"Fleur," he said, and reached out a staying hand.
"I love you," she said.
"No."
"I love you."
"It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me."
"I love you," she said.
"Fleur."
She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain."
"Fleur," he said, taking her wrist in his hand.
"Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be."
"Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy."
She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again."
He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.
”
”
Mary Balogh (The Secret Pearl)
“
Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I've long ceased perhaps to have faith in them, yet from old habit one's heart prizes them... I want to travel in Europe, Alyosha; I shall set off from here. And yet I know that I am only going to a graveyard, but it's a most precious graveyard, that's what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I'm convinced in my heart that it's long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky--that's all it is. It's not a matter of intellect or logic, it's loving with one's inside, with one's stomach. One loves the first strength of one's youth. Do you understand anything of my tirade, Alyosha?" Ivan laughed suddenly.
"I understand too well, Ivan. One longs to love with one's inside, with one's stomach. You said that so well and I am awfully glad that you have such a longing for life," cried Alyosha. "I think everyone should love life above everything in the world."
"Love life more than the meaning of it?"
"Certainly, love it, regardless of logic as you say, it must be regardless of logic, and it's only then one will understand the meaning of it. I have thought so a long time. Half your work is done, Ivan, you love life, now you've only to try to do the second half and you are saved.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Did we win?”
“I’m here, aren’t I?”
He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane.
“I don’t want to die.”
“I’ll do my best to make other arrangements for you.”
She closed her eyes.
“Keep talking, Wraith. Don’t slip away from me.”
“But it’s what I do best.”
He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.”
She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes.
One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life.
“I can help you,” she said now.
“Help me with what?”
She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more.
“Talk to me, Wraith.”
“You came back for me.”
“I protect my investments.”
Investments. “I’m glad I’m bleeding all over your shirt.”
“I’ll put it on your tab.”
Now she remembered. He owed her an apology. “Say you’re sorry.”
“For what?”
“Just say it.”
She didn’t hear his reply.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
In The Garret
Four little chests all in a row,
Dim with dust, and worn by time,
All fashioned and filled, long ago,
By children now in their prime.
Four little keys hung side by side,
With faded ribbons, brave and gay
When fastened there, with childish pride,
Long ago, on a rainy day.
Four little names, one on each lid,
Carved out by a boyish hand,
And underneath there lieth hid
Histories of the happy band
Once playing here, and pausing oft
To hear the sweet refrain,
That came and went on the roof aloft,
In the falling summer rain.
'Meg' on the first lid, smooth and fair.
I look in with loving eyes,
For folded here, with well-known care,
A goodly gathering lies,
The record of a peaceful life--
Gifts to gentle child and girl,
A bridal gown, lines to a wife,
A tiny shoe, a baby curl.
No toys in this first chest remain,
For all are carried away,
In their old age, to join again
In another small Meg's play.
Ah, happy mother! Well I know
You hear, like a sweet refrain,
Lullabies ever soft and low
In the falling summer rain.
'Jo' on the next lid, scratched and worn,
And within a motley store
Of headless dolls, of schoolbooks torn,
Birds and beasts that speak no more,
Spoils brought home from the fairy ground
Only trod by youthful feet,
Dreams of a future never found,
Memories of a past still sweet,
Half-writ poems, stories wild,
April letters, warm and cold,
Diaries of a wilful child,
Hints of a woman early old,
A woman in a lonely home,
Hearing, like a sad refrain--
'Be worthy, love, and love will come,'
In the falling summer rain.
My Beth! the dust is always swept
From the lid that bears your name,
As if by loving eyes that wept,
By careful hands that often came.
Death canonized for us one saint,
Ever less human than divine,
And still we lay, with tender plaint,
Relics in this household shrine--
The silver bell, so seldom rung,
The little cap which last she wore,
The fair, dead Catherine that hung
By angels borne above her door.
The songs she sang, without lament,
In her prison-house of pain,
Forever are they sweetly blent
With the falling summer rain.
Upon the last lid's polished field--
Legend now both fair and true
A gallant knight bears on his shield,
'Amy' in letters gold and blue.
Within lie snoods that bound her hair,
Slippers that have danced their last,
Faded flowers laid by with care,
Fans whose airy toils are past,
Gay valentines, all ardent flames,
Trifles that have borne their part
In girlish hopes and fears and shames,
The record of a maiden heart
Now learning fairer, truer spells,
Hearing, like a blithe refrain,
The silver sound of bridal bells
In the falling summer rain.
Four little chests all in a row,
Dim with dust, and worn by time,
Four women, taught by weal and woe
To love and labor in their prime.
Four sisters, parted for an hour,
None lost, one only gone before,
Made by love's immortal power,
Nearest and dearest evermore.
Oh, when these hidden stores of ours
Lie open to the Father's sight,
May they be rich in golden hours,
Deeds that show fairer for the light,
Lives whose brave music long shall ring,
Like a spirit-stirring strain,
Souls that shall gladly soar and sing
In the long sunshine after rain
”
”
Louisa May Alcott (Little Women)
“
What, sir, would you think of a member of the Weaker Sex who assumed the guise of a man, and left the home of her natural protector by way of the window?"
"I should assume," replied Sir Richard, "that she had strong reasons for acting with such resolution."
"She did not wish to marry me," said Mr. Griffin gloomily.
"Oh!" said Sir Richard.
"Well, I'm sure I can't see why she should be so set against me, but that's not it, sir. The thing is that here's my mother determined to find her, and to make her marry me, and so hush up the scandal. But I don't like it above half. If she dislikes the notion so much, I don't think I ought to marry her, do you?"
"Emphatically not!"
"I must say I am very glad to hear you say that, Sir Richard!" said Mr. Griffin, much cheered. "For you must know that my mother has been telling me ever since yesterday that I must marry her now, to save her name. But I think she would very likely make me uncomfortable, and nothing could make up for that, in my opinion."
"A lady capable of escaping out of a window in the guise of a a man would quite certainly make you more than uncomfortable," said Sir Richard.
"Yes, though she's only a chit of a girl, you know. In fact, she is not yet out. I am very happy to have had the benefit of the opinion of a Man of the World. I feel that I can rely on your judgment."
"On my judgment, you might, but in nothing else, I assure you," said Sir Richard. "You know nothing of me, after all. How do you know that I am not now concealing your cousin from you?"
"Ha-ha! Very good, upon my word! Very good, indeed!" said Mr. Griffin, saluting a jest of the first water.
”
”
Georgette Heyer (The Corinthian)
“
I never knew it happened like that."
I snap my gaze to her. "What?"
"You know. Romeo and Juliet stuff. Love at first sight and all that."
"It's not like that," I say quickly.
"You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop.
When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap.
With a small wave of apology, I head back to the end of the line.
Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you."
I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you."
His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it.
"You want to go out?" he asks suddenly.
I blink. "As in a date?"
"Yes. That's what a guy usually means when he asks that question."
Whistles blow. The guys and girls head in opposite directions.
"Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?"
I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.
I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner— something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.”
What does Bessie say I have done?” I asked.
Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.
”
”
Charlotte Brontë (Jane Eyre)
“
Playing and fun are not the same thing, though when we grow up we may forget that and find ourselves mixing up playing with happiness. There can be a kind of amnesia about the seriousness of playing, especially when we played by ourselves or looked like we were playing by ourselves.
I believe a kid who is playing is not alone. There is something brought alive during play, and this something, when played, seems to play back.
If playing isn't happiness or fun, if it is something which may lead to those things or to something else entirely, not being able to play is a misery. No one stopped me from playing when I was alone, but there were times when I wasn't able to, though I wanted to--there were times when nothing played back. Writers call it 'writer's block'. For kids there are other names for that feeling, though kids don't usually know them.
Fairy tales and myths are often about this very thing. They begin sometimes with this very situation: a dead kingdom. Its residents all turned to stone. It's a good way to say it, that something alive is gone. The television eased the problem by presenting channels to an ever-lively world I could watch, though it couldn't watch me back, not that it would see much if it could. A girl made of stone facing a flickering light, 45 years later a woman made of stone doing the same thing.
In a myth or a fairy tale one doesn't restore the kingdom by passivity, nor can it be done by force. It can't be done by logic or thought. It can't be done by logic or thought. So how can it be done?
Monsters and dangerous tasks seem to be part of it. Courage and terror and failure or what seems like failure, and then hopelessness and the approach of death convincingly. The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.
”
”
Lynda Barry (What It Is)
“
Dr. Mary Atwater's story was so inspiring. Growing up, Dr. Atwater had a dream to one day be a teacher. But as a black person in the American South during the 1950s, she didn't have many great educational opportunities. It didn't help that she was also a girl, and a girl who loved science, since many believed that science was a subject only for men. Well, like me, she didn't listen to what others said. And also like me, Dr. Atwater had a father, Mr. John C. Monroe, who believed in her dreams and saved money to send her and her siblings to college. She eventually got a PhD in science education with a concentration in chemistry. She was an associate director at New Mexico State University and then taught physical science and chemistry at Fayetteville State University. She later joined the University of Georgia, where she still works as a science education researcher. Along the way, she began writing science books, never knowing that, many years down the road, one of those books would end up in Wimbe, Malawi, and change my life forever.
I'd informed Dr. Atwater that the copy of Using Energy I'd borrowed so many times had been stolen (probably by another student hoping to get the same magic), so that day in Washington, she presented me with my own copy, along with the teacher's edition and a special notebook to record my experiments.
"Your story confirms my belief in human beings and their abilities to make the world a better place by using science," she told me. "I'm happy that I lived long enough to see that something I wrote could change someone's life. I'm glad I found you."
And for sure, I'm also happy to have found Dr. Atwater.
”
”
William Kamkwamba (The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope)
“
Suppose for a moment that you were allowed to enter heaven without holiness. What would you do? What possible enjoyment could you feel there? To which of all the saints would you join yourself, and by whose side would you sit down? Their pleasures are not your pleasures, their tastes not your tastes, their character not your character. How could you possibly be happy, if you had not been holy on earth? Now perhaps you love the company of the light and the careless, the worldly-minded and the covetous, the reveller and the pleasure-seeker, the ungodly and the profane. There will be none such in heaven. Now perhaps you think the saints of God too strict and particular, and serious. You rather avoid them. You have no delight in their society. There will be no other company in heaven. Now perhaps you think praying, and Scripture-reading, and hymn singing, dull and melancholy, and stupid work—a thing to be tolerated now and then, but not enjoyed. You reckon the Sabbath a burden and a weariness; you could not possibly spend more than a small part of it in worshipping God. But remember, heaven is a never-ending Sabbath. The inhabitants thereof rest not day or night, saying, “Holy, holy, holy, Lord God Almighty” and singing the praise of the Lamb. How could an unholy man find pleasure in occupation such as this? Think you that such an one would delight to meet David, and Paul, and John, after a life spent in doing the very things they spoke against? Would he take sweet counsel with them, and find that he and they had much in common?—Think you, above all, that he would rejoice to meet Jesus, the Crucified One, face to face, after cleaving to the sins for which He died, after loving His enemies and despising His friends? Would he stand before Him with confidence, and join in the cry, “This is our God; we have waited for Him, we will be glad and rejoice in His salvation”? (Isa. xxv. 9.) Think you not rather that the tongue of an unholy man would cleave to the roof of his mouth with shame, and his only desire would be to be cast out! He would feel a stranger in a land he knew not, a black sheep amidst Christ’s holy flock. The voice of Cherubim and Seraphim, the song of Angels and Archangels and all the company of heaven, would be a language he could not understand. The very air would seem an air he could not breathe. I know not what others may think, but to me it does seem clear that heaven would be a miserable place to an unholy man. It cannot be otherwise. People may say, in a vague way, “they hope to go to heaven;” but they do not consider what they say. There must be a certain “meetness for the inheritance of the saints in light.” Our hearts must be somewhat in tune. To reach the holiday of glory, we must pass through the training school of grace. We must be heavenly-minded, and have heavenly tastes, in the life that now is, or else we shall never find ourselves in heaven, in the life to come.
”
”
J.C. Ryle (Holiness)
“
Heidi said, “I have been thinking all day what a happy thing it is that God does not give us what we ask for, even when we pray and pray and pray, if He knows there is something better for us; have you felt like that?” “Why do you ask me that to-night all of a sudden?” asked Clara. “Because I prayed so hard when I was in Frankfurt that I might go home at once, and because I was not allowed to I thought God had forgotten me. And now you see, if I had come away at first when I wanted to, you would never have come here, and would never have got well.” Clara had in her turn become thoughtful. “But, Heidi,” she began again, “in that case we ought never to pray for anything, as God always intends something better for us than we know or wish for.” “You must not think it is like that, Clara,” replied Heidi eagerly. “We must go on praying for everything, for everything, so that God may know we do not forget that it all comes from Him. If we forget God, then He lets us go our own way and we get into trouble; grandmamma told me so. And if He does not give us what we ask for we must not think that He has not heard us and leave off praying, but we must still pray and say, I am sure, dear God, that Thou art keeping something better for me, and I will not be unhappy, for I know that Thou wilt make everything right in the end.” “How did you learn all that?” asked Clara. “Grandmamma explained it to me first of all, and then when it all happened just as she said, I knew it myself, and I think, Clara,” she went on, as she sat up in bed, “we ought certainly to thank God to-night that you can walk now, and that He has made us so happy.” “Yes, Heidi, I am sure you are right, and I am glad you reminded me; I almost forgot my prayers for very joy.” Both children said their prayers, and each thanked God in her own way for the blessing He had bestowed on Clara, who had for so long lain weak and ill.
”
”
Johanna Spyri (Heidi)
“
So,” Will begins, “do you play ball as well as you run?”
I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.”
The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here.
She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.”
I shrug. “He’s just a guy.”
Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me.
I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again.
Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall.
“You weren’t kidding,” he teases over the thunder of basketballs.
“Did you make it?” I ask, wishing I had looked while he shot.
“Yeah.”
“Of course,” I mock.
He lets another kid go before him. I do the same. Catherine is several ahead of me now.
His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.”
I move up in line, but when I sneak a look behind me, he’s looking back, too.
“Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.”
I snap my gaze to her. “What?”
“You know. Romeo and Juliet stuff. Love at first sight and all that.”
“It’s not like that,” I say quickly.
“You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop.
When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap.
With a small wave of apology, I head back to the end of the line.
Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.”
I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.”
His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it.
“You want to go out?” he asks suddenly.
I blink. “As in a date?”
“Yes. That’s what a guy usually means when he asks that question.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
”
”
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)