Give Props Quotes

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Simon looked from one of them to the other, and shook his head. “ When did you two get so buddy-buddy? Last night it was all, ‘I’m the most elite warrior!’ ‘ No, I’m the most elite warrior!’ And today you’re playing Halo and giving each other props for good ideas.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
It's a good thing to have all the props pulled out from under us occasionally. It gives us some sense of what is rock under our feet, and what is sand.
Madeleine L'Engle
Oh, man there's a marathon of Beaches running tomorrow night. Can we go after ten so I can see it once all the way through?" Everyone in the room turned to the blond-and-black haired guy, who was propped in the corner, massive arms over his chest. What," he said. "Look, it's not Mary Tyler Moore, 'kay? So you can 't give me shit." Vishous, the one with the black glove on his hand, glared across the room. "It's worse than Mary Tyler Moore. And to call you and idiot would be an insult to half-wits around the world." Are you kidding me? Bette Midler rocks. And I love the ocean. Sue me." Vishous glanced at the king. "You told me I could beat him. You promised." As soon as you come home," Wrath said as he got to his feet, "we'll hang him up by his armpits in the gym and you can use him as a punching bag." Thank you, baby Jesus." Blond-and-Black shook his head. "I swear, one of these days I'm going to leave." As one, the Brothers all pointed to the open door and let silence speak for itself. You guys suck.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I had to give him props, but how annoying of him to be a hero when I was trying so hard to dislike him. It was downright selfish.
James Patterson (Angel (Maximum Ride, #7))
Television, radio, and all the sources of amusement and information that surround us in our daily lives are also artificial props. They can give us the impression that our minds are active, because we are required to react to stimuli from the outside. But the power of those external stimuli to keep us going is limited. They are like drugs. We grow used to them, and we continuously need more and more of them. Eventually, they have little or no effect. Then, if we lack resources within ourselves, we cease to grow intellectually, morally, and spiritually. And we we cease to grow, we begin to die.
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
Dear Ellen, "Just keep swimming." Recognize that quote, Ellen? It's what Dory says to Marlin in Finding Nemo. "Just keep swimming, swimming, swimming." I'm not a huge fan of cartoons, but I'll give you props for that one. I like cartoons that can make you laughter, but also make you feel something. After today, think that's my favorite cartoon. Because I've been feeling like drowning lately, and sometimes people need a reminder that they just need to keep swimming.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Oh, please. If she's going to use Mr. Darcy to prop up her arguments, I give up.
Sophie Kinsella (Wedding Night)
I break myself off into different bits to give to different people, rather than being whole. I’m so restless and unsettled. I don’t know how to be without all the things I use to prop me up.
Dolly Alderton (Everything I Know About Love)
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Hey." She said, looking up from an open book propped up on one knee. She brushed a few strands of pale hair out of her face. Her boyfriend, Christian, lay on the floor near her, his head propped up on her other knee. He greeted me by way of a nod. Concidering the antagonism the sometimes flared up between us, that was almost on par with him giving me a bear hug.
Richelle Mead (Frostbite (Vampire Academy, #2))
People want things to be real. If you give them an excuse, they'll believe you.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
That Chippendale is a coffee table, Lieutenant, not a footstool." "How do you walk with that stick up your ass?" She left her feet where they were, propped comfortably on the table. "Does it hurt, or does it give you a nice little rush?" "Your dinner guests," he said, curling his lip, "have arrived." "Thank you, Summerset." Roarke got to his feet. "We'll have the hors d'oeuvres in here." He held out a hand to Eve. She waited, deliberately, until Summerset had stepped out again before swinging her feet to the floor. "In the interest of good fellowship," Roarke began as they started toward the foyer, "could you not mention the stick in Summerset's ass for the rest of the evening?" "Okay. If he rags on me I'll just pull it out and beat him over the head with it." "That should be entertaining.
J.D. Robb
She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time. 'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.' Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her. 'Okay,' she says. 'Trees, stars, oceans. Fine.' 'And the sun, Jude.' 'Oh, all right," she says, totally surprising me. 'I'll give you the sun.
Jandy Nelson (I'll Give You the Sun)
When you strip all the props, the imagery, the erotica and the mystery away, BDSM is about two people, trying to discover what makes them happy in life – what gives them a sense of belonging and completion. The rest is just tinsel on the tree. It’s all decoration.
Jason Luke (Interview with a Master (Interview with a Master, #1))
Imagine how differently you might approach each day by simply stating: God is good. God is good to me. God is good at being God. And today is yet another page in our great love story. Nothing that happens to you today will change that or even alter it in the slightest way. Lift your hands, heart, and soul, and receive that truth as you pray this prayer: My whole life I’ve searched for a love to satisfy the deepest longings within me to be known, treasured, and wholly accepted. When You created me, Lord, Your very first thought of me made Your heart explode with a love that set You in pursuit of me. Your love for me was so great that You, the God of the whole universe, went on a personal quest to woo me, adore me, and finally grab hold of me with the whisper, “I will never let you go.” Lord, I release my grip on all the things I was holding on to, preventing me from returning Your passionate embrace. I want nothing to hold me but You. So, with breathless wonder, I give You all my faith, all my hope, and all my love. I picture myself carrying the old, torn-out boards that inadequately propped me up and placing them in a pile. This pile contains other things I can remove from me now that my new intimacy-based identity is established. I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
The lions of hard rock, guys like Robert Plant, Roger Daltrey, Brian Johnson, Rob Halford, these monsters feel completely timeless, iconic, eternal. They simply shall not, will not, do not die. It's almost impossible to imagine a musical world without Robert Plant. No metal fan of any stripe can imagine a day when, say, Iron Maiden shuts it all down because Bruce Dickinson turned 85 and suddenly can't remember the lyrics to "Hallowed Be Thy Name." Metal revels in the raw energy and unchecked phantasmagorical ridiculousness of youth. It is all fire and testosterone and rebellious fantasy. It doesn't go well with reality. So it is for hard rock and a guy like Dio, an elfin titan with an undying love for lasers and sorcery, dragons and kings. The man wrote some terribly corny metal songs, but he sang every one with a ferocity and love and total honesty. He also wrote some of the finest hard rock melodies of all time, sang them with a precision and love unmatched by any hard rock singer since. It's a rare thing to give metal some heartfelt props. It is time. Raise your devil horns and salute.
Mark Morford
A TV show comprises many departments—Costumes, Props, Talent, Graphics, Set Dressing, Transportation. Everyone in every department wants to show off their skills and contribute creatively to the show, which is a blessing. You’re grateful to work with people who are talented and enthusiastic about their jobs. You would think that as a producer, your job would be to churn up creativity, but mostly your job is to police enthusiasm. You may have an occasion where the script calls for a bran muffin on a white plate and the Props Department shows up with a bran cake in the shape of Santa Claus sitting on a silver platter that says “Welcome to Denmark.” “We just thought it would be funny.” And you have to find a polite way to explain that the character is Jewish, so her eating Santa’s face might have negative connotations, and the silver tray, while beautiful, is giving a weird glare on camera and maybe let’s go with the bran muffin on the white plate. And then sometimes Actors have what they call “ideas.” Usually it involves them talking more, or, in the case of more experienced actors, sitting more. When Actors have ideas it’s very important to get to the core reason behind their idea.
Tina Fey (Bossypants)
It's a good thing to have all the props pulled out from under us occasionally. It gives us some sense of what is rock under our feet, and what is sand. It stops us from taking anything for granted. It has also taught me about living in the immediate moment.
Madeleine L'Engle (The Summer of the Great-Grandmother (Crosswicks Journal, #2))
There is a road in the hearts of all of us, hidden and seldom traveled, which leads to an unkown, secret place. The old people came literally to love the soil, and they sat or reclined on the ground with a feeling of being close to a mothering power. Their teepees were built upon the earth and their altars were made of earth. The soul was soothing, strengthening, cleansing, and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly. He can see more clearly into the mysteries of life and come closer in kinship to other lives about him.
Luther Standing Bear
Ridin'" [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention Pick me up after school, you can be my baby Maybe we could go somewhere, get a little crazy He’s rich and I’m wishin’, um, he could be my Mister Yum Delicious to the maximum, chew him up like bubble gum Mama’s pretty party favor, he says I’m his favorite flavor [Hook] Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [Lana Del Rey] You say that I am flawless, true perfection So give me all your drugs, props, money, and connections Pick me up after school, actin’ kinda shady You’re the coolest kid in town, I’m your little lady Your sick and I’m kissin’ him, magical musician, how I’m Drivin’ at the cinema, lovin’ him and lickin’ him He’s my love, the life saver Don’t step on my bad behavior Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [A$AP Rocky] Swervin’, swervin’, gettin’ all them dimes Tell her I be doin’, I be swaggin’ to my prime This ain’t all the time, it happens all the time That’s a big contradiction, get your money on your mind What, what, tell her I be on a chase Chasin’ for that paper and you see me on that race What, what, tell her I be goin’ first I be gon’ first and they put me in a herse, oh One big room, full of bad bitches, no One big room and it’s full of mad bitches Lana, Lana, tell them what it is Tell ‘em that you doin’ it, you mean to do it big I said, one big room, full of bad bitches, no it’s One big room and it’s full of mad bitches, I said Lana, Lana, tell them what it is Tell ‘em when you do it that you only do it big Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh
Lana Del Rey
Swearing on the Bible, you understand that shit? They tell you to raise your right hand and put your left hand on the Bible. Does this stuff really matter, which hand? Does God really give a fuck about details like this? Suppose you put your right hand on the Bible and you raise your left hand. Would that count? Or would God say, 'Sorry, wrong hand, try again'? And why does one hand have to be raised? [...] But let's get back to the Bible, America's favorite national theatrical prop. Suppose the Bible they hand you to swear on is upside down, or backward, or both, and you swear to tell the truth on an upside-down backward Bible. Would that count? Suppose the Bible they hand you is an old Bible and half the pages are missing. Suppose all they have is a Chinese Bible. In an American court. Or a Braille Bible, and you're not blind. Suppose they hand you an upside-down, backward, Chinese, Braille Bible with half the pages missing. At what point does all of this stuff just break down and become just a lot of stupid shit that somebody made up? They fuckin' made it up, folks, it's make-believe! It's make-believe [...] Bible or no Bible, God or no God, if it suits their purposes, people are going to lie in court.
George Carlin
God, who is faithful, allows his friends to fall frequently into weakness only in order to remove from them any prop on which they might lean. For a loving person it would be a great joy to be able to achieve many great feats, whether keeping vigils, fasting, performing other ascetical practices or doing major, difficult and unusual works. For them this is a great joy, support and source of hope so that their works become a product and a support upon which they can lean. But it is precisely this which our Lord wishes to take from them so that he alone will be their help and support . . . in no way do our works serve to make God give us anything or do anything for us. Our Lord wishes his friends to be freed from such an attitude, and thus he removes their support from them so that they must henceforth find their support only in him.
Meister Eckhart (Selected Writings)
You must be Independent, Independent, Independent - don't talk so much but do more - go your own way and let your neighbour go his... Shake off all the props - the props tradition and authority give you - and go alone - crawl - stumble - stagger - but go alone.
Charles Rennie Mackintosh
The loss of Christendom gives us a joyous opportunity to reclaim the freedom to proclaim the gospel in a way in which we cannot when the main social task of the church is to serve as one among many helpful props for the state.
Stanley Hauerwas (Resident Aliens: Life in the Christian Colony)
After which, the Lord came in upon my own soul, with some staid peace and comfort through Christ; for He did give me many sweet discoveries of His blessed grace through Him; wherefore now I altered in my preaching (for still I preached what I saw and felt); now therefore I did much labour to hold forth Jesus Christ in all His offices, relations, and benefits unto the world; and did strive also to discover, to condemn, and remove those false supports and props on which the world doth both lean, and by them fall and perish.  On these things also I staid as long as on the other.
John Bunyan (Grace Abounding to the Chief of Sinners)
Pope John Paul II returned to this theme, condemning state-recognized same-sex unions as parodic versions of authentic families, “based on individual egoism” rather than genuine love. Justifying that condemnation, he observed, “Such a ‘caricature’ has no future and cannot give future to any society”. Queers must respond to the violent force of such constant provocations not only by insisting on our equal right to the social order’s prerogatives, not only by avowing our capacity to promote that order’s coherence and integrity, but also by saying explicitly what Law and the Pope and the whole of the Symbolic order for which they stand hear anyway in each and every expression or manifestation of queer sexuality: Fuck the social order and the Child in whose name we’re collectively terrorized; fuck Annie; fuck the waif from Les Mis; fuck the poor, innocent kid on the Net; fuck Laws both with capital ls and small; fuck the whole network of Symbolic relations and the future that serves as its prop.
Lee Edelman (No Future: Queer Theory and the Death Drive)
The rain set early in tonight, The sullen wind was soon awake, It tore the elm-tops down for spite, And did its worst to vex the lake: I listened with heart fit to break. When glided in Porphyria; straight She shut the cold out and the storm, And kneeled and made the cheerless grate Blaze up, and all the cottage warm; Which done, she rose, and from her form Withdrew the dripping cloak and shawl, And laid her soiled gloves by, untied Her hat and let the damp hair fall, And, last, she sat down by my side And called me. When no voice replied, She put my arm about her waist, And made her smooth white shoulder bare, And all her yellow hair displaced, And, stooping, made my cheek lie there, And spread, o'er all, her yellow hair, Murmuring how she loved me — she Too weak, for all her heart's endeavor, To set its struggling passion free From pride, and vainer ties dissever, And give herself to me forever. But passion sometimes would prevail, Nor could tonight's gay feast restrain A sudden thought of one so pale For love of her, and all in vain: So, she was come through wind and rain. Be sure I looked up at her eyes Happy and proud; at last l knew Porphyria worshiped me: surprise Made my heart swell, and still it grew While I debated what to do. That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string l wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And l untightened next the tress About her neck; her cheek once more Blushed bright beneath my burning kiss: I propped her head up as before, Only, this time my shoulder bore Her head, which droops upon it still: The smiling rosy little head, So glad it has its utmost will, That all it scorned at once is fled, And I, its love, am gained instead! Porphyria's love: she guessed not how Her darling one wish would be heard. And thus we sit together now, And all night long we have not stirred, And yet God has not said aword!
Robert Browning (Robert Browning's Poetry)
They hang around, hitting on your friends or else you never hear from them again. They call when they’re drunk, or finally get sober, they’re passing through town and want dinner, they take your hand across the table, kiss you when you come back from the bathroom. They were your loves, your victims, your good dogs or bad boys, and they’re over you now. One writes a book in which a woman who sounds suspiciously like you is the first to be sadistically dismembered by a serial killer. They’re getting married and want you to be the first to know, or they’ve been fired and need a loan, their new girlfriend hates you, they say they don’t miss you but show up in your dreams, calling to you from the shoe boxes where they’re buried in rows in your basement. Some nights you find one floating into bed with you, propped on an elbow, giving you a look of fascination, a look that says I can’t believe I’ve found you. It’s the same way your current boyfriend gazed at you last night, before he pulled the plug on the tiny white lights above the bed, and moved against you in the dark broken occasionally by the faint restless arcs of headlights from the freeway’s passing trucks, the big rigs that travel and travel, hauling their loads between cities, warehouses, following the familiar routes of their loneliness.
Kim Addonizio
Teo propped his chin in his hand. "The Quetzlan priests always made me hot chocolate when I couldn't sleep. We're just feeling a bit homesick, is all." He lifted his shoulder in a shrug and sighed theatrically. Dulce's eyebrows tipped with concern and she clasped her hands. "Aren't we?" He turned to give Niya and Xio a pointed look. "Oh yes, very homesick," Niya agreed, bobbing her head enthusiastically. It took Xio a moment to catch on, but then he nodded, too.
Aiden Thomas (The Sunbearer Trials (The Sunbearer Duology, #1))
I like the open minded, the old souls, lived through, the almost worn out warriors who walk this earth. They have stories that interest me, i couldn't care less for this modern era of rushing so fast with nowhere to go. Give me depth and meaning and a life worth writing about, and i'll prop a pillow and call it an arvo.
Nikki Rowe
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
Frédéric Gros (A Philosophy of Walking)
I’m probably sterile. At least I can stop worrying about getting girls pregnant (if I ever get to have sex with them). Do you still get horny if your nuts are broken? My eyes open, and I find Andre standing over me, saying, “I felt your nads through my helmet!” I stop writhing for a second to give him props. “That’s gold, dude!
Brent Crawford (Carter's Unfocused, One-Track Mind (Carter Finally Gets It, #3))
He has to pay people who have a sense of humor. Since he’s lacking one,” I added, when Ethan didn’t laugh. “I understood the joke, Merit,” he quietly said, sparkling emerald eyes on me as we began to sway. “I didn’t find it funny.” “Yes, well, your sense of humor leaves something to be desired.” Ethan spun me out and away, then pulled me back again. Stuck-up or not, I had to give him props—the boy could move. “My sense of humor is perfectly well developed,” he informed me when our bodies aligned again. “I merely have high standards.” “And yet you deign to dance with me.” “I’m dancing in a stately home with the owner’s daughter, who happens to be a powerful vampire.” Ethan looked down at me, brow cocked. “A man could do worse.” “A man could do worse,” I agreed. “But could a vampire?” “If I find one, I’ll ask him.” The response was corny enough that I laughed aloud, full and heartily, and had the odd, heart-clenching pleasure of watching him smile back, watching his green eyes shine with the delight of it.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
It is not biology alone but heroism too that drives women to find the will and grit and creativity to put one’s own impulses aside to serve the needs of a tiny creature around the clock—especially in an environment in which that heroic choice is only casually acknowledged, much less honored, cherished, or assisted. I believe the myth about the ease and naturalness of mothering—the ideal of the effortlessly ever-giving mother—is propped up, polished, and promoted as a way to keep women from thinking clearly and negotiating forcefully about what they need from their partners and from society at large in order to mother well, without having to sacrifice themselves in the process.
Naomi Wolf (Misconceptions: Truth, Lies, and the Unexpected on the Journey to Motherhood)
Just keep swimming, swimming, swimming.” I’m not a huge fan of cartoons, but I’ll give you props for that one. I like cartoons that can make you laugh, but also make you feel something. After today, I think that’s my favorite cartoon. Because I’ve been feeling like drowning lately, and sometimes people need a reminder that they just need to keep swimming.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Weirdly, D&D didn't encourage my leanings towards trying magic of my own at all. In fact, it frustrated them. Even the most pompous and ambitious historical magicians, from the Zaroastrian Magi through John Dee, Francis Barrett and Aleister Crowley, never claimed to be able to throw fireballs or lightning bolts like D&D wizards can. So D&D was never going to feed the fantasies of practising magic in the real world. That is all about gaining secret knowledge, a higher level of perception or inflicting misfortune or a boon on someone rather than causing a poisonous cloud of vapor to pour from your fingers (Cloudkill, deadly to creatures with less than 5 hit dice, for those who are interested). The game, as we played it, just doesn't support the occult idea of magic. In fact, it might even be argued that, by giving such a powerful prop to my imagination, D&D stopped me from going deeper into the occult in real life. I certainly had all the qualifications—bullied power-hungry twerp with no discernable skill in conventional fields and no immediate hope of a girlfriend who wasn't mentally ill. It's amazing I'm not out sacrificing goats to this day.
Mark Barrowcliffe (The Elfish Gene: Dungeons, Dragons And Growing Up Strange)
On all levels and in every aspect of our society, the poor are rejected, mistreated, and forced more deeply into their poverty. Christianity should have taken up the cause of the poor; better yet, it should have identified with the poor. Instead, during almost the entire course of its history, the Church has served as a prop of the powerful and has been on the side of exploiters and states
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
I turn over prop my head in my hand and watch Tristan sleep. His bar back is uncovered with the sheets raped around his waist. He is clearly a blanket stealer; his sand-colored hair is a wild mess. I like it that way. “what are you doing” I can barely understand him with his face barred in the pillow “oh, nothing I have decided to become your creepy stocker, that’s all. I barred your old one out back, hope you don’t mind” I say deadpan. Tristan grumbles something and turns his head towards me “someone woke up in a weirdo mood” he says. I widen my eyes and give him the creepiest smile I can manage without a mirror. “you have a squishy face and I shall call you squishy face and you shall be mine.” Tristan bursts out laughing before he smacks me with a pillow right in my face.
Lane Whitt (Finding My Pack (My Pack, #1))
She means I break myself off into different bits to give to different people, rather than being whole. I’m so restless and unsettled. I don’t know how to be without all the things I use to prop me up.
Dolly Alderton (Everything I Know About Love: A Memoir)
When you pay attention, you prop the door of your soul ajar to welcome the unexpected and the uncontrolled... . You can't access your interior landscape by banging down a closed door; you can pencil it in as an appointment on your calendar. Paying attention is a habit forming mind-set that comes with repetition and with intention. You give yourself permissiong to "do nothing." You create quiet spaces. You open a door.
Cindy Crosby (Chasing Dragonflies: A Natural, Cultural, and Personal History)
From beside him, propped up on her elbows, Shay says, “You were lucky.” He gives her a look, because she has finished his thought for him. She says, her voice catching, “I mean, I was lucky too. I’m so lucky it was you.
Ann Napolitano (Dear Edward)
You’re actually reading that?” she asked, her auburn brows lifted at the sight of the romance novel Connor had given him this morning, sitting next to the medical textbook he’d propped open to the section on vertical mattress stitches. Parker nodded. “Of course I’m reading it. How else am I going to find out if Michaela and Trent can outwit the creepy bad guy so they can give each other a lifetime supply of preternaturally incredible orgasms?
Kimberly Kincaid (Back to You (Remington Medical, #1))
At the most fundamental level, the level that is the most useful for doing insight practices, we wish desperately that there was some separate, permanent self, and we spend huge amounts of time doing our best to prop up this illusion. In order to do this, we habitually ignore lots of useful information about our reality and give our mental impressions and simplifications of reality much more importance than they are necessarily due. It is this illusion that adds a problematic element to the normal and understandable ways in which we go about trying to be happy. We constantly struggle with reality because we misunderstand it, i.e. because reality misunderstands itself.
Daniel M. Ingram (Mastering the Core Teachings of the Buddha: An Unusually Hardcore Dharma Book)
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
The character of the Indian's emotion left little room in his heart for antagonism toward his fellow creatures .... For the Lakota (one of the three branches of the Sioux Nation), mountains, lakes, rivers, springs, valleys, and the woods were all in finished beauty. Winds, rain, snow, sunshine, day, night, and change of seasons were endlessly fascinating. Birds, insects, and animals filled the world with knowledge that defied the comprehension of man. The Lakota was a true naturalist - a lover of Nature. He loved the earth and all things of the earth, and the attachment grew with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth, and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their alters were made of earth. The birds that flew in the air came to rest upon the earth, and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing, and healing. This is why the old Indian still sits upon the earth instead of propping himself up and away from its live giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him.
Luther Standing Bear
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Derrida… labels as ‘metaphysical’ any such thought system which depends on an unassailable foundation, a first principle or unimpeachable ground upon which a whole hierarchy of meanings may be constructed. It is not that he believes that we can merely rid ourselves of the urge to forge such first principles, for such an impulse is deeply embedded in our history, and cannot — at least as yet — be eradicated or ignored. Derrida would see his own work as inescapably ‘contaminated’ by such metaphysical thought, much as he strives to give it the slip. But if you examine such first principles closely, you can see that they may always be ‘deconstructed’: they can be shown to be products of a particular system of meaning, rather than what props it up from the outside.
Terry Eagleton (Literary Theory: An Introduction)
But here you might have noticed something. I said, ‘It stands to reason’. Do you see ? Men have a weapon against you. Reason. So you must be very sure to take it away from them. Cut the props from under it. But be careful. Don’t deny outright. Never deny anything outright, you give your hand away. Don’t say reason is evil – though some have gone that far and with astonishing success. Just say that reason is limited. That there’s something above it. What ? You don’t have to be too clear about it either. The field’s inexhaustible. ‘Instinct’ – ‘Feeling’ – ‘Revelation’ – ‘Divine Intuition’ – ‘Dialectic Materialism’. If you get caught at some crucial point and somebody tells you that your doctrine doesn’t make sense – you’re ready for him. You tell him there’s something above sense. That here he must not try to think, he must feel. He must believe. Suspend reason and you play it deuces wild. Anything goes in any manner you wish whenever you need it. You’ve got him. Can you rule a thinking man ? We don’t want any thinking men.
Ayn Rand (The Fountainhead)
Christianity should have taken up the cause of the poor; better yet, it should have identified with the poor. Instead, during almost the entire course of history, the Church has served as a prop of the powerful and has been on the side of exploiters and states.
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to Give Love, Create Beauty and Find Peace)
He touched her chin. His eyes never left hers, and she almost felt as if he’d touched those as well. And then, with the softest, most tender caress imaginable, he kissed her. Sophie didn’t just feel loved; she felt revered. “I should wait until Monday,” he said, “but I don’t want to.” “I don’t want you to wait,” she whispered. He kissed her again, this time with a bit more urgency. “You’re so beautiful,” he murmured. “Everything I ever dreamed of.” His lips found her cheek, her chin, her neck, and every kiss, every nibble robbed her of balance and breath. She was sure her legs would give out, sure her strength would fail her under his tender onslaught, and just when she was convinced she’d crumple to the floor, he scooped her into his arms and carried her to the bed. “In my heart,” he vowed, settling her against the quilts and pillows, “you are my wife.” Sophie’s breath caught. “After our wedding it will be legal,” he said, stretching out alongside her, “blessed by God and country, but right now—” His voice grew hoarse as he propped himself up on one elbow so that he could gaze into her eyes. “Right now it is true.” Sophie reached up and touched his face. “I love you,” she whispered. “I have always loved you. I think I loved you before I even knew you.” He leaned down to kiss her anew, but she stopped him with a breathy, “No, wait.” He paused, mere inches from her lips. “At the masquerade,” she said, her voice uncharacteristically shaky, “even before I saw you, I felt you. Anticipation. Magic. There was something in the air. And when I turned, and you were there, it was as if you’d been waiting for me, and I knew that you were the reason I’d stolen into the ball.” Something wet hit her cheek. A single tear, fallen from his eye. “You are the reason I exist,” she said softly, “the very reason I was born.” He opened his mouth, and for a moment she was certain he would say something, but the only sound that emerged was a rough, halting noise, and she realized that he was overcome, that he could not speak. She was undone.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
In the short term, adrenaline gives our immune function a boost to help fight bacterial and viral infections. But in the longer term, over-production of adrenaline and abnormal patterns of cortisol are linked with shorter life expectancy (Kumari et al., 2011). When adrenaline is repeatedly propping up our immune system through chronic stress and then we stop and the adrenaline goes down, so does the immune system. This is why you often hear of people who work incredibly hard around the clock for months on end and when they finally stop to take a holiday they almost immediately fall ill.
Julie Smith (Why Has Nobody Told Me This Before?)
And, over the years, I have collected other bits and pieces that remind me of Narnia. Including film props, and a good collection of behind-the-scenes and the-making-of books. My obsession is complete, and incurable. All that is left is to find a way to Narnia myself. I’m still looking, and I won’t give up.
A. Trevena (Complete Worldbuilding: An Author’s Step-by-Step Guide to Building Fictional Worlds (Step by Step Worldbuilding))
FUCK There are people who will tell you that using the word fuck in a poem indicates a serious lapse of taste, or imagination, or both. It’s vulgar, indecorous, an obscenity that crashes down like an anvil falling through a skylight to land on a restaurant table, on the white linen, the cut-glass vase of lilacs. But if you were sitting over coffee when the metal hit your saucer like a missile, wouldn’t that be the first thing you’d say? Wouldn’t you leap back shouting, or at least thinking it, over and over, bell-note riotously clanging in the church of your brain while the solicitous waiter led you away, wouldn’t you prop your shaking elbows on the bar and order your first drink in months, telling yourself you were lucky to be alive? And if you wouldn’t say anything but Mercy or Oh my or Land sakes, well then I don’t want to know you anyway and I don’t give a fuck what you think of my poem. The world is divided into those whose opinions matter and those who will never have a clue, and if you knew which one you were I could talk to you, and tell you that sometimes there’s only one word that means what you need it to mean, the way there’s only one person when you first fall in love, or one infant’s cry that calls forth the burning milk, one name that you pray to when prayer is what’s left to you. I’m saying in the beginning was the word and it was good, it meant one human entering another and it’s still what I love, the word made flesh. Fuck me, I say to the one whose lovely body I want close, and as we fuck I know it’s holy, a psalm, a hymn, a hammer ringing down on an anvil, forging a whole new world.
Kim Addonizio (What Is This Thing Called Love: Poems)
Pity does not get you aid. Admiration at your refusal to give in does. I cut the remains of the pant leg off at the knee and examine the injury more closely. The burned area is about the size of my hand. None of the skin is blackened. I think it’s not too bad to soak. Gingerly I stretch out my leg into the pool, propping the heel of my boot on a rock so the
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
When you are willing to stand alone with God and cease completely giving power to external things; when you no longer give power to the phenomenalistic world, which means to make a world of effect a cause; and when all your allegiance is given to the Spiritual Power within you, realizing it as the only Presence and the only Cause, you will not need any props of any kind.
Joseph Murphy (Believe in Yourself)
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
Imperial War Museum
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Giving such violent caretakers second chances, as social workers and judges frequently do, with the best of intentions—attributing their violence to poverty or racial prejudice and propping them up with counseling, household helpers and other resources—cannot reverse their violentization. To the contrary, such endorsement implicitly authorizes further violence and makes the state complicit with the violators.
Richard Rhodes (Why They Kill: The Discoveries of a Maverick Criminologist)
I felt like I was faking all of this, like I was playing the part of a student. I had the costume and the props, but I didn't really belong here. I'd pinned notes on the stupid corkboard backing of my desk, and I'd highlighted things...But it was all so meaningless. For about an hour, I had an overwheling urge to grab my bag, stuff in a few things, and take the next train to Bristol. I could be back on my parents' couch that night if I got moving. I could admit that I wasn't ready for this, that the semester was a wash. My parents would be thrilled, I was sure. Not about the semester being a wash--but certainly about having me back where they could keep me safe and sound. It would be so easy to do it. The very idea made me warm inside. It was okay to give up. I'd been brave. Everyone would say so. And yet...even as I opened a dresser drawer and figured out which things I would take with me in this hypothetical scenario, i remembered the problem. There would still be ghosts i would still have a future. I would still go back to school eventually. You can't curl up on the sofa and deny life forever. Life is always going to be a series of ouch-making moments, and the question was, was i going to go all fetal position, or was I going to woman up?
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Christa's barely able to stand," I argued. "And she doesn't have any battle training, so get out of here already." Christabel propped herself up on Conner's shoulder. "I'm fine," she said thickly, too sleepy to enunciate. "Give me a stake." "You're lisping," I pointed out. "So maybe I have a lisp," she insisted. "It's rude of you to make fun of me." I exchange a glance with Connor. "Definitely related to Lucy," we said in unison.
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
can i have it?" This shocks me. She's never asked for a drawing before. I'm horrible at giving them away. "For the sun, stars, oceans, and all the trees, I'll consider it," | say knowing she'll never agree. She knows how badly I want the sun and the trees. we've been dividing up the world since we were five. |'m kicking butt at the moment - universe domination is within my grasp for the first time. "Are you kidding?" she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. "That leaves me just the flowers, Noah." Fine, i think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the english guy to speak to her. "Okay," she says. "Trees, stars, oceans. Fine." "And the sun, Jude." "Oh, all right," she says, totally surprising me. "I'll give you the sun.
Jandy Nelson (I'll Give You the Sun)
Why God sometimes allows people who are genuinely good to be hindered in the good that they do. God, who is faithful, allows his friends to fall frequently into weakness only in order to remove from them any prop on which they might lean. For a loving person it would be a great joy to be able to achieve many great feats, whether keeping vigils, fasting, performing other ascetical practices or doing major, difficult and unusual works. For them this is a great joy, support and source of hope so that their works become a prop and a support upon which they can lean. But it is precisely this which our Lord wishes to take from them so that he alone will be their help and support. This he does solely on account of his pure goodness and mercy, for God is prompted to act only by his goodness, and in no way do our works serve to make God give us anything or do anything for us. Our Lord wishes his friends to be freed from such an attitude, and thus he removes their support from them so that they must henceforth find their support only in him. For he desires to give them great gifts, solely on account of his goodness, and he shall be their comfort and support while they discover themselves to be and regard themselves as being a pure nothingness in all the great gifts of God. The more essentially and simply the mind rests on God and is sustained by him, the more deeply we are established in God and the more receptive we are to him in all his precious gifts – for human kind should build on God alone.
Meister Eckhart (Selected Writings)
She propped herself up on one elbow so that her thick mane of silky hair spilled across her body, a thin veil over her breasts. His gut clenched hotly at the sight, his dark eyes going black with a sudden flare of desire. She laughed softly, the sound sultry in the night. “I think you could have sex all night and never be sated.” He bent down to taste temptation, his tongue bringing her nipple to a hard peak. “I would very much like to give it a try, sivamet--my love. I could lose myself in your body.
Christine Feehan (Dark Prince (Dark, #1))
Toward the end of that session at the Hudson, our instructor split us into two long lines and took out a bouquet of multicolored feathers. 'I would normally give the feathers to the ladies,' she explained as she passed them out, 'but we will have to make do.' Out of fifty or so front-of-the-house employees present, there were maybe six or seven women. 'The point of this dance is to think about giving and receiving,' she said, pressing play on her tiny boom box. A slow and stately march started playing through tinny speakers, a march to which we learned a simple dance: stepping up to our partner to give him the feather, stepping back to a bow, taking his hand, turning around, receiving the feather again, and stepping back to the line. 'Are you starting to feel each other's sense of space?' she called out. Someone sneezed. As the dance went on, we grew more comfortable with one another, fighting and roughhousing over the props. 'I've been defeathered!' 'Giveth the feather backeth or I will have to unsheathe my sword!
Phoebe Damrosch (Service Included: Four-Star Secrets of an Eavesdropping Waiter)
Washington's Farewell Address consists of a series of warnings about the danger of disunion. The North and the South, the East and the West, ought not to consider their interests separate or competing, Washington urged, "your union ought to be considered as a main prop of your liberty." Parties, he warned, were the "worst enemy" of every government, agitating "the community with ill-founded jealousies and false alarms," kindling "the animosity of one part against another," and even fomenting "riot and insurrection". As to the size of the Republic, "Is there a doubt whether a common government can embrace so large a sphere? Let experience solve it." The American experiment must go on. But it could only thrive if the citizens were supported by religion and morality, and if they were well educated. "Promote, then, as an object of primary importance, institutions for the general diffusion of knowledge," he urged. "In proportion as the structure of a government gives force to public opinion, it is essential that the public opinion should be enlightened.
Jill Lepore (These Truths : A History of the United States)
Colby’s resourceful, I’ll give him that.” “You used to be good friends.” “We were, until he started hanging around Cecily,” came the short reply. “I’m not as angry at him as I was. But it seems that he has to have a woman to prop him up.” “Not necessarily,” Matt replied. “Sometimes a good woman can save a bad man. It’s an old saying, but fairly true from time to time. Colby was headed straight to hell until Cecily put him on the right track. It’s gratitude, but I don’t think he can see that just yet. He’s in between mourning his ex-wife and finding someone to replace her.” He leaned back again. “I feel sorry for him. He’s basically a one-woman man, but he lost the woman.” Tate packed back to the wing chair and sat down on the edge. “He’s not getting Cecily. She’s mine, even if she doesn’t want to admit it.” Matt stared at him. “Don’t you know anything about women in love?” “Not a lot,” the younger man confessed. “I’ve spent the better part of my life avoiding them.” “Especially Cecily,” Matt agreed. “She’s been like a shadow. You didn’t miss her until you couldn’t see her behind you anymore.” “She’s grown away from me,” Tate said. “I don’t know how to close the gap. I know she still feels something for me, but she wouldn’t stay and fight for me.” He lifted his gaze to Matt’s hard face. “She’s carrying my child. I want both of them, regardless of the adjustments I have to make. Cecily’s the only woman I’ve ever truly wanted.” Matt spread his hands helplessly. “This is one mess I can’t help you sort out,” he said at last. “If Cecily loves you, she’ll give in sooner or later. If it were me, I’d go find her and tell her how I really felt. I imagine she’ll listen.” Tate stared at his shoes. He couldn’t find the right words to express what he felt. “Tate,” his father said gently, “you’ve had a lot to get used to lately. Give it time. Don’t rush things. I’ve found that life sorts itself out, given the opportunity.” Tate’s dark eyes lifted. “Maybe it does.” He searched the other man’s quiet gaze. “It’s not as bad as I thought it was, having a foot in two worlds. I’m getting used to it.” “You still have a unique heritage,” Matt pointed out. “Not many men can claim Berber revolutionaries and Lakota warriors as relatives.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Oz: No, no man, I understood you perfectly the first time, and mad props, bro. It’s been forever since you’ve gotten laid—am I right, or am I right? HIGH FIVE. Me: You are no help at all. Oz: Moving along—was it a fuckfest, or just so you could get the lead out? Me: Fuckfest. Oz: See? Aren’t you glad you’re not living with a dude? How awkward would that have been this morning? Am I right or am I right?! Me: Why do I bother talking to you? Oz: Because I give good advice. Me: No you don’t—but your girlfriend does. Oz: Yeah, that too. Oz: I have to give you mad props—you put your hot dog in Coach’s daughter’s bun.
Sara Ney (The Coaching Hours (How to Date a Douchebag, #4))
Plus,he's got a terrific butt.I know becuase I made sure I walked behind him to check it out." With a laugh, Keeley sat down beside her. "First, you're so predictable. Second, if Dad hears you talk that way, he'll shove the man on the first plane back to Ireland. And third, I didn't notice his butt, or anything else about him, particularly." "Liar." Sarah propped her elbow on the counter as her sister took out a lipstick. "I saw you give him the Keeley Grant once-over." Amused, Keeley passed the lipstick to Sarah. "Then let's say I didn't much ie what I saw. The rough-edged and proud of it type just doesn't do it for me.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I'm in the market for some present tense; I'm on the lookout, shopping around, more so every year. It's a seller's market—do you think I won't sell all that I have to buy it? Thomas Merton wrote, in a light passage in one of his Gethsemane journals: "Suggested emendation in the Lord's Prayer: Take out 'Thy Kingdom come' and substitute 'Give us time!'" But time is the only thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can't recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.
Annie Dillard (Pilgrim at Tinker Creek)
And, sincerely, we respect her stance. The Liberal Rednecks are all about standing up for your beliefs even when they’re hateful, bigoted, and go against everything your alleged Lord and Savior stood for. The thing is, doing that would have involved quitting her job—but that’s just something the four-times-married mother was not prepared to do for her faith. Go on TV and be called a hero by powerful politicians who agree with her and her “stand”? Sure, that’s fine. Have the Church pay for her legal bills and prop her up (instead of, oh we don’t know, giving that money to the poor)? Yes, sir. But actually quit instead of breaking an oath (which, by the way, is a sin)? That’s just something Jesus apparently wouldn’t do. Kim Davis is an analogy for Christians at large in the South. She was not oppressed. She was not forced to do anything. She could have quit. The truth is she did not want to quit her job as an elected official. She wanted to bend the political will of those around her so she could prevent other humans from marrying each other because she didn’t like the idea of it. That’s not oppression—that’s someone trying to use the inordinate amount of power they have (over the media and literally as the clerk) to affect the lives of strangers she disagrees with. Guess what that is? Yup. That is oppression.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
You want to run some lines with me?” It’s after dark when Jonathan reappears in the doorway to the bedroom, leaning against the doorframe, holding the script. I’m sitting in bed, propped against the headboard, knees pulled up and notebook in my lap. “Don’t you have a daughter for that?” “She fell asleep,” he says. “Must’ve bored her unconscious.” “Must’ve,” I agree. “So, what, you think you can just come crawling back to me? Think I’ll welcome you back with open arms? Give you yet another chance?” “Was damn sure hoping so. I’m banking on the fact that some part of you actually likes me.” “Most parts of me like you.” “What part doesn’t? “My brain, usually.
J.M. Darhower (Ghosted)
How’s it going?” Day said dryly and went about setting up his coffee machine. “It’s going better now that I’m seeing you.” Detective Johnson came over to Day and stood over him. Day had to practically reach around the tall man to start the machine. “Dude, want to give me a little room here.” “No. I like being close to you.” Detective Johnson took one long finger and slowly dragged it down the front of Day’s chest. “Well fuckin’ unlike it.” They both jumped at the sound of God’s gruff voice. God walked up to Day and grabbed him by the back of his neck. He spun Day around so hard that he dropped the small packs of sugar to the floor. All he could do was hold on to God’s massive biceps as he ravaged his mouth. Day let God completely control him until he was done proving his point. God released him and Day practically fell back into the counter. “Fuck, Cash,” Day whispered, completely out of breath. After Day got his wits about him he noticed that God and Johnson were in a serious stare off over his head. Johnson broke first and looked down at Day. “You’re fucking God now?” Johnson asked disbelievingly. “Okay, that just sounds wrong saying it like that, so I’m not going to comment.” Day inched away from the two giants and propped himself up on one of the break-room tables. “I think I’ll watch this one from the sidelines.
A.E. Via
…He needed to find some little poor kids to playfully spray with a hose, while he was helping out at a charity carwash for the handicapped or something.  Maybe rent a wet dog for the afternoon, and get it to shake its head in slow motion, while he laughed like some douchebag asshole and tried to lightheartedly block the soapy droplets with his hands or one of the little wheelchair kids or something.  Women loved that shit if movies were to be believed.  They ate it up. Sadly, he had no idea how to go about doing any of that though.  None of the pet shops had been open to the idea of him using their puppies as a prop in a seduction fantasy, and all of the schools for the disabled he called had refused to give him an hourly rate on renting their students.
Elizabeth Gannon (The Guy Your Friends Warned You About (Consortium of Chaos Book 3))
My whole life I’ve searched for a love to satisfy the deepest longings within me to be known, treasured, and wholly accepted. When You created me, Lord, Your very first thought of me made Your heart explode with a love that set You in pursuit of me. Your love for me was so great that You, the God of the whole universe, went on a personal quest to woo me, adore me, and finally grab hold of me with the whisper, “I will never let you go.” Lord, I release my grip on all the things I was holding on to, preventing me from returning Your passionate embrace. I want nothing to hold me but You. So, with breathless wonder, I give You all my faith, all my hope, and all my love. I picture myself carrying the old, torn-out boards that inadequately propped me up and placing them in a pile. This pile contains other things I can remove from me now that my new intimacy-based identity is established. I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.
Annie Dillard (Pilgrim at Tinker Creek)
Agricultural commodity traders, on the other hand, buy from thousands of individual farmers. That makes the traders’ job harder, but it also provides an opportunity: dealing with so many farmers gives the largest traders valuable information. Long before the concept of ‘big data’ became popular, the agricultural traders were putting it to work, aggregating information from thousands of farmers to get a real-time insight into the state of the markets. Each month, when the US Department of Agriculture published its update on the world’s key crops, the agricultural houses’ traders were able to bet on what it would say with near-certainty that they were right. Within most trading houses, there was a group of traders whose sole job was to speculate profitably with the company’s money – they were known as the proprietary, or ‘prop’, traders.
Javier Blas (The World for Sale: Money, Power, and the Traders Who Barter the Earth's Resources)
Who is this man with the temper?” “His name is Richard. He is the Seeker of Truth.” Whispers broke out among the other members of the hunting party. Savidlin’s eyes sought Richard’s. “Strength to Richard, the Seeker.” Kahlan told him what Savidlin had said. There was still a hot look on his face. Savidlin stepped up and hit Richard, not with an open hand as he had hit her, but with his fist. Immediately Richard unleashed a powerful blow of his own that knocked Savidlin from his feet and sent him sprawling on his back. He lay dazed on the ground with his limbs strewn awkwardly out. Fists tightened on weapons. Richard straightened, giving the men a dangerous look that kept them rooted firmly in place. Savidlin propped himself up on one hand, rubbing his jaw with the other. A grin spread across his face. “None has ever shown such respect for my strength! This is a wise man.
Terry Goodkind (Wizard's First Rule (Sword of Truth #1))
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.” Oliver eyes her closely. “Perhaps he was born villainous.” “No one is born villainous.” “Oh?” he said with raised eyebrow. “So we’re all born good?” “Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.” “For a woman who loves murder and mayhem, you’re quite the philosopher.” “I like to understand how things work. Why people behave as they do.” He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.” She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.” His features turned stony. “What do you mean?” “Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.” “Perhaps he can’t,” he clipped out. “Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.” Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure. “I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear. A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed. “Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.” Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things… She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.” “Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.” “Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.” He paused in his caress. “So he’s doomed, then?” “No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.” His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do. “Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
During Snow White's story, her mother had somehow survived sharing a castle with the Greatest Evil the World Has Ever Known and come out of it not only okay but Happily Ever After. What advice would her mother give? Apple knew because Snow White had cross-stitched the words on a pillow and propped it up in the informal receiving room: When Life Is All Dark Woods And Poisoned Apples, Remember You Have Friends. Snow White had stitched messages on other pillows, too, such as: Squirrels Will Never Let You Down, Unless They're Hibernating; There Are Always Birds; Nature Loves A Broom; Love Is Knowing A rabbit Needs You; Hugs Are How It's Done; Double Hugs Are For The Grumpy; Trees And Dogs Are Happy, So Start Barking; and others. Honestly, it was hard to find a sofa in the enormous White Castle that didn't sport a cross-stitched pillow. But the "Remember You Have Friends" one offered the most insight to Apple at the moment.
Shannon Hale (The Unfairest of Them All (Ever After High, #2))
In love, aside from sipping the wine of timelessness, nothing else exists. There is no reason for living except for giving one's life. I say, "First I know you, then I die." He says, "For the one who knows Me, there is no dying." It is raining outside and Akbar sits at the desk in the library, reading to Meena Begum, who is lying on a rug and looking up at the glass dome. "So, jaan, love is to forget yourself," he says as he shuts the volume. Meena Begum props herself up on her shoulder and turns to him. "Tell me, have you forgot yourself?" she asks. "Entirely," he says. "Why?" "Because we were made for each other before we even met. Our souls found each other on the plains of heaven. I knew it when I saw you." "Did you not say you fell ill and tried to forget me?" Akbar smiles. "A foolish effort to fight fate." Meena Begum's eyes laugh up at him. "You know I do not believe in such things as fate, sir." "Perhaps you need to read more poetry.
Shubnum Khan (The Djinn Waits a Hundred Years)
Well,that all worked out nicely," Edward said from my hand. "Yup." I sat down and propped the postcard upright against my books. "Thanks." "Whatever for?" "Being real,I guess. I'm pretty sure this paper about your life will get me into NYU.Which,when you think about it, is a pretty great gift from a guy I've never met who's been dead for a hundred years." Edward smiled. It was nice to see. "My pleasure,darling girl. I must say, I like this spark of confidence in you." "About time,huh?" "Yes,well.Have you forgiven the Bainbridge boy?" "For...?" "For hiding you." "He wasn't.I was hiding me." I gave Edward a look before he could gloat. "Yeah,yeah. You've always been very wise. But this isn't really about my forgiving Alex,is it?" He had the grace to look a little embarrassed. "I suppose not. So?" "So.I think you were a good guy, Edward. I think you probably would have told everyone exactly how you felt about Marina of you could have.If she hadn't been married, maybe, or if you'd lived longer. I think maybe all the pictures of you did of her were your public delcaration. Whaddya think? Can I write that? Is it the truth?" "Oh,Ella." His face was sad again, just the way he'd cast it in bronze. But it was kinda bittersweet now, not as heartbroken. "I would give my right arm to be able to answer that for you.You know I would." "You don't have a right arm,Mr. Willing. Left,either." I picked up the card again. "Fuhgeddaboudit," I said to it. "I got this one covered." I tucked my Ravaged Man inside Collected Works. It would be there if I wanted it.Who knows. Maybe Edward Willing will come back into fashion someday,and maybe I'll fall for him all over again. In the meantime, I had another guy to deal with.I sat down in front of my computer.It took me thirty seconds to write the e-mail to Alex. Then it took a couple of hours-some staring, some pacing,an endless rehearsal dinner at Ralph's, and a TiVo'd Christmas special produced by Simon Cowell and Nigel Lythgoe with Nonna and popcorn-for me to hit Send.
Melissa Jensen (The Fine Art of Truth or Dare)
When I finally walked out into the bedroom, primped as I could hope to be at six in the morning, Marlboro Man was standing near my bed, holding the two collages in his hands and looking them over. “Oh, you’re in big trouble,” he said, holding up the collage I’d made on his behalf. “In trouble?” I smiled. “With you or Father Johnson?” “Both,” he said, lunging at me and tackling me onto the bed. “You were not supposed to do that.” I laughed and tried to wriggle loose. He tickled my ribs. I screamed. Three seconds later, when he felt I’d been adequately punished, we sat up and propped our heads against the pillows of my bed. “You did not do my homework assignment for me,” he said, grabbing the collage again and looking it over. “I had insomnia,” I said. “I needed a creative activity.” Marlboro Man looked at me, seemingly unsure of whether to kiss me, thank me…or just tickle me some more. I didn’t give him a chance. Instead I picked up the collage and took Marlboro Man on a tour so he’d be prepared for our appointment.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
They’d been sitting on the couch for a few hours trying to find something to watch. Cop and military type shows were out—too much like real life. The Walking Dead marathon was out, because people you liked always died on that show—too much like what they feared life might become. Ike had suggested the World Series of Poker, but Jess thought watching people play cards was boring. She’d suggested a dancing reality show, but Ike put the kibosh on that idea with a single look. Ike’s desire to put off sleeping alone again had him finally agreeing to a house hunting show Jess liked where the couple saw three houses and had to decide which to buy. Ike’s conclusion: people were idiots sometimes. “Should’ve picked the older house. More character,” he said. “Right?” Jess said, smiling. “You can fix up an older house, but it’s harder to give a newer house that kind of character.” “I knew I liked you for a reason,” he said, giving her a wink. “Because I’m awesome.” She turned toward him on the couch and propped her elbow on the back of the couch.
Laura Kaye (Hard as Steel (Hard Ink, #4.5; Raven Riders, #0.5))
May God give us faith to fully trust His Word though everything else witness the other way. C. H. P. When is the time to trust?Is it when all is calm, When waves the victor’s palm, And life is one glad psalm Of joy and praise?Nay! but the time to trust Is when the waves beat high, When storm clouds fill the sky, And prayer is one long cry, O help and save! When is the time to trust?Is it when friends are true?Is it when comforts woo, And in all we say and doWe meet but praise?Nay! but the time to trust Is when we stand alone, And summer birds have flown, And every prop is gone, All else but God. What is the time to trust?Is it some future day, When you have tried your way, And learned to trust and pray By bitter woe?Nay! but the time to trust Is in this moment’s need, Poor, broken, bruised reed!Poor, troubled soul, make speed To trust thy God. What is the time to trust?Is it when hopes beat high, When sunshine gilds the sky, And joy and ecstasy Fill all the heart?Nay! but the time to trust Is when our joy is fled, When sorrow bows the head, And all is cold and dead, All else but God. SELECTED
Lettie B. Cowman (Streams in the Desert)
I’ve been trying not to ask you, but I’m giving up,” I say. “What’s going on with you and Uriah?” Christina, sprawled across her cot with one long leg dangling over the edge, gives me a look. “What? You’ve been spending a lot of time together,” I say. “Like a lot.” “You may not believe me, but it’s not like that.” Christina props herself up on her elbows. “He’s grieving. We’re both bored. Also, he’s Uriah.” “So? He’s good-looking.” “Good-looking, but he can’t have a serious conversation to save his life.” Christina shakes her head. “Don’t get me wrong, I like to laugh, but I also want a relationship to mean something, you know?” I nod. I do know--better than most people, maybe, because Tobias and I aren’t really the joking type. “Besides,” she says, “not every friendship turns into a romance. I haven’t tried to kiss you yet.” I laugh. “True.” “Where have you been lately?” Christina says. She wiggles her eyebrows. “With Four? Doing a little…addition? Multiplication?” I cover my face with my hands. “That was the worst joke I’ve ever heard.” “Don’t dodge the question.” “No ‘addition’ for us,” I say. “Not yet, anyway.
Veronica Roth (Allegiant (Divergent, #3))
How was the consultation?” he asks, and looking up from the crunchy gravel, I think for a moment before responding, “They’re bringing him into the station Saturday for questioning.” “They are?” Aaron says, his tone surprised. We approach the car before he unlocks the doors, yet we continue to stand still beside the trunk. “Yeah. Enough evidence to report it as an assault,” I add, my tone bland. I take a nervous swallow as I part from Aaron’s side, and as he walks along the drivers’ side of the car, he gives me a worrying look. “You okay?” he asks, and without speaking, I nod. “Yeah,” I murmur. My hands grasp onto the door handle before I abruptly open it. “Just a bit,” I pause, trying to form my thoughts. The words sit scarcely on my tongue, unable to escape as I think. “Scared.” “Scared?” Aaron repeats, and I nod. Placing his arm onto the roof of the car, he stands for a moment, one leg propped on the inside. “Of what?” “Of shit becoming harsh on me.” “Why would that happen?” “Because, Aaron” I respond lightly, and Aaron raises an eyebrow. “Because?” “Because that’s the way shit works. Nothing ever traces back to people like Chris. You hear me, Aaron? Ever.
Zoë Aviya Harris (To Capture a Heart)
I’ve been trying not to ask you, but I’m giving up,” I say. “What’s going on with you and Uriah?” Christina, sprawled across her cot with one long leg dangling over the edge, gives me a look. “What? You’ve been spending a lot of time together,” I say. “Like a lot.” “You may not believe me, but it’s not like that.” Christina props herself up on her elbows. “He’s grieving. We’re both bored. Also, he’s Uriah.” “So? He’s good-looking.” “Good-looking, but he can’t have a serious conversation to save his life.” Christina shakes her head. “Don’t get me wrong, I like to laugh, but I also want a relationship to mean something, you know?” I nod. I do know--better than most people, maybe, because Tobias and I aren’t really the joking type. “Besides,” she says, “not every friendship turns into a romance. I haven’t tried to kiss you yet.” I laugh. “True.” “Where have you been lately?” Christina says. She wiggles her eyebrows. “With Four? Doing a little…addition? Multiplication?” I cover my face with my hands. “That was the worst joke I’ve ever heard.” “Don’t dodge the question.” “No ‘addition’ for us,” I say. “Not yet, anyway. He’s been a little preoccupied with the whole ‘genetic damage’ thing.” “Ah. That thing.
Veronica Roth (Allegiant (Divergent, #3))
While he’s examining them he glances over at Sergeant Disney who is lying on the deck with his feet propped-up on a bench. Then, Rob struggles to his feet and immediately lies back down—over and over again. What is happening is that he feels better with his feet propped up on the bench, higher than his heart. Gravity helps force the life-giving fluids into his body’s core and brain. The IV fluids along with his elevated feet counteract the shock brought on by his blood loss. As soon as he starts to feel better his instinct to help others kicks in and he tries to get up and assist his wounded friends. But as soon as he gets up, blood drains away from his brain, the shock returns, the world begins to spin and he nearly passes out. Sergeant Disney’s instinct for self-preservation reasserts itself and he quickly lies down and puts his feet back up on the bench. Soon he begins to feel better, and once again rises, only to be forced back down by dizziness. Funches yells at Disney to stay down, but Rob’s up and down antics continue until Ross returns to his side. As the helicopter speeds through the air, Disney briefly passes out. When Sergeant Funches glances over to check on him, his eyes are closed and he appears to be dead. Sergeant Funches goes ballistic and immediately screams at Disney. Sergeant Disney is abruptly startled awake.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
I did not think of myself as a violent man. But the more times we were attacked, the more lives we lost, the harder it was to keep those demons at bay. It was another moment I found myself thankful to have Jerry. He was the rational, intelligent one. He kept me from letting the anger completely consume me and from doing anything really stupid. He prevented me from running wild through the streets of Yusafiah. But it was clear I was losing my grip on reality. One evening I was on the roof of a building at an intersection in some little town. I wasn’t wearing my helmet or my vest. I was just in a T-shirt. The roofs were flat and there was about a two-foot-high wall at the ledge. I stood there with my right foot propped up on the wall and looked out at the little town. I felt fueled with power. Like I was having the ultimate manly man moment. I could see then why people say power is addictive. I felt high on it in that moment. All my life I had strived to be “manly.” Everything I did was about being “the man.” And in that moment that is how I felt: completely dominant. As I stood on that roof unprotected and not giving a shit, I looked out over the town and said to myself, but as if I were talking to all of them, “Work with me or against me. I can either destroy you or I can help you.” I believed every word of that. Nothing could touch me. No one could hurt me. I was completely invincible.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
This is the fact the world desperately hides from us from birth. Long after you find out the truth about sex and Santa Claus, this other myth endures, this one about how you’ll always get rescued at the last second and if not, your death will at least mean something and there’ll be somebody there to hold your hand and cry over you. All of society is built to prop up that lie, the whole world a big, noisy puppet show meant to distract us from the fact that at the end, you’ll die, and you’ll probably be alone. I was lucky. I learned this a long time ago, in a tiny, stifling room behind my high school gym. Most people don’t realize it until they’re laying facedown on the pavement somewhere, gasping for their last breath. Only then do they realize that life is a flickering candle we all carry around. A gust of wind, a meaningless accident, a microsecond of carelessness, and it’s out. Forever. And no one cares. You kick and scream and cry out into the darkness, and no answer comes. You rage against the unfathomable injustice and two blocks away some guy watches a baseball game and scratches his balls. Scientists talk about dark matter, the invisible, mysterious substance that occupies the space between stars. Dark matter makes up 99.99 percent of the universe, and they don’t know what it is. Well I know. It’s apathy. That’s the truth of it; pile together everything we know and care about in the universe and it will still be nothing more than a tiny speck in the middle of a vast black ocean of Who Gives A Fuck.
Anonymous
Can't you just let it go? Move on?" His face darkened. His eyes glared in response and he was silent a long time while his jaw worked over a toothpick. She'd used the same line that the prophet and his representatives had been using for years. Even if these things did happen, there is no point in being bitter. You should forgive and forget and let bygones be bygones. Kind of galling, considering the insistence upon forgiveness was being made by the people who had done the hurting and done nothing to make up for it. But then, that was the standard 'blame the victim' abuser mentally, and to be expected. Gideon seemed to work through this slap in the face and let it slide. He said, "For a while I thought maybe, you know, if I could talk to the people responsible. If I could show them how difficult life has been because of them, that maybe they would care. I don't know. I thought maybe if they apologized, it would be so much easier to forget this shit. You know? To do what they say and 'let it go'. But nobody will take any personal responsibility. My own parents have nothing to offer but a bunch of whiny excuses. They try to convince me that my life wasn't as bad as I remember it." "Fuck that," he said, "They weren't even there. They don't even know what went on with me. I just..." He paused and pulled his fingers through his hair. "Christ," he said. He paused again, eyes to the sky, and then back to her. "Even the people who never personally raised a hand against me still propped up the regime that made it happen. They stood by and allowed it. Played a part. All of them. Every single one was a participant. Either directly or by looking away. Institutionally, doctrinally, they abused us. Sent us into the streets to beg, denied us an education, had us beaten, starved, exorcised, and separated from our parents. They broke up our families, gave our bodies to perverts, and stole our future. And then they turn around and say we're supposed to just forget it happened and move on from it. If instead we bring up the past, then they'll call us liars. Say we're exaggerating or making it up completely. Why the hell would be make any of this shit up? What's the point in that? To make our lives seem worse than they were? Not that I would, but do you have any idea how much exaggeration it would take for the average person to even begin to grasp how fucking miserable it was? And then, if they ever do admit to any of it, they say that 'mistakes were made'. " "Mistakes." he said. He was leaning forward again, punctuating the air with his finger. "Michael, they commit crimes against children. You know, those things people in society go to jail for when they're caught. And then to the public they do what they always do. Deny. Deny. Deny. And we're left more raped than ever. Victimized first by what they did, and again by their refusal to admit that it happened. They paint us as bitter apostates and liars to a world that not only doesn't give a shit, but also couldn't possibly understand even if it did." "I do," Munroe said. And Gideon stopped.
Taylor Stevens (The Innocent (Vanessa Michael Munroe, #2))
I thought he was in love with me,” Nancy said petulantly. “I truly did.” Jane let out an exasperated breath. “You knew he’d been disinherited. Didn’t that give you some pause?” “Yes, but…well…he told me it was all that girl’s fault. That she’d let him on and spun a tale to deceive his father and---” She grimaced. “I suppose that was all lies.” “To say the least,” Dom muttered. More and more, he began to see why Jane had defended the woman. Because she realized just how dim-witted her cousin could be about men. “You said you went to York to see a doctor about the baby,” Jane propped. “Why not just use the doctor you’ve always used?” He had to admit that Jane was rather good at the interrogation part. Perhaps the “honorary Duke’s Man” thing wasn’t so far-fetched after all. Nancy thrust out her chin. “He would have gone straight to Dom with the news. I wanted…someone unrelated to the family.” Jane’s eyes narrowed on her. “But why not ask me to take you before I left? I can see why you didn’t want to involve Dom, given the sticky nature of the situation, but I wouldn’t have told him, and I could probably have found you a doctor.” “Yes, but…well…” “You also wanted to see Samuel,” Dom said cynically. “And you could hardly do that with Jane around to disapprove.” Nancy shrugged feebly. “I figured I would already be in York to see a doctor, anyway. And Samuel had asked me to marry him. What would be the harm in it?” Jane glanced at Dom and rolled her eyes heavenward. It made him wonder how often she’d had to deal with such nonsense from her cousin in the past.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
Is this weird?" she asked with a satisfied sigh. Jay shook his head. "Nah," he answered, rubbing his hand along the sensitive skin of her arm. "It was gonna happen eventually. I'm just glad it's finally out there...I was getting tired of waiting." Violet was confused. Out there? What the hell was that supposed to mean? It was going to happen eventually? How could he have known what was going to happen? She wiggled out from beneath him. "What do you mean, you were tried of waiting? Waiting for what, exactly?" She propped herself back up on her elbow as she interrogated him, waiting for an answer. He let the question linger between them for longer than he needed to, deliberately teasing Violet as she waited impatiently. But when he finally did answer her, it proved to be well worth the minor annoyance. "I was just waiting for you to want me as much as I wanted you." His words were quiet but carried one hell of an impact. "I knew we were going to be together; it was just a matter of time. I kept hoping that you would figure it out. But for a smart girl, you're a little dense, Vi. I kept bringing up Lissie Adams, and showing you the notes she was leaving me, hoping that you'd get pissed enough to finally admit how you felt about me." Lissie Adams. Just hearing the other girl's name made Violet bristle enviously, causing her to shiver. She rubbed her arms protectively and hoped that Jay didn't notice. "What makes you think I was feeling anything?" she asked him suspiciously, as if he'd somehow read her mind. If she had been the kind of girl who kept a diary, she would have sworn that he'd picked the lock and read it word for word. He grinned at her. "Because you did," he stated matter-of-factly. "I know, because I did, and there was just no way that you didn't feel it too." She didn't bother denying it and instead asked, "So you used Lissie to make me jealous?" She tried to sound indignant, but it was difficult when what she really wanted to do was dance around her room triumphantly. She wondered what Lissie would think if she could see them now, together on Violet's bed. "No, I tried to use Lissie. But apparently you're more pigheaded than I gave you credit for. I thought for sure that would do it. Instead, it backfired on me, and you agreed to go to the dance with...someone else." He gritted his teeth, probably without even realizing it, as he choked out the words, unable to actually say Grady's name. "And when I realized you were going with him, I figured the only way I was going to get to see you that night was to ask Lissie to go with me. I figured I could sneak in at least one dance with you." Violet couldn't help it-she giggled. Just a little. It was just too much. The whole thing. Jay trying to trick her into revealing her feelings for him. Grady trying to kiss her last night. And then this...now...she and Jay cuddled up together on her bed...making out. It was crazy. "You think that's funny, huh?" He seemed a little bent that she was laughing at him. "Joke's on me, I guess," she said, serious now. "I get to sit at home, while you and Lissie Adams go to Homecoming." She tried to sound like it was no big deal, but the truth was that it stung more than she wanted it to. Jay reached up and wrapped his hand around the back of her neck. He pulled her toward him, staring her in the eye as they closed the distance between them. Violet felt an agonizing thrill at just being so hear him again. "I called her last night to cancel after I dropped you off." His voice was thick and husky, giving her chills. "I told her I was going to the dance with you instead.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Ah, my dear friend Hassim, seems our paths cross once again, how fortunate for this humble Sheik.” As Abdullah spoke in his usual self deprecating manner I realized that a favor was on the tip of his tongue and that I was about to be offered a quid-pro-quo. We were sitting crossed legged on large fat pillows with gold fringe. The tent was large with partitions dividing living, sleeping and cooking space. It was made from heavy cotton canvas erected on thick poles in the center giving the structure a peaked circus tent appearance. The women serving us were young, wearing harem pants low on their hips with cropped gauze tops made from sheer silk. Their exposed midriffs were flat and toned, their belly buttons were decorated in precious stones that glittered in the torch light as they moved. They were bare footed with stacks of gold ankle bracelets making the only sound we heard as they kept our glasses filled with fresh sweet tea and our communal serving trays piled high with dates and sugar incrusted sweets of undetermined origin. Abdullah took no notice of these women, his nonchalance intrigued me as I was obviously having trouble keeping my mind focused on the discussion at hand, this was all part of the Arab way, when it came to negotiation they had no peers. “So my dear friend, tell me, the region is on fire is there a solution?” I spoke in a deliberate and flat tone, little emotion just concern, one friend to another. “We were shocked by the American response in Egypt and Libya, never had we seen them move so fast with such efficiency. The fall of Gadaffi was unexpected and Mubarak’s fate stunned us; he had been a staunch supporter of the US in this region we fully expected the Obama administration to prop him up one more time, as they had done so many times in the past.” I looked carefully at Abdullah,
Nick Hahn
Rider scooped Willow into his arms and carried her outside to the nearest tree, Miriam right behind him. Awkwardly shifting his burden, he sat in the shade and settled Willow in his lap. "Mrs. Brigham, could you lend me a hand?" he asked anxiously. "I think we should loosen her clothing or something." Rider propped Willow's limp form over one arm, giving Miriam access to the back of the girl's dress. As the corset came into view, he snorted in disgust. "Unlace that contraption, too. No wonder she fainted; she can't breathe." Miriam looked aghast. "Oh, but I can't do that! It wouldn't be decent." "She's wearing something under it, isn't she?" "Well, yes, but--" "Good God, I'll do it myself!" His free hand produced a small knife from his pants pocket. The blade flashed and before Miriam could stop him, the corset ribbons were severed. Immediately, Willow inhaled deeply. Rider shifted her back into the bend of his arm and gently patted her cheeks. "Come on, little girl, open those big blue eyes." Inhaling another deep breath, Willow gradually came around. She blinked at the leafy roof overhead, then focused a confused gaze on Rider's smiling face. "What happened? How did I get out here?" Glancing around, she impatiently brushed a few errant strands of hair from her eyes. "Oh, my dear, you fainted," Miriam fussed. "Fainted! I've never fainted in my life. I'm not the fainting kind." "Maybe not under normal circumstances," Rider contradicted, "but you did faint. And it's little wonder, trussed up in that ridiculous corset. Wearing that thing in this heat is insane!" "Really, Mr. Sinclair." Miriam scowled. "I hardly think this is an appropriate subject in mixed company." "I'm sorry, Mrs. Brigham, but it's the truth." "I don't care what either one of you says," Willow broke in. "I did not faint." Rider grimaced in disgust. "Just dozed off again, huh?
Charlotte McPherren (Song of the Willow)
Where’s the baby?” “I just fed and changed him,” Haven said. Hardy lifted Luke’s carrier and gave it to Jack, who took it with his free hand. “Thank you.” I gave Haven a woeful glance as she handed me the diaper bag. “I’m sorry.” “For what?” “For falling asleep like that.” Haven smiled and reached out to hug me. “There’s nothing to be sorry about. What’s a little narcolepsy among friends?” Her body was slim and strong, one small hand patting my back. The gesture surprised me in its naturalness and ease. I returned the embrace awkwardly. Haven said over my shoulder, “I like this one, Jack.” Jack didn’t answer, only nudged me out into the hallway. I trudged forward, nearly blind with exhaustion, staggering with it. It took extreme focus to keep one foot in front of the other. “I don’t know why I’m so tired tonight,” I said. “It’s all caught up with me, I guess.” I felt Jack’s hand descend to the center of my back, guiding me forward. I decided to talk to keep myself awake. “You know, chronic sleep deper . . . dep . . .” “Deprivation?” “Yes.” I shook my head to clear it. “It gives you memory problems and raises your blood pressure. And it results in occupational hazards. It’s lucky I can’t get hurt doing my job. Unless I fall forward and hit my head on the keyboard. If you ever see QWERTY imprinted on my forehead, you’ll know what happened.” “Here we go,” Jack said, loading me onto the elevator. I squinted at the row of buttons and reached for one. “No,” he said patiently, “that’s the nine, Ella. Press the upside-down one.” “They’re all upside-down,” I told him, but I managed to find the 6. Propping myself up in the corner, I wrapped my arms around my midriff. “Why did Haven tell you ‘I like this one’?” “Why shouldn’t she like you?” “It’s just . . . if she says it to you, it implies . . .”— I tried to wrap my foggy brain around the idea—“. . . something.” A quiet laugh escaped him. “Don’t try thinking just now, Ella. Save it for later.” That sounded like a good idea. “Okay.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
So who else?” “Who else what?” With his mouth full, he says, “Who else got letters?” “Um, that’s really private.” I shake my head at him, like Wow, how rude. “What? I’m just curious.” Peter dips another fry into my little ramekin of ketchup. Smirking, he says, “Come on, don’t be shy. You can tell me. I know I’m number one, obviously. But I want to hear who else made the cut.” He’s practically flexing, he’s so sure of himself. Fine, if he wants to know so bad, I’ll tell him. “Josh, you--” “Obviously.” “Kenny.” Peter snorts. “Kenny? Who’s he?” I prop my elbows up on the table and rest my chin on my hands. “A boy I met at church camp. He was the best swimmer of the whole boys’ side. He saved a drowning kid once. He swam out to the middle of the lake before the lifeguards even noticed anything was wrong.” “So what’d he say when he got the letter?” “Nothing. It was sent back return to sender.” “Okay, who’s next?” I take a bite of sandwich. “Lucas Krapf.” “He’s gay,” Peter says. “He’s not gay!” “Dude, quit dreaming. The kid is gay. He wore an ascot to school yesterday.” “I’m sure he was wearing it ironically. Besides, wearing an ascot doesn’t make someone gay.” I give him a look like Wow, so homophobic. “Hey, don’t give me that look,” he objects. “My favorite uncle’s gay as hell. I bet you fifty bucks that if I showed my uncle Eddie a picture of Lucas, he’d confirm it in half a second.” “Just because Lucas appreciates fashion, that doesn’t make him gay.” Peter opens his mouth to argue but I lift up a hand to quiet him. “All it means is he’s more of a city guy in the midst of all this…this boring suburbia. I bet you he ends up going to NYU or some other place in New York. He could be a TV actor. He’s got that look, you know. Svelte with fine-boned features. Very sensitive features. He looks like…like an angel.” “So what did Angel Boy say about the letter, then?” “Nothing…I’m sure because he’s a gentleman and didn’t want to embarrass me by bringing it up.” I give him a meaningful look. Unlike some people is what I’m saying with my eyes. Peter rolls his eyes. “All right, all right. Whatever, I don’t care.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Mystery is the sugar in the cup,' said the Doctor. She picked up the container of white crystals the delicatessen had included in the picnic basket and poured a large dollop into her cognac. 'I don’t think I’d do that, Gunilla,' said Darcourt. 'Nobody wants you to do it, Simon. I am doing it, and that’s enough. That is the curse of life—when people want everybody to do the same wise, stupid thing. Listen: Do you want to know what life is? I’ll tell you. Life is a drama.' 'Shakespeare was ahead of you, Gunilla,' said Darcourt. '"All the world’s a stage,"' he declaimed. 'Shakespeare had the mind of a grocer,' said Gunilla. 'A poet, yes, but the soul of a grocer. He wanted to please people.' 'That was his trade,' said Darcourt. 'And it’s yours, too. Don’t you want this opera to please people?' 'Yes, I do. But that is not philosophy. Hoffmann was no philosopher. Now be quiet, everybody, and listen, because this is very important. Life is a drama. I know. I am a student of the divine Goethe, not that grocer Shakespeare. Life is a drama. But it is a drama we have never understood and most of us are very poor actors. That is why our lives seem to lack meaning and we look for meaning in toys—money, love, fame. Our lives seem to lack meaning but'—the Doctor raised a finger to emphasize her great revelation—'they don’t, you know.' She seemed to be having some difficulty in sitting upright, and her natural pallor had become ashen. 'You’re off the track, Nilla,' said Darcourt. 'I think we all have a personal myth. Maybe not much of a myth, but anyhow a myth that has its shape and its pattern somewhere outside our daily world.' 'This is all too deep for me,' said Yerko. 'I am glad I am a Gypsy and do not have to have a philosophy and an explanation for everything. Madame, are you not well?' Too plainly the Doctor was not well. Yerko, an old hand at this kind of illness, lifted her to her feet and gently, but quickly, took her to the door—the door to the outside parking lot. There were terrible sounds of whooping, retching, gagging, and pitiful cries in a language which must have been Swedish. When at last he brought a greatly diminished Gunilla back to the feast, he thought it best to prop her, in a seated position, against the wall. At once she sank sideways to the floor. 'That sugar was really salt,' said Darcourt. 'I knew it, but she wouldn’t listen. Her part in the great drama now seems to call for a long silence.' 'When she comes back to life I shall give her a shot of my personal plum brandy,' said Yerko. 'Will you have one now, Priest Simon?
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.
Karen Marie Moning (Shadowfever (Fever, #5))