Girl Hurricane Quotes

We've searched our database for all the quotes and captions related to Girl Hurricane. Here they are! All 82 of them:

Thea isn't a girl. She's a whirlwind wrapped in a hurricane wrapped in steel.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
You are a hurricane of a girl; remember to breathe every once and a while, do not drown within your own storm.
Emma Bleker
it is the way that all girls who only know one boy move. Centered as if the love that boy feels for them anchors them deep as a tree's roots, holds them still as the oaks, which don't uproot in hurricane wind. Love as certainty.
Jesmyn Ward (Salvage the Bones)
he’s that guy: the lawless, solitary, hurricane-hearted one who wreaks havoc, blowing through towns, through girls, through his own tragic misunderstood life.
Jandy Nelson (I'll Give You the Sun)
This just didn’t happen to girls like me. This just didn’t happen to anyone.
Jenna-Lynne Duncan (Hurricane (Hurricane #1))
I know you are scared. Who could blame you? Love is a hurricane wrapped inside a chrysalis. And you are a girl walking into the storm.
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
Don't tell a girl with fire in her veins and hurricane bones what she should and shouldn't do. In the blink of an eye, she will shatter that ridiculous cage you attempt to build around her beautiful bohemian spirit.
Melody Lee (Moon Gypsy)
There will always be those who say you are too young and delicate to make anything happen for yourself. They don't see the part of you that smolders. Don't let their doubting drown out the sound of your own heartbeat. You are the first drop of rain in a hurricane. Your bravery builds beyond you. You are needed by all the little girls still living in secret, writing oceans made of monsters, and throwing like lightning. You don't need to grow up to find greatness. You are so much stronger than the world has ever believed you could be. The world is waiting for you to set it on fire. Trust in yourself and burn.
Clementine von Radics (Mouthful of Forevers)
A miracle is a single mom who works two jobs to care for her kids and still helps them with their homework at night. A miracle is a child donating all the money in their piggy bank to help victims of Hurricane Katrina. That's where you'll find the hand and face of God.
Cathie Linz (Good Girls Do (Girls Do Or Don't, #1))
She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.
Patrick Süskind (Perfume: The Story of a Murderer)
Damn. I never should have agreed to this. What is he thinking? Here we are in a piece of crap pickup truck on our way to sit outside of a supermarket to kidnap this girl. Damn. He’d better not be falling for her. Sure she’s cute, but I can’t think about that.
Jenna-Lynne Duncan (Hurricane (Hurricane #1))
Even when she slept, she tossed and turned and squirmed, like she was secretly a hurricane forced into a girl-body and told to exist as best she could among people who had no idea what it meant to secretly be a weather pattern.
Seanan McGuire (A Red-Rose Chain (October Daye, #9))
She’s not a girl. She’s been through hurricanes of emotions, she fought the armies of fears, she passed the trickiest life’s trials. She matured like wine through humid darkness, cold and time. She came out fizzy and sweet.
Tatsiana (99 Sketches: A collection of philosophical and inspirational notes (poetry, prose and art))
FORGIVE OR NOT, AS YOU WILL, AND KNOW ALWAYS THAT YOU ARE A HURRICANE IN THE BODY OF A GIRL, GLORIOUS AND FEARSOME AND WONDERFUL AND CAPABLE OF ANYTHING.
Seanan McGuire
No one can control you. No one can bind you by rules or put you in a box or rein you in. You’re Salem. You’re probably why they name hurricanes and natural catastrophes after girls like you.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
I've lived in New York long enough to understand why some people hate it here: the crowds, the noise, the traffic, the expense, the rents; the messed-up sidewalks and pothole-pocked streets; the weather that brings hurricanes named after girls that break your heart and take away everything. It requires a certain kind of unconditional love to love living here. But New York repays you in time in memorable encounters, at the very least. Just remember: ask first, don't grab, be fair, say please and thank you- even if you don't get something back right away. You will.
Bill Hayes (Insomniac City: New York, Oliver, and Me)
The Butterfly Effect Close your eyes and think about that boy. Tell me how he makes you feel. Let your mind trace over his tired shoulders. Allow your thoughts to linger on that beautiful smile. Take a deep breath and try to push those dark feelings aside. For once let go of the reins you've wrapped so tightly around your heart. I know you are scared. Who could blame you? Love is a hurricane wrapped inside a chrysalis. And you are a girl walking into the storm.
Lang Leav (Memories)
I always thought that falling in love should feel like jumping from a cliff. A fall that scares you as much as it excites you, that leaves you breathless and wanting more. The impossible kind … that ruins you for everyone else. This wasn’t it, and my chances of finding it have just become harder. I am not the same girl that I was before. Finding that special guy prepared to carry my load with me, would be one in a million, a fairytale come true, and just maybe, an impossible dream…
MeChelle Vermeulen (Hurricane Butterfly)
I guess my tendency to say things as they are, without filtering, puts girls off. If you ask me how you look, and I think your dress makes your arse look fat, I’ll tell you.
R.J. Prescott (The Hurricane (The Hurricane, #1))
Sometimes little girls must become their own heroes.
Asha Ashanti Bromfield (Hurricane Summer)
You are now 18 standing on the precipice, trembling before your own greatness. This is your call to leap. There will always being those who say you are too young and delicate to make anything happen for yourself. They don’t see the part of you that smolders. Don’t let their doubting drown out the sound of your own heartbeat. You are the first drop of a hurricane. Your bravery builds beyond you You are needed by all the little girls still living in secret, writing oceans made of monsters and throwing like lightening. You don’t need to grow up to find greatness. You are stronger than the world has ever believed you to be. The world is waiting for you to set it on fire Trust in yourself and burn.
Clementine von Radics
His eyes were liquid silver in the muddle of moonbeams and stardust, seeing her for what she was, seeing her as what he’d turned her into, this dishevelled, undone mess of a girl.
Thea Guanzon (The Hurricane Wars (The Hurricane Wars, #1))
Thing was, after the hurricane, life went on. You had to buy milk, fix the broken windows, play some Warhammer, discuss some girls. Wow!
Teresa Toten (The Unlikely Hero of Room 13B)
My mood depends on the girl whom I love, but she is like a wildest hurricane, drifting shore to shore.
J. Limbu
But falling for a guy like Grayson Dunn is like trying to wait out a hurricane by taking shelter in the eye of the storm.
Julie Johnson (The Monday Girl (The Girl Duet #1))
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
Susan Dennard (Truthwitch (The Witchlands, #1))
I pushed her shiny blond hair away from her face and leaned down, our faces only inches apart. She inhaled softly, our lips so close I could feel her breath and the scent of her skin, like honeysuckle in springtime. She smelled like sweet tea and old books, like she had always been here. I pulled my fingers through her hair and held it at the back of her neck. Her skin was soft and warm, like a Mortal girl's. There was no electric current, no shocks. We could kiss for as long as we wanted. If we had a fight, there wouldn't be a flood or a hurricane, or even a storm. I wouldn't find her on the ceiling of her bedroom. No windows would shatter. No exams would catch fire. Liv held up her face to be kissed. She wanted me.
Kami Garcia
Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
Here they are. Two sets of sneakers on a scrap of metal. Two girls in the middle of a hurricane, tearing down the line. She's looking up at Jane, and Jane's looking down at her, and August feels her everywhere, even the places she's not touching, pressed close as the world roars on.
Casey McQuiston (One Last Stop)
I light another cigarette. I'm starting to get nervous as fuck. I normally don't do pillow talk with girls I make love to. God, but I need this. Nobody really knows my story. They all think they do. I've buried the truth in a hurricane of words. That's really what I did. A novel every six months or so. Damn, I hide a lot. "I don't know. I've tried replacing her with somebody else. Believe me, I tried. But I can't. I spent ten years of my life chasing her ghost. I try to find her in other women. It's unfair to them. That's why I just them home. I fuck them, love them, then I kick them out. I don't want them knowing.
Moses Yuriyvich Mikheyev (The Hack)
There was never a girl who floated. Girls were not build for the sky. So, if the floating part was undeniable, then the fault must have lied at the end of the title. There was once a sometimes-floating-something. There was sometimes a floating nothing. There was sometimes a hurricane of a girl attacking the ground but then, that didn’t feel quite human either, did it?
Alex Nonymous
These folks thought that society had already collapsed. They had dropped out, walked away from—” “The world of men,” I finish. “That’s what my father always said. That the end was already underway.” “Some days it’s hard to argue with that,” says Joy. I think of the fires raging, the virus that’s spreading, the category five hurricanes that have been ravaging coastlines, war all over the world, famine, drought. Maybe he was right.
Lisa Unger (Last Girl Ghosted)
That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.
James Baldwin (Another Country)
She had seen the almost-human Orona, who was orphaned and alone in the world, a woman whom Cain had plucked off the streets and fallen in love with. What she didn’t see was the undead creature Cain barely knew, the foolish human girl who fell in love with the caretaker of the seas. She hadn’t seen me stand up against a hurricane or keep a cave from crushing two lovers to death. She hadn’t seen me throw myself over the ones who would have turned to ashes when the volcano erupted, or made water appear from the sands to the dying in the desert. She did not know I was both savior and destroyer to so many souls.
Jennifer Silverwood (Stay)
My father is still searching for his happiness. I can't fill that void for him, just like he can't fill mine. It is neither of our responsibilities. And now, I must release him from the task. He is not my hero. And in this moment I feel guilty for putting that pressure on his shoulders. What a heavy weight to carry for a person who is just as broken as I am. What a burden to bear for an empty man. My father is human, flawed and imperfect, and the inevitable truth about the chaos that rages inside of me is that he cannot clean it up. Only I can do that. So my fantasy of my father must reach its final chapter . My fairy tale of him must come to an end. Sometimes little girls must become their own heroes.
Asha Ashanti Bromfield (Hurricane Summer)
Remember during the coverage of Hurricane Katrina, those images of people on their roofs while makeshift boats full of people sailed by? Well, this is my boat-people analogy. We’ve been flooded and I’m in a boat that’s gliding by everyone I know on top of those roofs. But my boat only holds fifteen people. I got my girls, my family, my closest friends. When your boat is full, it’s not like you’re saying to everyone else on those roofs, “I don’t care about you.” It’s just that these are my boat people and I’ve gotta save them. Because they’re in the fight with me. This is crucial: When you take on cancer, you’re not alone. Of course, that’s not how it feels when you first hear those words: “You have cancer.” At that moment, you feel more alone than you’ve ever been. You’re standing in place, numb, and the world is rushing by.
Stuart W. Scott (Every Day I Fight)
Cooper: "You could've been killed. In case you hadn't noticed, we're practically in the middle of a hurricane." My jaw drops. Mac: "Are you kidding me right now? In case I hadn't noticed? And now you're suddenly worried about my safety? You're the one who left me at your house in the middle of a hurricane. I was all alone there! Just me and Patricia screaming like a banshee!" He blinks at me as if I'm insane. Cooper: "Her name is Daisy." I stumble to my feet, clutching the blanket around myself like a toga. Mac: "I'm not talking about the dog! I'm talking about Patricia!" Cooper: "I don't know who Patricia is, you lunatic!" Mac: "The little dead girl who drowned outside your house a hundred years ago and -" I stop, my outraged gaze swinging toward Evan, whose lips are twitching wildly. Mac: "You asshole! Seriously?" Evan crosses his arms across his chest. Evan: "Mackenzie. Sweetheart. I'm not going to apologize for you being gullible. This one's on you.
Elle Kennedy (Good Girl Complex (Avalon Bay, #1))
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
A BLESSING FROM MY SIXTEEN YEARS’ SON I have this son who assembled inside me during Hurricane Gloria. In a flash, he appeared, in a tiny blaze. Outside, pines toppled. Phone lines snapped and hissed like cobras. Inside, he was a raw pearl: microscopic, luminous. Look at the muscled obelisk of him now pawing through the icebox for more grapes. Sixteen years and not a bone broken, not a single stitch. By his age, I was marked more ways, and small. He’s a slouching six foot two, with implausible blue eyes, which settle on the pages of Emerson’s “Self Reliance” with profound belligerence. A girl with a navel ring could make his cell phone buzz, or an Afro’d boy leaning on a mop at Taco Bell— creatures strange as dragons or eels. Balanced on a kitchen stool, each gives counsel arcane as any oracle’s. Dante claims school is harshing my mellow. Rodney longs to date a tattooed girl, because he wants a woman willing to do stuff she’ll regret. They’ve come to lead my son into his broadening spiral. Someday soon, the tether will snap. I birthed my own mom into oblivion. The night my son smashed the car fender, then rode home in the rain-streaked cop cruiser, he asked, Did you and Dad screw up so much? He’d let me tuck him in, my grandmother’s wedding quilt from 1912 drawn to his goateed chin. Don’t blame us, I said. You’re your own idiot now. At which he grinned. The cop said the girl in the crimped Chevy took it hard. He’d found my son awkwardly holding her in the canted headlights, where he’d draped his own coat over her shaking shoulders. My fault, he’d confessed right off. Nice kid, said the cop.
Mary Karr (Now Go Out There (and Get Curious))
February 2009 January 4. January 4. January 4. I rubbed the paper on my red calendar. I cried into the little box, into the last day we had sex. I was a tornado. I puked hurricanes. I was Jodi Arias. There were no more tears for him. Swirling eddies of vodka, pills, fattening food, and tears. Vortexes corralled other vortexes. They joined forces with the eyes of other storms far out into the Gulf, and Atlantic, and castrated my heart first, then everything below the neck. Fuck the heart; my brain was mauled into mush. He didn’t have a heart—and possibly, neither did I. The heart had nothing to do with a whirlpool of circles and left and rights I navigated.
Christy Heron (Unrequited - One Girl, Thirteen Boyfriends, and Vodka.)
How does the old cliché go? When every Arab girl stood in line waiting for God to hand out the desperate-to-get-married gene, I must have been somewhere else, probably lost in a book. I do understand that it isn’t just Arab girls who have that gene, but it is dominant in our part of the world. A force of nature and nurture, an epigenetic hurricane, herds us into marrying and breeding. Social cues, community rites, religious rituals, family events—all are meant to impress upon children the importance and inevitability of what Bruno Schulz calls the “excursion into matrimony.” No girl of my generation could imagine rebelling, nor would she want to.
Rabih Alameddine (An Unnecessary Woman)
Did I ever tell you I was on TV once? Yup. I was in fifth grade, and a local news team came to cover a hurricane that blew a tree into our school. I was the girl crossing her eyes behind the newscaster, just to the left. (I saved the tape. I play
Ann M. Martin (Aloha, Baby-sitters! (The Baby-Sitters Club Super Special, #13))
Did I ever tell you I was on TV once? Yup. I was in fifth grade, and a local news team came to cover a hurricane that blew a tree into our school. I was the girl crossing her eyes behind the newscaster, just to the left. (I saved the tape. I play it, oh, twice a month. I think it shows real talent.)
Ann M. Martin (Aloha, Baby-sitters! (The Baby-Sitters Club Super Special, #13))
Cassie. My daughter. A seven-year-old with a personality that was reminiscent of tropical weather – sunny, warm, adorable, good for the soul, but with occasional hurricanes and tornados which necessitated boarding up the windows and hiding under a bed until they passed.
Shari Low (Friday Night with the Girls)
This girl is fire, absolute grace and determination under pressure. She’s the hurricane whipping, but at the same time, the calm in our storm.
Leila James (Archer (Brothers of Hawthorne Hall, #3))
God, if she considered it, seemed awfully cruel and violent, blowing people’s houses down, washing out the coastline. Such a God, Allison was sure, would have to be a man, and not a particularly nice one.
Marcy Dermansky (Hurricane Girl)
A tatted cool hunky guy is acting as my girl’s arm candy? Forget Jake. He can take care of himself. I’m officially tracking a hurricane.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
You are the ocean to me,” he says. I shake my head. “Is that line you say to every girl?” “Uhh…no! I have never compared anyone else to a massive body of water that could take me under.” “You think I could take you under?” “I think you already have.
Ellen Hagan (Don't Call Me a Hurricane)
Brains and beauty! Adorable Desiree is one of the smartest dogs around. She not only knows the cues for sit and wait, but can give high 5! born in 2003. Desiree is a healthy girl who was rescued from Hurricane Katrina. She loves playing with other dogs, but she's bossy with them, so it's a good idea to introduce the dogs before bringing her home.. She's not great with children, so needs an adult-only home. Desiree loves having activities and a job to do. She can jump really high fences, so you have to watch out for that! but if you're looking for an active, silky-soft dog, Desiree would love to meet you. She really needs her happy-ever-after!
Peggy Race (Desiree, The Music of My Soul: A Memoir)
It was like she was standing on the beach in the middle of a hurricane.
Karin Slaughter (Pretty Girls)
Gloria tried to think of who could have died in the house. It seemed like Alan would have mentioned that Eva had been stuck on top of a house with a dead body sloshing around inside. But, there it was, clearly noted, one dead body another horror the girl had endured. She peered at the marks on the house, confused. That wasn’t the date of the hurricane. But she couldn’t think about it now; Eva was getting too far ahead. Like it or not, the girl was her responsibility now.           
Stuart Conover (State of Horror: Louisiana Volume II (State of Horror Series))
What did he do?” I whipped around, startled. I had been so immersed in my own thoughts that I hadn’t even noticed Philantha standing into the doorway to one of the sitting rooms. “Pardon?” “Well, in my experience, it’s usually the man who bumbles about causing most of the problems in relationships of romance,” she said. “So, naturally, I assumed that your young man has done or said or thought something that caused you to come bursting in like a hurricane. Am I correct?” I shook my head so violently the braid coiled around my head threatened to come loose. “We’re not in a…relationship of romance. He’s just my friend.” Philantha made a sound surprisingly like a snicker. “Truly?” she asked. “I suppose that’s why he’s been with you most evenings.” “Like I said, we’re friends. And we haven’t seen each other in a long time.” She raised an eyebrow. “I may not care about it--or at least I didn’t, until recently--but I do hear some of the court gossip when I visit the college. The noble students, they bring it with them, you know. And one of the stories is how the Earl of Rithia and his wife are scrambling to find eligible matches for their son.” I felt suddenly dizzy for no reason, and a hot flush--disturbingly like the jealous feeling I had experienced at the inn--rushed through me. “Matches?” I repeated. “Girls, young women, marriageable prospects. Strange, how suddenly they started. Right after the princess came back, it’s been noted. As if they had had hope for another match before, and it was ruined.” “Me?” I asked. “People think Kiernan’s parents wanted him to marry me? That’s…ridiculous. Princesses don’t marry earls--a duke, maybe, but not an earl, not unless he’s foreign and brings some grand alliance. And besides, we’re just--” “Friends,” Philantha finished. “I know. That’s what you keep saying.” She eyed me, before saying, “They haven’t had much luck, though, from the gossip. He’s polite to everyone they trot out, but nothing more. But that’s neither here nor there, since you don’t love him.” I glared at her, my face and chest still filled with that rush of heat. “In fact, he’s made you angry, hasn’t he?” “He did. Well, I said…Yes, we fought. He says that Na--the princess--wants to see me. And I told him that he couldn’t bring her to me, that I didn’t want to see her. He said that if she asked, he would have to. But he’s wormed his way out of stickier situations than that. He could find a way to avoid it, if he wanted to.” “Then perhaps he doesn’t want to,” Philantha answered before gliding away up the stairs and out of sight. I had plenty of time to mull over Philantha’s words, because I didn’t see Kiernan for the next three days. It was the longest we had been parted since I returned to the city, and even through my anger at him it drove me to distraction. I mangled my spells even worse than usual, spilled ink, and tripped so frequently that Philantha threatened to call Kiernan to the house herself and turn him into a sparrow if we didn’t make up. Her eyes glinted dangerously when she said it, and only that was enough to force away a bit of my muddleheadedness.
Eilis O'Neal (The False Princess)
Sean had never stared into as many blank-eyed faces before. Throughout the high school civics talk, he felt as if he were speaking to the kids in a foreign language, one they had no intention of learning. Scrambling for a way to reach his audience, he ad-libbed, tossing out anecdotes about his own years at Coral Beach High. He confessed that as a teenager his decision to run for student government had been little more than a wily excuse to approach the best-looking girls. But what ultimately hooked his interest in student government was the startling discovery that the kids at school, all so different—jocks, nerds, preppies, and brains—could unite behind a common cause. During his senior year, when he’d been president of the student council, Coral Beach High raised seven thousand dollars to aid Florida’s hurricane victims. Wouldn’t that be something to feel good about? Sean asked his teenage audience. The response he received was as rousing as a herd of cows chewing their cud. Except this group was blowing big pink bubbles with their gum. The question and answer period, too, turned out to be a joke. The teens’ main preoccupation: his salary and whether he got driven around town in a chauffeured limo. When they learned he was willing to work for peanuts and that he drove an eight-year-old convertible, he might as well have stamped a big fat L on his forehead. He was weak-kneed with relief when at last the principal mounted the auditorium steps and thanked Sean for his electrifying speech. While Sean was politically seasoned enough to put the morning’s snafus behind him, and not worry overmuch that the apathetic bunch he’d just talked to represented America’s future voters, it was the high school principal’s long-winded enthusiasm, telling Sean how much of an inspiration he was for these kids, that truly set Sean’s teeth on edge. And made him even later for the final meeting of the day, the coral reef advisory panel.
Laura Moore (Night Swimming: A Novel)
The storm turned out to be much worse even than our captain had imagined. Winds that must have been near hurricane force whipped the seas into a frenzy. The couple busied themselves with trying to handle the boat and keep it afloat, and I’m glad they did. But that left Sandy and me to fend for ourselves. Of the two of us, Sandy is the bigger sissy (he’s always more afraid he’s going to break a nail than I am). He had no idea what to do. Soon it became clear to both of us what to do: hold on for dear life! Waves began washing over the rear deck, and I started to get really scared. It takes a lot for me to take my shoes off, but this is one time I decided I could forgo the five-inch heels. I took them off, and it wasn’t long before “my little slings,” as I always called them, got slung. They went overboard with a wave, and all I could do was watch them go. The next wave almost got me. A wall of water came crashing over the boat, slapping it around like a toy. I slid across the deck, completely out of control. I felt a rush of cold water surround me as the sea swept me in. I managed to grab a railing and stay with the boat, but my whole body was dangling overboard. I could think of nothing but the shark stories the captain had told us earlier. Just as I began to lose my grip, I became aware of Sandy making his way across the pitching deck, reaching his hand out for me He somehow got a hold of me and dragged me back onto the boat and into the little cabin. It felt good to be out of the water, but by all appearances, the sharks’ dinner had only been delayed. There seemed to be no way our little boat could ride out this storm. You never know how you’re going to respond to a situation like that until you’re actually in it. The way Sandy and I chose to deal with it is still a source of wonder to me. We held a brief high-level discussion and unanimously decided that we were doomed. Sandy’s gutsy “They can kill us, but they won’t eat us” didn’t apply to sharks. Then we simply and calmly lay down on the little bunk, held hands, and waited to die. I thought to myself, “If this don’t beat all.” Here I am, a country girl from East Tennessee, about to die somewhere off the coast of Australia, side by side with a gay man from New York.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
In his memoirs the author Roald Dahl, who took part in the invasion as a Hurricane pilot, confirmed the impression that the Vichy French were unprepared. Sent to strafe the Vichy aerodrome at Rayak, he recalled, on his first low pass over the landing strip, being astonished to see ‘a bunch of girls in brightly coloured cotton dresses standing out by the planes with glasses in their hands having drinks with the French pilots, and I remember bottles of wine standing on the wing of one of the planes as we went swooshing over’.19 It was a Sunday morning and ‘the Frenchmen were evidently entertaining their girlfriends and showing off their aircraft to them, which was a very French thing to do in the middle of a war at a front-line aerodrome. Every one of us held our fire on that first pass over the flying field and it was wonderfully comical to see the girls all dropping their wine glasses and galloping in their high heels for the door of the nearest building . . . we destroyed five of their planes on the ground.’ But the hope
James Barr (A Line in the Sand: Britain, France and the struggle that shaped the Middle East)
Klapp Klapp" Corridor lies with the river All watery eyes I stand there waitin’ for my turn I turn with a rise The spirits blow around like a hurricane whip The girls don’t mind my high scream drip Somebody found us dancin’ You can turn off and feel better When everything’s clear like cold weather Go feel better, feel better Somebody from my heart said I could turn off and never wake up And everything’s clear, My breath feels like steam fake Feel better Fallin’ apart, apart, apart, apart, apart Finally they call my name The ghost inside can wake us to life Makin’ my chair do flips By givin’ into this we’ll be saved every time Fallin’ through the floor on my broken butterfly wing "Gimme me one more," the girl from the corridor sing, she sing I hear you want it, don’t you? I know you want it, don’t you, don’t you? I see you want it, don’t you? I know you want it, don’t you, don’t you? Fallin’ apart, apart, apart, apart, apart Fallin’ apart, apart, apart, apart, apart Somebody found us dancin’ You can turn off and feel better When everything’s clear like cold weather Go feel better, feel better Somebody from my heart said You could turn off and never wake up And everything’s clear, My breath feels like steam fake Feel better Do you want it? Do you want it? Do you want it? Do you want it? Do you? Do you (she says)? Do you? Do you? Do you want it? Do you want it? Do you want it? Do you want it? Do you? Do you? Do you (she says)? Fallin’ apart, apart, apart, apart, apart Fallin’ apart, apart, apart, apart, apart
Sofia Coppola
Klapp Klapp" Corridor lies with the river All watery eyes I stand there waitin’ for my turn I turn with a rise The spirits blow around like a hurricane whip The girls don’t mind my high scream drip Somebody found us dancin’ You can turn off and feel better When everything’s clear like cold weather Go feel better, feel better Somebody from my heart said I could turn off and never wake up And everything’s clear, My breath feels like steam fake Feel better Fallin’ apart, apart, apart, apart, apart Finally they call my name The ghost inside can wake us to life Makin’ my chair do flips By givin’ into this we’ll be saved every time Fallin’ through the floor on my broken butterfly wing "Gimme me one more," the girl from the corridor sing, she sing I hear you want it, don’t you? I know you want it, don’t you, don’t you? I see you want it, don’t you? I know you want it, don’t you, don’t you? Fallin’ apart, apart, apart, apart, apart Fallin’ apart, apart, apart, apart, apart Somebody found us dancin’ You can turn off and feel better When everything’s clear like cold weather Go feel better, feel better Somebody from my heart said You could turn off and never wake up And everything’s clear, My breath feels like steam fake Feel better Do you want it? Do you want it? Do you want it? Do you want it? Do you? Do you (she says)? Do you? Do you? Do you want it? Do you want it? Do you want it? Do you want it? Do you? Do you? Do you (she says)? Fallin’ apart, apart, apart, apart, apart Fallin’ apart, apart, apart, apart, apart
Little Dragon
She ran the harder and zagged more erratically, and in the wreckage left from the hurricane the girl misjudged her path and ran straight into the old well. She didn’t even scream.
Samuel Snoek-Brown (Hagridden)
Would my head were a head of lettuce. I drove the last car over the Sagamore Bridge before the state police closed it off. The Cape Cod Canal all atempest beneath. No cars coming, no cars going. The bridge cables flapping like rubber bands. You think in certain circumstances a few thousand feet of bridge isn’t a thousand miles? The hurricane wiped out Dennis. Horace thanked God for insurance. I saved our little girl. You want me to say, Hurrah! Hurrah! but I can’t, I won’t, because to save her once isn’t to save her, and still she thumps as if the world was something thumpable. As if it wasn’t silence on a fundamental level. Yap on, wife, yap on. Thump, daughter, thump. Louder, Orangutan, louder. I can’t hear you.
Peter Orner (Last Car Over the Sagamore Bridge: Stories)
She's a hurricane, my family said. Good, because Miami knows what to do with those.
Laura Taylor Namey (A British Girl's Guide to Hurricanes and Heartbreak (Girl’s Guide))
And I grin, too, over my best photo from a time when I'm not trying to keep out hurt and disease from the frame. Instead, I let in all the light.
Laura Taylor Namey (A British Girl's Guide to Hurricanes and Heartbreak (Girl’s Guide))
Yes, I knew it looked bad that I was still a bachelor at thirty-five, and that I’d never had a serious relationship to this point in my life. But maybe I was just waiting for the right girl to blow into my life like a hurricane and knock me onto my ass. There was no doubt in my mind that girl was Bristol.
Siena Trap (A Bunny for the Bench Boss (Indy Speed Hockey, #1))
Elisa thumbs a stray curl from my face. "Sometimes we need a new memory to add to an old one." She gestures to the line of picture frames. "It does not mean the old one doesn't matter anymore or that it becomes less. It means the new one matters . . . too. También. And over time, they both change, nena. They change with us and inside us.
Laura Taylor Namey (A British Girl's Guide to Hurricanes and Heartbreak (Girl’s Guide))
Her gaze - a worldly wonder; a hurricane blue; a water I wouldn't mind drowning in.
Emilia Thornrose (There's This Girl)
A young girl ran at me at an impressive speed, her tails wagging wildly around her. It could hardly even be called running—she swept in with the speed and force of a hurricane. However, just as a car couldn’t stop instantaneously, her speed was so great that it propelled her right past me. Or so I thought until the girl landed right on top of me with a reverberating THUMP!
Himawari (Fluffy Paradise Volume 3)
She is calm and self-possessed as a housecat; it is the way that all girls who only know one boy move. Centered as if the love that boy feels for them anchors them deep as a tree’s roots, holds them still as the oaks, which don’t uproot in hurricane wind. Love as certainty.
Jesmyn Ward (Salvage the Bones)
She looked starstruck, but he couldn’t blame her. The girls always flocked to smooth-talking Tim. Despite Hurricane Gerard’s powerful winds, his hair still looked perfectly groomed. Jason wondered if he used shellac as his favorite weatherproof hair product. No doubt, the board that hit Brandon and him would’ve just bounced off his helmet head.
Lexie Nicholas (Hurricane Beach (Southern Storms #1))
They had never promised each other every lifetime, every universe, every possible arrangement of atoms. Those are in infinite supply, and they are two girls. But they are two girls whose blood runs with the heat of exploding stars, even as it drips down their knuckles. They are two girls whose souls reach for each other and ignore probability and infinity. They are two girls who crash together and touch each other gently. They have each other’s names carved into their bones and each other’s fingerprints tattooed on their ligaments and they breathe in time with the other’s heartbeat. They would count the steps to hell and freeze it over to save one another and they would burn if there were no other choice. When the sun goes supernova and solar flares lick across the sky, they will see one another, even if only for an instant, and think, This is almost heaven. And with every instant they have they can read each other like braille with ink-stained fingertips and they are a force of nature if you dare to touch them, learning what happens when a hurricane protects its own.
Maia Brown-Jackson (The Magazine of Fantasy & Science Fiction, Vol. 141, Nos. 1 & 2, July/August 2021)
Why is it so hard to choose a direction? Part of it is that I've lost the ability to trust any of my own decisions. But there's another gap here, one I can't name. It's a Polaroid I shake and shake, but no answers materialize on the paper.
Laura Taylor Namey (A British Girl's Guide to Hurricanes and Heartbreak (Girl’s Guide))
a hurricane.
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
Whenever Daddy would take me to the ocean, I'd see it in its beauty--the blues and turquoises of the water, the ripples and movements that drenched my ears in soothing sounds. But Daddy never took me there during the storms. We didn't go to shore when a hurricane came or the waves crashed high and hard onto the sand. What Daddy had come to know was the dichotomy, the mixing of the beauty and destruction, the awe and devastation that the force of nature could unleash.
Meagan Church (The Last Carolina Girl)
Have we got a room for them?” “We have. But not here. On the kibbutz. A couple of their girls have taken them over. Reliable people. They will be right.” “They may well need be. Have we got time to get up this afternoon? What time is nightfall here?” “You’ve got two hours, Thomas.” “Not enough by the time we’ve changed into flying gear and got back here. Cockpit familiarisation only. How are you off for ground crew?” “Two flight sergeants and a sufficiency of aircraftmen of all grades. All of them have worked Hurricanes before. Three of them were with you, in fact, in the Desert. That’s one area in which we have not been let down. I have painted the planes up in three Flights, numbers and colours. Serial numbers are on as well. You are Red One, I presume?” “I am. Jack is Green One. Patrick Red Two. Michael, Blue Two.” “Got you. Let’s get you sitting in. We can get the belts right and adjust the seats. I’ll put a parachute pack in each.” The smell was immediately familiar – glycol and petrol predominating, a faint overlay of sweat. Thomas sat in and instinctively set the seat just so and twitched the belts exactly as he wanted them. He glanced at the controls and examined the screen in front of him for specks and cracks. “Flight! There’s a grease smear lower left and what looks like a row of paint specks across the right.” “Let me see… Got ‘em, sir! Balderstone, you ‘orrible object! You was told to clean the screen and polish it good!” “Told us to get it done afore us were finished, Sarge. Ain’t finished yet!” “You bloody well will be if this screen is not perfect one hour from now!” “Yes, Sarge.” “A useless object, sir, but he was a window cleaner before he got called up. One thing, the only thing, he can do, is clean a screen.” “Get him to work them all then, Flight. The screens must be spotless, you know that. A Me at two thousand yards looks like nothing more than a spot.” “Knows that, sir. Not to worry, sir. Mr Mason-Holmes a little bit new, is he, sir?” “Green as grass. Don’t worry about him. Either he’ll learn quickly or…” “Exactly, sir. He’ll be a veteran at the end of the week or we won’t have to concern ourselves about him.” Thomas nodded. They looked at Patrick and shrugged simultaneously. “Now then, sir. We have twelve ground crews exactly, one for each pilot, and likely one spare by the end of the week for rotation purposes.” “I’ll leave that with you, Flight. Don’t let your people get too tired. If needs be, I can ground
Andrew Wareham (Nothing Forgotten, Nothing Learned: The Fall of Singapore (Innocent No More, #5))
This girl is a fucking hurricane, and I’m right in the middle of it. In all honesty, I wouldn’t want to be anywhere else.
Anastasija White (SIN-BIN (Sinners on the Ice #1))
From new title ATOMICAS Shatter the Dream A WORD from the ATOMICAS I wake up every morning hearing the bell for Round One La Porcelana Fight until they can’t KISS US Army SGT. Team Black Damaged women are the most dangerous kind, because they already know they can survive. My enemies will not be so fortunate. OVERLOAD Mess with the ATOMICAS and I will rust your blood. Rusty If I ever let my head down, it will only be to admire my shoes. Ms. Newton Throw me to the wolves. I will return leading the pack RABID and Theodore Chaos is loved by the wild, not the weak FERAL and Genovese I will destroy my enemies in the most beautiful way possible, and when I leave, they will know why storms are named after people. Sea Wasp A Princess becomes an ATOMICA when she slays her own dragons. Shatterdream I will shake my bloody knuckles in my enemy’s face. A fight with the ATOMICAS is a fight to the death. I’ll slap an egg out of you. Thunder Girl I like my sunshine with a shot of hurricane. CRISIS In my defense, Mother, the moon was full, and I was the only witch unburned. Merga Starpattern I go from zero to beating you silly really quick. ZAG I’m stuck between a rock and someone I want to hit with it. Conduit Wink at Death and then beat him down like it’s your job. VOX I would rather be strong and scary than pretty and useless. I fight things that would set your soul on fire. Poltergeist
D.W. Hill (Girl Wanted: Apply in Person: The ATOMICAS Series)
Scarlett Mistry supposed there were natural disasters everywhere. But it was all so very inconvenient. When she was a child, her father had gone apoplectic over a hurricane that had flattened one of their multi-million-dollar high-rises in Miami Beach. A landslide in Vail had once collapsed the roof of a Mistry Hotels chalet. And her mother was constantly threatening to sell off the property in New Orleans before the levees gave way for good. Even in her family's native Gujarat, India, there were terrible floods when the monsoons came. Property was a risky way to make a living, in Scarlett's opinion - not that she'd ever say as much to her parents. She'd long ago decided on an alternative route to fame and fortune, one free from the uncertainty of climate change and its unpredictable effect on the real estate market. Unfortunately, she hadn't factored in power outages. So instead of being able to check any of her feeds, she was stuck sitting in a wingback chair, her phone as dead as a brick in her hand, and listening to Orchid pepper the townie with questions about how bad the storm had gotten. He wasn't big on details, that Vaughn Green. Not that Scarlett needed Vaughn's opinion on how screwed they all were. After all, she was spending the afternoon sitting under a quilt by a fire like some sort of pioneer girl.
Diana Peterfreund (In the Hall with the Knife (Clue Mystery, #1))
Sylvia leans against the railing of her porch, keeping a lookout for the little girl. She can hear Jamie’s anger echo in the night. The shrillness of his tires on the hot summer pavement, the sting of his words. She sighs, knowing that like a flood this was inevitable and that it would happen again and again and all that would remain would be bruises and teeth and a half drunk beers where there shouldn’t be. This is always how it is with Jamie—a hurricane, a flood, a natural disaster. A mess, but never a mess as cruel as tonight. She has to cut him out. She can climb on her own.
Erin Emily Ann Vance (Advice for Taxidermists and Amateur Beekeepers)
Are you missing your pretty bride?” he suggested. “Counting the minutes until you see her again? Not that I blame you. A most fascinating girl, Talasyn. Or should I say, Alunsina Ivralis. I can see why you—” Alaric went in for the kill.
Thea Guanzon (A Monsoon Rising (The Hurricane Wars, #2))
You horrible girl, some aghast inner voice chided. The man is covered in bandages and you’re thinking about his—
Thea Guanzon (A Monsoon Rising (The Hurricane Wars, #2))
She had never trusted police officers.
Marcy Dermansky (Hurricane Girl)
Picture an overwhelmed, anxious fifteen-year-old. How do you think being told “anxiety is a belief issue”8 would affect her? Because that’s what she would read in Lies Young Women Believe, and our already anxious girl might wonder if she has failed God. That same girl might hear something similar watching “5 Tips for Overcoming Crazy Girl Emotions” on the Girl Defined YouTube channel, run by Bethany Beal and Kristen Clark. In their video, Beal and Clark explain: “If our hearts and thoughts are in a godly place, our emotions will be peaceful. . . . Our emotions are a reflection of what’s going on in our hearts. . . . Our emotions are a dictator of where our heart is.” Listing the fruits of the Spirit, they conclude, “[The fruits of the Spirit] result in awesome emotions. If that’s what’s on the inside, the emotions will be stable on the outside, not like a hurricane. The opposites of the fruits of the Spirit are things like anger, anxiety, worry, things the Bible actually calls sin.”9 Read the Prophets, though, and you won’t exactly see accounts of people who were emotionally placid—but you will see a lot of hurricanes of emotion. Hearing that we need to take every thought captive and confront our depression and worry and focus on gratitude may work wonderfully for the stressed-out thirty-five-year-old who gets a bit grumpy sometimes. But for the fifteen-year-old who feels isolated and alone and wonders how she can get up in the morning? When you’re dealing with all-or-nothing thinking, this advice, when not paired with an acknowledgment of how deep and debilitating depression can be, can cause shame, as we’ve heard from these mothers: • “My daughter asked to stop going to church because of the predominant views taught in youth group about mental health (all depression/anxiety is a spiritual problem). She loves Jesus and seeks to know God/understand how she was made by him uniquely and perfectly. To be told she isn’t yielding to God or knowing who she is in Christ as a result of autism and related anxiety was as un-Christlike as it comes. I stay home on Sundays with her now.” • “My children were told during a chapel service at their Christian school that it was a sin against God to feel anxious or depressed. One of them was in therapy at the time for issues that were in part aggravated by the school environment. My children are no longer at that school.” These moms protected their kids. But it’s an embarrassment to the gospel that our Christian spaces can be so cold and unfeeling toward those in our midst who need the most compassion.
Sheila Wray Gregoire (She Deserves Better: Raising Girls to Resist Toxic Teachings on Sex, Self, and Speaking Up)
I heard her smack her lips. “Don’t be rushing me. And don’t be in there tryna make a hurricane. Just a light shower. We got two kids; we need that money.” “Bye, girl!” I said, laughing.
Elle Kayson (The Beauty of This Street Love 3: A Texas Tale)
Especially for girls of color, we're treated as lightning or gold in the pan--we're not treated as things that are going to last," [Amanda Gorman] said. "You really have to crown yourself with the belief that what I'm about and what I'm here for is way beyond this moment. I'm learning that I am not lightning that strikes once. I am the hurricane that comes every single year, and you can expect to see me again soon.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)