Giorgio Agamben Quotes

Remembrance restores possibility to the past, making what happened incomplete and completing what never was. Remembrance is neither what happened nor what did not happen but, rather, their potentialization, their becoming possible once again.

One day humanity will play with law just as children play with disused objects, not in order to restore them to their canonical use but to free them from it for good.

In the eyes of authority - and maybe rightly so - nothing looks more like a terrorist than the ordinary man.

The coming being is whatever being.

...there is no head of state in the world today who is not in virtuality a criminal. Those who shoulder the dreary mantle of sovereignty know that their turn may come to be branded a criminal by their colleagues. We certainly will not be the ones to complain. For the sovereign, who freely consented to donning the executioner's clothes, is now finally manifesting his originary kinship with the criminal.

إن «الديمقراطية الخاضعة للحماية» ليست ديمقراطية على الإطلاق

To believe that will has power over potentiality, that the passage to actuality is the result of a decision that puts an end to the ambiguity of potentiality (which is always potentiality to do and not to do) — this is the perpetual illusion of morality.

فما لا يقبله القانون بأي حالٍ من الأحوال ويعده تهديدًا لا مجال للتسامح معه مطلقًا هو وجود عنفٍ يقع خارج نطاق القانون؛ وليس هذا لأنَّ الهدف من ذلك العنف لا يتماشى مع القانون، بل لمجرد أنه يقع خارج القانون

One of the lessons of Auschwitz is that it is infinitely harder to grasp the mind of an ordinary person than to understand the mind of a Spinoza or Dante.

لِمَ الصَّمْتُ أَيُّهَا الفُقَهَاءِ حِيَالَ قَضَايَا تَهُمُّكُمْ !؟

Every culture is first and foremost a particular experience of time, and no new culture is possible without an alteration in this experience. The original task of a genuine revolution, therefore, is never merely to 'change the world', but also - and above all - to 'change time'.

One of the essential characteristics of the state of exception-the provisional abolition of the distinction among legislative, executive, and judicial powers-here shows its tendency to become a lasting practice of government.

مكن تعريف الشمولية الحديثة بأنها: "عملية تأسيسِ حربٍ أهلية قانونية من خلال تطبيق «حالة الاستثناء»"، بما يُتِيحُ التصفية الجسدية ليس فقط للخصوم السياسيين، بل لشرائح كاملة من المواطنين تعتبرهم السلطة، لسببٍ أو لآخر، غير قابلين للاندماج في النظام السياسي. منذ ذلك الحين، بات الخلق الطوعي لحالة طوارئ دائمة، حتى وإن كانت غير مُعلنةٍ –ربما- على الصعيد الفني للمصطلح، أحد الإجراءات الضرورية الهامة التي تلجأ إليها الدول المعاصرة، حتى تلك المُسمَّاةِ دولاً ديمقراطية

As is well known, what characterizes both the Fascist and Nazi regimes is that they allowed the existing constitutions (the Albertine Statute and the Weimar Constitution, respectively) to subsist, and according to a paradigm that has been acutely defined as "dual state" - they placed beside the legal constitution a second structure, often not legally formalized, that could exist alongside the other because of the state of exception.

According to the mystics, the obscure matter that creation presupposes is nothing other than divine potentiality. The act of creation is God’s descent into an abyss that is simply his own potentiality and impotentiality, his capacity to and capacity not to . . . In this context, “abyss” is not a metaphor . . . It is the life of darkness in God, the divine root of Hell in which the Nothing is eternally produced. Only when we succeed in sinking into this Tartarus and experiencing our own impotentiality do we become capable of creating, truly becoming poets.

What our investigation has shown is that the real problem, the central mystery of politics is not sovereignty, but government; it is not God, but the angel; it is not the king, but ministry; it is not the law, but the police—that is to say, the governmental machine that they form and support.

The friend is not another I, but an otherness immanent in selfness, a becoming other of the self. At the point at which I perceive my existence as pleasant, my perception is traversed by a concurrent perception that dislocates it and deports it towards the friend, towards the other self. Friendship is this desubjectivization at the very heart of the most intimate perception of self.

If it is the sovereign who, insofar as he decides on the state of exception, has the power to decide which life may be killed without commission of homicide, in the age of bio-politics this power becomes emancipated from the state of exception and transformed into the power to decide the point at which life ceases to be politically relevant. When life becomes the supreme political value, not only is the problem of life's non-value thereby posed, it is as if the ultimate ground of sovereign power were at stake in this decision. In modern bio-politics, sovereign is he who decides on the value or non-value of life as-such.

Comunicar los deseos imaginados y las imágenes deseadas es la tarea más ardua.

De la existencia de Casiano, descubridor teológico del octavo pecado capital, la tristitia, o aburrimiento, me enteré tardíamente gracias a Giorgio Agamben, autor de Stanze. Tuve más tarde el tiempo de leerlo y de descubrir una nueva manera de aburrirme.

If Bartleby is a new Messiah, he comes not, like Jesus, to redeem what was, but to save what was not. The Tartarus into which Bartleby, the new savior, descends is the deepest level of the Palace of Destinies, that whose sight Leibniz cannot tolerate, the world in which nothing is compossible with anything else, where "nothing exists rather than something.

Deze schat - dat wat nooit geweest is - bergt de idee van het geluk.

David Abrams’s Fobbit, Giorgio Agamben’s The Open, Omnia Amin and Rick London’s translations of Ahmed Abdel Muti Hijazi’s poetry, Peter Van Buren’s We Meant Well, Donovan Campbell’s Joker One, C. J. Chivers’s The Gun, Seth Connor’s Boredom by Day, Death by Night, Daniel Danelo’s Blood Stripes, Kimberly Dozier’s Breathing the Fire, Nathan Englander’s What We Talk About When We Talk About Anne Frank, Siobhan Fallon’s You Know When the Men Are Gone, Nathaniel Fick’s One Bullet Away, Dexter Filkins’s The Forever War, David Finkel’s The Good Soldiers, Jim Frederick’s Black Hearts, Matt Gallagher’s Kaboom, Jessica Goodell’s Shade It Black, J. Glenn Gray’s The Warriors, Dave Grossman’s On Killing and On Combat, Judith Herman’s Trauma and Recovery, Kirsten Holmstedt’s Band of Sisters, Karl Marlantes’s Matterhorn, Colum McCann’s Dancer, Patrick McGrath’s Trauma, Jonathan Shay’s Odysseus in America and Achilles in Vietnam, Roy Scranton’s essays and fiction, the Special Inspector for Iraq Reconstruction Report Hard Lessons, Bing West’s The Strongest Tribe and No True Glory, Kayla Williams’s Love My Rifle More Than You.

That there is no autonomous space in the political order of the nation-state for something like the pure human in itself is evident at the very least from the fact that, even in the best of cases, the status of refugee has always been considered a temporary condition that ought to lead either to naturalization or to repatriation. A stable statute for the human in itself is inconceivable in the law of the nation-state.

Further expanding the already large class of Foucauldian apparatuses, I shall cal an apparatus literally anything that has in some way the capacity to capture, determine, intercept, model, control , or secure the gestures, behaviors, opinions, or discourses of living beings. Not only, therefore, prisons, madhouses, the panopticon, schools, confession, factories, disciplines, juridical measures, and so forth (whose connection with power is in a certain sense evident), but also the pen, writing, literature, philosophy, agriculture, cigarettes, navigation, computers, cellular telephones and - why not - language itself, which is perhaps the most ancient of apparatuses - one in which thousands and thousands of years ago a primitive inadvertently let himself be captured, probably without realizing the consequences that he was about to face.

Uma obra crítica ou filosófica, que não se mantenha de alguma maneira numa relação essencial com a criação, está condenada a girar no vazio, do mesmo modo que uma obra de arte ou de poesia, que não contenha em si uma exigência crítica, está destinada ao esquecimento.

The democratic principle of the separation of powers has today collapsed and the executive power has in fact, at least partially, absorbed the legislative power. Parliament is no longer the sovereign legislative body that holds the exclusive power to bind the citizens by means of the law: it is limited to ratifying the decrees issued by the executive power. In a technical sense, the Italian Republic is no longer parliamentary, but executive. And it is significant that though this transformation of the constitutional order (which is today underway to varying degrees in all the Western democracies) is perfectly well known to jurists and politicians, it has remained entirely unnoticed by the citizens. At the very moment when it would like to give lessons in democracy to different traditions and cultures, the political culture of the West does not realize that it has entirely lost its cannon.

One day humanity will play with law just as children play with disused objects, not in order to restore them to their canonical use but to free them from it for good. What is found after the law is not a more proper and original use value that precedes the law, but a new use that is born only after it. And use, which has been contaminated by law, must also be freed from its own value. This liberation is the task of study, or of play. And this studious play is the passage that allows us to arrive at that justice that one of Benjamin's posthumous fragments defines as a state of the world in which the world appears as a good that absolutely cannot be appropriated or made juridical.

If, unlike what happens in classical historiography, history has for us a meaning and a direction that the historian needs to be able to grasp; if it is not simply a series temporum but something in which a purpose and a destiny are at stake, this is first of all due to the fact that our concept of history has been formed according to the theological paradigm of the revelation of a “mystery” that is, at the same time, an “economy,” an organization, and a “dispensation” of divine and human life. Reading history amounts to deciphering a mystery that involves us in an essential way; yet, this mystery does not concern anything like pagan fate or stoic necessity, but rather an “economy” that freely arranges creatures and events, leaving to them their contingent character and even their freedom and their inclinations:

We have evoked the curious presence, in the empty city, of the armed guards and of the two characters whose identity it is now time to reveal. Francesca Falk has drawn attention to the fact that the two figures standing near the cathedral are wearing the characteristic beaked mask of plague doctors. Horst Bredekamp had spotted the detail, but had not drawn any conclusions from it; Falk instead rightly stresses the political (or biopolitical) significance that the doctors acquired during an epidemic. Their presence in the emblem recalls 'the selection and the exclusion, and the connection between epidemic, health, and sovereignity'. Like the mass of plague victims, the unrepresentable multitude can be represented only through the guards who monitor its obedience and the doctors who treat it. It dwells in the city, but only as the object of the duties and concerns of those who exercise the sovereignity. This is what Hobbes clearly affirms in chapter 13 of De Cive, when, after having recalled that 'all the duties of those who rule are comprised in this single maxim,"the safety of the people is the supreme law"', he felt the need to specify that 'by people we do not understand here a civil person, nor the city itself that governs, but the multitude of citizens who are governed', and that by 'safety' we should understand not only 'the simple preservation of life, but (to the extent that is possible) that of a happy life'. While perfectly illustrating the paradoxical status of the Hobbesian multitude, the emblem of the frontispiece is also a courier that announces the biopolitical turn that sovereign power was preparing to make.

If one reads attentively, Wittgenstein writes as much in one of the rare pas- sages in which he makes use (in English) of the term “to constitute” with respect to the rules of chess: What idea do we have of the king of chess, and what is its relation to the rules of chess? . . . Do these rules follow from the idea? No, the rules are not something contained in the idea and got by analyzing it. They constitute it. . . . The rules constitute the “freedom” of the pieces. (Wittgenstein 5, p. 86) Rules are not separable into something like an idea or a concept of the king (the king is the piece that is moved according to this or that rule): they are immanent to the movements of the king; they express the autoconstitution process of their game. In the autoconstitution of a form of life what is in question is its freedom.

The link established by Christian theology between oikonomia and history is crucial to an understanding of Western philosophy of history. In particular, it is possible to say that the concept of history in German idealism, from Hegel to Schelling and even up to Feuerbach, is nothing besides an attempt to think the “economic” link between the process of divine revelation and history (adopting Schelling’s terms, which we have quoted earlier, the “co-belonging” of theology and oikonomia). It is curious that when the Hegelian Left breaks with this theological concept, it can do so only on condition that the economy in a modern sense, which is to say, the historical self-production of man, is placed at the center of the historical process. In this sense, the Hegelian Left replaces divine economy with a purely human economy.

The invention of slavery as a ju- ridical institution allowed the capture of living beings and of the use of the body into productive systems, temporarily blocking the development of the technolog- ical instrument; its abolition in modernity freed up the possibility of technology, that is, of the living instrument. At the same time, insofar as their relationship with nature is no longer mediated by another human being but by an appa- ratus, human beings have estranged themselves from the animal and from the organic in order to draw near to the instrument and the inorganic to the point of almost identifying with it (the human-machine). For this reason—insofar as they have lost, together with the use of bodies, their immediate relation to their own animality—modern human beings have not truly been able to appropriate to themselves the liberation from labor that machines should have procured for them. And if the hypothesis of a constitutive connection between slavery and technology is correct, it is not surprising that the hypertrophy of technological apparatuses has ended up producing a new and unheard-of form of slavery.

The Japanese psychiatrist Kimura Bin, director of the Psychiatric Hos- pital of Kyoto and translator of Binswanger, sought to deepen Heidegger’s anal- ysis of temporality in Being and Time with reference to a classification of the fundamental types of mental illness. To this end he made use of the Latin for- mula post festum (literally, “after the celebration”), which indicates an irreparable past, an arrival at things that are already done. Post festum is symmetrically dis- tinguished from ante festum (“before the celebration”) and intra festum (“during the celebration”). Post festum temporality is that of the melancholic, who always experiences his own “I” in the form of an “I was,” of an irrecoverably accomplished past with respect to which one can only be in debt. This experience of time corresponds in Heidegger to Dasein’s Being-thrown, its finding itself always already abandoned to a factual situation beyond which it can never venture. There is thus a kind of constitutive “melancholy” of human Dasein, which is always late with respect to itself, having always already missed its “celebration.” Ante festum temporality corresponds to the experience of the schizophrenic, in which the direction of the melancholic’s orientation toward the past is in- verted. For the schizophrenic, the “I” is never a certain possession; it is always something to be attained, and the schizophrenic therefore always lives time in the form of anticipation. “The ‘I’ of the schizophrenic,” Kimura Bin writes, “is not the ‘I’ of the ‘already been’; it is not tied to a duty. In other words, it is not the post festum ‘I’ of the melancholic, which can only be spoken of in terms of a past and a debt. . . . Instead, the essential point here is the problem of one’s own possibility of being oneself, the problem of the certainty of becoming oneself and, therefore, the risk of possibly being alienated from oneself” (Kimura Bin 1992: 79). In Being and Time, the schizophrenic’s temporality corresponds to the primacy of the future in the form of projection and anticipation. Precisely because its experience of time originally temporalizes itself on the basis of the future, Dasein can be defined by Heidegger as “the being for whom, in its very Being, Being is always at issue” and also as “in its Being always already anticipat- ing itself.” But precisely for this reason, Dasein is constitutively schizophrenic; it always risks missing itself and not being present at its own “celebration.

The relation between technology and slavery has often been evoked by histo- rians of the ancient world. According to the current opinion, in fact, the striking lack of technological development in the Greek world was due to the ease with which the Greeks, thanks to slavery, could procure manual labor. If Greek mate- rial civilization remained at the stage of the organon, that is, of the utilization of human or animal power by means of a variety of instruments and did not have access to machines, this happened, one reads in a classic work on this argument, “because there was no need to economize on manual labor, since one had access to living machines that were abundant and inexpensive, different from both human and animal: slaves” (Schuhl, pp. 13–14). It does not interest us here to verify the correctness of this explanation, whose limits have been demonstrated by Koyré (pp. 291ff.) and which, like every explanation of that kind, could be easily reversed (one could say just as reasonably, as Aristotle does in the end, that the lack of machines rendered slavery necessary). What is decisive, rather, from the perspective of our study, is to ask ourselves if between modern technology and slavery there is not a connection more es- sential than the common productive end. Indeed, if it is clear that the machine is presented from its first appearance as the realization of the paradigm of the animate instrument of which the slave had furnished the originary model, it is all the more true that what both intend is not so much, or not only, an increase and simplification of productive labor but also, by liberating human beings from necessity, to secure them access to their most proper dimension—for the Greeks the political life, for the moderns the possibility of mastering the nature’s forces and thus their own.

To believe that will has power over potentiality, that the passage to actuality is the result of a decision that puts an end to the ambiguity of potentiality (which is always potentiality to do and not to do)—this is the perpetual illusion of morality.

Le transport rythmique, qui donne au vers son élan, est vide, il n'est que le transport de lui-même. Et c'est ce vide que la césure pense et tient en suspens, en tant que parole pure, pendant le bref instant où s'arrête le cheval de la poésie.

Mit dem Philosophen Giorgio Agamben könnte man auch sagen: Schnecken sind 'totipotent', zu allem fähig. Indem sie entschlossen sitzenbleiben, halten sie sich alle Möglichkeiten offen. Der evolutionäre Erfolg gibt ihnen recht.

Que haya palabra y se vea su silencio, y, en este silencio, aparezca por un instante la cosa restituida a su anonimato, al no tener todavía o ya no tener nombre.

He soñado muchas veces con encontrar el Libro, el Libro absoluto y perfecto, ese que hemos buscado más o menos conscientemente durante toda la vida en todas partes, en todas las librerías y en todas las bibliotecas. Es un libro ilustrado, como los viejos libros para niños de mi colección; y en el sueño lo tengo entre mis manos y lo hojeo cada vez con mayor placer. Así seguimos buscando sin cesar por años, hasta que comprendemos que ese libro no existe en ninguna parte y que el único modo de hallarlo es escribirlo nosotros mismos.

Ello no significa, sin embargo, que la escritura filosófica deba ser poética sino que sobre todo debe contener las huellas de una escritura poética que se desvanece, debe exhibir de algún modo el retiro de la poesía.

A constructed situation is the room with the spider and the moonlight between the branches exactly in the moment when -- in answer to the demon's question: "Do you desire this once more innumerable times more?" -- it is said: "Yes, I do.

If the sovereign is truly the one to whom the juridical order grants the power of proclaiming a state of exception and, therefore, of suspending the order's own validity, then "the sovereign stands outside the juridical order and, nevertheless, belongs to it, since it is up to him to decide if the constitution is to be suspended in toto.

When the eschatological element disappears into the shadows, the worldly economy becomes properly infinite, which is to say, interminable and aimless. The paradox of the Church is that, from the eschatological point of view, it must renounce the world, but it cannot do this because, from the point of view of the economy, it is of the world, which it cannot renounce without renouncing itself. But this is exactly where the decisive crisis is situated: because courage—and this seems to us to be the ultimate sense of Benedict XVI’s message—is nothing but the capacity to keep oneself connected with one’s own end.

Uexküll begins by carefully distinguishing the Umgebung, the objective space in which we see a living being moving, from the Umwelt, the environment-world that is constituted by a more or less broad series of elements that he calls “carriers of significance” (Bedeutungsträger) or of “marks” (Merkmalträger), which are the only things that interest the animal. In reality, the Umgebung is our own Umwelt, to which Uexküll does not attribute any particular privilege and which, as such, can also vary according to the point of view from which we observe it. There does not exist a forest as an objectively fixed environment: there exists a forest-forthe-park-ranger, a forest-for-the-hunter, a forest-for-the-botanist, a forest-for-the-wayfarer, a forest-for-the-nature-lover, a forest-forthe-carpenter, and finally a fable forest in which Little Red Riding Hood loses her way. Even a minimal detail—for example, the stem of a wildflower—when considered as a carrier of significance, constitutes a different element each time it is in a different environment, depending on whether, for example, it is observed in the environment of a girl picking flowers for a bouquet to pin to her corset, in that of an ant for whom it is an ideal way to reach its nourishment in the flower’s calyx, in that of the larva of a cicada who pierces its medullary canal and uses it as a pump to construct the fluid parts of its elevated cocoon, or finally in that of the cow who simply chews and swallows it as food.

Uexküll begins by carefully distinguishing the Umgebung, the objective space in which we see a living being moving, from the Umwelt, the environment-world that is constituted by a more or less broad series of elements that he calls “carriers of significance” (Bedeutungsträger) or of “marks” (Merkmalträger), which are the only things that interest the animal. In reality, the Umgebung is our own Umwelt, to which Uexküll does not attribute any particular privilege and which, as such, can also vary according to the point of view from which we observe it. There does not exist a forest as an objectively fixed environment: there exists a forest-forthe-park-ranger, a forest-for-the-hunter, a forest-for-the-botanist, a forest-for-the-wayfarer, a forest-for-the-nature-lover, a forest-forthe-carpenter, and finally a fable forest in which Little Red Riding Hood loses her way. Even a minimal detail—for example, the stem of a wildflower—when considered as a carrier of significance, constitutes a different element each time it is in a different environment, depending on whether, for example, it is observed in the environment of a girl picking flowers for a bouquet to pin to her corset, in that of an ant for whom it is an ideal way to reach its nourishment in the flower’s calyx, in that of the larva of a cicada who pierces its medullary canal and uses it as a pump to construct the fluid parts of its elevated cocoon, or finally in that of the cow who simply chews and swallows it as food.

Uexküll begins by carefully distinguishing the Umgebung, the objective space in which we see a living being moving, from the Umwelt, the environment-world that is constituted by a more or less broad series of elements that he calls “carriers of significance” (Bedeutungsträger) or of “marks” (Merkmalträger), which are the only things that interest the animal. In reality, the Umgebung is our own Umwelt, to which Uexküll does not attribute any particular privilege and which, as such, can also vary according to the  Umwelt point of view from which we observe it. There does not exist a forest as an objectively fixed environment: there exists a forest-forthe-park-ranger, a forest-for-the-hunter, a forest-for-the-botanist, a forest-for-the-wayfarer, a forest-for-the-nature-lover, a forest-forthe-carpenter, and finally a fable forest in which Little Red Riding Hood loses her way. Even a minimal detail—for example, the stem of a wildflower—when considered as a carrier of significance, constitutes a different element each time it is in a different environment, depending on whether, for example, it is observed in the environment of a girl picking flowers for a bouquet to pin to her corset, in that of an ant for whom it is an ideal way to reach its nourishment in the flower’s calyx, in that of the larva of a cicada who pierces its medullary canal and uses it as a pump to construct the fluid parts of its elevated cocoon, or finally in that of the cow who simply chews and swallows it as food.

Sellele ajale - meie ajale - on omane, et kõik rahvad ja inimesed maa peal on leidnud end ühel hetkel jäägi olukorrast

Aos olhos da autoridade - e, talvez, está tenha razão - nada se assemelha melhor ao terrorista que o homem comum.

Pertence verdadeiramente ao seu tempo, é verdadeiramente contemporâneo, aquele que não coincide perfeitamente com este, nem está adequado às suas pretensões e é, portanto, nesse sentido, inatual; mas, exatamente por isso, exatamente através desse deslocamento e desse anacronismo, ele é capaz, mais do que os outros, de perceber e apreender seu tempo.

Direita e esquerda, que se alternam hoje na gestão do poder, têm por isso bem pouco o que fazer com o contexto político do qual os termos provêm e nomeiam simplesmente os dois polos - aquele que aposta sem escrúpulos na dessubjetivação e aquele que gostaria, ao contrário, de recobri-la com a máscara hipócrita do bom cidadão democrático - de uma mesma máquina governamental.

Я даже считаю, что можно было бы дать хорошее описание мнимо демократических обществ, в которых мы живём, простой констатацией: в рамках этих обществ онтология повеления заняла место онтологии утверждения, не в ясной форме императива, но в более коварной форме совета, приглашения, уведомления, которые даются во имя безопасности, так что повиновение приказу принимает форму сотрудничества и зачастую — форму повеления самому себе. Я думаю здесь не только о сфере рекламы или предписаний безопасности, которые даются в форме приглашений, но и о сфере технологических диспозитивов. Эти диспозитивы определяются тем фактом, что субъект, их использующий, полагает, будто повелевает ими (и, в действительности, нажимает на клавиши, названные «командами»), но реально он только и делает, что повинуется повелению, вписанному в саму структуру диспозитива. Свободный гражданин демократическо-технологических обществ — это существо, которое непрестанно повинуется, самим жестом, каковым он даёт повеление.

One day humanity will play with law just as children play with disused objects, not in order to restore them to their canonical use but to free them from it for good. — Giorgio Agamben, State of Exception

Non rimpiangiamo questo mondo che finisce, non abbiamo alcuna nostalgia per l’idea dell’umano e del divino che le onde implacabili del tempo stanno cancellando come un volto di sabbia sul bagnasciuga della storia. Ma con altrettanta decisione rifiutiamo la nuda vita muta e senza volto e la religione della salute che i governi ci propongono. Non aspettiamo né un nuovo dio né un nuovo uomo – cerchiamo piuttosto qui e ora, fra le rovine che ci circondano, un’umile, più semplice forma di vita, che non è un miraggio, perché ne abbiamo memoria e esperienza, anche se, in noi e fuori di noi, avverse potenze la respingono ogni volta nella dimenticanza.

Para Giorgio Agamben, todo relato se fundamenta en la conciencia de una pérdida, por eso sitúa la historia de la literatura (y del pensamiento) en una red de pérdidas sucesivas.

Ας πάμε λοιπόν στην πρώτη ερώτηση, σχετικά με το ζήτημα της επιδημίας. Η επιδημία, όπως υποδεικνύεται και από την ετυμολογία του ελληνικού όρου δήμος, είναι κατά κύριο λόγο μία πολιτική έννοια. Κατά τον Όμηρο, επιδήμιος πόλεμος, σημαίνει εμφύλιος πόλεμος. Όπως φαίνεται ξεκάθαρα πλέον σήμερα, η επιδημία γίνεται το νέο πεδίο της πολιτικής, κατά κάποιον τρόπο, το πεδίο μάχης ενός παγκόσμιου εμφυλίου πολέμου. Συγκεκριμένα, θα προσπαθήσω να εξετάσω το ζήτημα της επιδημίας πέρα από το πλαίσιο της επικαιρότητας∙ δηλαδή θα εξετάσω τα συμπτώματα και τα σημάδια ενός ευρύτερου πειράματος, στο οποίο το διακύβευμα είναι ένα νέο δυνητικό παράδειγμα διακυβέρνησης των ανθρώπων, του κόσμου και των πραγμάτων. Αυτό που ζούμε σήμερα είναι το τέλος ενός κόσμου, το τέλος μίας εποχής για την πολιτική ιστορία της Δύσης. Αυτή η εποχή είναι η περίοδος των αστικών δημοκρατιών, των θεμελιωμένων σε δικαιώματα, κοινοβούλια, συντάγματα και στη διάκριση των εξουσιών. Αυτό λοιπόν το μοντέλο αργοπεθαίνει. Ήταν σε κρίση εδώ και αρκετό καιρό, αλλά τώρα διαπιστώνεται ότι προετοιμάζεται η εγκαθίδρυση ένας νέου δεσποτισμού, ο οποίος, καθότι βασίζεται στην υγεία, πιθανόν θα είναι ισχυρότερος και δριμύτερος από όλους τους ολοκληρωτισμούς που γνωρίσαμε μέχρι τώρα. Οι αμερικανοί πολιτειολόγοι αποκαλούν Security State, (Κράτος Ασφάλειας) ένα κράτος στο οποίο οι πολίτες, για λόγους ασφάλειας, θα μπορούσαν να αποδεχτούν περιορισμούς στις ατομικές τους ελευθερίες, που θα τους ήταν αδιανόητο ότι θα τις αποδέχονταν ποτέ στο παρελθόν. Τώρα με την πανδημία, έχει γίνει ένα βήμα ακόμη παραπέρα. Εισήλθαμε σε ένα πολιτικό μοντέλο διακυβέρνησης που μπορούμε να το ονομάσουμε «βιοασφάλεια». Σ’ ένα βιβλίο που δημοσιεύτηκε το 2013 ─που θα άξιζε σήμερα να ξαναδιαβαστεί─ ο Πατρίκ Ζιλμπερμάν, ένας γάλλος μελετητής, απέδειξε πως η υγειονομική ασφάλεια γινόταν ο βασικός μηχανισμός των κρατικών και διεθνών πολιτικών στρατηγικών, ενώ μέχρι πρότινος ανήκε στο περιθώριο των πολιτικών εκτιμήσεων. Ο Ζιλμπερμάν αποδεικνύει ότι πρόκειται να δημιουργηθεί ένα είδος «υγειονομικού τρόμου» ως εργαλείο διακυβέρνησης ενός φανταστικού, πλασματικού σεναρίου, το οποίο οι πολιτειολόγοι αποκαλούν worst case scenario, το «σενάριο της χειρότερης περίπτωσης». Έτσι, το 2005, ο Παγκόσμιος Οργανισμός Υγείας είχε προειδοποιήσει ότι αναμένονταν μέχρι 150.000.000 θάνατοι λόγω της επερχόμενης γρίπης των πτηνών και είχε προτείνει μία στρατηγική για την οποία όμως, εκείνη την περίοδο, τα κράτη δεν ήταν ακόμη προετοιμασμένα, ενώ σήμερα επικαιροποιεί

If the postjudicial condition coincides with the supreme glory ('vera ibi gloria erit': The City of God, p. 696) and if glory in the century of centuries has the form of an eternal Sabbath, what remains to be investigated is precisely the meaning of this intimacy between glory and sabbatism. At the beginning and the end of the highest power there stands, according to Christian theology, a figure not of action and government, but of inoperativity. The indescribable mystery that glory, which is blinding light, must hide from the gaze of the scrutatores maiestatis is that of divine inoperativity, of what God does before creating the world and after the providential government of the world is complete. It is not the kabhod, which cannot be thought or looked upon, but the inoperative majesty that it veils with its clouds and the splendor of its insignia. Glory, both in theology and in politics, is precisely what takes the place of that unthinkable emptiness that amounts to the inoperativity of power. And yet, precisely this unsayable vacuity is what nourishes and feeds power (or, rather, what the machine of power transforms into nourishment). That means that the center of the governmental apparatus, the treshold at which Kingdom and Government ceaselessly communicate and ceaselessly distinguish themselves from one another is, in reality, empty; it is only the Sabbath and katapausis - and nevertheless, this inoperativity is so essential for the machine that it must at all costs be adopted and maintained at its center in the form of glory.

It is well known that in subsequent years a “European constitution” was drafted, with the unexpected consequence—which should have been anticipated—that it was rejected by the “citizens as people” [“popolo dei cittadini ”] who were asked to ratify what was certainly not an expression of their constituent power. The fact is that, if to Grimm and the theorists of the people-constitution nexus one could object that they still harked back to the common presuppositions of language and public opinion, to Habermas and the theorists of the people-communica- tion one could easily object that they ended up passing political power into the hands of experts and the media. What our investigation has shown is that the holistic state, founded on the immediate presence of the acclaiming people, and the neutralized state that re- solves itself in the communicative forms without subject, are opposed only in appearance. They are nothing but two sides of the same glorious apparatus in its two forms: the immediate and subjective glory of the acclaiming people and the mediatic and objective glory of social communication. As should be evident today, people-nation and people-communication, despite the differences in behavior and figure, are the two faces of the doxa that, as such, ceaselessly interweave and separate themselves in contemporary society. In this interlacing of elements, the “democratic” and secular theorists of communicative action risk finding them- selves side by side with conservative thinkers of acclamation such as Schmitt and Peterson; but this is precisely the price that must be paid each time by theoretical elaborations that think they can do without archaeological precautions.

But the analogy is even stronger and deeper than the image of the “invisi- ble hand” allows us to infer. Didier Deleule has magisterially analyzed the link between Hume and Smith’s thought and the birth of economic liberalism. He opposes the “naturalism” of Hume and Smith to the “providentialism” of the Physiocrats who are direct tributaries, as we have seen, of a theological paradigm. To the idea of an original divine design, comparable to a project developed in the brain, Hume opposes, as we have seen, that of an absolutely immanent prin- ciple of order, which functions instead as a “stomach,” rather than as a brain. “Why,” he makes Philo ask, “can an ordered system not be woven out of a stom- ach rather than a brain”? (Deleule, pp. 259 and 305, note 30). If it is probable that the Smithian image of the invisible hand is to be understood, in this sense, as the action of an immanent principle, our reconstruction of the bipolar machineof the theological oikonomia has shown that there is no conflict between “provi- dentialism” and “naturalism” within it, because the machine functions precisely by correlating a transcendent principle with an immanent order. Just as with the Kingdom and the Government, the intradivine trinity and the economic trinity, so the “brain” and the “stomach” are nothing but two sides of the same apparatus, of the same oikonomia, within which one of the two poles can, at each turn, dominate the other.

In reality the oft-invoked distinction between constitutive rule and prag- matic rule has no raison d’être. Every constitutive rule—the bishop moves in this or that way—can be formulated as a pragmatic rule—“one cannot move the bishop except diagonally”—and vice versa. The same happens with grammati- cal rules: the syntactic rule “in French the subject normally precedes the verb” can be formulated pragmatically as “you cannot say pars je ; you can only say je pars.” In truth it is a matter of two different ways of considering the game—or language: one as a formal system that exists in itself (namely, as a langue) and another as a use or praxis (namely, as a parole). For this reason it has rightly been asked whether it is possible to transgress a rule of chess, like what constitutes checkmate. One would be tempted to say that transgression, which is impossible on the level of constitutive rules, is pos- sible on the pragmatic level. In reality, the one who transgresses the rule simply ceases playing. Hence the special gravity of the swindler: the one who swindles does not transgress a rule but pretends to keep playing when in reality he has left the game.

In Aristotle’s warning there comes to light the aporia inherent in the inter- weaving of being and having that has its place in habit. Against the scholastic doctrine according to which “the use of potential belongs to the one to whom habit belongs,” it is necessary to affirm that use does not belong to any subject, that it is situated beyond both being and having. That is to say, use breaks the ambiguous implication of being and having that defines Aristotelian ontology. Glenn Gould, to whom we attribute the habit of playing the piano, does noth- ing but make use-of-himself insofar as he plays and knows habitually how to play the piano. He is not the title holder and master of the potential to play, which he can put to work or not, but constitutes-himself as having use of the piano, independently of his playing it or not playing it in actuality. Use, as habit, is a form-of-life and not the knowledge or faculty of a subject. This implies that we must completely redraw the map of the space in which modernity has situated the subject and its faculties. A poet is not someone who has the potential or faculty to create that, one fine day, by an act of will (the will is, in Western culture, the apparatus that allows one to attribute the ownership of actions and techniques to a subject), he decides—who knows how and why—like the God of the theologians, to put to work. And just like the poet, so also are the carpenter, the cobbler, the flute player, and those who, with a term of theological origin, we call professionals— and, in the end, every human being—not transcendent title holders of a capacity to act or make: rather, they are living beings that, in the use and only in the use of their body parts as of the world that surrounds them, have self-experience and constitute-themselves as using (themselves and the world).

But this means that, as is evident in the Sondergötter, in its originary core the god who presides over the singular activity and the singular situation is nothing other than the very name of the activity and the situation. What is divinized in the Sondergötter is the very event of the name: nomination itself, which isolates and renders recognizable a gesture, an act, a thing, creates a 'special god', is a 'momentary divinity'. The nomen is immediately numen and the numen immediately nomen. Here we have something like the foundation or the originary core of that testimonial and guaranteeing function of language that, according to the traditional interpretation, the god came to assume in the oath. Like the Sondergott, the god invoked in the oath is not properly the witness of the assertion or the imprecation: he represents, he is the very event of language in which words and things are indissolubly linked. Every naming, every act of speech is, in this sense, an oath, in which the logos (the speaker in the logos) pledges to fulfill his word, swears on its truthfulness, on the correspondence between words and things that is realized in it. And the name of the god is only the seal of this force of logos - or, in the case in which it falls into perjury, of the male-diction that has been brought into being.

The myth of the lone hacker perpetuates the fantasy that the asymmetrical relation of individual to network can be creatively played to the former's advantage. In actuality there is an imposed and inescapable uniformity to our compulsory labor of self-management. The illusion of choice and autonomy is one of the foundations of this global system of auto-regulation. In many places one still encounters the assertion that contemporary technological arrangements are essentially a neutral set of tools that can be used in many different ways, including in the service of an emancipatory politics. The philosopher Giorgio Agamben asn refuted such claims, countering that 'today there is not even a single instant in which the life of the individuals is not modeled, contaminated, or controlled by some apparatus.' He contends convincingly that 'it is impossible for the subject of an apparatus to use it 'in the right way.

The fracture between theology and oikonomia, being and action, insofar as it makes the praxis free and 'anarchic', opens in fact, at the same time, the possibility and necessity of its government. In a historical moment that witnesses a radical crisis of classical conceptuality, both ontological and political, the harmony between the transcendent and eternal principle and the immanent order of the cosmos is broken, and the problem of the 'government' of the world and of its legitimization becomes the political problem that is in every sense definitive.

Classical Greece is perhaps the place in which this tension found for a moment an uncertain, precarious equilibirum. In the course of the subsequent political history of the West, the tendency to depoliticise the city by transforming it into a house or a family, ruled by blood relation or by merely economic operations, will alternate together with other, symmetrically opposed phases in which everything that is unpolitical must be mobilised and politicised. In accordance with the prevailing of one or the other tendency, the function, situation and form of civil war will also change. But so long as the words 'family' and 'city', 'private' and 'public', 'economy' and 'politics' maintain an albeit tenuous meaning, it is unlikely that it can ever be eliminated from the political scene of the West.

The form that civil war has acquired today in world history is terrorism. If the Foucauldian diagnosis of modern politics as biopolitics is correct, and if the genealogy that traces it back to an oikonomical-theological paradigm is equally correct, then global terrorism is the form that civil war acquires when life as such becomes the stakes of politics. Precisely when the polis appears in the reassuring figure of an oikos - the 'Common European Home', or the world as the absolute space of global economic management - then stasis, which can no longer be situated in the treshold between the oikos and the polis, becomes the paradigm of every conflict and re-emerges in the form of terror. Terrorism is the 'global civil war' which time and again invests this or that zone of planetary space. It is no coincidence that the 'terror' should coincide with the moment in which life as such - the nation (which is to say, birth) - became the principle of sovereignty. The sole form in which life as such can be politicised is its unconditioned exposure to death - that is, bare life.

The stakes in the debate between Benjamin and Schmitt on the state of exception can now be defined more clearly. The dispute takes place in a zone of anomie that, on the one hand, must be maintained in relation to the law at all costs, and, on the other, must be just as implacably released and freed from this relation. That is to say, at issue in the anomic zone is the relation between violence and law - in the last analysis, the status of violence as a cipher for human action. While Schmitt attempts every time to reinscribe violence within a juridical context, Benjamin responds to this gesture by seeking every time to assure it - as pure violence - an existence outside of law. For reasons that we must try to clarify, this struggle for anomie seems to be as decisive for Western politics as the gigantomachia peri tes ousias, the 'battle of giants concerning being', that defines Western metaphysics. Here, pure violence as the extreme political object, as the 'thing' of politics, is the counterpart to pure being, to pure existence as the ultimate metaphysical stakes; the strategy of the exception, which must ensure the relation between anomic violence and law, is the counterpart to the onto-theo-logical strategy aimed at capturing pure being the meshes of the logos.

When life and politics - originally divided, and linked together by means of the no-mans-land of the state of exception that is inhabited by bare life - begin to become one, all life becomes sacred and all politics becomes the exception.

İstisna halinden bahsettiğimizde, bu formülün Giorgio Agamben'in 1995 yılında yayınlanan ve siyaset felsefesinde birçok kavramı değiştiren Kutsal İnsan: Egemen İktidar ve Çıplak Hayat çalışmasında nasıl teorize edildiğini hatırlamak gerekir. İstisna toteliterlik sonrası demokraside bile bir yönetme paradigmasıdır -böylece geçmişle rahatsız edici bir bağlantı kurar. Aslında, olağanüstü halde alınan tüm hükümlerin farkına varılmaz, istisnai olması gereken kararnameler norm haline gelir. Yürütme erki, hem yasama hem yargı üzerinde baskın durumda, parlemento giderek etkisini yitiriyor. Artık günlük siyasal pratiğin ana hatlarını çizen bu bakışa dahil olmamak oldukça zor.

Those who make up Spitzer’s category of “social junk” rarely unite to orchestrate a potent resistance to the social forces that maintain them in states of vulnerability. They rarely pose an organizing threat against the system that keeps them in a state of what Giorgio Agamben would call “bare life,” that is, included among the living in sovereign systems but only as the always excludable, even killable. They remain vulnerable to being sacrificed for securing the efficient “quality of life” of those in realms dependent upon corporate power and their proximity to the white overclass.

In breaking the vicious circle of virtue, it is necessary to think the virtuous (or the virtual) as use, that is, as something that stands beyond the dichotomy of being and praxis, of substance and action. The virtuous (or the virtual) is not opposed to the real: on the contrary, it exists and is in use in the mode of habituality; however, it is not immaterial, but, insofar as it never ceases to cancel and deactivate being-at-work, it continually restores energeia to potential and to materiality. Use, insofar as it neutralizes the opposition of potential and act, being and acting, material and form, being-at-work and habit, wakefulness and sleep, is always virtuous and does not need anything to be added to it in order to render it operative. Virtue does not suddenly develop into habit: it is the being always in use of habit; it is habit as form of life. Like purity, virtue is not a characteristic that belongs to someone or something on its own. For this reason, virtuous actions do not exist, just as a virtuous being does not exist: what is vir- tuous is only use, beyond—which is to say, in the middle of—being and acting.

The aporia that marks like a thin crack the wonderful order of the medieval cos- mos now begins to become more visible. Things are ordered insofar as they have a specific relation among themselves, but this relation is nothing other than the expression of their relation to the divine end. And, vice versa, things are ordered insofar as they have a certain relation to God, but this relation expresses itself only by means of the reciprocal relation of things. The only content of the transcendent order is the immanent order, but the meaning of the immanent order is nothing other than the relation to the transcendent end. “Ordo ad finem” and “ordo ad invicem” refer back to one another and found themselves on one another. The perfect theocentric edifice of medieval ontology is based on this circle, and does not have any consistency outside of it. The Christian God is this circle, in which the two orders continuously penetrate one another. Since that which the order must keep united is in point of fact irremediably divided, not only is ordo—like Aristotle’s being—dicitur multipliciter (this is the title of Kurt Flasch’s dissertation on Thomas), but ordo also reproduces in its own structure the ambi-guity that it must face. From this follows the contradiction, noticed by scholars, according to which Thomas at times founds the order of the world in the unity of God, and at times the unity of God in the immanent order of creatures (see Silva Tarouca, p. 350). This apparent contradiction is nothing other than the expression of the ontological fracture between transcendence and immanence, which Christian theology inherits and develops from Aristotelianism. If we push to the limit the paradigm of the separate substance, we have the Gnosis, with its God foreign to the world and creation; if we follow to the end the paradigm of immanence, we have pantheism. Between these two extremes, the idea of order tries to think a difficult balance, which Christian theology is always in the pro- cess of losing and which it must at each turn regain.

The “eternal present” is a phrase borrowed from Guy Debord, who used it to describe what he called “the society of spectacle,” referring to the phantasmagoric state of late-stage capitalism. The philosopher Giorgio Agamben radicalizes this critique even further. Agamben argues that the eternal present is characterized by an infinite deferral of eschatological redemption, perpetuated by an infinite government and economy—the economization of everything. He traces the permanence of the current secular political theology of management and administration, which expresses itself in a variety of secular ceremonies, liturgies, and acclamations, back to the Christian doctrine of providence. This infinite deferral of eschatological redemption results in a “model of contemporary politics… which pretends to be an infinite economy of the world,” which is “thus truly infernal.” In other words, the present—characterized by an abandonment of eschatology—doesn’t simply resemble the Catholic conception of purgatory; even more radically, our contemporary predicament equates to Hell itself. Debord, Society of the Spectacle (London: Rebel Press: Black & Red, 1983); Giorgio Agamben, The Church and the Kingdom (London, New York, Calcutta: Seagull Books, 2012), 41.