β
If anger were mileage, I'd be a very frequent flyer, right up there in First Class.
β
β
Gina Barreca
β
Life isn't fair. Why should death be any different?
β
β
Gina Damico (Croak (Croak, #1))
β
I needed to bring my own gifts to my new home, not resist them, not sway to and fro like the tidal waters of the lagoon, but rather chart my own course through the shallows like an experienced boatman.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Seriously?" she said with a glance of skepticism. Driggs and this nerdlinger? "You guys are best friends?"
Ferbus looked up briefly to give her a smug look. "We prefer the term heterosexual life mates.
β
β
Gina Damico (Croak (Croak, #1))
β
Was it possible to physically feel the moment you lost your heart to someone? Because Lucie was fairly sure she'd just lost hers, and the spot where it should have been literally hurt.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
Lucy Marie Maris...I am completely and utterly in love with you. And as god is my witness- no matter how long it takes- someday I will be worthy enough to be your husband, because I can't bear the thought of living without you.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
Men always want what they canβt have, or what other men want. Itβs a scientific fact.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
She wished, as almost all kids wish at one point or another, that she could turn into a pterodactyl and fly away and never come back.
β
β
Gina Damico (Croak (Croak, #1))
β
Try giving up all the thoughts that make you feel bad, or even just some of them, and see how doing that changes your life. You don't need negative thoughts. All they have ever given you was a false self that suffers. They are all lies.
β
β
Gina Lake (What About Now?: Reminders for Being in the Moment)
β
How about "diamonds are a girl's best friends"? Nope. It should be switched around and pointed out, instead, that your best friends are diamonds.
β
β
Gina Barreca (It's Not That I'm Bitter . . .: Or How I Learned to Stop Worrying About Visible Panty Lines and Conquered the World)
β
The list of scars my students have sustained at the hand of your daughter grows longer each week. Poor Logan Hochspring's arm will forever carry an imprint of her dental records!"
"You bit him?" Lex's father said.
"He called me a wannabe vampire. What was I supposed to do?"
"Oh, I don't know--maybe not bite him?
β
β
Gina Damico (Croak (Croak, #1))
β
A lot of things are inherent in life -change, birth, death, aging, illness, accidents, calamities, and losses of all kinds- but these events don't have to be the cause of ongoing suffering. Yes, these events cause grief and sadness, but grief and sadness pass, like everything else, and are replaced with other experiences. The ego, however, clings to negative thoughts and feelings and, as a result, magnifies, intensifies, and sustains those emotions while the ego overlooks the subtle feelings of joy, gratitude, excitement, adventure, love, and peace that come from Essence. If we dwelt on these positive states as much as we generally dwell on our negative thoughts and painful emotions, our lives would be transformed.
β
β
Gina Lake (What About Now?: Reminders for Being in the Moment)
β
Lice breeds lice, and sin breeds sin.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Sex appeal is something that you feel deep down inside. Itβs suggested rather than shown. Iβm not as well-stacked as Sophia Loren or Gina Lollobrigida, but there is more to sex appeal than just measurements. I donβt need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain.
β
β
Audrey Hepburn
β
You're absolutely gorgeous. But you look too empty." Holding her gaze he slid his thumbs in to circle the rim of her opening. "Want something to fill you up?
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
Momentarily forgetting how wind works, Lex tried spitting at him. This failed
β
β
Gina Damico (Croak (Croak, #1))
β
Gina always believed there was magic in the world. "But it doesn't work in the way it does in fairy tales," she told me. "It doesn't save us. We have to save ourselves.
β
β
Charles de Lint (The Very Best of Charles de Lint)
β
Let me go!" She tore off a mirror and brandished it in his face. "I mean it! I don't want to go to your godforsaken hellbarn, you retarded psycho farmer!
β
β
Gina Damico (Croak (Croak, #1))
β
It was not in my nature to gossip, which put me at odds with most of my sisters at San Zaccaria, who twittered hearsay like so many flocks of birds.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Venetian laws last but a week. They keep making new laws because no one follows the old onesβ¦. Or enforces them.
β
β
Gina Buonaguro (The Virgins of Venice)
β
What chilled my blood was a felt marker outline of a woman on the wall. Hands above the head, where there was a hook, then below the shape of the head, a neck strap. Then a waist strap, and two ankle clamps. The silhouette gave me no doubt that Gina had been confined here. But where was she now?
β
β
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
β
Fine!" he relented, giving her a dirty look. "But only if you stay in front."
She rolled her eyes. "My, what chivalry."
"To hell with chivalry. Your idea, you die first.
β
β
Gina Damico (Scorch (Croak, #2))
β
Maybe the best way to teach you how to seduce, is to let you feel what it's like to be seduced.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
I imagined myself a bird, looking down on our city, the Grand Canal like a snake slithering through stone, the city on either side like two hands clasped in prayer
β
β
Gina Buonaguro (The Virgins of Venice)
β
Hey there cutie," he said. "What's your name?"
Lex rolled her eyes and turned toward the window. "Kill me."
"Kimmy? I'm Steve," he went on undeterred.
"Cram it, Steve
β
β
Gina Damico (Croak (Croak, #1))
β
A midwife knows too much . . .Β But if she is truly a wise woman, she knows when to keep her mouth shut.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Gina and Susie were cool, though. No hint of the beer they said they were going to score. They played good girls to my parents. Not that they weren't good girls. That's exactly what they were: good girls who wanted to pretend they were bad girls but who never would be bad girls because they were too decent.
β
β
Benjamin Alire SΓ‘enz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
β
You know what they say: Better one true friend than a hundred relatives.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Let me tell you something right now, something that I don't want you ever to forget: Starbucks is an abomination."
Lex was speechless. She now believed that there was no way in a million years this man could possibly be a blood relative.
β
β
Gina Damico (Croak (Croak, #1))
β
To leave Venice felt as foreign as flying to the stars.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Just because itβs the biggest secret in the history of the world doesnβt make it any less true.
β
β
Gina Damico (Croak (Croak, #1))
β
I had no answers, just a never-ending list of questions that I scrawled out until my hand ached, knowing I was searching for a loophole that increasingly felt like a noose.
β
β
Gina Buonaguro (The Virgins of Venice)
β
The next week passed in a haze of mourning, as thick and disorienting as the unrelenting fog that crept over the stones of Venice each morning.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Venetians prefer being merchants to philosophers.
β
β
Gina Buonaguro (The Virgins of Venice)
β
The back is one of my favorite parts of a womanβs body. I love to trace and lick the shallow line of her spine, from the top and all the way down to the twin dimples at the base of her lower back.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
Should she go on? Or drop it? Maybe this was one of those things that people should keep to themselves, like a hatred of baby pandas or a passion for polka music. Everyone needs a secret or two.
β
β
Gina Damico (Croak (Croak, #1))
β
You lied to me!"
"You're going to have to be more specific. What did I lie to you about this time?
β
β
Gina Damico (Scorch (Croak, #2))
β
Despite the convent walls, when I was writing, my mind was free.
β
β
Gina Buonaguro (The Virgins of Venice)
β
The evening blessed us with a sunset to rival a painting by Carpaccio in its colours. The sky mutated from shades of ultramarine and azure to vermilion and ochre, then strips of violet and finally indigo.
β
β
Gina Buonaguro (The Virgins of Venice)
β
We were just showering," Lex muttered.
"Of course," Uncle Mort said. "Everyone knows how impossible it is to zestfully clean without assistance.
β
β
Gina Damico (Scorch (Croak, #2))
β
Ah, bribery." He grinned at his niece. "is there anything it can't do?
β
β
Gina Damico (Croak (Croak, #1))
β
He exuded the air of someone who hated this earth and everything on it and would be much happier if it just broke free of its orbit and hurled itself into the sun.
β
β
Gina Damico (Croak (Croak, #1))
β
Oh, he was definitely doable. Did Hawaiians have the saying βSave a surfboard, ride a surferβ?
β
β
Gina L. Maxwell (Rules of Entanglement (Fighting for Love, #2))
β
I believe such compassion and prudence is good politics on the part of Mother Marina. If our convent cannot be completely virtuous, better to give the appearance of being so. Thus she keeps her nuns happy as well as the government and the church.
β
β
Gina Buonaguro (The Virgins of Venice)
β
We are the bones of this city, the heart, the womb. The hidden structure and architecture behind the beautiful facades. We are unseen yet leaned upon, vessels yet not empty, the home for our families. The hopes of our city are thrust upon us, and we will be punished if we fail.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Since when?β she challenged.
βSince when has my heart been with you?β She nodded. He stepped closer and framed her face in his large hands. βQuite possibly from the first time I heard you snort.β He placed a kiss on the tip of her nose. βVery probably when you flirted with our waiter.β A warm kiss on the freckle by her eye. βAlmost certainly the first time you fell asleep in my arms.β A small kiss on the opposite cheek. βAnd most definitely the night we made love.β Finally, a tender kiss on the lips.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
One year from now, a decade, a century, half a millennium, will things be different? Dare we dream it? When we are seen for ourselves, not just as the conduit of progeny, heirs, lineage, not just as beautiful objects to be protected, inspected, appreciated, but for who we are at the core . . .
β
β
Gina Buonaguro (The Virgins of Venice)
β
Where did you hear that?" he shouted over Driggs' cries of pain from the back seat.
"Driggs told me," she quickly answered.
"Thanks, pumpkin," Driggs groaned. "Love you too.
β
β
Gina Damico (Scorch (Croak, #2))
β
If I must be a villain, I will be one of my own making.
β
β
Gina Chen (Violet Made of Thorns)
β
Give more than your everything or you'll amount to nothing.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
I want you to channel Jessica Rabbit and give him a show.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
And what in the name of all this is disturbing did you mean when you said you're going to teach me how to Kill people?"
He snickered. "You didn't really think you were going to spend the whole summer milking cows, did you?
β
β
Gina Damico (Croak (Croak, #1))
β
Souls live on without their bodies. But bodies without souls are nothing but compost.
β
β
Gina Damico (Croak (Croak, #1))
β
This is for you, for us. I wanted a tattoo of you on my skin, because I can't show you the one you've already left on my heart.
β
β
Gina L. Maxwell (Rules of Entanglement (Fighting for Love, #2))
β
The degree to which your Consciousness expands, is the degree to which you understand yourself and the universe.
β
β
Gina Charles
β
Driggs whispered to Lex out of the side of his mouth as they walked, "I never got grounded before you came here."
"You never touched a boob before I came here either."
"TouchΓ©." He flashed a goofy grin as Uncle Mort shoved him into his room and slammed the door. "Worth it!
β
β
Gina Damico (Scorch (Croak, #2))
β
Knowing I should get into the habit of praying on my knees before bed, I shrugged and instead huddled under the bedcovers, the rose clasped in my hands close to my heart. The stem was very long, with all thorns removed, and an old Venetian saying came to mind: The longer the stem, the greater the love.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Ferbus stared in wonder. "He's like a bag of microwave popcorn."
Driggs finally spoke, his voice equally amazed. "But popcorn tends to stop popping after a couple of minutes. He's...still going.
β
β
Gina Damico (Scorch (Croak, #2))
β
And I got myself a camel," Cordy finished with a smile.
Lex stared at her. "Why?"
"Duh, Lex, because I can .
β
β
Gina Damico (Scorch (Croak, #2))
β
And more often than not, who we think we need isnβt at all who we really need.
β
β
Gina L. Maxwell (Rules of Entanglement (Fighting for Love, #2))
β
Damn, Lu. When did you get an ass like this?
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
Reid turned to Jax and with nothing more than a look, they said more things in three seconds than most women could say in three hours.
Thanks for always being there for me.
No problem, you've done the same for me.
I love your sister, man, I'll do whatever it takes to make her happy.
I know you do, and I know you will. Plus, if you don't, I'll break your fucking legs.
Fair enough.
Then let's do this.
Hell yeah.
β
β
Gina L. Maxwell (Rules of Entanglement (Fighting for Love, #2))
β
Yeah, well, love doesn't always beat out the fear."
"Sometimes it does," he replied with a smile, pecking her on the nose.
"Christ, Driggs. You're turning into a Lifetime movie."
"Your defense mechanisms are captivating, as always.
β
β
Gina Damico (Scorch (Croak, #2))
β
The day was perfect. Hot, yes, but with a refreshing zephyr sidling in from the west. The lagoon was flecked with small islands, and beyond lay the more ominous mainland, the papal army camped somewhere on it. But here, on this beautiful islet far from our usual universe, a warrior pope seemed a figment.
β
β
Gina Buonaguro (The Virgins of Venice)
β
Who knows why you kids do any of the crap you do?"
"And who knows why you guys are such assholes?" Lex countered, taking a sip of her soda. "Life is just full of little mysteries, isn't it?
β
β
Gina Damico (Scorch (Croak, #2))
β
I am a 5'1 petite female. My pistol is my equalizer.
β
β
Gina Loudon
β
But relationship is more than just liking the same board games.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
What would happen if you gave yourself permission to do something
youβve never done before? Thereβs only one way to find out.
β
β
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
β
Never date a man who canβt out-drink you in tequila.
β
β
Gina L. Maxwell (Rules of Entanglement (Fighting for Love, #2))
β
I wouldn't go around telling people about these shocks of yours."
"Why not?" Lex asked.
"It's like announcing to the would you have crabs. It's embarrassing, and no one'll ever shake your hand again.
β
β
Gina Damico (Croak (Croak, #1))
β
Driggs, wake up." she shook him. "Driggs!"
"Whaaat?" he groaned, squinting. "Why again? With the shaking?"
She held up the scrap. "I just found this in your pants."
Driggs raised an eyebrow. "What were you doing in my pants?"
She smacked him. "Focus! Read what it says.
β
β
Gina Damico (Scorch (Croak, #2))
β
Sometimes I want to kiss him and sometimes I want to ruin him, but most of the time, I want those actions to be one and the same.
β
β
Gina Chen (Violet Made of Thorns)
β
you've been back here in my presence for two agonizing hours now, and if we don't properly make out soon, I'm going to hurl myself off the roof.
β
β
Gina Damico (Scorch (Croak, #2))
β
Smack me if we ever get that awful.β
βBut I smack you so often,β she said, βhow will you know thatβs what Iβm smacking you for?β
βWe shall work out a smacking code.
β
β
Gina Damico (Rogue (Croak, #3))
β
I see birthdays as a reward for having shown up 365 in a row. It's like getting a badge for attendance.
β
β
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
β
When we give freely, we feel full and complete; when we withhold, we feel small, petty, impotent, and lacking. We are meant to learn this great truth, that giving fulfills us, while withholding and trying to get causes us to feel empty and even more needy. This truth runs counter to our programming, which drives us to try to get something from others to fulfill our neediness, only to end up even more needy, grasping, lacking, and unfulfilled.
β
β
Gina Lake (What About Now?: Reminders for Being in the Moment)
β
Poison? Drugs?"
"No chemical works that instantly. You saw the guy - it looked like he was still reading his program."
"Then what, magical fairy dust? Vulcan death grip?"
"Focus, Lex. Wake up that lonely brain cell.
β
β
Gina Damico (Croak (Croak, #1))
β
And you're going to help me find it."
"Oh, really?" he replied with a wry grin. "Why's that?"
"Because you promised to love me," she said in a dopey voice. "And, uh...honor me...and protect..."
He snickered. "Shut up, spaz.
β
β
Gina Damico (Scorch (Croak, #2))
β
...there is a celebrated aphorism insisting that the best way to live is to 'work like you don't need the money, dance like nobody is watching, and love like you've never been hurt.'...After years of hearing and reading these lines I have decided to tell the truth: the original version is wrong. There is a grave error in the wording of this adage. The correct version should go as follows:
Love like you don't need the money,
Work like nobody is watching,
Dance like you've never been hurt.
See? Doesn't that make more sense?
β
β
Gina Barreca (It's Not That I'm Bitter . . .: Or How I Learned to Stop Worrying About Visible Panty Lines and Conquered the World)
β
Elysia!" Driggs interrupted. "Slow the hell down."
She grinned at Lex. "Sorry. I talk a lot when I get excited."
"That's okay," Lex said with an impish nod. "We all have our flaws. Driggs here loves Titanic."
"Really??"
Driggs folded his arms and studied the girls. "I can already see the ramifications of an alliance between you two. And they are troublesome.
β
β
Gina Damico (Croak (Croak, #1))
β
We stood for a moment, the brackish canal water teething at the stone,the last of the stars fading as the sky transformed from black to indigo. A pair of swans like large white clouds floated on the water, their heads tucked under their wings, as a gondola pulled up, a lantern on the prow, the gondolier on the stern, rubbing his sleepy eyes.
β
β
Gina Buonaguro
β
There comes a time in every young girl's life when she is instructed by a complete stranger to scale a tall ladder for dinner atop a roof, and in almost every case the best thing to do is refuse and run home to call the asylum from which the stranger escaped.
β
β
Gina Damico (Croak (Croak, #1))
β
The boy took a step toward her. Lex jumped back, her contentious instincts kicking in. "Stop right there," she warned. "I punch, I kick, and I feel compelled to warn you, I can bite harder than the average Amazonian crocodile."
He smirked and leaned against the doorframe. "And I feel compelled to warn YOU that the bathroom we now share has a leaky ceiling," he said, pointing up. "There's an umbrella under the sink, if you're going to be in here for a while.
β
β
Gina Damico (Croak (Croak, #1))
β
Placing one last kiss over her heart, he lifted his head to find her staring at him with The Lookβthe one that told a guy when a woman was leaving Letβs Screw For Fun City and headed straight for Letβs Pick Out China Townβwritten all over her pretty face.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
A crash of cymbals exploded in her ear. She opened her eyes to behold Driggs clanging them vigorously, a mischievous grin on his face and a large bruise surrounding his eye.
"I hope, for the sake of your fertility, you're wearing a cup," she warned through clenched teeth."
"Come on," he said, jumping onto to the mattress. "It's time for work."
Lex moaned. "How are you so awake already?"
"If you recall, I eat a lot of chocolate.
β
β
Gina Damico (Croak (Croak, #1))
β
What happened to YOU old partner?" Lex asked him. "Suicide I take it?"
He frowned. "Worse - business school. Can you believe it? Two years of Croak, then one day the kid decided he wants to be the next Donald Trump. So we threw him in a car, dropped him off near Woodstock and now he think he spent the past two years in a drug-addled haze at some hippie commune.
β
β
Gina Damico (Croak (Croak, #1))
β
To get the most out of the relationship you are in, it won't be helpful to listen to the ego's stories about it. They will only bring separation and conflict. Essence would tell a different story about your loved one. It would probably be something like: "This person is in my life for me to love to the best of my ability. Let's see what happens if I do that." As Essence, we are here to serve others and serve life. The ego, on the other hand, is all about serving itself.
β
β
Gina Lake (What About Now?: Reminders for Being in the Moment)
β
They had completely failed to notice Norwood and Heloise storming out of the house, Uncle Mort scaling the ladder, and the fact he was now staring at them and had been for several minutes.
"Good grief," he said. "As if I didn't have enough to worry about."
Lex and Driggs jumped apart and wiped spittle from their mouths. "What's up?" Driggs said in a terrible attempt at nonchalance.
"Hormone levels obviously.
β
β
Gina Damico (Scorch (Croak, #2))
β
Hi, I'm Driggs."
"Damn, boy. You're even cuter up close." Cordy looked him up and down hungrily. "Got any dead brothers in here?"
Lex made a face. "Cordy, ew."
"Doesn't hurt to ask!" She peered at Driggs. "Now tell me, what are your intentions with my sister?"
Driggs became flustered. "Um, I don't know. To love her...and, uh...honor...protect..."
Lex went red. "Driggs, shut up."
"Awkward." Cordy beamed. "Love it."
"We have to go," Driggs said in an unnecessarily loud voice.
β
β
Gina Damico (Scorch (Croak, #2))
β
Hey, one week, huh, Lex?" he said, tossing her a Cuff. "Here's your graduation gift."
"Sweet." she slid it onto her wrist. It felt cool, with a slight vibration to it. "Thanks."
"So, you feel all trained up? Driggs teach you everything he knows?"
"Yes. I'm now fully qualified to operate a can opener."
Driggs let out a sigh. "What a lovable scamp you've bestowed upon our fair town, Mort."
"My pleasure," he said to Driggs.
β
β
Gina Damico (Croak (Croak, #1))
β
For a moment she could have sworn she was standing in one of those history-comes-alive museums--the kind that feature animatronic robots, the narration stylings of James Earl Jones, and the sort of exhibits that invade children's nightmares for years to come. But instead of a cyborgish John Wilkes Booth discharging his deadly bullet into the back of a plastic Lincoln's head, a very real version of the assassin was engaged in a furious arm-wrestling match with Elvis Presley.
Lincoln was watching the tussle, amused. "Come on, John," he said. "You can do better than that."
"He's all talk," Elvis whispered back.
"Silence!" roared Booth. "I'm trying to concentrate!"
Lincoln rolled his eyes.
β
β
Gina Damico (Croak (Croak, #1))
β
When true happiness shows up, the ego is bored with it: It's too plain, too ordinary, and it doesn't leave us feeling special or above the fray. It doesn't take away our problems, which is the ego's idea of happiness. The ego wants no more difficulties: no ore sickness, no more need for money, no more work, no more bad feelings, only unending pleasure and bliss. Such perfection is the ego's idea of a successful life. However, the happiness the ego dreams of will never be attained by anyone. The ego denies the reality of this dimension, where challenges are necessary to evolution and blissful states and pleasure come and go.
β
β
Gina Lake (What About Now?: Reminders for Being in the Moment)
β
I canβt believe itβs you. Wait, why does my chart say Randy Johnson?β
Reid chuckled at the ridiculous name he used for anonymity.
βItβs an alias.β
Wanting to erase the pained look from whatever had happened before he arrived, he gave her a wicked smile and added,
βAnd sometimes a state of being.β
Her brows gathered together for the few seconds it took to sink in, then her cheeks flushed with color and her eyes grew wide. βReid!
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
You need nothing more than the experience you are having right now. It is enough. It is plenty. It is perfect just as it is. It was designed for you, given to you for your experience. All you have to do, and all you have ever had to do is accept this gift. Take it and let it in. Let yourself experience the present moment just as it is. It doesn't get any better than this. This is the simple truth the ego refuses to accept, and it will suffer as long as that is the case.
β
β
Gina Lake (What About Now?: Reminders for Being in the Moment)
β
Well, remember, active Grims can't have children. Fertility is adversley affected by the proximity to the ether, to Elixir, and all sorts of other components-- plus, the Grimsphere is no place to raise a family, even if woman conceive here."
Lex snuck a glance at Driggs, but Uncle Mort caught her.
"That doesn't mean you get a free pass to ride the baloney pony when ever you want to. Got it?
β
β
Gina Damico (Scorch (Croak, #2))
β
Lex froze. "What boy?"
"That boy I saw you with, before you came up to ring the bell. The windows of this house are fully functional, you know."
Lex didn't even bother with a lie this time. "His name is Driggs. He's my partner."
"Ah, partner. How very Law and Order."
"Shut up, that's just how it works."
"I see. And have you two had a romp in the hay yet, or would that upset Mr. Frizzle the rooster?
β
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Gina Damico (Croak (Croak, #1))
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Then something happened in the next two seconds, but neither Lex nor Driggs would be able to recall exactly what. All they knew was that after it was over, their eyes met once again, this time in horror.
βWhy did you just kiss my ear?β Lex asked nervously.
Driggs winced. βBecause you turned your head.β
βI thought that tree .Β . Β . moved.β
βOh.β
Another moment of silence.
Driggs bit his lip. βDo you mind if I try again?β
She swallowed. βOkay.β
Then something else happened, and this time both Lex and Driggs would remember exactly what it was.
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Gina Damico (Croak (Croak, #1))
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If you were determined to get enjoyment out of every moment, you would learn to do whatever it took. What it takes is not listening to negative thoughts, yours or anyone else's. Disregarding negative thoughts isn't hiding our head in the sand, but simply not allowing the negative to clutter and influence over our experience of the present moment. The moment is never improved or helped by negativity, although we are programmed to think our negative thoughts, worries, and fears serve a useful function. When you really examine this idea, however, you see that negativity doesn't serve. Focusing on negativity and fears doesn't make anyone a better person, nor does doing that help us function better in the world. In fact, the truth is quite the opposite.
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Gina Lake (What About Now?: Reminders for Being in the Moment)
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What?" he asked.
"Nothing. Your bony hands of death amuse me, that's all."
"Wait until yours look the same," he said, preparing to scythe.
"Wait - what?" She batted the sapphire blade out of his hands. "What do you mean? Is that why everyone around here has such creepy fingers?"
"Yeah." He bent down to pick up his scythe. "I don't know why it happens, though. Probably the same weird reason our hair goes all wonky."
"What?" she barked, knocking his scythe to the ground once more.
"Stop that!"
"What happens to our hair?"
He gestured to the disaster atop his head. "You think I want to look like a drunken hedgehog all the time? It's from hanging out in the ether so much. It messes with your follicles or something. Doesn't happen to everyone, but I can assure you that Ferbus's wasn't always the color of a prison jumpsuit, Zara wasn't born Silvylocks, and Mort's been rocking the electrocution look for years. Look, yours has gotten straighter already."
Lex ran a hand through her hair. It had lost some of its poofyness. There had been so many other circuses of insanity to deal with that she hadn't even noticed. It was calm, manageable, even - she shuddered to think it - sleek and shiny.
"Oh my God," she said in disgust. "I'm a shampoo commercial.
β
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Gina Damico (Croak (Croak, #1))
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Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
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Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))