Gin Time Quotes

We've searched our database for all the quotes and captions related to Gin Time. Here they are! All 100 of them:

Arthur shook his head and sat down. He looked up. “I thought you must be dead …” he said simply. “So did I for a while,” said Ford, “and then I decided I was a lemon for a couple of weeks. I kept myself amused all that time jumping in and out of a gin and tonic.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
It comes from a very ancient democracy, you see..." "You mean, it comes from a world of lizards?" "No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." "Odd," said Arthur, "I thought you said it was a democracy." "I did," said Ford. "It is." "So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" "It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." "You mean they actually vote for the lizards?" "Oh yes," said Ford with a shrug, "of course." "But," said Arthur, going for the big one again, "why?" "Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?" "What?" "I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" "I'll look. Tell me about the lizards." Ford shrugged again. "Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." "But that's terrible," said Arthur. "Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
They’d played “Sweet Home, Alabama” so many times I wanted to crash the party, kill the radio, and knife whoever was selecting the music.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
You know what your problem is, Justina? You're in desperate need of a good shag." I downed a gulp of gin to cover the laugh that forced its way out. God, if I'd thought that once, I'd thought it a thousand times! She let out an outraged huff. Bones ignored it. "Not that I'm offering you one myself, mind. My days as a whore ended back in the seventeen hundreds.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
This was a dream. A very bad, bad dream, brought on by liver poisoning from too many gin and tonics. Here it was, a deal with the devil. At what price my soul? He watched me expectantly and threateningly all at the same time. If I said no, I knew what would happen. Save the glass, waitress, I’m drinking from the bottle! Happy hour, with my neck on tap. If I said yes, I’d be agreeing to a partnership with pure evil.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
What was wrong with giving Gin a key?" he rumbled. "It's not like I could keep her out of the house, even if I wanted to. I thought a key would make things easier, make her feel like she was really welcome here. This is the first time that I've dated an assassin. I don't want to piss her off
Jennifer Estep (Tangled Threads (Elemental Assassin, #4))
Jonah McAllister regarded me with cold eyes. "Oh, yes. That's her. The lovely Ms.Gin Blanco. The bitch who was giving my boy a hard time. A hard time? I supposed so, if you thought turning him in to the cops for attempted robbery, breaking a plate full of food in his face, and ultimately stabbing Jake McAllister to death was a hard time.
Jennifer Estep (Venom (Elemental Assassin, #3))
The trick to loneliness is to spend a lot of time inside one’s head.
Pat R (O Pijama da Gata)
The last time you were feeling heartbroken, you took shots at a chandelier with a mundane gun and nearly drowned yourself in the Serpentine.” said Matthew. “I wasn’t trying to drown myself,” James pointed out. “Besides, Magnus Bane saved me.” “Don’t mention that,” said Matthew, as James uncapped the flask. “You know how angry I am about that. I idolize Magnus Bane, you had one chance to meet him, and you embarrassed us all.” “I’m quite sure I never mentioned any of you to him,” said James, and tipped the flask back. He choked. It was blue ruin: the cheapest, harshest kind of gin. It went down like lightning. He coughed and thrust the flask away. “Even worse,” said Matthew. “How sharper than the serpent’s tooth it is to have an ungrateful parabatai.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
His brow is seamed with line and scar; His cheek is red and dark as wine; The fires as of a Northern star Beneath his cap of sable shine. His right hand, bared of leathern glove, Hangs open like an iron gin, You stoop to see his pulses move, To hear the blood sweep out and in. He looks some king, so solitary In earnest thought he seems to stand, As if across a lonely sea He gazed impatient of the land. Out of the noisy centuries The foolish and the fearful fade; Yet burn unquenched these warrior eyes, Time hath not dimmed, nor death dismayed.
Walter de la Mare
I could simply kill you now, get it over with, who would know the difference? I could easily kick you in, stove you under, for all those times, mean on gin, you rammed words into my belly. (p. 52)
Barbara Blatner
I thought you must be dead …” he said simply. “So did I for a while,” said Ford, “and then I decided I was a lemon for a couple of weeks. I kept myself amused all that time jumping in and out of a gin and tonic.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
I'd like to hear five recordings of Louis Armstrong playing and singing "What Did I Do to Be so Black and Blue"-all at the same time. Sometimes now I listen to Louis while I have my favorite dessert of vanilla ice cream and sloe gin. I pour the red liquid over the white mound, watching it glisten and the vapor rising as Louis bends that military instrument into a beam of lyrical sound.
Ralph Ellison (Invisible Man)
Or maybe he was seeing double. Bad stuff, gin. Should ‘ave switched to rum a long time ago. Good stuff, rum. You could drink it, or take a bath in it. No, that was gin — he meant Joe.
Robert A. Heinlein (Assignment in Eternity)
For the first time, I was glad that Finn had badgered me into buying the Aston, because the car purred into high gear with no visible effort and hugged the road better than a creepy old uncle at Christmas, not wanting to let go of his pretty young relatives.
Jennifer Estep (Poison Promise (Elemental Assassin, #11))
And what do you do in times of crisis, Gin?” Grayson asked. I stared at him. “I survive.
Jennifer Estep
Yeah, yeah,” I said. “I know exactly what you’re going to say. I’m a bitch, this isn’t over, and I’ll be seeing you again real soon. If I had a dollar for every time I’d heard that, I’d be even richer than I already am.
Jennifer Estep (By a Thread (Elemental Assassin, #6))
It's so weird," Chloe said finally, "that it doesn't feel different now." "What?" I asked her. "Everything," she said. "I mean, this is what we've been waiting for, right? High school's over. It's a whole new thing but it feels exactly the same." "That's because nothing new has started yet," Jess told her. She had her face tipped up, eyes on the sky above us. "By the end of the summer, then things will feel new. Because they will be." Chloe pulled another tiny bottle—this time gin—out of her jacket pocket and popped the top. "It sucks to wait, though," she said, taking a sip of it. "I mean, for everything to begin.
Sarah Dessen (This Lullaby)
Most people have some means of filling up the gap between perception and reality, and, after all, in those circumstances there are far worse things than gin.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
Great. Lovely. Can I have your hat?” “My … hat?” The elderly woman looked up at the oversized hat. The sides drooped magnificently, and the thing was festooned with flowers. Like, oodles of them. Silk, he figured, but they were really good replicas. “You have a lady friend?” Aunt Gin asked. “You wish to give her the hat?” “Nah,” Wayne said. “I need to wear it next time I’m an old lady.” “The next time you what?” Aunt Gin grew pale, but that was probably on account of the fact that Wax went stomping by, wearing his full rusting mistcoat. That man never could figure out how to blend in.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Yes, ma’am,” he said, and folded his hands and stopped where he was, listening, waiting while a very sick woman tried to gather her faculties. “First off, tell the dowager she’s a right damn bastard.” It was no time for a translator to argue. Mitigation, however, was a reasonable tactic. “Aiji-ma, Sabin-aiji has heard our suspicions regarding Tamun and received assurances from me and Gin-aiji that we have not arranged a coup of our own. She addresses you with an untranslatable term sometimes meaning extreme disrepute, sometimes indicating respect for an opponent.” Ilisidi’s mouth drew down in wicked satisfaction. “Return the compliment, paidhi.” “Captain, she says you’re a right damn bastard, too.
C.J. Cherryh (Defender (Foreigner, #5))
Because of the last time you overheard me talking about con—er, protective products,” I said. Nothing. I might as well be babbling about rush hour traffic patterns, for all the reaction he showed. “You ordered a strawberry gin and tonic because I was talking about strawberry-flavored…
Ana Huang (King of Pride (Kings of Sin, #2))
LIFE HACK #639: Try ‘Dry January’. Every time your mouth feels a little dry, fill it with gin!
Joe Lycett (Parsnips, Buttered: The hilarious, bestselling book from comedian Joe Lycett)
Because I never wanted you to know!' Alastair burst out. 'Because I wanted you to have a childhood, a thing I never had. I wanted you to be able to love and respect your father as I never could. Every time he made a mess, who do you think had to clean it up? Who told you Father was ill or sleeping when he was drunk? Who went out and fetched him when he passed out in a gin palace and smuggled him in through the back door? Who learned at ten years old to refill the brandy bottles with water each morning so no one would notice the levels had sunk—?' He broke off, breathing hard.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.
Stephen King (Song of Susannah (The Dark Tower, #6))
I don’t have much time, sir, but fortunately I have a lot of gin.
Terry Pratchett (Making Money (Discworld, #36; Industrial Revolution, #5; Moist von Lipwig, #2))
every time I picked up a pen, this grinding, unnamed fear overcame me—later identified as fear that my real self would spill out. One can’t mount a stripper pole wearing a metal diving suit. What I needed to write kept simmering up while I wrote down everything but that. In fact, I kept ginning out reasons that writing reality was impossible. I cranked up therapy and drank like a fish.
Mary Karr (The Art of Memoir)
A warm sunny evening, the plash and gurgle of the waves in the rock pools, the rush of the cold gin. I thought for the first time of my novel, abandoned, all these years, and I came up, unprompted, with the perfect title. Octet. Octet by Logan Mountstuart. Perhaps I will surprise them all, yet.
William Boyd (Any Human Heart)
The truth was, she was afraid that when she fell hard for a boy, she’d lose herself along the way. She’d seen it happen to lots of girls. They’d go from drinking gin, driving fast cars, and boldly shimmying in speakeasies to these passive creatures who couldn’t make a move without asking their beaus if it would be okay. Evie had no intention of fading behind any man. She didn’t want to slide into ordinary and wake up to find that she’d become a housewife in Ohio with a bitter face and an embalmed spirit. Besides, things you loved deeply could be lost in a second, and then there was no filling the hole left inside you. So she lived in the moment, as if her life were one long party that never had to stop as long as she kept the good times going. But right now, in this moment, she felt a strong connection to Sam, as if they were the only two people in the world. She wanted to hold on to both him and the beautiful moment and not let go.
Libba Bray (Lair of Dreams (The Diviners, #2))
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
I treasure ruefully some memories of W.H. Auden that go back to the middle 1960s, when he arrived in New Haven to give a reading of his poems at Ezra Stiles College. We had met several times before, in New York City and at Yale, but were only acquaintances. The earlier Auden retains my interest, but much of the frequently devotional poetry does not find me. Since our mutual friend John Hollander was abroad, Auden phoned to ask if he might stay with my wife and me, remarking of his dislike of college guest suites. The poet arrived in a frayed, buttonless overcoat, which my wife insisted on mending. His luggage was an attache case containing a large bottle of gin, a small one of vermouth, a plastic drinking cup, and a sheaf of poems. After being supplied with ice, he requested that I remind him of the amount of his reading fee. A thousand dollars had been the agreed sum, a respectable honorarium more than forty years ago. He shook his head and said that as a prima donna he could not perform, despite the prior arrangement. Charmed by this, I phoned the college master - a good friend - who cursed heartily but doubled the sum when I assured him that the poet was as obdurate as Lady Bracknell in 'The Importance of Being Earnest'. Informed of this yielding, Auden smiled sweetly and was benign and brilliant at dinner, then at the reading, and as he went to bed after we got home.
Harold Bloom (The Anatomy of Influence: Literature as a Way of Life)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
Now I have one radio-phonograph; I plan to have five. There is a certain acoustical deadness in my hole, and when I have music I want to feel its vibration, not only with my ear but with my whole body. I'd like to hear five recordings of Louis Armstrong playing and singing 'What Did I Do to Be so Black and Blue —all at the same time. Sometimes now I listen to Louis while I have my favorite dessert of vanilla ice cream and sloe gin. I pour the red liquid over the white mound, watching it glisten and the vapor rising as Louis bends that military instrument into a beam of sound. Perhaps I like Louis Armstrong because he's made poetry out of being invisible. I think it's because he's unaware that he is invisible. And my own grasp of invisibility aids me to understand his music.
Ralph Ellison (Invisible Man)
He meditated resentfully on the physical texture of life. Had it always been like this? Had food always tasted like this? He looked round the canteen. A low-ceilinged, crowded room, its walls grimy from the contact of innumerable bodies; battered metal tables and chairs, placed so close together that you sat with elbows touching; bent spoons, dented trays, coarse white mugs; all surfaces greasy, grime in every crack; and a sourish, composite smell of bad gin and bad coffee and metallic stew and dirty clothes. Always in your stomach and in your skin there was a sort of protest, a feeling that you had been cheated of something that you had a right to. It was true that he had no memories of anything greatly different. In any time that he could accurately remember, there had never been quite enough to eat, one had never had socks or underclothes that were not full of holes, furniture had always been battered and rickety, rooms underheated, tube trains crowded, houses falling to pieces, bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes insufficient -- nothing cheap and plentiful except synthetic gin. And though, of course, it grew worse as one's body aged, was it not a sign that this was not the natural order of things, if one's heart sickened at the discomfort and dirt and scarcity, the interminable winters, the stickiness of one's socks, the lifts that never worked, the cold water, the gritty soap, the cigarettes that came to pieces, the food with its strange evil tastes? Why should one feel it to be intolerable unless one had some kind of ancestral memory that things had once been different?
George Orwell (1984)
Twilight never lasts long in India, but its advent was like opening time at the pubs our rulers had left behind. The shadows fell and spirits rose; the sharp odour of quinine tonic, invented by lonely planters to drown and justify their solitary gins, mingled with the scent of frangipani from their leafy, insect-ridden gardens, and the soothing clink of ice against glass was only disturbed by the occasional slap of a frustrated palm against a reddening spot just vacated by an anglovorous mosquito.
Shashi Tharoor (The Great Indian Novel)
You know what they say, ‘Nothing makes a Southern story better than a stretch of time and a few glasses of gin.
M.L. Bullock (Seven Sisters (Seven Sisters #1))
sense trying to make him feel bad about it. She tilted back her glass and went past the gin for a second time. She
Ann Patchett (Commonwealth)
Much of the time he lay part-dressed on his bed, sipping gin, and thinking, and thinking, - though what it was, of which he thought, he seemed not to know.
Joyce Carol Oates (Mysteries of Winterthurn (The Gothic Saga #3))
Nothing makes a Southern story better than a stretch of time and a few glasses of gin.
M.L. Bullock (Seven Sisters (Seven Sisters #1))
The Geranium When I put her out, once, by the garbage pail, She looked so limp and bedraggled, So foolish and trusting, like a sick poodle, Or a wizened aster in late September, I brought her back in again For a new routine - Vitamins, water, and whatever Sustenance seemed sensible At the time: she'd lived So long on gin, bobbie pins, half-smoked cigars, dead beer, Her shriveled petals falling On the faded carpet, the stale Steak grease stuck to her fuzzy leaves. (Dried-out, she creaked like a tulip.) The things she endured!- The dumb dames shrieking half the night Or the two of us, alone, both seedy, Me breathing booze at her, She leaning out of her pot toward the window. Near the end, she seemed almost to hear me- And that was scary- So when that snuffling cretin of a maid Threw her, pot and all, into the trash-can, I said nothing. But I sacked the presumptuous hag the next week, I was that lonely.
Theodore Roethke (Selected Poems)
THIS book is radioactive. And so are you. Unless you are dead, in which case we can tell how long ago you died by how much of your radioactivity is left. That’s what radiocarbon dating is—the measurement of the reduction of radioactivity of old bones to deduce the time of death. Alcohol is radioactive too—at least the kind we drink. Rubbing alcohol usually isn’t, unless it was made organically—that is, from wood. In fact, the US Bureau of Alcohol, Tobacco, Firearms and Explosives tests wine, gin, whiskey, and vodka for radioactivity. A fifth of whiskey must emit at least 400 beta rays every minute or the drink is considered unfit for human consumption. Biofuels are radioactive. Fossil fuels are not. Of those killed by the Hiroshima atomic bomb, the best estimate is that fewer than 2% died of radiation-induced cancer. These statements are all true. They are not even disputed, at least by experts. Yet they surprise most people.
Richard A. Muller (Physics for Future Presidents: The Science Behind the Headlines)
there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,
James McBride (Deacon King Kong)
So Whitney’s gin not only helped make many people rich on both sides of the Atlantic but also reinvigorated slavery, turned child labor into a necessity, and paved the way for the American Civil War. Perhaps at no other time in history has someone with a simple, well-meaning invention generated more general prosperity, personal disappointment, and inadvertent suffering than Eli Whitney with his gin.
Bill Bryson (At Home: A Short History of Private Life)
Name: One Shade of Grey Description: You'll recognise this phenomenon through an inability to tell where the pavement ends and the sky begins. Nothing has ever been achieved on a One Shade of Grey day, so if you notice one upon opening your curtains the best advice is to climb back into bed, drink gin through a straw and remember the 'Lost Sun' days of years past. Most likely: Any of the 18 months of winter.
Rob Temple (Very British Problems: Making Life Awkward for Ourselves, One Rainy Day at a Time (Very British Problems, #1))
Do you know, to this day, I cannot stand the smell of gin? It was her favorite, and any time I get a whiff of that herby, medicinal scent, I think of Mama, swaying in her bedroom door, her face puffy, eyes red.
Rachel Hawkins (The Heiress)
Yvonne, then, was the exotic and the sunlit when I could easily have had a boyhood of stern and dutiful English gray. She was the cream in the coffee, the gin in the Campari, the offer of wine or champagne instead of beer, the laugh in the face of bores and purse-mouths and skinflints, the insurance against bigots and prudes. Her defeat and despair were also mine for a long time, but I have reason to know that she wanted me to withstand the woe, and when I once heard myself telling someone that she had allowed me "a second identity" I quickly checked myself and thought, no, perhaps with luck she had represented my first and truest one.
Christopher Hitchens (Hitch 22: A Memoir)
Love wasn’t just being there in the good times. Real love was standing next to someone on their darkest days. Real love was sweating together, striving together. Falling down and getting back up. Hurting, healing. That’s where the bond came from. The work.
Lucy Score (Gin Fling (Bootleg Springs, #5))
Here haue I cause, in men iust blame to find, That in their proper prayse too partiall bee, And not indifferent to woman kind, To whom no share in armes and cheualrie They do impart, ne maken memorie Of their brave gestes and prowess martiall; Scarse do they spare to one or two or three, Rowme in their writs; yet the same writing small Does all their deeds deface, and dims their glories all, But by record of antique times I find, That women wont in warres to beare most sway, And to all great exploits them selues inclind: Of which they still the girlond bore away, Till enuious Men fearing their rules decay, Gan coyne straight laws to curb their liberty; Yet sith they warlike armes haue layd away: They haue exceld in artes and policy, That now we foolish men that prayse gin eke t'enuy.
Edmund Spenser (The Faerie Queene, Books Three and Four)
There was indeed a caste system in Maycomb, but to my mind it worked this way: the older citizens, the present generation of people who had lived side by side for years and years, were utterly predictable to one another: they took for granted attitudes, character shadings, even gestures, as having been repeated in each generation and refined by time. Thus the dicta No Crawford Minds His Own Business, Every Third Merriweather Is Morbid, The Truth Is Not in the Delafields, All the Bufords Walk Like That, were simply guides to daily living: never take a check from a Delafield without a discreet call to the bank; Miss Maudie Atkinson’s shoulder stoops because she was a Buford; if Mrs. Grace Merriweather sips gin out of Lydia E. Pinkham bottles it’s nothing unusual—her mother did the same.
Harper Lee
It comes from a very ancient democracy, you see.…” “You mean, it comes from a world of lizards?” “No,” said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, “nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people.” “Odd,” said Arthur, “I thought you said it was a democracy.” “I did,” said Ford. “It is.” “So,” said Arthur, hoping he wasn’t sounding ridiculously obtuse, “why don’t the people get rid of the lizards?” “It honestly doesn’t occur to them,” said Ford. “They’ve all got the vote, so they all pretty much assume that the government they’ve voted in more or less approximates to the government they want.” “You mean they actually vote for the lizards?” “Oh yes,” said Ford with a shrug, “of course.” “But,” said Arthur, going for the big one again, “why?” “Because if they didn’t vote for a lizard,” said Ford, “the wrong lizard might get in. Got any gin?
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
In my old age (smirk), I seem to have become a creature of habit. I have order, schedules, quirky little activities I dig that fill up my days. Even though I hang alone, I hang alone well. In the two years since I got back from my seven-month postcollegiate sojourn in gay paris, I have gotten used to spending most of my time alone, playing inside my head. All those solo walks along the Seine, nights spent reading in my apartment, and weekend lurking gin dark cafés conditioned me to like my own company. Sure, I was lonely not having anyone to gab with or laugh with, but somehow I found serenity in solitude. Now, even with friends around, I like being able to tune everything and everyone out. I have become selfish with my freedom, filling it with things I deem fit. This is how I deal with loneliness in my life: I learn to love it, and the it isn't loneliness, it's just lovely. 
Rebecca Bloom (Girl Anatomy: A Novel)
[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.
David Foster Wallace (Infinite Jest)
That's just like the manual says," said Witherwax. "If we want to have international brotherhood, we gotta get a language that everybody understands all the time." "You mean with no homonyms?" said Doc Brenner. Mr. Gross belched again, and held up two fingers to indicate another Boilermaker. "Are you saying that the language a fella speaks can make a fairy of him?" ("Gin Comes In Bottles")
Fletcher Pratt (Tales from Gavagan's Bar)
Whatever you do in life, do it to the best of your ability. That inner voice inside of you, trust it… it’s your intuition. It will guide you in the right direction. Try to be positive, ignore negativity, but if you see somethin’ ain’t right, that somethin’ is goin’ wrong, speak up. Live your life to the fullest! Cherish it… respect it. Live it till the wheels fall off! Write things down! Take pictures, pick roses with the thorns still attached so you can feel pain and see beauty all at one time… Eat chocolate cake ’till you’re sick, travel abroad, get to know folks who are totally different from you. Respect one another, too. Be the change you wanna see in others. Drink Gin Fizz and white wine with strawberries but most of all, the most important of all, ladies and gentlemen… don’t ever be afraid to fall in love…
Tiana Laveen (Cancer: Mr. Intuitive (The Zodiac Lovers #7))
THE BOTTOMS" succeeded to "Hell Row". Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that plodded wearily in a circle round a gin. And all over the countryside were these same pits, some of which had been worked in the time of Charles II, the few colliers and the donkeys burrowing down like ants into the earth, making queer mounds and little black places among the corn-fields and the meadows. And the cottages of these coal-miners, in blocks and pairs here and there, together with odd farms and homes of the stockingers, straying over the parish, formed the village of Bestwood.
D.H. Lawrence (Sons and Lovers)
During my short college stint, every time I picked up a pen, this grinding, unnamed fear overcame me—later identified as fear that my real self would spill out. One can’t mount a stripper pole wearing a metal diving suit. What I needed to write kept simmering up while I wrote down everything but that. In fact, I kept ginning out reasons that writing reality was impossible. I cranked up therapy and drank like a fish.
Mary Karr (The Art of Memoir)
The first time Olly's dad gets afternoon drunk--violent drunk... He'd been home all day, arguing with financial news shows on television. One of the anchors mentioned the name of his old company, and he raged. He poured whiskey into a tall glass and then added vodka and gin. He mixed them together... until the mixture was no longer the pale amber color of whiskey and looked like water instead. Olly watched the color fade in the glass and remembered the day his dad got fired and how he'd been too afraid to comfort him. What if he had--would things be different now? What if? He remembered how his dad had said that one thing doesn't always lead to another. He remembered sitting at the breakfast bar and stirring the milk and chocolate together. How the chocolate turned white, and the milk turned brown, and how sometimes you can't unmix things no matter how much you might want to.
Nicola Yoon (Everything, Everything)
On top of work woes, four times this month he’d been summoned in to see Mrs. Mudford, Amanda’s kindergarten teacher, who most recently had threatened to report him simply because, in a cloud of exhaustion and depression, he’d inadvertently packed his gin flask where Amanda’s milk thermos was supposed to go. He’d also sent a stapler instead of a sandwich, a script instead of a napkin, and some champagne truffles that time they were out of bread.
Bonnie Garmus (Lessons in Chemistry)
Then, like a levee breaking, it all came out: “I took advantage of her. I manipulated her. I called her horrible things. I stole her car once, with a shoelace. I’d leave, for days at a time, without telling her where I’d gone or who I was out with. I must have given her ulcers. When I . . . when I left for college, we didn’t even say goodbye. I just got in my Honda and drove to Boulder. I stole a bottle of her gin from the cabinet on my way out.
Taylor Adams (No Exit)
Drying herself with the hem of her shift, she notes that her two candles are dimming; one of them is already a guttering stub. Will she light new ones? Well, that depends on what time of night it is, and Caroline has no clock. Few people in Church Lane do. Few know what year it is, or even that eighteen and a half centuries are supposed to have passed since a Jewish troublemaker was hauled away to the gallows for disturbing the peace. This is a street where people go to sleep not at a specific hour but when the gin takes effect, or when exhaustion will permit no further violence. This is a street where people wake when the opium in their babies’ sugar-water ceases to keep the little wretches under. This is a street where the weaker souls crawl into bed as soon as the sun sets and lie awake listening to the rats. This is a street reached only faintly, too faintly, by the bells of church and the trumpets of state.
Michel Faber (The Crimson Petal and the White)
I asked why her Jeffrey was seeing a man in a dress shop. Perhaps he thought it was time his mother wore a dress was my first thought, Lil. Gertie said that was the job he did. Then the penny dropped. I asked her if Jeffrey was homosexual. I only whispered the word, Lil, I didn't shout it out loud. She said he was gay. She wants to take a closer look at her Jeffrey. He may, or may not, be homosexual, but there's nothing gay about him. He's as miserable as sin.
Ann Perry (The Gin Queens)
So Whitney’s gin not only helped make many people rich on both sides of the Atlantic but also reinvigorated slavery, turned child labor into a necessity, and paved the way for the American Civil War. Perhaps at no other time in history has someone with a simple, well-meaning invention generated more general prosperity, personal disappointment, and inadvertent suffering than Eli Whitney with his gin. That is quite a lot of consequence for a simple rotating drum.
Bill Bryson (At Home: A Short History of Private Life)
Your mom’s a two-time felon who runs with one of the most violent biker gangs in the US territories.” Blake fell into the swivel chair in front of Zane’s desk, spinning it a few times before he peeled back the paper on his pastrami sandwich. “And your mom is a gin-swilling narcissist who spends her days sucking the hopes and dreams out of people like a dementor. The only difference in our moms, man, is capital. One’s rich, one’s poor. They’re both shitty people.
Onley James (Headcase (Necessary Evils, #4))
The girls noticed that Volodia, who was generally so talkative and gay, seldom spoke now and never smiled and on the whole did not seem glad to be at home. He only addressed his sisters once during dinner and then his remark was strange. He pointed to the samovar and said: “In California they drink gin instead of tea.” He, too, seemed to be busy with thoughts of his own, and, to judge from the glances that the two boys occasionally exchanged, their thoughts were identical.
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85% of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N'N-T'N-ix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian 'chinanto/mnigs' which is ordinary water served at slightly above room temperature, and the Gagrakackan 'tzjin-anthony-ks' which kill cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds. What can be made of this fact? It exists in total isolation. As far as any theory of structural linguistics is concerned it is right off the graph, and yet it persists. Old structural linguists get very angry when young structural linguists go on about it. Young structural linguists get deeply excited about it and stay up late at night convinced that they are very close to something of profound importance, and end up becoming old structural linguists before their time, getting very angry with the young ones. Structural linguistics is a bitterly divided and unhappy discipline, and a large number of its practitioners spend too many nights drowning their problems in Ouisghian Zodahs.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
He works fast," Alan commented as he lifted his wine. "David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands." "Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else." "Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided. "Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well." "I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here." "Of all the gin joints in all the towns..." This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago." "Heard it?" "Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?" "Or foolish lies?" Alan countered. Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator." "Was I?" Rising, he offered Shelby her damp jacket. "How rude of me." "It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place." "If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?" "It seems fair.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I found your act truly transcendent.” “This was nothing. I used to have a wife who worked the lights. Because we’d been together for so many years, we were so amazingly coordinated. I really seemed like I was supernatural. I wish that you could have seen the act then.” He poured them each a tumbler of gin. “But then I cheated on her. At first I thought she was turning the spotlights on and off at the wrong times and in the wrong places on purpose. But then, you know, I realized it was because I’d broken our trust.
Heather O'Neill (The Lonely Hearts Hotel)
Lenin did not write as eloquently about religion as Marx, nor did he write about it often. He wielded Marx's 'opium of the people' from time to time, but his own metaphor was alcoholic. In his 1905 essay, 'Socialism and Religion,' he wrote of 'the distribution of state-clerical gin' in which 'slaves of capital drown their human shape and their claims to any decent life.' His alternative metaphor suggests a shift from thinking of religion as anesthesia to thinking of it—much as Chernyshevsky and Dobrolyubov did—as a vice.
Roland Elliott Brown (Godless Utopia: Soviet Anti-Religious Propaganda)
There were no singers, no musical interludes, no quizzes or money to be won. It was wall-to-wall Breneman and his ladies: crazy questions and spontaneous, witty, sometimes devilishly clever answers. “What’s your favorite morning fruit juice?” Breneman asked a young woman. “Gin rickey,” she said, delighting the crowd. “Did you ever milk a cow?” Breneman might ask out of the blue. There was no telling what marvelous anecdote he might pry out of someone with a question like that. “What’s your most embarrassing moment?” was a stock icebreaker. “Who gets up for those midnight feedings, you or your husband?” After bandying this question with the younger women, Breneman turned to an old lady, who said, “It certainly wasn’t him. We didn’t have bottles in those days.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Of the Poet’s Youth" When the man behind the counter said, “You pay by the orifice,” what could we do but purchase them all? Ah, Sandy, vou were clearly the deluxe doll, modish and pert in your plastic nurse whites, official hostess to our halcyon days, where you bobbed in the doorway of our dishabille apartment, a block downwind from the stockyards. Holding court on the corroded balcony, K. and I passed hash brownies, collecting change for the building’s monthly pool to predict which balcony would fall off next. That’s when K. was fucking M. and M. was fucking J., and even B. and I threw down once on the glass-speckled lawn, adrift in the headlights of his El Camino. Those were immortal times, Sandy! Coke wasn’t addictive yet, condoms prevented herpes and men were only a form of practice for the Russian novel we foolishly hoped our lives would become. Now it’s a Friday night, sixteen years from there. Don’t the best characters know better than to live too long? My estranged husband house-sits for a spoiled cockatoo while saving to buy his own place. My lover’s gone back to his gin and the farm-team fiancée he keeps in New York. What else to do but read Frank O’Hara to my tired three-year-old? When I put him to bed, he mutters “more sorry” as he turns into sleep. Tonight, I find you in a box I once marked “The Past.” Well, therapy’s good for some things, Sandy, but who’d want to forgive a girl like that? Frank says Destroy yourself if you don’t know! Deflated, you’re simply the smile that surrounds a hole. I don’t know anything.
Erin Belieu
Bert . . . had grown up with frozen concentrate mixed into pitchers of water which, although he hadn't known it at the time, had nothing to do with orange juice. Now his children drank fresh-squeezed juice as thoughtlessly as he had drunk milk as a boy. They squeezed it from the fruit they had picked off the trees in their own backyard. He could see a new set of muscles in the right forearm of his wife, Teresa, from the constant twisting of oranges on the juicer while their children held up their cups and waited for more. Orange juice was all they wanted, Bert told him. They had it every morning with their cereal, and Teresa froze it into popsicles to the children for their afternoon snacks, and in the evening he and Teresa drank it over ice with vodka or bourbon or gin. This was what no one seemed to understand—it didn't matter what you put into it, what mattered was the juice itself. "People from California forget that, because they've been spoiled," Bert said.
Ann Patchett (Commonwealth)
Do I need to ask if you had anything to do with what I’m not wearing?” She wouldn’t freak out. She would remain calm, cool, collected. Oh shit, she didn’t remember a damn thing about falling into bed. “Sorry to disappoint you, Pepper, but I left you standing at the door. What you did after you closed it—in my face, I might add—is all on you.” He reached for the cover, but she grabbed it and pulled it tight around her body. “But I’m flattered that you include me in your fantasies.” “Why has no one murdered you by now? Or at least taken a soap-filled sock to you?” That was a fun thought. Jaime on the floor, all tied-up and being flogged. “No, on second thought, murder is better. It’s more permanent.” “My, but aren’t you bloodthirsty in the morning.” He leaned against the post at the foot of the bed, his eyes traveling her body, belying his stated disinterest. “Do you always sleep naked? Or just when you’re drunk?” “You got me drunk, you prick, while you were drinking water. You poured enough gin into me to fill a damn bathtub.” “You could have said no at any time.” “That’s what your mother should have said the night you were conceived.
Mercy Celeste (Wicked Game)
Too late to cry, Miss Eleanor Jane, say Sofia. All us can do now is laugh. Look at him, she say. And she do laugh. He can't even walk and already he in my house messing it up. Did I ast him to com? Do I care whether he sweet or not? Will it make any difference in the way he grow up to treat me what I think? You just don't like him cause he look like daddy, say Miss Eleanor Jane. *You* don't like him cause he look like daddy, say Sofia. I don't feel nothing about him at all. I don't love him, I don't hate him. I just wish he couldn't run loose all the time messing up folks stuff. All the time! All the time! say Miss Eleanor Jane. Sofia, he just a baby. Not even a year old. He only been here five or six times. I feel like he been here forever, say Sofia. I just don't understand, say Miss Eleanor Jane. All the other colored women I know love children. The way you feel is something unnatural. I love children, say Sofia. But all the colored women that say they love yours is lying. They don't love Reynolds Stanley any more than I do. But if you so badly raise as to ast 'em, what you expect them to say? Some colored people so scared of whitefolks they claim to love the cotton gin.
Alice Walker (The Color Purple)
The first drug laws, the anti-opium laws of the 1870s, were directed at Chinese immigrants, never mind that the country was full of white middle-class laudanum addicts, tippling from their dropper bottles all day long. Early in the next century, support for the laws criminalizing cocaine was ginned up by claims that “drug-crazed Negroes” were destroying white society and murdering white women. Southern senators, unperturbed by their wives’ opioid addictions, believed that cocaine made black men superhuman, even that it made them immune to bullets. When the first drug czar, a man named Harry Anslinger, wanted to criminalize marijuana, he appealed to people’s biases against immigrants from Mexico, claiming that the drug made Mexicans sexually violent. William Randolph Hearst jumped on this bandwagon, warning again and again in the pages of his newspapers about the dangers of the Mexican “Marihuana-Crazed Madman.” This demonization continues today.*1 White people are five times as likely to use drugs as African Americans, yet African Americans are incarcerated for drug offenses at ten times the rate of whites.*2 The racism of the drug war has been the single most important driving factor in the ever-escalating incarceration of people of color in the United States.
Ayelet Waldman (A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life)
1860 there had risen in West Dougherty perhaps the richest slave kingdom the modern world ever knew. A hundred and fifty barons commanded the labor of nearly six thousand Negroes, held sway over farms with ninety thousand acres tilled land, valued even in times of cheap soil at three millions of dollars. Twenty thousand bales of ginned cotton went yearly to England, New and Old; and men that came there bankrupt made money and grew rich. In a single decade the cotton output increased four-fold and the value of lands was tripled. It was the heyday of the nouveau riche, and a life of careless extravagance among the masters. Four and six bobtailed thoroughbreds rolled their coaches to town; open hospitality and gay entertainment were the rule. Parks and groves were laid out, rich with flower and vine, and in the midst stood the low wide-halled “big house,” with its porch and columns and great fireplaces. And yet with all this there was something sordid, something forced,—a certain feverish unrest and recklessness; for was not all this show and tinsel built upon a groan? “This land was a little Hell,” said a ragged, brown, and grave-faced man to me. We were seated near a roadside blacksmith shop, and behind was the bare ruin of some master’s home. “I’ve seen niggers drop dead in the furrow, but they were kicked aside, and the plough never
W.E.B. Du Bois (The Souls of Black Folk)
It comes from a very ancient democracy, you see..." "You mean, it comes from a world of lizards?" "No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." "Odd," said Arthur, "I thought you said it was a democracy." "I did," said Ford. "It is." "So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" "It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." "You mean they actually vote for the lizards?" "Oh yes," said Ford with a shrug, "of course." "But," said Arthur, going for the big one again,** "why?"** "Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?" "What?" "I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" "I'll look. Tell me about the lizards." Ford shrugged again. "Some people say that the lizards are the best thing that ever happened to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." "But that's terrible," said Arthur. "Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
Douglas Adams
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
Su describes her anger as "a little femina, two centimeters tall" who claps inside her head every time she speaks out. "I'm dedicating my life to her, whatever the trends of the times. No more anger-sitters. No more camps or schools. No more lollipops. She's going to get all the advantages my expanse of years can provide, every opportunity to become whatever she wants to become, even if she wants to get married and have lots of little angers.
June Arnold (Sister Gin)
Then" Once we were in the loop . . . slick with information and the luster of good timing. We folded our clothes. Once we stood up before the standing vigils, before the popping vats, before the annotated lists of marshaled forces with their Venn diagrams like anxious zygotes, their paratactic chasms . . . before the set of whirligig blades, modular torrent. We folded our clothes. Once we remembered to get up to pee . . . and how to pee in a gleaming bowl . . . soaked as we were in gin and coconut, licorice water with catalpa buds, golden beet syrup in Johnny Walker Blue and a beautiful blur like August fog, cantilevered over the headlands . . . We tucked into the crevices of the mattress pad twirling our auburn braids, or woke up at the nick of light and practiced folding our clothes. Our pod printed headbands with hourly updates, announcing the traversals of green-shouldered hawks through the downtown loop, of gillyfish threading the north canals, of the discovery of electron calligraphy or a new method of washing brine. We smoothed our feathers like birds do, and twitched ourselves into warm heaps, and followed the fourth hand on the platinum clocks sweeping in arcs from left to right, up and down, in and out . . . We were steeped in watchfulness, fully suspended, itinerant floaters — ocean of air — among the ozone lily pads and imbrex domes, the busting thickets of nutmeg, and geode malls. At night we told stories about the future with clairvoyant certainty. Our clothing was spectacular and fit to a T. We admired each other with ferocity.
Aaron Shurin (Citizen)
… This was chronicled in a harsher book and McCaslin, fourteen and fifteen and sixteen, had seen it and the boy himself had inherited it as Noah’s grandchildren had inherited the Flood although they had not been there to see the deluge: that dark corrupt and bloody time while three separate people had tried to adjust not only to one another but to the new land which they had created and inherited too and must live in for the reason that those who had lost it were no less free to quit it than those who had gained it were: – those upon whom freedom and equality had been dumped overnight and without warning or preparation or any training in how to employ it or even just endure it and who misused it not as children would nor yet because they had been so long in bondage and then so suddenly freed, but misused it as human beings always misused freedom, so that he thought Apparently there is a wisdom beyond even that learned through suffiring necessary for a man to distinguish between liberty and license; those who had fought for four years and lost to preserve a condition under which that franchisement was anomaly and paradox, for the old reasons for which man (not the generals and politicians but man) has always fought and died in wars: to preserve a status quo or to establish a better future one to endure for his children; and lastly, as if that were not enough for bitterness and hatred and fear, that third race even more alien to the people whom they resembled in pigment and in whom even the same blood ran, than to the people whom they did not, – that race threefold in one and alien even among themselves save for a single fierce aged Quartermaster lieutenants and Army sutlers and contractors in military blankets and shoes and transport mules, who followed the battles they themselves had not fought and inherited the conquest they themselves had not helped to gain, sanctioned and protected even if not blessed, and left their bones and in another generation would be engaged in a fierce economic competition of small sloven farms with the black men they were supposed to have freed and the white descendants of fathers who had owned no slaves anyway whom they were supposed to have disinherited and in the third generation would be back once more in the little lost country seats as barbers and garage mechanics and deputy sheriffs and mill- and gin-hands and power-plant firemen, leading, first in mufti then later in an actual formalized regalia of hooded sheets and passwords and fiery Christian symbols, lynching mobs against the race their ancestors had come to save: and of all that other nameless horde of speculators in human misery, manipulators of money and politics and land, who follow catastrophe and are their own protection as grasshoppers are and need no blessing and sweat no plow or axe-helve and batten and vanish and leave no bones, just as they derived apparently from no ancestry, no mortal flesh, no act even of passion or even of lust: and the Jew who came without protection too since after two thousand years he had got out of the habit of being or needing it, and solitary, without even the solidarity of the locusts and in this a sort of courage since he had come thinking not in terms of simple pillage but in terms of his great-grand-children, seeking yet some place to establish them to endure even though forever alien: and unblessed: a pariah about the face of the Western earth which twenty centuries later was still taking revenge on him for the fairy tale with which he had conquered it. …
William Faulkner (Go Down Moses)
Social norms have changed. New technologies—the cotton gin, the automobile, the airplane—always alter human civilization, and not always for the better. Yes, some of the more deleterious effects of the Internet will probably flatten out over time, but by then our youth, maybe even our lives, will have been squandered.
A.N. Turner (Trapped In The Web)
Imagine the cocktail party raconteur who captivates his listeners with some adventure story while taking dramatic sips from a gin martini. Chances are he is not a writer. This seems counter-intuitive. After all, writers create characters that are so darn interesting. A good writer can hold you spellbound through a two-hundred page story. Why aren’t all writers scintillating, life-of-the-party types in person? Some are. But many are not. Part of the answer is that writers are not required to think on their feet. Spur-of-the-moment wittiness is a necessary quality for improv actors, talk-show hosts, and politicians. But writers don’t think or work in real time. They create at their own pace, spending hours or days on clever dialogue, or crafting a scene in which they get to micro-manage every detail. Real life doesn’t work like that. And that’s okay. There is really only one place where a writer needs to be absolutely charming and irresistible; not at cocktail parties, not on television, not in front of a live audience -- but on paper.
Christine Silk
Her lips parted and at last gave up the honey within. Luxuriously he savored her mouth. She was delicious. His tongue flickered over hers and he heard a smothered protest. If he had an ounce of charity in his soul, he'd release her. But her flavor was as addictive as gin to a toper. He'd blithely imagined he'd keep his head during this impromptu lesson. Instead she made a mockery of arrogance. She who had never kissed a man. On a long, languid exploration, he stroked her tongue. This time, he felt faint movement in return. He released a low growl of approval and teased her again. When she tentatively brushed her tongue against his, the surge of arousal nearly blew his head off. He, the worldly libertine, brought to his knees by an innocent's clumsy kiss. Except now she cooperated, she wasn't clumsy. She was sweet and passionate and quick to follow his lead. When his tongue danced along her lips, she copied his action. When he sucked her tongue into his mouth, she gasped with surprise then tasted him so deeply and with such unalloyed pleasure, his heart crashed against his ribs.
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
I went in and started to get dressed. Dressed for calling, that is. I took more pains dressing for her than I ever had dressing for him. And yet he was the one I was dressing for, in a roundabout way. I had to be careful. Enemy eyes. Finally I was ready and I got out fast. I knew if I didn't go quickly I'd never have the nerve to go at all. The two jiggers of gin were wearing off, so I stopped just long enough to gulp a third and last to see me through. Then I went out and closed the door behind me, and for the first time in four years I didn't give a damn what there was going to be for supper.
Cornell Woolrich (The Black Angel)
One-night stands were not unusual, although my memory when it comes to most of those is certainly not as sharp as it is in remembering other things. I’m slightly ashamed to say that if I was pressed for a number on how many men I have been intimate with in my life, I would struggle to give an accurate answer. I blame that on all the cheap drinks that the bars and nightclubs in this city liked to offer to students. It’s not easy to remember a guy’s name if you only spent one night with him and all that time occurred under the influence of such memory-mashing liquids as tequila, vodka, or the dreaded gin. I do wish I could recall their names and faces better, but there is a black hole of sorts in my memory when it comes to that time period.
Daniel Hurst (The Boyfriend)
(I would like you to believe that I kept working out of some real professionalism, to meet the deadline, but that would not be entirely true; I did have a deadline, but it was also a troubled time, and working did to the trouble what gin did to the pain.)
Joan Didion (Slouching Towards Bethlehem: Essays)
He meditated resentfully on the physical texture of life. Had it always been like this? Had food always tasted like this? He looked round the canteen. A low-ceilinged, crowded room, its walls grimy from the contact of innumerable bodies; battered metal tables and chairs, placed so close together that you sat with elbows touching; bent spoons, dented trays, coarse white mugs; all surfaces greasy, grime in every crack; and a sourish, composite smell of bad gin and bad coffee and metallic stew and dirty clothes. Always in your stomach and in your skin there was a sort of protest, a feeling that you had been cheated of something that you had a right to. It was true that he had no memories of anything greatly different. In any time that he could accurately remember, there had never been quite enough to eat, one had never had socks or underclothes that were not full of holes, furniture had always been battered and rickety, rooms underheated, tube trains crowded, houses falling to pieces, bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes insufficient — nothing cheap and plentiful except synthetic gin. And though, of course, it grew worse as one’s body aged, was it not a sign that this was NOT the natural order of things, if one’s heart sickened at the discomfort and dirt and scarcity, the interminable winters, the stickiness of one’s socks, the lifts that never worked, the cold water, the gritty soap, the cigarettes that came to pieces, the food with its strange evil tastes? Why should one feel it to be intolerable unless one had some kind of ancestral memory that things had once been different?
George Orwell (1984 & Animal Farm)
tiny piney This one’s named after the restaurant because it’s made with fresh rosemary, which gives it a bit of a piney taste . . . in a good way. Cocchi Americano is an Italian apéritif, which means its sweetness offsets the earthiness of the rosemary beautifully. Overall, the mix makes for a potentially too-drinkable drink, so bartender, beware. TIME: 5 MINUTES SERVES: 1 1 sprig rosemary, plus a short sprig for garnish 1½ ounces gin ½ ounce Cocchi Americano 1 ounce fresh lemon juice ¾ ounce Simple Syrup 1 ounce soda water 4 shakes cardamom bitters Strip of lemon peel, for garnish Fill an old-fashioned glass with ice and set aside. Combine the rosemary sprig, gin, Cocchi Americano, lemon juice, and simple syrup with ice in a cocktail shaker. Shake vigorously. Strain into the ice-filled glass. Top with the soda water and add the bitters. Position the rosemary sprig and lemon peel vertically in the glass. Serve and enjoy.
Moby (The Little Pine Cookbook: Modern Plant-Based Comfort)
intermittent fasters reported that this is how they busted through a plateau of a month or more (in order of number of responses): Time and patience Altering window length Changing time of window Lowering carbs ADF (alternate-daily fasting, or the up-and-down-day protocol) Delaying alcohol A weekly 36- to 48-hour fast 23:1 Delaying sugar Delaying processed foods Adding exercise 5:2 (five up days, two down days per week) 4:3 (four up days, three down days per week)
Gin Stephens (Fast. Feast. Repeat.: The Comprehensive Guide to Delay, Don't Deny® Intermittent Fasting--Including the 28-Day FAST Start)
if you see that your progress is slowing down, you’ll know that it’s time to pull another tool out of your toolbox.
Gin Stephens (Fast. Feast. Repeat.: The Comprehensive Guide to Delay, Don't Deny® Intermittent Fasting--Including the 28-Day FAST Start)
If you have been overweight or obese for a long time, if you suffer from PCOS (polycystic ovary syndrome), if you are prediabetic, or if you have type 2 diabetes. If this describes you, then it is likely that your body is severely insulin resistant (and if you have been diagnosed as prediabetic or with type 2 diabetes, then this is definitely going to be true for you). The key is going to be getting your insulin down over time so your body can heal. While fasting is wonderful for lowering insulin levels, you may also need a more structured dietary approach to lower insulin even more. Remember that we need to have lower levels of circulating insulin to tap into our fat stores for fuel during the fast. This is where a low-carb or keto plan can make a positive difference. You may not have to follow a lower-carb plan forever; a combination of low-carb eating and intermittent fasting can reverse your insulin resistance over time, and you may find that you can tolerate more carbs as time goes on and your body heals.
Gin Stephens (Fast. Feast. Repeat.: The Comprehensive Guide to Delay, Don't Deny® Intermittent Fasting--Including the 28-Day FAST Start)
I realized a part of me had been hoping, all this time, that Gus had known him. That he’d have some story to tell that I’d never heard, a new piece of my father right here, and the miserably thin envelope taunting me from the gin box wasn’t really all I had to look forward to of him.
Emily Henry
Anyway, I wanted to tell you this story, since it just rolled into my gourd while I was into that 1950 Lighthouse shot. I never told you about the Legend of the Gigantic Fart, did I?” “Put the beer in a paper bag. Let’s get it on the road.” “No, man, this story became a legend and is still told in the high schools around the county. You see, it was at the junior prom, a very big deal with hoop dresses and everybody drinking sloe gin and R.C. Cola outside in the cars. Now, this is strictly a class occasion if you live in a shitkicker town. Anyway, we’d been slopping down the beer all afternoon and eating pinto-bean salad and these greasy fried fish before we got to the dance. So it was the third number, and I took Betty Hoggenback out on the floor and was doing wonderful, tilting her back like Fred Astaire doing Ginger Rogers. Then I felt this wet fart start to grow inside me. It was like a brown rat trying to get outside. I tried to leak it off one shot at a time and keep dancing away from it, but I must have left a cloud behind that would take the varnish off the gym floor. Then one guy says, ‘Man, I don’t believe it!’ People were walking off the floor, holding their noses and saying, ‘Pew, who cut it?’ Then the saxophone player on the bandstand threw up into the piano. Later, guys were shaking my hand and buying me drinks, and a guy on the varsity came up and said that was the greatest fart he’d ever seen. It destroyed the whole prom. The saxophone player had urp all over his summer tux, and they must have had to burn the smell out of that piano with a blowtorch.” Buddy was laughing so hard at his own story that tears ran down his cheeks. He caught his breath, drank out of the beer glass, then started laughing again. The woman behind the bar was looking at him as though a lunatic had just walked into the normalcy of her life.
James Lee Burke (The Lost Get-Back Boogie)
Al is the upside down man. Back home, you work all day and night to learn how to paint, learn linseed and cadmium and badger-hair and perspective, which is just math in art-school drag, you know? And maybe you still can't do anything worth phoning the Met over. But hey, getting a boy to fuck you is just the easiest thing since Sunday naps. Up top, getting drunk at a party is what you do when you're all out of art. But in...Canada? Are we calling it Canada now? Ok! Al's the King of Canada and he says: fuck that for a lark! The world feels like being a bastard-and-a-half this decade, let's play nine-pins on its grave. Down here it's all the same! Kiss a boy and books come out! Ralph up Parthenons into the upstairs toilet! Dance poems, shit showtunes! Art is easy! Pick up genius at the corner shop! Sell your soul and half your shoes for a glass of gin!' He looks up at Zelda Fair and his poor goblin face goes all twisted up and desperate. 'It's all fucked anyway, you see? The end of the world already happened. It's happening all the time. It's gonna happen again. And again after that. Just when you think it's done falling on its face, the world picks itself up and throws itself off a roof. Boom. Pavement. The world's ending forever and ever and we're not even allowed to toast at her funeral. So we gotta do something else or she won't know we ever loved her.
Catherynne M. Valente (Speak Easy)
The rooftops of Ankh-Morpork sprouted a fine array of gargoyles even in normal times, but now they were alive with as ghastly an array of faces as ever were seen outside a woodcut about the evils of gin-drinking among the non-woodcut-buying classes.
Terry Pratchett (Guards! Guards! (Discworld, #8))
The drinking of gin at one time threatened, literally, to destroy the whole of the working classes of London.
Walter Besant (The History of London)
What’s going to happen to Wes?” She lifted her eyes steadily to her brother’s, but she didn’t answer at once. “I don’t know. He’s admitted himself into a drug treatment program.” “Why?” Bud asked. Again she paused. “For drug treatment. It’s not unusual for some of those traders to get hooked on... You know... Uppers?” It was stated as a question. And Preacher thought, it was meth. It wasn’t a little bitty innocent drug. “And you couldn’t do anything about that?” “Like what, Bud?” she returned. “I don’t know. Like help him with that. I mean, what did you have to do?” Paige put down her fork and glared into her brother’s eyes. “No, Bud. I couldn’t help with that. It was completely beyond my control.” Bud tilted his eyes toward his lettuce, stabbed a piece with his fork and muttered, “Maybe you could’ve kept your stupid mouth shut.” Preacher’s fork went down sharply. And Preacher, who rarely used profanity and only in the most heated moments, said, “You’re fucking kidding me, right?” Bud’s eyes snapped up to Preacher’s face. His jaw ground and he scowled. “She tell you she had six thousand square feet and a pool?” Preacher glanced at Paige, Paige glanced at Preacher and then swiveled her eyes slowly to Bud. She spoke to Preacher while she looked at Bud and said, “My brother doesn’t understand. The size of the house you live in has nothing to do with anything.” “The hell,” Bud said. “I’m just saying, there are times to keep your mouth shut, that’s all I’m saying. You had it fucking made.” It took every red blood cell in Preacher’s body to stay in his chair. He wanted to shout, He beat her up in the street in front of me! He killed their baby with his foot! He was squeezing and releasing his fork with such tension, he was unaware he was bending it. It wasn’t his right to speak out; he was a guest. He didn’t see himself as Bud’s guest, he was Paige’s guest. He got a sick feeling in his stomach at the thought he could’ve dropped her here for a visit, alone. He felt his blood pressure going up; his temples were pulsing. “Bud, he was abusive.” “Jesus Christ, you had a few problems. The guy was loaded, for Christ’s sake!” Preacher thought he might explode, his heated blood was expanding so fast. He could hear his own heartbeat. And he felt a small, light hand on top of his coiled fist. He raised his eyes and met the dull, nervous stare of Paige’s mother, pleadingly looking at him from across the table. “Bud doesn’t mean exactly that,” she said. “It’s just that we’ve never had a divorce in the family. I raised the kids to understand, you have to try to get beyond the problems.” “Everyone has problems,” Gin said, nodding. Those same eyes. Begging. Preacher didn’t think he could do it. Sit through it. He was pretty sure he’d never get to the steak without shoving Bud up against the wall and challenging him to keep his mouth shut through something like his fists. The struggle was, that was like Wes. Get mad, take it to the mat. Beat the living shit out of someone. Someone you could beat into submission real easy. “They weren’t problems,” Paige said insistently. “He was violent.” “Aw, Jesus Christ,” Bud said, lifting his beer. A
Robyn Carr (Shelter Mountain (Virgin River, #2))
A piercing cry came from the playroom. Preacher was on his feet at the same moment Chris came flying into the kitchen, holding his forearm with his other hand. He ran to his mother, with a look of pain and fear, his mouth open in a wail, tears on his face. Paige instantly drew him in, asking, “What’s wrong? What’s wrong?” Preacher leaned over, pulled Chris’s hand away, saw the perfect outline of a juvenile mouth and, with an expression of sheer horror and disbelief, leveled his gaze at Bud. “Someone bit him!” “Aw, kids. They’ll work it out,” Bud said, waving his hand, as though leaving them completely unsupervised had nothing to do with him. Gin said, “I’ll get something for that,” and jumped up. Dolores left the table saying, “Ice. I’ll get ice.” Preacher gently drew Chris away from Paige and lifted him up against his broad chest. Chris put his head on Preacher’s shoulder and cried. He met Paige’s eyes and he was sure that despite his greatest effort to remain calm, his were ablaze. Paige stood, regally, Preacher thought with a touch of pride, and said, “We’ll be going now.” “Sit down,” Bud said sharply, and Preacher was as close as he’d ever been to coming completely unhinged. He passed Chris back to his mother as calmly as he could, then leaned both hands on the table, pressed his face close enough to Bud’s so that Bud actually leaned back a little bit. Out of the corner of his eye, he saw that Paige had her bag over one shoulder and Chris lying against the other, headed for the front door. “We’re going to miss those steaks,” he said in a very menacing whisper. Then he picked up the fork he’d been squeezing and saw that it was a little bent. He bent it the rest of the way, folding it in half with one meaty hand. He dropped it on top of Bud’s salad. “Don’t get up.” By the time Preacher caught up with Paige, she was halfway down the walk toward the truck and already the women were fluttering out the door, calling after her. With no experience at this at all, having never before been in this position, Preacher knew what was going down. They were going to make excuses for Bud, maybe apologize for him, probably beg Paige to come back. He put a soft hand on her shoulder and she stopped, turning toward him. He reached for Chris. “Here,” he said, taking the boy tenderly. “Say goodbye. We’ll get settled.” He got Chris in the car seat while Paige and the other women were still on the walk. Each one of them took one of Paige’s hands, but she pulled out of their clutch. “Lemme see that arm, buddy,” Preacher said to Chris. “Aw, that’s going to be all right. Hey, how about pancakes? Breakfast for supper, huh?” He nodded and sniffed back tears. Preacher wiped a big thumb under each eye. “Yeah, pancakes. And chocolate milk.” Chris nodded again, a slight smile on his lips. Preacher
Robyn Carr (Shelter Mountain (Virgin River, #2))
At the corner of the bar, a conversation rose in decibel, becoming animated. “Yo, Frank, take a look at what just walked in! Is it Christmas already? ‘Cause that sure is a pretty package.” “You got that right. . . . Wouldn’t mind unwrapping her bows.” Instinctively, Sean cast a glance over his shoulder and groaned in despair. The scene from Casablanca played in his mind. . .Of all the gin joints in all the towns in all the world, she had to walk into mine. This could not be happening. This was his turf, his town, his bar. She had no right to trespass. Okay, so this wasn’t Casablanca. This wasn’t Rick’s Café. Sam’s fingers weren’t summoning the haunting melody, “As Time Goes By,” from the ivories of an old upright piano. There weren’t any ceiling fans with long propeller-like blades slicing through thick clouds of cigarette smoke, nor were the voices that could be heard an exotic mélange of foreign languages and accents. But those differences were superficial, of no consequence. The only thing that really mattered was that Sean understood exactly how Bogie felt when his eyes lit on Ingrid Bergman. That terrible mix of bitterness, longing, and fury eating away at him. He groaned again. At the sound, the two men sitting at the corner of the bar broke off their conversation, eyeing Sean curiously. Just as quickly, they dismissed him and returned to their avid inspection. “Must be lost or confused. Palm Beach is twenty-five miles north.” “Let’s be friendly and give her directions. How ‘bout that, Ray?” “You frigging nuts? The only directions I’m giving her are to the slip where my houseboat’s moored.
Laura Moore (Night Swimming: A Novel)
Happy hour?" Jason says. "It's barely noon, Grams" "Oh, shush, you. You'll have some, yes?' "Well"-he smiles slyly and wiggles his eyebrows-"if you insist". Every time, it's the same thing. Leaning in, he rubs his hands together expectantly. The drinking age in New York State was raised last year, so technically, I suppose, this is still illegal for my grandson. But the Jews didn't spend forty years wandering the desert so that I could forfeit a gin and tonic with my progeny...
Susan Jane Gilman