Gin Bar Quotes

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When I arrived in Beirut from Europe, I felt the oppressive, damp heat, saw the unkempt palm trees and smelt the Arabic coffee, the fruit stalls and the over-spiced meat. It was the beginning of the Orient. And when I flew back to Beirut from Iran, I could pick up the British papers, ask for a gin and tonic at any bar, choose a French, Italian, or German restaurant for dinner. It was the beginning of the West. All things to all people, the Lebanese rarely questioned their own identity.
Robert Fisk (Pity the Nation: The Abduction of Lebanon)
I also knew that he was the kind of anile little runt who, in foyers and theatre bars the West End over, can be heard bleating into their gin and tonics, "I go to the theatre to be entertained.
Stephen Fry (The Hippopotamus)
One weekend it rained for 48 hours without stopping. The rain beat like bony fingers against the window panes. Tap. Tap. Tap. Tap. Tap. Fungus was growing on the walls. I polished off a bottle of gin sitting huddled over the two-bar electric fire and wrote a poem, one of the few that has lasted through the moves and the years. It is called 'Where Can I Go?' If this is not the place where tears are understood where do I go to cry? If this is not the place where my spirits can take wing where do I go to fly? If this is not the place where my feelings can be heard where do I go to speak? If this is not the place where you’ll accept me as I am where can I go to be me? If this is not the place where I can try and learn and grow where can I go to laugh and cry?
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Sometimes you see English people going out to pub, bar or disco with friends, standing awkwardly together drinking beer or gin and tonic and waiting for something ‘romantic’ to happen. Usually nothing happens apart from everybody getting drunk, which is hardly romantic. So, typically, instead of meeting Mr or Miss Right they meet Mr or Miss Right Now, which lasts as long as there is enough alcohol circulating in the blood vessel.
Angela Kiss (How to Be an Alien in England: A Guide to the English)
I took a breath. Pictured the bed waiting for me upstairs. Then retreated to the lobby bar alone and ordered an ice-cold gin martini, a small signal to myself that my work was done. I held the glass, its inverted construction an insult to gravity and the order of things. Just like our Movement, from the outside the balance of power seems all wrong. But hold a martini glass in your hand and you know instinctively that it is just right.
Stuart Connelly (Confessions of a Velour-Shirted Man)
the way a late night in a bar smoking Winstons and drinking gin leaves you feeling worse.
Ann Patchett (These Precious Days: Essays)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
What’s that there Slivovitz like?” Helmholtz asked the bartender, squinting at a dusty bottle on the bottom row. He had just finished a sloe gin rickey. “I didn’t even know we had it,” said the bartender. He put the bottle on the bar, tilting it away from himself so he could read the label. “Prune brandy,” he said. “Believe I’ll try that next,” said Helmholtz.
Kurt Vonnegut Jr. (The Sirens of Titan)
[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.
David Foster Wallace (Infinite Jest)
That's just like the manual says," said Witherwax. "If we want to have international brotherhood, we gotta get a language that everybody understands all the time." "You mean with no homonyms?" said Doc Brenner. Mr. Gross belched again, and held up two fingers to indicate another Boilermaker. "Are you saying that the language a fella speaks can make a fairy of him?" ("Gin Comes In Bottles")
Fletcher Pratt (Tales from Gavagan's Bar)
It was the sort of pub Alan liked, furnished with wall- to-wall forty-five-year-old gin-and-tonic drinkers. A notice on the wall behind the bar read: Please do not ask for credit, as a punch in the mouth often causes offence.
Barry Graham (The Champion's New Clothes)
Stormy, tell me about where you were when John F. Kennedy died.” “It was a Friday. I was baking a pineapple upside-down cake for my bridge club. I put it in the oven and then I saw the news and forgot all about the cake and nearly burned the house down. We had to have the kitchen repainted because of all the soot.” She fusses with her hair. “He was a saint, that man. A prince. If I’d met him in my heyday, we really could’ve had some fun. You know, I flirted with a Kennedy once at an airport. He sidled up to me at the bar and bought me a very dry gin martini. Airports used to be so very much more glamorous. People got dressed up to travel. Young people on airplanes these days, they wear those horrible sheepskin boots and pajama pants and it’s an eyesore. I wouldn’t go out for the mail dressed like that.” “Which Kennedy?” I ask. “Hmm? Oh, I don’t know. He had the Kennedy chin, anyway.” I bite my lip to keep from smiling. Stormy and her escapades.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Then we’d head to a bar on Third Avenue. Diaz, in his uniform, with his limp, almost always met a woman. The limp was gold. As the woman watched Diaz hobble back to us with drinks, sloshing gin and tonic on the floor, I’d say, “Fucking Iraq.” She’d seldom ask me to elaborate. If she did, I wouldn’t tell her how, as a squad leader, Diaz contracted a bacterial infection while masturbating in a Port-a-John; how the infection spread up his urethra, into his testicles; how that made him lurch, causing a herniated disk, which resulted in sciatica.
Anonymous
I grabbed a cloud-shaped oven mitt, opened the oven door, and took out the apricot bars. The smell of warm fruit, sugar, and melted butter filled the kitchen, along with a blast of heat. A combination I never grew tired of, especially on a cold, gray night like this one. I grabbed another oven mitt, set it on the table, then put the pan on top of it. Finn’s fingers crept toward the edge of the container, but I smacked his hand away. “I’m not done with them yet,” I said. “Come on, Gin,” he whined. “I just want a taste.” “And you’re just going to have to wait, like the rest of us.” Jo-Jo chuckled, amused by our squabbling. I moved over to the cabinets and got out four bowls, some spoons, and a couple of knives. I also grabbed a gallon of vanilla bean ice cream out of the freezer. After the apricot bars had cooled enough so they wouldn’t immediately fall apart, I cut out big chunks of the bars, dumped them in the bowls, and topped them all with two scoops of the ice cream. My own version of a quick homemade cobbler. Jo-Jo swallowed a mouthful of the confection and sighed. “Heaven, pure, sweet heaven.
Jennifer Estep (Web of Lies (Elemental Assassin, #2))
I was working as a radio producer and Douglas was doing things like writing with Graham Chapman—an absolutely bizarre experience, as they used to get phenomenally drunk. Graham had a room in his house entirely devoted to gin: it was just gin bottles (he later went on the wagon) that lined the walls, and occasionally when I was working in BBC Radio I’d go up there at lunchtime. They’d have a few gins before lunch, then they’d go to the pub and do all the crosswords in every paper. Then they’d get roaring drunk, and usually Graham would take his willy out and put it on the bar… it was quite entertaining.
Neil Gaiman (Don't Panic: Douglas Adams & The Hitchhiker's Guide to the Galaxy)
She watched as he put a few ice cubes in a heavy glass, then expertly curled a strip of grapefruit rind from one of the fruits in a bowl on the bar top. "This must be a favorite," she commented, nodding at the supply of grapefruit nestled in the bowl along with the usual lemons and limes. He poured a generous measure from the black bottle and handed it to her with a cocktail napkin. "See for yourself." Gemma wasn't in the habit of drinking gin neat, so she sniffed, then took a tentative sip. The flavors exploded in her mouth- coriander and juniper and lime and... grapefruit. "Oh, wow," she said, when her eyes stopped watering. "That is amazing. I'm converted.
Deborah Crombie (A Bitter Feast (Duncan Kincaid & Gemma James, #18))
I found him in the private bar having a gin and ginger ale. His face, never much to write home about, was rendered even less of a feast for the eye by a dark scowl. His spirits were plainly at their lowest ebb, as so often happens when Sundered Heart A is feeling that the odds against his clicking with Sundered Heart B cannot be quoted at better than a hundred to eight. Of course he may have been brooding because he had just heard that a pal of his in Moscow had been liquidated that morning, or he had murdered a capitalist and couldn't think of a way of getting rid of the body, but I preferred to attribute his malaise to frustrated love, and I couldn't help feeling a pang of pity for him
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
Lauren had hoped to make him notice her as a woman, and he was certainly noticing her. Now she rather hoped he would say something nice. But he didn't. Without a word he turned on his heel, strode over to the bar and dumped the ocntents of one of the glasses into the stainless steel bar sink. "What are you doing?" Lauren asked. His voice was filled with amused irony. "Adding some gin to your tonic." Lauren burst out laughing, and he glanced over his shoulder at her, a wry smile twisting his lips. "Just out of curiosity, how old are you?" "Twenty-three." "And you were applying for a secretarial position at Sinco-before you threw yourself at our feet tonight?" he prompted, adding a modest amount of gin to her tonic.
Judith McNaught (Double Standards)
Often, when I went out for breakfast on Sunday morning, at the Mediterranean place around the corner, I was seated by a dancer who’d been a year ahead of me at school and waited on by a painter who’d been two years ahead. At night, Don and I could meet Lauren for Thai food, or Leigh and Allison for gin and tonics at the Rat Pack–era bar on Bedford and watch an alternative circus, which involved one college friend of mine eating fire, another clowning in the style of Jacques Lecoq, another riding a unicycle and playing trombone. For me, this was heaven, heaven that could only be improved by Jenny moving in down the street. For Jenny, though, it turned out this was hell. She had cast off such childish things. Heaven was, she told me, eyes shining, driving to a large supermarket and unloading a week’s worth of groceries directly into her apartment from her designated parking spot.
Joanna Rakoff (My Salinger Year: A Memoir)
The first time Olly's dad gets afternoon drunk--violent drunk... He'd been home all day, arguing with financial news shows on television. One of the anchors mentioned the name of his old company, and he raged. He poured whiskey into a tall glass and then added vodka and gin. He mixed them together... until the mixture was no longer the pale amber color of whiskey and looked like water instead. Olly watched the color fade in the glass and remembered the day his dad got fired and how he'd been too afraid to comfort him. What if he had--would things be different now? What if? He remembered how his dad had said that one thing doesn't always lead to another. He remembered sitting at the breakfast bar and stirring the milk and chocolate together. How the chocolate turned white, and the milk turned brown, and how sometimes you can't unmix things no matter how much you might want to.
Nicola Yoon (Everything, Everything)
the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.
Petr Ginz (The Diary of Petr Ginz, 1941–1942)
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
Day an' night they set in a room with a checker-board on th' end iv a flour bar'l, an' study problems iv th' navy. At night Mack dhrops in. 'Well, boys,' says he, 'how goes th' battle?' he says. 'Gloryous,' says th' Sthrateejy Board. 'Two more moves, an' we'll be in th' king row.' 'Ah,' says Mack, 'this is too good to be thrue,' he says. 'In but a few brief minyits th' dhrinks'll be on Spain,' he says. 'Have ye anny plans f'r Sampson's fleet?' he says. 'Where is it?' says th' Sthrateejy Board. 'I dinnaw,' says Mack. 'Good,' says th' Sthrateejy Board. 'Where's th' Spanish fleet?' says they. 'Bombardin' Boston, at Cadiz, in San June de Matzoon, sighted near th' gas-house be our special correspondint, copyright, 1898, be Mike O'Toole.' 'A sthrong position,' says th' Sthrateejy Board. 'Undoubtedly, th' fleet is headed south to attack and seize Armour's glue facthory. Ordher Sampson to sail north as fast as he can, an' lay in a supply iv ice. Th' summer's comin' on. Insthruct Schley to put on all steam, an' thin put it off again, an' call us up be telephone. R-rush eighty-three millyon throops an' four mules to Tampa, to Mobile, to Chickenmaha, to Coney Island, to Ireland, to th' divvle, an' r-rush thim back again. Don't r-rush thim. Ordher Sampson to pick up th' cable at Lincoln Par-rk, an' run into th' bar-rn. Is th' balloon corpse r-ready? It is? Thin don't sind it up. Sind it up. Have th' Mulligan Gyards co-op'rate with Gomez, an' tell him to cut away his whiskers. They've got tangled in th' riggin'. We need yellow-fever throops. Have ye anny yellow fever in th' house? Give it to twinty thousand three hundherd men, an' sind thim afther Gov'nor Tanner. Teddy Rosenfelt's r-rough r-riders ar-re downstairs, havin' their uniforms pressed. Ordher thim to th' goluf links at wanst. They must be no indecision. Where's Richard Harding Davis? On th' bridge iv the New York? Tur-rn th' bridge. Seize Gin'ral Miles' uniform. We must strengthen th' gold resarve. Where's th' Gussie? Runnin' off to Cuba with wan hundherd men an' ar-rms, iv coorse. Oh, war is a dhreadful thing. It's ye'er move, Claude,' says th' Sthrateejy Board. "An
Finley Peter Dunne (Mr. Dooley in Peace and in War)
One-night stands were not unusual, although my memory when it comes to most of those is certainly not as sharp as it is in remembering other things. I’m slightly ashamed to say that if I was pressed for a number on how many men I have been intimate with in my life, I would struggle to give an accurate answer. I blame that on all the cheap drinks that the bars and nightclubs in this city liked to offer to students. It’s not easy to remember a guy’s name if you only spent one night with him and all that time occurred under the influence of such memory-mashing liquids as tequila, vodka, or the dreaded gin. I do wish I could recall their names and faces better, but there is a black hole of sorts in my memory when it comes to that time period.
Daniel Hurst (The Boyfriend)
But even though I had stopped drinking after that last gin & tonic at the bar, I kept getting drunker on Sam anyway, like they were seeping steadily into my bloodstream with each open admission of vulnerability, each shy smile, each horribly belted song.
Anita Kelly (Sing Anyway (Moonlighters, #1))
AN AMERICAN SUNRISE We were running out of breath, as we ran out to meet ourselves, We Were surfacing the edge of our ancestors’ fights, and ready to Strike It was difficult to lose days in the Indian bar if you were Straight. Easy if you played pool and drank to remember to forget. We Made plans to be professional—and did. And some of us could Sing When we drove to the edge of the mountains, with a drum. We Made sense of our beautiful crazed lives under the starry stars. Sin Was invented by the Christians, as was the Devil, we sang. We Were the heathens, but needed to be saved from them: Thin Chance. We knew we were all related in this story, a little Gin Will clarify the dark, and make us all feel like dancing. We Had something to do with the origins of blues and jazz I argued with the music as I filled the jukebox with dimes in June, Forty years later and we still want justice. We are still America. We.
Joy Harjo (An American Sunrise)
Anyway, I wanted to tell you this story, since it just rolled into my gourd while I was into that 1950 Lighthouse shot. I never told you about the Legend of the Gigantic Fart, did I?” “Put the beer in a paper bag. Let’s get it on the road.” “No, man, this story became a legend and is still told in the high schools around the county. You see, it was at the junior prom, a very big deal with hoop dresses and everybody drinking sloe gin and R.C. Cola outside in the cars. Now, this is strictly a class occasion if you live in a shitkicker town. Anyway, we’d been slopping down the beer all afternoon and eating pinto-bean salad and these greasy fried fish before we got to the dance. So it was the third number, and I took Betty Hoggenback out on the floor and was doing wonderful, tilting her back like Fred Astaire doing Ginger Rogers. Then I felt this wet fart start to grow inside me. It was like a brown rat trying to get outside. I tried to leak it off one shot at a time and keep dancing away from it, but I must have left a cloud behind that would take the varnish off the gym floor. Then one guy says, ‘Man, I don’t believe it!’ People were walking off the floor, holding their noses and saying, ‘Pew, who cut it?’ Then the saxophone player on the bandstand threw up into the piano. Later, guys were shaking my hand and buying me drinks, and a guy on the varsity came up and said that was the greatest fart he’d ever seen. It destroyed the whole prom. The saxophone player had urp all over his summer tux, and they must have had to burn the smell out of that piano with a blowtorch.” Buddy was laughing so hard at his own story that tears ran down his cheeks. He caught his breath, drank out of the beer glass, then started laughing again. The woman behind the bar was looking at him as though a lunatic had just walked into the normalcy of her life.
James Lee Burke (The Lost Get-Back Boogie)
He had a stationary bike with a full bar just in front of it, which his girlfriend, Carlotta Monti, said "provided incentive.
Mark Bailey (Of All the Gin Joints: Stumbling through Hollywood History)
At the corner of the bar, a conversation rose in decibel, becoming animated. “Yo, Frank, take a look at what just walked in! Is it Christmas already? ‘Cause that sure is a pretty package.” “You got that right. . . . Wouldn’t mind unwrapping her bows.” Instinctively, Sean cast a glance over his shoulder and groaned in despair. The scene from Casablanca played in his mind. . .Of all the gin joints in all the towns in all the world, she had to walk into mine. This could not be happening. This was his turf, his town, his bar. She had no right to trespass. Okay, so this wasn’t Casablanca. This wasn’t Rick’s Café. Sam’s fingers weren’t summoning the haunting melody, “As Time Goes By,” from the ivories of an old upright piano. There weren’t any ceiling fans with long propeller-like blades slicing through thick clouds of cigarette smoke, nor were the voices that could be heard an exotic mélange of foreign languages and accents. But those differences were superficial, of no consequence. The only thing that really mattered was that Sean understood exactly how Bogie felt when his eyes lit on Ingrid Bergman. That terrible mix of bitterness, longing, and fury eating away at him. He groaned again. At the sound, the two men sitting at the corner of the bar broke off their conversation, eyeing Sean curiously. Just as quickly, they dismissed him and returned to their avid inspection. “Must be lost or confused. Palm Beach is twenty-five miles north.” “Let’s be friendly and give her directions. How ‘bout that, Ray?” “You frigging nuts? The only directions I’m giving her are to the slip where my houseboat’s moored.
Laura Moore (Night Swimming: A Novel)
She was neither widow nor mother: she only yearned for the dignity of a woman who had once belonged, somewhere, to somebody. She had belonged to no one, for she had never wanted chick nor child. Her idea of home had been any side-alley entrance and a pint of tinted gin. All she had ever striven for was small change left lying by strangers on North Clark Street bars; and any man's bottle at all.
Nelson Algren (The Neon Wilderness)
There was no getting around the fact that whoever this man was, he was a big guy, with a neck like a hydrant. He wore a gray sweatshirt and jeans, and something about his build reminded me of one of those performers in the circus who bend metal bars around their necks as a show of their strength. He wasn’t muscular like a weight-lifter or a professional athlete, just tremendously solid. He was a giant to my gargoyle, blacksmith to my scarecrow. I didn’t have to think hard to figure out what kind
Daniel Judson (The Poisoned Rose (The Gin Palace Trilogy, #1))
Club" replies the seal. ♦◊♦◊♦◊♦ A bartender walks into a church, a temple and a mosque. He has no idea how jokes work. ♦◊♦◊♦◊♦ A baseball walks into a bar, and the bartender throws it out. ♦◊♦◊♦◊♦ "A bear walks into a bar and says, "Bartender, I'd like a gin . . . . . . . . . . . . . . . . . . . and tonic." And the bartender says, "Sure, but what's with the big pause?" ♦◊♦◊♦◊♦ A cable TV installer walks into a bar and orders a beer. The bartender says, "You'll
Various (101 Best Jokes)
Needless to say, the newcomer is not a pretty girl. In fact, he’s a bland-looking Asian guy, wearing chinos and a black compression shirt. This is not a good look on anyone, but this guy is too flabby to even make it look arrogant. He takes a stool two down from Anders, looks around, and then raps on the bar with his knuckles. Neckbeard seems to have disappeared. Charity is busy brushing Anders’ hair back from his forehead with one hand. Mr. Chinos raps again, louder. Charity rolls her eyes, steps back from Anders, and turns to our new friend. “What can I getcha, hon?” “Gin and tonic,” he says. “Not too much ice.” She turns away to make his drink. Anders is eyeballing Mr. Chinos. How many beers has he downed by now? Four? Five? His sandwich is only half eaten. A drunken Anders is a punchy Anders, and a punchy Anders is an Anders that I have to take to the emergency room because he broke his own fibula. “Hey,” I say. “You about ready to head home?
Edward Ashton (Three Days in April)
and then he would be off. Probably a good job Jeanie had decided to go home as he hadn’t enough cash on him to keep her supplied with gin all night. Still, it was pay day tomorrow. Across the bar his eye fell on a man trying to catch the
Lynda Page (Just By Chance)
So I went back into the bar and had the barman make me an ice-cold gimlet with the good stuff—the 57 percent Plymouth Navy Strength gin they give the sailors in nuclear submarines—just to help the four weaker ones I’d already drunk at La Voile d’Or to take the strain.
Philip Kerr (The Other Side of Silence (Bernie Gunther, #11))
Roxanne, do you mind getting me another gin?” I asked. “It’ll be nice to have something to wash down these . . .” Boat-looking things. Folded sandwich? What the hell are these? “Tacos,” she said, giving me a weird look. “Jesus, you really are from up north. Don’t even know what a taco is,” she mumbled as she went back to the bar.
Kel Carpenter (Dark Horse (A Demon's Guide to the Afterlife, #1))
Stories filtered back to Lou about her daughter’s harlotry, about the girl roaming bars topless, being fondled in public and going off into back rooms with drunkards. Nannie was trying to wash away all of the pain in a sea of gin and sex, but it was never enough, and in the morning the hangover and black moods would sweep back in, along with the shame.
Ryan Green (Black Widow: The True Story of Giggling Granny Nannie Doss)
The man wore a wide brim hat and his stubble was thicker than I remembered, but the swagger and the wool poncho were unmistakable. He sauntered over to the bar and squinted at me over the cigarillo that seemed to be permanently clenched between his teeth. I folded my arms and squinted back in response to his tough-guy act. “Of all the bars and all the gin joints in all the towns of Orloins, why do you keep coming to mine?” I hissed. “What are you doing here, Yojimbo?” “I was about to ask the same of you,’ he removed the cigarillo and pointed to my skirt with the lit end. “And in that outfit? I hardly expect that most soldiers in the king’s army’d be caught wearing a dress.
Dan R. Arman (The Maiden's Thorn)
We sat in a corner of the bar at Victor's and drank gimlets. "They don't know how to make them here," he said. "What they call a gimlet is just some lime or lemon juice and gin with a dash of sugar and bitters. A real gimlet is half gin and half Rose's Lime Juice and nothing else. It beats martinis hollow.
Raymond Chandler (The Long Goodbye)
him about the proposed change in name. He thought it sounded like nonsense then and hadn’t changed his mind yet. ‘To answer your question though, I think it will depend on how many other crimes they are able to sew up with this discovery. All the different piles of goods in there might each represent a separate reported theft. They could clear a list of crimes and, if they are finding fingerprints or other physical evidence, they might be able to catch multiple criminals. They’ll be trying to find Karl Tarkovsky, but I doubt he’s in the country. I reckon he took the van full of Stilton and fled, getting across the channel before anyone even had a chance to report the van stolen, let alone the cheese.’ ‘I’m sure you’re right,’ Dave agreed. ‘It’s a shame for the festival. And for the dairy, but they’ll recover sure enough. The insurance will pay for it and it’s not like suppliers can go elsewhere to get it. Stilton isn’t Stilton if it’s made by anyone else,’ the security guard said knowingly. He lapsed into silence and neither man spoke for a moment. It became an awkward silence after about ten seconds, at which point Dave said, ‘Well, must be off. Goodnight.’ ‘Goodnight,’ Albert called after the man as he vanished into the dark again. It was good of him to check on Oxford, especially given the day he’d had. Albert watched the police working in the lockup for a few seconds as he continued to chew over the misalignment of clues in his head. The counterfeit note didn’t fit. In fact, the only way he could make it fit, was to assume it appeared in Karl’s room out of pure coincidence, and he didn’t like that at all. Unable to shift the feeling that he was blind to the truth, he turned around and started back towards the pub. Perhaps a gin and tonic to help him sleep was in order. The imagined taste hastened his steps, but he might have walked faster yet had he known what waited for him in the bar.
Steve Higgs (Stilton Slaughter (Albert Smith's Culinary Capers #3))
The Naval and Military Club’s long bar was devastated by a bomb thrown through the building’s open front window. Remarkably, no one in the packed bar was killed; although, after a long, awkward pause and everyone being thrown off their feet by the blast, including the head barman Robbins, one member, Commander Vaughan Williams, broke the awkward silence: ‘Another pink gin please, Robbins.
Seth Alexander Thevoz (Behind Closed Doors: The Secret Life of London Private Members' Clubs)
Mr. Butler’s Refreshing Cocktail one measure of cherry brandy one measure of gin squeeze of lemon juice splash of Cointreau sugar syrup to taste Shake all the ingredients together. To make a long drink, add soda water or bar quality lemonade. Garnish with a cherry.
Kerry Greenwood (Queen Of The Flowers (Phryne Fisher, #14))
Embury was the first true cocktailian of the modern age, and he took time to analyze the components of a cocktail, breaking them down into a base (usually a spirit, it must be at least 50 percent of the drink); a modifying, smoothing, or aromatizing agent, such as vermouth, bitters, fruit juice, sugar, cream, or eggs; and “additional special flavoring and coloring ingredients,” which he defined as liqueurs and nonalcoholic fruit syrups. Embury taught us that the Ramos Gin Fizz must be shaken for at least five minutes in order to achieve the proper silky consistency, suggested that Peychaud’s bitters be used in the Rob Roy, and noted that “for cocktails, such as the Side Car, a three-star cognac is entirely adequate, although a ten-year-old cognac will produce a better drink.” In the second edition of his book, Embury mentioned that he had been criticized for omitting two drinks from his original work: the Bloody Mary, which he described as “strictly vile,” and the Moscow Mule, as “merely mediocre.” On the subject of Martinis, he explained that although most cocktail books call for the drink to be made with one-third to one-half vermouth, “quite recently, in violent protest of this wishy-washy type of cocktail, there has sprung up the vermouth-rinse method of making Martinis.” He describes a drink made from chilled gin in a cocktail glass coated in vermouth. Embury didn’t approve of either version, and went on to say that a ratio of seven parts gin to one part vermouth was his personal favorite. While Embury was taking his drinking seriously, many Americans were quaffing Martinis by the pitcher, and Playboy magazine commissioned cocktail maven Thomas Mario and, later, Emanuel Greenberg to deliver cocktail news to a nation of people who drank for fun, and did it on a regular basis. Esquire magazine issued its Handbook for Hosts as early as 1949, detailing drinks such as the Sloe Gin Fizz, the Pan American, the “I Died Game, Boys” Mixture, and the Ginsicle—gin with fruit juice or simple syrup poured over chipped ice in a champagne glass. A cartoon in the book depicts a frustrated bartender mopping his fevered brow and exclaiming, “She ordered it because it had a cute name.” The world of cocktails was tilting slightly on its axis, and liquor companies lobbied long and hard to get into the act. In the fifties, Southern Comfort convinced us to make Comfort Manhattans and Comfort Old-Fashioneds by issuing a booklet: How to Make the 32 Most Popular Drinks. By the seventies, when the Comfort Manhattan had become the Improved Manhattan, they were bringing us Happy Hour Mixology Plus a Primer of Happy Hour Astrology, presumably so we would have something to talk about at bars: “Oh, you’re a Virgo—discriminating, keenly analytical, exacting, and often a perfectionist. Wanna drink?
Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
Dale DeGroff took over the bar at New York’s legendary Rainbow Room in 1987, and a star was born. DeGroff brought us classics such as The Ritz—cognac, Cointreau, maraschino, lemon juice, and champagne—and the Fitzgerald: gin, lemon juice, simple syrup, and Angostura bitters. He worked tirelessly for his well-earned reputation as the consummate craft bartender. His perfectionism caught the eye of the media, and eventually thousands of bartenders would hold Dale up as a shining example of how to tend bar in the classic mode. Now he is probably the best-known American cocktailian of our time.
Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
Dale is the man who mentored Audrey Saunders, who went on to open The Pegu Club in New York—one of the world’s most renowned craft cocktail bars. Audrey has given birth to such delicious potions as the Gin-Gin Mule and the Old Cuban, both cocktails that have become global phenomena. DeGroff and Saunders have a lot to answer for.
Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
The recent enormous popularity of gin means there has been a parallel surge in delicious high-end tonics. Try Fentimans, Fever Tree and good old Schweppes Indian Tonic. One of those with a slice of lime looks just like a G&T and is delicious. • I used to say brunch isn’t brunch without a Bloody Mary. Now, unless it’s a special occasion, I go for a just-as-delicious and way-more-virtuous Virgin Mary. Just make sure they don’t scrimp on the Tabasco so that you get that kick. • Bitters are great for solving the issue of so many alcohol-free drinks being sickly sweet (I mean, what’s the point of not drinking if you’re going to feel like throwing up in the taxi home anyway?). A soda water with a dash of Angostura bitters hits the spot. • Kombucha is made with ‘live’ fermented tea, so it’s packed with nutrients and great for your gut. Search out craft kombucha brewers like Equinox, Love, Jarr, or Profusion, whose kombucha is available from Ocado. • If a bar has a cocktail list, it will almost certainly have an alcohol-free section. If not, just ask. Mixologists love showing off, so they’ll relish the challenge of creating something bespoke. • For widely available botanically brewed deliciousness, try Folkington’s, Belvoir, Luscombe and Peter Spanton. • A bitter lemon is a great option, assuming you don’t mind (or perhaps you quite enjoy) the slight vibe of Dot and Ethel in the Queen Vic. Personally, I love a bit of 1970s kitsch, and a bitter lemon is usually served on ice in a low-ball glass, so it is perfect for evenings when you don’t want to make a big deal of not drinking, because it looks like a ‘proper’ drink.
Rosamund Dean (Mindful Drinking: How To Break Up With Alcohol)
I can’t explain why, but a whiskey sour is a drink for a man whose mother made him practice piano a lot when he was a kid. A man who drinks whiskey sours also probably throws a baseball like a girl—limp wristed. A man who drinks whiskey sours and then eats that silly little cherry they put in the bottom probably has a cat or a poodle for a pet. In other words, I wouldn’t go on a camping trip with a man who drinks whiskey sours. Scotch drinkers are aggressive. They order like they’re Charles Bronson trying to have a quick shot before returning to the subway to kill a few punks and thugs. “What’ll you have, sir?” asks the bartender. “Cutty. Water. Rocks. Twist,” growls the Scotch drinker. I think maybe Scotch drinkers wear their underwear too tight. You have to watch people who drink vodka or gin. “Anybody who drinks see-through whiskey,” an old philosopher once said, “will get crazy.” Indeed. Vodka and gin drinkers are the type who leave the house to get a loaf of bread, drop by the bar for just one, and return home six weeks later. With the bread. I wouldn’t go on a camping trip with anyone who drinks vodka or gin, either. They’re the types who would invite snakes, raccoons and bears over for cocktails and then wind up getting into an argument about tree frogs. Bourbon drinkers never grow up. Eight out of ten started drinking bourbon with Coke in school and still have a pair of saddle oxfords in the closet. Bourbon drinkers don’t think they’ve had a good time unless they get sick and pass out under a coffee table. Then there are the white wine drinkers. Never get involved in any way with them. They either want to get married, sell you a piece of real estate or redecorate your house.
Lewis Grizzard (Shoot Low, Boys - They're Ridin' Shetland Ponies)
British control of colonial India required the ability to combat malaria, so Brits in India consumed powdered rations of quinine in the form of “Indian tonic water.” By the 1840s, British citizens and soldiers in India were using 700 tons of cinchona bark annually for their protective doses of quinine. They added gin to the liquid to cut its bitter taste and, most certainly, for its intoxicating effect. And the gin and tonic cocktail was born. It became the drink of choice for Anglo-Indians and is now of course a universal staple on bar tabs worldwide.
Timothy C. Winegard (The Mosquito: A Human History of Our Deadliest Predator)
On the table behind the built-in bar stood opened bottles of gin, bourbon, scotch, soda, and other various mixers. The bar itself was covered with little delicacies of all descriptions: chips, dips, and little crackers and squares of bread laced with the usual dabs of egg salad and sardine paste. There was a platter of delicious fried chicken wings and a pan of potato-and-egg salad dressed with vinegar. Bowls of lives and pickles surrounded the main dishes, along with trays of red crabapples and little sweet onions on toothpicks. But the centerpiece of the whole table was a huge platter of succulent and thinly sliced roast beef set into an underpan of cracked ice. Upon the beige platter each slice of rare meat had been lovingly laid out and individually folded up into a vulval pattern with a tiny dab of mayonnaise at the crucial apex. The pink-brown folded meat around the pale cream-yellow dot formed suggestive sculptures that made a great hit with all the women present. Petey– at whose house the party was being given and the creator of the meat sculptures– smilingly acknowledged the many compliments on her platter with a long-necked graceful nod of her elegant dancer’s head.
Audre Lorde (Zami: A New Spelling of My Name)
She watched with envy as dancers bobbed and swayed to the raging music like an undulating wave in an angry sea. Pungent odors of sweat and incense mingled with the less obtrusive smells of whiskey and flash pots from the stage. Laser lights and strobes flashed like lightning in time to the thunder of heavy bass and drums. The whole place thrummed with energy as if on the brink of an explosion. Any other time, she might have felt out of place in her conservative cream silk blouse and knee-length taupe skirt amidst the metal-studded leather and ripped denim. The women frowned at her attire while the men gave her a wide berth as if she might burst into religious sermon if they came too close. With a resigned shrug, she raised a hand to pat the sleek French twist in her hair lest one of the unruly locks escape its prison. Satisfied that every hair held its place, she turned her gaze to the crowd around her. “Hey there, pretty girl.” One of the bartenders set a gin and tonic with two slices of lime in front of her before she had spoken a word. She tried to hand him a ten-dollar bill but he waved it away with a shrug and a wink. “Your drinks are on the house tonight.” As he returned to the other end of the bar, her gaze followed him. This particular broad-shouldered bartender was the reason most females came to Felony, and she was no exception. His name was Jack. They had a passing acquaintance limited to brief discussions of the weather and sports, mingled with occasional flirtatious remarks. Although she had a huge crush on him, she’d never admitted it to anyone including herself. Jack represented everything that was absent from her life; spontaneity, promiscuity… adventure. He was the green grass on the other side of her self-imposed fence, a temptation that she coveted but would never taste.
Jeana E. Mann (Intoxicated (Felony Romance, #1))
Are you Russian?” “To the core.” “Well then, let me say at the outset that I am positively enamored with your country. I love your funny alphabet and those little pastries stuffed with meat. But your nation’s notion of a cocktail is rather unnerving. . . .” “How so?” The captain pointed discreetly down the bar to where a bushy-eyebrowed apparatchik was chatting with a young brunette. Both of them were holding drinks in a striking shade of magenta. “I gather from Audrius that that concoction contains ten different ingredients. In addition to vodka, rum, brandy, and grenadine, it boasts an extraction of rose, a dash of bitters, and a melted lollipop. But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just two?” “Yes. But they must be two ingredients that complement each other; that laugh at each other’s jokes and make allowances for each other’s faults; and that never shout over each other in conversation. Like gin and tonic,” he said, pointing to his drink. “Or bourbon and water . . . Or whiskey and soda . . .” Shaking his head, he raised his glass and drank from it. “Excuse me for expounding.” “That’s quite all right.” The
Amor Towles (A Gentleman in Moscow)
The bartender put a couple of fistfuls of ice chunks into a big, thick mixing glass and then proceeded to make a Tom Collins that had so much gin in it that the other people at the bar started to laugh. He served the drink to the Babe just as it was made, right in the mixing glass. Ruth said something about how heavens to Betsy hot he was, and then he picked up the glass and opened his mouth, and there went everything. In one shot he swallowed the drink, the orange slice and the rest of the garbage, and the ice chunks too. He stopped for nothing. There is not a single man I have ever seen in a saloon who does not bring his teeth together a little bit and stop those ice chunks from going in. A man has to have a pipe the size of a trombone to take ice in one shot. But I saw Ruth do it, and whenever somebody tells me about how the Babe used to drink and eat when he was playing ball, I believe every word of it.
Jimmy Breslin (Can't Anybody Here Play This Game?: The Improbable Saga of the New York Mets' First Year)
Dishes of coronation chicken, cold joints of beef and ham, great bowls of coleslaw and potato salad, and two pigs roasting on spits outside. There is a bar serving cider and ale, wine, gin, brandy, whisky, more booze than we can possibly drink, almost all of it donated.
Clare Leslie Hall (Broken Country)
Peter is at the bar. I watch him pour two inches of gin and a small splash of tonic water into a glass. Only then does he add three sad little cubes of ice. They float around like turds on the sea. Brits love to drink, but they make tepid, vacuous cocktails.
Miranda Cowley Heller (The Paper Palace)