β
We improve ourselves by victory over our self. There must be contests, and you must win.
β
β
Edward Gibbon
β
The winds and waves are always on the side of the ablest navigators.
β
β
Edward Gibbon
β
The various modes of worship which prevailed in the Roman world were all considered by the people as equally true; by the philosopher as equally false; and by the magistrate as equally useful.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
What's that supposed to be anyway?" said Fred squinting at Dobby's painting. "Looks like a Gibbon with two black eyes!"
"It's Harry," said George pointing at the back of the picture. "Says so on the back."
"Good likeness," said Fred grinning.
Harry threw his new homework diary at him.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
However, there is a way to know for certain that Noahβs Flood and the Creation story never happened: by looking at our mitochondrial DNA (mtDNA).Β Mitochondria are the βcellular power plantsβ found in all of our cells and they have their own DNA which is separate from that found in the nucleus of the cell.Β In humans, and most other species that mitochondria are found in, the fatherβs mtDNA normally does not contribute to the childβs mtDNA; the child normally inherits its mtDNA exclusively from its mother.Β This means that if no oneβs genes have mutated, then we all have the same mtDNA as our brothers and sisters and the same mtDNA as the children of our motherβs sisters, etc. This pattern of inheritance makes it possible to rule out βpopulation bottlenecksβ in our speciesβ history.Β A bottleneck is basically a time when the population of a species dwindled to low numbers.Β For humans, this means that every person born after a bottleneck can only have the mtDNA or a mutation of the mtDNA of the women who survived the bottleneck. This doesnβt mean that mtDNA can tell us when a bottleneck happened, but it can tell us when one didnβt happen because we know that mtDNA has a rate of approximately one mutation every 3,500 years (Gibbons 1998; Soares et al 2009). So if the human race were actually less than 6,000 years old and/or βeverything on earth that breathed diedβ (Genesis 7:22) less than 6,000 years ago, which would be the case if the story of Adam and the story of Noahβs flood were true respectively, then every person should have the exact same mtDNA except for one or two mutations.Β This, however, is not the case as human mtDNA is much more diverse (Endicott et al 2009), so we can know for a fact that the story of Adam and Eve and the story of Noah are fictional. Β There
β
β
Alexander Drake (The Invention of Christianity)
β
Conversation enriches the understanding, but solitude is the school of genius.
β
β
Edward Gibbon
β
I make it a point never to argue with people for whose opinion I have no respect.
β
β
Edward Gibbon
β
One of the disadvantages of almost universal education was the fact that all kinds of persons acquired a familiarity with one's favorite writers. It gave one a curious feeling; it was like seeing a drunken stranger wrapped in one's dressing gown.
β
β
Stella Gibbons (Cold Comfort Farm)
β
My early and invincible love of reading--I would not exchange for the treasures of India.
β
β
Edward Gibbon
β
The five marks of the Roman decaying culture:
Concern with displaying affluence instead of building wealth;
Obsession with sex and perversions of sex;
Art becomes freakish and sensationalistic instead of creative and original;
Widening disparity between very rich and very poor;
Increased demand to live off the state.
β
β
Edward Gibbon
β
I saw something nasty in the woodshed.
β
β
Stella Gibbons (Cold Comfort Farm)
β
In the end, more than freedom, they wanted security. They wanted a comfortable life, and they lost it all β security, comfort, and freedom. When the Athenians finally wanted not to give to society but for society to give to them, when the freedom they wished for most was freedom from responsibility, then Athens ceased to be free and was never free again.
β
β
Margaret Thatcher
β
She liked Victorian novels. They were the only kind of novel you could read while eating an apple.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Well, when I am fifty-three or so I would like to write a novel as good as Persuasion but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say, 'Collecting material'. No one can object to that.
β
β
Stella Gibbons (Cold Comfort Farm)
β
That would be delightful,' agreed Flora, thinking how nasty and boring it would be.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The most worthless of mankind are not afraid to condemn in others the same disorders which they allow in themselves; and can readily discover some nice difference in age, character, or station, to justify the partial distinction.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Books are those faithful mirrors that reflect to our mind the minds of sages and heroes.
β
β
Edward Gibbon
β
Surely she had endured enough for one evening without having to listen to intelligent conversation?
β
β
Stella Gibbons (Cold Comfort Farm)
β
Mary, you know I hate parties. My idea of hell is a very large party in a cold room where everybody has to play hockey properly.
β
β
Stella Gibbons (Cold Comfort Farm)
β
It took me a long time to learn that mistakes aren't good or bad,
they're just mistakes, and you clean them up and go on.
β
β
Kaye Gibbons (A Virtuous Woman)
β
All that is human must retrograde if it does not advance.
β
β
Edward Gibbon
β
Edward Gibbon, in his classic work on the fall of the Roman Empire, describes the Roman era's declension as a place where "bizarreness masqueraded as creativity.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Revenge is profitable, gratitude is expensive.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Like all really strong-minded women, on whom everybody flops, she adored being bossed about. It was so restful.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Every person has two educations, one which he receives from others, and one, more important, which he gives to himself.
β
β
Edward Gibbon
β
War, in its fairest form, implies a perpetual violation of humanity and justice.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
To an active mind, indolence is more painful than labor.
β
β
Edward Gibbon
β
The end comes when we no longer talk with ourselves. It is the end of genuine thinking and the beginning of the final loneliness
β
β
Edward Gibbon
β
Corruption, the most infallible symptom of constitutional liberty.
β
β
Edward Gibbon
β
Another damn'd thick, square book! Always, scribble, scribble, scribble! Eh! Mr. Gibbon?
(On publication of Vol. 1 of The Rise and Fall of the Roman Empire
β
β
Duke of Gloucester
β
The power of instruction is seldom of much efficacy, except in those happy dispositions where it is almost superfluous.
β
β
Edward Gibbon
β
The history of empires is the history of human misery.
β
β
Edward Gibbon
β
Flora sighed. It was curious that persons who lived what the novelists called a rich emotional life always seemed to be a bit slow on the uptake.
β
β
Stella Gibbons (Cold Comfort Farm)
β
I might be confused sometimes in my head but it is not something you need to talk about. Before you can talk you have to line it all up in order and I had rather just let it swirl around until I am too tired to think. You just let the motion in your head wear you out. Never think about it. You just make a bigger mess that way.
β
β
Kaye Gibbons (Ellen Foster)
β
... as long as mankind shall continue to bestow more liberal applause on their destroyers than their benefactors, the thirst of military glory will ever be the vice of the most exalted characters.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
β
Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.
β
β
Henry Rollins
β
Youβll find your one-in-a-million. But youβre sharp enough to know thereβs no point in sludging through the first nine hundred, ninety-nine thousand, and ninety-nine to get to him.
β
β
Kaye Gibbons (Charms for the Easy Life)
β
Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book.
β
β
Edward Gibbon
β
I never make the mistake of arguing with people for whose opinions I have no respect.
β
β
Edward Gibbon
β
Nature is all very well in her place, but she must not be allowed to make things untidy.
β
β
Stella Gibbons
β
Okay, so I lied. Heβs nothing like Peter Parker. Heβs a bajillion times sexier than Peter Parker. Spiderman ainβt got nothing on Zak Gibbons.
β
β
Cassie Mae (How to Date a Nerd (How To, #1))
β
Today you can buy the Dialogues of Plato for less than you would spend on a fifth of whiskey, or Gibbon's Decline and Fall of the Roman Empire for the price of a cheap shirt. You can buy a fair beginning of an education in any bookstore with a good stock of paperback books for less than you would spend on a week's supply of gasoline.
β
β
Louis L'Amour (Education of a Wandering Man: A Memoir)
β
You have the most revolting Florence Nightingale complex,' said Mrs. Smiling.
It is not that at all, and well you know it. On the whole, I dislike my fellow beings; I find them so difficult to understand. But I have a tidy mind and untidy lives irritate me. Also, they are uncivilized.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Here was an occasion, she thought, for indulging in that deliberate rudeness which only persons with habitually good manners have the right to commit...
β
β
Stella Gibbons (Cold Comfort Farm)
β
To a lover of books the shops and sales in London present irresistible temptations.
β
β
Edward Gibbon (Memoirs of My Life)
β
Happiness can never hope to command so much interest as distress.
β
β
Stella Gibbons (Nightingale Wood)
β
Where error is irreparable, repentance is useless.
β
β
Edward Gibbon
β
Have you ever felt like you could cry because you know you just heard the most important thing anybody in the world could have spoke at that second?
β
β
Kaye Gibbons (Ellen Foster)
β
Given that life is so short, do I really want to spend one-ninetieth of my remaining days on earth reading Edward Gibbon?
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Haven't you enough money?'
For she knew that this is what is the matter with nearly everybody over twenty-five.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Well,' said Mrs Smiling, 'it sounds an appalling place, but in a different way from all the others. I mean, it does sound interesting and appalling, while the others just sound appalling.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Active valour may often be the present of nature; but such patient diligence can be the fruit only of habit and discipline.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Women are all alike-- aye fussin' over their fal-lals and bedazin' a man's eyes, when all they really want is man's blood and his heart out of his body and his soul and his pride....
β
β
Stella Gibbons (Cold Comfort Farm)
β
The theologian may indulge the pleasing task of describing Religion as she descended from Heaven, arrayed in her native purity. A more melancholy duty is imposed on the historian. He must discover the inevitable mixture of error and corruption which she contracted in a long residence upon Earth, among a weak and degenerate race of beings.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
the vicissitudes of fortune, which spares neither man nor the proudest of his works, which buries empires and cities in a common grave.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
On the whole, Flora liked it better when they were silent, though it did rather give her the feeling that she was acting in one of the less cheerful German highbrow films.
β
β
Stella Gibbons (Cold Comfort Farm)
β
If solitude is the school of genius, as the historian Edward Gibbon put it, then the crowded, busy world is the purgatory of the idiot.
β
β
Ryan Holiday (Stillness Is the Key)
β
After another minute Reuben brought forth the following sentence:
"I ha' scranleted two hundred furrows come five o'clock down i' the bute."
It was a difficult remark, Flora felt, to which to reply.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Seeing color doesnβt mean youβre a racist. It means your eyes work, but that you are hopefully able to see color not for a discrepancy in normal, but as a beautiful component of diversity.
β
β
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
β
The ascent to greatness, however steep and dangerous, may entertain an active spirit with the consciousness and exercise of its own power: but the possession of a throne could never yet afford a lasting satisfaction to an ambitious mind.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
The army is the only order of men sufficiently united to concur in the same sentiments, and powerful enough to impose them on the rest of their fellow-citizens; but the temper of soldiers, habituated at once to violence and to slavery, renders them very unfit guardians of a legal, or even a civil constitution.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
I do not object to the phenomena, but I do object to the parrot.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The education bestowed on Flora Poste by her parents had been expensive, athletic and prolonged; and when they died within a few weeks of one another during the annual epidemic of the influenza or Spanish Plague which occurred in her twentieth year, she was discovered to possess every art and grace save that of earning her own living.
β
β
Stella Gibbons (Cold Comfort Farm)
β
there were lovely things in the world, lovely that didn't endure, and the lovelier for that... Nothing endures.
β
β
Lewis Grassic Gibbon (Sunset Song (A Scots Quair, #1))
β
A straight nose is a great help if one wishes to look serious'.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The policy of the emperors and the senate, as far as it concerned religion, was happily seconded by the reflections of the enlightened, and by the habits of the superstitious, part of their subjects. The various modes of worship, which prevailed in the Roman world, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful. And thus toleration produced not only mutual indulgence, but even religious concord.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
I found my mind wandering at games; loved boxing and was good at it; and in summer, having chosen rowing instead of cricket, lay peacefully by the Stour, well upstream of the rhythmic creaking and the exhortation, reading Lily Christine and Gibbon and gossiping with kindred lotus-eaters under the willow-branches.
β
β
Patrick Leigh Fermor (A Time of Gifts (Trilogy, #1))
β
The life of a journalist is poor, nasty, brutish, and short. So is his style
β
β
Stella Gibbons (Cold Comfort Farm)
β
There are some things (like first love and oneβs first reviews) at which a woman in her middle years does not care to look too closely.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The principles of a free constitution are irrecoverably lost, when the legislative power is nominated by the executive.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire, Volume 1)
β
This may not be much, but it is something. Tomorrow we die; but at least we danced in silver shoes.
β
β
Stella Gibbons (Nightingale Wood)
β
There have always been Starkadders at Cold Comfort Farm
β
β
Stella Gibbons
β
He was, she reflected, almost rudely like a tortoise; and she was glad her friend kept none as pets or they might have suspected mockery.
β
β
Stella Gibbons (Cold Comfort Farm)
β
He stood at the table facing Flora and blowing heavily on his tea and staring at her. Flora did not mind. It was quite interesting: like having tea with a rhinoceros.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Conversation enriches the understanding, but solitude is the school of genius; and the uniformity of a work denotes the hand of a single artist.β Edward Gibbon
β
β
Anthony Storr (Solitude a Return to the Self)
β
I could wake her up and ask have you ever been to the ocean? but I already know that answer. She has not. You can tell. It would humble you I whisper to her sleeping if you for one time stood by something stronger than yourself.
β
β
Kaye Gibbons (Ellen Foster)
β
76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
β
β
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
β
I could lay here and read all night. I am not able to fall asleep without reading. You have the time when your brain has nothing to do so it rambles. I fool my brain out of that by making it read until it shuts off. I just think it is best to do something right up until you fall asleep.
β
β
Kaye Gibbons (Ellen Foster)
β
It was an inflexible maxim of Roman discipline that good soldier should dread his own officers far more than the enemy
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Ah but' 'there'll be no butter in hell!
β
β
Stella Gibbons
β
Curious how Love destroys every vestige of that politeness which the human race, in its years of evolution, has so painfully acquired.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Flora inherited, however, from her father a strong will and from her mother a slender ankle.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care.
Bob Porter: Don't... don't care?
Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now.
Bob Slydell: I beg your pardon?
Peter Gibbons: Eight bosses.
Bob Slydell: Eight?
Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired.
β
β
Mike Judge
β
My love affair with nature is so deep that I am not satisfied with being a mere onlooker, or nature tourist. I crave a more real and meaningful relationship. The spicy teas and tasty delicacies I prepare from wild ingredients are the bread and wine in which I have communion and fellowship with nature, and with the Author of that nature.
β
β
Euell Gibbons
β
You are allowed to float around having no damned idea what you want to do with yourself with no actual time frame in which you need to figure it out.
β
β
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
β
I've read seventeen novels and bushels of poetry-- really necessary novels like Vanity Fair and Richard Feverel and Alice in Wonderland. Also Emerson's Essays and Lockhart's Life of Scott and the first volume of Gibbon's Roman Empire and half of Benvenuto Cellini's Life--wasn't he entertaining? He used to saunter out and casually kill a man before breakfast.
β
β
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
β
So that was Chris and her reading and schooling, two Chrisses there were that fought for her heart and tormented her. You hated the land and the coarse speak of the folk and learning was brave and fine one day; and the next you'd waken with the peewits crying across the hills, deep and deep, crying in the heart of you and the smell of the earth in your face, almost you'd cry for that, the beauty of it and the sweetness of the Scottish land and skies.
β
β
Lewis Grassic Gibbon
β
Iβm sitting here on the Kaye Gibbons Show, and all I can think is that the whole country is sick. Sick with the idea that itβs good to be known as seen by as many people as possible, to show every part of our lives to the public at large. Whether itβs Facebook photos, blogs, or reality TV, itβs like nobody is content to just live life. The worth of our existence seems to be measured in pixels and megabytes and βlikes.β Those of use whose lives can be downloaded seem to have the most value β until someone outrageous comes along to claim their time in the spotlight.
β
β
Heather Demetrios (Something Real (Something Real, #1))
β
If, as Gibbon says, nothing but time - though a long time- is required for a world to perish; so nothing but time -though still more time- is required for a false idea to be destroyed in Germany.
β
β
Friedrich Nietzsche
β
Edward Gibbon (1737-1794) in his Decline and Fall of the Roman Empire said that the following five attributes marked Rome at its end: first, a mounting love of show and luxury (that is, affluence); second, a widening gap between the very rich and the very poor (this could be among countries in the family of nations as well as in a single nation); third, an obsession with sex; fourth, freakishness in the arts, masquerading as originality, and enthusiasms pretending to be creativity; fifth, an increased desire to live off the state. It all sounds so familiar. We have come a long road since our first chapter, and we are back in Rome.
β
β
Francis A. Schaeffer (How Should We Then Live? The Rise and Decline of Western Thought and Culture)
β
...The Abbe's warning: 'Never confront an enemy at the end of a journey, unless it happens to be his journey'.
β
β
Stella Gibbons (Cold Comfort Farm)
β
She glanced upwards for a second at the soft blue vault of the midsummer night sky. Not a cloud misted its solemn depths. Tomorrow would be a beautiful day.
β
β
Stella Gibbons (Cold Comfort Farm)
β
I am a great believer in variations on the routine.
β
β
Kaye Gibbons (Charms for the Easy Life)
β
History is indeed little more than the register of crimes, follies, and misfortunes of mankind.
β
β
Edward Gibbon
β
If we contrast the rapid progress of this mischievous discovery [of gunpowder] with the slow and laborious advances of reason, science, and the arts of peace, a philosopher, according to his temper, will laugh or weep at the folly of mankind" (Chapter 65,p. 68)
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
β
Horace was a nice little guy who looked like one of his own baboons; he turned me over to a Doctor Vargas who was a specialist in exotic biologies--the same Vargas who was on the Second Venus Expedition. He told me what had happened and I looked at the gibbons, meantime rearranging my prejudices.
β
β
Robert A. Heinlein (The Puppet Masters)
β
How much miseryβ¦how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately wonβt or canβt love you. As a species weβre pathetic in that way: imperfectly monogamous. If only we could pair-bond for life, like gibbons, or else opt for total-guilt free promiscuity, thereβd be no more sexual torment. Youβd never want someone you couldnβt haveβ
ββ¦But think what weβd be giving upβ¦weβd be human robotsβ¦thereβd be no free choice.β
ββ¦weβre human robots anyway, only weβre faulty ones.
β
β
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
β
By the way, I adore my bedroom, but do you think I could have the curtains washed? I believe they are red; and I should so like to make sure.'
Judith had sunk into a reverie.
'Curtains?' she asked, vacantly, lifting her magnificent head. 'Child, child, it is many years since such trifles broke across the web of my solitude'.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Oh, it's no crime to want and need somebody to love and to be loved by and to go and do what you need to do to have that, but its certainly a pity when you want it so badly you'll let it be anybody.
β
β
Kaye Gibbons (A Virtuous Woman)
β
Misery is a routine you can learn to live with. It's like rain. Once you're soaked to the skin, you can't get any wetter.
β
β
Alan Gibbons (The Dark Beneath)
β
He dares to be a fool, and that is the first step in the direction of wisdom.
β
β
James Huneker
β
This has been such a glorious afternoon -- my heart would not weep if I did not live to see another.
β
β
Kaye Gibbons (On the Occasion of My Last Afternoon)
β
I must reluctantly observe that two causes, the abbreviation of time, and the failure of hope, will always tinge with a browner shade the evening of life.
β
β
Edward Gibbon (Memoirs of My Life)
β
. . . What a pleasant life could be had in this world by a handsome, sensible old lady of good fortune, blessed with a sound constitution and a firm will
β
β
Stella Gibbons (Cold Comfort Farm)
β
Business people need to understand the psychology of risk more than the mathematics of risk.
β
β
Paul Gibbons (The Science of Successful Organizational Change: How Leaders Set Strategy, Change Behavior, and Create an Agile Culture)
β
Richard had realized, not that Elfine was beautiful, but that he loved Elfine. (Young men frequently need this fact pointing out to them, as Flora knew by observing the antics of her friends.)
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β
Stella Gibbons (Cold Comfort Farm)
β
No one had seen anything of Urk since he had gone galloping out into the night carrying Meriam, the hired girl. It was generally assumed that he had drowned her and then himself. Who cared, anyway?
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Stella Gibbons (Cold Comfort Farm)
β
The fact that he had foamed at the mouth immediately upon dying, indicated that he had a great back jam of wishes and desires and truths that were never spoken...out bubbled all the words he had swallowed when he was alive.
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β
Kaye Gibbons (Charms for the Easy Life)
β
The closest that either Voltaire or the other historical geniuses of the age -- Hume and Gibbon -- came to understanding unreason's creative potentialities was in their Ironic criticism of themselves and in their own efforts to make sense out of history. This, at least, led them to view themselves as being as potentially flawed as the cripples they conceived to be acting out the spectacle of history.
β
β
Hayden White (Metahistory: The Historical Imagination in Nineteenth-Century Europe)
β
I keep collecting books I know
I'll never, never read;
My wife and daughter tell me so,
And yet I never heed.
"Please make me," says some wistful tome,
"A wee bit of yourself."
And so I take my treasure home,
And tuck it in a shelf.
And now my very shelves complain;
They jam and over-spill.
They say: "Why don't you ease our strain?"
"Some day," I say, "I will."
So book by book they plead and sigh;
I pick and dip and scan;
Then put them back, distressed that I
Am such a busy man.
Now, there's my Boswell and my Sterne,
my Gibbon and Defoe;
To savor Swift I'll never learn,
Montaigne I may not know.
On Bacon I will never sup,
For Shakespeare I've no time;
Because I'm busy making up
These jingly bits of rhyme.
Chekov is caviar to me,
While Stendhal makes me snore;
Poor Proust is not my cup of tea,
And Balzac is a bore.
I have their books, I love their names,
And yet alas! they head,
With Lawrence, Joyce and Henry James,
My Roster of Unread.
I think it would be very well
If I commit a crime,
And get put in a prison cell
And not allowed to rhyme;
Yet given all these worthy books
According to my need,
I now caress with loving looks,
But never, never read."
(from, Book Lover)
β
β
Robert W. Service
β
he forgot that the best of omens is to unsheathe our sword in the defence of our country.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
it was much less dangerous for the disciples of Christ to neglect the observance of the moral duties, than to despise the censures and authority of their bishops.
β
β
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
β
She could feel magic in the quiet spring day, like a sorcererβs far-off voice, and lines of poetry floated over her mind as if they were strands of spider-web.
β
β
Stella Gibbons
β
Folks do not want to see a body disappear before their very eyes. Not me at least.
β
β
Kaye Gibbons (Ellen Foster)
β
But they get some comfort out of the made up stories. And if that helps them get along maybe I should not poke fun.
β
β
Kaye Gibbons (Ellen Foster)
β
Daisies opened in sly lust to the sun-rays and rain-spears, and eft-flies, locked in a blind embrace, spun radiantly through the glutinous light to their ordained death.
β
β
Stella Gibbons (Cold Comfort Farm)
β
You are going to fail at a lot of things, so when you do, do it on such a grand scale that half the room gives you a standing ovation, and the other half gives you the middle finger.
β
β
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
β
All the books were beginning to turn against me. Indeed, I must have been blind as a bat not to have seen it long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader. George MacDonald had done more to me than any other writer; of course it was a pity that he had that bee in his bonnet about Christianity. He was good in spite of it. Chesterton has more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too. Even among ancient authors the same paradox was to be found. The most religious (Plato, Aeschylus, Virgil) were clearly those on whom I could really feed. On the other hand, those writers who did not suffer from religion and with whom in theory my sympathy ought to have been complete -- Shaw and Wells and Mill and Gibbon and Voltaire -- all seemed a little thin; what as boys we called "tinny". It wasn't that I didn't like them. They were all (especially Gibbon) entertaining; but hardly more. There seemed to be no depth in them. They were too simple. The roughness and density of life did not appear in their books.
β
β
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
β
Under a democratical government, the citizens exercise the powers of sovereignty; and those powers will be first abused, and afterwards lost, if they are committed to an unwieldy multitude.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
β
And what did the great British historian Edward Gibbon have to say about the human record so far? He said, βHistory is indeed little more than the register of the crimes, follies and misfortunes of mankind.β The same can be said about this morningβs issue of The New York Times.
β
β
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
β
Ye know, doan't ye, what it feels like when ye burn yer hand in takin' a cake out of the oven or wi'a match when ye're lightin' one of they godless cigarettes? Ay. It stings wi' a fearful pain, doan't it? And ye run away to clap a bit o' butter on it to take the pain away. Ah, but' (an impressive pause) 'there'll be no butter in hell!
β
β
Stella Gibbons (Cold Comfort Farm)
β
... on the whole I thought I liked having everything very tidy and calm all around me, and not being bothered to do things, and laughing at the kind of joke other people didn't think at all funny, and going for country walks, and not being asked to express opinions about things (like love, and isn't so-and-so peculiar?)
β
β
Stella Gibbons (Cold Comfort Farm)
β
The terror of the Roman arms added weight and dignity to the moderation of the emperors. They preserved peace by a constant preparation for war;
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Hope, the best comfort of our imperfect condition,
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire 1: 180-395)
β
But she had a lively acquaintaince with confinement through the works of women novelists, especially those of the unmarried ones.
β
β
Stella Gibbons (Cold Comfort Farm)
β
You can rest with me until somebody comes to get you. We will not say anything. We can rest.
β
β
Kaye Gibbons (Ellen Foster)
β
I've read two books a week for 30 years....I'm satisfied I know everything.
β
β
Kaye Gibbons
β
There exists in human nature a strong propensity to depreciate the advantages, and to magnify the evils, of the present times.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
the fundamental maxim of Artistotle, that true virtue is placed at an equal distance between the opposite vices.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
The value of money has been settled by general consent to express our wants and our property, as letters were invented to express our ideas; and both these institutions, by giving a more active energy to the powers and passions of human nature, have contributed to multiply the objects they were designed to represent.
β
β
Edward Gibbon (History of the Decline and Fall of the Roman Empire, Vol. 1)
β
ΩΩ Ψ§ΩΨΉΨ±Ψ¨ Ψ§Ψ³ΨͺΩΩΩΨ§ ΨΉΩΩ ΩΨ±ΩΨ³Ψ§Ψ Ψ₯Ψ°Ω ΩΨ΅Ψ§Ψ±Ψͺ Ψ¨Ψ§Ψ±ΩΨ³ Ω
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ΩΩΩ Ψ£ΩΨ±ΩΨ¨Ψ§ ΩΨ§ ΩΨΉΨ±ΩΩΩ ΩΨͺΨ§Ψ¨Ψ© Ψ£Ψ³Ω
Ψ§Ψ¦ΩΩ
β
β
Edward Gibbon
β
Augustus was sensible that mankind is governed by names; nor was he deceived in his expectation, that the senate and the people would submit to slavery, provided they were respectfully assured that they still enjoyed their ancient freedoms.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
β
Psychological pseudoscience dies hard, especially when there are commercial interests at stake.
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β
Paul Gibbons (The Science of Successful Organizational Change: How Leaders Set Strategy, Change Behavior, and Create an Agile Culture)
β
Coward! Liar! Libertine! Who were you with last night? Moll at the mill or Violet at the vicarage? Or Ivy, perhaps, at the ironmongery?
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β
Stella Gibbons (Cold Comfort Farm)
β
It's not what your reproductive organs do that counts, it's what your mind intends before that moment.
β
β
Sheri S. Tepper (Gibbon's Decline and Fall)
β
Mrs Poste, who had wished people to live beautiful lives and yet be ladies and gentlemen.
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β
Stella Gibbons (Cold Comfort Farm)
β
Folk said he had once been a scholar and written books and learned and learned till his brain fair softened and right off his head he'd gone and into the poorhouse asylum.
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β
Lewis Grassic Gibbon (Sunset Song (A Scots Quair, #1))
β
So it was that she knew she liked him, loved him as they said in the soppy English books, you were shamed and a fool to say that in Scotland.
β
β
Lewis Grassic Gibbon (Sunset Song (A Scots Quair, #1))
β
He was enmeshed in his grief. He did not notice that Graceless's leg had come off and that she was managing as best she could with three.
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β
Stella Gibbons (Cold Comfort Farm)
β
Fear has been the original parent of superstition, every new calamity urges trembling mortals to deprecate the wrath of invisible enemies
β
β
Edward Gibbon
β
Is there a rug?' she asked, hanging fire.
'Nay. The sins burnin' in yer marrow will keep yer warm.
β
β
Stella Gibbons (Cold Comfort Farm)
β
He who sows the ground with care and diligence acquires a greater stock of religious merit than he could gain by the repetition of ten thousand prayers." ^15
β
β
Edward Gibbon (History of the Decline and Fall of the Roman Empire, Volumes 1-6)
β
Freedom is the first step to curiosity and knowledge.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire (Volume 12))
β
Leaders need to correct for cognitive biases the way a sharpshooter corrects for wind velocity or a yachtsman corrects for the tide.
β
β
Paul Gibbons (The Science of Successful Organizational Change: How Leaders Set Strategy, Change Behavior, and Create an Agile Culture)
β
Leaders need to sacrifice "power-over" to get "power-to".
β
β
Paul Gibbons (The Science of Successful Organizational Change: How Leaders Set Strategy, Change Behavior, and Create an Agile Culture)
β
In the second century of the Christian Γra, the empire of Rome comprehended the fairest part of the earth, and the most civilized portion of mankind.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Mrs. Smiling's second interest was her collection of brassieres, and her search for the perfect one. She was reputed to have the largest and finest collection of these garments in the world. It was hoped that on her death it would be left to the nation.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Flora had also learned the degraded art of 'tasting' unread books, and now, whenever her skimming eye lit on a phrase about heavy shapes, or sweat, or howls or bedposts, she just put the book back on the shelf, unread.
β
β
Stella Gibbons (Cold Comfort Farm)
β
After a war of about 40 years, undertaken by the most stupid [Claudius], maintained by the most dissolute [Nero], and terminated by the most timid [Domitian] of all the emperors, the far greater part of the island [of Britain] submitted to the Roman yoke.
β
β
Edward Gibbon
β
Mrs Smiling's character was firm and her tastes civilized. Her method of dealing with wayward human nature when it insisted on obtruding its grossness upon her scheme of life was short and effective; she pretended things were not so: and usually, after a time, they were not. Christian Science is perhaps a larger organization, but seldom so successful.
β
β
Stella Gibbons (Cold Comfort Farm)
β
I ha' scranleted two hundred furrows come five o'clock down i' the bute.'
It was a difficult remark, Flora felt, to which to reply. Was it a complaint? If so, one might say, 'My dear, how too sickening for you!' But then, it might be a boast, in which case the correct reply would be, 'Attaboy!' or more simply, 'Come, that's capital.' Weakly she fell back on the comparatively safe remark: 'Did you?' in a bright, interested voice.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The audience had run to beards and magenta shirts and original ways of arranging its neckwear; and not content with the ravages produced in its over-excitable nervous system by the remorseless workings of its critical intelligence, it had sat through a film of Japanese life called 'Yes,' made by a Norwegian film company in 1915 with Japanese actors, which lasted an hour and three-quarters and contained twelve close-ups of water-lilies lying perfectly still on a scummy pond and four suicides, all done extremely slowly.
β
β
Stella Gibbons (Cold Comfort Farm)
β
From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words."
- from Harper's Notebook, November 2010
β
β
Lewis H. Lapham
β
The conquest of the land of Canaan was accompanied with so many wonderful and so many bloody circumstances, that the victorious Jews were left in a state of irreconcilable hostility with all their neighbours.
β
β
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
β
it is always easy, as well as agreeable, for the the inferior ranks of mankind to claim a merit from the contempt of that pomp and pleasure, which fortune has placed beyond their reach. The virtue of the primitive Christians, like that of the first Romans, was very frequently guarded by poverty and ignorance.
β
β
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
β
If the empire had been afflicted by any recent calamity, by a plague, a famine, or an unsuccessful war; if the Tiber had, or if the Nile had not, risen beyond its banks; if the earth had shaken, or if the temperate order of the seasons had been interrupted, the superstitious Pagans were convinced that the crimes and the impiety of the Christians, who were spared by the excessive lenity of the government, had at length provoked the divine justice.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
The reality was my life wasn't miserable because I was curvy; I was miserable because I thought I'd be happier if I were thinner.
β
β
Brittany Gibbons (The Clothes Make the Girl (Look Fat)?: Adventures and Agonies in Fashion β A Hilarious Memoir and Self-Help Guide for Curvy Women on Body Image and Style)
β
but his days were shortened by poison, perhaps the most incurable of poisons; the stings of remorse and despair, and the bitter remembrance of lost glory.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Cautious as a camera-man engaged in shooting a family of fourteen lions
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β
Stella Gibbons (Cold Comfort Farm)
β
Media has the ability to make good seem evil and evil seem good.
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β
Duncan William Gibbons
β
Side note: is anyone else grateful social media wasnβt a thing when they were a teenager? Itβs like Draco Malfoy and all three Heathers smooshed into one invisible organism that thrives on Internet memes and passive aggression.
β
β
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
β
It had grown cold in the night but he was numb with other weathers. An equinox in the heart, ill change, unluck. Suttree held his face in his hands. Child of darkness and familiar of small dooms. He himself used to wake in terror to find whole congregations of the uninvited attending his bed, protean figures slouched among the room's dark corners in all multiplicity of shapes, gibbons and gargoyles, arachnoids of outrageous size, a batshaped creature hung by some cunning in a high corner from whence clicked and winked like bone chimes its incandescent teeth.
β
β
Cormac McCarthy
β
What happened?
It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shanβt embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation.
It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed.
β¨β¨What are its enemies?β¨
β¨Well, first of all fear β fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next yearβs crops. And fear of the supernatural, which means that you darenβt question anything or change anything.
The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. β¨β¨There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed β it would have been better than nothing.
Of course, civilisation requires a modicum of material prosperityββ¨β¨What civilization needs:β¨β¨confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in oneβs own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline.
Vigour, energy, vitality: all the civilisationsβor civilising epochsβhave had a weight of energy behind them.
People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.
β
β
Kenneth M. Clark (Civilisation)
β
The use of reading, Gibbon says somewhere, is to aid us in thinking. I have always disagreed with Gibbon over that; he may have used literature to help him think, but for me, often, and for most of the human race I reckon (since I have no reason to think myself unique) books can be a mind-stupefying drug, employed to banish thought, not to invoke it. When I am unhappy I can sink into a novel as into unconsciousness. Blessed War and Peace, thrice blessed Mansfield Park; how many potential suicides have their pages distracted and soothed and entertained past the danger point?
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β
Joan Aiken (Foul Matter (Ribs of Death, #2))
β
For it is a peculiarity of persons who lead rich, emotional lives, and who (as the saying is) live intensely and with a wild poetry, that they read all kind of meanings into comparatively simple actions, especially the actions of other people who do not live intensely and with a wild poetry. Thus you may find them weeping passionately on their bed, and be told that you - you alone - are the cause because you said that awful thing to them at lunch. Or they wonder why you like going to concerts; there must be more to it than meets the eye.
β
β
Stella Gibbons (Cold Comfort Farm)
β
during the long period which elapsed between the Egyptian and the Babylonian servitudes, the hopes as well as fears of the Jews appear to have been confined within the narrow compass of the present life.
β
β
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
β
Unless society came out past Flat Rock Crossroads, kept on past Booker T. High School, hung two rights, a left, turned in on Milk Farm Road and found Roland plowing a tobacco field, jerked him off the tractor, warped him and set him back up there without anybody riding by and noticing, blame can't be laid on society.
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β
Kaye Gibbons (A Virtuous Woman)
β
Mindfulness requires being a beginner. Setting absurdly high-standards, and being unwilling to be a novice, are the joint enemies of personal progress and change. Nobody benchpresses 100 kilos the first time they enter a gym.
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β
Paul Gibbons (The Science of Successful Organizational Change: How Leaders Set Strategy, Change Behavior, and Create an Agile Culture)
β
The descendants of Abraham were flattered by the opinion, that they alone were the heirs of the covenant, and they were apprehensive of diminishing the value of their inheritance, by sharing it too easily with the strangers of the earth.
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β
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
β
While she lay there with these old worn thoughts coming obediently into her mind, called there by habit and the familiar quiet of early morning, she was aware that at the back of her mind there was another thought that was not at all stale, but so fresh that it was nearly a feeling, with all a feeling's delicious power to kill thought.
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β
Stella Gibbons (Nightingale Wood)
β
How much misery . . . how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately won't or can't love you. As a species we're pathetic in that way: imperfectly monogamous. If we could only pair-bond for life, like gibbons, or else opt for total guilt-free promiscuity, there'd be no more sexual torment. Better plan - make it cyclical and also inevitable, as in the other mammals. You'd never want someone you couldn't have.
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β
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
β
the race of men born to the exercise of arms, was sought for in the country rather than in cities; and it was very reasonably presumed, that the hardy occupations of smiths, carpenters, and huntsmen, would supply more vigour and resolution, than the sedentary trades which are employed in the service of luxury.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
I think it's degrading of you, Flora,' cried Mrs Smiling at breakfast. 'Do you truly mean that you don't ever want to work at anything?'
Her friend replied after some thought: 'Well, when I am fifty-three or so I would like to write a novel as good as "Persuasion", but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say "Collecting material." No one can object to that. Besides, I shall be.'
Mrs Smiling drank some coffee in silent disapproval.
'If you ask me,' continued Flora, 'I think I have much in common with Miss Austen. She liked everything to be tidy and pleasant and comfortable around her, and so do I. You see Mary,' - and here Flora began to grow earnest and to wave one finger about - 'unless everything is tidy and pleasant and comfortable all about one, people cannot even begin to enjoy life. I cannot endure messes.
β
β
Stella Gibbons (Cold Comfort Farm)
β
It was scarcely possible that the eyes of contemporaries should discover in the public felicity the latent causes of decay and corruption. This long peace, and the uniform government of the Romans, introduced a slow and secret poison into the vitals of the empire. The minds of men were gradually reduced to the same level, the fire of genius was extinguished, and even the military spirit evaporated.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
β
Ye know, doanβt ye, what it feels like when ye burn yer hand in takinβ a cake out of the oven or wiβ a match when yeβre lightinβ one of they godless cigarettes? Ay. It stings wiβ a fearful pain, doanβt it? And ye run away to clap a bit oβ butter on it to take the pain away. Ah, butβ (an impressive pause) βthere βll be no butter in hell!
β
β
Stella Gibbons (Cold Comfort Farm)
β
Instead, I realized that people are allowed to say whatever they want to me about my weight, but itβs entirely up to me how much power I let those words have over me. Iβm not obligated or required to accept negative commentary about my looks. Iβm not less confident or honest for ignoring that itβs there. Iβm just confident enough to know itβs not true.
β
β
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
β
Justice, humanity, or political wisdom, are qualities they are too little acquainted with in themselves, to appreciate them in others. Valor will acquire their esteem, and liberality will purchase their suffrage; but the first of these merits is often lodged in the most savage breasts; the latter can only exert itself at the expense of the public; and both may be turned against the possessor of the throne, by the ambition of a daring rival.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
The public highways, which had been constructed for the use of the legions, opened an easy passage for the Christians missionaries from Damascus to Corinth, and from Italy to the extremity of Spain or Britain; nor did those spiritual conquerors encounter any of the obstacles which usually retard or prevent the introduction of a foreign religion into a distant country.
β
β
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
β
The uncommon abilities and fortune of Severus have induced an elegant historian to compare him with the first and greatest of the CΓ¦sars. The parallel is, at least, imperfect. Where shall we find, in the character of Severus, the commanding superiority of the soul, the generous clemency, and the various genius, which could reconcile and unite the love of pleasure, the thirst of knowledge, and the fire of ambition? β΄β΄
β΄β΄ Though it is not, most assuredly, the intention of Lucan to exalt the character of CΓ¦sar, yet the idea he gives of that hero, in the tenth book of the Pharsalia, where he describes him, at the same time making love to Cleopatra, sustaining a siege against the power of Egypt, and conversing with the sages of the country, is, in reality, the noblest panegyric.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
On solemn festivals, Julian, who felt and professed an unfashionable dislike to these frivolous amusements, condescended to appear in the Circus; and, after bestowing a careless glance on five or six of the races, he hastily withdrew with the impatience of a philosopher, who considered every moment as lost that was not devoted to the advantage of the public or the improvement of his own mind.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume II)
β
I got back from the University late in the afternoon, had a quick swim, ate my dinner, and bolted off to the Stanton house to see Adam. I saw him sitting out on the galley reading a book (Gibbon, I remember) in the long twilight. And I saw Anne. I was sitting in the swing with Adam, when she came out the door. I looked at her and knew that it had been a thousand years since I had last seen her back at Christmas when she had been back at the Landing on vacation from Miss Pound's School. She certainly was not now a little girl wearing round-toed, black patent-leather, flat-heeled slippers held on by a one-button strap and white socks held up by a dab of soap. She was wearing a white linen dress, cut very straight, and the straightness of the cut and the stiffness of the linen did nothing in the world but suggest by a kind of teasing paradox the curves and softnesses sheathed by the cloth. She had her hair in a knot on the nape of her neck, and a little white ribbon around her head, and she was smiling at me with a smile which I had known all my life but which was entirely new, and saying, 'Hello, Jack,' while I held her strong narrow hand in mine and knew that summer had come.
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β
Robert Penn Warren
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Dear, Missus, Mister - I beg you never to give thoughts to war, in no way, not to work for it, not by writing nor by reading about it nor by looking at the pictures nor on the television about it. Not in any way ever, at all. Not by being a soldier, sailor, airman, work in factory or above all at atom bombs. Above all at atom bombs. No obligation for this, dear fellow creature. Signed Your Fellow Creature.'
'P.S.,' said Gerald slowly, without turning from the window, 'If we all do this, we shall succeed.
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Stella Gibbons (Starlight)
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Now and then I am asked as to "what books a statesman should read," and my answer is, poetry and novelsβincluding short stories under the head of novels. I don't mean that he should read only novels and modern poetry. If he cannot also enjoy the Hebrew prophets and the Greek dramatists, he should be sorry. He ought to read interesting books on history and government, and books of science and philosophy; and really good books on these subjects are as enthralling as any fiction ever written in prose or verse. Gibbon and Macaulay, Herodotus, Thucydides and Tacitus, the Heimskringla, Froissart, Joinville and Villehardouin, Parkman and Mahan, Mommsen and Rankeβwhy! there are scores and scores of solid histories, the best in the world, which are as absorbing as the best of all the novels, and of as permanent value. The same thing is true of Darwin and Huxley and Carlyle and Emerson, and parts of Kant, and of volumes like Sutherland's "Growth of the Moral Instinct," or Acton's Essays and Lounsbury's studiesβhere again I am not trying to class books together, or measure one by another, or enumerate one in a thousand of those worth reading, but just to indicate that any man or woman of some intelligence and some cultivation can in some line or other of serious thought, scientific or historical or philosophical or economic or governmental, find any number of books which are charming to read, and which in addition give that for which his or her soul hungers. I do not for a minute mean that the statesman ought not to read a great many different books of this character, just as every one else should read them. But, in the final event, the statesman, and the publicist, and the reformer, and the agitator for new things, and the upholder of what is good in old things, all need more than anything else to know human nature, to know the needs of the human soul; and they will find this nature and these needs set forth as nowhere else by the great imaginative writers, whether of prose or of poetry.
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Theodore Roosevelt (Theodore Roosevelt: An Autobiography)
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First things first, I'm going to tell you why I'm fat, because I actually get this question a lot, much in the way people are asked how they got into live-action role playing or funeral home cosmetology. The answer I'd like to give to people who ask me that question is that God made us all different, and she made some people round-shaped, like me, and some people asshole-shaped, like you. Too direct? Fine, here's the deal.
Most kids inherit their best qualities from their parents. I inherited mental illness and fat thighs. Oh, and astigmatism and course body hair.
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Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
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[A historian] will more seriously deplore the loss of the Byzantine libraries, which were destroyed or scattered in the general confusion: one hundred and twenty thousand manuscripts are said to have disappeared; ten volumes might be purchased for a single ducat; and the same ignominious price, too high perhaps for a shelf of theology, included the whole works of Aristotle and Homer, the noblest productions of the sciences and literature of ancient Greece.
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Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
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Five times was Athanasius expelled from his throne; twenty years he passed as an exile or a fugitive; and almost every province of the Roman empire was successively witness to his merit, and his sufferings in the cause of the Homoousion, which he considered as the sole pleasure and business, as the duty, and as the glory, of his life. Amidst the storms of persecution, the archbishop of Alexandria was patient of labour, jealous of fame, careless of safety; and
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Edward Gibbon (The Decline and Fall of the Roman Empire)
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Everything I am is based on this ugly building on its lonely lawnβlit up during winter darkness; open in the slashing rainβwhich allowed a girl so poor she didnβt even own a purse to come in twice a day and experience actual magic: traveling through time, making contact with the deadβDorothy Parker, Stella Gibbons, Charlotte BrontΓ«, Spike Milligan.
A library in the middle of a community is a cross be-tween an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold, rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen, instead. A human with a brain and a heart and a desire to be uplifted, rather than a customer with a credit card and an inchoate βneedβ for βstuff.β A mallβthe shopsβare places where your money makes the wealthy wealthier. But a library is where the wealthyβs taxes pay for you to become a little more extraordinary, instead. A satisfying reversal. A balancing of the power.
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Caitlin Moran (Moranthology)
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The lady who works in the grocery store at the corner of my block is called Denise, and she's one of America's great unpublished novelists. Over the years she's written forty-two romantic novels, none of which have ever reached the bookstores. I, however, have been fortunate enough to hear the plots of the last twenty-seven of these recounted in installments by the authoress herself every time I drop by the store for a jar of coffee or can of beans, and my respect for Denise's literary prowess knows no bounds. So, naturally enough, when I found myself faced with the daunting task of actually starting the book you now hold in your hands, it was Denise I turned to for advice.
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Dave Gibbons (Watchmen)
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A state of scepticism and suspense may amuse a few inquisitive minds. But the practice of superstition is so congenial to the multitude, that if they are forcibly awakened, they still regret the loss of their pleasing vision. Their love of the marvellous and supernatural, their curiosity with regard to future events, and their strong propensity to extend their hopes and fears beyond the limits of the visible world, were the principal causes which favoroud the establishment of Polytheism. So urgent on the vulgar is the necessity of believing, that the fall of any system of mythology will most probably be succeeded by the introduction of some other mode of superstition. (...) an object much less deserving would have been sufficient to fill the vacant place in their hearts.
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Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
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The tender respect of Augustus for a free constitution which he had destroyed, can only be explained by an attentive consideration of the character of that subtle tyrant. A cool head, an unfeeling heart, and a cowardly disposition, prompted him, at the age of nineteen, to assume the mask of hypocrisy, which he never afterwards laid aside. With the same hand, and probably with the same temper, he signed the proscription of Cicero, and the pardon of Cinna. His virtues, and even his vices, were artificial; and according to the various dictates of his interest, he was at first the enemy, and at last the father, of the Roman world.
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Edward Gibbon (The Decline and Fall of the Roman Empire)
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He had told Flora all about his slim, expensive mistress, Lily, who made boring scenes and took up the time and energy which he would much sooner have spent with his wife, but he had to have Lily, because in Beverly Hills, if you did not have a mistress, people thought you were rather queer, and if, on the other hand, you spent all your time with your wife, and were quite firm about it, and said that you liked your wife, and, anyway, why the hell shouldnβt you, the papers came out with repulsive articles headed βHollywood Czarβs Domestic Blissβ, and you had to supply them with pictures of your wife pouring your morning chocolate and watering the ferns.
So there was no way out of it, Mr Neck said.
Anyway, his wife quite understood, and they played a game called βDodging Lilyβ, which gave them yet another interest in common.
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Stella Gibbons (Cold Comfort Farm)
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Such refinements, under the odious name of luxury, have been severely arraigned by the moralists of every age; and it might perhaps be more conducive to the virtue, as well as happiness, of mankind, if all possessed the necessaries, and none the superfluities, of life. But in the present imperfect condition of society, luxury, though it may proceed from vice or folly, seems to be the only means that can correct the unequal distribution of property. The diligent mechanic, and the skilful artist, who have obtained no share in the division of the earth, receive a voluntary tax from the possessors of land; and the latter are prompted, by a sense of interest, to improve those estates, with whose produce they may purchase additional pleasures.
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Edward Gibbon (The Decline and Fall of the Roman Empire)
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A generous intercourse of charity united the most distant provinces, and the smaller congregations were cheerfully assisted by the alms of their more opulent brethren. Such an institution, which paid less regard to the merit than to the distress of the object, very materially conduced to the progress of Christianity. The Pagans, who were actuated by a sense of humanity, while they derided the doctrines, acknowledged the benevolence of the new sect. The prospect of immediate relief and of future protection allured into its hospitable bosom many of those unhappy persons whom the neglect of the world would have abandonned to the miseries of want, of sickness, and of old age. There is some reason likewise to believe, that great numbers of infants, who, according to the inhuman practice of the times, had been exposed by their parents, were frequently rescued from death, baptised, educated, and maintained by the piety of the Christians, and at the expense of the public treasure.
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Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
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When I was little I would think of ways to kill my daddy. I would figure out this or that way and run it down through my head until it got easy.
The way I liked best was letting go a poisonous spider in his bed. It would bite him and he'd be dead and swollen up and I would shudder to find him so. Of course I would call the rescue squad and tell them to come quick something's the matter with my daddy. When they come in the house I'm all in a state of shock and just don't know how to act what with two colored boys heaving my dead daddy onto a roller cot. I just stand in the door and look like I'm shaking all over.
But I did not kill my daddy. He drank his own self to death the year after the County moved me out. I heard how they found him shut up in the house dead and everything. Next thing I know he's in the ground and the house is rented out to a family of four.
All I did was wish him dead real hard every now and then. All I can say for a fact that I am better off now than when he was alive.
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Kaye Gibbons (Ellen Foster)
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Most of the crimes which disturb the internal peace of society are produced by the restraints which the necessary, but unequal, laws of property have imposed on the appetites of mankind, by confining to a few the possession of those objects that are coveted by many. Of all our passions and appetites, the love of power is of the most imperious and unsociable nature, since the pride of one man requires the submission of the multitude. In the tumult of civil discord, the laws of society lose their force, and their place is seldom supplied by those of humanity. The ardor of contention, the pride of victory, the despair of success, the memory of past injuries, and the fear of future dangers, all contribute to inflame the mind, and to silence the voice of pity. From such motives almost every page of history has been stained with civil blood....
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Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
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The present is a fleeting moment, the past is no more; and our prospect of futurity is dark and doubtful. This day may possibly be my last: but the laws of probability, so true in general, so fallacious in particular, still allow about fifteen years. I shall soon enter into the period which, as the most agreeable of his long life, was selected by the judgement and experience of the sage Fontenelle. His choice is approved by the eloquent historian of nature, who fixes our moral happiness to the mature season in which our passions are supposed to be calmed, our duties fulfilled, our ambition satisfied, our fame and fortune established on a solid basis. In private conversation, that great and amiable man added the weight of his own experience; and this autumnal felicity might be exemplified in the lives of Voltaire, Hume, and many other men of letters. I am far more inclined to embrace than to dispute this comfortable doctrine. I will not suppose any premature decay of the mind or body; but I must reluctantly observe that two causes, the abbreviation of time, and the failure hope, will always tinge with a browner shade the evening of life.
...The warm desires, the long expectations of youth, are founded on the ignorance of themselves and of the world: they are generally damped by time and experience, by disappointment or possession; and after the middle season the crowd must be content to remain at the foot of the mountain: while the few who have climbed the summit aspire to descend or expect to fall. In old age, the consolation of hope is reserved for the tenderness of parents, who commence a new life in their children; the faith of enthusiasts, who sing Hallelujahs above the clouds; and the vanity of authors, who presume the immortality of their name and writings.
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Edward Gibbon (The Autobiography and Correspondence of Edward Gibbon the Historian)
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The obvious definition of a monarchy seems to be that of a state, in which a single person, by whatsoever name he may be distinguished, is entrusted with the execution of the laws, the management of the revenue, and the command of the army. But, unless public liberty is protected by intrepid and vigilant guardians, the authority of so formidable a magistrate will soon degenerate into despotism. The influence of the clergy, in an age of superstition, might be usefully employed to assert the rights of mankind; but so intimate is the connection between the throne and the altar, that the banner of the church has very seldom been seen on the side of the people. A martial nobility and stubborn commons, possessed of arms, tenacious of property, and collected into constitutional assemblies, form the only balance capable of preserving a free constitution against enterprises of an aspiring prince.
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Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
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During the age of Christ, of his apostles, and of their first disciples, the doctrine which they preached was confirmed by innumerable prodigies. The lame walked, the blind saw, the sick were healed, the dead were raised, daemons were expelled, and the laws of Nature were frequently suspended for the benefit of the church [...] But the sages of Greece and Rome turned aside from the awful spectacle, and, pursuing the ordinary occupations of life and study, appeared unconscious of any alterations in the moral or physical government of the world. Under the reign of Tiberius, the whole earth, or at least a celebrated province of the Roman empire, was involved in a preternatural darkness of three hours. Even this miraculous event, which ought to have excited the wonder, the curiosity, and the devotion of mankind, passed without notice in an age of science and history. It happened during the lifetime of Seneca and the elder Pliny, who must have experienced the immediate effects, or received the earliest intelligence, of the prodigy. Each of these philosophers, in a laborious work, has recorded all the great phenomena of Nature, earthquakes, meteors, comets, and eclipses, which his indefatigable curiosity could collect. Both the one and the other have omitted to mention the greatest phenomenon to which the mortal eye has been witness since the creation of the globe.
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Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
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28.Β Do not repeat the tactics which have gained you one victory, but let your methods be regulated by the infinite variety of circumstances. [As Wang Hsi sagely remarks: βThere is but one root-principle underlying victory, but the tactics which lead up to it are infinite in number.β With this compare Col. Henderson: βThe rules of strategy are few and simple. They may be learned in a week. They may be taught by familiar illustrations or a dozen diagrams. But such knowledge will no more teach a man to lead an army like Napoleon than a knowledge of grammar will teach him to write like Gibbon.β] 29.Β Military tactics are like unto water; for water in its natural course runs away from high places and hastens downwards. 30.Β So in war, the way is to avoid what is strong and to strike at what is weak. [Like water, taking the line of least resistance.] 31.Β Water shapes its course according to the nature of the ground over which it flows; the soldier works out his victory in relation to the foe whom he is facing. 32.Β Therefore, just as water retains no constant shape, so in warfare there are no constant conditions. 33.Β He who can modify his tactics in relation to his opponent and thereby succeed in winning, may be called a heaven-born captain. 34.Β The five elements (water, fire, wood, metal, earth) are not always equally predominant; [That is, as Wang Hsi says: βthey predominate alternately.β] the four seasons make way for each other in turn. [Literally, βhave no invariable seat.β] There are short days and long; the moon has its periods of waning and waxing. [Cf. V. ss. 6. The purport of the passage is simply to illustrate the want of fixity in war by the changes constantly taking place in Nature. The comparison is not very happy, however, because the regularity of the phenomena which Sun Tzu mentions is by no means paralleled in war.]
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Sun Tzu (The Art of War)
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The names of Seneca, of the elder and the younger Pliny, of Tacitus, of Plutarch, of Galen, of the slave Epictetus, and of the emperor Marcus Antoninus, adorn the age in which they flourished, and exalt the dignity of human nature. They filled with glory their respective stations, either in active or contemplative life; their excellent understandings were improved by study; philosophy had purified their minds from the prejudices of the popular superstition; and their days were spent in the pursuit of truth and the practice of virtue. Yet all these sages (it is no less an object of surprise than of concern) overlooked or rejected the perfection of the Christian system. Their language or their silence equally discover their contempt for the growing sect which in their time had diffused itself over the Roman empire. Those among them who condescend to mention the Christians consider them only as obstinate and perverse enthusiasts, who exacted an implicit submission to their mysterious doctrines, without being able to produce a single argument that could engage the attention of men of sense and learning.
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Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)