Gibberish Quotes

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There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
Chuck Palahniuk (Survivor)
Maybe there is no Heaven. Or maybe this is all pure gibberish—a product of the demented imagination of a lazy drunken hillbilly with a heart full of hate who has found a way to live out where the real winds blow—to sleep late, have fun, get wild, drink whisky, and drive fast on empty streets with nothing in mind except falling in love and not getting arrested . . . Res ipsa loquitur. Let the good times roll.
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
In the land of Gibberish, the man who makes sense, the man who speaks clearly, clearly speaks nonsense.
Jarod Kintz (This Book is Not for Sale)
The trouble was that he was talking in philosophy but they were listening in gibberish.
Terry Pratchett (Small Gods (Discworld, #13))
Don't destroy yourself by allowing negative people add gibberish and debris to your character, reputation, and aspirations. Keep all dreams alive but discreet, so that those with unhealthy tongues won't have any other option than to infest themselves with their own diseases.
Michael Bassey Johnson (The Infinity Sign)
Charlotte, who had sagged back in her chair, her eyes half-closed, said, “Will, I have already been up all night copying down the relevant parts. Much of it was—” “Gibberish?” Jem suggested. “Pornographic?” said Will at the same time. “Could be both,” said Will. “Haven’t you ever heard of pornographic gibberish before?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I don't know what's wrong with me. It's like all I can do is keep writing this gibberish to keep from breaking apart.
Stephen Chbosky (The Perks of Being a Wallflower)
They misunderestimated me.
George W. Bush
Gibberish?" Jem suggested "Pornographic?" said Will at the same time. "Could be both," said Will. "Haven't you ever heard of pornographic gibberish before?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of. But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone. Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing—is run.
Lauren Oliver (Delirium (Delirium, #1))
What we call chaos is just patterns we haven’t recognized. What we call random is just patterns we cant decipher. What we can’t understand we call nonsense. What we can’t read we call gibberish. There is no free will. There are no variables. There is only the inevitable.
Chuck Palahniuk
I brought Sammy inside and put him to bed. Said his prayer with him. “‘Now I lay me down to sleep…’” To me, just random noise. Gibberish. I wasn’t sure exactly what it was, but I felt that, when it came to God, there was a broken promise in there somewhere.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It's hopeless. The past is nothing but a weight. It will build inside you like a stone.
Lauren Oliver (Delirium (Delirium, #1))
But suppose it was truth double strong, it were no truth to me if I couldna take it in. I daresay there's truth in yon Latin book on your shelves; but it's gibberish and no truth to me, unless I know the meaning o' the words.
Elizabeth Gaskell (North and South)
Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows. So we grapple with the mysteries, each in our own way.
Jandy Nelson (I'll Give You the Sun)
There's nothing worthless about being wordless, it will only save your mouth from talking gibberish.
Michael Bassey Johnson
Focus your attention on the quality of your words, and not the quantity, because few sensible talks attracts millions of listeners more than a thousand gibberish.
Michael Bassey Johnson
Instant communication is not communication at all but merely a frantic, trivial, nerve-wracking bombardment of cliches, threats, fads, fashions, gibberish and advertising.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Which is not really a hell of a lot to ask, Lord, because the final incredible truth is that I am not guilty. All I did was take your gibberish seriously... and you see where it got me? My primitive Christian instincts have made me a criminal.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
They didn't have very far to fall--I knew just being a girl in the world handicapped your ability to believe yourself. Feelings seemed completely unreliable, like faulty gibberish scraped from a Ouija board. My childhood visits to the family doctor were stressful events for that reason. He'd ask me gentle questions: How was I feeling? How would I describe the pain? Was it more sharp or more spread out? I'd just look at him with desperation. I needed to be told, that was the whole point of going to the doctor. To take a test, be put through a machine that would comb my insides with radiated precision and tell me what the truth was.
Emma Cline (The Girls)
People know two languages: their native language and gibberish.
Maribel C. Pagan
Most people talk too much, and what they do say is often just noise or irrelevant gibberish designed to keep themselves entertained
Stuart Wilde (Silent Power)
All I want is to be cherished, she thought, and here I am talking gibberish with a selfish man.
Shirley Jackson (The Haunting of Hill House)
You speak baby gibberish?' asked Jack. 'Fluently. The adult-education center ran a course, and I have a lot of time on my hands.' 'So what did he say?' 'I don't know.' 'I thought you said you spoke gibberish?' 'I do. But your baby doesn't. I think he's speaking either pre-toddler nonsense, a form of infact burble or an obscure dialect of gobbledygook. In any event, I can't understand a word he's saying.' 'Oh.
Jasper Fforde (The Big Over Easy (Nursery Crime, #1))
I am not perfect, but if I looked perfect to everyone I must have been rocking imperfect perfectly to a few imperfect souls that seek imperfection vs. perfection, in an imperfect world where God asks us to seek perfection for our imperfect souls.
Shannon L. Alder
It’s all I’ve seen, all I’ve been through,” I said, “that makes it damn nearly impossible for me to say anything. I’ve lost the knack of making sense. I speak gibberish to the civilized world, and it replies in kind.
Kurt Vonnegut Jr. (Mother Night)
Who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish.
Allen Ginsberg
Great and pure thoughts cannot be deposited in minds accumulated with rubbish.
Michael Bassey Johnson
We hear the ambient noise of children singing. We hear lions and tigers roar. Hyenas laugh. Some jungle bird or howler monkey declares its existence, screeching a maniac's gibberish. Our entire world, always doing battle against the silence and obscurity of death.
Chuck Palahniuk (Tell-All)
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of. But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone. Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing— is run.
Lauren Oliver (Delirium (Delirium, #1))
Nonsense. Balderdash. Figgldygrak. Isn’t it odd that gibberish words are often the sounds of other words, cut up and dismembered, then stitched into something like them—yet wholly unlike them at the same time?
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I erupt from the dark, crushing tunnel into a flash of light and noise. A new kind of air surrounds me, dry and cold, as they wipe the last smears of home off my skin. I feel a sharp pain as they snip something, and suddenly I am less. I am no one but myself, tiny and feeble and utterly alone. I am lifted and swungthrough great heights across yawning distances, and given to Her. She wraps around me, so much bigger and softer than I ever imagined from inside,and I strain my eyes open. I see Her. She is immense, cosmic. She is the world. The world smiles down on me, and when She speaks it’s the voice of God, vast and resonant with meaning, but words unknowable, ringing gibberish in my blank white mind.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
But Noodynaady's actual ingrate tootle is of come into the garner mauve and thy nice are stores of morning and buy me a bunch of iodines.
James Joyce (Finnegans Wake)
It's like all I can do is keep writing this gibberish to keep from falling apart.
Stephen Chbosky (The Perks of Being a Wallflower)
What we call chaos is just pat­terns we haven’t rec­og­nized. What we call ran­dom is just pat­terns we can’t de­ci­pher. What we can’t un­der­stand we call non­sense. What we can’t read we call gib­ber­ish.
Chuck Palahniuk (Survivor)
What is the meaning of life?" "What is consciousness and the mind?” "Why am I here?" “What is my relationship to God and the universe?" These questions have been asked for centuries, but they are irrelevant to achieving social progress. These are unanswerable questions because they don’t have referents in the real world. The posing of such ambiguous questions doesn’t express concern for fellow human beings, or a desire to elevate their condition. Such musings are gibberish in terms of practicality, and as impotent as wailing over an injured person instead of seeking medical attention for them.
Jacque Fresco (The Best That Money Can't Buy)
I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It's hopeless. The past is nothing but a weight. It will build inside of you like a stone. If you hear the past speaking to you, feel it tugging at your back and running it's fingers up your spine, the best thing to do--the only thing--is run.
Lauren Oliver (Delirium (Delirium, #1))
Being an artist doesn't take much. Just everything you got. Which means of course that as the process is giving you life, it is also bringing you closer to death. But it's no big deal. They are one in the same and cannot be avoided or denied. So when I totally embrace this process, this life/death, and abandon myself to it completely, I transcend all this gibberish and hang out with the gods. It seems to me that that is worth the price of admission.
Hubert Selby Jr.
I speak gibberish to the civilized world and it replies in kind.
Kurt Vonnegut Jr.
I tried Google Translate with womanspeak as the language, but it came out as gibberish.
Lauren Blakely (Most Valuable Playboy (Ballers and Babes, #1))
I’m always impressed by people who can speak another language, two people talking what sounds like utter gibberish, yet making complete sense to each other never fails to entertain.
Tom Reynolds (Blood, Sweat and Tea)
Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization.
F. Scott Fitzgerald (The Great Gatsby)
Don't give people the chance to possess you with their negativity; their gibberish can look so charming, but it can't make you a better person.
Michael Bassey Johnson
Children become someone else when they talk in their sleep; possessed and speaking the absurd gibberish dialect of Sleeplandia.
Jonathan Dunne (The Squatter)
The analysis was the most difficult of the three by all odds. When Holk, after two days of steady work, succeeded in eliminating meaningless statements, vague gibberish, useless qualifications - in short, all the goo and dribble - he found he had nothing left. Everything cancelled out. Lord Dorwin, gentlemen, in five days of discussion didn't say one damned thing, and said it so you never noticed.
Isaac Asimov (Foundation (Foundation, #1))
Then he looked up, despite all best prior intentions. In four minutes, it would be another hour; a half hour after that was the ten-minute break. Lane Dean imagined himself running around on the break, waving his arms and shouting gibberish and holding ten cigarettes at once in his mouth, like a panpipe. Year after year, a face the same color as your desk. Lord Jesus. Coffee wasn't allowed because of spills on the files, but on the break he'd have a big cup of coffee in each hand while he pictured himself running around the outside grounds, shouting. He knew what he'd really do on the break was sit facing the wall clock in the lounge and, despite prayers and effort, count the seconds tick off until he had to come back and do this again. And again and again and again.
David Foster Wallace (The Pale King)
Master, what is the difference between a humanistic, monastic system of belief in which wisdom is sought by means of an apparently nonsensical system of questions and answers, and a lot of mystic gibberish made up on the spur of the moment?" Wen considered this for some time, and at last said: "A fish!" And Clodpool went away, satisfied.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
If you take some words at random and put them together, it becomes gibberish, and everyone who knows the meaning of words knows it as such. But if you take unrelated moving images and string them together, there will always be some people who will hold that the resultant strip of celluloid aims at some profundity.
Satyajit Ray (Satyajit Ray on Cinema)
ROSS PEROT was the best thing that happened in American politics since Richard Nixon acquired a taste for gin. In both cases, the political dialogue of the day was enriched by spontaneous gibberish that entertained the wrong people and made the right ones question their faith.
Hunter S. Thompson (Better Than Sex: Confessions of a Political Junkie (The Gonzo Papers series Book 4))
Words tend to last a big longer than things, but eventually they fade too, along with the pictures they once evoked. Entire categories of objects disappear - flowerpots, for example, or cigarette filters, or rubber bands - and for a time you will be able to recognize those words, even if you cannot recall what they mean. But then, little by little, the words become only sounds, a random collection of glottals and fricatives, a storm of whirling phonemes, and finally the whole thing just collapses into gibberish.
Paul Auster (In the Country of Last Things)
The past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It's hopeless. The past is nothing but a weight. It will build inside of you like a stone.
Lauren Oliver (Delirium (Delirium, #1))
she and Ben chattered away to each other in the language of mothers with their toddlers; the two understood every word exchanged, while the rest of the world just listened, smiled, and didn’t understand a single word of the happy gibberish.
William R. Forstchen (One Year After (After, #2))
Throw enough scientific gibberish at non-scientists and they always faltered.
Nancy Kress (Probability Space (The Probability Trilogy Book 3))
They didn’t have very far to fall—I knew just being a girl in the world handicapped your ability to believe yourself. Feelings seemed completely unreliable, like faulty gibberish scraped from a Ouija board.
Emma Cline (The Girls)
The children are in love but do not know with what. They talk in gibberish, muse themselves into an indefinable pallor, and when they are completely at a loss they invent a language that maddens them. My fish. My hook. My fox. My snare. My fire. You my water. You my current. My earth. You my if. And you my but. Either. Or. My everything...my everything...They push one another, go for each other with their fists and scuffle over a counter-word that doesn't exist.
Ingeborg Bachmann (The Thirtieth Year: Stories)
Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists who, goaded by unknown impulses, take the lifeless mass of humanity and by the fever and ferment with which they imbue it turn this soggy dough into bread and the bread into wine and the wine into song. Out of the dead compost and the inert slag they breed a song that contaminates. I see this other race of individuals ransacking the universe, turning everything upside down, their feet always moving in blood and tears, their hands always empty, always clutching and grasping for the beyond, for the god out of reach: slaying everything within reach in order to quiet the monster that gnaws at their vitals. I see that when they tear their hair with the effort to comprehend, to seize this forever unattainable, I see that when they bellow like crazed beasts and rip and gore, I see that this is right, that there is no other path to pursue. A man who belongs to this race must stand up on the high place with gibberish in his mouth and rip out his entrails. It is right and just, because he must! And anything that falls short of this frightening spectacle, anything less shuddering, less terrifying, less mad, less intoxicated, less contaminating, is not art. The rest is counterfeit. The rest is human. The rest belongs to life and lifelessness.
Henry Miller (Tropic of Cancer (Tropic, #1))
Today I awoke from a sound sleep with curses of joy on my lips, with gibberish on my tongue, repeating to myself like a litany – "Fay ce que vouldras!… fay ce que vouldras!"; Do anything, but let it produce joy. Do anything, but let it yield ecstasy. So much crowds into my head when I say this to myself: images, gay ones, terrible ones, maddening ones, the wolf and the goat, the spider, the crab, syphilis with her wings outstretched and the door of the womb always on the latch, always open, ready like the tomb. Lust, crime, holiness: the lives of my adored ones, the failures of my adored ones, the words they left behind them, the words they left unfinished; the good they dragged after them and the evil, the sorrow, the discord, the rancor, the strife they created. But above all, the ecstasy!
Henry Miller (Tropic of Cancer (Tropic, #1))
Lucy in the sky. Without her I am the walrus, likely to lose myself in dark gibberish and fade away.” Lance Underphal, Cut-Throat Syndrome.
Michael Allan Scott
politeness. At the same time it is true that with vulgar souls generosity is gibberish, for they do not understand the language of good breeding.
Baltasar Gracián (The Art of Worldly Wisdom)
Baseball has traditionally possessed a wonderful lack of seriousness. The game's best player, Babe Ruth, was a Rabelaisian fat man, and its most loved manager, Casey Stengel, spoke gibberish. In this lazy sport, only the pitcher pours sweat. Then he takes three days off.
Thomas Boswell (Why Time Begins on Opening Day)
Her soliloquy crystallized itself into little fragmentary phrases emerging suddenly from the turbulence of her thought, particularly when she had to exert herself in any way, either to move, to count money, or to choose a turning. "To know the truth--to accept without bitterness"-- those, perhaps, were the most articulate of her utterances, for no one could have made head or tail of the queer gibberish murmured in front of the statue of Francis, Duke of Bedford...
Virginia Woolf (Night and Day)
Oh, with my pathetic, earthly, Euclidean mind, I know only that there is suffering, that none are to blame, that all things follow simply and directly from one another, that everything flows and finds its level - but that is all just Euclidean gibberish, of course I know that, and of course I cannot consent to live by it! What do I care that none are to blame and that I know it - I need retribution, otherwise I will destroy myself. And retribution not somewhere and sometime in infinity, but here and now, on earth, so that I see it myself. I have believed, and I want to see for myself, and if I am dead by that time, let them resurrect me, because it will be too unfair if it all takes place without me. Is it possible that I've suffered so that I, together with my evil deeds and sufferings, should be manure for someone's future harmony? I want to see with my own eyes the hind lie down with the lion, and the murdered man rise up and embrace his murderer. I want to be there when everyone suddenly finds out what it was all for.
Fyodor Dostoevsky
The Tralfamadorians tried to give Billy clues that would help him imagine sex in the invisible dimension. They told him that there could be no Earthling babies without male homosexuals. There could be babies without female homosexuals. There couldn't be babies without women over sixty-five years old. There could be babies without men over sixty-five. There couldn't be babies without other babies who had lived an hour or less after birth. And so on. It was gibberish to Billy.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
They say instant communication is not communication at all but merely a frantic, trivial, nerve-wracking bombardment of clichés, threats, fads, fashions, gibberish and advertising. However, who has not hung on a scripture, a quote, a statement, only to stumble upon the key phrase that brought all things to a turning point? The greatest sermons and speeches were pieced together by illuminating thoughts that powered men to surpass their own commonness. It is the sparkling magic of letters forming words, and those words colliding with passion, that makes statements into wisdom.
Shannon L. Alder
When a word is said so many times, it doesn’t even sound like a word anymore. It sounds like gibberish—a sound comprised of pitch and tones that hold no real meaning. A construct that humans have formed to communicate their wants and needs. But what do words fucking matter when no one listens?
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
BERENGER: And you consider all this natural? 

DUDARD: What could be more natural than a rhinoceros? 

 BERENGER: Yes, but for a man to turn into a rhinoceros is abnormal beyond question. 

DUDARD: Well, of course, that's a matter of opinion ... 

 BERENGER: It is beyond question, absolutely beyond question! 
DUDARD: You seem very sure of yourself. Who can say where the normal stops and the abnormal begins? Can you personally define these conceptions of normality and abnormality? Nobody has solved this problem yet, either medically or philosophically. You ought to know that. 

 BERENGER: The problem may not be resolved philosophically -- but in practice it's simple. They may prove there's no such thing as movement ... and then you start walking ... [he starts walking up and down the room] ... and you go on walking, and you say to yourself, like Galileo, 'E pur si muove' ... 

 DUDARD: You're getting things all mixed up! Don't confuse the issue. In Galileo's case it was the opposite: theoretic and scientific thought proving itself superior to mass opinion and dogmatism. 

 BERENGER: [quite lost] What does all that mean? Mass opinion, dogmatism -- they're just words! I may be mixing everything up in my head but you're losing yours. You don't know what's normal and what isn't any more. I couldn't care less about Galileo ... I don't give a damn about Galileo. 

 DUDARD: You brought him up in the first place and raised the whole question, saying that practice always had the last word. Maybe it does, but only when it proceeds from theory! The history of thought and science proves that. BERENGER: [more and more furious] It doesn't prove anything of the sort! It's all gibberish, utter lunacy! 

DUDARD: There again we need to define exactly what we mean by lunacy ... 

 BERENGER: Lunacy is lunacy and that's all there is to it! Everybody knows what lunacy is. And what about the rhinoceroses -- are they practice or are they theory?
Eugène Ionesco (Rhinoceros / The Chairs / The Lesson)
We read off the ancient Hebrew words, with no idea of what they might mean, and the congregation responds with more words that they don't understand either. We are gathered together on a Saturday morning to speak gibberish to each other, and you would think, in these godless times, that the experience would be empty, but somehow it isn't. The five of us, huddled together shoulder to shoulder over the bima, read the words aloud slowly, and the congregation, these old friends and acquaintances and strangers, all respond, and for reasons I can't begin to articulate, it feels like something is actually happening. It's got nothing to do with God or souls, just the palpable sense of goodwill and support emanating in waves from the pews around us, and I can't help but be moved by it. When we reach the end of the page, and the last "amen" has been said, I'm sorry that' it's over. I could stay up here a while longer. And as we step down to make our way back to the pews, a quick survey of the sadness in my family's wet eyes tells me that I'm not the only one who feels that way. I don't feel any closer to my father than I did before, but for a moment there I was comforted, and that's more than I expected.
Jonathan Tropper (This is Where I Leave You)
Just a short while ago the Republicans were objects of fear and hatred—now they’re just pathetic assholes. Barry took them to the paint and cut their throats. (O-BAM-a!) Now they walk around like white frat boys in Bed-Stuy, talking tough to show they aren’t scared as the urine streams down their chinos into their cordovans. Obama has these dweebs so turned around all they can do is get behind some fat junkie DJ, a gibberish-spewing PsychoBimbette from the Far North, and a tele-dork who gives adrenaline-crazed, 1950s-style “chalk talks” (speaking of little white dicks) like some health-class instructor in a sex-offender unit.
Don Winslow (Savages (Savages #2))
From that time on they both looked forward to sleeping together. I might even say that the goal of their lovemaking was not so much pleasure as the sleep that followed it. She especially was affected. Whenever she stayed overnight in her rented room (which quickly became only an alibi for Tomas), she was unable to fall asleep; in his arms she would fall asleep no matter how wrought up she might have been. He would whisper impromptu fairy tales about her, or gibberish, words he repeated monotonously, words soothing or comical, which turned into vague visions lulling her through the first dreams of the night. He had complete control over her sleep: she dozed off at the second he chose.
Milan Kundera (The Unbearable Lightness of Being)
It is certainly impossible to lose respect if you lose out of some stupid discussions.
Michael Bassey Johnson
Between the sleeping and the waking, it is there. Between the rising and the resting, it is there. It is always there. It gnaws on my heart. It chews on my soul. I turn aside and see it. I stop my ears and hear it. I cover myself and feel it. There are no human words for what I mean. It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down. It is what the unseeing eye sees. It is what the deaf ear heres. It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple. Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye. Our bones are bleached within our skin; our empty sockets regard the crow. Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air. Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.
Rick Yancey
Intellectual cowardice is only one of the problems of the academic community. Fort rubbed their noses in the swill generated by their gibberish and illiteracy. It was no secret then or now that academic publications are designed to protect the inept and to conceal ignorance. People with nothing to say, who even lack the ability to say nothing, can hide behind the academic method for a lifetime.
John A. Keel
You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of. But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.
Lauren Oliver (Delirium (Delirium, #1))
Maybe I can do some writing then. The phrase made him sick. It had no meaning anymore. Like a word that is repeated until it becomes gibberish that sentence, for him, had been used to extinction. It sounded silly; like some bit of cliché from a soap opera. Hero saying in dramatic tones – Now, by God, maybe I can do some writing. Senseless. For a moment, though, he wondered if it was true. Now that she was leaving could he forget about her and really get some work done? Quit his job? Go somewhere and hold up in a cheap furnished room and write? You have $123.89 in the bank, his mind informed him. He pretended it was the only thing that kept him from it. But, far back in his mind, he wondered if he could write anything. Often the question threw itself at him when he was least expecting it. You have four hours every morning, the statement would rise like a menacing wraith. You have time to write many thousands of words. Why don't you? And the answer was always lost in a tangle of becauses and wells and endless reasons that he clung to like a drowning man at straws.(“Mad House”)
Richard Matheson (Collected Stories, Vol. 1)
Stand in front of this fantastic machine, my friend, and for just 99¢ your likeness will appear, two hundred feet tall, on a screen above downtown Las Vegas. Ninety-nine cents more for a voice message. “Say whatever you want, fella. They’ll hear you, don’t worry about that. Remember you’ll be two hundred feet tall.” Jesus Christ. I could see myself lying in bed in the Mint Hotel, half-asleep and staring idly out the window, when suddenly a vicious nazi drunkard appears two hundred feet tall in the midnight sky, screaming gibberish at the world: “Woodstock Über Alles!” We will close the drapes tonight. A thing like that could send a drug person careening around the room like a ping-pong ball. Hallucinations are bad enough. But after a while you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing. But nobody can handle that other trip—the possibility that any freak with $1.98 can walk into the Circus-Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of God, howling anything that comes into his head. No, this is not a good town for psychedelic drugs. Reality itself is too twisted.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
When it turns out that the greatest enemy of truth is not falsehood, but gibberish, it turns out that the greatest intellectual virtue is not deductive brilliance or factual erudition, but common sense. When it turns out that the greatest enemy of decency is not hatred, but arbitrariness, it turns out that the greatest moral virtue is not kindness or mercy, but perseverance. When it turns out that the greatest enemy of good taste is not vulgarity, but ostentation, it turns out that the greatest aesthetic virtue is not elegance or refinement, but moderation. And when it turns out that the greatest enemy of civilization is not barbarity, but infantilism, it turns out that the greatest cultural virtue is not sophistication, but integrity.
Jakub Bożydar Wiśniewski
Were you good at hide-and-seek? I sucked at it. Jude would talk stupid gibberish while looking for me. Stuff that would make me giggle and give away my hiding spot. He’d say things like, ‘I ran out of dental floss so I cut the strings off your tampons. Is that going to be a problem?’ or, ‘I masturbate in the shower. Don’t you think it’s odd that you never run out of conditioner?
Jewel E. Ann (Dawn of Forever (Jack & Jill, #3))
They had to pretend because our high-ranking politician knew not a word of English (well, when he said goodbye he did risk a “Good luck”) and the high-ranking British politician knew not a word of Spanish (although she did say “Buen dίa” to me as she gave me an iron handshake). So while the former was mumbling gibberish in Spanish, inaudible to cameras and photographers, all the time keeping a broad smile trained on his guest, as if he were regaling her with interesting banter (what he said was not, however, inaudible to me: I seem to remember that he kept repeating “One, two, three, four, five, what a lovely time we’re going to have”). The latter was muttering nonsense in her own language, and smiling even more broadly than him (“Cheese,” she kept saying, which is what all English people being photographed are told to say, and then various untranslatable onomatopoeic words such as “Tweedle tweedle, biddle diddle, twit and fiddle, tweedle twang”).
Javier Marías (A Heart So White)
They also bring to mind what sometimes seems to be a rapt predilection of small but influential cults of intellectuals or esthetes for what is generally regarded as perverse dispirited or distastefully unintelligible. The award of a Nobel Prize in literature to Andre Gide who in his work fervently and openly insists that pederasty is the superior and preferable way of life for adolescent boys furnishes a memorable example of such judgments. Renowned critics and some professors in our best universities reverently acclaim as the superlative expression of genius James Joyce's Finnegan's Wake a 628page collection of erudite gibberish indistinguishable to most people from the familiar word salad produced by hebephrenic patients on the back wards of any state hospital.
Hervey M. Cleckley (The Mask of Sanity)
He lied,” she said. “There is no way for us to seize bitcoins. Well, there is no current way for the federal government to seize bitcoins at will; in order to do that we’d need one of the creators of the currency.” She paused and watched me very closely for a reaction. This was all still gibberish to me. This was something out of a science fiction novel, or a Stephen King movie with Tom Cruise where Tom Cruise has to run someplace from some people—because that’s what Tom Cruise does, he runs while looking concerned and futuristic. Therefore, I decided to look surprised and thoughtful. “Yes.” She nodded; she believed I was following her train of thought. I wasn’t following her train because mine had derailed on thoughts of a running Tom Cruise…weird little man.
Penny Reid (Love Hacked (Knitting in the City, #3))
Your explanation has been quite clear, thank you, Franz,’ Wing said, still frowning. ‘I just think that financial corruption on this scale may be a little more than I can get my head around.’ ‘Poor old ninja boy,’ Shelby said, smiling. ‘Knows twenty-seven ways to take you down with just his pinky, but can’t actually count to twenty-seven.’ ‘So this makes perfect sense to you, I suppose,’ Wing said, handing the sheet to Shelby. ‘Yeah, it’s easy,’ Shelby said, pointing out one area of the diagram. ‘See this piece here is just gobbledegook.’ Her finger moved to another area. ‘Whereas this section is premium-grade incomprehensible gibberish and this section,’ her finger moved again, ‘appears to be mostly in Greek.’ ‘Am I to take it that you have not studied for the test tomorrow at all then?’ Wing asked, raising an eyebrow. ‘Nope,’ Shelby said with a grin. ‘There’s going to be some good old-fashioned last-minute cramming later though. Either that or I’m going to just sit near my best bud Franz here and he’s going to write out all the answers in nice, b-i-i-i-i-g, easily legible letters. Right, bud?’ ‘This is being what I normally do,’ Franz said with a sigh, ‘isn’t it?
Mark Walden (Deadlock (H.I.V.E., #8))
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
One of the strangest things about these five downhill years of the Nixon presidency is that despite all the savage excesses committed by the people he chose to run the country, no real opposition or realistic alternative to Richard Nixon’s cheap and mean-hearted view of the American Dream has ever developed. It is almost as if that sour 1968 election rang down the curtain on career politicians. This is the horror of American politics today - not that Richard Nixon and his fixers have been crippled, convicted, indicted, disgraced and even jailed - but that the only available alternatives are not much better; the same dim collection of burned-out hacks who have been fouling our air with their gibberish for the last tenty years. How long, oh Lord, how long? And how much longer will we have to wait before some high-powered shark with a fistful of answers will finally bring us face-to-face with the ugly question that is already so close to the surface in this country, that sooner or later even politicians will have to cope with it? Is this democracy worth all the risks and problems that necessarily go with it? Or, would we all be happier by admitting that the whole thing was a lark from the start and now that it hasn’t worked out, to hell with it.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
Quand celui à qui l'on parle ne comprend pas et celui qui parle ne se comprend pas, c'est de la métaphysique When he to whom a person speaks does not understand, and he who speaks does not understand himself, that is metaphysics.
Voltaire
In 1 Corinthians 14:13–17, Paul mentioned that the gift of tongues was used in public prayer for the purpose of edification. Charismatics, however, have tried to redefine the gift of tongues as a special mode of supernatural expression for their personal devotions and private prayers. But notice how different Paul’s description is from that of modern tongues-speakers. First, Paul was not commending any form of gibberish, since he had already established that the real gift consisted of speaking in translatable foreign languages (vv. 10–11). Second, Paul would never extol prayers that bypass the mind, as many charismatics do. That was—and still is today—a pagan practice. In the Greco-Roman mystery religions, ecstatic utterances were commonly employed as a way to circumvent the mind in order to commune with demonic entities. So it is likely that Paul’s words in these verses include a sarcastic tone, as he rebuked the Corinthian Christians for their attempt to imitate the mindless practices of their pagan neighbors.
John F. MacArthur Jr. (Strange Fire: The Danger of Offending the Holy Spirit with Counterfeit Worship)
They didn't have very far to fall - I knew just being a girl in the world handicapped your ability to believe yourself. Feelings seemed completely unreliable, like faulty gibberish scraped from a Ouija board. My childhood visits to the family doctor were stressful events for that reason. He'd ask me gentle questions: How was I feeling? How would I describe the pain? Was it more sharp or more spread out? I'd just look at him with desperation. I needed to be told, that was the whole point of going to the doctor. To take a test, be put through a machine that could comb my insides with radiated precision and tell me what the truth was. Of course the girls didn't leave the ranch: there is a lot that can be borne. When I was nine, I'd broken my wrist falling from a swing. The shocking crack, the blackout pain. But even then, even with my wrist swelling with a cuff of trapped blood, I insisted I was fine, that it was nothing, and my parents believed me right up until the doctor showed them the X-ray, the bones snapped clean.
Emma Cline (The Girls)
From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it. ("The Dreaming In Nortown")
Thomas Ligotti (The Nightmare Factory)
There will be others, many others. You’ll try desperately to digest a single word through the acronym-laden gibberish, while beginning to wonder what the point of all this is, and also why you didn’t feel that staple you just sent into your thigh. You usually do. You’ll wonder what your company even does. After six years, you have no idea what an information system is, do you? Maybe you should ask. Maybe that’s how this ends. You’ll imagine how poetic it would be to simply unmute yourself and say, “Sorry to interrupt, guys, but what’s an information system?” Still, your mind will drift further, envisioning how much more tolerable this call would be if you could just slowly masturbate during it. So you do. You masturbate during it. And it’s beautiful. Masturbating, invisible within your three-walled fortress. Invisible… invisible… practically invisible.
Colin Nissan
he doth, indeed, especially love heavy-metal; into the recording sessions whereof he does, indeed, sneak, that he may insert backward messages into songs; for he believeth retrograde gibberish laid inaudibly under ear-shattering grindcore, to be the most effective way to promote his views. 19 And he doth, indeed, visit people in their time of need; and offer to grant them mortal happiness in exchange for their immortal soul; and if they agree, he doth, indeed, have them sign a contract; for though he is the amoral Prince of All Lies, he hath for some reason an unshakable respect for tort law.
David Javerbaum (The Last Testament: A Memoir)
Hope does not mean that our protests will suddenly awaken the dead consciences, the atrophied souls, of the plutocrats running Halliburton, Goldman Sachs, Exxon Mobil or the government. Hope does not mean we will reform Wall Street swindlers and speculators. Hope does not mean that the nation’s ministers and rabbis, who know the words of the great Hebrew prophets, will leave their houses of worship to practice the religious beliefs they preach. Most clerics like fine, abstract words about justice and full collection plates, but know little of real hope. Hope knows that unless we physically defy government control we are complicit in the violence of the state. All who resist keep hope alive. All who succumb to fear, despair and apathy become enemies of hope. Hope has a cost. Hope is not comfortable or easy. Hope requires personal risk. Hope does not come with the right attitude. Hope is not about peace of mind. Hope is an action. Hope is doing something. Hope, which is always nonviolent, exposes in its powerlessness the lies, fraud and coercion employed by the state. Hope does not believe in force. Hope knows that an injustice visited on our neighbor is an injustice visited on us all. Hope sees in our enemy our own face. Hope is not for the practical and the sophisticated, the cynics and the complacent, the defeated and the fearful. Hope is what the corporate state, which saturates our airwaves with lies, seeks to obliterate. Hope is what our corporate overlords are determined to crush. Be afraid, they tell us. Surrender your liberties to us so we can make the world safe from terror. Don’t resist. Embrace the alienation of our cheerful conformity. Buy our products. Without them you are worthless. Become our brands. Do not look up from your electronic hallucinations to think. No. Above all do not think. Obey. The powerful do not understand hope. Hope is not part of their vocabulary. They speak in the cold, dead words of national security, global markets, electoral strategy, staying on message, image and money. Those addicted to power, blinded by self-exaltation, cannot decipher the words of hope any more than most of us can decipher hieroglyphics. Hope to Wall Street bankers and politicians, to the masters of war and commerce, is not practical. It is gibberish. It means nothing. I cannot promise you fine weather or an easy time. I cannot pretend that being handcuffed is pleasant. If we resist and carry out acts, no matter how small, of open defiance, hope will not be extinguished. Any act of rebellion, any physical defiance of those who make war, of those who perpetuate corporate greed and are responsible for state crimes, anything that seeks to draw the good to the good, nourishes our souls and holds out the possibility that we can touch and transform the souls of others. Hope affirms that which we must affirm. And every act that imparts hope is a victory in itself.
Chris Hedges
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of. But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.
Lauren Oliver (Delirium (Delirium, #1))
What is the value of sensitives? Look around: we live in a ugly and stupid world which could have been prevented if sensitives had been present, and had the power to influence things. That block-shaped, pressed concrete, ugly shopping mall? The princess would opine that no one could have any peace of mind with such hideous backgrounds, and demand something like a traditional building, with ornate spires and comfortable human spaces instead. Grating, two-note music ranting about copulation and projected sexual desire? No princess would want this crass gibberish around her, nor would she recognize music which neglected the finer parts of composition, melody, harmony, rhythm, and narrative. She would hire Schubert instead. Schools that treat students like livestock, jobs that are jails, marriages that are suicide pacts, and boring tract housing? Similarly, a princess would have no use for those, and perceive that these would be abusive to her so must be to others as well. As children, we made fun of the sensitivity of the princess. A pea, under twenty mattresses, really? The point — in the visual-metaphorical language of fable, religion, literature, and conspiracy theory — tells us that sensitivity is in fact needed, and it needs power to save the rest of us from what we do not yet perceive. In this story, the princess is simply a finer instrument. After twenty years, we might notice that we woke up tired in the mornings, and eventually investigate and find the pea, but she knew right away, intuitively and by the nature of her character. This is part of what makes an aristocrat.
Brett Stevens
When members of the London Poetry Society asked Browning to interpret a particularly difficult passage of Sordello, he read it twice, frowned, then admitted, "When I wrote that, God and I knew what I meant, but now God alone knows." Rather than risk sounding dense, readers, colleagues, and critics who can't figure out what a writer is trying to say but think it sounds intelligent will typically resort to calling such work "daring," "provocative," or "complex." An unholy alliance of writers and readers is at work here.
Ralph Keyes (The Courage to Write: How Writers Transcend Fear)
Another thing I liked about the Dewey decimal system was that it could sometimes function as a secret code. Every once in a while during my high school years, I would hesitantly and cautiously type “gay” into a search bar in a card catalog. Just “gay,” as if more specificity would kill me right on the spot. Libraries were the only space I felt remotely comfortable even acknowledging the question—which didn’t yet even have words or language, just the faint outline of the punctuation. And where if not a library could I go to understand the unknown, to expand my world, to make sense out of gibberish? I would type “gay” and then survey the titles that came up and then click the window closed without ever doing any further exploring. I didn’t know what I thought I might find if I actually went to the aisle where the books were. A very quiet gay bar, perhaps? I figured it wasn’t worth the risk. But as I closed the screen, I memorized the Dewey decimal number of the section where, I presumed, a mirror ball sprinkled stardust across the aging carpet and the rows of books waiting to be opened.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
There was one panicked moment. He picked a book from the wall, and the shapes inside, all the letters, were friends to him; but as he settled before them and began to mouth and mutter them, waiting for them to sound as words in his head, they were all gibberish. He grew frantic very quickly, fearing that he had lost what it was he had gained.t pieced it together into a different language. Shekel was dumbstruck at the realization that these glyphs he had conquered could do the same job for so many peoples who could not understand each other at all. He grinned as he thought about it. He was glad to share. He opened more foreign volumes, making or trying to make the noises that the letters spelled and laughing at how strange they sounded. He looked carefully at the pictures and cross-referenced them again, tentatively he concluded that in this lanugage, this particular clutch of letters meant 'boat' and this other set 'moon'. ....he reached new shelving and opened a book whose script was like nothing he knew. He laughed, delighted at its strange curves. He moved off further and found yet another alphabet. And a little way off there was another. For hours he found intrigue and astonishment by exploring the non-Ragamoll shelves. He found in those meaningless words and illegible alphabets not only an awe at the world, but the remnants of the fetishism to which he had been subjected before, when all books had existed for him as those did now, only as mute objects with mass and dimension and color, but without content. .... He gazedc at the books in Base and High Kettai and Sunglari and Lubbock and Khadohi with a kind of fascinated nostalgia for his own illiteracy, without for a fraction of a moment missing it.
China Miéville (The Scar (New Crobuzon, #2))
I looked at the internet for too long today and started feeling depressed. The worst thing is that I actually think people on there are generally well meaning and the impulses are right, but our political vocabulary has decayed so deeply and rapidly since the twentieth century that most attempts to make sense of our present historical moment turn out to be essentially gibberish. Everyone is understandably attached to particular identity categories, but at the same time largely unwilling to articulate what those categories consist of, how they came about, and what purposes they serve. The only apparent schema is that for every victim group (people born into poor families, women, people of colour) there is an oppressor group (people born into rich families, men, white people). But in this framework, relations between victim and oppressor are not historical so much as theological, in that the victims are transcendently good and the oppressors are personally evil. For this reason, an individual’s membership of a particular identity group is a question of unsurpassed ethical significance, and a great amount of our discourse is devoted to sorting individuals into their proper groups, which is to say, giving them their proper moral reckoning. If serious political action is still possible, which I think at this point is an open question, maybe it won’t involve people like us—in fact I think it almost certainly won’t. And frankly if we have to go to our deaths for the greater good of humankind, I will accept that like a lamb, because I haven’t deserved this life or even enjoyed it. But I would like to be helpful in some way to the project, whatever it is, and if I could help only in a very small way, I wouldn’t mind, because I would be acting in my own self-interest anyway—because it’s also ourselves we’re brutalising, though in another way, of course. No one wants to live like this. Or at least, I don’t want to live like this. I want to live differently, or if necessary to die so that other people can one day live differently. But looking at the internet, I don’t see many ideas worth dying for. The only idea on there seems to be that we should watch the immense human misery unfolding before us and just wait for the most immiserated, most oppressed people to turn around and tell us how to stop it. It seems that there exists a curiously unexplained belief that the conditions of exploitation will by themselves generate a solution to exploitation—and that to suggest otherwise is condescending and superior, like mansplaining. But what if the conditions don’t generate the solution?
Sally Rooney (Beautiful World, Where Are You)
In the same movie, Emperor Joseph II offers Mozart some musical advice: "Your work is ingenious. It's quality work. And there are simply too many notes, that's all. Just cut a few and it will be perfect." The emperor was put off by the surface complexity of Mozart's music. He didn't see that each note served a purpose-to make a promise or fulfill one, to complete a pattern or vary one. Similarly, at first encounter people are sometimes put off by the superficial complexity of fundamental physics. Too many gluons! But each of the eight color gluons is there for a purpose. Together, they fulfill complete symmetry among the color charges. Take one gluon away, or change its properties, and the structure would fall. Specifically, if you make such a change, then the theory formerly known as QCD begins to predict gibberish; some particles are produced with negative probabilities, and others with probability greater than 1. Such a perfectly rigid theory, one that doesn't allow consistent modification, is extremely vulnerable. If any of its predictions are wrong, there's nowhere to hide. No fudge factors or tweaks are available. On the other hand, a perfectly rigid theory, once it shows significant success, becomes very powerful indeed. Because if it's approximately right and can't be changed, then it must be exactly right! Salieri's criteria explain why symmetry is such an appealing principle for theory building. Systems with symmetry are well on the path to Salieri's perfection. The equations governing different objects and different situations must be strictly related, or the symmetry is diminished. With enough violations all pattern is lost, and the symmetry falls. Symmetry helps us make perfect theories. So the crux of the matter is not the number of notes or the number of particles or equations. It is the perfection of the designs they embody. If removing any one would spoil the design, then the number is exactly what it should be. Mozart's answer to the emperor was superb: "Which few did you have in mind, Majesty?
Frank Wilczek (The Lightness of Being: Mass, Ether, and the Unification of Forces)
Like any overt school of mysticism, a movement seeking to achieve a vicious goal has to invoke the higher mysteries of an incomprehensible authority. An unread and unreadable book serves this purpose. It does not count on men’s intelligence, but on their weaknesses, pretensions and fears. It is not a tool of enlightenment, but of intellectual intimidation. It is not aimed at the reader’s understanding, but at his inferiority complex. An intelligent man will reject such a book with contemptuous indignation, refusing to waste his time on untangling what he perceives to be gibberish—which is part of the book’s technique: the man able to refute its arguments will not (unless he has the endurance of an elephant and the patience of a martyr). A young man of average intelligence—particularly a student of philosophy or of political science—under a barrage of authoritative pronouncements acclaiming the book as “scholarly,” “significant,” “profound,” will take the blame for his failure to understand. More often than not, he will assume that the book’s theory has been scientifically proved and that he alone is unable to grasp it; anxious, above all, to hide his inability, he will profess agreement, and the less his understanding, the louder his agreement—while the rest of the class are going through the same mental process. Most of them will accept the book’s doctrine, reluctantly and uneasily, and lose their intellectual integrity, condemning themselves to a chronic fog of approximation, uncertainty, self doubt. Some will give up the intellect (particularly philosophy) and turn belligerently into “pragmatic,” anti-intellectual Babbitts. A few will see through the game and scramble eagerly for the driver’s seat on the bandwagon, grasping the possibilities of a road to the mentally unearned. Within a few years of the book’s publication, commentators will begin to fill libraries with works analyzing, “clarifying” and interpreting its mysteries. Their notions will spread all over the academic map, ranging from the appeasers, who will try to soften the book’s meaning—to the glamorizers, who will ascribe to it nothing worse than their own pet inanities—to the compromisers, who will try to reconcile its theory with its exact opposite—to the avant-garde, who will spell out and demand the acceptance of its logical consequences. The contradictory, antithetical nature of such interpretations will be ascribed to the book’s profundity—particularly by those who function on the motto: “If I don’t understand it, it’s deep.” The students will believe that the professors know the proof of the book’s theory, the professors will believe that the commentators know it, the commentators will believe that the author knows it—and the author will be alone to know that no proof exists and that none was offered. Within a generation, the number of commentaries will have grown to such proportions that the original book will be accepted as a subject of philosophical specialization, requiring a lifetime of study—and any refutation of the book’s theory will be ignored or rejected, if unaccompanied by a full discussion of the theories of all the commentators, a task which no one will be able to undertake. This is the process by which Kant and Hegel acquired their dominance. Many professors of philosophy today have no idea of what Kant actually said. And no one has ever read Hegel (even though many have looked at every word on his every page).
Ayn Rand (Philosophy: Who Needs It)
DAYS ONE THROUGH SIX, ETC. You keep on asking me that – “Which day was the hardest?” Blockheads! They were all hard – And of course, since I’m omnipotent, they were all easy. It was Chaos, to begin with. Can you imagine Primeval Chaos? Of course you can’t. How long had it been swirling around out there? Forever. How long had I been there? Longer than that. It was a mess, that’s what it was. Chaos is Rocky. Fuzzy. Slippery. Prickly. As scraggly and obstreperous as the endless behind of an infinite jackass. Shove on it anywhere, it gives, then slips in behind you, like smog, like lava, like slag. I’m telling you, chaos is – chaotic. You see what I was up against. Who could make a world out of that muck? I could, that’s who – land from water, light from dark, and so on. It might seem like a piece of cake now that it’s done, but back then, without a blueprint, without a set of instructions, without a committee, could you have created a firmament? Of course there were bugs in the process, grit in the gears, blips, bloopers – bringing forth grass and trees on Day Three and not making sunlight until Day Four, that, I must say, wasn’t my best move. And making the animals and vegetables before there was any rain whatsoever – well, anyone can have a bad day. Even Adam, as it turned out, wasn’t such a great idea – those shifty eyes, the alibis, blaming things on his wife – I mean, it set a bad example. How could he expect that little toddler, Cain, to learn correct family values with a role model like him? And then there was the nasty squabble Over the beasts and birds. OK, I admit I told Adam to name them, but – Platypus? Aardvark? Hippopotamus? Let me make one thing perfectly clear – he didn’t get that gibberish from Me. No, I don’t need a planet to fall on Me, I know something about subtext. He did it to irritate Me, just plain spite – and did I need the aggravation? Well, as you know, things went from bad to worse, from begat to begat, father to son, the evil fruit of all that early bile. So next there was narcissism, then bigotry, then jealousy, rage, vengeance! And finally I realized, the spawn of Adam had become exactly like – Me. No Deity with any self-respect would tolerate that kind of competition, so what could I do? I killed them all, that’s what! Just as the Good Book says, I drowned man, woman, and child, like so many cats. Oh, I saved a few for restocking, Noah and his crew, the best of the lot, I thought. But now you’re back to your old tricks again, just about due for another good ducking, or maybe a giant barbecue. And I’m warning you, if I have to do it again, there won’t be any survivors, not even a cockroach! Then, for the first time since it was Primeval Chaos, the world will be perfect – nobody in it but Me.
Philip Appleman
Violet’s not getting out of our sight,” Arion adds. There’s a moment of just staring…like everyone is trying to silently argue. “No one naked in my car,” Mom states when I just stand in my spot, waiting on them to hurry through the push and pull. You really can tell how thick the air is when too many alphas are in the room at one time, but weirdly it never feels this way when it’s just the four of them. Unless punches are thrown. Then it gets a little heavier than normal. Arion pulls on his clothes, and threads whir in the air as I quickly fashion Emit a lopsided toga that lands on his body. Everyone’s gaze swings to him like it’s weird for him and normal for me to be in a toga. Awesome. Damien muffles a sound, Emit arches an eyebrow at me, and Arion remains rigid, staying close to me but never touching me. All of us squeezing into a car together while most of them hate each other…should be fun. The storm finally stops before we board the elevator, and it’s one of those super awkward elevator moments where no one is looking at anyone or saying anything, and everyone is trying to stay in-the-moment serious. We stop on the floor just under us, after the longest thirty-five seconds ever. The doors open, and two men glance around at Emit and I in our matching togas, even though his is the fitted sheet and riding up in some funny places. He looks like a caveman who accidentally bleached and shrank his wardrobe. I palm my face, embarrassed for him. The next couple of floors are super awkward with the addition of the two new, notably uncomfortable men. Worst seventy-nine seconds ever. Math doesn’t add up? Yeah. I’m upset about those extra nine seconds as well. Poor Emit has to duck out of the unusually small elevator, and the bottom of his ass cheek plays peek-a-boo on one side. Damien finally snorts, and even Mom struggles to keep a straight face. That really pisses her off. “You’re seeing him on an off day,” I tell the two guys, who stare at my red boots for a second. I feel the need to defend Emit a little, especially since I now know he overheard all that gibberish Tiara was saying… I can’t remember all I said, and it’s worrying me now that my mind has gone off on this stupid tangent. I trip over the hem of my toga, and Arion snags me before I hit the floor, righting me and showing his hands to my mother with a quick grin. “Can’t just let her fall,” he says unapologetically. “You’re going to have to learn to deal with that,” she bites out. She has a very good point. I don’t trip very often, but things and people usually knock me around a good bit of my life. The two guys look like they want to run, so I hurry to fix this. “Really, it’s a long story, but I swear Emit—the tallest one in the fitted-sheet-toga—generally wears pants…er…I guess you guys call them trousers over here. Anyway, we had some plane problems,” I carry on, and then realize I have to account for the fact we’re both missing clothing. “Then there was a fire that miraculously only burned our clothes, because Emit put all my flames out by smothering me with his body,” I state like that’s exactly what happened. Why do they look so scared? I’m not telling a scary lie. At this point, I’ve just made it worse, and fortunately Damien takes mercy, clamping his hand over my mouth as he starts steering me toward the door before I can make it…whatever comes after worse but before the worst. “Thank you,” sounds more like “Mmdi ooooo,” against his hand, but he gets the gist, as he grins. Mom makes a frustrated sound. “Another minute, and she’d be bragging about his penis size in quest to save his dignity. Did you really want to hear that?” Damien asks her, forcing me to groan against his hand.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))