Giant Wheel Quotes

Overhead, the stars were wheeling and infinite, a complicated mobile made by giants.

And then the turbines generate electricity that goes into the whole town." "You mean they aren't powered by giant hamsters on wheels? I was misinformed.

Overhead, the stars were wheeling and infinite, a complicated mobile made by giants. They pulled me amongst them, into space and memories.

I'd make oatmeal cookies." "Cookies?" "I would. That's just what I would do." "Why?" He lifts one hand from the steering wheel and pinches his chin. "Because the world is changing so fast all the time. There's nothing you can do but just say, 'cool,' and roll with it. But some things can stay the same. Flour is still flour. Vanilla still smells like vanilla. Say a giant fireball is motoring toward us right now from Alha Centauri. Okay, universe. You expect us to run and scream and kill one another? Sorry, we're making oatmeal freaking cookies.

In their passion for sameness, the tyrants made themselves more and more powerful. All others grew correspondingly weaker and weaker. New bureaus and directorates, odd ministries, leaped into existence for the most improbable purposes. These became the citadels of a new aristocracy, rulers who kept the giant wheel of government careening along, spreading destruction, violence, and chaos wherever they touched.

I might be able to help, Daigian," Nynaeve said, leaning forward, laying her hand on the other woman's knee. "If I were to attempt a Healing, perhaps..." "No," the woman said curtly. "But—" "I doubt you could help." "Anything can be Healed," Nynaeve said stubbornly, "even if we don't know how yet. Anything save death." "And what would you do, dear?" Daigian asked. [...] "I could do something," Nynaeve said. "This pain you feel, it has to be an effect of the bond, and therefore something to do with the One Power. If the Power causes your pain, then the Power can take that pain away." "And why would I want that?" Daigian asked, in control once again. "Well... well, because it's pain. It hurts." "It should," Daigian said. "Eben is dead. Would you want to forget your pain if you lost that hulking giant of yours? Have your feelings for him cut away like some spoiled chunk of flesh in an otherwise good roast?" Nynaeve opened her mouth, but stopped. Would she? It wasn't that simple—her feelings for Lan were genuine, and not due to a bond. He was her husband, and she loved him. Daigian had been possessive of her Warder, but it had been the affection of an aunt for her favored nephew. It wasn't the same. But would Nynaeve want that pain taken away? She closed her mouth, suddenly realizing the honor in Daigian's words. "I see. I'm sorry.

The bells gave tongue: Gaude, Sabaoth, John, Jericho, Jubilee, Dimity, Batty Thomas and Tailor Paul, rioting and exulting high up in the dark tower, wide mouths rising and falling, brazen tongues clamouring, huge wheels turning to the dance of the leaping ropes. Tin tan din dan bim bam bom bo--tan tin din dan bam bim bo bom--tan dan tin bam din bo bim bom--every bell in her place striking tuneably, hunting up, hunting down, dodging, snapping, laying her blows behind, making her thirds and fourths, working down to lead the dance again. Out over the flat, white wastes of fen, over the spear-straight, steel-dark dykes and the wind-bent, groaning poplar trees, bursting from the snow-choked louvres of the belfry, whirled away southward and westward in gusty blasts of clamour to the sleeping counties went the music of the bells--little Gaude, silver Sabaoth, strong John and Jericho, glad Jubilee, sweet Dimity and old Batty Thomas, with great Tailor Paul bawling and striding like a giant in the midst of them. Up and down went the shadows of the ringers upon the walls, up and down went the scarlet sallies flickering roofwards and floorwards, and up and down, hunting in their courses, went the bells of Fenchurch St. Paul.

He was a mote cycling in the wheels of a giant clock. Millions of people tended to this magnificent contraption, they lived and sweated and toiled in it, serving the mechanism of metropolis and making it bigger, better, story by glorious story and idea by unlikely idea. How small he was, tumbling between the teeth.

In the first instant of seeing, of knowing, Catell heard the terrible sounds of everything that breaks, bursts, and rips apart beyond repair, and the mad turning of all that moves, speeds, dashes about for a while, turning like a giant wheel, around, around. Then the wheel stopped.

The man in the headdress nodded. “On that note, I’d like to quickly ask David if there’s been any headway in getting the air conditioning back online.” A slight murmur of discontent indicated the importance of this matter, directed at a blond young man with a tanning-bed complexion. “Well, Gary,” he sighed. “There isn’t much we can do without electricity, but my team has been researching alternatives. One of my engineers proposed a system of fans powered by dogs in giant hamster wheels, but the major issue there is our limited dog inventory. We’ll keep looking into it.

His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.

Under the horizon, under the bowl of the earth, giant wheels have started turning, monstrous conveyer belts are winding, toothed gears are pulling the sun down and the moon up. The day is tired, it has folded its white wings, flies west-ward, big, in loose clothes, it waves a sleeve, releases stars, blesses the people walking on the chilling earth: good-bye, good-bye, I'll come again tomorrow.

Diggory's Dyke was a deep cut between two chalk downs-high, green hills, where a thin layer of green grass and reddish earth covered the chalk, and there was scarcely soil enough for trees. The Dyke looked, from a distance, like a white chalk gash on a green velvet board. Local legend had it that the cut was dug, in a day and a night, by one Diggory, using a spade that had once been a sword blade before Wayland Smith had melted it down and beaten it out, on his journey into Faerie from the Wall. There was those who said the sword had once been Flamberge, and others, that it was one the sword Balmung; but there was none who claimed to know just who Diggory had been, and it might all have been stuff and nonsense. Anyway, the path to Wall went through Diggory's Dyke, and any foot-traveler or any person going by any manner of wheeled vehicle went through the Dyke, where the chalk rose on either side of you like thick white walls, and the Downs rose up above them like green pillows of a giant's bed.

XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.

His feelings were summed up in his dictum “God does not play dice.” But all the evidence is that God is quite a gambler. The universe is like a giant casino with dice being rolled, or wheels being spun, on every occasion.

The first time I met Crenshaw was about three years ago, right after first grade ended. It was early evening, and my family and I had parked at a rest stop off a highway. I was lying on the grass near a picnic table, gazing up at the stars blinking to life. I heard a noise, a wheels-on-gravel skateboard sound. I sat up on my elbows. Sure enough, a skater on a board was threading his way through the parking lot. I could see right away that he was an unusual guy. He was a black and white kitten. A big one, taller than me. His eyes were the sparkly color of morning grass. He was wearing a black and orange San Francisco Giants baseball cap. He hopped off his board and headed my way. He was standing on two legs just like a human. “Meow,” he said. “Meow,” I said back, because it seemed polite.

I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.

It should," Daigian said. "Eben is dead. Would you want to forget your pain if you lost that hulking giant of yours? Have your feelings for him cutaway like some spoiled chunk of flesh in an otherwise good roast?" Nynaeve opened her mouth but stopped. Would she? It wasn't that simple—her feelings for Lan were genuine, and not due to a bond. He was her husband, and she loved him.

Catalan metalworkers quickly fashioned armored cars that looked like giant boxes on wheels by welding steel plates to the frames of trucks and automobiles. Others fashioned homemade bombs and hand grenades, and thousands pitched in to build street barricades of everything from dead horses to massive rolls of newsprint to paving stones passed hand-to-hand along a chain of people. Office

And “the government”—well, Red had zero confidence that the government would be able to do anything. Not because it was full of bad people or there was a giant conspiracy or anything like that. Her belief came from the fact that she could read and think and knew that the departments that address pandemics were underfunded and unprepared for the scope of the problem. She also knew that while the wheels of governing ground exceedingly fine, they were also slow as hell. By the time funding was authorized it would be too late. And it was.

The Wheel Revolves You were a girl of satin and gauze Now you are my mountain and waterfall companion. Long ago I read those lines of Po Chu I Written in his middle age. Young as I was they touched me. I never thought in my own middle age I would have a beautiful young dancer To wander with me by falling crystal waters, Among mountains of snow and granite, Least of all that unlike Po’s girl She would be my very daughter. The earth turns towards the sun. Summer comes to the mountains. Blue grouse drum in the red fir woods All the bright long days. You put blue jay and flicker feathers In your hair. Two and two violet green swallows Play over the lake. The blue birds have come back To nest on the little island. The swallows sip water on the wing And play at love and dodge and swoop Just like the swallows that swirl Under and over the Ponte Vecchio. Light rain crosses the lake Hissing faintly. After the rain There are giant puffballs with tortoise shell backs At the edge of the meadow. Snows of a thousand winters Melt in the sun of one summer. Wild cyclamen bloom by the stream. Trout veer in the transparent current. In the evening marmots bark in the rocks. The Scorpion curls over the glimmering ice field. A white crowned night sparrow sings as the moon sets. Thunder growls far off. Our campfire is a single light Amongst a hundred peaks and waterfalls. The manifold voices of falling water Talk all night. Wrapped in your down bag Starlight on your cheeks and eyelids Your breath comes and goes In a tiny cloud in the frosty night. Ten thousand birds sing in the sunrise. Ten thousand years revolve without change. All this will never be again.

At length Lincoln climbed onto the end platform of a train composed just for this first leg of his journey, a small but cheery “Special” with a locomotive and wood-filled tender, baggage car, and a single bright-yellow passenger car. The locomotive was a tried-and-true 4-4-0—four unpowered small wheels on a guide “bogie” up front, four giant fifty-four-inch-diameter drive wheels under the cab and body—built by the Hinkley Locomotive Works of Boston, and, per custom, given a name: “L. M.Wiley.” Whether Lincoln knew it at the time or not, the engine’s namesake, Leroy M. Wiley, sixty-six, a wealthy director of the Great Western Railroad, was a slaveholder from Alabama with plantations in Eufaula and Macon County. He would soon be declared an “alien enemy.

She could almost feel the wave of energy coming off of him as he moved with the wheel and thought if Jake wanted to photograph blatant sex, all he had to do was turn to his right and snap a few of Aaron. Neither one was paying the slightest bit of attention to the other, but Alyson was certain she could see a strand of nearly invisible light connecting them. She stared at them and thought that if she had a pair of those giant novelty scissors they used to cut red ribbons at the openings of new businesses, she could walk over and sever that connection with one snap of her shears and Jake and Aaron would crash to the floor like puppets shorn of their strings. Ellis, Giselle 2010-02-23. Take My Picture (Kindle Locations 638-643). Dreamspinner Press. Kindle Edition.

[T]he wave of anger, of demands for justice, of claims for rights, which is beginning to sweep the lands of Latin America, will not stop. That wave will swell with every passing day. For that wave is composed of the greatest number, the majorities in every respect, those whose labour amasses the wealth and turns the wheels of history. Now they are awakening from the long, brutalizing sleep to which they had been subjected. For this great mass of humanity has said, 'enough!' and has begun to march. And their giant march will not be halted until they conquer true independence-- for which they have died in vain more than once. Today, however, those who die will die like the Cubans at Playa Giron. They will die for their own, true and never-to-be-surrendered independence. Patria o Muerte! Venceremos!

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

The path, as the mystic poet Rumi writes, won’t appear until you start walking. William Herschel started walking, grinding mirrors, and reading astronomy-for-dummies books even though he had no idea he would discover Uranus. Andrew Wiles started walking when he picked up a book on Fermat’s last theorem as a teenager, not knowing where his curiosity might lead. Steve Squyres started walking in search of his blank canvas, even though he had no idea it would one day lead him to Mars. The secret is to start walking before you see a clear path. Start walking, even though there will be stuck wheels, broken drills, and exploding oxygen tanks ahead. Start walking because you can learn to walk backward if your wheel gets stuck or you can use duct tape to block catastrophe. Start walking, and as you become accustomed to walking, watch your fear of dark places disappear. Start walking because, as Newton’s first law goes, objects in motion tend to stay in motion—once you get going, you will keep going. Start walking because your small steps will eventually become giant leaps. Start walking, and if it helps, bring a bag of peanuts with you for good luck. Start walking, not because it’s easy, but because it’s hard. Start walking because it’s the only way forward.

She stands at the hairpin turn on Night Road. On either side of her, giant evergreens grow clustered together, rising high into the blue summer sky. Even now, in midday, this stubbled, winding ribbon of asphalt holds the morning mist close. This road is like her life; knee deep in shadow. Once, it had been the quickest way home and she’d taken it easily, turning onto its potholed surface without a second thought, rarely noticing how the earth dropped away on either edge. Her mind had been on other things back then, on the miniutae of everyday life. Chores. Errands. Schedules. She hadn’t taken this route in years. Just the thought of it had been enough to make her turn the steering wheel too sharply; better to go off the road than to find herself here. Or so she’d thought until today. People on the island still talk about what happened in the summer of ’04. They sit on barstools and in porch swings and spout opinions, half truths, making judgments that aren’t theirs to make. They think a few columns in a newspaper give them the facts they need. But the facts are hardly what matter. If anyone sees her here, just standing on this lonely roadside in a gathering mist, it will all come up again. Like her, they’ll remember that night, so long ago, when the rain turned to ash….

Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace.

Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.

The town fair, which took place over the last weekend of August each year, was just over a month away. If their family agreed about anything, it was the town fair. Twiss loved the Wild West game and the spun sugar; their father loved the putting game and the caramel apples; their mother loved the bean counting game- last year she'd guessed 1,245 beans and won a forty-pound sack of kidney beans- and the Ferris wheel; and Milly loved what everyone else loved, except the livestock show and the amateur rodeo, where boys from the 4-H club wrestled calves to the ground for giant gold belt buckles. Milly also loved how the fair transformed the abandoned field behind the high school from twenty-five dandelion-inhabited acres that went unnoticed most of the year into a kind of fairy-tale place, where people sucked on cherry-flavored ice chips and honey-roasted peanuts, and the Ferris wheel went round and round, and the firecrackers reached higher and higher.

Yes, you might be able to drag a giant block of rock across the ground with muscles, ropes, and motivation. But it is wiser to build levers and wheels and then move the rock.

Steve drove the next morning as we made the turn for the Burdekin River. The single-lane dirt road, as small as it was, ended there--but we had another two or three hours of four-wheel driving to go. We navigated through deep ravines carved by the area’s repeated cyclone-fed floods, occasionally balancing on three wheels. “Hang out the window, will you?” Steve shouted as we maneuvered around the edge of a forty-foot drop. “I need to you to help counterbalance the truck.” You’ve got to be kidding me, I thought. But there I was, hanging off the side of the bull bar while Steve threaded his way over the eroding track. As we pounded and slammed our way deep into the bush, Steve talked about the area’s Aborigines. He pointed out a butte where European colonists massacred a host of the Aboriginal population in Victorian times. The landscape was alive to him, not only with human history, but with the complex interrelatedness of plants, animals, and the environment. He pointed out giant 150-year-old eucalypts, habitats for insectivorous bats, parrots, and brush-tailed possums. After hours of bone-jarring terrain, we reached the Burdekin, a beautiful river making its way through the tea trees. It was a breathtaking place. We set up camp--by which I mean Steve did--at a fork in the river, where huge black boulders stood exposed in the middle of the water. I tried to help, but I felt completely out of my depth. He unpacked the boat and the motor, got it tied and moored on the river, rolled out the swags, and lined up containers of fuel, water, and food. Then he started stringing tarps. What a gift Steve had for setting up camp. He had done it countless times before, month in and month out, all by himself, with only Sui for company. I watched him secure ropes, tie knots, and stretch canvas like he was expecting that we’d have to withstand a cyclone. It was hot, more than a hundred degrees Fahrenheit, but Steve didn’t seem to notice. Sui found a little shallow place at the edge of the river and immediately plopped herself in. I saw Steve look over at her as if calculating her chances of being snatched by a croc. Crocodiles are the ultimate camouflage attack predators, striking from the water’s edge. There would never be “down time” for Steve. No time to sit down and unwind. We were off in an instant. We grabbed Sui, jumped in the boat, and headed upstream. White Burdekin ducks startled up in front of our boat, their dark neck-rings revealed as they flew over us. Cormorants dried their feathers on the mid-river boulders, wings fully open. It was magical and unspoiled, as if we were the first people ever to travel there.

The place was a truck stop town. Large 18 wheelers lined the sidewalks and cafes. Giant diesel motors roaring their exhaust into the cloudy night skies. Wearied looking truckers climbed into the cabs like captains of gigantic steel ships. She could not imagine anyone trying to maneuver such large metallic beasts all over the roads of the nation. While the idea of being behind the wheel with nothing but the comfort of the radio, and the isolation were appealing. The thought of fighting all the congested traffic in smog infested industrial waters of choking vapors killed any pleasant dreams of the occupation.

You want stories?” Thom Merrilin declaimed. “I have stories, and I will give them to you. I will make them come alive before your eyes.” A blue ball joined the others from somewhere, then a green one, and a yellow. “Tales of great wars and great heroes, for the men and boys. For the women and girls, the entire Aptarigine Cycle. Tales of Artur Paendrag Tanreall, Artur Hawkwing, Artur the High King, who once ruled all the lands from the Aiel Waste to the Aryth Ocean, and even beyond. Wondrous stories of strange people and strange lands, and of the Green Man, of Warders and Trollocs, of Ogier and Aiel. The Thousand Tales of Anla, the Wise Counselor. ‘Jaem the Giant-Slayer.’ How Susa Tamed Jain Farstrider. ‘Mara and the Three Foolish Kings.’” “Tell us about Lenn,” Egwene called. “How he flew to the moon in the belly of an eagle made of fire. Tell us about his daughter Salya walking among the stars.” Rand looked at her out of the corner of his eye, but she seemed intent on the gleeman. She had never liked stories about adventures and long journeys. Her favorites were always the funny ones, or the stories about women outwitting people who were supposed to be smarter then everyone else.

Old stories, those,” Thom Merrilin said, and abruptly he was juggling three colored balls with each hand. “Stories from the Age before the Age of Legends, some say. Perhaps even older. But I have all stories, mind you now, of the Ages that were and will be. Ages when men ruled the heavens and the stars, and Ages when man roamed as brother to the animals. Ages of wonder, and Ages of horror. Ages ended by fire raining from the skies, and Ages doomed by snow and ice covering land and sea. I have all stories, and I will tell all stories. Tales of Mosk the Giant, with his Lance of Fire that could reach around the world, and his wars with Elsbet, the Queen of All. Tales of Materese the Healer, Mother of the Wondrous Ind.” The balls now danced between Thom’s hands in two intertwining circles. His voice was almost a chant, and he turned slowly as he spoke, as if surveying the onlookers to gauge his effect. “I will tell you of the end of the Age of Legends, of the Dragon, and his attempt to free the Dark One into the world of men. I will tell you of the Time of Madness, when Aes Sedai shattered the world; of the Trolloc Wars, when men battled Trollocs for rule of the earth; of the War of a Hundred Years, when men battled men and the nations of our day were wrought. I will tell the adventures of men and women, rich and poor, great and small, proud and humble.

Words came floating toward us, pieces of sentences. Big, deep words magnified by stadium speakers: “… two-minute warning! … halftime show!” Darius and I locked eyes. In the same moment, we both knew where we were. We were at the Super Bowl. The thing we were inside jerked. Rumbled. Started to move. And then I understood—we were inside a giant stage. One of those enormous platforms they wheel out during the Super Bowl halftime. And we were the halftime show.

The Telharmonium was installed in New York City in 1906. It wasn’t a single, self-contained musical instrument, but a vast 200-ton complex of equipment the size of a power plant. Each of its massive, electro-mechanical rotors—giant tone wheels—spun around to generate a sine wave (the basic building block of sound), along with other sine waves above it of a higher frequency. The idea was to simulate the physics that determine the distinct tone colors of different acoustic instruments, each note of these instruments being a fundamental sine wave tone, with overtones on top of it that give it its special character. Stacking up sine waves to build sounds of distinct timbres is the principle of “additive synthesis,” and Cahill, in his patent, anticipated the term “synthesizer” when he explained that, out of these “elemental electrical vibrations

Using the delicate cloth like a handkerchief to protect the brittle pages, she opened the first book she had unearthed: On Dragons. "Oh, how wonderful!" she murmured to herself, gazing at the wildly colored illustrations of giant reptiles, winged and breathing fire. The Chaucerian English was going to take some work to decipher. She would have to see what reference texts she could find in the collection to help her work out the captions, but for now, the pictures fascinated her. The next page showed a silver-armored knight astride a galloping white steed. Armed with a lance, he was shown charging at the hideous, horned dragon that loomed over him, its black, batlike wings outstretched. The knight in the picture had a winged ally of his own, however. In the sky above him hovered none other than St. Michael the Archangel again, her old friend from the duke's family chapel. Come to think of it, she mused, wasn't that white Maltese cross on the little knight's pennant another detail she had noticed in the chapel? She turned the page and stopped at the next colorful picture of a dragon holding its egg in its claws. Some sort of curious symbol was depicted inside the rounded contours of the egg. Kate furrowed her brow and leaned closer, studying the symbol on the dragon's egg. A tingle of faint recognition ran down her spine. I've seen this before. The symbol showed an eight-spoked wagon wheel, with a flaming torch in the center. Beneath the wheel was the Latin motto, Non serviam. Easy enough to translate: "I will not serve.

stopped in his tracks, his eyes transfixed by the sight of the burning sails as they turned in the wind like a giant Catherine Wheel, the sparks shooting across the slope as the flames swept above the building. ‘What are you gawping at?’ Little shouted, his words tailing away as he caught sight of the windmill. ‘Well, you don’t see that everyday,’ he muttered, as he watched the sparks fizzing into the black sky.

is July 2009. We step off our respective planes and lug our gear into the sweltering Vegas sun. Our taxis creep through downtown tourist traffic, swing around the airport, and unceremoniously drop us off in a giant, industrial-looking parking lot. The Las Vegas Sports Center sulks unimpressively in the heat, but under the sounds of arriving planes, there’s also a low hum and periodic whistles. Inside, the air is cooler and smells vaguely of . . . what is that smell? Sweat? Feet? Happiness? And when our eyes adjust to the light, we see skaters from every corner of the world—their helmets whiz by in every direction looking as if they are floating on air. On their feet are skates—black skates, white skates, blue skates, camouflage skates—propelled by a rainbow of wheels. On the sport floor, coaches with names like Carmen Getsome and Miss Fortune are drilling a centipede line of skaters in the fine art of knocking each other’s asses to the ground. Refs and skaters gear up for the mixed league, multination, battle du jour: Team Australia vs. Team Canada. Someone hobbles by with an ice pack strapped to her knee, still smiling. We smile too. Across town, nearly one thousand other skaters throng the casino and head to seminars in the meeting halls of the Imperial Palace Hotel, with nothing but roller derby on their minds. This is the fifth annual derby convention known as RollerCon.

You work, you put in your best efforts and you believe in God. Without that faith I do not believe you can achieve anything.

But of all that he saw, what gripped him the most were the light flashes in the darkened atmosphere that he had seen before—but always high, high above him. Meteors blazing through the atmosphere, shooting stars beneath him, the fireflies of space dashing blindly through cremation. Then came the moment. Deke would never forget it. He became part of a wonder that opened all space to him. Meteors flashed in greater number than he had yet seen, the spattered debris of ancient planetary formation and collisions of rock consumed by the atmosphere of Earth. Something he could not measure in size, but unquestionably large, perhaps even huge, rushed at earth with tremendous velocity. The meteor hurtled in toward his home planet, but at an angle that would send it skimming along the upper reaches of the atmosphere, almost parallel with earth’s surface below. Deke first saw the intruder when it punched deep enough into earth’s air ocean, grazing the edges of the atmosphere with a speed he could not judge, except that it was a rogue body, gravity-whipped to tremendous velocity. It tore into thin air; instantly its outer surface began to burn, its front edges blazing like a giant welding torch gone mad. It skipped along the atmosphere and gained an upward thrusting lift, like a flat rock hurled across smooth water. Deke gazed in wonder at the sight and watched the burning invader continue its journey along the atmosphere and then flash beyond. Away now from the clutches of air, still burning, it left behind an ionized trail of particles and superheated gases. Now away from Earth, it lofted high and far until it raced beyond Earth’s shadow. Sunlight flashed through the ionized trail, and the departing mass created its own record of passage, enduring long enough for Deke to watch until the last flicker, the final gleam, was gone. He felt he should not lower his gaze. His vision moved along the arrowing path of the now invisible wanderer of the solar system, and Deke stared, unblinking, as the mass of stars in his own galaxy shone down on him, an uncountable array of suns, stars he knew were smaller than his own sun, many vastly greater in size and energy, but all members of the great pin-wheeled Milky Way of which Deke and his world were one tiny member. He was

Whatever life throws in your path, you carry on, you stand on your own two feet and you follow your dream. It

Ali was sorry she ever compared Rugby Jersey guy to a giant bumblebee.

Perhaps she moves too slowly now, or the world moves too fast for her. She enters the lift, a giant wheel turns and steel cables lower the mechanized box. The lift drops down a black shaft, which exists at the heart of each HDB block. The country may be described, not as a place covered with blocks of public housing, but a topography where black vertical shafts, some forty storeys tall, rise out of the ground like trees.

We have been dreaming of robots since Homer. In Book 18 of the Iliad , Achilles’ mother, the nymph Thetis, wants to order a new suit of armor for her son, and so she pays a visit to the Olympian atelier of the blacksmith-god Hephaestus, whom she finds hard at work on a series of automata: . . . He was crafting twenty tripods to stand along the walls of his well-built manse, affixing golden wheels to the bottom of each one so they might wheel down on their own [automatoi] to the gods’ assembly and then return to his house anon: an amazing sight to see. These are not the only animate household objects to appear in the Homeric epics. In Book 5 of the Iliad we hear that the gates of Olympus swivel on their hinges of their own accord, automatai , to let gods in their chariots in or out, thus anticipating by nearly thirty centuries the automatic garage door. In Book 7 of the Odyssey , Odysseus finds himself the guest of a fabulously wealthy king whose palace includes such conveniences as gold and silver watchdogs, ever alert, never aging. To this class of lifelike but intellectually inert household helpers we might ascribe other automata in the classical tradition. In the Argonautica of Apollonius of Rhodes, a third-century-BC epic about Jason and the Argonauts, a bronze giant called Talos runs three times around the island of Crete each day, protecting Zeus’s beloved Europa: a primitive home alarm system.

Think of your business as a giant wheel. At the center of that wheel is your website. Everything else in the world should point back to your website. Each spoke is a link directing prospective clients back to your property. A web address is one of the most valuable purchases you can make today and that’s true for any business.

Everyone knows what a time machine looks like: something like a steampunk sled with a red velvet chair, flashing lights, and a giant spinning wheel on the back. For those of a younger generation, a souped-up stainless-steel sports car is an acceptable substitute; our British readers might think of a 1950s-style London police box.76 Details of operation vary from model to model,

It’s not wheel science… just aim and fire.

Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace. Merle

March 7 MORNING “Have faith in God.” — Mark 11:22 FAITH is the foot of the soul by which it can march along the road of the commandments. Love can make the feet move more swiftly; but faith is the foot which carries the soul. Faith is the oil enabling the wheels of holy devotion and of earnest piety to move well; and without faith the wheels are taken from the chariot, and we drag heavily. With faith I can do all things; without faith I shall neither have the inclination nor the power to do anything in the service of God. If you would find the men who serve God the best, you must look for the men of the most faith. Little faith will save a man, but little faith cannot do great things for God. Poor Little-faith could not have fought “Apollyon;” it needed “Christian” to do that. Poor Little-faith could not have slain “Giant Despair;” it required “Great-heart’s” arm to knock that monster down. Little-faith will go to heaven most certainly, but it often has to hide itself in a nut-shell, and it frequently loses all but its jewels. Little-faith says, “It is a rough road, beset with sharp thorns, and full of dangers; I am afraid to go;” but Great-faith remembers the promise, “Thy shoes shall be iron and brass; as thy days, so shall thy strength be:” and so she boldly ventures. Little-faith stands desponding, mingling her tears with the flood; but Great-faith sings, “When thou passest through the waters, I will be with thee; and through the rivers, they shall not overflow thee:” and she fords the stream at once. Would you be comfortable and happy? Would you enjoy religion? Would you have the religion of cheerfulness and not that of gloom? Then “have faith in God.” If you love darkness, and are satisfied to dwell in gloom and misery, then be content with little faith; but if you love the sunshine, and would sing songs of rejoicing, covet earnestly this best gift, “great faith.

I have always been an optimist and I tell them that if they have a day-dream, then follow it through but not a night-dream because night dreams come and go. Every day follow your dream and be consistent.

The sun rises today just as it did thousands of years ago. Similarly, the Tao holds true for us just as it held true for the ancients. We can even say that the Tao works better now than it did long ago, because we don’t have to reinvent the wheel. We can take advantage of the work that ancient sages have done to advance our understanding. We can see farther because we have the good fortune of standing on the shoulders of giants.

The Boardwalk. That’s right. There it is, all that music and all that noise; the beating heart of Santa Carla. You can walk up there, past the three-tries-for-a-dollar booths with the hucksters urging you to win a big teddy bear for the little lady, past the food stands where the kids can load up on hot dogs and cotton candy, past the Tilt-a-Whirl, the Giant Mouse, and the Snake, where the kids have a chance to lose what they just ate, past the giant Ferris wheel, so brightly lit that it takes the place of all the stars in the nighttime sky. Then you come to the carousel. The kids call it a “merry-go-round,” but what do they know? You want to learn something new about Santa Carla, that’s the next place you go.

Same Old, Game Old by Stewart Stafford On the first day of the new year, Chronos's roulette wheel rolls, Seeing the thermometer do 60, Scraping shadows off the fridge. Teddy bear plays hide-and-seek, With a giant, grey beast that barks, And an elephant with a rainbow gut, But some things should go AWOL Dinner plate talismans bring cheer, Windfall greens and Jupiter peas, Coins tossed in an oracle's grotto, Marching into the fog of life ahead. © Stewart Stafford, 2023. All rights reserved.

All caps with a red exclamation point. At 11:30 p.m. As if we were all doctors on call instead of tiny cogs in the giant wheel of the pharmaceutical industry. “It’s PR, not brain surgery,” goes the classic PR joke, but only because so many people in PR have to be reminded that a missing slide from an RFP—request for proposal—is not the same as a missing chunk of human skull.

They claimed that a mountain bike, surfboard, and fifty-inch TV could lie flat inside—at the same time. Instead of storing the batteries in a giant box in the trunk, as they’d done with the Roadster, Straubel’s team imagined them in a shallow rectangular box beneath the floor. A motor, much smaller than the typical gas-powered engine, would be fitted between the back wheels. With the bulk of the drivetrain beneath the car instead of under the hood, it opened up a ton of interior room.

I unlatched the back gate and wheeled him plumb out into the stubble of the hayfield behind the house. Then the going got pretty rough, wheelchairwise, so we didn’t go far, just to where I could get the runny-go I needed to send that sucker to the moon. The clouds were scooting by, throwing shadows like a herd of wild monsters rumpusing over the field, and I was right there with them. I hefted the kite and let out the string, more and more till it was not but a speck in the sky. I could feel rain starting to spit on us, and who cared. Let it thunder. The string was pulling hard in the wind, but I towed it back to Mr. Dick and put it in his hand. “Hang on tight,” I said, and flopped on the ground beside him, panting like a dog. He was quiet, holding that string and kite with everything he had. The way he looked. Eyes raised up, body tethered by one long thread to the big stormy sky, the whole of him up there with his words, talking to whoever was listening. I’ve not seen a sight to match it. No bones of his had ever been shoved in a feed bag. The man was a giant.

Any Palestinian prisoner will tell you that the bosta journey is one of the most difficult parts of their experience of being incarcerated. To call it hell on wheels is an understatement. To help you picture it, imagine a bus divided into narrow cells. The interior is all metal, including the seats. Many of the cells, like the one I was in, are barely big enough to fit one person. My cell was essentially as wide as the seat I was in, making it impossible for me to move at all. Never mind the fact that I was also shackled at the wrists and ankles. The cell was so tight that my knees hit the metal door in front of me, and if the driver accelerated or swerved, my body would bang into the sides. Other than forcing prisoners to sit in an extremely uncomfortable physical position for hours, the bosta was poorly ventilated, and its odors were revolting. It often reeked of vomit from passengers who had thrown up on themselves or of urine from inmates who had peed themselves, unable to hold it in any longer. The stench of the police dogs who patrolled the bus was also always in the air. The temperature in the bosta was another major hardship. In the winter, which is when I was arrested, it was freezing. The cold metal chair made it feel like I was sitting on a giant block of ice—for hours. I later learned that layering two pairs of pants, three shirts, and a jacket would help me survive, and I began to dress accordingly. But despite all the layers, each time I returned to the prison, my hands would be swollen and blue and it would take hours for them to regain normal sensation.

Merlyn wants to have an international fair, Sir. He wants to have a lot of flip-flaps and giant wheels and scenic railways in a reservation, and they are all to be slightly dangerous, so as to kill perhaps one man in a hundred. Entrance is to be voluntary, for he says that the one unutterably wicked thing about a war is conscription. He says that people will go to the fair of their own free-will, through boredom or through adrenalin deficiency or whatever it is, and that they are likely to feel the need for it during their twenty-fifth, thirtieth, and forty-fifth years. It is to be made fashionable and glorious to go. Every visitor will get a commemorative medal, while those who go fifty times will get what he calls the D.S.O. or the V.C. for a hundred visits.

That thing was not his wife. It was an abstraction, a vaguely feminine form that resembled Karina insomuch as a Picasso resembled a real person. Its eyes were empty black pits, as if giant thumbs had pushed them inward, leaving stretched skin sockets and shadow. There was a moment, a brief negative space between the emergence of the thing and the comprehension and horror of what it was, when the world swam in perfect clarity. To a person behind the wheel of a car, it was that silent second before glass and metal shattered and buckled. To a condemned man, that final click of the lever before the gallows dropped and the rope snapped taut. To Dan, it was the last bit of light being swallowed by the darkness as that old trunk slammed shut.

On our right we passed a ferris wheel, behind which the thinning blue sky had taken on a yellow tinge. From where we were, it almost looked as if the giant wheel was perfectly still, but I knew that it was moving. I felt a pressure in my chest, watching it move that slowly, as if it hoped to leave no trace, not in the sky or in time or in the memories of the people watching it.

The Crowned Snail by Stewart Stafford The vortex-shelled snail, Hermit rider of the dome, Silver trails cross the garden, This green, perennial home. Playing Russian Roulette, With giant feet or wheels, Survivor of stone attacks, Battering rams birds wield. A journey with no beginning, Nor a destination to travel to, Snug in his fortress castle, A crowned king, incognito. © Stewart Stafford, 2023. All rights reserved.

Every day a jailor brought the prisoners their food, and as he laid down the dishes he would say a word to them. If their meal was flesh he would remind them that they were eating corpses, or give them some account of the slaughtering: or, if it was the inwards of some beast, he would read them a lecture in anatomy and show the likeness of the mess to the same parts in themselves—which was the more easily done because the giant’s eyes were always staring into the dungeon at dinner time. Or if the meal were eggs he would recall to them that they were eating the menstruum of a verminous fowl, and crack a few jokes with the female prisoners. So he went on day by day. Then I dreamed that one day there was nothing but milk for them, and the jailor said as he put down the pipkin: ‘Our relations with the cow are not delicate—as you can easily see if you imagine eating any of her other secretions.’ Now John had been in the pit a shorter time than any of the others: and at these words something seemed to snap in his head and he gave a great sigh and suddenly spoke out in a loud, clear voice: ‘Thank heaven! Now at last I know that you are talking nonsense.’ ‘What do you mean?’ said the jailor, wheeling round upon him. ‘You are trying to pretend that unlike things are like. You are trying to make us think that milk is the same sort of thing as sweat or dung.’ ‘And pray, what difference is there except by custom?’ ‘Are you a liar or only a fool, that you see no difference between that which Nature casts out as refuse and that which she stores up as food?’ ‘So Nature is a person, then, with purposes and consciousness,’ said the jailor with a sneer. ‘In fact, a Landlady. No doubt it comforts you to imagine you can believe that sort of thing;’ and he turned to leave the prison with his nose in the air. ‘I know nothing about that,’ shouted John after him. ‘I am talking of what happens. Milk does feed calves and dung does not.

Ezekiel is describing something quite different than earthly, man-made wheels; he is describing an actual angelic being.

It would be easier to cover your ears,” I suggested. Meg retracted her blades. She rummaged through her supplies while the rumble of the chariot’s wheels got faster and closer. “Hurry,” I said. Meg ripped open a pack of seeds. She sprinkled some in each of her ear canals, then pinched her nose and exhaled. Tufts of bluebonnets sprouted from her ears. “That’s interesting,” Piper said. “WHAT?” Meg shouted. Piper shook her head. Never mind. Meg offered us bluebonnet seeds. We both declined. Piper, I guessed, was naturally resistant to other charmspeakers. As for me, I did not intend to get close enough to be Medea’s primary target. Nor did I have Meg’s weakness—a conflicted desire, misguided but powerful, to please her stepfather and reclaim some semblance of home and family—which Medea could and would exploit. Besides, the idea of walking around with lupines sticking out of my ears made me queasy. “Get ready,” I warned. “WHAT?” Meg asked. I pointed at Medea’s chariot, now charging toward us out of the gloom. I traced my finger across my throat, the universal sign for kill that sorceress and her dragons. Meg summoned her swords. She charged the sun dragons as if they were not ten times her size. Medea yelled with what sounded like real concern, “Move, Meg!” Meg charged on, her festive ear protection bouncing up and down like giant blue dragonfly wings. Just before a head-on collision, Piper shouted, “DRAGONS, HALT!” Medea countered, “DRAGONS, GO!” The result: chaos not seen since Plan Thermopylae. The beasts lurched in their harnesses, Right Dragon charging forward, Left Dragon stopping completely. Right stumbled, pulling Left forward so the two dragons crashed together. The yoke twisted and the chariot toppled sideways, throwing Medea across the pavement like a cow from a catapult. Before the dragons could recover, Meg plunged in with her double blades. She beheaded Left and Right, releasing from their bodies a blast of heat so intense my sinuses sizzled. Piper ran forward and yanked her dagger from the dead dragon’s eye. “Good job,” she told Meg. “WHAT?” Meg asked.

Hmm? Oh, nothing. I just . . . the last time I made that weave, I used it to startle ... I ... never mind." Eben. Her Warder had been young, maybe fifteen or sixteen, and she had been very fond of him. Eben and Daigian had played games together like a boy and an elder sister rather than Aes Sedai and Warder. ..... I could do something," Nynaeve said. "This pain you feel, it has to be an effect of the bond, and therefore something to do with the One Power. If the Power causes your pain, then the Power can take that pain away." "And why would I want that?" Daigian asked, in control once again. "Well . . . well, because it's pain. It hurts." "It should," Daigian said. "Eben is dead. Would you want to forget your pain if you lost that hulking giant of yours? Have your feelings for him cutaway like some spoiled chunk of flesh in an otherwise good roast?" Nynaeve opened her mouth but stopped. Would she? It wasn't that simple—her feelings for Lan were genuine, and not due to a bond. He was her husband, and she loved him. Daigian had been possessive of her Warder, but it had been the affection of an aunt for her favored nephew. It wasn't the same. But would Nynaeve want that pain taken away? She closed her mouth, suddenly realizing the honor in Daigian's words. "I see. I'm sorry.

I remember Galileo describing the mind as a piece of paper blown around by the wind, and I loved the sight of it sticking to a tree, or jumping into the backseat of a car, and for years I watched paper leap through my cities; but yesterday I saw the mind was a squirrel caught crossing Route 80 between the wheels of a giant truck, dancing back and forth like a thin leaf, or a frightened string, for only two seconds living on the white concrete before he got away, his life shortened by all that terror, his head jerking, his yellow teeth ground down to dust. It was the speed of the squirrel and his lowness to the ground, his great purpose and the alertness of his dancing, that showed me the difference between him and paper. Paper will do in theory, when there is time to sit back in a metal chair and study shadows; but for this life I need a squirrel, his clawed feet spread, his whole soul quivering, the loud noise shaking him from head to tail. O philosophical mind, O mind of paper, I need a squirrel finishing his wild dash across the highway, rushing up his green ungoverned hillside.

I walked out into the parking lot and found the space he’d written on the rental folder.  I frowned at the bright yellow and black machine that sat there waiting for me.  What is that?  A riding lawnmower?  “This can’t be right,” I said to no one.  I was the only one out there, so I don’t know who I thought I was talking to, but having a thousand conversations in my head over the last twenty-four hours was making me question my own sanity.  Probably talking out loud to myself wasn’t any better, but what the hell … might as well change up the crazy every once in a while to keep it fresh. I pressed the button on the key ring and the headlights flashed on once, proving this was not a mistake.  “A Smart Car?  Are you kidding me?”  It looked like a giant, wasp-yellow roller skate.  Maybe not even a giant one; maybe just a large-ish roller skate.  Surely looking like a giant wasp flying down a country road was a bad idea for a girl with a sting-allergy… I debated in my head whether I should go and argue for one of the other fifty full-sized cars on the lot, but then gave up on the idea five seconds later.  “Screw it,” I said, annoyed as hell.  “Might as well get eight hundred miles to the gallon, right?!”  The tone of my voice had drifted a little over to the hysterical side, but there was nothing I could do about it.  I was barely hanging on, the stress almost enough to send me to the looney bin.  I just kept picturing Bradley saying, “You got married?  To a complete stranger?  In Las Vegas?  When you were drunk?  By a guy named Elvis?”  It was too horrible to fully fathom.  He’d dump me just for humiliating him in front of all his clients and his frat brothers and his parents.  There were so many people expecting me to be the perfect fiancée. I threw my overnight bag in the passenger seat and drove off the lot, wishing I could peel out and really express my anger in a satisfyingly loud and obnoxious way.  But I quickly learned that a Smart Car doesn’t know how to peel out; it’s not equipped to do much with its lawn-mower sized engine.  It just knows how to deliver me from Point A to Point B on a very small amount of gas with almost zero elbow room.  I felt like a clown buzzing around in her little circus car.  The only things missing were a little face paint and some floppy shoes.  At first I thought I was also missing one of those brass honky-horns that clowns carry around, but then I pressed on the steering wheel and found out differently.  Yes, it’s true.  The Smart Car comes equipped with a clown honky-horn.

Do you believe that the giant squid’s eye can be as large as 26 inches (66 cm) in diameter, which is the size of a mountain bike wheel?

in florida a giant hamster lays in bed worrying about its future the hamster has bad eyesight and many other problems later that night the hamster drives its car around listening to sad music; the master lightly drums its paws on the steering wheel the hamster is alone but not for long: at home three waffle friends wait cooling inside a countertop oven in the kitchen

Vajra ~ The Indestructible Diamond These are times of great change aren't they? Yet within all of this or that, All is One, and we are here manifest in a miraculous and super conscious Universe. This physical body will someday pass and return to it's origin. Yet who we are (the One residing within these bodies) is prior to and beyond without beginning or end. As this giant mystery of the Akashic Wheel spins ,eternally within Infinite Love and is realized directly through the great majestic silence of the All, the Void, the Tao, All is One... Being

Behind them all, carried upon the bed of an enormous carriage with thirteen sets of iron-banded wheels, nestled within a casement crafted from the bronzed skull of a giant, was the holiest relic in all skavendom: the Black Ark, the compact between the Horned Rat and the first Seerlord. Imprinted upon a block of purest warpstone, its quality unsurpassed by the richest ores ever found, were the thirteen tyrannies, the sacred dictates by which the skaven might placate their terrible god and achieve the promise He had made to them: that one day the ratkin would inherit the whole of the world.

TWO YEARS AGO I FOUND AN IMAGE OF A KID WITH HER HANDS COVERING HER FACE. A SEATBELT REACHED ACROSS HER TORSO, RIDING UP HER NECK AND A MOP OF BLONDE HAIR STAYED SWEPT, FOR THE MOMENT, BEHIND HER EARS. HER EYES SEEMED CLEAR AND CALM BUT NOT BLANK, THE ROAD BEHIND HER SEEMED THE SAME, I PUT MYSELF IN HER SEAT THEN I PLAYED IT ALL OUT IN MY HEAD. THE CLAUSTROPHOBIA HITS AS THE SEATBELT TIGHTENS, PREVENTING ME FROM EVEN LEANING FORWARD IN MY SEAT, THE PRESSING ON INTERNAL ORGANS. I LEAN BACK AND FORWARD TO RELEASE IT, THEN BACKWARDS AND FORWARD AGAIN. THERE IT IS I GOT FREE. HOW MUCH OF MY LIFE HAS HAPPENED INSIDE OF A CAR? I WONDER IF THE ODDS ARE THAT I'LL DIE IN ONE, KNOCK ON WOOD-GRAIN. SHOULDN'T SPEAK LIKE THAT. WE LIVE IN CARS IN SOME CITIES, COMMUTING ACROSS SPACE EITHER FOR OUR LIVELIHOOD, OR DEVOURING FOSSIL FUELS FOR JOY. IT'S CLOSE TO AS MUCH TIME AS WE SPEND IN OUR BEDS, MORE FOR SOME. THE FIRST TIME I DID SHROOMS, MY MANAGER HAD TO COME RESCUE ME FROM CALTECH'S 'TRIP DAY. AS I GOT INTO HER CAR, I SWEAR TO GOD THE ALUMINUM CENTER CONSOLE IN HER PORSCHE TRUCK LOOKED LIKE IT WAS BREATHING, LIKE THE THROAT OF SOMETHING. ON THE FREEWAY, LEAVING PASADENA, WE SPOKE AND I LOOKED AWAY, OUTSIDE, AT THE WHEELS AND TIRES OF CARS DOING THAT OPTICAL ILLUSION THING THEY DO WHERE IT LOOKS LIKE THEY'RE SPINNING BACKWARDS, WHICH, ACCORDING TO GOOGLE, HAPPENS BECAUSE OUR BRAINS ARE ASSUMING SOMETHING COMPLETELY WRONG AND SHOWING IT TO US. STARING, I WAS TRANSFIXED BY ALL THE INDICATOR LIGHTS OSCILLATING AND THROBBING AGAINST THE WIND. WE DROVE THRU DOWNTOWN LA HEADED WEST, FLYING ON THE SAME FREEWAYS I USED TO RUN OUTTA GAS ON. WELCOMED IN BY THE PERENNIAL CREATURES, IMPERIAL PALM TREES AND CLIMBING VINES LIVING THEIR LIVES OUT JUST OFF THE SHOULDER. THE FEELING OF FAMILIAR ENHANCED, ON THE 10. I USED TO RIDE AROUND IN MY SINEWY CROSSOVER SUV, SMOKE AND LISTEN TO ROUGH MIXES OF MY OLD SHIT BEFORE IT CAME OUT, OR WHATEVER SOMEONE WANTED TO PLAY WHEN THEY HOOKED UP THEIR IPHONE TO THE AUX CORD A FEW YEARS AND A FEW DAILY-DRIVERS LATER I'M NOT DRIVING MUCH ANYMORE, IT'S BEEN A YEAR SINCE I MOVED TO LONDON, AT THE TIME OF WRITING THIS, AND THERE'S NO PRACTICAL REASON TO DRIVE IN THIS CITY. I ORDERED A GT3 RS AND IT'LL KEEP LOW MILES OUT HERE BUT I GUESS IT'S GOOD TO HAVE IN CASE OF EMERGENCY :) RAF SIMONS ONCE TOLD ME IT WAS CLICHE, MY WHOLE CAR OBSESSION MAYBE IT LINKS TO A DEEP SUBCONSCIOUS STRAIGHT BOY FANTASY. CONSCIOUSLY THOUGH, I DON'T WANT STRAIGHT A LITTLE BENT IS GOOD. I FOUND IT ROMANTIC, SOMETIMES, EDITING THIS PROJECT. THE WHOLE TIME I FELT AS THOUGH I WAS IN THE PRESENCE OF A $16M MCLAREN F1 ARMED WITH A DISPOSABLE CAMERA. MY MEMORIES ARE IN THESE PAGES, PLACES CLOSEBY AND LONG ASS-NUMBING FLIGHTS AWAY. CRUISING THE SUBURBS OF TOKYO IN RWB PORSCHES. THROWING PARTIES AROUND ENGLAND AND MOBBING FREEWAYS IN FOUR PROJECT M3S THAT I BUILT WITH SOME FRIENDS. GOING TO MISSISSIPPI AND PLAYING IN THE MUD WITH AMPHIBIOUS QUADS. STREET-CASTING MODELS AT A RANDOM KUNG FU DOJO OUT IN SENEGAL. COMMISSIONING LIFE-SIZE TOY BOXES FOR THE FUCK OF IT SHOOTING A MUSIC VIDEO FOR FUN WITH TYRONE LEBON, THE GENIUS GIANT. TAKING A BREAK-SLASH-RECONNAISSANCE MISSION TO TULUM, MEXICO, ENJOYING SOME STAR VISIBILITY FOR A CHANGE. RECORDING IN TOKYO, NYC, MIAMI, LA, LONDON, PARIS. STOPPING IN BERLIN TO WITNESS BERGHAIN FOR MYSELF, TRADING JEWELS AND SOAKING IN PARABLES WITH THE MANY-HEADED BRANDON AKA BASEDGOD IN CONVERSATION, I WROTE A STORY IN THE MIDDLE-IT'S CALLED 'GODSPEED', IT'S BASICALLY A REIMAGINED PART OF MY BOYHOOD. BOYS DO CRY, BUT I DON'T THINK I SHED A TEAR FOR A GOOD CHUNK OF MY TEENAGE YEARS. IT'S SURPRISINGLY MY FAVORITE PART OF LIFE SO FAR. SURPRISING, TO ME, BECAUSE THE CURRENT PHASE IS WHAT I WAS ASKING THE COSMOS FOR WHEN I WAS A KID. MAYBE THAT PART HAD IT'S ROUGH STRETCHES TOO, BUT IN MY REARVIEW MIRROR IT'S GETTING SMALL ENOUGH TO CONVINCE MYSELF IT WAS ALL GOOD. AND REALLY THOUGH... IT'S STILL ALL GOOD.

Here's an example: as a kid I always wanted to see Optimus peel his wheels out on Megatron's face. It's just something I did as a kid, you know, they've got these tires! We've got a director, Vinton Heuck, and in the last two or three episodes of the first season we had this giant fight at a volcano and he put that shot in there for me. Watching that I had a tear running down my face. Those moments are when I'm still watching it as a kid and I'm like "Oh my God, this is Transformers, am I going to die now? Is the circle complete?" But it's always fun. -David Hartman