Ghosts Of Mars Quotes

Life goes on. Get over it. You're still young. It'll get better. Blah, Blah, Blah

Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star. But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell. How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars. Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?' Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction. The truth, as always, will be far stranger.

It was a laugh that came from the tip of his toes, gaining force and soul as it traveled through his body and out into the world in mirthful bursts. There wasn't anything fake about it; it was an amusement park of a laugh, and when it appeared, you wanted to jump on board.

Giving up on love is the same thing as giving up on life itself.

I had forgotten this about love: how the simple things- the turn away, the turn towards- could be so complicated, and how the complicated things- the stolen night, the right words- could be so simple.

Love was to blame for this. Because when love ends, the cold is what you're left with. It was all I needed to feel.

I'd been hurt, yes—but I'd never meant to become hurtful. I didn't want to close down anyone but myself.

It’s been said of me that I know how to love well, if any person alive can possess such knowledge. May that be truly said of us, and all of us. It is all such a blessing—in the beginning, and the end, and the during.

You expect death to bring some new form of punctuation, but there it is: one small gasp. Period.

Love is something you can never get inside of. You might think you’re there. Sure. But then you hit the border and realize you’ve been outside the whole time.

When the heart stops, you die. Love is everywhere that life is, and if there is no love for life, you die. Giving up on love is the same thing as giving up on life itself.

Her breathing was shallow, a seashore slowly being covered with water.

You must ask yourself this: Will you decide when love's going to work and when it isn't? You have been pronouncing too much and feeling too little.

She had been lost on her own and I had been lost on my own, so it was natural that once we found each other we wanted to keep being unlost with each other. But that, at heart, had made us exist.

There was nothing very cheerful about the cold, and yet there was an air of cheerfulness that the cleverest summer air and brightest summer sun couldn't have compared with. Everyone was in this together.

Above me soft footsteps, the sound through the ceiling of a teenager haunted by a door to the night. My cousin Maybonne lights up a Salem, blows ghosts to the darkness, be it ever so humble, there's no place like home.

As the two of us—past self, my present self—hovered over her bed, I could see each cruel damage written across her skin, beneath her eyes, down into her bones. She was no longer the way she wanted to be remembered. She was already more breath than body.

The postmodernist belief in the relativism of truth, coupled with the clicker culture of mass media, in which attention spans are measured in New York minutes, leaves us with a bewildering array of truth claims packaged in infotainment units. It must be true—I saw it on television, the movies, the Internet. The Twilight Zone, The Outer Limits, That’s Incredible!, The Sixth Sense, Poltergeist, Loose Change, Zeitgeist: The Movie. Mysteries, magic, myths, and monsters. The occult and the supernatural. Conspiracies and cabals. The face on Mars and aliens on Earth. Bigfoot and Loch Ness. ESP and psi. UFOs and ETIs. OBEs and NDEs. JFK, RFK, and MLK Jr.—alphabet conspiracies. Altered states and hypnotic regression. Remote viewing and astroprojection. Ouija boards and tarot cards. Astrology and palm reading. Acupuncture and chiropractic. Repressed memories and false memories. Talking to the dead and listening to your inner child. It’s all an obfuscating amalgam of theory and conjecture, reality and fantasy, nonfiction and science fiction. Cue dramatic music. Darken the backdrop. Cast a shaft of light across the host’s face. Trust no one. The truth is out there. I want to believe.

I found the strength to see her, to cheer her, to not look away. It was taking a toll, but it was a toll I willingly paid.

Nothing ever happens on this globe for good without some people having their fill of laughter at first.

So we discuss suicide, and the ghosts as I say, change so oddly in my mind; like people who live, & are changed by what one hears of them. - Diary, 17 Mar 1932, IV, p.83.

The churchyard. Walled in by houses and overrun with weeds, choked up with too much buying.

What’s Valentine’s Day about except the desperate search to find someone to spend Valentine’s Day with? It just shows that love has become a marketing campaign, like everything else. You buy into it and lose everything.

Frown not, old ghosts, if I be one of those Who make you utter things you did not say, And mould you all awry and mar your work; For whatsoever knows us truly knows That none can truly write his single day, And none can write it for him upon earth.

David Levithan lives in the best of times and the worst of times, the age of wisdom and the age of foolishness, the epoch of belief and the epoch of incredulity, the season of Light, and the season of Darkness. He has endeavored in this Ghostly little book to raise the Ghost of an Idea which shall not put his readers out of humor with themselves, with each other, with the season, or with him. Whether he shall turn out to the be hero of his own life, or whether that station will be held by anybody else, time must show.

Here were shadows on the window blinds of guests assembling, and there a group of pretty girls, hooded and Ugg-booted and all chattering at once, tripping off lightly to some near neighbor’s house where woe would befall the single guy who saw them enter—they were artful witches, and they knew it.

He pointed to another number, changing as rapidly as the first, but on a lower trajectory; it rose to a high of 8.79 rem per hour. Several lifetimes of dentists’ X-rays, to be sure; but the radiation outside the storm shelter would have been a lethal dose, so they were getting off lightly. Still, the amount flying through the rest of the ship! Billions of particles were penetrating the ship and colliding with the atoms of water and metal they were huddled behind; hundreds of millions were flying between these atoms and then through the atoms of their bodies, touching nothing, as if they were no more than ghosts. Still, thousands were striking atoms of flesh and bone. Most of those collisions were harmless; but in all those thousands, there were in all probability one or two (or three?) in which a chromosome strand was taking a hit, and kinking in the wrong way: and there it was. Tumor initiation, begun with just that typo in the book of the self. And years later, unless the victim's DNA luckily repaired itself, the tumor promotion that was a more or less unavoidable part of living would have its effect, and there would appear a bloom of Something Else inside: cancer. Leukemia, most likely; and, most likely, death.

APOPHENIA. The human tendency to seek patterns in random nature, where there are no patterns to be found. See also: ghosts, gambling, and the passions of religious mania and prophecy. See also: what happens when your lover’s brain breaks down while the world is burning. I was born the day they found a face on Mars. It was a lie, of course; it was a geographical anomaly, a trick of the terrain. We want so badly to make sense of the cosmos, to see it in ourselves. We turn shadows into sockets, bright smears into mouths and eyes. We turn the universe into our mirror. #narcissus, naturally.

There was something in the dawn’s delicate loveliness that seemed to him inexpressibly pathetic, and he thought of all the days that break in beauty, and that set in storm. These rustics, too, with their rough, good-humoured voices, and their nonchalant ways, what a strange London they saw! A London free from the sin of night and the smoke of day, a pallid, ghost-like city, a desolate town of tombs! He wondered what they thought of it, and whether they knew anything of its splendour and its shame, of its fierce, fiery-coloured joys, and its horrible hunger, of all it makes and mars from morn to eve.

It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.

And so now. Listen to yourself. Tune in. What do you want?’ “What do I want?” he repeated. He thought. And instantly, he knew. Andrei’s heart pounded while the suite was still. In fact, it was the type of stillness that men and women knew all too well. That familiar, embarrassing calm, which in seconds usually soared an unquestionable fact. Minds in that room could only come to the single conclusion Andrei feared to admit. “I want to...” And Andrei, taking Mars’ hands in his, bent over and kissed her with an angle of awe and the timing of gratitude. “Right,” she said, knowingly. “Did you know I was going to do that? Was that weird?” “Why explain feelings, Andrei?” she professed sincerely. “We’ll end up dissatisfied. If you feel the truth, so do I. That’s how rooms work. You have to keep doing that. Listening carefully, then acting fiercely. It’s a contrasting relationship.

I was a lonely nightwalker and a steady stander-at-corners. I liked to walk through the wet town after midnight, when the streets were deserted and the window lights out, alone and alive on the glistening tramlines in dead and empty High Street under the moon, gigantically sad in the damp streets by ghostly Ebenezer Chapel. And I never felt more a part of the remote and overpressing world, or more full of love and arrogance and pity and humility, not for myself alone, but for the living earth I suffered on and for the unfeeling systems in the upper air, Mars and Venus and Brazell and Skully, men in China and St Thomas, scorning girls and ready girls, soldiers and bullies and policemen and sharp, suspicious buyers of secondhand books, bad, ragged women who’d pretend against the museum wall for a cup of tea, and perfect, unapproachable women out of the fashion magazines, seven feet high, sailing slowly in their flat, glazed creations through steel and glass and velvet.

Live like a comet. An unstoppable rock through space. Travel with so great a speed that there is no time or desire for explanation. Live. Live without brakes," she said. His heart raced. Andrei shifted his gear to second. This was his key. The spine of an upstanding life was character. If all else was rid of, that was all a human had. The decisions in one’s own identity was like the wardrobe of the spirit, as discussed by Mars and Andrei. If a human being was fearless, she told him, they would act on all the things they desired. They would speak all the thoughts they were afraid to say. This pulled them closer to the sublime and away from obvious lands. Their life would gain access to moments of intimacy that were never far— only camouflaged. There was no one Andrei knew who lived like that. Not one. The comet was the most optimal way of life. Nothing could stop the person who decided to nail their foot on the gas. No interaction, rejection, weather, or obstacle of any kind would arrest them for too long. Everyone else had delays and was set back by their excuses. “Tea?” she asked. “Please.

But imagine,” said Mars, “being a comet. I want you to imagine a divine force in someone that pushes them through the world, infinitely, in each choice, melting barriers in its own perfect path, out your mouth, out from your hands, across countries, through rooms—” “—through terror—” “—past regulations—” “—past people—” “—every time—” “—every day...” “Their life would go so much further,” continued Mars, “so much—as if absorbing hundreds and hundreds of years of ordinary life experience while still their real age. If death is no secret, why do we hunch? That doesn’t make sense to me. I don’t get the hunching! We retreat even when we always know the most favorable thing to do. If you took every risk, you’d have everything. You’d have all that was all.

Her limber body swayed as though in time to an orchestra and in a way that showed she ate well, and ate all kinds of things no one could tell, like veal or fresh figs in the sunshine. She had the kind of face that made one cry. She drew salt water out like sheer chemistry. The chemical reaction was usually the same sentiment—the world saw the little shelf bone under her eyes, a sharp nose, precious jaw, two moons for cheekbones, and so was deeply confused and upset that there was no metal armor attached to her body to protect her. People had cried fearing all kinds of possibilities—that a piece of hail might cut across her cheek, a drunkard might break her nose, or a car from nowhere would crash into hers and shatter her skull entirely. But no case of that happened. She remained unblemished. Watchful cars slowed down for her as she walked, drunkards sobered at her eyes, and even hail made way for this little human.

Stars were not meant for taking. They would burn up in your hands, taking your skin with it, marring your bone. Better to look at them from a safe distance, shield your eyes when they’re close. Stars were made for easy wishes, when you could look at them straight on and know that you will not be blinded for it. Stars were ghosts, and they knew what it was live to live once, too.

(...)Through the ship's telescopes, he had watched the death of the solar system. With his own eyes, he had seen the volcanoes of Mars erupt for the first time in a billion years; Venus briefly naked as her atmosphere was blasted into space before she herself was consumed; the gas giants exploding into incandescent fireballs. But these were empty, meaningless spectacles compared with the tragedy of Earth. That, too, he had watched through the lenses of cameras that had survived a few minutes longer than the devoted men who had sacrificed the last moments of their lives to set them up. He had seen ... ... the Great Pyramid, glowing dully red before it slumped into a puddle of molten stone ... ... the floor of the Atlantic, baked rock-hard in seconds, before it was submerged again, by the lava gushing from the volcanoes of the Mid-ocean Rift... ... the Moon rising above the flaming forests of Brazil and now itself shining almost as brilliantly as had the Sun, on its last setting, only minutes before ... ... the continent of Antarctica emerging briefly after its long burial, as the kilometres of ancient ice were burned away ... ... the mighty central span of the Gibraltar Bridge, melting even as it slumped downward through the burning air ... In that last century the Earth was haunted with ghosts - not of the dead, but of those who now could never be born. For five hundred years the birthrate had been held at a level that would reduce the human population to a few millions when the end finally came. Whole cities - even countries - had been deserted as mankind huddled together for History's closing act.

Rhys strode to me, and lifted a hand to brush my hair- but stopped upon seeing the blood crusting his fingers. He instead studied the tattoo now marring my left arm. 'As long as we don't have to invite it to solstice dinner, I can live with it.' 'You can live with it?' I lifted my brows. A ghost of a smile, even with all that had happened, that now lay before us. 'At least now if one of you misbehaves, I know the perfect punishment. Going down there to talk to that thing for an hour.' Nesta scowled with distaste, but Cassian let out a dark laugh. 'I'll take scrubbing toilets, thank you.' 'Your second encounter seemed less harrowing than the first.' 'It wasn't trying to eat me this time.' But shadows still darkened his eyes.

And where do we begin to search for our minds' copies, if they still exist? They must be hidden somewhere on Mars, maybe in one of the factories, or down there in those ghostly suites where the pioneers lived. I hope Hector comes home soon. It's very lonely here without him. That sounds pathetic, being lonely for a robot. But it's true. The thing is, with Shala gone, I don't have any real friends. And knowing Evan has been a thorough education in what false friends can be. So while I'm the President, it won't be wise to trust anyone who wants to become my friend. Power, like lasers, can do a lot of damage.

Elegy in Limestone If the water, everywhere, and if she is. If ghosts, like water, like if all rivers and oceans and rains are one ghost, surrounding and throughout. If she is, like if the lakes and bays of Seattle define Seattle, if the ices Of Mars and Massachusetts, hidden in their deep stones, define Mars and Massachusetts; if she is. A thirst unmet, alkaline or saline, the water not touching that thirst, if my thirst wants something else entirely. If she is. Water, if it is in and is blood. If invisible until exhale. If science lies and water doesn’t reflect sky but sky this water. If she is the sound, if it isn’t essential until its lack. If she is the sound of. Waves. If in the body, the dew in morning, and the moon. If she is the sound of the water. If rising, if breaking, if throughout

The dark side of the moon seemed especially cold. John William Atlas pulled his thick coat tighter over his chest and shook himself. From his view out of the port window, Earth was a ghost of its former countenance. The land not covered by vast grey oceans was parched and arid, the only life left thriving were those who walked the land. Atlas scrubbed a hand over the window as the glass fogged, and recalled dusty photos and flickering holographs of the Earth of before. Bright green and dazzling blue. Atlas had never known the planet in that way, had never grown to love his war-torn, hardened home world.

Ghost House I dwell in a lonely house I know That vanished many a summer ago, And left no trace but the cellar walls, And a cellar in which the daylight falls, And the purple-stemmed wild raspberries grow. O’er ruined fences the grape-vines shield The woods come back to the mowing field; The orchard tree has grown one copse Of new wood and old where the woodpecker chops; The footpath down to the well is healed. I dwell with a strangely aching heart In that vanished abode there far apart On that disused and forgotten road That has no dust-bath now for the toad. Night comes; the black bats tumble and dart; The whippoorwill is coming to shout And hush and cluck and flutter about; I hear him begin far enough away Full many a time to say his say Before he arrives to say it out. It is under the small, dim, summer star. I know not who these mute folk are Who share the unlit place with me- Those stones out under the low-limbed tree Doubtless bear names that the mosses mar. They are tireless folk, but slow and sad, Though two, close-keeping, are lass and lad- With none among them that ever sings, And yet, in view of how many things, As sweet companions as might be had.

It proves nothing against inspiration, as some have asserted, that the writers of the Bible have each a different style. Isaiah does not write like Jeremiah, and Paul does not write like John. This is perfectly true,—and yet the works of these men are not a whit less equally inspired. The waters of the sea have many different shades. In one place they look blue, and in another green. And yet the difference is owing to the depth or shallowness of the part we see, or to the nature of the bottom. The water in every case is the same salt sea.—The breath of a man may produce different sounds, according to the character of the instrument on which he plays. The flute, the pipe, and the trumpet, have each their peculiar note. And yet the breath that calls forth the notes, is in each case one and the same.—The light of the planets we see in heaven is very various. Mars, and Saturn, and Jupiter, have each a peculiar colour. And yet we know that the light of the sun, which each planet reflects, is in each case one and the same. Just in the same way the books of the Old and New Testaments are all inspired truth, and yet the aspect of that truth varies according to the mind through which the Holy Ghost makes it flow. The handwriting and style of the writers differ enough to prove that each had a distinct individual being; but the Divine Guide who dictates and directs the whole is always one. All is alike inspired. Every chapter, and verse, and word, is from God.