Ghosts Mary Quotes

We've searched our database for all the quotes and captions related to Ghosts Mary. Here they are! All 100 of them:

The memory fades, and I’m left hanging on to the ghosts of his words.
Marie Lu (Legend (Legend, #1))
The ghosts, they never go away. They call to you in unexpected moments, their hands lacing with yours and pulling you down paths that lead nowhere.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
It's inappropriate for the queen of the dead to be afraid of ghosts.
MaryJanice Davidson (Undead and Unemployed (Undead, #2))
Odd, isn’t it? You know when your birthday is, but not your death day, even though you pass the date year after year, never suspecting that some day…
Mary Downing Hahn (The Ghost of Crutchfield Hall)
Silence isn't golden, it's deadly. It's a vacuum that fills up with ghosts.
Karen Marie Moning (Shadowfever (Fever, #5))
Go away, little ghost. Go haunt someone else.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She pressed her face into the pillow. His scent was there. She was stupid to have come, yet didn’t have the strength to leave. The ghost of him between the sheets. The shadow of her old self curled into the shadow of him.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Once upon a winter I met a man in the woods The man beckoned me over To see a satchel of goods He offered three wishes I asked for beauty, love, riches And he froze me in stone where I stood. —“The Greedy Ghost of Cypress Pass,” common folk song
Marie Lu (The Young Elites (The Young Elites, #1))
Do you think there's such a thing as a ghost who masquerades as a person? Do you believe that there are people whose bodies are still alive here on earth but whose souls are already in hell?
Ann-Marie MacDonald (Fall on Your Knees)
I can just imagine the recruiting poster. 'Ghost whisperers wanted: no experience necessary. Death wish and masochistic tendencies a must.
Mary Lindsey (Shattered Souls (Souls, #1))
Tell me, little ghost: do you enjoy my company?” She was surprised. “Yes.” “I enjoy yours, too. I can see why you like me. I’m intelligent, charming—not to mention handsome.” “And skilled at preening. Let’s not forget that.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Oh, man," said Jack. "Everyone was nice to us when we looked rich. Now it feels like the whole world's against us.
Mary Pope Osborne (A Ghost Tale for Christmas Time (Magic Tree House, #44))
Alden seems like a very nice boy. The kind of boy I'd like to see you hanging out with." I almost laughed out loud. If she only knew! A reincarnated, soul-sharing lunatic. Ghost Boy---every mother's dream.
Mary Lindsey (Shattered Souls (Souls, #1))
I stand there for a while, then sit cross-legged before it and bow my head. "Hi, Metias," I say in a soft voice. "Today's my birthday. Do you know how old I am now?" I close me eyes, and through the silence surrounding me I think I can sense a ghostly hand on my shoulder, my brother's gentle presence that I'm able to feel every now and then, in these quiet moments. I imagine him smiling down at me, his expression relaxed and free. "I'm twenty-seven today," I continue in a whisper. My voice catches for a moment. "We're the same age now." For the first tine in my life, I am no longer his little sister. Next year I will step across the line and he will still be in the same place. From now on, I will be older than he ever was. I try to move on to other thoughts, so I tell my brother's ghost about my year, my struggles and successes in commanding my own patrols, my hectic workweeks. I tell him, as I always do, that I miss him. And as always, I can hear the whisper of his ghost against my ear, his gentle reply that he misses me too. That he's looking out for me, from wherever he is.
Marie Lu (Champion (Legend, #3))
Please, I whisper, and my voice comes out as quiet as a ghost’s. Tell Magiano I love him. Tell him I’m sorry. That I’m grateful.
Marie Lu (The Midnight Star (The Young Elites, #3))
Pandora's box had been opened and monsters had come out. But there had been something hidden at the bottom of Pandora's box. Something wonderful. Hope.
Lisa Marie Rice (Breaking Danger (Ghost Ops, #3))
Sometimes I know part of me is still a ghost, walking next to my mother, looking for something to make an offering to, holding her hand. Either this feeling means that part of me is dead, or that she's alive, somewhere inside of me.
Terese Marie Mailhot (Heart Berries)
Footnote: In 1998, a woman in Saline, Michigan received a patent for a Decorative Penile Wrap...The patent included three pages of drawings, including a penis wearing a ghost outfit, another in the robes of the Grim Reaper, and one dressed up to look like a snowman.
Mary Roach (Bonk: The Curious Coupling of Science and Sex)
Megan placed the eye loupe over the toile. Hoping to decipher the texture and composition she moved the loupe ever so meticulously. “This is so detailed.” A blue green eyeball suddenly stared back at her and blinked. Megan gasped.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
here, there, and everywhere"-an opinionated riddle.
Mary Downing Hahn (The Ghost of Crutchfield Hall)
The corners of his mouth twitched then he gave up the ghost and just flashed me one of those rare, full-on smiles that always made me catch my breath and stare. He's so damn beautiful and his smiles are sunshine in a black velvet sky, improbable and stunning.
Karen Marie Moning (Feversong (Fever, #9))
Darnley, who, like Banquo's ghost, seemed to play a much more effective part in Scottish politics once he was dead than when he was alive.
Antonia Fraser (Mary Queen of Scots)
You once told me you could stand many things.” My voice was raspy from all the emotions battering against those well-honed inner defenses. “So can I. I can stand whatever Apollyon dishes out, can take the bigotry from others over what I am, the freaky ghost juju from Marie, all the craziness my mother can throw at me, and even the pain of my uncle dying. But the one thing that I would never, ever recover from would be losing you. You made me promise before to go on if that happened, but Bones”—here my words broke and tears spilled down my cheeks—“I wouldn’t want to.” He’d been near the side of the bed when I started talking, but was in my arms before the first tear fell. Very softly, his lips brushed over those wet streaks, coming back pink from the drops still shimmering on them. “No matter what happens, you will never lose me,” he whispered. “I am forever yours, Kitten, in this life or the next.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Charles is going to be fine," said Annie. "Yep," said Jack with a smile. "He never even knew that it was us who helped him." "That's the best way to help someone, I think," said Annie. "Why?" asked Jack. "Then you know you're not helping them just to get a lot of credit," said Annie. "You're helping because it's the right thing to do.
Mary Pope Osborne (A Ghost Tale for Christmas Time (Magic Tree House, #44))
People were so fragile, so easily broken, so hard to put back together. “Mr.
Mary Downing Hahn (Took: A Ghost Story)
It's Mari, Jack," Ken whispered, needing to say it aloud. "What?" Jack jerked around, staring at the sniper as the eyes fluttered closed. "Are you certain?" Ken pulled the woman's belt loose and buckled it around her leg. "Either that or your wife is playing sniper for the other team. It has to be Mari. She looks exactly like Briony.
Christine Feehan (Deadly Game (GhostWalkers, #5))
What started Baby Jesus growing in Mary's tummy was an angel zoomed down, like a ghost but a really cool one with feathers. Mary was all surprised, she said, "How can this be?" and then, "OK let it be." When Baby Jesus popped out of her vagina on Christmas she put him in a manger but not for the cows to chew, only to warm him up with their blowing because he was magic.
Emma Donoghue (Room)
And behold, he shall be born of Mary, at Jerusalem which is the land of our forefathers, she being a virgin, a precious and chosen vessel, who shall be overshadowed and conceive by the power of the Holy Ghost, and bring forth a son, yea, even the Son of God. And he shall go forth, suffering pains and afflictions and temptations of every kind; and this that the word might be fulfilled which saith he will take upon him the pains and the sicknesses of his people. And he will take upon him death, that he may loose the bands of death which bind his people; and he will take upon him their infirmities, that his bowels may be filled with mercy, according to the flesh, that he may know according to the flesh how to succor his people according to their infirmities.' -Alma the Younger (Alme 7:10-12)
Joseph Smith Jr. (The Book of Mormon: Another Testament of Jesus Christ)
The Empress Marie-Louise once asked me if I believed in ghosts. 'I find it hard to believe in something I've never seen,' I told her. But perhaps ghosts aren't meant to be seen. Perhaps they are meant to be felt.
Michelle Moran (The Second Empress: A Novel of Napoleon's Court)
Mary has produced, together with the Holy Ghost, the greatest thing which has been or ever will be—a God-Man; and she will consequently produce the greatest saints that there will be in the end of time.
Louis de Montfort (True Devotion to Mary: With Preparation for Total Consecration)
Under a smoky streetlamp I stood face to face with my beloved and pricked my fingers against the diamond studs of her immaculate shirt front. Being tall, she slipped her hands naturally about my hips and pulled me close. And being bold, I put my mouth on hers and this time went inside and told her all the things I’d been longing to. Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we’ve never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I’ve been a sleep-walker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I’ve missed you all my life.
Ann-Marie MacDonald (Fall on Your Knees)
If a female fainted easily, could not abide spiders, feared thunderstorms, ghosts, and highwaymen, ate only tiny portions, collapsed after a brief walk, and wept when she had to add a column of numbers, she was considered the feminine ideal.
Charlotte Gordon (Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley)
The lake's deep...and dark...and dangerous.
Mary Downing Hahn (Deep and Dark and Dangerous (A Ghost Story))
To everyone who enjoys ghost stories
Mary Downing Hahn (Deep and Dark and Dangerous (A Ghost Story))
After hearts shot through with arrows, we have bunnies followed by a warlike fire in the sky, then ghosts, turkeys to honor more ghosts, and a baby born in a barn who is not yet a ghost but also a ghost, for whom we drag trees inside where they do not belong.
Mary Ruefle
The kiss started out rough and got tender and then rough again as they fought for some kind of foothold, any dominance. It quickly grew to holy fuck I can’t stop this levels. Hard and soft, and it lit his entire body on fire, and oh holy Mother Mary, he was going down hard. But he’d make sure Prophet went down harder.
S.E. Jakes (Catch a Ghost (Hell or High Water, #1))
As for life, I'm humbled, I'm without words sufficient to say how it has been hard as flint, and soft as a spring pond, both of these and over and over, and long pale afternoons besides, and so many mysteries beautiful as eggs in a nest, still unhatched though warm and watched over by something I have never seen – a tree angel, perhaps, or a ghost of holiness. Every day I walk out into the world to be dazzled, then to be reflective. It suffices, it is all comfort – along with human love, dog love, water love, little-serpent love, sunburst love, or love for that smallest of birds flying among the scarlet flowers. There is hardly time to think about stopping, and lying down at last to the long afterlife, to the tenderness yet to come, when time will brim over the singular pond, and become forever, and we will pretend to melt away into the leaves. As for death, I can't wait to be the hummingbird, can you?
Mary Oliver (Thirst)
One has to be wounded in order to become a healer. This is the local image of a universal mythological motif, which is described in Eliade's book about the initiation of medicine men and shamans. Nobody becomes either one or the other without first having been wounded, either cut open by the initiator and having certain magical stones inserted into his body, or a spear thrown at his neck, or some such thing. Generally, the experiences are ecstatic – stars or ghost-like demons – hit them or cut them open, but always they have to be pierced or cut apart before they become healers, for that is how they acquire the capacity for healing others.
Marie-Louise von Franz (The Problem of the Puer Aeternus (Studies in Jungian Psychology by Jungian Analysts, 87))
No, that is not my life without power. My life without power will be one of walking through a crowd without darkness tugging at my heart. It will be seeing Violetta in the living world, smiling again. It will be riding on the back of a horse with Magiano as we crest another mountain, searching for adventure. It will be a life without these whispers in my head. It will be life without my father's ghost. It will be a life.
Marie Lu (The Midnight Star (The Young Elites, #3))
One IGHS member said that, yup, she could hear it, too. Then again, during a dinner conversation earlier in the trip, this same woman heard “Siegfried and Roy” as “Sigmund Freud.” The resulting image-Sigmund Freud with flowing hair and tigers and too much men’s makeup-haunts me to this day.
Mary Roach
On the way home Mary Lou said, "Some things are so sad you can't say them." But I pretended not to hear.
Joyce Carol Oates (The Mammoth Book of Modern Ghost Stories)
I AM SEVENTEEN Already I am daughter to a ghost and mother to bones.
Lita Judge (Mary's Monster: Love, Madness, and How Mary Shelley Created Frankenstein)
The Other Side of a Mirror I sat before my glass one day, And conjured up a vision bare, Unlike the aspects glad and gay, That erst were found reflected there - The vision of a woman, wild With more than womanly despair. Her hair stood back on either side A face bereft of loveliness. It had no envy now to hide What once no man on earth could guess. It formed the thorny aureole Of hard, unsanctified distress. Her lips were open - not a sound Came though the parted lines of red, Whate'er it was, the hideous wound In silence and secret bled. No sigh relieved her speechless woe, She had no voice to speak her dread. And in her lurid eyes there shone The dying flame of life's desire, Made mad because its hope was gone, And kindled at the leaping fire Of jealousy and fierce revenge, And strength that could not change nor tire. Shade of a shadow in the glass, O set the crystal surface free! Pass - as the fairer visions pass - Nor ever more return, to be The ghost of a distracted hour, That heard me whisper: - 'I am she!
Mary Elizabeth Coleridge
Ghosts are not always those who pass through closed doors,” said Mary Rommely. “Katie has told how her husband used to talk to this saloon man. In all those years of the talking, Yohnny gave away pieces of himself to this man. When Katie called on her man for help, the pieces of him came together in this man, and it was Yohnny within the saloon man’s soul that heard and came to her help.
Betty Smith (A Tree Grows in Brooklyn)
How long ago did she die, Wyatt?" Morgan pressed. "Is it nine years now?" "Eight," Wyatt said, halfway between stubborn and sad. "I promised to love her all my life, Morg. I meant to keep my word." That shut Morgan up, but Doc's eyes opened and he gazed at Wyatt for a long time. "What?" Wyatt asked. "That is your ghost life, Wyatt," Doc told him, and closed his eyes again. "That is the life you might have had. This is the life you've got.
Mary Doria Russell (Doc)
All night the earth and the heavens followed their usual arrangements. Stars passed: an immense tide hung over them. A silent sea raced back with the sun, its wave turn-over small, delicate and comfortless. The most glorious of all stars hung above the sun's threshold and went out. An hour later the sun governed the earth again, mist-chasing, flower-opening, bird-rousing, ghost-driving, spirit-shepherding back out the various gates of sleep.
Mary Butts (The Taverner Novels: Armed with Madness and Death of Felicity Taverner)
The raising of ghosts or devils was a promise liberally accorded by my favourite authors,
Mary Wollstonecraft Shelley (Frankenstein)
It's hard to be an articulate ghost.
Mary Karr (Lit)
Saying something mean and then claiming you’re not yourself doesn’t take the hurt away.
Mary Downing Hahn (Deep and Dark and Dangerous: A Ghost Story)
You know where his bedroom is? How?
Annette Marie (Rogue Ghosts & Other Miscreants (The Guild Codex: Warped, #3))
There are four places where the spirits still wander," he replies, quoting some ancient tome. "The snow-covered Dark of Night, the forgotten paradise of Sobri Elan, the Glass Pillars of Dumon, and the human mind, that eternally mysterious realm where ghosts shall forever walk.
Marie Lu (The Midnight Star (The Young Elites, #3))
Hold up a hot second! Had the scary rouge man recognized my King Leer quote? Was he bantering back at me by reverencing The Fool? How can this guy be a literal God of manliness AND well read? My pretend crush on his unholy broody hunkyness might have just shifted closer to reality.
Annette Marie (Rogue Ghosts & Other Miscreants (The Guild Codex: Warped, #3))
I guess I believe that not everything we humans encounter in our lives can be neatly and convincingly tucked away inside the orderly cabinetry of science. Certainly most things can--including the vast majority of what people ascribe to fate, ghosts, ESP, Jupiter rising--but not all
Mary Roach (Spook: Science Tackles the Afterlife)
It’s possible that the reason I've never experienced a ghostly presence is that my temporal lobes aren't wired for it. It could well be that the main difference between skeptics (Susan Blackmore notwithstanding) and believers is the neural structure they were born with. But the question still remains: Are these people whose EMF-influenced brains alert them to “presences” picking up something real that the rest of us can’t pick up, or are they hallucinating? Here again, we must end with the Big Shrug, a statue of which is being erected on the lawn outside my office.
Mary Roach (Spook: Science Tackles the Afterlife)
She was not a superstitious woman. She was a good Catholic and she knew very well that death did not cling to objects and that if her dreams were troubled she could always pray to the Virgin Mary.
Christina Henry (The Ghost Tree)
I won't bite." "Are you sure?" My voice was rough. "I won't bite right now," he said with a ghost of a smile. The soft expression bemused me enough so that the gentle patting lured me to the recliner. Logan wrapped strong arms around me and pulled me into his lap. My butt fit him like we were interlocking puzzle pieces.
Mary Hughes
Hi, Metias,” I say in a soft voice. “Today’s my birthday. Do you know how old I am now?” I close my eyes, and through the silence surrounding me I think I can sense a ghostly hand on my shoulder, my brother’s gentle presence that I'm able to feel every now and then, in these quiet moments. I imagine him smiling down at me, his expression relaxed and free. “I'm twenty-seven today,” I continue in a whisper. My voice catches for a moment. “We’re the same age now.” For the first time in my life, I am no longer his little sister. Next year I will step across the line and he will still be in the same place. From now on, I will be older than he ever was.
Marie Lu (Champion (Legend, #3))
I would say your passion, but that’s part of being headstrong. Or your conviction, but that’s related to being obstinate. Fearless, but that is a combination of both. Perhaps, then, I shall cite your love of Brussels sprouts.
Mary Robinette Kowal (Ghost Talkers)
As Corey and I followed Grandmother out of the library, we glanced at each other. Without saying a word, I knew my sister was thinking exactly what I was thinking. Rappings and tappings, footsteps, doors opening and shutting—we could do that. And more. Bringing ghosts back to Fox Hill would be like playing haunted house all summer long.
Mary Downing Hahn (All the Lovely Bad Ones)
This much is sure: if Kate hadn’t gone back to Doc Holiday on the afternoon of June 10th, 1878, you never would have heard of him. You wouldn’t know the names of Wyatt Earp, or any of his brothers. The Clantons and McLaurys would be utterly forgotten. And Tombstone would be nothing more than an Arizona ghost town with an ironic name. Too late now.
Mary Doria Russell (Doc)
What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside? If you will listen I will tell you a story-one whose ghost cannot be banished by the comfort of a roaring fire, I will tell you the story of how we found ourselves in a realm where dreams are formed, destiny is chosen, and magic is as real as your handprint in the snow. I will tell you how we unlocked the Pandora's box of ourselves, tasted freedom, stained our souls with blood and choice, and unleashed a horror on the world that destroyed its dearest Order. These pages are a confession of all that has led to this cold, gray dawn. What will be now, I cannot say. Is your heart beating faster? Do the clouds seem to be gathering on the horizons? Does the skin on your neck feel stretched tight, waiting for a kiss you both fear and need? Will you be scared? Will you know the truth? Mary Dowd, April 7, 1871
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As Ganin looked up at the skeletal roof in the ethereal sky he realized with merciless clarity that his affair with Mary was ended forever. It had lasted no more than four days—four days which were perhaps the happiest days of his life. But now he had exhausted his memories, was sated by them, and the image of Mary, together with that of the old dying poet, now remained in the house of ghosts, which itself was already a memory
Vladimir Nabokov
There are four places where the spirits still wander . . . the snow-covered Dark of Night, the forgotten paradise of Sobri Elan, the Glass Pillars of Dumon, and the human mind, that eternally mysterious realm where ghosts shall forever walk. —An Exploration of Ancient and Modern Myths, by Mordove Senia
Marie Lu (The Young Elites (The Young Elites, #1))
She felt she had been created by the demands of others, by their insatiable appetite for something beyond ordinary life. They craved a world without death and they had spotted her, in their hunger, like wolves alert to any poor sheep that might stray from the fold and stand gazing ignorantly up at the stars.
Valerie Martin (The Ghost of the Mary Celeste)
There won’t be any rat brains in Haven. Put that image out of your mind. We’re completely self-sufficient in energy and water and food. The refugees will put some strain on us but we have enormous reserves. Mac, Nick, and I are used to military planning and—well, we planned for a siege right from the start.” Oh no. Her breath blocked in her chest. Her hand slid from his and her back hit the chairback with a thud. “You knew this was coming?” she whispered. The words would barely come out between numb lips. “You knew and you didn’t stop it?” He grabbed her hand back. “No, God no. We didn’t plan for this. For a massive outbreak of a deadly virus, no.
Lisa Marie Rice (Breaking Danger (Ghost Ops, #3))
It had lasted no more than four days—four days which were perhaps the happiest days of his life. But now he had exhausted his memories, was sated by them, and the image of Mary, together with that of the old dying poet, now remained in the house of ghosts, which itself was already a memory. Other than that image no Mary existed, nor could exist.
Vladimir Nabokov (Mary)
And you are right.” He had a wry tone to his voice. “Which I am sure you are going to lord over me.” “I don’t know.” Ginger opened her eyes and tried to match him. “Can one ‘lady it over’ someone?” “My lady, I believe you do that all the time.” “Ah … but I’m not a lady, am I? Simply an American.” “Well, you can definitely American it over someone.
Mary Robinette Kowal (Ghost Talkers)
When the truth would be unbearable the mind often just blanks it out. But some ghost of an event may stay in your head. Then, like the smudge of a bad word quickly wiped off a school blackboard, this ghost can call undue attention to itself by its very vagueness. You keep studying the dim shape of it, as if the original form will magically emerge. This blank spot in my past, then, spoke most loudly to me by being blank. It was a hole in my life that I both feared and kept coming back to because I couldn’t quite fill it in.
Mary Karr (The Liars' Club)
Mary had the same face as ma used to have sitting staring into the ashes it was funny that face it slowly grew over the other one until one day you looked and the person you knew was gone. And instead there was a half-ghost sitting there who had only one thing to say: All the beautiful things of this world are lies. They count for nothing in the end.
Patrick McCabe (The Butcher Boy)
Being in love changes a person…a modest touch changes one’s mind, a lone thought one’s reasoning, but a kiss my friend, well that changes one’s existences.
Christina Marie Morales (Ambience (The Ghost of Saint Augustine Trilogy #1))
It was as though she practiced some shameful art: black magic, voodoo, or poetry.
Valerie Martin (The Ghost of the Mary Celeste)
All the gifts, virtues and graces of the Holy Ghost are distributed by Mary, to whom she wishes, when she wishes, the way wishes and as much as she wishes.
Louis de Montfort (True Devotion to Mary: With Preparation for Total Consecration)
Horror is a woman’s genre, and it has been all the way back to the oldest horror novel still widely read today: Frankenstein by Mary Shelley, daughter of pioneering feminist author Mary Wollstonecraft. Ann Radcliffe’s gothic novels (The Mysteries of Udolpho, The Italian) made her the highest-paid writer of the late eighteenth century. In the nineteenth century, Mary Elizabeth Braddon and Charlotte Riddell were book-writing machines, turning out sensation novels and ghost stories by the pound. Edith Wharton wrote ghost stories before becoming a novelist of manners, and Vernon Lee (real name Violet Paget) wrote elegant tales of the uncanny that rival anything by Henry James. Three of Daphne du Maurier’s stories became Hitchcock films (Jamaica Inn, Rebecca, The Birds), and Shirley Jackson’s singular horror novel The Haunting of Hill House made her one of the highest-regarded American writers of the twentieth century.
Grady Hendrix (Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction)
The problem is that stepping away from Brian, leaving him standing under that pergola on Wednesday, is no longer enough to leave behind how he made me feel in that hour. I could leave him there, we could part as strangers, but God, I know that I would look for him. He would live in my peripheral vision, a ghost nudging me to turn and look behind me, only to find a spot that is emptier than empty
Mary Ann Rivers
She was not just old—she was ancient. Bent and bony, no bigger than Selene, her flyaway white hair floated around her head like dandelions gone to seed. She’d wrapped herself in a thick knitted shawl of every imaginable color woven into complex patterns—a sun here, a moon there, stars all over, rivers and trees and birds and animals. A person could look at it all day and still find something he hadn’t noticed before.
Mary Downing Hahn (Took: A Ghost Story)
Why don’t you and Ali set the table? The forks and knives and spoons are in that drawer.” She pointed to the cabinet by the sink, and Emma began counting out the utensils—four of each. “There’s only three of us,” I said. “You forgot Mr. Bear.” Emma sat the teddy in the extra chair and laid a fork, knife, and spoon in front of him. I laughed a little louder than I’d meant to, in relief, I guess, that Mr. Bear was joining us . . . not the ghost from Emma’s dream.
Mary Downing Hahn (Deep and Dark and Dangerous (A Ghost Story))
Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we've never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I've been a sleepwalker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I've missed you all my life.
Ann-Marie MacDonald (Fall on Your Knees)
The story of the angel announcing what the church calls the immaculate conception, is not so much as mentioned in the books ascribed to Mark, and John; and is differently related in Matthew and Luke. The former says the angel, appeared to Joseph; the latter says, it was to Mary; but either Joseph or Mary was the worst evidence that could have been thought of; for it was others that should have testified for them, and not they for themselves. Were any girl that is now with child to say, and even to swear it, that she was gotten with child by a ghost, and that an angel told her so, would she be believed? Certainly she would not. Why then are we to believe the same thing of another girl whom we never saw, told by nobody knows who, nor when, nor where? How strange and inconsistent is it, that the same circumstance that would weaken the belief even of a probable story, should be given as a motive for believing this one, that has upon the face of it every token of absolute impossibility and imposture.
Thomas Paine (The Age of Reason)
While he attends to his rats, Persinger gives me the lowdown on the haunt theory. Why would a certain type of electromagnetic field make one hear things or sense a presence? What’s the mechanism? The answer hinges on the fact that exposure to electromagnetic fields lowers melatonin levels. Melatonin, he explains, is an anti-convulsive; if you have less of it in your system, your brain —in particular, your right temporal lobe— will be more prone to tiny epileptic-esque microseizures and the subtle hallucinations these seizures can cause.
Mary Roach (Spook: Science Tackles the Afterlife)
There have been some saints, but they have been in small numbers, who have walked upon this sweet path to go to Jesus, because the Holy Ghost, faithful Spouse of Mary, by a singular grace disclosed it to them. Such were St. Ephrem, St. John Damascene, St. Bernard, St. Bernardine, St. Bonaventure, St. Francis de Sales, and others. But the rest of the saints, who are the greater number, although hall all had devotion to our Blessed Lady, nevertheless have either not at all, or at least very little, entered upon this way. That is why they have had to pass through ruder and more dangerous trials.
Louis de Montfort (True Devotion to Mary: With Preparation for Total Consecration)
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
Munia Khan
You want us to hunt down and extract information from the officer?” She shook her head. “Something better.” “Pray tell, little ghost.” “Send me in her place.” He stared. Kestrel said, “I’ll pretend to be her.” “Please understand. When I look at you as if you’re crazy, it’s not that I judge you for your insanity.” “I fit in her armor. I’m her size. I’m Valorian.” “You don’t look like her. Just because you’re Valorian doesn’t mean the officer at the relay station won’t notice that you’re a completely different person.” “It’s night. I can report to the officer while keeping my distance.” “I’m going back to sleep. Wake me when you’re sane.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
And you must tell the child the legends I told you—as my mother told them to me and her mother to her. You must tell the fairy tales of the old country. You must tell of those not of the earth who live forever in the hearts of people—fairies, elves, dwarfs and such. You must tell of the great ghosts that haunted your father’s people and of the evil eye which a hex put on your aunt. You must teach the child of the signs that come to the women of our family when there is trouble and death to be. And the child must believe in the Lord God and Jesus, His Only Son.” She crossed herself. “Oh, and you must not forget the Kris Kringle. The child must believe in him until she reaches the age of six.” “Mother, I know there are no ghosts or fairies. I would be teaching the child foolish lies.” Mary spoke sharply. “You do not know whether there are not ghosts on earth or angels in heaven.” “I know there is no Santa Claus.” “Yet you must teach the child that these things are so.” “Why? When I, myself, do not believe?” “Because,” explained Mary Rommely simply, “the child must have a valuable thing which is called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out by believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination. I, myself, even in this day and at my age, have great need of recalling the miraculous lives of the Saints and the great miracles that have come to pass on earth. Only by having these things in my mind can I live beyond what I have to live for.” “The child will grow up and find out things for herself. She will know that I lied. She will be disappointed.” “That is what is called learning the truth. It is a good thing to learn the truth one’s self. To first believe with all your heart, and then not to believe, is good too. It fattens the emotions and makes them to stretch. When as a woman life and people disappoint her, she will have had practice in disappointment and it will not come so hard. In teaching your child, do not forget that suffering is good too. It makes a person rich in character.” “If that is so,” commented Katie bitterly, “then we Rommelys are rich.” “We are poor, yes. We suffer. Our way is very hard. But we are better people because we know of the things I have told you. I could not read but I told you of all of the things I learned from living. You must tell them to your child and add on to them such things as you will learn as you grow older.
Betty Smith (A Tree Grows in Brooklyn)
We are time machines! The truth’s been right in front of our noses since cinema was invented. Hell, since photography was invented. Hell, since writing was invented. Make an image of something, and it escapes the flow of time. That’s why it’s forbidden! Dickens had a grasp on it with his ghosts, Mary Wollstonecraft Shelley almost got it, and Einstein came so close to the truth.
Kage Baker (Mendoza in Hollywood (The Company #3))
Seriously brethren, Judas is not in the nightclubs and pool bar right now. He is in the churches. Singing hymns and praying. gentleman indeed. Closest to Believers but the only thing is he wont go on to receive the Holy Ghost. This is a ‪‎healthy‬ ‪information‬ for me because then i will be careful not to be watching and comparing myself with others but instead check myself with the Word.
Mary Tornyenyor
She turned all her skills, all her power, manipulation, and control, to their only son, Julien. He was thirteen when his father died, devastated by the loss. Marie was determined that he, too, would become a diplomat, and return her to her rightful place at the tables of European power. Julien did as he was told. He studied in Paris, did well in school. And just as he neared the fulfillment of her dream, Julien, too, suddenly rebelled.
Elizabeth Hall (Miramont's Ghost)
Mary.” Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?” “I’m over here.” “Where?” She looked all around. “Why is your voice echoing?” “Chimney.” “What?” “I’m stuck in the fucking chimney.” She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?” His voice emanated from somewhere above her. “Don’t tell anyone, okay?” “What are you—” An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash. “You’re stuck!” she exclaimed. “And thank God no one lit this fire!” “You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.” Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—” “I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?” “What?” “This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.” Mary sat back and shook her head. “I’m more worried about you—” “Justopenthefuckingthingalready.” Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond… “A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.” Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely. -Lassiter & Mary
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
Mary has produced, together with the Holy Ghost the greatest thing which has been or ever will be - a God-Man; and she will consequently produce the greatest saints that there will be in the end of time. The formation and the education of the great saints who shall come at the end of the world are reserved for her. For it is only that singular and miraculous Virgin who can produce, in union with the Holy Ghost, singular and extraordinary things.
Louis de Montfort (True Devotion to Mary (English and French Edition))
The ceilings had set off a ghostly echo, giving all the desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known. Charlestons on the wings of airborne biplanes. Parties on sinking ships, the icy water bubbling around the waists of the orchestra as they sawed out a last brave chorus of "Auld Lang Syne." Actually, it wasn't "Auld Lang Syne" they'd sung, the night the Titanic went down but hymns, lots of hymns, and the Catholic priest saying Hail Marys, and the first-class salon which had really looked a lot like this: dark wood, potted palms, rose silk lampshades with their swaying fringe. I really had had too much to drink. I was sitting sideways in my chair, holding tight to the arms (Holy Mary, Mother of God), and even the floors were listing, like the decks of a foundering ship; like we might all slide to the other end with a hysterical wheeee! piano and all.
Donna Tartt (The Secret History)
So we're going ghosting. Our stories lie everywhere, just like our bones, more wild rides than you ever dreamt of, all the daring you want, and all the beauty. Freedom wasn't dull and plodding; it flamed across that Victorian sky like a rocket, it sang in the wind, it made a whole generation into world-changers. And we're going to tell it, if we have to howl in through your keyholes and the cracks in your walls; if we have to haunt your children, and steal across your borders to whisper legends in the ears of strangers.
Marie Jakober (Only Call Us Faithful: A Novel of the Union Underground)
Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I began to think that you wouldn’t play someone you couldn’t beat,” said Arin. Kestrel looked up from her piano to see him standing by the doors she had left open, then glanced at the Bite and Sting set lying on a table by the garden windows. “Not at all,” said Kestrel. “I have been busy.” His gaze flicked to the piano. “So I’ve heard.” Kestrel moved to sit at the table and said, “I’m intrigued by your choice of room.” He hesitated, and she thought he was ready to deny any responsibility of choice, to pretend that a ghost had left that tile on the piano. Then he shut the doors behind him. The room, though large, felt suddenly small. Arin crossed the room to join her at the table. He said, “I didn’t like playing in your suite.” She decided not to take offense. She had asked him to be honest. Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.” Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing. Arin said, “If I win, I will ask a question, and you will answer.” She felt a nervous flutter. “I could lie. People lie.” “I’m willing to risk it.” “If those are your stakes, then I assume my prize would be the same.” “If you win.” She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably. “Whereas matches make the perfect ante, and are so exciting to win and lose.” “Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound. Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win. She didn’t.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Our voices sounded small in the noisy darkness. We called her name again and again. We waved our flashlights in hope that she’d see their bobbing light. We were hoarse from calling. And desperate when she didn’t answer. The faint trail gave out, and we began circling back to the house without realizing it until we saw the lights in the windows. “We need to call the police,” Dad said. “We don’t know the land the way they do. We’ll get lost ourselves if we keep going.” Wordlessly, we made our way home. Mom was on the front porch, shivering in her warmest down coat. “You didn’t find her?” “No.” Dad stopped to hug her. Mom clung to him. They stood there whispering to each other, as if they’d forgotten about me. I waited, shifting my weight from one frozen foot to the other, afraid Bloody Bones might be watching us from the trees. Not that I believed he actually existed, not in my world, the real world, the five-senses world. But with the wind blowing and the moon sailing in and out of clouds like a ghost racing across the sky, I could almost believe I’d crossed a border into another world, where anything could be true—even conjure women and spells and monsters. The police came sooner than we’d expected. We heard their sirens and saw their flashing lights before they’d even turned into the driveway. Four cars and an ambulance stopped at the side of the house. Doors opened, men got out. A couple of them had dogs, big German shepherds who
Mary Downing Hahn (Took: A Ghost Story)
I believe creeds aren't worth the paper they are written on...But I still believe in God. I believe that if you look at my life, you'll only sometimes see what I believe. I believe that if we have two coats, we should give one away (though I don't do it). Today I don't believe in anything; tomorrow who knows. I sometimes believe in God- one who existed before time, beyond gender or fathom. Make of heaven and earth and ginger (all good things), whales, two-hundred-foot cliffs, cloud banks, shipwrecks, And in Jesus Christ, God's only Son our Lord, Who was conceived by the Holy Ghost- how? Born of a fourteen-year-old, Mary, scared out of her wits. Was crucified, dead, and buried, and I used to believe in the penal substitution theory of atonement, but now I just see a violent death and struggle to see how violence can ever be redemptive... He descended into hell, or was hell all around him all the time? The third day he rose again from the dead. He ascended into safety of abstraction, away from having to feel this, from dealing with this, And sits, maybe sprawls, on the right hand of God the Father Almighty. I believe in me; I believe in the Spirit, Sophia, wisdom... The holy catholic (i.e., everybody) Church; The Communion of saints; does this mean me? LOVE The Forgiveness of sins (but I still feel shame); (don't you?) The Resurrection of the body. I believe in singing the body electric And the life everlasting, A life we find right here in our midst
Peter Rollins (The Idolatry of God: Breaking Our Addiction to Certainty and Satisfaction)
Oh, and you must not forget the Kris Kringle. The child must believe in him until she reaches the age of six." "Mother, I know there are no ghosts or fairies. I would be teaching the child foolish lies." Mary spoke sharply. "You do not know whether there are not ghosts on earth or angels in heaven." "I know there is no Santa Claus." "Yet you must teach the child that these things are so." "Why? When I, myself, do not believe?" "Because," explained Mary Rommely simply, "the child must have a valuable thing which is called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out by believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination. I, myself, even in this day and age, have great need of recalling the miraculous lives of the Saints and the great miracles that have come to pass one arty. Only by having these things in my mind can I live beyond what I have to live for." "The child will grow up and find out things for herself. She will know that I lied. She will be disappointed." "This is what is called learning the truth. It is a good thing to learn the truth one's self. To first believe with all your heart, and then not to believe, is good too. It fattens the emotions and makes them stretch. When as a woman life and people disappoint her, she will have had practice in disappointment and it will not come so hard. In teaching your child, do not forget that suffering is good too. It makes a person rich in character." "If that is so," commented Katie bitterly, "then we Rommelys are rich." "We are poor yes. We suffer. Our way is very hard. But we are better people because we know of the things I have told you. I could not read but I told you of all of the things I learned from living. You must tell them to your child and add on to them such things as ou will learn as you grow older." "What more must I teach the child?" "The child must be made to believe in heaven. A heaven, not filled with flying angels with God on a throne...but a heaven which means a wondrous place that people may dream of--as of a place where desires come true. This is probably a different kind of religion. I do not know.
Betty Smith
Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.” Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak. She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable. Yet his hands held hers, and she could do nothing. He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
One woman called me after her grandmother had died. She explained that she had taken some of her grandmother’s furniture. They had put Grandma’s rocker in the family room, and even when it was empty, that chair rocked back and forth a mile a minute. The woman also mentioned that whenever she walked past the room when the chair was moving, she could smell her grandmother’s signature perfume, a distinctive scent called Evening in Paris. Given all the signs, I couldn’t blame the woman for thinking that the ghost of her grandmother had moved in and reclaimed her rocking chair, but I did not pick up on any earthbound spirits in her home. I reassured the woman that I believed her grandmother had crossed over into the Light and was fine, although it was possible that she just stopped by to visit from time to time.
Mary Ann Winkowski (When Ghosts Speak: Understanding the World of Earthbound Spirits)
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))