Ghost Stories Quotes

Do not lose hope — what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. (from 'Instructions')

Human minds are more full of mysteries than any written book and more changeable than the cloud shapes in the air.

Every love story is a ghost story.

Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can't be. There, now. Isn't that the scariest story you've ever heard?

Are you going to tell me what that was about?” Adam asked as we went back upstairs. “Sometime,” I told him. “When we're telling ghost stories around a campfire, and I want to scare you.

I can't wait until this show gets on the road," he said. "You and me are going to have so much fun, Rose. Picking out curtains, doing each other's hair, telling ghost stories..." The reference to "ghost stories" hit a little closer to home than I was comfortable with. Not that choosing curtains or brushing Christian's hair was much more appealing.

Star Trek?” I asked her. “Really?” “What?” she demanded, bending unnaturally black eyebrows together. “There are two kinds of people in the universe, Molly,” I said. “Star Trek fans and Star Wars fans. This is shocking.” She sniffed. “This is the post-nerd-closet world, Harry. It’s okay to like both.” “Blasphemy and lies,” I said.

We love the night and its quiet; and there is no night that we love so well as that on which the moon is coffined in clouds.

I sometimes give myself excellent advice. Occasionally, I even listen to it.

There should be a rule against your own inner monologue throwing around that much sarcasm.

Behind the corpse in the reservoir, behind the ghost on the links, Behind the lady who dances and the man who madly drinks, Under the look of fatigue, the attack of migraine and the sigh There is always another story, there is more than meets the eye.

we need ghost stories because we, in fact, are the ghosts.

...until that moment I had not understood that this was a story about lonely people, about absence and loss, and that that was why I had taken refuge in it until it became confused with my own life, like someone who has escaped into the pages of a novel because those whom he needs to love seem nothing more than ghosts inhabiting the mind of a stranger.

Before she knew it, she was just another set of eyes in a dusty attic, waiting for the stairs to creak.

Never make someone else the main character in your own story.

My gast was pretty well flabbered.

Every time I get nervous or scared, I remind myself that every good story needs twists and turns. Every heroine needs an adventure.

Remember your name. Do not lose hope--what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story.

…the painting was now all finished, she would leave the masking tape on till it dried. It was satisfying to do this. A job with a beginning, middle and end, and people to have dinner with. Don’t think about it, keep busy. Got no money anyway.

What I saw wasn't a ghost. It was simply--myself. I can never forget how terrified I was that night, and whenever I remember it, this thought always springs to mind: that the most frightening thing in the world is our own self. What do you think?

Not every story has a happy ending, ... but the discoveries of science, the teachings of the heart, and the revelations of the soul all assure us that no human being is ever beyond redemption. The possibility of renewal exists so long as life exists. How to support that possibility in others and in ourselves is the ultimate question.

When we die, these are the stories still on our lips. The stories we’ll only tell strangers, someplace private in the padded cell of midnight. These important stories, we rehearse them for years in our head but never tell. These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.

Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.

The dhampir dorm appeared before me, about half its windows lit. It was near curfew; people were going to bed. I burst in through the doors, feeling like my heart was going to explode from the exertion. The first person I saw was Stan, and I nearly knocked him over. He caught my wrists to steady me. "Rose, wh—" "Strigoi," I gasped out. "There are Strigoi on campus." He stared at me, and for the first time I'd ever seen, his mouth seriously dropped open. Then, he recovered himself, and I could immediately see what he was thinking. More ghost stories. "Rose, I don't know what you're—" "I'm not crazy!" I screamed. Everyone in the dorm's lobby was staring at us. "They're out there! They're out there, and Dimitri is fighting them alone. You have to help him." What had Dimitri told me? What was that word? "Buria. He said to tell you buria." And like that, Stan was gone.

Stories have power," she says. "So long as you belive them.

Hi Hazel Well here I am in the office and it’s dead quiet. What I’ll do is email pics of some of the stuff in the files and the comments with them. This is exactly what you wanted – stuff about the Games people played together with comments people made. Perfect!

I pity the woman who will love you when I am done. She will show up to your first date with a dustpan and broom, ready to pick up all the pieces I left you in. She will hear my name so often it will begin to dig holes in her. That is where doubt will grow. She will look at your neck, your thin hips, your mouth, wondering at the way I touched you. She will make you all the promises I did and some I never could. She will hear only the terrible stories. How I drank. How I lied. She will wonder (as I have) how someone as wonderful as you could love a monster like the woman who came before her. Still, she will compete with my ghost. She will understand why you do not look in the back of closets. Why you are afraid of what’s under the bed. She will know every corner of you is haunted by me.

She ran down the street and round the corner and up two more streets and crossed the road. ‘Will I be safe from him?’ the girl had said. And will I be safe from Samuel? She reached her car and threw her bag on the front seat and sat holding the steering wheel. Where to go, where to run to?

The best thing about my faerie godmother is that the creepy just keeps on coming.

There's only two ways to be completely alone in this world, lost in a crowd or in total isolation...

Courage is about learning how to function despite the fear, to put aside your instincts to run or give in completely to the anger born from fear. Courage is about using your brain and your heart when every cell of your body is screaming at your to fight or flee - and then following through on what you believe is the right thing to do.

Because ghost stories were just love stories about here and then and now and when, about pockets of happiness and moments that resonated in places long after their era. They were stories that taught you that love was never a matter of time, but a matter of timing.

I may have had good reasons. I may have had the best of intentions. But intentions aren’t enough, no matter how good they are. Intentions can lead you to a place where you’re able to make a choice. It’s the choice that counts.

Jeremy, I’ll say this once,’ he (Jonathan) began, ‘I’m not going to be drawn into any silly squabble you want to invent. I am not going to defend my recent behaviour in the village or anywhere else. I am not going to tell you my plans, I have had reasons for everything I’ve done and a great deal of thinking has gone into my recent very painful decisions…

Was there something … something evil …getting at Hugo? This bizarre and unwelcome thought surfaced in his mind. Were demons and evil spirits only to be found in the bible stories, or maybe this was some sort of challenge to him to deal with without help from anyone, least of all from the One who he constantly questioned and tried to understand …

Maybe all the people who say ghosts don't exist are just afraid to admit that they do.

Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.

Vicinity to the sea is desirable, because it is easier to do nothing by the sea than anywhere else, and because bathing and basking on the shore cannot be considered an employment but only an apotheosis of loafing.

When you become a ghost feel free to haunt me.

There is no holy life. There is no war between good and evil. There is no sin and no redemption. None of these things matter to the real you. But they all matter hugely to the false you, the one who believes in the separate self. You have tried to take your separate self, with all its loneliness and anxiety and pride, to the door of enlightenment. But it will never go through, because it is a ghost.

For God's sake, let us sit upon the ground And tell sad stories of the death of kings; How some have been deposed; some slain in war, Some haunted by the ghosts they have deposed; Some poison'd by their wives: some sleeping kill'd; All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king!

Long story short, ghosts just coming out of the closet sucked at communication. Probably as bad as a beginner ghost whisperer sucked at getting them to communicate.

What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside?

Strigoi," I gasped out. "There are Strigoi on campus." He stared at me, and for the first time I'd ever seen, his mouth seriously dropped open. Then, he recovered himself, and I could immediately see what he was thinking, More ghost stories. "Rose, I don't know what you're—" "I'm not crazy!" I screamed. Everyone in the dorm's lobby was staring at us. "They're out there! They're out there, and Dimitri is fighting them alone. You have to help him." What had Dimitri told me? What was that word? "Buria. He said to tell you buria." And like that, Stan was gone.

I once lost five years listening to a Pink Floyd album.

It is as easy to find a lover as to keep a friend, but as hard to find a friend as to keep a lover.

Psychoanalysis is often about turning our ghosts into ancestors, even for patients who have not lost loved ones to death. We are often haunted by important relationships from the past that influence us unconsciously in the present. As we work them through, they go from haunting us to becoming simply part of our history.

But I have sometimes thought that a woman's nature is like a great house full of rooms: there is the hall, through which everyone passes in going in and out; the drawing-room, where one receives formal visits; the sitting-room, where the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes.

There were no ghosts. Only memory.

Gandalf never had this kind of problem. He had exactly this problem, actually, standing in front of the hidden Dwarf door to Moria. Remember when . . . I sighed. Sometimes my inner monologue annoys even me. “Edro, edro,” I muttered. “Open.” I rubbed at the bridge of my nose and ventured, “Mellon.” Nothing happened. The wards stayed. I guessed the Corpsetaker had never read Tolkien. Tasteless bitch.

Jump into an open grave? What kind of idiot are you?" Butters replied. "I might as well put on a red shirt and volunteer for the away team. There's snow and ice and slippery mud down there. That's like asking for an ironically broken neck.

There is no spoon. I am completely spoonless over here.

It would require a singularly stupid man to go hang around in narrow tunnels and cramped spaces alongside a threat like that. "And I, Harry Dresden, am that man," I stated.

I've been a young man. Boobs are near the center of the universe, until you turn twenty-five or so. Which is also when young men's auto insurance rates go down. This is not a coincidence.

Listen: you are not yourself, you are crowds of others, you are as leaky a vessel as was ever made, you have spent vast amounts of your life as someone else, as people who died long ago, as people who never lived, as strangers you never met. The usual I we are given has all the tidy containment of the kind of character the realist novel specializes in and none of the porousness of our every waking moment, the loose threads, the strange dreams, the forgettings and misrememberings, the portions of a life lived through others’ stories, the incoherence and inconsistency, the pantheon of dei ex machina and the companionability of ghosts. There are other ways of telling.

Fear has no brains; it is an idiot. The dismal witness that it bears and the cowardly counsel that it whispers are unrelated.

But I am dead certain--ba-dump-bump-ching--that I'm the first guy to lead an army of spirits in an assault from the spirit-world side...and had them start off screaming, "BOO!

It was never too late to learn something. The past is unalterable in any event. The future is the only thing we can change. Learning the lessons of the past is the only way to shape the present and the future.

Nothing was easy, and sometimes she failed, and sometimes she thought that the fairy stories were right, that there must indeed be easier ways of living happily ever after; but defeat is a poor ending to any tale, so she kept trying.

He'd died. Plain and simple. And it pissed him off. Left him frustrated and disappointed. Where had all , the guardian angel crap they'd fed him in catechism gone to? He'd seen no angels, seraphim, archangels or pearly gates. No one to show him the ropes now that he was dead. What the hell was he supposed to do?

Being here? With you? I've met my subconscious, and he's not that sick.

You are thinking in human terms again, and forgetting Time is neither tick nor tock...

Stories aren’t fiction. Stories are fabric. They’re the white sheets we drape over our ghosts so we can see them. —ROSCOE AVANGER, Sweet Mallow

The greatest damage done by neglect, trauma or emotional loss is not the immediate pain they inflict but the long-term distortions they induce in the way a developing child will continue to interpret the world and her situation in it. All too often these ill-conditioned implicit beliefs become self-fulfilling prophecies in our lives. We create meanings from our unconscious interpretation of early events, and then we forge our present experiences from the meaning we’ve created. Unwittingly, we write the story of our future from narratives based on the past...Mindful awareness can bring into consciousness those hidden, past-based perspectives so that they no longer frame our worldview.’Choice begins the moment you disidentify from the mind and its conditioned patterns, the moment you become present…Until you reach that point, you are unconscious.’ …In present awareness we are liberated from the past.

Bob, would you be willing to take on Evil Bob?" Bob's eyes darted nervously. "I'd . . . prefer not to. I'd really, really prefer not to. You have no idea. That me was crazy. And buff. He worked out.

The ORDINARY RESPONSE TO ATROCITIES is to banish them from consciousness. Certain violations of the social compact are too terrible to utter aloud: this is the meaning of the word unspeakable. Atrocities, however, refuse to be buried. Equally as powerful as the desire to deny atrocities is the conviction that denial does not work. Folk wisdom is filled with ghosts who refuse to rest in their graves until their stories are told. Murder will out. Remembering and telling the truth about terrible events are prerequisites both for the restoration of the social order and for the healing of individual victims. The conflict between the will to deny horrible events and the will to proclaim them aloud is the central dialectic of psychological trauma. People who have survived atrocities often tell their stories in a highly emotional, contradictory, and fragmented manner that undermines their credibility and thereby serves the twin imperatives of truth-telling and secrecy. When the truth is finally recognized, survivors can begin their recovery. But far too often secrecy prevails, and the story of the traumatic event surfaces not as a verbal narrative but as a symptom. The psychological distress symptoms of traumatized people simultaneously call attention to the existence of an unspeakable secret and deflect attention from it. This is most apparent in the way traumatized people alternate between feeling numb and reliving the event. The dialectic of trauma gives rise to complicated, sometimes uncanny alterations of consciousness, which George Orwell, one of the committed truth-tellers of our century, called "doublethink," and which mental health professionals, searching for calm, precise language, call "dissociation." It results in protean, dramatic, and often bizarre symptoms of hysteria which Freud recognized a century ago as disguised communications about sexual abuse in childhood. . . .

When Shaundelle turned and looked back at Nonie she had her lips pursed. "The man say wear whatever you want. Wear black, girl. It's slimmin', not that you need any slimmin' with your skinny self, but it makes me look like I've been dietin' for a week. I don't want to be the only one wearin' black, so wear black, okay?

It bothered me that he was right. Without Sir Stuart's intervention, I'd have been dead again already. That's right--you heard me: dead again already. I mean, come on. How screwed up is your life (after- or otherwise) when you find yourself needing phrases like that?

Did you finish yours, Kota?" "Working on it now, Actually." "How's it going?" He sat up, turning in his chair and holding up his notebook. "I don't know. What rhymes with formaldehyde?" My eyes widened. Gabriel laughed, rubbing his fingers against his forehead. "Dude, what kind of poem are you writing?" Kota blinked at us. "It's about a doctor." "Does the doctor fall in love?" Gabriel asked. "No." "Does someone die?" "Not in the story, technically." "What does he do?" "He performs an autopsy.

Elinor had read countless stories in which the main characters fell sick at some point because they were so unhappy. She had always thought that a very romantic idea, but she’d dismissed it as a pure invention of the world of books. All those wilting heroes and heroines who suddenly gave up the ghost just because of unrequited love or longing for something they’d lost! Elinor had always enjoyed their sufferings—as a reader will. After all, that was what you wanted from books: great emotions you’d never felt yourself, pain you could leave behind by closing the book if it got too bad. Death and destruction felt deliciously real conjured up with the right words, and you could leave them behind between the pages as you pleased, at no cost or risk to yourself.

This story never really had a point. It’s just a lull - a skip in the record. We are addresses in ghost towns. We are old wishes that never came true. We are hand grenades (and every word you say pulls the pin). We are all gods, we are all monsters.

Paint ghosts over everything, the sadness of everything. We made ourselves cold. We made ourselves snow. We smuggled ourselves into ourselves. Haunted by each other’s knowledge. To hide somewhere is not surrender, it is trickery. All day the snow falls down, all night the snow. I try to guess your trajectory and end up telling my own story. We left footprints in the slush of ourselves, getting out of there.

Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.

Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows. So we grapple with the mysteries, each in our own way.

Demon. Gremlin. Poltergeist. Ghost. Phantom. Spirit. Shadow. Ghoul. Devil. People are afraid of them, so they relegate their existence to stories, volumes of books that can be closed and put on the shelf or left behind at a bed and breakfast; they clench their eyes shut, so they will see no evil. But trust me when I tell you that the zebra is real. Somewhere, the zebra is dancing.

There is no such sense of solitude as that which we experience upon the silent and vast elevations of great mountains. Lifted high above the level of human sounds and habitations, among the wild expanses and colossal features of Nature, we are thrilled in our loneliness with a strange fear and elation – an ascent above the reach of life's expectations or companionship, and the tremblings of a wild and undefined misgivings.

Epic sex?" I sputtered. "By what standards, precisely, is sex judged to be epic?" "And tons and tons of mortal simps like you used as pawns." Bob sighed happily, ignoring my question. "There are no words. It was like the Lord of the Rings and All My Children made a baby with the Macho Man Randy Savage and a Whac-A-Mole machine.

I could isolate, consciously, little. Everything seemed blurred, yellow-clouded, yielding nothing tangible. Her inept acrostics, maudlin evasions, theopathies - every recollection formed ripples of mysterious meaning. Everything seemed yellowly blurred, illusive, lost.

The Chinese considered the moon to be yin, feminine and full of negative energy, as opposed to the sun that was yang and exemplified masculinity. I liked the moon, with its soft silver beams. It was at once elusive and filled with trickery, so that lost objects that had rolled into the crevices of a room were rarely found, and books read in its light seemed to contain all sorts of fanciful stories that were never there the next morning.

Before Luce could reply, a skinny, dark haired girl appeared in from of her, wagging her long fingers in Luce's face. "Ooooooh," the girl taunted in a ghost-story-telling voice, dancing around Luce in a circle. "The reds are watching youuuu." "Get out of here, Arriane, before I have you lobotimized," the attendant said, though it was clear from her first brief but genuine smile that she had some coarse affection for that crazy girl. It was also clear that Arriane did not reciprocate the love. She mimed a jerking-off motion at the attendant, then stared at Luce, daring her to be offended.

There are some secrets which do not permit themselves to be told. Men die nightly in their beds, wringing the hands of ghostly confessors, and looking them piteously in the eyes — die with despair of heart and convulsion of throat, on account of the hideousness of mysteries which will not suffer themselves to be revealed.

Pain isn’t a lot of fun, at least not for most folks, but it is utterly unique to life. Pain — physical, emotional, and otherwise — is the shadow cast by everything you want out of life, the alternative to the result you were hoping for, and the inevitable creator of strength. From the pain of our failures we learn to be better, stronger, greater than what we were before. Pain is there to tell us when we’ve done something badly—it’s a teacher, a guide, one that is always there to both warn us of our limitations and challenge us to overcome them. For something no one likes, pain does us a whole hell of a lot of good.

Souls," I said. "I mean, you always wonder if they're real. Even if you believe in them, you still have to wonder: Is my existence just this body? Is there really something more? Do I really have a soul?" Uriel's smile blossomed again. "You've got it backward, Harry," he said. "You are a soul. You have a body.

And yet the world we live in—its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence—is shaped far less by what we celebrate and mythologize than by the painful events we try to forget. Leopold's Congo is but one of those silences of history.

Time’s voice is everything you can physically experience. It is a favourite smell, a first taste from childhood, a vision shared with one you love. Time touches you as if it had fingers that possess infinite knowledge of how to caress with utmost beauty and you in turn can touch Time. You can feel it’s breath as if it was your own sleeping child’s.

I always considered myself a loner. I mean, not like a poor-me, Byron-esque, I-should-have-brought-a-swimming-buddy loner. I mean the sort of person who doesn’t feel too upset about the prospect of a weekend spent seeing no one, and reading good books on the couch. It wasn’t like I was a people hater or anything. I enjoyed activities and the company of friends. But they were a side dish. I always thought I would be happy without them.

There is no father,’ he said eventually, ‘And I believe you’re running away from something. You’re a lovely woman trying to hold it all together but it’s too much for you. You think I’m a stupid old man who doesn’t care what he looks like and sits here day after day with nothing to do. And doesn’t notice anything. But you don’t know what’s here inside …’ he laid his arm across his chest, ‘My soul and my heart and my mind. There is so much in here it’s bursting and roving around the world like a lost soul with no home, endlessly looking and searching. I feel the mystery, I sense the mysteries – and the endless joy and the wonder and incredible beauty of the world and the pain and the cruelty. You feel all this too Sarah, but you pretend you’re a shallow woman with some sort of story, and underneath you think about … many things. Which of my books are you itching to get your hands on, huh? And you’re carrying the pain around with you, and something has just happened, and you are worried and, something has happened in the last few minutes and it’s all more than you can bear, and you need to tell me, yes me, Samuel. I am so much more than you think I am, and I can understand, and I can help.’ Ruby looked up startled and their eyes met. ‘I am so tired,’ she said, ‘Yes, you are right. I am so very tired of it all.' 

You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.

If there is one thing I'd learned about hospitals, it's that they aren't interested in healing you. They are interested in stabilizing you, and then everyone is supposed to move on. They go to stabilize some more people, and you go off to do whatever you do. Healing, if it happens at all, is done on your own, long after the hospital has submitted your final insurance paperwork.

Just as secrets have a way of breaking loose, memories often have a way of breaking down. They elude us, or aren’t quite sharp enough, or fool us into remembering things that didn’t quite happen that way. Yet much as a family inhabits a house, memories inhabit our stories, make them breathe, give them life. So we learn to live with the reality that what we remember is an imperfect version of what we know to be true.

This is how great intellectual breakthroughs usually happen in practice. It is rarely the isolated genius having a eureka moment alone in the lab. Nor is it merely a question of building on precedent, of standing on the shoulders of giants, in Newton's famous phrase. Great breakthroughs are closer to what happens in a flood plain: a dozen separate tributaries converge, and the rising waters lift the genius high enough that he or she can see around the conceptual obstructions of the age.

No one’s fated or doomed to love anyone. The accidents happen, we’re not heroines, they happen in our lives like car crashes, books that change us, neighborhoods we move into and come to love. Tristan and Isolde is scarcely the story, women at least should know the difference between love and death. No poison cup, no penance. Merely a notion that the tape-recorder should have caught some ghost of us: that tape-recorder not merely played but should have listened to us, and could instruct those after us: this we were, this is how we tried to love, and these are the forces they had ranged against us, and these are the forces we had ranged within us, within us and against us, against us and within us.

It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.

Those who spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment. The putting of dispersed sets of volumes together, or the turning right way up of those which the dusting housemaid has left in an apoplectic condition, appeals to them as one of the lesser Works of Mercy. Happy in these employments, and in occasionally opening an eighteenth-century octavo, to see 'what it is all about,' and to conclude after five minutes that it deserves the seclusion it now enjoys, I had reached the middle of a wet August afternoon at Betton Court... -the beginning of the story "A Neighbor's Landmark

Shall I tell you a story? A new and terrible one? A ghost story?" The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls." Felicity...," I start, because it's her and not the story that's beginning to frighten me. You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?" Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here." Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy." The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.

No matter where; of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper and with rainy eyes Write sorrow on the bosom of the earth, Let's choose executors and talk of wills: And yet not so, for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives and all are Bolingbroke's, And nothing can we call our own but death And that small model of the barren earth Which serves as paste and cover to our bones. For God's sake, let us sit upon the ground And tell sad stories of the death of kings; How some have been deposed; some slain in war, Some haunted by the ghosts they have deposed; Some poison'd by their wives: some sleeping kill'd; All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king! Cover your heads and mock not flesh and blood With solemn reverence: throw away respect, Tradition, form and ceremonious duty, For you have but mistook me all this while: I live with bread like you, feel want, Taste grief, need friends: subjected thus, How can you say to me, I am a king?

The problem with a lot of people who read only literary fiction is that they assume fantasy is just books about orcs and goblins and dragons and wizards and bullshit. And to be fair, a lot of fantasy is about that stuff. The problem with people in fantasy is they believe that literary fiction is just stories about a guy drinking tea and staring out the window at the rain while he thinks about his mother. And the truth is a lot of literary fiction is just that. Like, kind of pointless, angsty, emo, masturbatory bullshit. However, we should not be judged by our lowest common denominators. And also you should not fall prey to the fallacious thinking that literary fiction is literary and all other genres are genre. Literary fiction is a genre, and I will fight to the death anyone who denies this very self-evident truth. So, is there a lot of fantasy that is raw shit out there? Absolutely, absolutely, it’s popcorn reading at best. But you can’t deny that a lot of lit fic is also shit. 85% of everything in the world is shit. We judge by the best. And there is some truly excellent fantasy out there. For example, Midsummer Night’s Dream; Hamlet with the ghost; Macbeth, ghosts and witches; I’m also fond of the Odyessey; Most of the Pentateuch in the Old Testament, Gargantua and Pantagruel. Honestly, fantasy existed before lit fic, and if you deny those roots you’re pruning yourself so closely that you can’t help but wither and die.

We have a task before us which must be speedily performed. We know that it will be ruinous to make delay. The most important crisis of our life calls, trumpet-tongued, for immediate energy and action. We glow, we are consumed with eagerness to commence the work, with the anticipation of whose glorious result our whole souls are on fire. It must, it shall be undertaken to-day, and yet we put it off until to-morrow; and why? There is no answer, except that we feel perverse, using the word with no comprehension of the principle. To-morrow arrives, and with it a more impatient anxiety to do our duty, but with this very increase of anxiety arrives, also, a nameless, a positively fearful, because unfathomable, craving for delay. This craving gathers strength as the moments fly. The last hour for action is at hand. We tremble with the violence of the conflict within us, — of the definite with the indefinite — of the substance with the shadow. But, if the contest have proceeded thus far, it is the shadow which prevails, — we struggle in vain. The clock strikes, and is the knell of our welfare. At the same time, it is the chanticleer-note to the ghost that has so long overawed us. It flies — it disappears — we are free. The old energy returns. We will labor now. Alas, it is too late!

From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque. He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")

ALONE One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard. I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing. After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.