Ghost Boys Quotes

He always accuses me of trying to look'cool', I was like, 'everybody tries to look cool, I just happen to be successful.

Land of the Dead? Is that what you dream about?” she asks. “Boy who kills ghosts for a living?” “No. I dream about penguins doing bridge construction. Don’t ask why.

I was literally seeing stars, and every ragged breath I took felt like I was trying to breathe through broken glass. On the upside, my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feeling should naturally go the way of the ghost.

Bathroom, maybe? Which is where I need to go." "Ooh, me, too," Eve said. The boys rolled their eyes, like they'd planned it. "What? It's what girls do. Get over it.

What is the statute of limitations on feeling guilty for cheating on a ghost?

There are pieces of me, small pieces, still in love with a fiction. A ghost living inside a living boy I cannot begin to fathom. The ghost who sat by my bed while I dreamed in pain. The ghost who kept Samson from my mind as long as he could, I know, delaying an inevitable torture. The ghost who loves me, in what poisoned way he can. And I feel that poison working in me.

So what I want to know is why it is that I can no longer find you, in my mind. You are still there, just, but you are there like a ghost, a will o' the wisp. Not long ago you burned--your heart burned--in my mind like silver fire. But after that night in the inn it became patchy and dim, and now it is not there at all." "Could it be that the heart that you seek is no longer my own? I have given my heart to another." "The boy? The one in the inn? With the unicorn?" "Yes." "You should have let me take it back then, for my sisters and me. We could have been young again, well into the next age of the world. Your boy will break it, or waste it, or lose it. They all do." "Nonetheless, he has my heart. I hope your sisters will not be too hard on you, when you return to them without it.

The first coffee of the morning is never, ever, ready quickly enough. You die before it’s ready and then your ghost pours the resurrection potion out of the moka pot.

We both believe in monsters. But all the ghosts and demons are you. And all the angels and genies are you. All the kings, queens, Buddhas, beautiful boys. Inside you. No one can take them away. (Missing Angel Juan.)

Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.

I am a boy and a girl and a witch all wrapped into one very strange, flimsy, indecisive body. Do you think my body couldn't decide what it wanted to be?

What would it be like if I had something to defend - a home, a country, a family - and I found myself attacked by these ghostly men, these trusting boys? How do you fight an enemy who fights with neither enmity nor anger but in submission to orders from superiors, without protest and without conscience?

Alden seems like a very nice boy. The kind of boy I'd like to see you hanging out with." I almost laughed out loud. If she only knew! A reincarnated, soul-sharing lunatic. Ghost Boy---every mother's dream.

FINALLY!" Julian burst out, annoyed but smiling as he leaped to his feet. "I've been--dude, stop screaming--I've been waiting for FOREVER!

Did Julian just have zero impulse control? It was almost endearing. But only almost.

all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father? hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth. that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer. you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about. last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.

Now Gansey grinned, the warmth of discovery starting to course through him. "So, pop quiz, Mr Parrish. Three things that appear in the vicinity of ley lines?" "Black dogs," Adam said indulgently. "Demonic presences." "Camaros," Ronan inserted. Gansey continued as if he hadn't spoken. "And ghosts. Ronan, queue up the evidence if you would.

If you see Myrnin, tell him I said I want my slow cooker back." "Your- You let him borrow something you put food in?" Hannah's smile disappeared. "Why?" "Um, never mind. I'll make sure it gets disinfected before you get it back. But don't lend anything to him again unless you can put it in some kind of sterilizer." That made even Hannah look nervous. "Thanks. Tell crazy boy I said hey." "I will" Claire promised. "Hey, if you don't mind me asking - when did he borrow it from you?" "He just showed up at my door one night about a week ago, said, 'Hi, nice to meet you. Can I borrow your Crock-Pot?' Which I understand is pretty typical Myrnin.

He sighed against my hair. "Be good. Listen to the boys. Try not to get them into any trouble." I scoffed. "I don't do that.

For the next couple of weeks she held Peter like a secret in her heart, lying right under her necklace. I could see him written on her face, and Tik Tok, too, seemed to catch shadows of him, because he'd stop to stare at her, puzzled, as if he'd just seen the boy flit across her eyes-seen the ghost of the kiss lingering for a second on the skin of her neck before disappearing.

Everyone knows ladies love Cajuns. It's in our blood and our language is the language of romance." "Your language is the language of bullshit. You're just a couple of good ole boys with pretty faces. Women just ought to know better.

This story never really had a point. It’s just a lull - a skip in the record. We are addresses in ghost towns. We are old wishes that never came true. We are hand grenades (and every word you say pulls the pin). We are all gods, we are all monsters.

Face it, you hate every single boy on the face of the Earth!" "That's not TRUE, I just hate all these obnoxious, extroverted, pseudo-bohemian art-school losers

Only the living can make the world better. Live and make it better" (Rhodes).

And without you is how I disappear, And live my life alone forever now. And without you is how I disappear, And live my life alone forever now. Who walks among the famous living dead, Drowns all the boys and girls inside your bed. And if you could talk to me, Tell me if it's so, That all the good girls go to heaven. Well, heaven knows That without you is how I disappear, And live my life alone forever now. And without you is how I disappear, And live my life alone forever now. Can you hear me cry out to you? Words I thought I'd choke on figure out. I'm really not so with you anymore. I'm just a ghost, So I can't hurt you anymore, And now, you wanna see how far down I can sink? Let me go, fuck! So, you can, well now so, you can I'm so far away from you. Well now so, you can. And without you is how I disappear, And without you is how I disappear, Whoa whoa... (And without you is how I disappear) Whoa whoa... (And without you... is how, is how, is how...) Forever, forever now!

Why do I have to do this?" Gator demanded. Cuz you're such a pretty boy. Our photographer isn't going to fall for one of us as the tied up model," Nico pointed out. Dumbest plan you've ever come up with," Gator rumbled. "Offering myself all trussed up like a Christmas turkey to a serial killer who likes to torture people isn't too smart.

It was a feeling in the crisp twilight air; it was a hush across the hills. The ghosts were gathering themselves, building up their strength to wander the fields of October and speak to those who would listen.

I'm so glad you're okay." "So, how do we celebrate my okayness? It's my day off. Let's go crazy. Glow-in-the-dark bowling?" "No" "I'll let you use the kiddie ball." "Shut up. I do NOT need the kiddie ball." "The way you bowl, I think you might." He grabbed her in an exaggerated formal dance pose and whirled her around, backpack and all, which didn't make her any more graceful. "Ballroom dancing?" "Are you INSANE?" "Hey, girls who tango are hot." "You think I'm not hot because I don't tango?" He dropped the act. Shane was a smart boy. "I think you are too hot for ballroom or bowling. So you tell me. What do you want to do? And don't say study.

No flowers,'' He kisses my cheek. ''So noted, rosebud boy.'' I look up at him. ''That's what the ghost called me— your mother. That's what she said.'' Baz is looking in my eyes. ''I remember.'' He runs his thumb over my cheek. Then my bottom lip. ''My rosebud boy.

Can't undo wrong. Can only do our best to make things right.

They meant well, all of them. How could she explain that this city was a graveyard? That they were walking every day through streets where there had been a holocaust, a mass murder of neglect and antipathy, that when they stepped through a pocket of cold air, didn’t they understand it was a ghost, it was a boy the world had spat out?

Cute? You think he's cute? What's cute about him? ... Well, yes. He's got that smile, that really bad boy smile, and a great backside. On page eighty of the relationship manual, it clearly states, you cannot look at another man's backside, especially if you think it's great.

There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.

Heard you missed me", he said, half turning and looking down at me. The smile on his lips broadened. "And that you're beating up the boys at school in protest to get me to come back. Couldn't let that happen.

Dr. Green laughed, resting a hand on his forehead. “You should have seen those boys. They ran so fast, you’d have thought I was the devil come to collect.

He'll be delivered from madness. What then? He'll feel himself acceptable! What then? Do you think feelings like his can be simply re-attached, like plasters? Stuck on to other objects we select? Look at him! ... My desire might be to make this boy an ardent husband - a caring citizen - a worshipper of abstract and unifying God. My achievement, however, is more likely to make a ghost!

Buddy ran down the road, turned into another street, and vanished as if he had never been there, like another ghost from New Orleans's past.

Yadriel snorted. "You're really taking this 'ghost' stuff literally." Julian tilted his chin and grinned in a way he could only describe as preening. "I'm very committed to my new lifestyle.

He laces our fingers and shrugs. And I’m dead. I am actually dead. There’s no other way to explain it. I’m sitting in fucking Herald Square, holding hands with the cutest boy I’ve ever met, and I’m dead. I’m the deadest zombie ghost vampire who ever died. And now my mouth isn’t working. It's like I'm stunned into silence. That never happens.

On the upside,my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feelings should naturally go the way of the ghost.

Julian's hand fell to his lap. He looked out over the water again. The wind tugged at his jacket. He closed his eyes and grinned. Below, the waves crashed. The moonlight painted him in shades of blue. His edges blurred like watercolors spilling outside of their lines.

You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.

Romantic love has always interested me: the way it ebbs and flows like a living thing, or how it is revealed in secret smiles or anguished conversations. Perhaps I've always found it captivating because it was the starkest reminder of how alone I was.

When I asked him the meaning of life, Dr. Webb got very quiet and then told me life has no one meaning, it only has whatever meaning each of us puts on our own life. I'll tell you now that I still don't know the meaning of mine. And Lucas Cader, with all his brains and talent, doesn't know the meaning of his, either. But I'll tell you the meaning of all this. The meaning of some bird showing up and some boy disappearing and you knowing all about it. The meaning of this was not to save you, but to warn you instead. To warn you of confusion and delusion and assumption. To warn you of psychics and zombies and ghosts of your lost brother. To warn you of Ada Taylor and her sympathy and mothers who wake you up with vacuums. To warn you of two-foot-tall birds that say they can help, but never do.

No one seems to consider that even people who are thought to be intellectually impaired can change as they grow older.

And it was then that I realized that families might be the ones who pick us up time and again but strangers can also rescue us—even if they don’t know they’re doing so.

Ghosts!” gasped Alice. “Real, live ghosts?” “No! Not ‘real, live ghosts!’ Spooky, dead ghosts!

If someone does not expect or is not expected to achieve, then they never will.

Can't undo wrong. Can only do our best to make things right" -Grandma

It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.

Dreams can be any size you want them to be. But the important thing is that you have one that is yours.

It’s right to say that people fall in love. We don’t glide, slip, or stumble into it. Instead we tumble head first from the moment we decide to step off the edge of a cliff with someone and see whether we’ll fly together. Love might be irrational, but we make the choice to risk everything.

Do they really think that a limited intellect means a child can’t feel viciousness in a person’s touch or hear anger in the tone of their voice?

Do we dust for fingerprints now?” I asked. He swiveled his head back around until he was gazing at me. “Who do we look like? The Hardy Boys?” Silas chuckled at us without looking up from the laptop screen. Stone, C. L. (2014-01-19). Drop of Doubt: The Ghost Bird Series: #5 (Kindle Locations 945-947). Arcato Publishing. Kindle Edition.

Did you know sometimes it frightens me-- when you say my name and I can't see you? will you ever learn to materialize before you speak? impetuous boy, if that's what you really are. how many centuries since you've climbed a balcony or do you do this every night with someone else? you tell me that you'll never leave and I am almost afraid to believe it. why is it me you've chosen to follow? did you like the way I look when I am sleeping? was my hair more fun to tangle? are my dreams more entertaining? do you laugh when I'm complaining that I'm all alone? where were you when I searched the sea for a friend to talk to me? in a year where will you be? is it enough for you to steal into my mind filling up my page with music written in my hand you know I'll take the credit for I must have made you come to me somehow. but please try to close the curtains when you leave at night, or I'll have to find someone to stay and warm me. will you always attend my midnight tea parties-- as long as I set it at your place? if one day your sugar sits untouched will you have gone forever? would you miss me in a thousand years-- when you will dry another's tears? but you say you'll never leave me and I wonder if you'll have the decency to pass through my wall to the next room while I dress for dinner but when I'm stuck in conversation with stuffed shirts whose adoration hurts my ears, where are you then? can't you cut in when I dance with other men? it's too late not to interfere with my life you've already made me a most unsuitable wife for any man who wants to be the first his bride has slept with and you can't just fly into people's bedrooms then expect them to calmly wave goodbye you've changed the course of history and didn't even try where are you now-- standing behind me, taking my hand? come and remind me who you are have you traveled far are you made of stardust too are the angels after you tell me what I am to do but until then I'll save your side of the bed just come and sing me to sleep

All I can do is put in time waiting for the inevitable, observing as the ghost of my past rattle around my vacuous present. They crash and bang and make themselves at home, mostly because there's no competition. I've stopped fighting them. They're crashing and banging around in there now. Make yourselves at home, boys. Stay awhile. Oh, sorry- I see you already have. Damn ghost.

While yet a boy I sought for ghosts, and sped Through many a listening chamber, cave and ruin, And starlight wood, with fearful steps pursuing Hopes of high talk with the departed dead.

Aye. You gender-malcontent. You otherling,” she said, the fog of anesthesia wearing off. She could see him clearly now. The curl of his lashes. The white flecks of skin over his dry lips. “Me too. I am a boy and a girl and a witch all wrapped into one very strange, flimsy, indecisive body. Do you think my body couldn’t decide what it wanted to be?” “I think it doesn’t matter because we get to decide what our bodies are or are not,” he answered. Aster sat up, and Theo helped her prop two pillows beneath her head. “Is that so? Then I am magic. I say it, therefore it is true,” she said.

One boy's footprints are not long in being lost in the snow, in the steadily falling snow of the shortest day, the longest night; they are lost as soon as they are made. And once again the heath is clothed in drifting white. And there is no ghost, save the one ghost that lives in the heart of a motherless boy, till his footprints disappear.

Actually, said Molly, it’s no harder for girls to pee than boys, the problem isn’t biology, it’s men’s fear of women’s bodies. If we were allowed to pull our knickers down and squat by a wall the way you’re allowed to get your dick out and piss up the wall there wouldn’t be a problem, it’s just the way you all act as if a vagina will come and eat you if it’s out without a muzzle.

Sadness, though, is probably the hardest thing of all to hide because sorrow has a way of seeping out however well people think they’re containing it. You only have to look to see the signs, but most people don’t, which is why so many seem to end up feeling lonely.

You are an anomaly of a man," she said. "Perhaps because I'm not a man at all." He sat closer now. The sheets wrinkled as he scooted himself toward her. "Aye. You gender-malcontent. You otherling," she said..."Me too. I am a boy and a girl and a witch all wrapped into one very strange, flimsy, indecisive body. Do you think my body couldn't decide what it wanted to be?" "I think it doesn't matter because we get to decide what our bodies are or are not," he answered.

I'm not quite sure which scout troop Heath belonged to, but it certainly wasn't the "I will totally honor my previous promise of no hanky-panky in the shower" troop.

None of us knows what we can bear until we’re asked,

Humankind is but the pieces in a game, plastic soldiers waging war between boy gods.

So, look, you can't leave," Doug said, sitting straight up and turning towards her. "if you do, Miller's gonna revert and Caleb and Ian are gonna ride roughshod and Sean'll go back to being ghost brother and Finn..." Megan's heart slipped. "Finn what?" "Finn will be destroyed," Doug said, looking her in the eye. "You got that dude all up in a twist, you know that, right?" "What does that even mean?" Megan asked. "All's I know is, he found out you left and he locked himself in the shed and barricaded the door. No one's seen him since," Doug said. "When I bolted, Sean and Evan were trying to boost Caleb up onto the roof so he could look through the skylight and make sure the kid wasn't dead or something." Megan swallowed hard. "Wow.

I’d been put into a box long before, after all. Each of us has. Are you the “difficult” child or the “histrionic” lover, the “argumentative” sibling or the “long-suffering” spouse? Boxes make us easier to understand, but they also imprison us because people don’t see past them.

Everything I told him was technically true, more or less, and I got the job done," Jack said stubbornly. "Look, sir, if I were perfect, I wouldn't be working here in the first place. Now, would I?" And then he hung up. On speakerphone. On a freaking archangel. I couldn't help it. I let out a rolling belly laugh. "I just got suckered into doing this by...Stars and stones, you didn't even know that he...Big bad angel boy, and you get the wool pulled over your eyes by..." I stopped trying to talk and just laughed. Uriel eyed the phone, then me, and then tucked the little device away again, clearly nonplussed. "It doesn't matter how well I believe I know your kind, Harry. They always manage to find some way to try my patience.

In a friendship, especially in a friendship between two young boys, you are allowed to inflict a certain amount of pain. This is even expected. But you must cause no serious injury; you must never, under any circumstances, leave wounds that will result in permanent scars.

So," said Moundshroud. "If we fly fast, maybe we can catch Pipkin. Grab his sweet Halloween corn-candy soul. Bring him back, pop him in bed, toast him warm, save his breath. What say, lads? Search and seek for lost Pipkin, and solve Halloween, all in one fell dark blow?" They thought of All Hallows' Night and the billion ghosts awandering the lonely lanes in cold winds and strange smokes. They thought of Pipkin, no more than a thimbleful of boy and sheer summer delight, torn out like a tooth and carried off on a black tide of web and horn and black soot. And, almost as one, they murmured: "Yes.

When I first entered the school, I was all set to tie my hair in a ponytail, get a fake tan, and write my homework in pink gel ink. I was prepared to hear girls bragging nonchalantly about the BMWs and diamond earrings they recieved for their birthday. I almost looked forward to hearing the flashlight-wielding nuns tell me to "leave room for the holy ghost" when I danced lewedly with messy-haired prep-school boys

And you can apparently summon ghosts and send them to the afterlife, whatever that means.” “Yes—Well, no—” Yadriel fumbled, trying to explain himself. “I haven’t done the releasing part yet—” “Wooow,” Julian crooned, head bobbing in a nod as he looked between the two of them. “You guys are really shitty witches.

But, stop and think. What does the word ‘witch’ truly mean?” “Why—” said Tom, and was stymied. “Wits,” said Moundshroud. “Intelligence. That’s all it means. Knowledge. So any man, or woman, with half a brain and with inclinations toward learning had his wits about him, eh? And so, anyone too smart, who didn’t watch out, was called—” “A witch!” said everyone. “And some of the smart ones, the ones with wits, pretended at magic, or dreamed themselves with ghosts and dead shufflers and ambling mummies. And if enemies dropped dead by coincidence, they took credit for it. They liked to believe they had power, but they had none, boys, none, sad and sorry, ’tis true. But

Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!" "I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room. "Aaaaaah... did you love him, little baby Potter?" Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!" Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor. "Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!

His rapier was at his belt, glittering as he swung. He reached down, ripped the sword clear. I jumped over a slashing frond of plasm, spun round with the water bottle in my hand. I hurled it across to Lockwood. George threw his rapier to me. Watch this now. Sword and bottle, sailing through the air, twin trajectories, arching beautifully through the mass of swirling tendrils towards Lockwood and me. Lockwood held out his hand. I held out mine. Remember I said there was that moment of sweet precision when we gelled perfectly as a team? Yeah, well. This wasn't it. The rapier shot past, missing me by miles. It skidded halfway across the floor. The bottle struck Lockwood plumb in the centre of his forehead, knocking him through the window. There was a moment's pause. 'Is he dead?' the skulls voice said 'Yay! Oh. No, he's hanging onto the shutters. Shame. Still, this is defiantly the funniest thing I've ever seen. You three really are incompetence on a stick

He was a single captured moment, a stillness amidst the chaos and noise, a dark ghost in the world of the living. Monochrome in his paleness and dark clothing, standing poised as if the crow would take flight—or the spirit would fade away, as dead as the boy lying blank and empty on the pavement.

Tell me this," I said. "My world. It's not like the one I read about in the oldest books. When they talk about magic, about ghosts, it's as if they are fairy-tales to frighten children. And yet I have seen the dead walk, seen a boy bring fire with just a thought." Fexler frowned as if considering how to explain. "Think of reality as a ship whose course is set, whose wheel is locked in place by universal constants. Our greatest achievement, and downfall, was to turn that wheel, just a fraction. The role of the observer was always important—we discovered that. If a tree falls in the wood and no one hears it, then it is both standing and not standing. The cat is both alive and dead." "Who mentioned a fecking cat?

When he says he doesn’t love you anymore, roll your shoulders back and look him in the eye even when it feels like your ribs are breaking inward; like spider legs. When he digs up old aches that he swore he forgave you for, smile and ask him why he didn’t leave you sooner. Ignore the way the words feel like sandpaper running all the way up your throat to your mouth. When he blames you for mistakes that wear his face, do not scream. Do not cry. Tell him that there are boys who would be proud to say they’d love you. Tell him that in two years you won’t even remember his name and don’t let him see the way you can taste your own lie. When he leaves, ignore the howling in your blood and do not get up after him. Not even to lock the door. Do not, do not, DO NOT. Smell his shirts when you box them up to give them back. Not one. Swear off dating when you realize you’re chasing ghosts that wear his smile. It’s okay to cry over him. It’s even okay to forgive him. But do not go back to him if he did not know how to love you the first time. He won’t know how to do it the next.

Did you ever think about boys?' I say, staring up into the dark. 'There wasn't room,' she whispers, and her voice is unbelievably sad. 'At first, after Connor, I was just waiting. I was going to get a new boyfriend soon- as soon as I was prettier or better, more perfect. But after a while there was no room for anything else. If I though about kissing or sex, I just started feeling ugly, too awful for anything good.

The site of his thinking and writing was a small office wedged in one corner of his shaggy house, on whose door he’d installed a lock to keep his sons out. They gathered wistfully outside it, his boys, with their chipped, heartbreaking faces. They were not permitted to so much as knock upon the door to the room in which he thought and wrote about art, but Ted hadn’t found a way to keep them from prowling outside it, ghostly feral creatures drinking from a pond in moonlight, their bare feet digging at the carpet, their fingers sweating on the walls, leaving spoors of grease that Ted would point out each week to Elsa, the cleaning woman. He would sit in his office, listening to the movements of his boys, imagining that he felt their hot, curious breath. I will not let them in, he would tell himself. I will sit and think about art. But he found, to his despair, that often he couldn’t think about art. He thought about nothing at all.

After half an hour of forced family fun, in which I score fifty points and take out at least seventy-five percent of my anger trying to blast Frankie with the ball, our game is cut short. Princess gets stung on the top of her foot by a teeny-tiny newborn baby of a jelly-fish and carries on like some shark just swam away with her torso. For one brief moment I wonder if it's the ghost of my journal, reincarnated after its watery death to claim vengeance by stabbing her with its thin metal spiral. The thought makes me smile on the inside, just a little bit.

Boys often have permission to become men without the forfeiture of their desirability. And so these men write stories that grasp at girls who are ghosts twice over: first by being dead and second by being shallow shadows of actual girls, the assorted fragments of men's aging imaginations rather than the deep and dimensioned creatures that real girls are.

Death growls mostly bore me. Who wants to hear the Cookie Monster? Sing your fucking lyrics. Put some emotion behind it.” And Ghost’s usual retaliation. “Aw, I’m sorry. Do you need a hug, emo boy? You know, you might want to cross your legs. Your vagina is showing.” “Suck my dick.” “I know you’d like that, but Candace would have to return it first.” “Burn!

You are not like other girls. You are not like other girls ("You are not like other girls," the boys you run with will tell you, and you will try not to let them see you preen under the glancing light of their approval). You learn their books and their language. You laugh at their jokes. You listen to their stories, sit blank-eyed on their couched while they play video games, pass them your English notes. You keep their secrets. You use the words they use about other girls in order to assure yourself that they will never use those words about you. You make yourself into nothingness, a ghost conjured into being only through the desires of boys, the rules of boys, the ideas of boys. You're not like other girls.

Her poetry is written on the ghost of trees, whispered on the lips of lovers. As a little girl, she would drift in and out of libraries filled with dead poets and their musky scent. She held them in her hands and breathed them in -- wanting so much to be part of their world... It was on her sixteenth birthday that she first fell in love. With a boy who brought her red roses and white lies. When he broke her heart, she cried for days. Then hopeful, she sat with a pen in her hand, poised over the blank white sheet, but it refused to draw blood... She learned too late that poets are among the damned, cursed to commiserate over their loss, to reach with outstretched hands -- hands that will never know the weight of what they seek.

I want to be oblivious to the hurt written on her face. I want to be selfish and young and normal. M would be that way. She would need space to grieve. She would rebel because her parents were simply uncool, not because one was wearing a horrifying happy mask and the other was a living ghost. She’d be distant because she was preoccupied with boys or school, not because she’s tired from hunting down the Histories of the dead, or distracted by her new hotel-turned-apartment, where the walls are filled with crimes.

Are you a girl or a boy?' Liesl was wearing the same thin nightshirt she had been wearing since Tuesday, when her father died, and it occurred to her that if the ghost was a boy, she should cover up. 'Neither,' the ghost replied. Liesel was startled. 'You have to be one or the other.' 'I don't have to be anything,' the ghost replied, sounding irritated. 'I am what I am and that's all. Things are different on the Other Side, you know. Things are... blurrier.

You told me that the children of the forest had the greensight. I remember.” “Some claimed to have that power. Their wise men were called greenseers.” “Was it magic?” “Call it that for want of a better word, if you must. At heart it was only a different sort of knowledge.” Oh, to be sure, there is much we do not understand. The years pass in their hundreds and their thousands, and what does any man see of life but a few summers, a few winters? We look at mountains and call them eternal, and so they seem . . . but in the course of time, mountains rise and fall, rivers change their courses, stars fall from the sky, and great cities sink beneath the sea. Even gods die, we think. Everything changes. So long as there was magic, anything could happen. Ghosts could walk, trees could talk, and broken boys could grow up to be knights.

Men of our generation often disappear once they’ve got a woman to say ‘I love you’ back to them, because it’s almost like they’ve completed a game. Because they’re the first boys who grew up glued to their PlayStations and Game Boys, they weren’t conditioned to develop any sense of honour and duty in adolescence the way our fathers were. PlayStations replaced parenting. They were taught to look for fun, complete the fun, then get to the next level, switch players or try a new game. They need maximum stimulation all the time. ‘I love you’ is the relationship equivalent of Level 17 of Tomb Raider 2 for a lot of millennial men.

We are your shadow uncles, your angel godfathers, your mother’s or your grandmother’s best friend from college, the author of that book you found in the gay section of the library. We are characters in a Tony Kushner play, or names on a quilt that rarely gets taken out anymore. We are the ghosts of the remaining older generation. You know some of our songs. We do not want to haunt you too somberly. We don’t want our legacy to be gravitas. You wouldn’t want to live your life like that, and you won’t want to be remembered like that, either. Your mistake would be to find our commonality in our dying. The living part mattered more. We taught you how to dance.

How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.

THE FIRST BOY I fell in love with used to regale me with stories about kings and queens and war and peace, and how he hoped to one day be somebody’s knight in shining armor. I lived vicariously through his late night adventures, watching the way he swung his hands animatedly as he told his stories, and loving the way his green eyes twinkled when I laughed at his jokes. He taught me what it feels like to be touched and thoroughly kissed. Later, he taught me the pain one feels at the loss of someone that you’ve grown attached to. The one thing he forgot to teach me was how to deal with the way my chest squeezed after he broke the ghost of what heart I had left. I’d always wondered if it had been a missed lesson. Now I wonder if maybe he’d been trying to figure it out for himself, or if he just never felt anything at all.

Sir?" "Yes" "Where do you go at night?" Winter paused and glanced over his shoulder. Joseph was watching him with perceptive eyes for one so young. In that instant, Winter grew tired of lies. "I right wrongs." He expect more questions--Joseph was usually full of them and his answer was too obscure--but the boy merely nodded. "Will you teach me how sometime?" Winter's eyes widened. Teach him to...? His mind instantly balked at the thought of putting Joseph in danger. But were he ever to ask for an apprentice to his Ghost, he knew instinctively that he could find no one with more courage than the lad.

What will that mean to each of you? “It will mean that those of you who might have lived to be seventy-one must die at seventy. Some of you who might have lived to be eighty-six must cough up your ghost at eighty-five. That’s a great age. A year more or less doesn’t sound like much. When the time comes, boys, you may regret. But, you will be able to say, this year I spent well, I gave for Pip, I made a loan of life for sweet Pipkin, the fairest apple that ever almost fell too early off the harvest tree. Some of you at forty-nine must cross life off at forty-eight. Some at fifty-five must lay them down to Forever’s Sleep at fifty-four. Do you catch the whole thing intact now, boys? Do you add the figures? Is the arithmetic plain? A year! Who will bid three hundred and sixty-five entire days from out his own soul, to get old Pipkin back? Think, boys. Silence. Then, speak.

I carry a persistent fear that my thoughts are incorrect, or silly, or so obvious they aren’t worth saying. Suddenly I’m a little boy, sitting in class like a solemn ghost. Mrs. Larson asks me a question, all the seven-year-old eyes in the room turn to me with expectation, and I’m frozen in place, terrified by the sudden realization that I’m expected to contribute. My cheeks flush and I want to go away to someplace safe—someplace like the woods or the eternal fields of green Illinois corn where I can watch and experience and listen without any demand to justify my existence. I’ve always been happy to be alone. God, however, never takes his eyes off me, and on my good days I believe that he is smiling, never demanding an answer other than the fact of myself. I exist as his redeemed creation, and that is, pleasantly, enough for him.

Because it hardly ends with falling in love. Just the opposite. I don't need to tell you, Your Honor, I sense that you understand true loneliness. How you fall in love and it's there that the work begins: day after day, year after year, you must dig yourself up, exhume the contents of your mind and sould for the other to sift through so that you might be known to him, and you, too, must spend days and years wading through all that he excavates for you alone, the archaeology of his being, how exhausting it became, the digging up and the wading through, while my own work, my true work, lay waiting for me. Yes, I always thought there would be more time left for me, more time left for us, and for the child we might one day have, but I never felt that my work could be put aside as they could, my husband and the idea of our child, a little boy or girl that I sometimes even tried to imagine, but always only vaguely enough that he or she remained a ghostly emissary of our future, just her back while she sat playing with her blocks on the floor, or just his feet sticking out of the blanket on our bed, a tiny pair of feet. What of it, there would be time for them, for the life they stood for, the one I was not yet prepared to live because I had not yet done what I had meant to do in this one.

When he says He doesn’t love you anymore, Roll your shoulders back And look him in the eye Even when it feels like your ribs Are breaking inward, like spider legs. When he digs up old aches That he swore he forgave you for, Smile And ask him why he didn’t leave you sooner. Ignore the way the words feel like sandpaper Running all the way up your throat to your mouth. When he blames you For mistakes that wear his face, Do not scream. Do not cry. Tell him that there are boys Who would be proud to say they’d loved you. Tell him that in two years You won’t even remember his name And don’t let him see the way you can taste your own lie. When he leaves Ignore the howling in your blood And do not get up after him. Not even to lock the door. Do not, do not Do not. Smell his shirts when you box them up To give them back. Not one. Swear off dating when you realize You’re chasing ghosts that wear his smile. It’s okay to cry over him. It’s even okay to forgive him. But do not go back to him. If he did not know how to love you the first time, He won’t know how to do it the next.

Well, this is extremely interesting,’ said the Episcopal Ghost. ‘It’s a point of view. Certainly, it’s a point of view. In the meantime…’ ‘There is no meantime,’ replied the other. ‘All that is over. We are not playing now. I have been talking of the past (your past and mine) only in order that you may turn from it forever. One wrench and the tooth will be out. You can begin as if nothing had ever gone wrong. White as snow. It’s all true, you know. He is in me, for you, with that power. And—I have come a long journey to meet you. You have seen Hell: you are in sight of Heaven. Will you, even now, repent and believe?’ ‘I’m not sure that I’ve got the exact point you are trying to make,’ said the Ghost. ‘I am not trying to make any point,’ said the Spirit. ‘I am telling you to repent and believe.’ ‘But my dear boy, I believe already. We may not be perfectly agreed, but you have completely misjudged me if you do not realise that my religion is a very real and a very precious thing to me.’ ‘Very well,’ said the other, as if changing his plan. ‘Will you believe in me?’ ‘In what sense?’ ‘Will you come with me to the mountains? It will hurt at first, until your feet are hardened. Reality is harsh to the feet of shadows. But will you come?’ ‘Well, that is a plan. I am perfectly ready to consider it. Of course I should require some assurances…I should want a guarantee that you are taking me to a place where I shall find a wider sphere of usefulness—and scope for the talents that God has given me—and an atmosphere of free inquiry—in short, all that one means by civilisation and—er—the spiritual life.’ ‘No,’ said the other. ‘I can promise you none of these things. No sphere of usefulness: you are not needed there at all. No scope for your talents: only forgiveness for having perverted them. No atmosphere of inquiry, for I will bring you to the land not of questions but of answers, and you shall see the face of God.

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.

Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.