Getting Blown Off Quotes

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I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
Brandon Sanderson (Firefight (The Reckoners, #2))
You have a morbid aversion to dying. You probably resent the fact that you're at war and might get your head blown off any second." "I more than resent it, sir. I'm absolutely incensed." "You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs, or hypocrites. Subconsciously there are many people you hate." "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously." "You're antagonistic to the idea of being robbed, exploited, degraded, humiliated, or deceived. Misery depresses you. Ignorance depresses you. Persecution depresses you. Violence depresses you. Corruption depresses you. You know, it wouldn't surprise me if you're a manic-depressive!" "Yes, sir. Perhaps I am." "Don't try to deny it." "I'm not denying it, sir," said Yossarian, pleased with the miraculous rapport that finally existed between them. "I agree with all you've said.
Joseph Heller (Catch-22)
If my legs get blown off in war, I’d like to have them replaced with a coffee table. Half man/half furniture, I’ll be in the living room if you need me.

Jarod Kintz (This Book is Not for Sale)
Meanwhile a certain amount of moaning and groaning was coming from upstairs. Sophie kept muttering to the dog and ignored it. A loud, hollow coughing followed, dying away into more moaning. Crashing sneezes followed the coughing, each one rattling the window and all the doors. Sophie found those harder to ignore, but she managed. Poot-pooooot! went a blown nose, like a bassoon in a tunnel. The coughing started again, mingled with moans. Sneezes mixed with the moans and the coughs, and the sounds rose to a crescendo in which Howl seemed to be managing to cough, groan, blow his nose, sneeze, and wail gently all at the same time. The doors rattled, the beams in the ceiling shook, and one of Calcifer’s logs rolled off onto the hearth. “All right, all right, I get the message!” Sophie said, dumping the log back into the grate. “It’ll be green slime next”.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Just thinking. Man, Sophie, it's only your first day and you've already befriended the school outcast, pissed off the most popular girls at Hecate, and developed a full-blown thing for the hottest guy. If you can manage to get detention tomorrow, you'll be like, legendary.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
The war. Here I was a virgin. Could you imagine getting your ass blown off for the sake of history before you even knew what a woman was? Or owned an automobile? What would I be protecting? Somebody else. Somebody else who didn't give a shit about me. Dying in a war never stopped wars from happening.
Charles Bukowski
Religion, by its very nature as an untestable belief in undetectable beings and an unknowable afterlife, disables our reality checks. It ends the conversation. It cuts off inquiry: not only factual inquiry, but moral inquiry. Because God's law trumps human law, people who think they're obeying God can easily get cut off from their own moral instincts. And these moral contortions don't always lie in the realm of theological game-playing. They can have real-world consequences: from genocide to infanticide, from honor killings to abandoned gay children, from burned witches to battered wives to blown-up buildings.
Greta Christina
Are you going to be okay?' 'I thought I was. I'll get over it.' I'd heard too many characters say the same thing in too many novels. It let the runaway lover off the hook. It allowed everyone to save face. It restored dignity and courage to the one whose cover had been completely blown.
André Aciman (Call Me by Your Name)
Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn. The trouble with learning the backgrounds is that you end up wanting to deck somebody, possibly Bettina Cook and the horse she rode in on. (Not happening. Her dad being head of the football boosters and major donor.) Once upon a time we had our honest living that was God and country. Then the world turns and there’s no God anymore, no country, but it’s still in your blood that coal is God’s gift and you want to believe. Because otherwise it was one more scam in the fuck-train that’s railroaded over these mountains since George Washington rode in and set his crew to cutting down our trees. Everything that could be taken is gone. Mountains left with their heads blown off, rivers running black. My people are dead of trying, or headed that way, addicted as we are to keeping ourselves alive. There’s no more blood here to give, just war wounds. Madness. A world of pain, looking to be killed.
Barbara Kingsolver (Demon Copperhead)
Samuel, safety is my watchword. Rest assured that proper procedures will be followed at all times." Skipper giggled. "Tell me, Mump. What ARE proper procedures exactly?" "Simple," said Mump. "One: cause maximum chaos in the shortest possible time. Two: try not to get your head blown off.
Steve Voake (The Web of Fire)
When the people who were responsible found out what had happened to Chad and Bobby, they shrugged it off by saying that’s what the deserved for harvesting lobsters…yeah, a five-year-old really deserved being blown to pieces over seafood. I hate extremists with a passion. They get so wrapped up in their cause that they think nothing of killing anyone who doesn’t agree with them. (Syd)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
I don’t get him. I’ve ‘known’ the guy for less than twenty-four hours and he’s already shot me down, blown me off, flirted with me, had to hide his hard dick, and then called me a slut in that period of time. I mean, who does that?
Tessa Teevan (Incinerate (Explosive, #2))
What it mainly revealed was that one of the most insidious of the “hidden injuries of class” in North American society was the denial of the right to do good, to be noble, to pursue any form of value other than money – or, at least, to do it and to gain any financial security or rewards for having done. The passionate hatred of the “liberal elite” among right-wing populists came down, in practice, to the utterly justified resentment towards a class that had sequestered, for its own children, every opportunity to pursue love, truth, beauty, honor, decency, and to be afforded the means to exist while doing so. The endless identification with soldiers (“support our troops!) – that is, with individuals who have, over the years, been reduced to little more than high tech mercenaries enforcing of a global regime of financial capital – lay in the fact that these are almost the only individuals of working class origin in the US who have figured out a way to get paid for pursuing some kind of higher ideal, or at least being able to imagine that’s what they’re doing. Obviously most would prefer to pursue higher ideals in way that did not involve the risk of having their legs blown off. The sense of rage, in fact, stems above all from the knowledge that all such jobs are taken by children of the rich.
David Graeber (Revolutions in Reverse: Essays on Politics, Violence, Art, and Imagination)
but a mind is blown when something that you always feared but knew to be impossible turns out to be true; when the world turns out to be far vaster, far more marvelous or malevolent than you ever dreamed; when you get proof that everything is connected to everything else, that everything you know is wrong, that you are both the center of the universe and a tiny speck sailing off its nethermost edge.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
What if we are all simply lost souls blown off course, just trying to get home?
Anthony Lee Head (Driftwood: Stories from the Margarita Road)
You have a morbid aversion to dying. You probably resent the fact that you’re at war and might get your head blown off any second.
Joseph Heller (Catch-22)
Me? Rebuild" I shook my head."First off, I don't know anything about construction or reconstruction. And second, have you been down there? Have you seen it? So many people haven't moved back or rebuilt, and I totally get it. Why invest all that time and money when each hurricane season brings a new threat?" Aimee regarded me with a steady blue gaze. "Why build skyscrapers in San Francisco that might be knocked down by an earthquake? Or why build farms in Kansas and Oklahoma that might get blown away by a tornado?" She snorted, and it seemed so uncharacteristic for the elegant old woman that I almost laughed. "Where did they want us to go, anyway? I figure if we're still breathing, then we're meant to keep going. So we rebuild. We start over. It's just what we do.
Karen White (The Beach Trees)
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the dinner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami
What's the story behind the song? Jane texts back a minute later. She addresses and signs it the ways she usually does. august is so used to it that her eyes have started skipping right over the introduction and sign off. I don't remember much. I listened to it in an apartment I had when I was 20. I used to think it was one of the most romantic songs I ever heard. Really? The lyrics are kind of depressing. No, you gotta listen to the bridge. It's all about loving someone so much you can't stand the idea of losing them, even if it hurts, that all the hard stuff is worth it if you can get through together. August pulls it up, lets it spin past the first two verses, into the line: You will remember, when this is blown over . . . Okay, she types, thinking of Wes and how determined he is not to let Isaiah hand him his heart, of Myla holding Niko's hand as he talks to things she can't see, of her mom and a whole life spent searching, of herself, of Jane, of hours on the train - all the things they put themselves through for love. Okay, I get it.
Casey McQuiston (One Last Stop)
The initial flattery and attention will get the narcissist off to a flying start, and when the love-bombing follows, the codependent will be blown away. Somebody loves him, at last. No wonder he will become hooked so quickly. Even when the nonsense starts- the silent treatment etc. - this is behaviour he recognises and is conditioned to. He just has to keep trying that little bit harder, in order to win back the narcissist´s approval.
A.B. Jamieson (Prepare to be tortured: - the price you will pay for dating a narcissist)
She was fifty-three years old and lonely and oppressed; why couldn't he let her have her illusions? That was what her wounded, half-drunken eyes had seemed to be saying throughout his interrogation: Why can't I have my illusions? Because they're lies, he told her silently in his mind as he champed his jaws and swallowed the cheap food. Everything you say is a lie.(...) Everything you live by is a lie, and you want to know what the truth is? He watched her with murderous distaste as she fumbled with her spoon. They had ordered ice cream, and some of it clung to her lips as she rolled a cold mouthful on her tongue. Do you want to know what the truth is? The truth is that your fingernails are all broken and black because you're working as a laborer and God knows how we're ever going to get you out of that lens-grinding shop. The truth is that I'm a private in the infantry and I'm probably going to get my head blown off. The truth is, I don't really want to be sitting here at all, eating this goddam ice cream and letting you talk yourself drunk while all my time runs out. The truth is, I wish I'd taken my pass to Lynchburg today and gone to a whorehouse. That's the truth.
Richard Yates (A Special Providence)
R.O.TC. kept me away from sports while the other guys practiced every day. They made the school teams, won their letters and got the girls. My days were spent mostly marching around in the sun. All you ever saw were the backs of some guy's ears and his buttocks. I quickly became disenchanted with military proceedings. The others shined their shoes brightly and seemed to go through maneuvers with relish. I couldn't see any sense in it. They were just getting shaped up in order to get their balls blown off later. On the other hand, I couldn't see myself crouched down in a football helmet, shoulder pads laced on, decked out in Blue and White, #69, trying to move out some brute with tacos on his breath so that the son of the district attorney could slant off left tackle for six yards. The problem was you had to keep choosing between on evil or another, and no matter what you chose, they sliced a little bit more off you, until there was nothing left. At the age of 25, most people were finished. A whole god-damned nation of assholes driving automobiles, eating, having babies, doing everything in the worst way possible, like voting for the presidential candidate who reminded them most of themselves.
Charles Bukowski (Ham on Rye)
The second tunnel’s a Ministry of Defence tunnel...dug for a nuclear bomb shelter. The entrance is in the garden center at Woolworth’s in Great Malvern...When the four-minute warning goes off, the Ministry of Defence lot at the RSRE’ll be ferried up to Woolies by the military police. Councillors from Malvern Council’ll be allowed in, so will Woolworth’s manager and assistant manager. Then the military police...They’ll grab one or two of the prettier shop assistants for breeding...Then that door’ll close and all of us’ll get blown to kingdom come.
David Mitchell (Black Swan Green)
Londoners during the Blitz in World War II went about their day as normal, with the understanding that occasionally buildings get blown up. However desperate things were, someone still had to deliver milk. And if Mrs. McCreedy’s house got bombed in the night, well, you crossed it off the delivery list.
Andy Weir (Project Hail Mary)
Half the mountains in the Northern Barrier Range had just erupted, blown their tops off like ripe pimples. She hadn’t even known they were volcanic, but now they were lobbing big seminal gobbets of lava all over their lower slopes, like a drunk prom queen puking on her dress. Shit was getting geological, yo.
Lev Grossman (The Magician's Land)
Let’s blow their little minds. A mind is not blown, in spite of whatever Hollywood seems to teach, merely by action sequences, things exploding, thrilling planetscapes, wild bursts of speed. Those are all good things; but a mind is blown when something that you always feared but knew to be impossible turns out to be true; when the world turns out to be far vaster, far more marvelous or malevolent than you ever dreamed; when you get proof that everything is connected to everything else, that everything you know is wrong, that you are both the center of the universe and a tiny speck sailing off its nethermost edge.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.
Joseph Lewis (Ingersoll the Magnificent)
I’ll have one of my men drop a car off for you.” “Thanks. I’ll try not to lose it.” “If you can manage to keep it intact for a week, it’s yours. If it gets stolen, blown up, crushed by a garbage truck, set on fire, filled with cement, or dies an untimely death by any other means, I’ll expect you to spend the night with me.
Janet Evanovich (Hardcore Twenty-Four (Stephanie Plum, #24))
Once I get on a puzzle, I can't get off. If my mother's friend had said, "Never mind, it's too much work," I'd have blown my top, because I want to beat this damn thing, as long as I've gone this far. I can't just leave it after I've found out so much about it. I have to keep going to find out ultimately what is the matter with it in the end.
Ralph Leighton (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
The situation was dire and deadly, but it was also the norm. Londoners during the Blitz in World War II went about their day as normal, with the understanding that occasionally buildings get blown up. However desperate things were, someone still had to deliver milk. And if Mrs. McCreedy’s house got bombed in the night, well, you crossed it off the delivery list.
Andy Weir (Project Hail Mary)
The best part of seeing your way through a storm, even if you think you have been blown off course, is watching how God takes the wheel and delivers you to safety. Sometimes poor life choices will blow you off course, but God knows how to get you back on course. He will chart an even better progression, and then use your roving to accomplish the purpose He always intended!
Cheryl Zelenka
If you get into trouble, give a shout.” “We’ll be fine,” Gladys said. Famous last words, Zane thought, wishing he could believe them. All the novices looked as if they could be blown off their mounts by a stiff wind. He didn’t usually allow for second-guessing, but he was about to make an exception. Deciding to go forward with the cattle drive had been about the stupidest idea he’d ever had.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the diner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (The Elephant Vanishes)
You wouldn’t want a son?” “Too dangerous,” he said. “Black boys are target practice. At least black girls got a chance.” “I don’t think that’s true.” “What’s not true? Why you think I enlisted? My pops told me, you better learn to shoot before these white men shoot you, and I did. I been all the way to Iraq and I could walk down the street here and get my head blown off. You don’t know what that’s like.
Brit Bennett (The Mothers)
He’s fine,” Wayne said, holding the door open for them. “I got quite near my entire rusted back blown off earlier, if you’ll kindly recall, and I didn’t hear nearly an ounce of the sympathy you’re showin’ him.” “That’s different,” Marasi said, walking past him. “What? Why? ’Cuz I can heal?” “No,” she said, “because—even after knowing you only a short time—I’m fairly certain that on one level or another, you deserve to get blown up every now and again.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
How did he know my dad helped get me this job? Did someone in the office tell him? I mean, it’s not like I’m some spoiled, incompetent rich kid with zero work experience and mega connections. My dad’s just aCPA! But I’m not going to bother explaining that or anything else. Because right now, I’m halfway convinced a hole in my skull has blown right off and my brains are flowing out like molten lava. I think I might well and truly hate Porter Roth. “You know nothing about me or my family. And you’re a goddamn dickbag, you know that?” I say, so enraged that I don’t even care that a family of four is walking up to my window. I should have. And I should have noticed that I left the green switch turned on from the last pair of tickets I sold. But the family’s wide-eyed faces clue me in now. They’ve heard every nasty word. For one terrible moment, the booth spins around me. I apologize profusely, but the parents aren’t happy. At all. Why should they be? Oh God, is the wife wearing a crucifix pendant? What if these people are fundamentalists? Are these kids homeschooled? Did I just ruin them for life? Jesus fu—I mean, fiddlesticks. Are they going to ask to speak to Mr. Cavadini? Am I going to be fired? On my first day? What is my dad going to say?
Jenn Bennett (Alex, Approximately)
Holly ran into the command center carrying an AT-4. She pushed past Franks, saw me lying on the floor, then she saw the remains of her new car sticking through the wall. “You motherfucker!” she screamed. Holly went over to the hole in the wall and aimed the smoothbore anti-tank weapon at the monster. “I just paid that off!” The command center was a really big room, but the back blast on an AT-4 was still a bitch, so I got to my feet and fled to not get burned by the overpressure. Holly fired. The concussion was insane. Anything in here that hadn’t been ruined by the Drekavac got scorched or blown away by that instead. This kind of hostile work environment bullshit was why I had tinnitus.
Larry Correia (Monster Hunter Bloodlines (Monster Hunters International Book 8))
I watch a squirrel get run over by a car on my walk to work. She is lying dead in the street and still has an acorn in her little hands. I am amazed at how she is able to hold on to her acorn after being tumbled like that, after bouncing so high off the street. I walk over to the squirrel and see that her face is blown to bits and looks like uncased sausage spilling onto the asphalt. But that acorn is still so tight in her hands. I pick her up by her tail, take off my dress shirt and swaddle her in it, then put her in my bag. I know right where she is as I walk into work, everybody looking at me, everybody asking me about my shirtlessness. The world is as steady as if it were sewn into the skin of the universe.
Zachary Schomburg (Fjords Vol.1)
The rain beat against the windows and against the tin roof of the hotel. It came down in hissing roars, then in whispers, then in loud shishes like sandpaper rubbed against wood. She drank the second glassful, climbed off the bed and began undressing, and then we were together, the cheap naked bulb still blazing down on the bed. Thinking back, I remember the stupidest things; the way there was a taut crease just above her hips, in the small of her back. The way she smelled like a baby's breath, a sweet barely there smell that retreated and retreated, so that no matter how close you got to it you weren't sure it was there. The brown speckles in the lavender-gray eyes, floating very close to the surface when I kissed her, the eyes wide open and aware. But not caring. The eyes of a gourmet offered a stale chunk of bread, using it of necessity but not tasting it any more than necessary. I remember getting up and coming back to her, and of throwing a shoe at the light bulb, later, when the whisky was gone. I remember the smell of rain-darkness in the room and her telling me I'd cut my feet on the light-bulb glass on the floor. And how she said I was no better than a tramp myself, that I made love to the cadence of the raingusts on the roof, and it was true I was doing just that, but it seemed the natural thing then. And I felt so marvelously clean and soaped and so in tune with the whole damned universe that I had the feeling I could have clouded up and rained and lightninged myself, and blown that cheese-colored room to smithereens.
Elliott Chaze (Black Wings Has My Angel)
I often would think about how we have built our society, and when you describe it out loud, it sounds rather insane. The idea of being funnelled through a conventional life progression of education, work, career, marriage, kids, divorce, retirement and then death doesn’t seem that inspiring to me. Then we’re told we have to struggle to make a living, sacrifice enjoyment to have a family, delay our happiness until we’re retired, fight the next person for a job, climb the ladder of success to get an even more stressful job, spend more money than we earn, go into debt, live in fear of being blown up by some terrorist and then have TV passed off as the only way to escape it all. And when all of this gets too much and you can’t keep up, you get prescribed antidepressants and made to feel like you’ve failed.
Josh Langley (Turning Inside Out - what if everything we've been taught about life is wrong? (Dying to Know))
Or are they? Maybe her eyes aren’t wide because of innocence. Maybe it’s fear. He has a split instant of seeing Prospero through the gaze of Miranda—a petrified Miranda who’s suddenly realized that her adored father is a full-blown maniac, and paranoid into the bargain. He thinks she’s asleep when he’s talking out loud to someone who isn’t there, but she’s heard him doing it, and it scares her. He says he can command spirits, raise storms, uproot trees, open tombs, and cause the dead to walk, but what’s that in real life? It’s sheer craziness. The poor girl is trapped in the middle of the ocean with a testosterone-sodden thug who wants to rape her and an ancient dad who’s totally off his gourd. No wonder she throws herself into the arms of the first sane-looking youth who bumbles her way. Get me out of here! is what she’s really saying to Ferdinand. Isn’t it?
Margaret Atwood (Hag-Seed)
Unwashed and undernourished, having spent over four days on five different trains and four military jeeps, Alexander got off at Molotov on Friday, June 19, 1942. He arrived at noon and then sat on a wooden bench near the station. Alexander couldn’t bring himself to walk to Lazarevo. He could not bear the thought of her dying in Kobona, getting out of the collapsed city and then dying so close to salvation. He could not face it. And worse—he knew that he could not face himself if he found out that she did not make it. He could not face returning—returning to what? Alexander actually thought of getting on the next train and going back immediately. The courage to move forward was much more than the courage he needed to stand behind a Katyusha rocket launcher or a Zenith antiaircraft gun on Lake Ladoga and know that any of the Luftwaffe planes flying overhead could instantly bring about his death. He was not afraid of his own death. He was afraid of hers. The specter of her death took away his courage. If Tatiana was dead, it meant God was dead, and Alexander knew he could not survive an instant during war in a universe governed by chaos, not purpose. He would not live any longer than poor, hapless Grinkov, who had been cut down by a stray bullet as he headed back to the rear. War was the ultimate chaos, a pounding, soul-destroying snarl, ending in blown-apart men lying unburied on the cold earth. There was nothing more cosmically chaotic than war. But Tatiana was order. She was finite matter in infinite space. Tatiana was the standard-bearer for the flag of grace and valor that she carried forward with bounty and perfection in herself, the flag Alexander had followed sixteen hundred kilometers east to the Kama River, to the Ural Mountains, to Lazarevo. For two hours Alexander sat on the bench in unpaved, provincial, oak-lined Molotov. To go back was impossible. To go forward was unthinkable. Yet he had nowhere else to go. He crossed himself and stood up, gathering his belongings. When Alexander finally walked in the direction of Lazarevo, not knowing whether Tatiana was alive or dead, he felt he was a man walking to his own execution.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Now that I know how birth works-now that I've been talked through labor by that quiet-voiced woman-I feel I've finally been told what my task is. It's simple-so simple I'm amazed I didn't know it before. One morning I am going to wake up, and before I sleep again, I will have to tick off a long list of contractions, one by one. And when I get to the last one, I will have my girl. Each one of these will be a job in itself-a minute-long experience that would alarm anyone suddenly struck by it, without warning-but I know the one fact that makes it easy: there is nothing awry. Everything is as it should be. Unlike some pains, these don't signal something going wrong but something going right. This is what I did not realize the first time, when I prayed wildly for these pains to stop. I didn't know then that these pains were actually the answer, and that their every alternative was much, much worse. Now I know what they are, and what they're for, I greet each one with calm cheer: 60 seconds to breathe through, as limp as a sleeping child, so that there is nowhere for this wash of sensation to snag-no tensed muscle it can get caught on. I am a clear glass of water, leaf-smoke blown sideways in the wind; empty space, for a moon to sail through.
Caitlin Moran (How to Be a Woman)
I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
All the novices looked as if they could be blown off their mounts by a stiff wind. He didn’t usually allow for second-guessing, but he was about to make an exception. Deciding to go forward with the cattle drive had been about the stupidest idea he’d ever had. “Ready to go, boss?” Frank asked as he rode up. Zane let his gaze settle on the two kids, then he shook his head. “No, but we’re leaving anyway.” Frank grinned. “Me and the boys are taking bets on who falls off their horse first. You’re gonna have to let us know who it is and when it happens for the pool.” Zane pulled his hat down low. For the first time in years, he wanted to be somewhere other than the ranch. Greenhorns. The whole lot of them. Frank and the boys were right. Someone would be tumbling from a horse, and if Zane was lucky, that would be the least of his troubles. “Have fun,” Frank said with an expression that announced “better you than me.” Zane nodded. “I know you’re not much for praying, but you might want to put in a good word with the Almighty.” “Sure thing, boss. You’re going to need all the help you can get.” Zane nodded. “You’ll be able to reach me on my cell phone. We’ll be staying within range of the towers.” “I’ll be here.” Zane wished he would be, as well. A sharp whistle warned him that his life was about to stampede out of control.
Susan Mallery (Kiss Me (Fool's Gold, #17))
It was a beautiful day, with fresh leaves on the trees and an impeccably blue sky. She felt herself expand, relax, open up. She was going to beat him. She was going to beat him soundly. The continuation she found on the nineteenth move was a beautiful and subtle wonder. It sprang to her mind full-blown, with half a dozen moves as clear as if they were projected on a screen in front of her, her rook, bishop and knight dancing together down in his king’s corner of the board. Yet there was no checkmate in it or even an advantage in material. After her knight came to queen five on the twenty-fifth move and Benny was forced merely to push a pawn because he could do nothing to defend, she traded rook and knight for rook and knight and brought her king to queen three. Although the pieces and pawns were equal, it was only a matter of counting moves. It would take twelve for him to get a pawn to the eighth rank and queen it, while she could do it in ten. Benny made a few moves, bringing his king out in the hopeless attempt to take off her pawns before she took away his, but even his arm as it moved the king was listless. And when she took his queen bishop pawn, he reached out and toppled his king. There was silence and then quiet applause. She had won in thirty moves. As they were leaving the room Benny said to her, “I never thought you’d let me trade queens.” “I didn’t either,” she said.
Walter Tevis (The Queen's Gambit)
Thank-You Notes Under the vigilant eye of my mother I had to demonstrate my best penmanship By thanking Uncle Gerry for the toy soldiers– Little red members of the Coldstream Guards– And thanking Aunt Helen for the pistol and holster, But now I am writing other notes Alone at a small cherry desk with a breeze coming in an open window, thanking everyone I happen to see on my long walk to the post office today and anyone who ever gave me directions or placed a hand on my shoulder, or cut my hair or fixed my car. And while I am at it, thanks to everyone who happened to die on the same day that I was born. Thank you for stepping aside to make room for me, for giving up you seat, getting out of the way, to be blunt. I waited until midnight on that day in March before I appeared, all slimy and squinting, in order to leave time for enough of the living to drive off a bridge or collapse in a hallway so that I could enter without causing a stir. So I am writing now to thank everyone who drifted off that day like smoke from a row of blown-out candles– for giving up your only flame. One day, I will follow your example and step politely out of the path of an oncoming infant, but not right now with the subtropical sun warming this page and the wind stirring the fronds of the palmettos, and me about to begin another note on my very best stationary to the ones who are making room today for the daily host of babies, descending like bees with their wings and stingers, ready to get busy with all their earthly joys and tasks.
Billy Collins (Horoscopes for the Dead)
The Clintons’ last act before leaving the White House was to take stuff that didn’t belong to them. The Clintons took china, furniture, electronics, and art worth around $360,000. Hillary literally went through the rooms of the White House with an aide, pointing to things that she wanted taken down from shelves or out of cabinets or off the wall. By Clinton theft standards $360,000 is not a big sum, but it certainly underlines the couple’s insatiable greed—these people are not bound by conventional limits of propriety or decency. When the House Government Reform and Oversight Committee blew the whistle on this misappropriation, the Clintons first claimed that the stuff was given to them as gifts. Unfortunately for Hillary, gifts given to a president belong to the White House—they are not supposed to be spirited away by the first lady. The Clintons finally agreed to return $28,000 worth of gifts and reimburse the government $95,000, representing a fraction of the value of what they took. One valuable piece of art the Clintons attempted to steal was a Norman Rockwell painting showing the flame from Lady Liberty’s torch. Hillary had the painting taken from the Oval Office to the Clinton home in Chappaqua, but the Secret Service got wind of it and sent a car to Chappaqua to get it back. Hillary was outraged. Even here, though, the Clintons got the last laugh: they persuaded the Obama administration to let the Clinton Library have the painting, and there it hangs today. In Living History, Hillary put on a straight face and dismissed media reports about the topic. “The culture of investigation,” she wrote, “followed us out the door of the White House when clerical errors in the recording of gifts mushroomed into a full-blown flap, generating hundreds of news stories over several months.”17
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
I have friends like that—very straightforward and responsible, good at what they do, good home life. But they get stressed, and they blow off steam by posting aggressive comments on the web. Their web personality is different from their real personality. They keep them separate. They just laugh and say it’s okay to write whatever you can’t say in the real world, no matter how critical or negative it is. That does seem to be one purpose of the Internet for a lot of people.” Kotaro nodded. “But I think my friends are wrong. Their posts will never disappear. They think they’re just putting opinions out there. They don’t use real names. They say what they think. They assume no one pays attention for more than a few moments. That’s a big mistake.” “Most of what goes on the net, stays on the net—somewhere.” “That’s not what I mean. No matter how carefully they choose their words, whatever they say, the words they use stay inside them. Everything is cumulative. Words don’t ‘disappear.’ “Maybe they post a comment saying a certain actress should just die. They think they’ve blown off steam by criticizing someone no one likes anyway. But those words—’I hope she dies’—stay inside the writer, along with the feeling that it’s acceptable to write things like that. All that negativity accumulates, and someday the weight of it will change the writer. “That’s what words do. However they’re expressed, there’s no way people can separate their words from themselves. They can’t escape the influence of their own thoughts. They can divide their comments among different handles and successfully hide their identity, but they can’t hide from themselves. They know who they are. You can’t run from yourself.” Mom would say, “What goes around, comes around.” “So be careful, Kotaro. If the real world is stressing you out, deal with your stress in the real world, no matter how dumb you think it makes you look. Okay?
Miyuki Miyabe (The Gate of Sorrows)
Katherine couldn’t have cared less about furniture or ceramics at that moment, but she felt glad that she was not the only one in London appalled by what the Lord Mayor had unleashed. She took a deep breath, then quickly explained what she and Bevis had heard in the Engineerium about MEDUSA and the next step in Crome’s great plan, the attack on the Shield-Wall. “But that’s terrible!” they whispered when she had finished. “Shan Guo is a great and ancient culture, Anti-Traction League or no Anti-Traction League. Batmunkh Gompa can’t be blown up …!” “Think of all those temples!” “Ceramics!” “Prayer-wheels …” “Silk paintings …” “F-f-furniture!” “Think of the people!” said Katherine angrily. “We must do something!” “Yes! Yes!” they agreed, and then all looked sheepishly at her. After twenty years of Crome’s rule they had no idea how to stand up to the Guild of Engineers. “But what can we do?” asked Pomeroy at last. “Tell people what is happening!” urged Katherine. “You’re Acting Head Historian. Call a meeting of the Council! Make them see how wrong it is!” Pomeroy shook his head. “They won’t listen, Miss Valentine. You heard the cheering last night.” “But that was only because Panzerstadt-Bayreuth had been going to eat us! When they learn that Crome plans to turn his weapon on yet another city …” “They’ll just cheer all the louder,” sighed Pomeroy. “He has packed the other Guilds with his allies, anyway,” observed Dr. Karuna. “All the great old Guildsmen are gone; dead or retired or arrested on his orders. Even our own apprentices are as besotted with old-tech as the Engineers, especially since Crome foisted his man Valentine on us as Head Historian…. Oh, I mean no offense, Miss Katherine….” “Father isn’t Crome’s man,” said Katherine angrily. “I’m sure he’s not! If he knew what Crome was planning he would never have helped him. That’s probably why he was packed off on this reconnaissance mission, to get him out of the way. When he gets home and finds out he’ll do something to stop it. You see, it was he who found MEDUSA in the first place. He would be horrified to think of it killing
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
In chem, Peter sits a row in front of me. I write him a note. Why would you tell Josh that we’re-- I hesitate and then finish with a thing? I kick the back of his chair, and he turns around and I hand him the note. He slouches in his seat to read it; then I watch as he scribbles something. He tips back in his chair and drops the note on my desk without looking at me. A thing? Haha. I press down so hard my pencil tip chips off. Please answer the question. We’ll talk later. I let out a frustrated sigh and Matt, my lab partner, gives me a funny look. After class Peter is swept away with all his friends; they leave in a big group. I’m packing up my backpack when he returns, alone. He hops up on the table. “So let’s talk,” he says, super casual. I clear my throat and try to gather my bearings. “Why did you tell Josh we were--” I almost say “a thing” again, but then change it to “together?” “I don’t get what you’re so upset about. I did you a favor. I could have just as easily blown up your spot.” I pause. He’s right. He could have. “So why didn’t you?” “You’ve sure got a funny way of saying thank you. You’re welcome, by the way.” Automatically I say, “Thank you.” Wait. Why am I thanking him? “I appreciate you letting me kiss you, but--” “You’re welcome,” he says again. Ugh! He’s so insufferable. Just for that I’m going to toss a little dig his way. “That was…really generous of you. To let me do that. But I’ve already explained to Josh that it’s not going to work out with us because Genevieve has you whipped, so it’s all good. You can stop pretending now.” Peter glares at me. “I’m not whipped.” “But aren’t you, though? I mean, you guys have been together since the seventh grade. You’re basically her property.” “You don’t know what you’re talking about,” Peter scoffs. “There was a rumor last year that she made you get a tattoo of her initials on your butt for her birthday.” I pause. “So did you?” I reach around him and fake try to lift up the back of his shirt. He yelps and jumps away from me, and I collapse in a fit of giggles. “So you do have a tattoo!” “I don’t have a tattoo!” he yells. “And we’re not even together anymore, so can you stop with this shit? We broke up. We’re over. I’m done with her.” “Wait, didn’t she break up with you?” I ask. Peter shoots me a dirty look. “It was mutual.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.' 'They're all there the notes the things, places, events, and even smalls, maybe spelled incorrectly, but there regardless, all have gone in this book of life I call- Sh-h as if making the most long-spun book in the world, with all my pages, are thick; all pasted, shoved and slammed together, furthermore mismatched, yet all has been said, in my enchanting written long run-ons of memories, the way I fancy to remember.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it." There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory: Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'. Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
John Lewis Gaddis (George F. Kennan: An American Life)
unless we’re missing our guess, your life and the gospel probably haven’t always felt in sync on a lot of days, in most of the years since. After the emotional scene with the trembling chin and the wadded-up Kleenexes, where you truly felt the weight of your own sin and the Spirit’s conviction, you’ve had a hard time consistently enjoying and experiencing what God’s supposedly done to remedy this self-defeating situation. Even on those repeat occasions when you’ve crashed and burned and resolved to do better, you’ve typically only been able, for a little while, to sit on your hands, trying to stay in control of yourself by rugged determination and brute sacrifice (which you sure hope God is noticing and adding to your score). But you’ll admit, it’s not exactly a feeling of freedom and victory. And anytime the wheels come off again, as they often do, it just feels like the same old condemnation as before. Devastating that you can’t crack the code on this thing, huh? You were pretty sure that being a Christian was supposed to change you—and it has. Some. But man, there’s still so much more that needs changing. Drastic things. Daily things. Changes in your habits, your routines, in your choices and decisions, changes to the stuff you just never stop hating about yourself, changes in what you do and don’t do . . . and don’t ever want to do again! Changes in how you think, how you cope, how you ride out the guilt and shame when you’ve blown it again. How you shoot down those old trigger responses—the ones you can’t seem to keep from reacting badly to, even after you keep telling yourself to be extra careful, knowing how predictably they set you off. Changes in your closest relationships, changes in your work habits, changes that have just never happened for you before, the kind of changes that—if you can ever get it together—might finally start piling up, you think, rolling forward, fueling some fresh momentum for you, keeping you moving in the right direction. But then—stop us if you’ve heard this one before . . . You barely if ever change. And come on, shouldn’t you be more transformed by now? This is around the point where, when what you’ve always thought or expected of God is no longer squaring with what you’re feeling, that you start creating your own cover versions of the gospel, piecing together things you’ve heard and believed and experimented with—some from the past, some from the present. You lay down new tracks with a gospel feel but, sadly, not always a lot of gospel truth.
Matt Chandler (Recovering Redemption: A Gospel Saturated Perspective on How to Change)
I have come to believe that our culture’s popular understanding of these difficult doctrines is often a caricature of what the Bible actually teaches and what mature Christian theology has historically proclaimed. To Laugh At, To Live By What do I mean by a caricature? A caricature is a cartoonlike drawing of a real person, place, or thing. You’ve probably seen them at street fairs, drawings of popular figures like President Obama, Marilyn Monroe, or your aunt Cindy. Caricatures exaggerate some features, distort some features, and oversimplify some features. The result is a humorous cartoon. In one sense, a caricature bears a striking resemblance to the real thing. That picture really does look like President Obama, Marilyn Monroe, or your aunt Cindy. Features unique to the real person are included and even emphasized, so you can tell it’s a cartoon of that person and not someone else. But in another sense, the caricature looks nothing like the real thing. Salient features have been distorted, oversimplified, or blown way out of proportion. President Obama’s ears are way too big. Aunt Cindy’s grin is way too wide. And Marilyn Monroe . . . well, you get the picture. A caricature would never pass for a photograph. If you were to take your driver’s license, remove the photo, and replace it with a caricature, the police officer pulling you over would either laugh . . . or arrest you. Placed next to a photograph, a caricature looks like a humorous, or even hideous, distortion of the real thing. Similarly, our popular caricatures of these tough doctrines do include features of the original. One doesn’t have to look too far in the biblical story to find that hell has flames, holy war has fighting, and judgment brings us face-to-face with God. But in the caricatures, these features are severely exaggerated, distorted, and oversimplified, resulting in a not-so-humorous cartoon that looks nothing like the original. All we have to do is start asking questions: Where do the flames come from, and what are they doing? Who is doing the fighting, and how are they winning? Why does God judge the world, and what basis does he use for judgment? Questions like these help us quickly realize that our popular caricatures of tough biblical doctrines are like cartoons: good for us to laugh at, but not to live by. But the caricature does help us with something important: it draws our attention to parts of God’s story where our understanding is off. If the caricature makes God look like a sadistic torturer, a coldhearted judge, or a greedy génocidaire, it probably means there are details we need to take a closer look at. The caricatures can alert us to parts of the picture where our vision is distorted.
Joshua Ryan Butler (The Skeletons in God's Closet: The Mercy of Hell, the Surprise of Judgment, the Hope of Holy War)
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
Henry David Thoreau (Walden or Life in the Woods)
It’s my turn next, and I realize then that I never turned in the name of my escort--because I hadn’t planned on being here. I glance around wildly for Ryder, but he’s nowhere to be seen, swallowed up by the sea of people in cocktail dresses and suits. Crap. I thought he realized that escorting me on court was part of the deal, once I’d agreed to go. I guess he’d figured it’d be easier on me, what with the whole Patrick thing, if I was alone onstage. But I don’t want to be alone. I want Ryder with me. By my side, supporting me. Always. I finally spot him in the crowd--it’s not too hard, since he’s a head taller than pretty much everyone else--and our eyes meet. My stomach drops to my feet--you know, that feeling you get on a roller coaster right after you crest that first hill and start plummeting toward the ground. Oh my God, this can’t be happening. I’ve fallen in love with Ryder Marsden, the boy I’m supposed to hate. And it has nothing to do with his confession, his declaration that he loves me. Sure, it might have forced me to examine my feelings faster than I would have on my own, but it was there all along, taking root, growing, blossoming. Heck, it’s a full-blown garden at this point. “Our senior maid is Miss Jemma Cafferty!” comes the principal’s voice. “Jemma is a varsity cheerleader, a member of the Wheelettes social sorority, the French Honor Club, the National Honor Society, and the Peer Mentors. She’s escorted tonight by…ahem, sorry. I’m afraid there’s no escort, so we’ll just--” “Ryder Marsden,” I call out as I make my way across the stage. “I’m escorted by Ryder Marsden.” The collective gasp that follows my announcement is like something out of the movies. I swear, it’s just like that scene in Gone with the Wind where Rhett offers one hundred and fifty dollars in gold to dance with Scarlett, and she walks through the scandalized bystanders to take her place beside Rhett for the Virginia reel. Only it’s the reverse. I’m standing here doing the scandalizing, and Ryder’s doing the walking. “Apparently, Jemma’s escort is Ryder Marsden,” the principal ad-libs into the microphone, looking a little frazzled. “Ryder is…um…the starting quarterback for the varsity football team, and, um…in the National Honor Society and…” She trails off helplessly. “A Peer Mentor,” he adds helpfully as he steps up beside me and takes my hand. The smile he flashes in my direction as Mrs. Crawford places the tiara on my head is dazzling--way more so than the tiara itself. My knees go a little weak, and I clutch him tightly as I wobble on my four-inch heels. But here’s the thing: If the crowd is whispering about me, I don’t hear it. I’m aware only of Ryder beside me, my hand resting in the crook of his arm as he leads me to our spot on the stage beside the junior maid and her escort, where we wait for Morgan to be crowned queen. Oh, there’ll be hell to pay tomorrow. I have no idea what we’re going to tell our parents. Right now I don’t even care. Just like Scarlett O’Hara, I’m going to enjoy myself tonight and worry about the rest later. After all, tomorrow is another…Well, you know how the saying goes.
Kristi Cook (Magnolia (Magnolia Branch, #1))
WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
I don’t like to think too much about you, in my head, that only makes a mess of us both. But of course what I live for now is for you and me to live together. I’m frightened, really...I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. So they won’t be able to blow out my wanting you, nor the little glow there is between you and me. We’ll be together next year. And though I’m frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it’s the only thing in the world. I’ve got no friends, not inward friends. Only you. And now the little flame is all I care about in my life.. It’s my Pentecost, the forked flame between me and you... Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That’s what I abide by, and will abide by... “That’s why I don’t like to start thinking about you actually. It only tortures me, and does you no good. I don’t want you to be away from me. But if I start fretting it wastes something. Patience, always patience. This is my fortieth winter. And I can’t help all the winters that have been. But this winter I’ll stick to my little pentecost flame, and have some peace. And I won’t let the breath of people blow it out. I believe in a higher mystery, that doesn’t let even the crocus be blown out. And if you’re in Scotland and I’m in the Midlands, and I can’t put my arms round you, and wrap my legs round you, yet I’ve got something of you. My soul softly flaps in the little pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it’s a delicate thing, and takes patience and the long pause. “So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander! What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river. “Well, so many words, because I can’t touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure. “Never mind, never mind, we won’t get worked up. We really trust in the little flame, in the unnamed god that shields it from being blown out. There’s so much of you here with me, really, that it’s a pity you aren’t all here. “Never mind about Sir Clifford. If you don’t hear anything from him, never mind. He can’t really do anything to you. Wait, he will want to get rid of you at last, to cast you out. And if he doesn’t, we’ll manage to keep clear of him. But he will. In the end he will want to spew you out as the abominable thing. “Now I can’t even leave off writing to you. “But a great deal of us is together, and we can but abide by it, and steer our courses to meet soon. John Thomas says good night to lady Jane, a little droopingly, but with a hopeful heart.
D.H. Lawrence
Occasionally, even today, you come across certain people who seem to possess an impressive inner cohesion. They are not leading fragmented, scattershot lives. They have achieved inner integration. They are calm, settled, and rooted. They are not blown off course by storms. They don't crumble in adversity. Their minds are consistent and their hearts are dependable. Their virtues are not the blooming virtues you see in smart college students; they are the ripening virtues you see in people who have lived a little and have learned from joy and pain. Sometimes you don't even notice these people, because while they seem kind and cheerful, they are also reserved. They possess the self- effacing virtues of people who are inclined to be useful but don't need to prove anything to the world: humility, restraint, reticence, temperance, respect, and soft self-discipline. They radiate a sort of moral joy. They answer softly when challenged harshly. They are silent when unfairly abused. They are dignified when others try to humiliate them, restrained when others try to provoke them. But they get things done. They perform acts of sacrificial service with the same modest everyday spirit they would display if they were just getting the groceries. They are not thinking about what impressive work they are doing. They are not thinking about themselves at all. They just seem delighted by the flawed people around them. They just recognize what needs doing and they do it. They make you feel funnier and smarter when you speak with them. They move through different social classes not even aware, it seems, that they are doing so. After you've known them for a while it occurs to you that you've never heard them boast, you've never seen them self-righteous or doggedly certain. They aren't dropping little hints of their own distinctiveness and accomplishments. They have not led lives of conflict-free tranquillity, but have struggled toward maturity. They have gone some way toward solving life's essential problem, which is that, as Aleksandr Solzhenitsyn put it, 'the line separating good and evil passes not through states, nor between classes, nor between political parties either—but right through every human heart.' These are the people who have built a strong inner character, who have achieved a certain depth. In these people, at the end of this struggle, the climb to success has surrendered to the struggle to deepen the soul. After a life of seeking balance, Adam I bows down before Adam II. These are the people we are looking for.
David Brooks
He stepped into the kitchen holding a wrinkled wad of soggy white linen, a smile teasing the corner of his mouth, his eyes full of merriment. “Did one of you ladies lose your unmentionables?” Ada stopped dead still, a laden platter in each hand. Her cheeks flamed. “I . . . I put it out to dry.” “Must have blown off the porch. I didn’t want it to get muddy.” He pulled a chair close to the cookstove and carefully spread her soggy chemise over it. “There. It’ll be dry in no time.” Ada watched his hands smoothing the thin fabric. He smiled a slow smile that made her insides go soft, seeming not to notice her acute discomfort.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
…He must have thought I was a strange bird.” Then she said quietly, “Uncle Kenneth used to say that sometimes seagulls get blown off course and wind up in the most unlikely places.” “It’s okay to be a strange bird, Mom. That way he’s not likely to forget all about you.”—excerpt, Saint Agnes' Garden
Diana Lynn Klueh, Saint Agnes Garden
If we focus on the front end, interpreting and understanding our emotions, we have the potential to impact everything downstream—from where our attention goes, to our inner dialogue, to our behavioral response. We give ourselves a better shot at delaying the jump from feeling stressed to a full-blown freak-out. The ability to read and understand our inner world determines whether we are at a loss, guessing what alarm is going off, or know what message our body is trying to send. If we know the message, choosing the correct solution becomes much easier.
Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)
You remember the story I told you about the witch named Circe? She lived on an island alone, but men wandered there all the time, pretending to be blown off course. She turned every one of them into pigs, but they kept coming. Just to nibble at her painted toes a while before the slaughter. Well, turning men into pigs is no particular feat. The real exercise is getting pigs to write checks.
Ellen Datlow (Snow White, Blood Red (Fairy Tale Anthologies))
of Wartortle’s office.  The walls still somewhat stood.  The windows were blown off, they were punctured with way more holes than one could count and the ground was littered with fragments of cement. Pikachu recalled that time that seemed so distant now when he finally started putting the dots together. …when he realized that Phione’s parentage was the center point of this missing person case. Sure, Phione’s mother was a Cubone and a mighty nice one too, but it was the missing dad that ended up making this case spiral out of control.  After getting as much information as possible from Cubone and tracking some records, Pikachu uncovered that Phione’s birth father had gone missing many years ago and some suggested foul play.  They say that he might have been involved with the wrong teams and they found a rather permanent way to make him disappear.
K.T. Coolbricks (The Great Detective Pikachu: Episode 1 - A Mother’s Lament, A Pokémon’s Torments (A Pokemon Story) (The Great Detective Pikachu - Chapters))
Lifelong settlements are a thing of the past. These days, ministry’s more a march toward mutual disappointment. You start off at a church with a few honeymoon years when everyone loves you. If you’re at all decent and the congregation is sane, you then have a few stable years to get some good work done. At some point, though, the malcontents start their picking and poking and stirring up discontent. The trick is to get out before the discontent morphs into full-blown antipathy. I probably should’ve left two years ago. As it is, a whole contingent’s only too glad to see me go.
Michelle Huneven (Search)
He didn't like kids, and parents of kids weren't high on his list, either. It didn't matter how cool you'd been--you had a kid and you were one more sucker spooning goop into an angry little mouth, a guy with pacifiers in his pockets and snot trails on his sleeves and a happy-goofy look Danny could only think was some kind of shock, like those people who sit around cracking jokes after their legs get blown off.
Jennifer Egan (The Keep)
The war. Here I was a virgin. Could you imagine getting your ass blown off for the sake of history before you even knew what a woman was? Or owned an automobile? What would I be protecting? Somebody else. Somebody else who didn’t give a shit about me. Dying in a war never stopped wars from happening.
Charles Bukowski (Ham on Rye)
I could never hate you. Jesus, Cal, I love you. This isn’t a crush or infatuation or some bizarre hero complex. I am full blown in love with you. Don’t you get that?” His eyes trail my face, my guess is, looking for a sign that I’m serious or that I’m unsure. I grab his face in my hands. “I know you may not be feeling what I’m feeling but…” His lips cut mine off with a kiss so scorching I want to rip my clothes off. I begin to move again, to match the movements of our mouths. “I’m right there with you,” he whispers against my lips.
Q.B. Tyler (Unconditional)
D’you think Scotland’s going to leave?” “Go for independence? Maybe,” said Strike. “The polls are close. Barclay thinks it could happen. He was telling me about some old mates of his at home. They sound just like Polworth. Same hate figures, same promises everything’ll be rainbows and unicorns if only they cut themselves free of London. Anyone pointing out pitfalls or difficulties is scaremongering. Experts don’t know anything. Facts lie. ‘Things can’t be any worse than they are.’” Strike put several chips in his mouth, chewed, swallowed, then said, “But life’s taught me things can always get worse than they are. I thought I had it hard, then they wheeled a bloke onto the ward who’d had both his legs and his genitals blown off.” He’d never before talked to Robin about the aftermath of his life-changing injury. Indeed, he rarely mentioned his missing leg. A barrier had definitely fallen, Robin thought, since their whisky-fueled talk in the dark office. “Everyone wants a single, simple solution,” he said, now finishing his last few chips. “One weird trick to lose belly fat. I’ve never clicked on it, but I understand the appeal.” “Well, reinvention’s such an inviting idea, isn’t it?” said Robin, her eyes on the fake hot-air balloons, circling on their prescribed course. “Look at Douthwaite, changing his name and finding a new woman every few years. Reinventing a whole country would feel amazing. Being part of that.” “Yeah,” said Strike. “Of course, people think if they subsume themselves in something bigger, and that changes, they’ll change too.” “Well, there’s nothing wrong with wanting to be better, or different, is there?” asked Robin. “Nothing wrong with wanting to improve things?” “Not at all,” said Strike. “But people who fundamentally change are rare, in my experience, because it’s bloody hard work compared to going on a march or waving a flag. Have we met a single person on this case who’s radically different to the person they were forty years ago?
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
Staring into the naked orange flames of the firepit, naked flesh, naked Carrie Donaldson on the bare rug in exhausted, sated semi-sleep beside him, Jack Barron felt a carapace of image-history-skin encysting him like steel walls of a TV set, a creature imprisoned in the electronic circuitry of his own head perceiving through promptboard vidphone fleshless electronic speed of light ersatz senses, separated from the girl beside him by the phosphor-dot impenetrable glass TV screen Great Wall of China of his own image. First time I remember being blown feeling like wet put-down ugliness, he brooded. Ugly, he told himself, is a thing you feel — truth is ugly when it's a weapon, lie is beautiful when an act of love ugly when it's one-sided fuck is beautiful when it's simple, mutual, nobullshit balling, ugly when chick gets her kicks off you that really isn't there, is why you feel like a rotten lump of shit, man. Getting blown Sara go down being dug by woman's a pure gas; being sucked off, image-statue living lie, someone else's lie being eaten (Let me eat you, let me eat you, baby!) is a dirty act of plastic cannibalism, her dirtiness, not mine. Whole world's full of plastic cannibals feeding their own little bags off meals of my goddamned image-flesh, eating Jack Barron ghost that isn't there. And now Morris and my so-called friend Luke are hot to package my living-color bod into TV dinners, sell to hundred million viewer-voter cannibals for thirty pieces of power silver.
Norman Spinrad (Bug Jack Barron)
Teaching is more likely to be a fine art when a passing grade means you don’t get your ass blown off.
Michael Poore (Reincarnation Blues)
The surest way to get your head blown off is to have it up your ass.
Nelson DeMille (The Lion (John Corey, #5))
As someone who gets teary-eyed at rom-coms, analyzes my feelings about my feelings, and shows off my cuts and bruises like a six-year-old, I naturally find stoicism absurd. But the truth is that C. really is good at self-soothing, both physically and emotionally, and if I had been able to leave her in peace for twenty minutes that day on the trail, the whole thing would have blown over like the wispy little cirrus clouds overhead. But I could not, so I goaded her into talking to me, whereupon I learned that what she had heard, in “just out hiking for the day” was dismissiveness—an implication that the activity we were engaged in was a pale version of what I really wanted to be doing.
Kathryn Schulz (Lost & Found: A Memoir)
I think stories have such power for us [because] they force us to consider the question, "Are stories true?" Not just, "Is this story true?" was there really an angel? Did he really say, "Do not be afraid"?—but are any stories true? Is the claim that all stories make a true claim? Every storyteller, whether he is Shakespeare telling about Hamlet or Luke telling about Mary, looks out at the world much as you and I look out at it and sees things happening—people being born, growing up, working, loving, getting old, and finally dying—only then, by the very process of taking certain of these events and turning them into a story, giving them form and direction, does he make a sort of claim about events in general, about the nature of life itself. And the storyteller's claim, I believe, is that life has meaning—that the things that happen to people happen not just by accident like leaves being blown off a tree by the wind but that there is order and purpose deep down behind them or inside them and that they are leading us not just anywhere but somewhere. The power of stories is that they are telling us that life adds up somehow, that life itself is like a story. And this grips us and fascinates us because of the feeling it gives us that if there is meaning in any life—in Hamlet's, in Mary's, in Christ's—then there is meaning also in our lives. And if this is true, it is of enormous significance in itself, and it makes us listen to the storyteller with great intensity because in this way all his stories are about us and because it is always possible that he may give us some clue as to what the meaning of our lives is.
Frederick Buechner (The Magnificent Defeat)
Oh wait, I have to plant the pumpkins. I just know that while I’m up doing all the hard work, Steve’s going to run off and dig a hole, and have all the fun while I get blown up by creepers and shot by skeletons.
Crafty Nichole (Diary of an Angry Alex: Book 13 - The Wither Storm (An Unofficial Minecraft Book))
They said I could leave if you came and picked me up." He dropped his voice to a whisper and pulled the camera closer. His pupils were blown wide, almost touching the rims of his irises. "The angry penguins scare me." Jane pinched the bridge of her nose, trying to ward off a headache. "They've given you pain medicine, haven't they?" "My state of medication does not make them any less scary. Tiny, angry, little birds." He was talking about the ancient Catholic nuns of Mercy Hospital. They were one of the few things on the planet that actually frightened Hal. She suspected he would be even more cavalier about getting hurt if there was a hospital other than Mercy to go to in Pittsburgh. "Please, please, please, please, please, please." Hal whimpered. "You've got the Fortress of Solitude. All those empty beds! Please!" "Fine. You can stay at my place. I'll come get you." She slapped down her hand, cutting the feed. The two men were staring at the display with surprise and amusement. "Who was that unfortunate fellow?" Nigel asked. "That's – that's the host of Pittsburgh Backyard and Garden, Hal Rogers. We had a rough shoot this morning." Taggart was clearly confused by the answer. Obviously he thought PB&G was a simple landscape show.
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
How to look a demon in the eye It’s easy to want to run away from bad feelings. When we feel sadness or fear we greet them as problems to be instantly solved or dismissed. I can remember that when I was first in the middle of a deep depression, I wasn’t just feeling depressed. I was feeling depressed about feeling depressed. Anxious about feeling anxious. And so, inevitably, the negative feelings kept on multiplying themselves. The key to recovery lay in acceptance. This was the paradox. To escape depression I had to get to a point where I accepted it. To stop having panic attacks I had to get to a point where I almost invited them. I would feel that sudden heightened alertness symptomatic of panic, and I would say to myself I want this. This is not a strategy you should necessarily follow. And I certainly don’t mean to belittle the horror of a full-blown panic attack. I know as well as anyone how utterly terrifying it can be to feel trapped in your own mind when it is in total freefall. But after a hundred or so panic attacks I realized something about them. They were self-referential. They fueled themselves. I mean: the panic became worse because I was panicking about the panic. It is a rolling snowball of its own making. But if I stopped myself being frozen about the panic, if I melted into a state of acceptance, the panic snowball ended up running out of the ice-cold terror and couldn’t grow. Eventually it would float right through. My mind would watch the panic rather than fight it. A totally different type of engagement. Sometimes, situation permitting, rather than trying to ignore the panic or walk it off, I would just lie down on the floor and close my eyes and really focus on it. And when you really analyze fear you realize, first, that it is only a natural part of us. And second, that it is the sister of hope. Because both are born from the uncertain fabric of life. In Tibetan the word re-dok is a portmanteau of the words rewa (hope) and dokpa (fear), acknowledging they coexist and both stem from essentially the same thing—uncertainty. When we analyze rather than evade our darkest fears, we learn that even our largest demons are not as invincible as they first appear. Often, when we stare at them, deeply, they disintegrate before our eyes.
Matt Haig (The Comfort Book)
That self-confidence only blossomed into full-blown delusion as I got older. Eventually, the braids were replaced by a bob cut with bangs that had the presence Tina Yothers’s bangs did at her peak during Family Ties. Wait till these white boys at my new school get a whiff of me, I’d tell myself as I got dressed in the morning. Oh, they definitely did. And if Calvin Klein were to bottle that odor, it would have been called: Eau de Weary Grandmother at Post Office Who Hums a Negro Spiritual Parfum. Rolls off the tongue, doesn’t it? To make matters worse, I often paired my asexual hairdo with lived-in black dress shoes, pleated khakis, and a primary-colored turtleneck from Eddie Bauer. At best, this outfit could be described as “Jehovah Witness Chic,” and at worst, “recent Heaven’s Gate defector.” This, my friends, was the milk shake that did not bring all the boys to the yard. It was the milk shake that made them go, “You know, I’m really not into dairy right now.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
AM: My father had arrived in New York all alone, from the middle of Poland, before his seventh birthday… He arrived in New York, his parents were too busy to pick him up at Castle Garden and sent his next eldest brother Abe, going on 10, to find him, get him through immigration and bring him home to Stanton Street and the tenement where in two rooms the eight of them lived and worked, sewing the great long, many-buttoned cloaks that were the fashion then. They sent him to school for about six months, figuring he had enough. He never learned how to spell, he never learned how to figure. Then he went right back into the shop. By the time he was 12 he was employing two other boys to sew sleeves on coats alongside him in some basement workshop. KM: He went on the road when he was about 16 I think… selling clothes at a wholesale level. AM: He ended up being the support of the entire family because he started the business in 1921 or something. The Miltex Coat Company, which turned out to be one of the largest manufacturers in this country. See we lived in Manhattan then, on 110th Street facing the Park. It was beautiful apartment up on the sixth floor. KM: We had a chauffeur driven car. The family was wealthy. AM: It was the twenties and I remember our mother and father going to a show every weekend. And coming back Sunday morning and she would be playing the sheet music of the musicals. JM: It was an arranged marriage. But a woman of her ability to be married off to a man who couldn’t read or write… I think Gussie taught him how to read and to sign his name. AM: She knew she was being wasted, I think. But she respected him a lot. And that made up for a little. Until he really crashed, economically. And then she got angry with him. First the chauffeur was let go, then the summer bungalow was discarded, the last of her jewellery had to be pawned or sold. And then another step down - the move to Brooklyn. Not just in the case of my father but every boy I knew. I used to pal around with half a dozen guys and all their fathers were simply blown out of the water. I could not avoid awareness of my mother’s anger at this waning of his powers. A certain sneering contempt for him that filtered through her voice. RM: So how did the way you saw your father change when he lost his money? AM: Terrible… pity for him. Because so much of his authority sprang from the fact that he was a very successful businessman. And he always knew what he as doing. And suddenly: nothin’. He didn’t know where he was. It was absolutely not his fault, it was the Great Crash of the ‘29, ‘30, ‘31 period. So from that I always, I think, contracted the idea that we’re very deeply immersed in political and economic life of the country, of the world. And that these forces end up in the bedroom and they end up in the father and son and father and daughter arrangements. In Death of a Salesman what I was interested in there was what his world and what his life had left him with. What that had done to him? Y’know a guy can’t make a living, he loses his dignity. He loses his male force. And so you tend to make up for it by telling him he's OK anyway. Or else you turn your back on him and leave. All of which helps create integrated plays, incidentally. Where you begin to look: well, its a personality here but what part is being played by impersonal forces?
Rebecca Miller
You are responsible to get certain things you need for your own personal development and emotional and spiritual health outside the marriage. If you’ve blown off your support system—your female friends, your hobbies, your recreation, your spiritual friendships—hoping your husband could replace all of these while also meeting all your relational needs, then you’re setting up yourself (and your marriage) for disappointment and failure. No husband, by himself, is enough; you still need others, and it’s your responsibility to cultivate those other relationships. Could
Gary L. Thomas (Loving Him Well: Practical Advice on Influencing Your Husband)
I realized his admission that he hadn’t blown my head off was about as romantic as he could get.
Elle Kayson (The Beauty Of This Street Love : A Texas Tale)
The herd tells you it’s brave and masculine to run off to attack some country and get your brains blown out. Then it weeps over your casket and licks its lips for the next one.
Mike Bond (Freedom (America, #2))
The herd tells you it’s brave and masculine to run off to attack some country and get your brains blown out. Then it weeps over your casket and licks its lips for the next one. If it doesn’t feel good don’t do it was the corollary. That knocked all religions out of the batter’s box of veracity, showed them for what they were: diatribes against pleasure, joy, freedom, knowledge and women.
Mike Bond (Freedom (America, #2))
Occasionally, even today, you come across certain people who seem to possess an impressive inner cohesion. They are not leading fragmented, scattershot lives. They have achieved inner integration. They are calm, settled, and rooted. They are not blown off course by storms. They don’t crumble in adversity. Their minds are consistent and their hearts are dependable. Their virtues are not the blooming virtues you see in smart college students; they are the ripening virtues you see in people who have lived a little and have learned from joy and pain. Sometimes you don’t even notice these people, because while they seem kind and cheerful, they are also reserved. They possess the self-effacing virtues of people who are inclined to be useful but don’t need to prove anything to the world: humility, restraint, reticence, temperance, respect, and soft self-discipline. They radiate a sort of moral joy. They answer softly when challenged harshly. They are silent when unfairly abused. They are dignified when others try to humiliate them, restrained when others try to provoke them. But they get things done. They perform acts of sacrificial service with the same modest everyday spirit they would display if they were just getting the groceries. They are not thinking about what impressive work they are doing. They are not thinking about themselves at all. They just seem delighted by the flawed people around them. They just recognize what needs doing and they do it. They make you feel funnier and smarter when you speak with them. They move through different social classes not even aware, it seems, that they are doing so. After you’ve known them for a while it occurs to you that you’ve never heard them boast, you’ve never seen them self-righteous or doggedly certain. They aren’t dropping little hints of their own distinctiveness and accomplishments. They have not led lives of conflict-free tranquillity, but have struggled toward maturity. They have gone some way toward solving life’s essential problem, which is that, as Aleksandr Solzhenitsyn put it, “the line separating good and evil passes not through states, nor between classes, nor between political parties either— but right through every human heart.” These are the people who have built a strong inner character, who have achieved a certain depth. In these people, at the end of this struggle, the climb to success has surrendered to the struggle to deepen the soul. After a life of seeking balance, Adam I bows down before Adam II. These are the people we are looking for.
David Brooks
Before she could say more, she looked up to find Cade towering over her. "Do you think they could do one song without us so I might have the pleasure of the next dance?" he asked formally. Lily looked startled and Whitaker frowned, but Anna had just arrived and offered shyly, "I'll play for you, Mrs. Brown. What would you like to hear?" It was settled. Feeling a quiver of excitement, Lily took Cade's hand and rose from the bench. "Do you know 'Molly Cotton-tail'?" It was an easy song, one every child learned, but great fun for dancing. Lily smiled at the child's eager nod. She would finally have a chance to try dancing. Lily's excitement was irresistible. Ignoring the fact that he would most likely get his head blown off for daring to lay a hand to a white woman, Cade led her out to join the dancers. Langton and his wife were there, and they joined the circle beside them. Cade hid his surprise as Maria haughtily joined them, towing one of Lily's farmhands behind her. Maria was a whore at heart, but she hadn't denied him her bed as many another had done before. Cade wouldn't begrudge this offer of friendship now. Unaware that a small cadre of friends and neighbors were forming a protective circle around them, Lily laughed and took Cade's hand as the music began. She had waited for this moment all her life, and she expected to enjoy it to the fullest. She no longer pictured a dream man to sweep her off her feet. She merely wanted to enjoy the music. Cade watched in amazement as Lily spread her wings and flew. She didn't need anyone's protection. The sheer delight on her face as she swung from arm to arm around the circle, her feet scarcely touching the floor, was enough to stop even the hardest heart from treading on her happiness. Cade almost half-believed that life had some meaning beyond mere existence as he watched her. He wouldn't need liquor if he could always feel that kind of joy, even secondhand. Lily collapsed, laughing, into his arms as the music ended. For a moment, Cade was supporting her slenderness against him while she recovered her breath. He had no right being aroused by innocence incarnate, but while Lily laughed, Cade burned. The
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Husband?” “I told them we were betrothed.” Cam took her arm in a gentle but adamant grip and guided her around to the other side of the yew, where they could not be observed from the house. “Why?” “Because we are.” “What?” They stopped in the concealment of the hedge. Aghast, Amelia looked up into his warm hazel eyes. “Are you mad?” Taking her hand, Cam lifted it until the ring gleamed in the daylight. “You’re wearing my ring. You slept with me. You made promises. Many in the Rom would say that constitutes full-blown marriage. But just to make certain it’s legal, we’ll do it the way of the gadjos as well.” “We’ll do no such thing!” Amelia snatched her hand from his and backed away. “I’m only wearing this ring because I can’t get the blasted thing off. And what do you mean, I made promises? Were those Romany words you asked me to repeat some kind of vow? You tricked me! I didn’t mean what I said.” “But you did sleep with me.” She flushed in shame and outrage, and dragged a sleeve across her sweating brow. Whirling away from him, she strode rapidly along a graveled path that led deeper into the garden. “That didn’t mean anything, either,” she said over her shoulder. He kept pace with her easily. “It meant something to me. The sexual act is sacred to a Roma.” She made a scornful sound. “What about all the ladies you seduced in London? Was it sacred when you slept with them, too?” “For a while I fell into the impure ways of the gadjo,” he said innocently. “Now I’ve reformed.” Amelia sent him a sideways glare. “You don’t want this. You don’t want me. One night can’t change the entire course of someone’s life.” “Of course it can.” He reached for her, and Amelia skittered away, passing a mermaid fountain surrounded by stone benches. Cam caught her from behind and jerked her back against him. “Stop running from me and listen. I do want you. I want you even knowing if I marry you, I’ve got an instant family, complete with a suicidal brother-in-law and a Gypsy houseboy with the temperament of a poked bear.” “Merripen is not a houseboy.” “Call him what you like. He comes with the Hathaways. I accept that.” “They won’t accept you,” she said desperately. “There’s no place for you in our family.” “Yes there is. Right by your side.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
each other. No words were needed, they both felt the same. What a load of bollocks. They’d known each other two minutes. How could they be in love? Joan was just going over the top. The four glasses clinked together. “Tuck in guys. This is one of my better dishes. My mam helped with it too so I know it’s going to be top notch.” Trevor rubbed his hands together and grabbed his fork. There were no flies on him he was tucking in. Food was his comfort and now Joan was off the market he needed it more than ever. Mabel picked at the food on her plate, nibbling, watching everyone else around her. Patrick sat next to Joan and every chance he got he kissed her, held her hand. He knew he was on show here tonight and he was making sure he ticked all the boxes. * Cath and Katrina were chatting in the yard. The winds were blowing with force. They both looked freezing as they marched around the concrete yard. There were high steel fences with barbed wire on the top of it. There was no way out. Katrina needed a friendly ear, some advice, someone to ease her heavy heart. Once she’d filled Cath in on everything that had happened they both sat on a bench not far from the fence.  The screws watched them with caution and never took their eyes from them. They were high-risk prisoners. Cath let out a laboured breath and bit down hard on her bottom lip. “For crying out loud didn’t I tell you to keep away from that prick. Look what’s happened now. You’ve fucking blown it. You were getting out of this shit-hole in a few more months and you’ve gone and fucked it all. Where is your head at woman, you should of steered well clear of any trouble?” Katrina snivelled, her eyes flooding with tears. “I know, I just wanted to hurt him like he’s hurt me. I loved that man with all my heart and he just fucked off and left me. I’ve lost it all Cath. My kids, my home, everything I ever loved. How can I tell my kids I’m not coming home? It will break their hearts. I’ve made promises to them. A better life, no more trouble. Their mother home for good.” “They’ve not charged you yet. Wait until it’s set in stone and then you know what you’re dealing with.” Cath held her in her arms and squeezed her tight. She knew as much as the other person that she wasn’t getting out of jail anytime soon. The crime she’d committed would be all over the news soon and the public would know who she was. She’d seen it so many times before. Once an offender was named, the nation would be all over it. No doubt Norman would be made out to be the hero too. There would be no story about the way he treated this woman, no mention of all the women he’d abused in the past. Maybe someone should have grassed him up. Katrina had warned him if he she got her collar felt there would be repercussions. Why hadn’t she put his name in the picture yet? Now was the time to put her cards on the table and look after number one. Maybe if she turned Queen’s evidence she could get a deal with the prosecution. A lesser sentence, a few years knocked off. Cath was aware of this but to be a Judas was another matter. Katrina would have to
Karen Woods (Sins)
The few minutes with Ezra had been the most intriguing I’d spent in the past six months, but if I remembered one thing about my hometown it was that sticking your nose into someone else’s family matters could get it blown off. Figuratively. Mostly.
Charli Coty (Speedbump)
Hey, Shell-bell," I say, leaning over her and wiping her face with a napkin. "It's the first day of school. Wish me luck." Shelley holds jerky arms out and gives me a lopsided smile. I love that smile. "You want to give me a hug?" I ask her, knowing she does. The doctors always tell us the more interaction Shelley gets, the better off she'll be. Shelley nods. I fold myself in her arms, careful to keep her hands away from my hair. When I straighten, my mom gasps. It sounds to me like a referee's whistle, halting my life. "Brit, you can't go to school like that." "Like what?" She shakes her head and sighs in frustration. "Look at your shirt." Glancing down, I see a large wet spot on the front of my white Calvin Klein shirt. Oops. Shelley's drool. One look at my sister's drawn face tells me what she can't easily put into words. Shelley is sorry. Shelley didn't mean to mess up my outfit. "It's no biggie," I tell her, although in the back of my mind I know it screws up my "perfect" look. Frowning, my mom wets a paper towel at the sink and dabs at the spot. It makes me feel like a two-year-old. "Go upstairs and change." "Mom, it was just peaches," I say, treading carefully so this doesn't turn into a full-blown yelling match. The last thing I want to do is make my sister feel bad. "Peaches stain. You don't want people thinking you don't care about your appearance." "Fine." I wish this was one of my mom's good days, the days she doesn't bug me about stuff. I give my sister a kiss on the top of her head, making sure she doesn't think her drool bothers me in the least. "I'll see ya after school," I say, attempting to keep the morning cheerful. "To finish our checker tournament.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
RJ gets to work in the kitchen on the dinner he is preparing, allowing me to sous chef. He seasons duck breasts with salt, pepper, coriander, and orange zest. Puts a pot of wild rice on to cook, asks me to top and tail some green beans. We open a bottle of Riesling, sipping while we cook, and I light a fire. The place gets cozy, full of delicious smells and the crackling fire. We ignore the dining table in favor of sitting on the floor in front of the fire, and tuck in. "This is amazing," I tell him, blown away by the duck, perfectly medium-rare and succulent, with crispy, fully rendered skin. "Really, honey, it couldn't be better." "Thank you, baby. That's a major compliment. And I have to say, I love cooking with you." "I love cooking with you." And I did. I never once felt like I wanted to jump in or make a change, or suggest a different choice. I followed him as I would have followed any chef, and the results of trusting him are completely delicious, literally and figuratively.
Stacey Ballis (Off the Menu)
By contrast, everybody I know grew up with school shootings. We’re the first bunch who came up knowing for an absolute, stone-certain fact that at any moment, somebody could walk into the cafeteria and execute us. It wasn’t a vague, formless idea or an abstract possibility, it was real. Every time we saw another school get hit, it was like, Well, I guess I’m next. No disrespect to my grandfather, who was actually a pretty nice guy, but seeing news reports about kids your own age getting their faces blown off on a monthly, sometimes weekly basis changes you and how you look at death. It’s there with us every day. As terrible as this is going to sound, we’re used to it, and we try not to be scared by it.
Straczynski J. Michael
Woven deep within this story is the notion of I told you so. It’s certainly the vantage point of Alice, and the source of the guilt that consumes her, all these decades later, for not forcing her son to get off that goddamn fishing boat.
Amanda M. Fairbanks (The Lost Boys of Montauk: The True Story of the Wind Blown, Four Men Who Vanished at Sea, and the Survivors They Left Behind)
This town has a small beach that doesn't get much traffic, even in summer, and I used to enjoy walking along it, looking for stuff. Burnt-out fireworks, seaweed, a child's hat blown off by the wind... I hardly ever found what I was looking for, but maybe I never really expected to find anything in the first place.
Asano Inio
Washington’s reputation as the most dangerous small mountain in the world is well founded. Even calm days with clear blue skies can, in a short space of time, descend rapidly into fierce winds, with temperatures plummeting to below freezing. Inexperienced and experienced hikers alike regularly get blown off course. Resisting the urge to battle the gales, they succumb to them and end up disorientated and lost, miles from anywhere. Often on day hikes with no equipment, they die from exposure and hypothermia. It is not a mountain to be taken lightly. Unofficial
Keith Foskett (Balancing on Blue: A Dromomaniac Hiking)
She’s giving me a hard time.” “Oh?” “She hates me.” Jerry waited patiently, irritating Rick. “I knew it was going to be hard on her, telling her we couldn’t be a couple anymore. I figured there’d be tears and stuff. But then she’d get over it. I knew it would take a while, but then some guy would ask her out or something. Eventually she’s going to be all right.” “What about this is keeping you awake at night?” Jerry asked. “You know, this isn’t easy on me, either,” Rick snapped. “Staying away from her isn’t exactly simple. But it’s better this way.” Jerry leaned forward. “Listen, I think you’re going to have to try to be more specific. I’m not sure I’m following. We’ve talked about the girlfriend before and as I understand it, you explained to her that you couldn’t be her boyfriend anymore and that upset her. Correct?” “Correct,” he answered tightly. “And now she’s angry?” “Whew,” Rick said, shaking his head. “I go to Jack’s every Friday afternoon for about an hour or so. After a week of PT and you, I’m wrecked, so Jack lets me have a beer and some dinner. She comes to the bar every week, knowing I’m going to be there, and she won’t look at me. I mean, she won’t even accidentally see me. Won’t speak to me. Smiles pretty at everyone else and it’s like I’m not there.” Jerry tilted his head. “You don’t want to be her boyfriend anymore,” he pointed out. “Well, I can’t be. It’s no good that way. For her. Believe me.” “Okay, let me get this right,” Jerry said. “You told her you’re through—you two cannot be together. Sounds like maybe she believes you. Did you expect her to be a little more gracious about it?” Rick glared through narrowed eyes. “You’re a smart-ass, you know that?” “Sorry, that’s not my intention at all. I’m really trying to understand what about this is off. What about this is costing you sleep?” “She could say hello,” he barked. “Is it possible she’s angry with your decision to break it off with her?” “Well, no shit! She even told me to grow up, like I’m being a real baby about having my leg blown off!” “Did she say that?” Jerry asked. “No, but that’s what she meant!” “Are you certain?” “Of course I’m certain!” “Did she tell you exactly why she thought you should grow up?” Jerry asked. “Listen to me! She didn’t have to!” “I
Robyn Carr (Paradise Valley)