Getaway Driver Quotes

A blanket could be used to fix your broken marriage. You’ll also need duct tape, an empty car trunk, a getaway driver, and the most opportune moment to snatch your mother-in-law away to never be seen or heard from again. 


In heist movies, there's always a montage of scenes where the caper crew rehearses for the big day. The greaser person practices maneuvering through a mock laser beam field made up of string. The driver races through obstacle courses, back alleys, and dark city streets. The hacker pounds on her keyboard, staring at screens full of code. The gadget person demonstrates all their clever toys. The key master practices opening a safe. The muscle finds a few security guards to knock unconscious and wrestles guard dogs to the ground. The inside person seduces or befriends the target and gets them to spill their secrets. And the leader organizes it all with the help of her second-in-command. At least, that's the way it works in the movies. In real life, with a bunch of newbs who are scraping by with low-paying jobs, inflexible hours, difficult bosses, and a bunch of side gigs to make ends meet, just organizing a rehearsal heist was one hell of a task.

In the early '80s, I spent a year working on a verse-play -- based on the life of Anne Maguire (whose sister, Mairead, founded the Peace People movement after Anne took her own life). Anne's three children were killed on the pavement as she was wheeling the pram one day in 1976 by an IRA fugitive's getaway car -- the driver fatally shot by a British soldier; this singular incident crystallized for me so much of the terror then in the air. Writing was a way of keeping clear -- in the sense of fixing it, restoring it facet by facet, to clarity. Catching a moment of history like a fly in amber with the chorus of witnesses alive, outside. After all, poetry affords this license and extreme economy. I have no business, of course, to write about such matters, being a complete foreigner in Ireland. But you do it because it is nobody's business. What you write is nobody's business. Isn't that poetry? - "What You Write Is Nobody's Business": An Interview With Wong May (The Believer, May 2014)

Oh, by the way, security told me earlier that some guy showed up, claiming to be your assistant.” “Already? What time is it?” “It’s almost one o’clock,” he says. “Are you telling me you actually hired someone?” My heart drops. I shove past Cliff, ignoring him as he calls for me, wanting his question answered. I head straight for security, spotting Jack standing along the side with a guard, looking somewhere between disturbed and amused. “Strangest shit I’ve ever witnessed in Jersey,” Jack says, looking me over. “And that’s saying something, because I once saw a chimpanzee roller skating, and that was weird as fuck.” “I’m going to take that as a compliment, even though I know it isn’t one,” I say, grabbing his arm and making him follow me. It’s about a two-and-a-half hour drive to Bennett Landing, but I barely have two hours. “Please tell me you drove.” Before he can respond, I hear Cliff shouting as he follows. “Johnny! Where are you going?” “Oh, buddy.” Jack glances behind us at Cliff. “Am I your getaway driver?” “Something like that,” I say. “You ever play Grand Theft Auto?” “Every fucking day, man.” “Good,” I say, continuing to walk, despite Cliff attempting to catch up. “If you can get me where I need to be, there will be one hell of a reward in it for you.” His eyes light up as he pulls out a set of car keys. “Mission accepted.” There’s a crowd gathered around set. They figured out we’re here. They know we’re wrapping today. I scan the area, looking for a way around them. “Where’d you park?” I ask, hoping it’s anywhere but right across the street. “Right across the street,” he says. Fuck. I’m going to have to go through the crowd. “You sure you, uh, don’t want to change?” Jack asks, his eyes flickering to me, conflicted. “No time for that.” The crowd spots me, and they start going crazy, making Cliff yell louder to get my attention, but I don’t stop. I slip off of set, past the metal barricades and right into the street, as security tries to keep the crowd back, but it’s a losing game. So we run, and I follow Jack to an old station wagon, the tan paint faded. “This is what you drive?” “Not all of us grew up with trust funds,” he says, slapping his hand against the rusted hood. “This was my inheritance.” “Not judging,” I say, pausing beside it. “It’s just all very ‘70s suburban housewife.” “That sounds like judgment, asshole.” I open the passenger door to get in the car when Cliff catches up, slightly out of breath from running. “What are you doing, Johnny? You’re leaving?” “I told you I had somewhere to be.” “This is ridiculous,” he says, anger edging his voice. “You need to sort out your priorities.” “That’s a damn good idea,” I say. “Consider this my notice.” “Your notice?” “I’m taking a break,” I say. “From you. From this. From all of it.” “You’re making a big mistake.” “You think so?” I ask, looking him right in the face. “Because I think the mistake I made was trusting you.” I get in the car, slamming the door, leaving Cliff standing on the sidewalk, fuming. Jack starts the engine, cutting his eyes at me. “So, where to? The unemployment office?” “Home,” I say, “and I need to get there as soon as possible, because somebody is waiting for me, and I can't disappoint her.

Bank robbers are, I assume, under a time crunch. There are silent alarms to consider, not to mention security guards, cameras, marked bills, and the patience of your average getaway driver. Mugging needn’t be done in haste. Here was a man with no tomorrow and no end to today. We had all night.

These bursts of exploration—shopping trips, days off that are spent wandering around the city, weekend getaways—seem to be important in growing the local ecology of cities. If we looked at cities with greater than average rates of exploration in the credit card data, we found that in subsequent years they had a higher GDP, a larger population, and a greater variety of stores and restaurants. It makes sense that more exploration, which results in a greater number of interactions between current norms and new ideas, would be a driver of innovative behavior.

The officer claimed he’d been scared, had reason to believe Philando was reaching for his gun. Show me that scenario. A man seated with a trunk full of melting groceries, wearing a thin layer of cotton, a little girl in the backseat. About to whip out his gun, shoot through the cop’s bulletproof vest, to be his own getaway driver? Why would Philando shoot an innocent man within forty seconds of meeting him? Why did the officer?

It looks like we have ourselves the making of a solid escape plan. We only need a vehicle and a driver.

Really man? Now you’re the one calling the shots?” Willow had taken off his helmet and finally turned off the bike. “Bringing Robert here to be the getaway driver? If you’re looking for escalation this isn’t it, you prick. I call the shots and the rest fall in line. I love you brother, but this isn’t the move.” A door had opened loudly at the distant motel, an odd-looking fellow had stepped out of the kiosk and was walking briskly towards them, muttering to himself out of earshot. Willow had taken this for even more leverage against his outcrying subordinate, “It’s people like this,” pointing at the approaching motel employee, “That gets us locked up. If we get the cops called on us again, he is the first witness to see us with the car or even the kids if he starts yelling and gets them to come out.

He believed he would become his parties front liner, but in truth he had been getaway driver all along.

He's resourceful and very good with people. His job will be to form a connection with someone in the mansion so he can get inside and feed us information." "I'll bet he's good with people," Emma muttered. "So long as the people have boobs, money, and utterly no taste." "You remind me of someone I really cared about." Cristian gave her a smooth, guileless smile that made the hair on the back of my neck stand on end. "We should hang out. I've always enjoyed spending time with older women. You could teach me how to knit." Emma's face turned three shades of fury. "Give me a pair of knitting needles and I'll shove them up your---

For all that little financial lesson in the Montreal hotel, Emily was still confused by British currency. She’d grown highly incensed not only with it but with me because she couldn’t understand it. It was the only thing I ever heard her admit to not understanding. It was in vain that I tried to show her the difference between a half crown and a two-shilling piece. She refused to admit they were anything but two versions of fifty cents, and persisted in being so stubbornly obtuse about it that I finally told her that if she just bring herself to read what was written on them, she’d know. This didn’t work out so well either because she’d keep taxi drivers waiting interminably while she’d scan the reading matter of each and every coin, turning it round and round, sometimes breathing on it and rubbing it clear. When I suggested that people might think her awfully queer, she said, not at all, they’d merely mistake her for a coin collector. I tried explaining to her that one florin meant two shillings but that only made her madder. The day we received a bill made out in guineas and I told her that there was no such thing as a guinea, it was a pound and one shilling, only the swanker shops charged you in guineas, and you paid in pound and shillings, but you called it guineas, although as I had said there really was no such thing, she slapped me.

You saved me tonight." "No," he said, eyes flashing, one brow arched. "You saved yourself, Al. I was just your getaway driver.

Our getaway driver, Cobra, was anxiously waiting for us inside the large SUV car that was just parked around the bank.