“
Simon rolled his eyes. “It’s a good thing we know the person who’s dating Magnus Bane,” he said. “Otherwise, I get the feeling we’d all just lie around all the time wondering what the hell to do next. Or trying to raise the money to hire him by selling lemonade or something.”
Alec looked merely irritated by this comment. “The only way you could raise enough money to hire Magnus by selling lemonade is if you put meth in it.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
She wondered if it was her stupid mother, the goddess of love, messing with her thoughts. If Piper started getting urges to read fashion magazines, she was going to have to find Aphrodite and smack her.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
The Way It Is
There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.
~ William Stafford ~
”
”
William Stafford
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
The thing is, that when you're young, you always think you'll meet all sorts of wonderful people, that drifting apart and losing friends is natural. You don't worry, at first, about the friends you leave behind. But as you get older, it gets harder to build friendships. Too many defenses, too little opportunity. You get busy. And by the time you realize that you've lost the dearest best friend you've ever had, years have gone by and you're mature enough to be embarrassed by your attitude and, frankly, by your arrogance.
”
”
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
“
Simon rolled his eyes. "It's a good thing we know the person who's dating Magnus," he said. "Otherwise, I get the feeling we'd all just lie around all the time wondering what the hell to do next. Or try to raise the money to hire Magnus by selling lemonade.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
A bouquet of clumsy words: you know that place between sleep and awake where you’re still dreaming but it’s slowly slipping? I wish we could feel like that more often. I also wish I could click my fingers three times and be transported to anywhere I like. I wish that people didn’t always say ‘just wondering’ when you both know there was a real reason behind them asking. And I wish I could get lost in the stars.
Listen, there’s a hell of a good universe next door, let’s go.
”
”
E.E. Cummings
“
Why Dream?
Life is a difficult assignment. We are fragile creatures, expected to function at high rates of speed, and asked to accomplish great and small things each day. These daily activities take enormous amounts of energy. Most things are out of our control. We are surrounded by danger, frustration, grief, and insanity as well as love, hope, ecstasy, and wonder. Being fully human is an exercise in humility, suffering, grace, and great humor. Things and people all around us die, get broken, or are lost. There is no safety or guarantees.
The way to accomplish the assignment of truly living is to engage fully, richly, and deeply in the living of your dreams. We are made to dream and to live those dreams.
”
”
SARK (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
“
olivia reminds me of a bird sometimes, how her feathers get all ruffled when she's mad. and when she's fragile like this, she's a little lost bird looking for its nest.
”
”
R.J. Palacio (Wonder (Wonder, #1))
“
They knew how to live with nature and get along with nature. They didn't try too hard to be all men and no animal. That's the mistake we made when Darwin showed up. We embraced him and Huxley and Freud, all smiles. And then we discovered that Darwin and our religions didn't mix. Or at least we didn't think they did. We were fools. We tried to budge Darwin and Huxley and Freud. They wouldn't move very well. So, like idiots, we tried knocking down religion. We succeeded pretty well. We lost our faith and went around wondering what life was for. If art was no more than a frustrated outflinging of desire, if religion was no more than self-delusion, what good was life? Faith had always given us answer to all things. But it all went down the drain with Freud and Darwin. We were and still are lost people.
”
”
Ray Bradbury (The Martian Chronicles)
“
Sometimes, people can go missing right before our very eyes. Sometimes, people discover you, even though they’ve been looking at you all the entire time. Sometimes, we lose sight of ourselves when we’re not paying enough attention.
We all get lost once in a while, sometimes by choice, sometimes due to forces beyond our control. When we learn what it is our soul needs to learn, the path presents itself. Sometimes we see the way out but wonder further and deeper despite ourselves; the fear, the anger or the sadness preventing us returning. Sometimes we prefer to be lost and wandering, sometimes it’s easier. Sometimes we find our own way out. But regardless, always, we are found.
”
”
Cecelia Ahern (A Place Called Here)
“
Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain.
And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
”
”
Mark Helprin (Winter's Tale)
“
I’d better get going or Valek will be wondering where I am.”
“Yes, by all means go. I noticed you and Valek have become close. Tell him, for me, not to kill anybody, will you?” Sarcasm rendered Rand’s voice sharp.
I lost control and slammed the oven door shut. It echoed in the quiet kitchen. “At least Valek has the decency to inform me when he’s poisoning me,
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
Imagine that you were on the threshold of this fairytale, sometime billions of years ago when everything was created. And you were able to choose whether you wanted to be born to a life on this planet at some point. You wouldn’t know when you were going to be born, nor how long you’d live for, but at any event it wouldn’t be more than a few years. All you’d know was that, if you chose to come into the world at some point, you’d also have to leave it again one day and go away from everything. This might cause you a good deal of grief, as lots of people think that life in the great fairytale is so wonderful that the mere thought of it ending can bring tears to their eyes. Things can be so nice here that it’s terribly painful to think that at some point the days will run out. What would you have chosen, if there had been some higher power that had gave you the choice? Perhaps we can imagine some sort of cosmic fairy in this great, strange fairytale. What you have chosen to live a life on earth at some point, whether short or long, in a hundred thousand or a hundred million years? Or would you have refused to join in the game because you didn’t like the rules? (...) I asked myself the same question maybe times during the past few weeks. Would I have elected to live a life on earth in the firm knowledge that I’d suddenly be torn away from it, and perhaps in the middle of intoxicating happiness? (...) Well, I wasn’t sure what I would have chosen. (...) If I’d chosen never to the foot inside the great fairytale, I’d never have known what I’ve lost. Do you see what I’m getting at? Sometimes it’s worse for us human beings to lose something dear to us than never to have had it at all.
”
”
Jostein Gaarder (The Orange Girl)
“
And then Chloe would be forced to remember all the things she'd lost, and to wonder, for the thousandth time, what it was about her that made her so easy to leave.
”
”
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
“
There is no father,’ he said eventually, ‘And I believe you’re running away from something. You’re a lovely woman trying to hold it all together but it’s too much for you. You think I’m a stupid old man who doesn’t care what he looks like and sits here day after day with nothing to do. And doesn’t notice anything. But you don’t know what’s here inside …’ he laid his arm across his chest, ‘My soul and my heart and my mind. There is so much in here it’s bursting and roving around the world like a lost soul with no home, endlessly looking and searching. I feel the mystery, I sense the mysteries – and the endless joy and the wonder and incredible beauty of the world and the pain and the cruelty. You feel all this too Sarah, but you pretend you’re a shallow woman with some sort of story, and underneath you think about … many things. Which of my books are you itching to get your hands on, huh? And you’re carrying the pain around with you, and something has just happened, and you are worried and, something has happened in the last few minutes and it’s all more than you can bear, and you need to tell me, yes me, Samuel. I am so much more than you think I am, and I can understand, and I can help.’ Ruby looked up startled and their eyes met. ‘I am so tired,’ she said, ‘Yes, you are right. I am so very tired of it all.'
”
”
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
“
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.”
Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.”
“Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.”
“That doesn’t mean that I don’t—”
“What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.”
“But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?”
“No.”
“I thought you might like Magnus. He’s nice, isn’t he?”
“Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely.
“I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.”
“I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace.
But Jace, his golden head down, lost in thought, didn’t notice.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
No wonder he and my brother don’t get along,” Linh said. “They’re basically the same person.” Practically on cue, Tam shouted from the bathroom above, “Dude – this guy uses more hair products than I do!
”
”
Shannon Messenger
“
That thing the nature of which is totally unknown to you is usually what you need to find, and finding it is a matter of getting lost. The word ‘lost’ comes from the old Norse ‘los’ meaning the disbanding of an army…I worry now that people never disband their armies, never go beyond what they know.
Advertising, alarmist news, technology, incessant busyness, and the design of public and private life conspire to make it so. A recent article about the return of wildlife to suburbia described snow-covered yards in which the footprints of animals are abundant and those of children are entirely absent. Children seldom roam, even in the safest places… I wonder what will come of placing this generation under house arrest.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too.
Dawson: That's not true.
Amanda: But it is. Honeymoons always come to an end.
Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right.
Amanda: We're not that young anymore-
Dawson: But we are. We still have the rest of our lives.
Amanda: I know. That's why I need you to do something for me.
Dawson: Anything.
Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
”
”
Nicholas Sparks (The Best of Me)
“
She has a bookshelf for a heart, and ink runs through her veins, she’ll write you into her story with the typewriter in her brain. Her bookshelf’s getting crowded. With all the stories that’s she’s penned, of all the people who flicked through her pages but closed the book before it ended. And there’s one pushed to the very back, that sits collecting dust, with its title in her finest writing, ‘The One’s Who Lost My Trust’. There’s books shes scared to open, and books she doesn't close. Stories of every person she’s met stretched out in endless rows. Some people have only one sentence while others once held a main part, thousands of inky footprints that they've left across her heart. You might wonder why she does this, why write of people she once knew? But she hopes one day she’ll mean enough for someone to write about her too.
”
”
E.H.
“
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them."
Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry.
"I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?"
His uncertainty made me smile. "Yes. Now would be a great time."
He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me.
"I only really ever hug my mother. Is this okay?" he asked.
I laughed. "It's hard to get a hug wrong."
After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family."
I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me.
"America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first."
I nodded.
"I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America."
He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
The problem with being grounded is it gives you a whole lot of unavoidable time to think. NOt even pulling weeds can take away your ability to plot all the varied and wonderful things you might do to get even, or at least to make up, just get a smidgen for time lost to TV and yard work and house cleaning.
”
”
Ellen Hopkins (Crank (Crank, #1))
“
Mr. Arsenikos said if you knew the constellations you would never get lost. You could always find your way home.
”
”
Bryn Greenwood (All the Ugly and Wonderful Things)
“
Tony:...but you need something to do about Noah.
Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
”
”
David Levithan (Boy Meets Boy)
“
What did I want?
I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles.
I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin.
I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.
”
”
Robert A. Heinlein (Glory Road)
“
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe.
I felt infinite wonder, infinite pity.
”
”
Jorge Luis Borges
“
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
”
”
Leonard Cohen (Flowers for Hitler)
“
It's wonderful to get lost in a piece of music, she'd said. To forget your name for a while.
”
”
Marisha Pessl (Night Film)
“
Tinker considers questions to be far more valuable than answers, so it’s rare to get an actual explanation.”
Dex snorted. “Huh, I wonder what that’s like.”
“I know,” Sophie agreed. “We’re so used to everyone telling us everything we want to know the second we want to know it—how will we ever handle that kind of vagueness and mystery?”
Mr. Forkle sighed. “I suppose I walked into that one.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
I was so bummed when it got lost,” I said. “Oh, it didn’t get lost,” he answered casually. “I threw it out.
”
”
R.J. Palacio (Wonder)
“
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it?
The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film.
This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire.
Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
”
”
Naomi Wolf (The Beauty Myth)
“
As she bends for a Kleenex in the dark, I am thinking of other girls: the girl I loved who fell in love with a lion--she lost her head over it--we just necked a lot; of the girl who fell in love with the tightrope, got addicted to getting high wired and nothing else was enough; all the beautiful, damaged women who have come through my life and I wonder what would have happened if I'd met them sooner, what they were like before they were so badly wounded. All this time I thought I'd been kissing, but maybe I'm always doing mouth-to-mouth resuscitation, kissing dead girls in hopes that the heart will start again. Where there's breath, I've heard, there's hope.
”
”
Daphne Gottlieb (Kissing Dead Girls)
“
I may be a hopeless romantic happy to get lost between the pages of a hot and steamy novel or a sigh-with-sweetness one, but I’m not naïve enough to believe that those kinds of things happen all the time. Some people will get that kind of love that makes guys wonder and girls swoon, but not everyone.
”
”
Emma Hart (Playing for Keeps (The Game, #2))
“
Charlotte: Giordano is terribly afraid Gwyneth will get everything wrong tomorrow that she can get wrong.
Gideon: Pass the olive oil, please.
Charlotte: Politics and history are a closed book to Gwyneth. She can’t even remember names—they go in at one ear and straight out of the other. She can’t help it, her brain doesn’t have the capacity. It’s stuffed with the names of boy bands and long, long cast lists of actors in soppy romantic films.
Raphael: Gwyneth is your time-traveling cousin, right? I saw her yesterday in school. Isn’t she the one with long dark hair and blue eyes?
Charlotte: Yes, and that birthmark on her temple, the one that looks like a little banana.
Gideon: Like a little crescent moon.
Raphael: What’s that friend of hers called? The blonde with freckles? Lily?
Charlotte: Lesley Hay. Rather brighter than Gwyneth, but she’s a wonderful example of the way people get to look like their dogs. Hers is a shaggy golden retriever crossbreed called Bertie.
Raphael: That’s cute!
Charlotte: You like dogs?
Raphael: Especially golden retriever crossbreeds with freckles.
Charlotte: I see. Well, you can try your luck. You won’t find it particularly difficult. Lesley gets through even more boys than Gwyneth.
Gideon: Really? How many . . . er, boyfriends has Gwyneth had?
Charlotte: Oh, my God! This is kind of embarrassing. I don’t want to speak ill of her, it’s just that she’s not very discriminating. Particularly when she’s had a drink. She’s done the rounds of almost all the boys in our class and the class above us . . . I guess I lost track at some point. I’d rather not repeat what they call her.
Raphael: The school mattress?
Gideon: Pass the salt, please.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
You told me mornings were the best time to break your own heart. So here I am, smoking your brand of cigarettes for the scent. I wonder if you still sing Beatles songs as you make coffee. You said your mother used to sing them to you when you couldn’t sleep, nineteen years before we met, twenty before you moved your clothes out of our closet while I was at work. By the way, I hate you for leaving all the photographs on the fridge. Taking them down felt like peeling off new scabs, like slapping a sunburn. I spent so many nights carving your body into pillows, I can promise you nothing feels like sleeping with your arm around me and your breath in my ear. Still, it’s comforting to know we sleep under the same moon, even if she’s so much older when she gets to me. I like to imagine she’s seen you sleeping and wants me to know you’re doing well.
”
”
Clementine von Radics (Mouthful of Forevers)
“
Max." Fang let go of my hand. "Right now, it's really all about—us."
He swooped down to the right in a big semicircle, ending facing me. Slowly we climbed upward, until we were almost vertical, flying straight up to the sun.
While carefully synchronizing our wings—they almost touched—Fang leaned in, gently put one hand behind my neck, and kissed me. It was just about as close to heaven as I'll ever get, I guess. I closed my eyes, lost in the feeling of flying and kissing and being with the one person in the world I completely,
utterly trusted.
When we finally broke apart, we looked down at the others, who were way far below us now. Angel was shading her eyes, looking up at us with a big smile. She was sitting on a dolphin's back, and I hoped soon someone would explain to the dolphin that he shouldn't let Angel take advantage of his good nature.
Still looking up at us, Angel gave us a big thumbs-up.
"She approves," Fang said with a hint of amusement.
"Jeez," I wondered aloud. "Is that a good thing or a bad thing?
”
”
James Patterson (Max (Maximum Ride, #5))
“
I want to love and be loved without ever having to wonder if it’s conditional. I want a life that is sometimes just my own, without feeling like I’m responsible for anyone or anyone is burdened with being responsible for me. I want back what I lost—at least however much of it I can still get.
”
”
Emma Lord (Begin Again)
“
I never wanted to fix things with them.” I pause, and my voice is very quiet. “I wanted out. I screwed up.”
“I don’t know, Murph.” We make the turn into the cemetery, and he hesitates, as if unsure of his next words. “I wonder if you’re just telling yourself that.”
I frown. “What?”
“I don’t think you wanted to kill yourself.”
I pull next to his car in the now-empty employee lot. “Didn’t you listen to everything I just told you?”
“Yeah. I did. Maybe you wanted to try to kill yourself, but I don’t think you wanted to actually do it.”
“What’s the difference?”
He opens the door and gets out, standing there, looking down at me. “You wore your seat belt.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
I don’t know how you look at the inside of your head — what metaphor you choose — but for those of us with endless yawning stretches of interior and nothing but nothing to stop us from getting lost in it, drugs can be wonderfully helpful.
”
”
James St. James (Party Monster: A Fabulous But True Tale of Murder in Clubland)
“
Beauty is one of the great facts of the world, like sunlight,or springtime, or the reflection in dark waters of that silver shell we call the moon. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you...Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed...Ah! realise your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless, or giving away your life to the ignorant, the common, and the vulgar...Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...The world belongs to you for a season...how tragic it would be if you were wasted. For there is such a little time that your youth will last. The common hillflowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty, becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to...Youth! Youth! There is absolutely nothing in the world but youth.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
How could she even wonder? “You know why I want you? I didn’t know I was lost until you found me. I didn’t know what alone was until the first night I spent without you in my bed. You’re the one thing I’ve got right. You’re what I’ve been waiting for, Pigeon.”
Abby reached up to take my face between her hands, and I wrapped my arms around her, lifting her off the floor. Our lips pressed together gently, and as she worked her lips against mine, I made sure to silently communicate how much I loved her in that kiss, because I could never get it right with just words.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
There is a magnificent intensity in life that comes when we are not in control but are only reacting, living, surviving. I am not a religious man per se...but for me, to go to sea is to get a glimpse of the face of God. At sea I am reminded of my insignificance-of all men's insignificance. It is a wonderful feeling to be so humbled.
”
”
Steven Callahan (Adrift: Seventy-Six Days Lost at Sea)
“
Whenever Percy stopped by to see her, she was so lost in thought that the conversation went something like this: Percy: “Hey, how’s it going?” Annabeth: “Uh, no thanks.” Percy: “Okay…have you eaten anything today?” Annabeth: “I think Leo is on duty. Ask him.” Percy: “So, my hair is on fire.” Annabeth: “Okay. In a while.” She got like this sometimes. It was one of the challenges of dating an Athena girl. Still, Percy wondered what he had to do to get her attention. He was worried about her after her encounter with the spiders at Fort Sumter, and he didn’t know how to help her, especially if she shut him out.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Years later, after other experiences with dogs, I wondered if their species were shaped and charmed to serve as four-legged guides able to assist in leading humanity back to our first—and lost—home. By the example of their joy and humility, by wanting nothing more than food and play and love, by the deep satisfaction that they take from those humble things, they belie all creeds of power and fame. Although they have the teeth to tear, it is by swish of tail and yearning eyes that they most easily get what they want.
”
”
Dean Koontz (Innocence)
“
We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills in the space in between with the blue of longing. I wonder sometimes whether with a slight adjustment of perspective it could be cherished as a sensation in its own terms, since it is as inherent to the human condition as blue is to distance?
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead
with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always
be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation.
It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine
right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile.
. . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial
as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances.
The true mystery of the world is the visible, not the invisible.
. . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only
a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you,
or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful.
Time is jealous of you, and wars against your lilies and your roses.
You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth
while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you!
Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism--
that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met
you I saw that you were quite unconscious of what you really are,
of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is
such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars.
But we never get back our youth. The pulse of joy that beats in us
at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but
youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Canning is a whole world of a thing to do. It requires that you get out of your head. It's a Zen thing. You cannot be wondering about your inadequacies and how they drove Bob off and be making jelly. You'll wind up with big, cylindrical jujubes.
”
”
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
“
I just couldn’t understand how you could go from being alive, from having molecules and blood cells constantly shifting around inside you, and thought processes and a mind full of memories and dreams and love and hate, and in just one tiny second these miraculous things stop and you’re dead. How could all that disappear? What happened to your soul, your essence, your wonder? Just because a muscle stops beating? It made absolutely no sense.
”
”
Sarra Manning (Let's Get Lost)
“
And then the queen wept with all her heart. Not for the cruel and greedy man who had warred and killed and savaged everywhere he could. But for the boy who had somehow turned into that man, the boy whose gentle hand had comforted her childhood hurts, the boy whose frightened voice had cried out to her at the end of his life, as if he wondered why he had gotten lost inside himself, as if he realized that it was too, too late to get out again.
”
”
Orson Scott Card (Maps in a Mirror: The Short Fiction of Orson Scott Card)
“
Young Emma.” It doesn’t sound condescending at all, the way he says it. Just wistful. “The twins will need you now. More than they realize.” He eases closer to me, pensive. “It was difficult for them when we lost our mother. Losing Rachel is…They suffered a great lost today.”
I draw in a breath. If we weren’t underwater, tears would be spilling down my cheeks instead of getting sopped up by the gentle current. I wonder how many tears the ocean has swallowed, how much of the ocean is actually made of tears.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
A minute or so passed by--not long, but long enough to make me wonder whether Oliver was setting up mood lighting or hiding dead bodies. Or if someone was up there waiting to stab me again. Or if someone was up there waiting to hand me a crown and tell me I was the long-lost princess of Genovia. Or if I'd tumble into a pit of lava, only to get saved at the last second by a flying carpet.
”
”
Lindsay Ribar (The Art of Wishing (The Art of Wishing, #1))
“
In my favorite books, it’s never quite the ending I want. There’s always a price to be paid. Mom and Libby liked the love stories where everything turned out perfectly, wrapped in a bow, and I’ve always wondered why I gravitate toward something else. I used to think it was because people like me don’t get those endings. And asking for it, hoping for it, is a way to lose something you’ve never even had. The ones that speak to me are those whose final pages admit there is no going back. That every good thing must end. That every bad thing does too, that everything does. That is what I’m looking for every time I flip to the back of a book, compulsively checking for proof that in a life where so many things have gone wrong, there can be beauty too. That there is always hope, no matter what. After losing Mom, those were the endings I found solace in. The ones that said, Yes, you have lost something, but maybe, someday, you’ll find something too. For a decade, I’ve known I will never again have everything, and so all I’ve wanted is to believe that, someday, again, I’ll have enough. The ache won’t always be so bad. People like me aren’t broken beyond repair. No ice ever freezes too thick to thaw and no thorns ever grow too dense to be cut away. This book has crushed me with its weight and dazzled me with its tiny bright spots. Some books you don’t read so much as live, and finishing one of those always makes me think of ascending from a scuba dive. Like if I surface too fast I might get the bends.
”
”
Emily Henry (Book Lovers)
“
I wonder now about Demeter and Persephone. Maybe Persephone was glad to run off with the king of death to his underground realm, maybe it was the only way she could break away from her mother, maybe Demeter was a bad parent the way Lear was a bad parent, denying nature, including the nature of children to leave their parents. Maybe Persephone thought Hades was the infinitely cool older man who held the knowledge she sought, maybe she loved the darkness, the six months of winter, the sharp taste of pomegranates, the freedom from her mother, maybe she knew that to be truly alive death had to be part of the picture just as winter must. It was as the queen of hell that she became an adult and came into power. Hades’s realm is called the underworld, and so are the urban realms of everything outside the law. And as in Hopi creation myths, where humans and other beings emerge from underground, so it’s from the underground that culture emerges in this civilization.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
A happy love is a single story, a disintegrating one is two or more competing, conflicting versions, and a disintegrated one lies at your feet like a shattered mirror, each shard reflecting a different story, that it was wonderful, that it was terrible, if only this had, if only that hadn't. The stories don't fit back together, and it's the end of stories, those devices we carry like shells and shields and blinkers and occasionally maps and compasses. The people close to you become mirrors and journals in which you record your history, the instruments that help you know yourself and remember yourself, and you do the same for them. When they vanish so does the use, the appreciation, the understanding of those small anecdotes, catchphrases, jokes: they become a book slammed shut or burnt.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
”
”
Sabrina K
“
To Poetry"
Don’t desert me
just because I stayed up last night
watching The Lost Weekend.
I know I’ve spent too much time
praising your naked body to strangers
and gossiping about lovers you betrayed.
I’ve stalked you in foreign cities
and followed your far-flung movements,
pretending I could describe you.
Forgive me for getting jacked on coffee
and obsessing over your features
year after jittery year.
I’m sorry for handing you a line
and typing you on a screen,
but don’t let me suffer in silence.
Does anyone still invoke the Muse,
string a wooden lyre for Apollo,
or try to saddle up Pegasus?
Winged horse, heavenly god or goddess,
indifferent entity, secret code, stored magic,
pleasance and half wonder, hell,
I have loved you my entire life
without even knowing what you are
or how—please help me—to find you.
”
”
Edward Hirsch
“
Andy: Most of the things I did with her partly in mind. And if I said or did an inauthentic thing, I could almost hear her groaning over my shoulder. But now she's gone and I really don't know how I'll get along without her.
Melissa: (Looking at him for the first time.) You'll survive, Andy...
Andy: I have a wonderful wife, fine children, and a place in the world I feel proud of, but the death of Melissa suddenly leaves a huge gap in my life...
Melissa: Oh now, Andy...
Andy: The thought of never again being able to write to her, to connect to her, to get some signal back from her, fills me with an emptiness which is hard to describe.
Melissa: Now Andy, stop...
Andy: I don't think there are many men in this world who have had the benefit of such a friendship with such a woman. But it was more than friendship, too. I know now that I loved her. I loved her even from the day I met her, when she walked into second grade, looking like the lost princess of Oz.
Melissa: Oh, Andy, PLEASE. I can't bear it.
Andy: I don't think I've ever loved anyone the way I loved her, and I know I never will again. She was at the heart of my life, and already I miss her desperately. I just wanted to say this to you and to her. Sincerely, Andy Ladd.
Melissa: Thank you, Andy.
”
”
A.R. Gurney (Love Letters)
“
Why Dream?
Life is a difficult assignment. We are fragile creatures, expected to function at high rates of speed, and asked to accomplish great and small things each day. These daily activities take enormous amounts of energy. Most things are out of our control. We are surrounded by danger, frustration, grief, and insanity as well as love, hope, ecstasy, and wonder. Being fully human is an exercise in humility, suffering, grace, and great humor. Things and people all around us die, get broken, or are lost. There is no safety or guarantees.
The way to accomplish the assignment of truly living is to engage fully, richly, and deeply in the living of your dreams. We are made to dream and to live those dreams.
”
”
Sarkis
“
I held up my ice-cream cone in the gesture of a toast. "Number thirteen: Eat ice cream in public."
About this one... I don't get it. What's the big deal about eating ice cream?"
Fat people aren't allowed to eat in public."
What are you talking about?" she said, a bit snobbily in my opinion. "I notice them eating all the time."
Exactly."
You lost me."
It's hard to enjoy the eating experience when you feel everyone's staring at you, thinking, No wonder she's such a fat cow. Look how she eats."
I don't think that!"
Sure.
”
”
Jill Smolinski (The Next Thing on My List)
“
He remembered the old-timers from his navy days. Grizzled lifers who could soundly sleep while two meters away their shipmates played a raucous game of poker or watched the vids with the volume all the way up. Back then he'd assumed it was just learned behavior, the body adapting so it could get enough rest in an environment that never really had downtime. Now he wondered if those vets found the constant noise preferable. A way to keep their lost shipmates away. They probably went home after their twenty and never slept again.
”
”
James S.A. Corey (Leviathan Wakes)
“
One thing was certain: life was a maze. There was nothing “straight forward”. Everything that pretended to be straight somehow ended in unexpected twists and turns, only to leave you full of wonder at how you possibly made it through to the end. You couldn’t just pack a pair of hedge trimmers to take a shortcut and hoodwink fate. No, you had to walk the path of life given to you with all its detours. The goal wasn’t to avoid getting lost sometimes—in fact, that was most unlikely given that you were in a maze. The trick was simply to keep walking. To enjoy the process of getting lost and finding yourself again, different and more grown-up than when you had left. One step after another, that was all that it took. One step after another, so simple and so utterly enough.
”
”
Meara O'Hara (The Wanderess and her Suitcase)
“
Many jocular comments followed, as did another onslaught of "heil Hitlering." You know, it actually makes me wonder if anyone ever lost an eye or injured a hand or wrist with all of that. You'd only need to be facing the wrong way at the wrong time or stand marginally too close to another person. Perhaps people did get injured. Personally, I can only tell you that no one died from it, or at least, not physically. There was, of course, the matter of forty million people I picked up by the time the whole thing was finished, but that's getting all metaphoric.
”
”
Markus Zusak (The Book Thief)
“
It’s one of the things I find most depressing about Trump. He’s trained his docile followers to believe in an America that is weaker, sadder, and smaller than we really are. I remain militantly optimistic about America, our rich talent and our amazing, messy, wonderful, ridiculous, crazy, passionate people. It’s too bad a central tenet of Trumpism is to run down the people of this country and describe a nation so lost and weak it requires an authoritarian strongman.
”
”
Rick Wilson (Everything Trump Touches Dies: A Republican Strategist Gets Real About the Worst President Ever)
“
Maybe I can do some writing then. The phrase made him sick. It had no meaning anymore. Like a word that is repeated until it becomes gibberish that sentence, for him, had been used to extinction. It sounded silly; like some bit of cliché from a soap opera. Hero saying in dramatic tones – Now, by God, maybe I can do some writing. Senseless. For a moment, though, he wondered if it was true. Now that she was leaving could he forget about her and really get some work done? Quit his job? Go somewhere and hold up in a cheap furnished room and write? You have $123.89 in the bank, his mind informed him. He pretended it was the only thing that kept him from it. But, far back in his mind, he wondered if he could write anything. Often the question threw itself at him when he was least expecting it. You have four hours every morning, the statement would rise like a menacing wraith. You have time to write many thousands of words. Why don't you? And the answer was always lost in a tangle of becauses and wells and endless reasons that he clung to like a drowning man at straws.(“Mad House”)
”
”
Richard Matheson (Collected Stories, Vol. 1)
“
They way I walk now
you’d have a hard time recognising me,
on these streets
where I once imagined walking with you.
Hand in hand,
like we always did,
and it never mattered where we were going
because it was all just fine.
I was always fine.
But they rest restlessly in my pockets now,
in a new town,
on these new streets,
and it’s heavy to stay standing
for my body is half the size
when you’re gone
and these buildings are tall and old and beautiful
and I wonder what secrets they hold.
How to stand so proud after so many years
because I’m still young but I feel worn
and I get through the days on too much caffeine and mood altering chemicals
to stay awake long enough to make the poetry come alive.
I fall asleep on the floor with the music still playing
when my neighbour leaves for the office
and I’m jealous.
I wonder what it’s like to go outside and know where to go,
know where you want to end up
and just simply go there.
I’ve been making lists of things I want to do,
where to go
and who to be,
now that you’re gone,
and it’s nice and all,
it’s just …
I’d rather write it with you,
and go there with you.
Be things
with you.
There were days when I still put on make up
in case you’d come back,
but I wear the same clothes and shower in the rain,
eat when I can and sleep when I can,
which is rare and not often,
so if you’d see me now
on these streets
where I once imagined walking with you
you’d have a hard time recognising me.
It takes a lot to run away.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
America, how’s your marriage? Your two-hundred-fifty-year-old promise to stay together in sickness and in health? First thirteen states, then more and more, until fifty of you had taken the vow. Like so many marriages, I know, it was not for love; I know it was for tax reasons, but soon you all found yourselves financially entwined, with shared debts and land purchases and grandiose visions of the future, yet somehow, from the beginning, essentially at odds. Ancient grudges. That split you had—that still stings, doesn’t it? Who betrayed whom, in the end? I hear you tried getting sober. That didn’t last, did it? So how’s it going, America? Do you ever dream of each being on your own again? Never having to be part of someone else’s family squabble? Never having to share a penny? Never having to bear with someone else’s gun hobby, or car obsession, or nutrition craze? Tell me honestly, because I have contemplated marriage and wonder: If it can’t work for you, can it work for any of us?
”
”
Andrew Sean Greer (Less Is Lost)
“
. . . kinda had to after I got tangled in a chandelier my first night home. Seriously? Sophie cracked up as she tried to imagine that. Oh, it was way more humiliating than what you’re thinking, he told her, sharing his actual memories of the way the strings of crystals seemed to wrap around him like sparkly tentacles. How did you even manage to do that? she wondered. No idea. I was just trying to get upstairs and I launched myself too high, and then my sleeve got caught and I tried to untangle it and next thing I knew Biana was collapsed on the floor in a fit of giggles and my dad was calling for the gnomes. It took five of them to free me. They had to stand on each other’s shoulders in a giant gnome stack. Sophie was laughing so hard that Sandor peeked his head into her room, probably making sure she wasn’t losing her mind. I wish I’d been there, she told Fitz.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
Dr. Bar David?”
A young man with black eyes and curly hair came toward him. Carrying a digital recorder. He looked familiar.
“Richard Falco, North Richardson High. I took algebra and Calc I from you.”
“Oh, yes, of course. Good to see you.”
“I’m now reporting for Anchor Media. Just started a couple of months ago.”
David started walking away. “Good for you. What a good course of action.”
“Listen, I need to get a couple of quotes anyway. I wonder if—Oh, wait! I’m so sorry. You were at the North Richardson school shooting, five years ago.”
David nodded. And began to panic.
“That’s why you’re here, right?” the stupid student asked. “Protesting gun laws?”
“I really need to be going, now. Good luck with your interviews.” Hyperventilating.
Richard grabbed David’s shoulder. “But Dr. Bar David. Your story, tragic as it is, ends up being the reason for this whole public gun melting, right? A few words from you about—”
David lost it. “Listen! My whole life changed that day. When that meshugener killed my entire family, my wife and my son, in an instant! With a gun he purchased the week before!” David grabbed the kid’s throat. “I do not want to talk about it. Don’t mention me in your article. I will sue you! Leave me alone.”
Richard swallowed and nodded, fast. “Sorry, sorry, I’m so sorry—”
David started shouting, “The bullets! The bullets! The bullets!”
His head pounded. His ears roared.
”
”
Michael Grigsby (Segment of One)
“
Freud was fascinated with depression and focused on the issue that we began with—why is it that most of us can have occasional terrible experiences, feel depressed, and then recover, while a few of us collapse into major depression (melancholia)? In his classic essay “Mourning and Melancholia” (1917), Freud began with what the two have in common. In both cases, he felt, there is the loss of a love object. (In Freudian terms, such an “object” is usually a person, but can also be a goal or an ideal.) In Freud’s formulation, in every loving relationship there is ambivalence, mixed feelings—elements of hatred as well as love. In the case of a small, reactive depression—mourning—you are able to deal with those mixed feelings in a healthy manner: you lose, you grieve, and then you recover. In the case of a major melancholic depression, you have become obsessed with the ambivalence—the simultaneity, the irreconcilable nature of the intense love alongside the intense hatred. Melancholia—a major depression—Freud theorized, is the internal conflict generated by this ambivalence. This can begin to explain the intensity of grief experienced in a major depression. If you are obsessed with the intensely mixed feelings, you grieve doubly after a loss—for your loss of the loved individual and for the loss of any chance now to ever resolve the difficulties. “If only I had said the things I needed to, if only we could have worked things out”—for all of time, you have lost the chance to purge yourself of the ambivalence. For the rest of your life, you will be reaching for the door to let you into a place of pure, unsullied love, and you can never reach that door. It also explains the intensity of the guilt often experienced in major depression. If you truly harbored intense anger toward the person along with love, in the aftermath of your loss there must be some facet of you that is celebrating, alongside the grieving. “He’s gone; that’s terrible but…thank god, I can finally live, I can finally grow up, no more of this or that.” Inevitably, a metaphorical instant later, there must come a paralyzing belief that you have become a horrible monster to feel any sense of relief or pleasure at a time like this. Incapacitating guilt. This theory also explains the tendency of major depressives in such circumstances to, oddly, begin to take on some of the traits of the lost loved/hated one—and not just any traits, but invariably the ones that the survivor found most irritating. Psychodynamically, this is wonderfully logical. By taking on a trait, you are being loyal to your lost, beloved opponent. By picking an irritating trait, you are still trying to convince the world you were right to be irritated—you see how you hate it when I do it; can you imagine what it was like to have to put up with that for years? And by picking a trait that, most of all, you find irritating, you are not only still trying to score points in your argument with the departed, but you are punishing yourself for arguing as well. Out of the Freudian school of thought has come one of the more apt descriptions of depression—“aggression turned inward.” Suddenly the loss of pleasure, the psychomotor retardation, the impulse to suicide all make sense. As do the elevated glucocorticoid levels. This does not describe someone too lethargic to function; it is more like the actual state of a patient in depression, exhausted from the most draining emotional conflict of his or her life—one going on entirely within. If that doesn’t count as psychologically stressful, I don’t know what does.
”
”
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
“
Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question… And if you spare a last though, maybe it’s ghosts you wonder about… the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but tough… tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and that’s all there is. You don’t have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memory… but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.
”
”
Stephen King (It)
“
The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain.
And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will?
The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once.
The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible.
And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
”
”
Mark Helprin (Winter's Tale)
“
Do you even feel anything, Chad? Will you for once stop walking around, all in control and f'ing calm? Do you have any idea what you all have done. I lost everything, Chad. Everything, when Kyle died. I lost myself. I had finally begun to build a new life with new friends. With people I thought cared about me. I have started to be just a little bit happy again. Was it too much to ask? Did I ask for too much by just wanting to have a little bit of a life again? Now, it’s all screwed up again and you walk around here like you don’t feel anything about what’s happened.”
Chad spun around, and for only the second time since she’d known him, she saw the flash of anger so fierce her breath caught in her throat and she took an involuntary step back, away from him. Jennie knew Chad would never hurt her on purpose, but the anger rolling off of him was palpable. It seemed to force her backwards as if it had a life of its own, a power of its own.
“Not feel anything, Jennie? Are you f'ing kidding me? I walk around here every day and I ache every f'ing minute I’m with you. I’m so twisted up with loving you and hating you, I can’t breathe. I can’t keep my hands off you, but I can’t let myself kiss you because I might lose myself in you. I can’t make love to you because I’m afraid you’ll pretend I’m him. I know you want his arms around you, not mine. I know you want it to be his baby inside you, not mine. And I know you can’t love me back, no matter what I do, because you’re still so in love with your husband, you can’t even begin to see me.”
Chad didn’t stop and Jennie didn’t try to stop him.
“And every day, I have to sit here and wonder how I’ll be a part of my baby’s life. I wonder if you’ll let me be in the delivery room, if you’ll let me help you name the baby. I wonder how much money I’d have to offer the people who live across the street from you to get them to sell me their house, just so I can see my child grow up. If you’ll let me...” Chad stopped as if he’d run out of steam.
They stood in uneasy silence for a long time before Chad spoke again. He sounded worn out and bitter and angry, mirroring Jennie’s chaos of emotions.
“Am I feeling anything? Yeah. I’m feeling some f'ing sh**, Jen.
”
”
Lori Ryan (Negotiation Tactics (Sutton Capital #3))
“
Justin: I am falling so in love with you.
Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words.
Justin: I lose myself and find myself at the same time with you.
Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have.
Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense.
Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems.
Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place.
Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want.
Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss.
Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport.
Ten minutes went by. He had said not to reply, so she hadn’t.
Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now.
Justin: God, I hope you aren’t… aren’t… something bad.
Celeste: Hey, Justin?
Justin: I TOLD YOU NOT TO REPLY!
Justin: I know, I know. But I’m happy you did because I lost it there for a minute.
Celeste: HEY, JUSTIN?
Justin: Sorry… Hey, Celeste?
Celeste: I am, unequivocally and wholly falling in love with you, too.
Justin: Now I’m definitely speeding. I will see you soon.
”
”
Jessica Park (Flat-Out Celeste (Flat-Out Love, #2))
“
In the warmer months of the year one or other of those nocturnal insects quite often strays indoors from the small garden behind my house. When I get up early in the morning, I find them clinging to the wall, motionless. I believe, said Austerlitz, they know they have lost their way, since if you do not put them out again carefully they will stay where they are, never moving, until the last breath is out of their bodies, and indeed they will remain in the place where they came to grief even after death, held fast by the tiny claws that stiffened in their last agony, until a draft of air detaches them and blows them into a dusty corner. Sometimes, seeing one of these moths that have met their end in my house, I wonder what kind of fear and pain they feel while they are lost.
”
”
W.G. Sebald
“
SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
While walking, for example, if we are talking or thinking at the same time, we get caught up in the conversation or thoughts we’re having and get lost in the past or the future, our worries or our projects. People can easily spend their entire lives doing just that. What a tragic waste! Let us instead really live these moments that are given to us. In order to be able to live our life, we have to stop that radio inside, turn off our internal discourse.
How can we enjoy our steps if our attention is given over to all that mental chatter? It’s important to become aware of what we feel, not just what we think. When we touch the ground with our foot, we should be able to feel our foot making contact with the ground. When we do this, we can feel a lot of joy in just being able to walk. When we walk, we can invest all our body and mind into our steps and be fully concentrated in each precious moment of life.
In focusing on that contact with the earth, we stop being dragged around by our thoughts and begin to experience our body and our environment in a wholly different way. Our body is a wonder! Its functioning is the result of millions of processes. We can fully appreciate this only if we stop our constant thinking and
have enough mindfulness and concentration to be in touch with the wonders of our body, the Earth, and the sky.
”
”
Thich Nhat Hanh (Silence: The Power of Quiet in a World Full of Noise)
“
It's halftime. Both teams are in their locker room discussing what they can do to win this game in the second half.
It's halftime in America, too. People are out of work and they're hurting. And they're all wondering what they're going to do to make a comeback. And we're all scared, because this isn't a game.
The people of Detroit know a little something about this. They almost lost everything. But we all pulled together, now Motor City is fighting again.
I've seen a lot of tough eras, a lot of downturns in my life. And, times when we didn't understand each other. It seems like we've lost our heart at times. When the fog of division, discord, and blame made it hard to see what lies ahead.
But after those trials, we all rallied around what was right, and acted as one. Because that's what we do. We find a way through tough times, and if we can't find a way, then we'll make one.
All that matters now is what's ahead. How do we come from behind? How do we come together? And, how do we win?
Detroit's showing us it can be done. And, what's true about them is true about all of us.
This country can't be knocked out with one punch. We get right back up again and when we do the world is going to hear the roar of our engines.
Yeah, it's halftime America. And, our second half is about to begin.
”
”
Clint Eastwood
“
Blue Denim
I saw him the other day
I saw him again... yesterday
I wonder if I'll ever see him again
He reminded me of Blue Denim
[Chorus:]
Blue-gray eyes... they change with the color...
Change with the sun... they run with the sight
They change with the wind... but they're always bright
Bright eyes... Blue Denim
Bright eyes... Blue Denim
I knew him another way
I knew him another day
In some ways he'd forgotten me
In many ways he got to me
I turned away so he couldn't see
I turned away... it could never be
I never thought he could walk away
But I lost him again... yesterday
[Chorus]
Understanding me... understanding you
Is not an easy thing to do
Understanding me... and understanding you
Is not an easy thing to do
And I will never forget...
The last time I saw you
Like a photograph... so rare
Like a painting
No I will never forget...
The last time I saw you
Never to be... not you... not me
No... no...
[Chorus]
So I'm going away for a little while
To remember how to feel
And if I find the answer...
I promise you... I'll come back and get you
I'll come back and get you
I'll come back and get you
”
”
Stevie Nicks
“
How can we expect the world to change if we are unwilling to change ourselves? We hate the haters, judge the judgers, and refuse to forgive the supposed unforgivable. We are hypocrites, most of us, comfortable condemning others for the same things we do. Like sheep we follow, like wolves we attack, like fools we listen to the loudest voices, even when they scream nothing but hate. We are lost in our desire to be like everyone else, and paralyzed in our fear to be ourselves. We are desperate to feel safe amidst our cries for retaliation and more wars. Where is the common sense? If we want to end war, then be peaceful. If we want to know love, then stop hating. if we want to find happiness, then let go of negativity, and befriend gratitude. real change isn’t born from making the same choices over and over, especially choices muddied with insecurity and fear. we can’t wrest ourselves from darkness by turning out our light. everything just gets darker then. Let's worry less about changing the world and more about changing ourselves. That, we can do, each one of us. With commitment and work. And a single candle does wonders in even the darkest of nights.
”
”
Scott Stabile
“
With the best of intentions, the generation before mine worked diligently to prepare their children to make an intelligent case for Christianity. We were constantly reminded of the superiority of our own worldview and the shortcomings of all others. We learned that as Christians, we alone had access to absolute truth and could win any argument. The appropriate Bible verses were picked out for us, the opposing positions summarized for us, and the best responses articulated for us, so that we wouldn’t have to struggle through two thousand years of theological deliberations and debates but could get right to the bottom line on the important stuff: the deity of Christ, the nature of the Trinity, the role and interpretation of Scripture, and the fundamentals of Christianity. As a result, many of us entered the world with both an unparalleled level of conviction and a crippling lack of curiosity. So ready with the answers, we didn’t know what the questions were anymore. So prepared to defend the faith, we missed the thrill of discovering it for ourselves. So convinced we had God right, it never occurred to us that we might be wrong. In short, we never learned to doubt. Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time. We can say, as Tennyson said, Our little systems have their day; They have their day and cease to be; They are but broken lights of thee, And thou, O Lord, art more than they.15 I sometimes wonder if I might have spent fewer nights in angry, resentful prayer if only I’d known that my little systems — my theology, my presuppositions, my beliefs, even my fundamentals — were but broken lights of a holy, transcendent God. I wish I had known to question them, not him. What my generation is learning the hard way is that faith is not about defending conquered ground but about discovering new territory. Faith isn’t about being right, or settling down, or refusing to change. Faith is a journey, and every generation contributes its own sketches to the map. I’ve got miles and miles to go on this journey, but I think I can see Jesus up ahead.
”
”
Rachel Held Evans (Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions)
“
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally.
He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious.
You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible.
I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy.
How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him.
Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard.
“That was…enlightening,” he breathed. “Thank you, Kelsey.”
I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation.
“Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us.
Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve?
I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation.
He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.”
“Well, I no longer care about what you want!”
He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger.
I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path.
After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur - I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is. I had had one chance - for ten minutes yesterday afternoon. Helen of Troy, whatever your true name may be - and I had known it and I had let it slip away. Maybe one chance is all you ever get.
”
”
Robert A. Heinlein (Glory Road)
“
You said earlier today that you wanted to talk about something,” Halt said. Crowley nodded, gathering his thoughts before he began. “We seem to share a lot of the same skills,” he said. “And the same weapons. I noticed you carry a saxe knife and a throwing knife like mine. I wondered where you came by them.” Crowley, of course, carried his two knives in the distinctive Ranger-issue double scabbard. Halt’s were in separate scabbards, placed close together on the left side of his belt. He glanced at them now, where the belt was draped over a rock beside the campfire. “My mentor gave them to me,” he said. “He was a Ranger, like you.” Crowley sat up at that piece of information. “A Ranger?” he said. “In Hibernia? What was his name?” “He called himself Pritchard. He was an amazing man.” “He was indeed,” Crowley affirmed, and now it was Halt’s turn to look surprised. “You knew him?” Crowley nodded eagerly. “I was his apprentice for five years. He taught me everything I know. How did you come to meet him?” “He turned up at Du . . . Droghela, some three years ago. He took me under his wing and taught me silent movement, knife work, tracking and the rest. I could already shoot, but he tightened up my technique quite a bit.” Crowley noticed the hesitation and correction when Halt mentioned the name of the place where he’d met Pritchard. But he let it pass. “Yes. He was very big on technique.” “And practice,” Halt agreed. Crowley smiled at the memory of his old teacher. “He had a saying. An ordinary archer practices until he gets it right. A Ranger—” “Practices until he never gets it wrong.” Halt
”
”
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
“
Your wife,” said Arthur, looking around, “mentioned some toothpicks.” He said it with a hunted look, as if he was worried that she might suddenly leap out from behind a door and mention them again.
Wonko the Sane laughed. It was a light easy laugh, and sounded like one he had used a lot before and was happy with.
“Ah yes,” he said, “that’s to do with the day I finally realized that the world had gone totally mad and built the Asylum to put it in, poor thing, and hoped it would get better.”
This was the point at which Arthur began to feel a little nervous again.
“Here,” said Wonko the Sane, “we are outside the Asylum.” He pointed again at the rough brickwork, the pointing, and the gutters. “Go through that door” — he pointed at the first door through which they had originally entered — “and you go into the Asylum. I’ve tried to decorate it nicely to keep the inmates happy, but there’s very little one can do. I never go in there myself. If I ever am tempted, which these days I rarely am, I simply look at the sign written over the door and I shy away.”
“That one?” said Fenchurch, pointing, rather puzzled, at a blue plaque with some instructions written on it.
“Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do.”
The sign read:
“Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.”
“It seemed to me,” said Wonko the Sane, “that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.”
He gazed out at the Pacific again, as if daring it to rave and gibber at him, but it lay there calmly and played with the sandpipers.
“And in case it crossed your mind to wonder, as I can see how it possibly might, I am completely sane. Which is why I call myself Wonko the Sane, just to reassure people on this point. Wonko is what my mother called me when I was a kid and clumsy and knocked things over, and sane is what I am, and how,” he added, with one of his smiles that made you feel, Oh. Well that’s all right then. “I intend to remain.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.”
She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?”
“All of it. I can’t have those things with you. You know what I am.”
“Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.”
“But the other part—”
“What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips.
“A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.”
She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?”
He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.”
The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.”
“Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
”
”
Shelby Reed (The Fifth Favor)
“
Our world no longer hears God because it is constantly speaking, at a devastating speed and volume, in order to say nothing. Modern civilization does not know how to be quiet. It holds forth in an unending monologue. Postmodern society rejects the past and looks at the present as a cheap consumer object; it pictures the future in terms of an almost obsessive progress. Its dream, which has become a sad reality, will have been to lock silence away in a damp, dark dungeon. Thus there is a dictatorship of speech, a dictatorship of verbal emphasis. In this theater of shadows, nothing is left but a purulent wound of mechanical words, without perspective, without truth, and without foundation. Quite often “truth” is nothing more than the pure and misleading creation of the media, corroborated by fabricated images and testimonies. When that happens, the word of God fades away, inaccessible and inaudible. Postmodernity is an ongoing offense and aggression against the divine silence. From morning to evening, from evening to morning, silence no longer has any place at all; the noise tries to prevent God himself from speaking. In this hell of noise, man disintegrates and is lost; he is broken up into countless worries, fantasies, and fears. In order to get out of these depressing tunnels, he desperately awaits noise so that it will bring him a few consolations. Noise is a deceptive, addictive, and false tranquilizer. The tragedy of our world is never better summed up than in the fury of senseless noise that stubbornly hates silence. This age detests the things that silence brings us to: encounter, wonder, and kneeling before God. 75. Even in the schools, silence has disappeared. And yet how can anyone study in the midst of noise? How can you read in noise? How can you train your intellect in noise? How can you structure your thought and the contours of your interior being in noise? How can you be open to the mystery of God, to spiritual values, and to our human greatness in continual turmoil? Contemplative silence is a fragile little flame in the middle of a raging ocean. The fire of silence is weak because it is bothersome to a busy world.
”
”
Robert Sarah (The Power of Silence: Against the Dictatorship of Noise)
“
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since.
I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since.
But it came to me very simply one day at school, aged only sixteen.
As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal.
But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong.
Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant.
The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too.
The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up.
I mean, what does a child know about faith?
It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known.
Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about.
Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg.
I was devastated.
I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life.
‘Please, God, comfort me.’
Blow me down … He did.
My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.)
To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies.
This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes.
The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.
This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being.
Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree.
I had found a calling for my life.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck."
Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us.
When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away.
Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him.
"You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer."
"I was worried. You didn't get up."
"And so you were just going to march out on the field and what?"
God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes.
I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker.
"I was going to come out there and kiss it and make it better."
He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring.
This was our moment.
And I was so damn happy he wasn't hurt.
"So you're okay, then?" I asked.
"Takes a lot more than a shady illegal attack to keep me down."
Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders.
"I'll just go back to my seat, then," I said.
He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine.
It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV.
But I kissed him back anyway. I got lost in him.
When he pulled back, I said, "By the way, You're totally kicking ass out there."
He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave.
He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing.
"Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.'
'Granted; - but would you use the same argument with regard to a girl?'
'Certainly not.'
'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?'
'Assuredly not.'
'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - '
'Heaven forbid that I should think so!' I interrupted her at last."
'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse.
Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
”
”
Anne Brontë
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all."
She held his gaze but was wise enough not to interrupt. If she had...
He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged."
Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die."
Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity."
Smiling, he closed his hand about hers. "Mine to protect for our eternity."
Yes. Neither said the word, yet the sense of it vibrated in the air all around them.
A high-pitched giggle broke the spell, had them both looking along the path.
TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them.
Reaching them, laughing with delight, the pair whooped and circled.
Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated.
Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be.
"You're getting married!" Lucilla crowed.
Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy."
Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward."
"I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
And sometimes I get carried away, that's all. If you weren't so...judgemental all the time-"
"Am I? I don't think I am . I try not to be. I just don't..." She stopped herself speaking, shook her head. "I know you've been through a lot, in the last few years, and I've tried to understand that, really I have, with your mum and all, but..."
"Go on," he said.
"I just don't think you're the person I used to know. You're not my friend anymore. That's all."
He could think of nothing to say to this, so they stood in silence, until Emma put her hand out, took two fingers of his hand, squeezed them in her palm.
"Maybe...maybe this is it, then," she said. "Maybe it's just over."
"Over? What's over?"
"Us. You and me. Friendship. There are things I needed to talk to you about, Dex. About Ian and me. If you're my friend I should be able to talk to you but I can't, and if I can't talk to you, well, what is the point of you? Of us?"
"'What's the point?'"
"You said yourself, people change, no use getting sentimental about it. Move on, find someone else."
"Yeah, but I didn't mean us..."
"Why not?"
"Because we're....us. We're Dex and Em. Aren't we?"
Emma shrugged. "Maybe we've grown out of each other."
He said nothing for a moment, then spoke. "So, do you think I've grown out of you, or you've grown out of me?"
She wiped her nose with the back of her hand. "I think you think I'm....dreary. I think you think I cramp your style. I think you've lost interest in me."
"Em I do not think you're dreary."
"And neither do I! Neither do I! I think I'm fucking marvellous if you only knew it, and I think you used to think so too! But if you don't or if you're going to just take it for granted, then that's fine. I'm just not prepared to be treated like this anymore."
"Treated like what?"
She sighed, and it was a moment before she spoke.
"Like you always want to be somewhere else, with someone else."
He would have denied this, but the Cigarette Girl was waiting in the restaurant at that very moment, the number of his mobile phone tucked into her garter. Later he would wonder if there was something else he might have said to save the situation, a joke perhaps. But nothing occurred to him and Emma let go of his hand.
”
”
David Nicholls (One Day)
“
Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it. [...]"
The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there.
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...]
"Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...]
"Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...]
Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned.
Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...]
Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all,” Nicky said [...].
"Don't let him get away with things like that."
Nicky considered him for a moment, his smile fading into something small and tired.
"Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way."
"He's like this because you let him get away with it," Neil said. [...]
"That was my fault. [...] I said something I shouldn't have, and got what I deserved.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes.
Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news.
When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction.
“No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.”
Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.”
“’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision.
“Look, I’m doing this. I was just asking you to come along with me.”
“You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.”
She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.”
Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes.
“Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her.
She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did.
His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going.
“So, how is this going to work?” he demanded roughly against the top of her head.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
”
”
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))